#ALSO JUST WATCHED GERMANY EUROVISION

[decimateddreams]

!! oh boy

as for the guys it's uh. sort of a long story but i will try to summarize it

so. for a good part of the story they're kinda just vibing, being gay, doing crime, etc etc. and then the gods announce there'll be elections to determine a mayor for the town this is all set in. and one of them runs in the elections (against a semi sentient pig in a suit....?). all is well. UNTIL the day of the elections where the one who isn't running has some sort of flashback to a previous version of this world and hes like 'i can't let him win i have to protect him everyone's gonna try to use him for his power etc etc' and he uh. presents himself as candidate and ends up winning the elections (by stealing the other guy's votes). and he's thinking to himself oh it'll be fine he'll be mad at me for a bit but he'll understand

BUT HE DOES NOT. he goes absolutely fucking insane completely loses it decides killing the now mayor is his entire life's purpose and so on and so forth. and the whole thing slowly escalates into an entire civil war. but, as the two sides are having a battle, the aliens that have kinda been a threat the entire time attack and destroy half the town. so then they're like ok we'll work together to get rid of the aliens but mr 'i am going to destroy everything you love and then i'm going to kill you' is not fucking having it and the mayor isn't a big fan of this either so then this Other guy gets really fucking sick of their shit and kidnaps them to first force them to talk about their issues but then THAT doesn't work so he just fucking. completely wipes their memories of each other. including the ones from when they still got along. they remember NOTHING about each other after AND STILL THEY IMMEDIATELY BECOME FRIENDS AGAIN AND EVERYTHING

the aliens do destroy the whole place two episodes after but. augh

in conclusion? sobbing and crying. also these fuckers have like the Most upsetting fanart/fics/animatics ive ever seen. ive known about them for maybe a month and in that month ive taken massive amounts of emotional damage

as ALWAYS that is so so much. so much of mostly suffering etc but !!!!!!! absolutely not surprised about the emotional damage but surely. people must write other fanfic??? like fix its??? still rip though </////3

[doyoulikethissong-poll]

ABBA - Waterloo 1974

"Waterloo" is a song by Swedish pop group ABBA, with music composed by Benny Andersson and Björn Ulvaeus and lyrics written by Stikkan Anderson. It is first single of the group's second studio album of the same name, and their first under the Atlantic label in the US. This was also the first single to be credited to the group performing under the name ABBA. The title and lyrics reference the 1815 Battle of Waterloo, and use it as a metaphor for a romantic relationship.

In 1974, "Waterloo" represented Sweden in the 19th edition of the Eurovision Song Contest held in Brighton, winning the contest and beginning ABBA's path to worldwide fame. The song differed from the standard "dramatic ballad" tradition at the contest by its flavour and rhythm, as well as by its performance. ABBA gave the audience something that had rarely been seen before in Eurovision: flashy costumes (including silver platform boots), a catchy uptempo song and simple choreography. It was the first winning entry in a language other than that of their home country; prior to 1973, all Eurovision singers had been required to sing in their country's native tongue, a restriction that was lifted briefly for the contests between 1973 and 1976 (thus allowing "Waterloo" to be sung in English), then reinstated before ultimately being removed again in 1999. Watch the performance in Swedish here. Sveriges Radio released a promo video for "Waterloo" that was directed by film director Lasse Hallström, whose first notable English-language film success was What's Eating Gilbert Grape in 1993. ABBA recorded the German and French versions of "Waterloo" in March and April 1974; the French version was adapted by Alain Boublil, who would later go on to co-write the 1980 musical Les Misérables.

The song shot to number 1 in the UK and stayed there for two weeks, becoming the first of the band's nine UK number 1's, and the 16th biggest selling single of the year in the UK. It also topped the charts in Belgium, Denmark, Finland, West Germany, Ireland, Norway, and Switzerland, while reaching the Top 3 in Austria, France, the Netherlands, Spain, and Sweden. Unlike other Eurovision-winning tunes, the song's appeal transcended Europe: "Waterloo" also topped the charts in South Africa, and reached the Top 10 in Australia, Canada, New Zealand, Rhodesia, and the US (peaking at number 6, their third-highest-charting US hit after number 1 "Dancing Queen" and number 3 "Take a Chance on Me"). In 2005, at Eurovision fiftieth anniversary competition Congratulations: 50 Years of the Eurovision Song Contest, "Waterloo" was chosen as the best song in the contest's history.

"Waterloo" is featured in the encore of the musical Mamma Mia!. The song does not have a context or a meaning. It is just performed as a musical number in which members of the audience are encouraged to get up off their seats and sing, dance and clap along. The song is performed by the cast over the closing credits of the film Mamma Mia!, but is not featured on the official soundtrack. It is also performed as part of the story in the sequel, Mamma Mia! Here We Go Again, by Hugh Skinner and Lily James.

The Australian film Muriel's Wedding (1994), features "Waterloo" in a pivotal scene in which lead Toni Collette bonds with the character played by Rachel Griffiths. The film's soundtrack, featuring five ABBA tracks, is widely regarded as having helped to fuel the revival of popular interest in ABBA's music in the mid-1990s. "Waterloo" features prominently in the 2015 science-fiction film The Martian. The song plays as the film's lead, played by Matt Damon, works to ready his launch vehicle for a last-chance escape from Mars. In "Mother Simpson", the eighth episode of the seventh season of The Simpsons, Mr. Burns plays "Ride of the Valkyries" from a tank about to storm the Simpson home, but the song is cut-off and "Waterloo" is played, to which Smithers apologizes, advising he "must have accidentally taped over that".

"Waterloo" received a total of 89% yes votes!

(the video is posted by ABBA's own account, not Eurovision's = safe to watch)

[allthingsgerman]

I feel like ever since American people have been allowed to watch Eurovision it has gone down the drain.. where is the drama? Where is the glitter? Where are the men in hamster wheels? Where are the naked women churning butter? Where is the fire?

Can't we just get to keep this for ourselves? Americans literally ruin anything they touch!

This has nothing to do with Americans, this has to do with a certain cultural hegemony within the music industry and the way the contest is set up.

From what I remember the juries were originally introduced to moderate the block voting of certain regions (the balkans always exchanging maximum points, greece and cyprus etc.), but not only does that still happen, it now also seems to be a tool for the music industry (the jury is comprised of so-called 'experts' and professionals) to preserve what they apparently perceive as the 'dignity' of eurovision, by selecting boring mainstream songs and neglecting, let's say, interesting songs because it might be embarrassing.

This year the German jury was comprised of:

Katja Ebstein, a 78 year old singer who represented Germany in Eurovision three times between 1970 and 1980.

Alina Süggeler, whose band Frida Gold is mainly known for making forgettable EDM inspired pop stuff and commercials that are thinly disguised as music videos.

Anica Russo, a pop artist who I actually don't know much about but she finished 6th (out of 8) in the national selection for this year's German entry so make of that what you will.

Arne Gosh, a music manager.

Kai Tölke, Head of Music of a German radio station.

I'm assuming it will be similar in other countries. Managers and nonthreatening mainstream pop artists who are the darlings (and clients) of said managers and the labels, but who don't even match the most successful artists in the country.

And the vote of the German jury was:

12 points: Sweden, 10 points: Estonia, 8 points: Australia, 7 points: Spain, 6 points: Norway, 5 points: Czechia, 4 points: Italy, 3 points: Serbia, 2 points: Austria, 1 point: Lithuania.

The vote of the German public was:

12 points: Finland, 10 points: Italy, 8 points: Albania, 7 points: Ukraine, 6 points: Croatia, 5 points: Norway, 4 points: Poland, 3 points: Switzerland, 2 points: Belgium, 1 point: Sweden.

As you might notice, only two countries appear in both lists, and Sweden is last in the German public vote.

[garycxjk]

Why most people don't get Europapa

So, Joost Klein's Europapa apparently is taking the world by storm. With its happy hardcore or gabber house tunes and beats and the silly music video, there's no denying that this song has a certain charm, though it also has its detractors.

The thing is, though, most people on both sides don't fully get the song.

To summarize the song, it's essentially about an orphan who travels around Europe to find himself. Those were in Joost's own words.

Europapa is about an orphan who travels throughout Europe (and beyond) to find himself and tell his story. At first, people don’t recognise him, but he goes on seizing any opportunity he gets to let himself be seen. Europapa is a tribute to my father. When bringing me up, he passed on to me an expansive view of the world.

Okay, but why does the song sound so silly? Well, that's something deliberate. I don't really know much about Joost Klein's music, but what I do know is that this is basically what most of his songs are. Silly, yet deep.

Okay, brief detour to give context to the rest of what I'm writing, but it's important to remember that Joost Klein basically became an orphan at a young age. He lost his father to cancer when he was 12, and a year later, his mother died as well. This essentially shaped his music. From what I can gather from the many YouTube comments, he always watched Eurovision with his parents, and told them that one day he'd be there on stage.

So, let's just talk about the elephant in the room. Some people call this European propaganda. However, just the first few lines clue you in that it isn't just some pro-EU propaganda.

Welcome to Europe Stay here until I die

In fact, there are several lines used that wouldn't sit right if it were pro-EU propaganda. Let's look at the second verse.

Ich bin in Deutschland Aber ich bin so allein

Which roughly translates to

I'm in Germany But I'm so lonely

The next lines, "Io sono in Italia / Maar toch doet het pijn" (first line Italian, second line Dutch), which translates to "I'm in Italy / But I still feel pain".

Essentially, the entire song is him trying to let go of his past, to let go of his grief. That's essentially what the burning house and the windmill represent at the end, finally moving on from the past.

And that's essentially what the entire song is about. The entire song sounds like it's stuck in the '90s and early noughties. Naturally the most glaring part is the music style. Back in the '90s, happy hardcore and gabber house was really big, especially in the Netherlands. The way people dance back then and dressed when they did can be seen in the scene with Paul Elstak. Then there's the Gameboy Advance, which came out in the early 2000s.

Another cool thing is a reference to New Kids, a Dutch comedy show from 2007, when someone says "Welkom in Europa jongen!" ("Welcome in Europe boy!"). On the television screen, you can see Gerrie van Boven, played by Tim Haars, a character from New Kids.

But it isn't just a throwback. It's all being done deliberate. Something that gets lost in translation is the text. The rhymes work, however, to a Dutch person, it sounds a bit... childish. Very simple, at the very least. But I think that even that is done deliberately. It sounds like a child has been writing these lines, but I think that's the point of the song. It's supposed to sound like a child has been writing these lines.

The entire song is about the protagonist being stuck in the past, being stuck in his grief. It's why there's a disconnect between the text and the melody. Sure, it's a celebration of Europe, of Eurovision. Joost Klein genuinely loves Eurovision. However, it's also essentially him saying, this is me closing another chapter in my life.

Let's take a look at the outro of the song.

Op kruistocht in m'n spijkerbroek, lopend door de velden M'n papa en m'n mama zijn voor altijd mijn helden Aan het einde van de dag zijn we allemaal mensen M'n vader zei me ooit: "Het is een wereld zonder grenzen" Regen op het raam en ik stond huilend bij het venster Veel te vroeg duister, het is winter in de lente "Ik mis je elke dag", is wat ik stiekempjes fluister Zie je nou wel, pa? Ik heb naar je geluisterd

This... seems quite long, doesn't it? Well, that's because that's the full outro. What most hear during the video clip is this:

Aan het einde van de dag zijn we allemaal mensen M'n vader zei me ooit: "Het is een wereld zonder grenzen" "Ik mis je elke dag", is wat ik stiekempjes fluister Zie je nou wel, pa? Ik heb naar je geluisterd

Let's translate the full lyrics. I'll put the translations of the lyrics in the music video in bold and italic.

On my crusade in jeans, walking through the fields My dad and mom are forever my heroes At the end of the day we are all human beings My father once told me: "It's a world without borders" Rain on the window and I stood at the window crying Darkness far too soon, it's Winter in Spring "I miss you every day", is what I secretly whisper You see dad, I listened to you

So, basically, the gist is, this song has many layers. It's a heartfelt tribute to Eurovision, while also telling a personal story about grief and letting go of said grief.

Though I think this interview with Joost Klein on De Avondshow met Arjen Lubach may say more than I could.

Well, sometimes you must say goodbye to whatever is most dear to you. And when one door closes thousands of others open, apparently. But what I've learned is that you tend to hold on to your own pain sometimes. So this letter provides some sort of closure, dare I say. Saying: "Hey, Mum and Dad... You will always be there for me, but I can't carry this pain forever."

[bowserpunk-vevo]

Croatia in eurovision psa/lh

i need europe to know something about Croatia's eurovision entry. and i mean it, this is... quite rather important. well if you wanna understand the song that is, idk maybe it wont be as important to you, i dont know you

so if you heard it, you may have noticed that its a song encouraging dancing and is all happy and hyper and whatnot. the song is actually very sad and melancholic and sombering if you live in a culture like ours. he is singing about going to a big city, leaving his family and everything he ever knew and loved behind. he literally uses the phrase "my anxiety attacks". over here, most people stay in their family home for generations. my grandmother still "worships" the home her father was born in. the villages and towns are small here, pretty much your whole life is just as small, and to suddenly go so far far away from such a closely-bound family/town to a big city where life is completly different and cold... its a big scary things. he talks about the city boys and hopes they also know his family's dance, he calls them advanced, and is hopeful the noise will be calming... its scary, and its a thing that happens very very often. Croatian people are moving away more and more. and not just to a big croatian city (the the capital is very popular as well), but to places like Germany, Ireland, or Sweeden and Norway. i personally have family or people i know who made a life far away and we dont even know how they are by now. its a big decision, but its in search for a better life (we literally have addventisments begging people to stay in their city/town or even in Croatia itself). he says he's leaving with the first light, and asks his family not to cry, but to dance... and together they'll have one last one, as a last goodbye.

i just really want everyone listening to the song to know that its not just a dance song, a party song... its a song of great turmoil and remedying it with a family dance. i feel by understanding more of the song, you'd see it with more respect.

and im not just pulling this outta my ass, those are the themes we have here, and if you watch the official music video of the song... it ends with him sitting by a pier waiting for his boat, sitting on his bag with his head in his hands, all alone, not a soul in sight. as the sky is cloudy and dark, somber music playing along. much different atmosphere from the rest of the video, and song in general.

[outlanderskin]

It's been a while since I've wanted to write about a German celebrity couple who have a really private relationship. His name is Mark Forster and he is a very famous singer around here. Her name is Lena, and she is a German singer who became known after representing Germany in the Eurovision Song Contest in 2010 (winning). If you read or watch their interviews or look at their social networks, you will get the feeling that they are two single people with nothing in common. There is no indication on Lena's Instagram that she was pregnant and gave birth to a child. There is no indication on Mark's Instagram that he is a father. There are many sightings, but no compromising photos of the two lovebirds, even though they are pursued by gossip-hunting newspapers. This is what the press writes about them:

"Lena and Mark have known each other for years and have been on the jury of "The Voice Kids" together since 2016. They also appeared together in front of the camera on "Sing meinen Song - Das Tauschkonzert". The two were in long-term relationships at first, but their flirtation had turned into a relationship, reports "Bild".

Since then, MarLena - that's their couple name - have tried to keep their love a secret. During filming, they are said to have spent "a conspicuous amount of time" together, but officially always presented themselves as "best friends," the newspaper continues. "After filming, they also had themselves transported out of the studio in separate cars."

It had long been a topic of conversation that they were more than just friends. Guests had also observed them leaving a hotel restaurant holding hands - but then walking separately down the sidewalk. No pictures.

"He keeps her grounded"

"Mark kept raving about the little gifts that Lena brought him," an insider is quoted as saying. Another said: "Mark keeps her grounded and he is a grown-up person, which was no longer the case in their other relationship."

There has not been a statement from the musician couple yet. The two are not yet Insta-official either: Lena posted photos from their vacation together - but without Mark. "

The photos of the two circulating in the web are from professional events in the projects they did together, but nothing like the vibe of a parade of co-workers in love.

These two are a great example that any celebrity who wants to keep a relationship private can do so. And they can do it with class, elegance and without having to lie. I know they are different contexts, but I think that with good professional advice you can make things work correctly, without having to resort to so many disastrous tricks.

[matan4il]

Watched Eurovision last weekend and tried to only pay attention to the music but oof, the Israel derangement was horrid. Were any of the other contestants nice to Eden or at the very least not total assholes to her because where's she's from? Please tell me someone was decent or even mildly professional.

Hi Nonnie!

I'm glad to tell you that there WERE people who were personally decent to Eden and the Israeli team, from what I've heard.

One of the parts that suck is that it feels like talking about it too loudly might bring those people into the line of fire. I can say that about myself, that while I was treated awfully by some people in fandom, I've had people be absolutely wonderful to me, and I've had to keep my mouth shut and not thank or celebrate them publicly, because that would have drawn the fire to them. They absolutely do not deserve that. And it sucks that I can't even be openly grateful. Same with the people friendlier to Eden, we Israelis have heard stuff, so we know of them and are thankful, but I don't think anyone has said anything too public, because no one wants to endanger them.

Still, I hope it's been long enough since the final, that we can safely share a few things. Also, I'll emphasize that most of this is hearsay, I can't verify any of it, because it wasn't published officially, this is just the stuff we hear.

The Israeli singer who grew up in and was representing Luxembourg was really lovely with Eden. Tali could have easily avoided ANY association with Eden, so I give her credit for not doing that. The German singer was the nicest to the Eden and Israeli delegation, and I also heard that Germany actually stood up for Israel when the EBU wanted to disqualify it, rightly pointing out the differences between this situation and Russia's ban. I heard good things about the Austrian singer as well, the Latvian, and the Georgian singer. There's probably more that aren't popping into my mind right now, but this is a start, and it's nice knowing kind people, who won't bully a 20 years old singer just because of her nationality, do exist, right?

Another part that sucks is that even some of the people who were nice backstage to Eden, were only willing to do so away from the public eye. I think the most extreme one is the 2023 runner up, Finnish performer Käärijä. He ran into Eden backstage and was totally cool with them doing a short, quick rendition of his ESC song together (which you can see in the link below). It was clearly just two people who love music having fun together, but once the vid was posted online, people started attacking him for supporting genocide (because that's not a leap of logic at all), and he quickly put out a message denouncing everything he's said and done ever, including being born. Then he just had to reassure all of his bullies that he's "okay" even further. The Norwegian 2023 singer who was supposed to deliver her country's jury results had already announced she won't as an anti-Israel measure, so when he was supposed to give the Finnish jury vote, he simply announced he won't, letting people make the connection, and figure out for themselves that it was an anti-Israel move.

Still I think you can take the ones who weren't loudly nasty to Eden, and assume most were nice enough to her privately, even if not publicly. To figure out who those probably were, on top of the ones I mentioned above, I'll just give a short rundown of the performers who were being awful about Israel to different degrees (so you can figure out who was at least decent by way of elimination): Ireland, Belgium, Switzerland, the UK, the Netherlands, Greece, Portugal, Lithuania, Norway, Finland, Slovenia, San Marino, Denmark.

I hope I helped... Have a good day! xoxox

(for all of my updates and ask replies regarding Israel, click here)

[tulisydan]

Käärijä and Bojan meeting  -timeline (Part. 1)

So, I wanted to make a timeline about the eurovision preparties because I’ve been way too frustrated when people say that this is the first time that Käärijä and Bojan met:

When it is NOT!

So because it’s raining outside and I’m bored, I present to you: Käärijä and Bojan preparties timeline (part 1)

Preparties were held in:

Barcelona (23.3.2023)

Warsaw (1.4.2023)

Tel-aviv (3.4.2023)

Madrid (7.-8.4.2023)

Amsterdam (15.4.2023)

London (16.4.2023).

Joker Out participated in every pre-party, Käärijä participated in Madrid, Amsterdam and London.

1. Before Preparties, sometime in march: 

Bojan trying his best to learn cha cha cha (from Joker out’s instagram).

2. Barcelona 23.3.

Nothing particular here expect this cute moment from Joker out interview when they were asked to sing their favorite part of their song: 

Also watch Carpe Diem series ch. 3 from Joker Out youtube channel <3

3. Warsaw 1.4.

Again, nothing special, Käärijä in Finland doing gigs and losing his boleros, Joker out in Poland, Bojan very sick.

They were vibing to cha cha cha tho:

Really, you have to watch chapter 4 & 5 from Carpe Diem series. It’s on youtube. Here is the link.

4. Tel-aviv 3.4.

Bojan still sick, Käärijä still in Finland.

This time they danced to cha cha cha in party buss, there’s video somewhere in the internet.

5. Madrid 7.-8.4.

Now we are talking. The first party where Käärijä was also present. 

Madrid pre-party was two-day party and they met in the first day, April 7th.  I’m pretty confident that Käärijä had no idea until this party who Joker Out (or Bojan) was because he was pretty busy doing gigs back in Finland (and he also kind of admitted that he hasn’t listened all of the Eurovision songs at this point). At that point he had said that his favorites were Germany and Austria or any other song he had listened in this video.

On the contrary, Joker out had been very vocal about Käärijä in their twitter (and in their interviews): 

This was tweeted right after Käärijä won the UMK, in febuary 25th

Käärijä-pe Diem was later mentioned again by Bojan in his and Käärijä’s instagram live in May

Anyway, back to Madrid...

April 7th: The meeting

here is link to the video of Käärijä being very lost and kind of nervous because it is his first time meeting everyone (also you can see joker out behind him)

(Very loose translation: He is saying that the people there are really nice and that he is slowly getting better in english. He says that everybody is taking pictures together but not with him. Then he zooms to the mediapeople (they are waiting to go to do the interviews).

HERE is the first meeting (that we know of), everybody knows this video:

“wtf Bojan”

Cute photo of Käärijä and Joker out:

and this one from Käärijäs Instagram story:

After that, it was time to go to meet the media. Here is Joker out waiting for their interview. Käärijä is there in the backround and it seems that Bojan was pretty distracted by him (he kept glancing him like three times, bro you just met him chill out):

from this livestream 

This is the end of part one, see you in the second one. If you dare.

[thegeekcloud]

Boycott Eurovision: Yes or No?

There has been a lot of talk on boycotting Eurovision this year because of the Israeli participation and their qualification to the final. Behind everything of course is the subject of money.

MoroccanOil or however it's spelled is one of the biggest sponsors of the Eurovision Song Contest, not just this year but every year. And guess what country this company is from? You got it. It is therefore logical for audiences to boycott Eurovision by refusing to fund the competition in any way. That includes:

Streaming the competition

Buying merchandise

Attending

Voting

If the EBU is not funded then the profitability of having MoroccanOil as a sponsor (and Israel attending) will drop dramatically.

However.

One must keep in mind a few things:

"The big Five are the biggest sponsors which is why they are automatically qualified to the final". They literally keep 5 countries in the final to entice them to keep paying. IN fairness, this is not as much as you might think but still a substantial amount.

They already banned Russia - a country with an incredibly large amount of people (and therefore potential viewers)

The sponsored money has already been given. This is the money that mostly funds the contest.

The participating countries themselves pay a fee. A fee so big a LOT of Balkan countries can't afford!

Most of the money is used for the incredible staging and other events of the competition.

Boycotting Eurovision now in terms of keeping money away from the EBU doesn't really do much in truth. Go for it if you like. It doesn't hurt. But, watching the contest right now is not really gonna change much. A lot of people are already attending (tickets are like 1000 euro apparently btw).

It doesn't hurt, though it doesn't make much difference either to be completely honest with you. My advice is follow the instructions of your favourite artist. After all, this contest is not just about Israel but about them as well. They've all worked so hard and they've been asked to remove all political messages from their performances which is basically a violation of freedom of speech.

Protesting always helps though it is very hard to do IN the arena.

Voting would help if we were all to vote for one person. We all saw last year how Loreen took the crown from Kaarija even though he had like 1.5 times more public votes. And now, Joost is about to be disqualified (cause apparently he punched an Israeli representative who mocked Joost's dead father???). Not voting would basically mean Israel would win. Why?

Italy is not really a political ally of Israel (an example for that would be apology votes from Germany) yet they gave them 40% in the semi finals vote. 40%!?!?. Israel was not even that high on the trends yet they got 40%. But, at the same time, I do not know many people who watch the semi-finals so those who did are either die hard fans or, if those were protesting, people who explicitly watched for Israel.

The jury will 100% give a lot of votes to Israel. I don't like to say it but their song is EXACTLY the type of song they vote for. Another example might be Greece (they are trying something different from a musical point of view) or France (let's face it that man is an angel). I want to say Switzerland but I would also have said Belgium and look where we are. They SHOULD like Switzerland too. In any case the jury can do SERIOUS DAMAGE (again, why Sweeden won even if tHeY'rE nOt SoRrY tHeY wOn)

Governments can push the jury towards a specific result. We probably know where Belgium's 12 is not gonna go (they cut the broadcast) but this is for example a minister in greece:

IF the competition ends up going to Israel THEN the real boycott will matter cause it can start earlier. Prevention of countries participating for example. People not attending at all.

But the best result would be to prevent that all together. It doesn't help that Joost (Netherlands) did not perform today at the Jury show but his recording was shown.

That's all.

My advice is don't watch or don't watch israel to send a message but vote for either Greece, Italy, Croatia or Switzerland or all of the above. The Netherlands too if they participate cause even though I don't want the contest to go once again there Joost has fucking earned it.

Edit: the goal was for israel not to participate at all (and honestly Azerbaijan shouldn't either) but they did, they are, we're here now so...unless the artists themselves step down....

[borisbubbles]

Eurovision 2024: #17

17. MALTA Sarah Bonnici - "Loop" 35th place

Decade Ranking: 64/153 [Above Hooverphonic, below RAFAL]

TAKE A VIDEO, WATCH IT ON LoOOOoOoOOOP~

Officer, I'd like to report a robbery. Because THIS is not a last placer in Eurovision, are you fucking shitting me. Who the hell sees that performance and thinks "well this is obviously worse than Albania"?

Granted, Honeypie's struggle to climb off the bottom was always a steep one, long before Christer put the finale stake in her heart by having her open the strong semi. Malta's selection was the expected unwatcheable shitshow (amazing that somehow, Lux, Denmark AND Germany all managed to be worse) and it was a small miracle they picked something decent.

In this case the "decent" entry was shallow slutpop - LOOK I KNOW that term offends some people (get a life) but, that's what Loop was ok?! An anthem for the manwhores (or in my case, wannabe manwhores, in fact de facto hermits with a crippling fear of rejection) to be their salacious slaggy selves to. It's trashy and fun and as shallow as a puddle, which is how I like to see myself as. Under the guidance of Malta's lavish budget, "Loop" then blossomed into a budget SloMo and was the unexpected, but deserved winner of MESC.

(and she aborted that afterbirth Satan Banan in the process thank Mother Teresa for that)

Of course, "Being A SloMo" always comes with diminishing returns since the original holds such massive standards. Chanel to this day has the best live execution of a flirty girlbop. (evidenced by her clowining on Eleni during the opener of semi 1 ♥) "Budget SloMo" is going to struggle even harder than a regular clone with the powercreep, along with the Maltese flag, ALONG with the garbage R/O based on assumptions and betting odds (isn't it time we return to FULLY RANDOMIZED R/Os?) and along with the myriad of girlbops in the 2nd semi, most of which weren't outright trashfires.

However, despite "Loop"s many flaws, Sarah was always a shining beacon of grace and slaytitude. No matter what you think about the song (it's fine), that woman KNOWS how to put on a show, and that's precisely she did.

SARAH

FUCKING

SERVED

HUNTEEEEEEEEEEEEEEE

Seriously, Aiko was good, but a lot of that the surprise factor of her discovering her newfound talent of breath control. I knew Sarah was good going into the semi, and she promptly proved that yes, all the diva's were born as a human beings. She was drawfucked, and that all it was, rly. (at least compared to Nutsa who had a similar package and a worse song). Sarah's✨ ditzy personality ✨ really shone through as she queened her way through her quartet of meatsack himbots.

(speaking of ditzy omg remember when all the dystopian joost shit went down on friday and sarah innocently announced amongst the confusion she had an IMPORTANT UPDATE TO MAKE AT 18:00, and it was her NEW SINGLE "Lose", ♥♥♥ every twitter dummy jumped to the conclusion that she was the 11th placer because her live had just been THAT GOOD ♥ and ofc she won the semi because she got to move on from eurovision 2024 fewer than 24 hours after her elimination, while the losers of the semi such as nemo contemplated quitting altogether. Slay, sister. 💋 )

"Loop" was also one of the rare instances of Malta nailing staging. I say rare and I mean it. Name two more examples? It's just both Ira 1.0 and Michaela, am I misremembering? Copy your homework from Chanel and you'll be good, lol.

So yeah, she came last in the semi. An NQ I can live with, but last is... unfair but hey, SHE WASN'T A DEMON OR A NUDIST or whatever the equivalent for semi 2 was (a traumatized zoomer monsterclown or a zionist nepobitch?). It's certainly was no help that Malta somehow decided to designate A DANCE BREAK (I initially wrote "the dance break" but lbr, Loop has at least five of them ♥) as the recap footage (pro-tip: the audience doesn't tune in for dance routines, but for the songs around them), but everything else was.. good? Vocals, act, even the song after a few retouches? There's obviously a ceiling to how high I can carry a "Loop", because it was never an actually good song, just a very fun empty vessel for Sarah to fill with her Ditzy Diva Deva personality. This spot (17th) is that ceiling.

For I recognize what "Loop" truly was.

The best NQ of the 2024.

THE RANKING

And that's indeed ALL of the NQs of the year eliminated before the verdant green (strong like) tier! I believe it's the first time that's happened since I started ranking ESC on tumblr? (it might be the first time ever ~ usually someone excellent is robbed). Hooray for (mostly) correct eliminations? And we have one more finalist to eliminate before we get there.

[charleezard]

My reactions and opinions on (almost) all songs on the Eurovision final

Sweden was kinda catchy and good. Not anywhere near the best but it was a nice start. Maybe a bit basic. 5/10

2. Ukraine was amazing. It gave me chills, the voices were amazing, the visuals were amazing. 9/10

3. Germany honestly didn't stand out to me. Idk, it wasn't bad exactly, but it also wasn't good? It was kinda just there. 3/10

4. Luxembourg was quite good. While it wasn't one of my faves, it was definitely a solid song and performance. 7/10

5. Yeah, no Netherlands. Keep in mind I only watched the finals and hadn't listened to any of the songs prior to it, so I haven't even heard the song yet. I don't think I will either. ?/10

6. Israel was amazing, Eden has an amazing voice, great stage presence, she looked absolutely etherial. The song conveys all the pain it's supposed to. No doubt my favourite and if I had voted I would have voted for her. 10/10

7. Lithuania, the song wasn't bad, kinda nice to listen to, the performance was also kinda good, but it didn't stand out long term. in fact while making this list i had to rewatch the performance because I remembered nothing of it. So yeah. Extra points for not being a basic english song. 5/10

8. Spain, I have complicated feelings about you. It definitely stood out. Sadly the most forgettable part of it was the singer, which is a very important part. She had presence, and the concept was definitely good and showy, but her voice was meh, a bit weak. I think the backup dancers lowkey carried the performace on their back. Overall, 6/10

9. I straight up did not like Estonia. I'm sorry, no offense. Also one of the guys looked like Michael from VSauce and that was very distracting, but I'm not docking points for that. 2/10

10. I know Ireland had some controversial reactions. BUT. I adored it. I'm sorry I did, it was one of my favourite performances, they did amazing, I have nothing to point out exactly. Idk, 9.5/10.

11. Latvia didn't do much. Kinda boring, forgettable. Maybe it was also not a great idea to put such a lacking performace right after one of the most amazing ones, that might have biased my opinion. 3/10

12. Greece wasn't my style of song but as it went on it kinda grew on me. It was catchy and fun. Not amazing exactly, for me personally, but solid, good. 6/10

13. Ok the UK, listen. I'm biased, because Olly Alexander is the main actor in one of my favourite shows and i think that skewed my view of the song. It was entertaining, fun, nice to watch. Nothing amazing, but good. 6/10

14. Norway, complicated feeling. It looked great, it sounded great, but something was lacking. It felt like they were trying to reach very far but not really getting there? Idk how to explain it. Something was missing from it. 6.5/10

15. Italy was quite good. I've seen people say it wasn't, but I don't see why. I liked it a lot, even tho it wasnt one of my top songs it was still really good. 7/10

16. I'm not sure it was my style, but Serbia still had a very solid song. It was good, and looked beautiful too, and her voice sounds magical. Good vibes. 7/10

17. For Finland... Did I love the song itself? No. Did I love the performance? Yes. I laughed so hard and it was so unique and funny and entertaining. Like, I could just laugh at how silly and random it was and that felt good. 8/10

18. Portugal, listen. You always bring sad fado-sounding songs. It's not that it's bad but people don't care. Get new material. That's boring, bring something fun that gets people smiling and dancing and it's catchy and unique. You're forgettable. Extra points for being my country, and for being Yom Kippur ready with all that white. But damn, I'm not pleased. 4/10

19. Armenia was great. I love when they include unique and personal vibes in these songs. This didn't feel like a boring generic english song. It felt unique, it had so many different and special elements and that made it really stand out to me, and I think they were SEVERELY underrated. 8/10

20. Cyprus was a bit basic and boring. In fact I again had to search for the video because I didn't even know what the Cyprus song was. 2.5/10

21. Switzerland won as we know. At first the song didn't stand out, but I think it's one of those songs that the more you listen the better it gets. Also the vibes? Perfect. Nemo slayed and I'm not upset at all with this win. 8/10

22. Slovenia was good, it was solid. Despite that, it wasn't great, but it had a nice energy to it and I had a good time watching it. 6.5/10

23. Croatia, I had heard rumors they were the favourite to win, and truly they placed first in the public votes. I can see why, they were great and it was very catchy, the energy was contagious and I cannot stop listening to it. Also, it's fun. 9.5/10

24. Georgia had a fun, energetic, powerful sounding song. I appreciated, it was a good listen, but it wasn't amazing, didn't stand out that much. 6.5/10

I didn't have time to watch France and Austria, sadly, because I had to go out, so no ratings there.

Note: I'm rating the songs and performances I watched!! I'm not commenting on personality or actions outside the stage, or some people here would sadly have had much lower scores

[tiredlvna]

I’m still digesting my feelings about Eurovision 2023. I don’t remember being this angry any other year. Leaving aside the whole Finland vs. Sweden thing, because other people have already talked about it, what happened??

I’ll start with Spain, because I’m spanish. Look, we have a weird relationship with Eurovision. I remember joking for years about how we wanted to be the last ones. I feel neutral about flamenco, I don’t usually listen to it. But Blanca Paloma was AMAZING, guys, her vocals, the song, the stage. Was that really only worth 5 points? I don’t want to talk about what this means for us, “us” meaning Andalusia, not Spain, because they hate us but also use our culture to represent the whole country, but only when it’s cool; since Eurovision I had to read so many spanish people talking badly about flamenco. Ugh.

I read someone on twitter saying that Blanca was screaming meaningless nonsense and that is so disrespectful. We use "ea ea" to lull babies to sleep. It is a lullaby sung to a baby. “My child, when I die, may they bury me in the moon. And I hope to watch over you every night, every night except one”. The first thing I did when I listened to Cha Cha Cha was look for the translation and I also tried to learn the finnish lyrics. But I guess spanish is too difficult. 

But forget Spain. So many countries deserved better. 16 points for Austria??? Czechia?? Portugal?? GERMANY DIDN'T DESERVE TO FINISH LAST.

I get it, we were voting hard for Finland. I get it. But I can’t believe that Israel is in the top 3, for example. All the jury votes were like “all our love to Ukraine :(... anyway, here are our big points to Israel!!” Guys, what. “Europe, do you want to see me dance?” and so many people just forget about the conflict there, I guess. I’m done. All those points from the televote could have been for so many other countries. Including a few more for Finland. Käärijä was so close. 

[okayto]

discovered that Eurovision was accessible in the US so I'm watching it (currently just finished the jury vote section) for the first time (after having no context for a lot of passionate and oft-unhinged posts from people I follow) and I have...questions

why are the juries' votes so boring

also specifically why did they like Israel's song so much. I mean it was a fine song but so were lots of others. why did they like Israel's so much

why did Germany do so badly Serbia was right there

Why did Norway do so badly? It was GREAT and should be playing on the radio right now

I heard much about Finland and obviously for good reason but not about the fact that Austria's song was about being haunted by Edgar Allan Poe?

[eurovision-revisited]

Eurovision 2006 - Number 29 - Belle Perez - "El mundo bailando"

Back to Belgium already for a breakout star from a previous Eurosong. In 1999, Belle Perez (real name Maribel Pérez) took part in Eurosong with Hello World and that song endeared her immediately to coders and Belgians. By 2006, she'd already had four studio albums releases, switched to Latino pop often sung in Spanish, and was now hosting a live music show in the Netherlands.

Getting Belle on Eurosong was a statement of intent from VRT. She was a big and popular enough star to get the country pulling for her from the outset. She already had fans outside her native Flanders with hits not only in Belgium, but also the Netherlands, and, oddly, New Zealand and Australia.

She was hoping her 2006 song El mundo bailando (The World is Dancing) would not only get her to Eurovision, but would also break her in the German-speaking part of Europe with planned releases in Germany, Austria and Switzerland. The song was composed by Fernando De Meersman, Juan Guerrero and Patrick Renier and is a Latino party song based on a theme of love, love, peace, peace - the most stereotypical of Eurovision subjects - although in 2006 that stereotype was perhaps not quite as strong as it became in the subsequent decade.

Not only has Belle got the voice and looks, she has stage presence expressed with every gesture she makes. I'm not sure about the basic staging she has here - surely just Belle on her own would suffice? Given the theme of 2006 Eurovision - Feel the Rhythm - and the sense that the entire shebang was a party, this song would have been completely perfect for the Athens stage. It's fun, fully danceable and catchy as hell.

It also made its way serenely through the heat (winning it by miles), the semi-final and into the Eurosong '06 final where it was one of the favourites to win. It did well with the juries, being one the three big-scorers with them. It cruised to victory with the Radio station jury, however the televote let Belle down. Whoever was watching and voting didn't appear to want a Spanish language song representing Belgium. Belle finished third.

The consolation was that the single of El mundo bailando topped the Belgian charts for three weeks, spending a total of sixteen weeks on the chart in total. It also went to number seven in the Netherlands. The big breakthrough in German language countries didn't materialise, presumably because she wasn't on stage in Athens.

Given the success of the song, I don't think this would qualify as a disappointment and Belle went onto bigger things. She's still touring and performing with a greatest hits tour on this December (2024). There were five more albums after 2006 as well as a slew of singles coming out almost every year throughout the 2000s and 2010s.

Just to prove her Eurovision credentials, and show just how great she would have been, here she is from 2018 doing a medley of songs that the Gipsy Kings have recorded - kicking off with Nel blu dipinto di blu

[graysanatimony]

Meow there :3

Falling ask game 🍁

1/2/4/16/30/35

These asks have sound 🎶🎵

3/7/13/20/33

Question game:

4/12/13

Have a nice day 💛💛💛💛💛💛

hello there again , welcome back to my ask box, love seeing you here

Falling asks

1.what is your favourite thing about the fall

The rain, and the colours, taking autumn photos is cool because of both of those things, and being able to stay inside and just watch movies 

2.Favourite hot drink

Tea, tea is good

4.whats your most favourite thing you have  carved into a jack-o’-lantern 

The only things I can remember doing were just smiley/scary faces when I was in primary school for competitions, and one time I did Harry Potter 

16.do you like the smell of a wood smoker 

Yes

30.favourite Halloween makeup or costume you have ever done

My dad doesn’t let me dress up for Halloween or anything but I went to this superhero party my church did when I was younger and dressed up as Wonder Woman, ran into my sisters friends and my friend who were also dressed up as Wonder Woman, the next year I wore normal clothes and said I was Wonder Woman off work 

35.do you have a favourite Halloween decoration?

Again not allowed to do Halloween :( but I think skeleton decorations look cool 

These asks have sounds 

3.five songs you have been listening to lately

Met the god- Jann, last summer (I know what you did), hex so heavy- Bambie thug, demoni- joker out, feel- måneskin

7.a song that makes you nostalgic 

Hooked on a feeling- björn skifs, ain’t no mountain high enough- Marvin gaye, tammi Terrell or cherry bomb by the runaways all definitely do that and I can’t choose just one or also take me to church by hozier too

13.do you play any instruments

Yes, I can play a bit of bass

20.whats an instrument you would like to learn

I think I’d want to get better at bass, also drums and guitar, I’ve tried both but sucked at it

33.favourite instrument 

Bass, it’s everything good about guitar in one thing 

Question game

4.what is your favourite book 

I’ve got 5 that I can’t pick between so there’s Imogen obviously by Becky albertalli, I feed her to the beast and the beast is me by jamison shea and they both die at the end, the first to die at the end and more happy than not by Adam silvera who might be one of my favourite authors ever 

12.where is somewhere you’d like to visit

Probably somewhere in Germany or the Netherlands, unfortunately I really hate being a tourist somewhere and that’s made worse when I don’t speak the language though

13.how do you de-stress

Listening to music, eating, going on tumblr and watching things about Eurovision and/or joker out 

[grabyoursaintsandpray]

Don't even talk to me about Eurovision 😭

Currently on my way home from Liverpool in a taxi feeling so gutted.

Not only were Finland absolutely robbed, winning the public vote and still losing but pretty much all my sweet children did terribly.

Germany bottom, Serbia doing badly in jury and then not getting much from the public, Austria ok in jury then just nothing from the public? Like I thought these guys were the dark horses and would pull a huge public vote.

As unhappy as I am, I'm pleased for Norway and Alessandra she got a great public vote and looked so thrilled. I really hope she goes on to have a great career.

(sidenote I was in the village watching with 16,000 others and let me tell you the mood was low at the end and lots left before the winning song performance, there was also booing)