#ALSO I WROTE IT ALL IN TWO DAYS

[m00ngbin]

GUESS WHO GOT A 95 ON THEIR DESCRIPTIVE-BUT-ALSO-NARRATIVE WRITING PROJECT

THIS GUY. ME. I DID. ME!!!

I am so so so so proud of myself. I only got five points taken off because I got just a teeny tiny bit carried away and wrote more than the maximum word limit

[ruporas]

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

[poorly-drawn-mdzs]

The most evil celebratory kiss

[First] Prev <–-> Next

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[catgrandpa]

I started this post with the intention of asking for fic recs where Bruce gets his kids early, but then I ended up just writing some ficlets

_(:3 」∠)_

I still really just want recs I swear but I wrote these anyway and am incapable of doing more with them so here

☆彡

Dick Grayson is 8 years old when he watches his parents die. Bruce is 24 years old when he sees a young boy’s life fall to pieces. He’s far too young to be a single father. But he sees too much of himself in the child, and he knows in his heart that he won’t be able to walk away from him.

He talks to Alfred about his fears of only furthering Dick’s trauma by failing him as a guardian. It takes some time, but Alfred is able to convince Bruce to find a therapist and take some discreet parenting classes. He’s still Batman, and I don’t think he’s capable of Gentle Parenting™ but he does do better. Plus, Dick is young enough to learn to read Bruce before the teenage hormones kick in so they manage to communicate much more effectively with each other.

☆彡

Bruce meets Catherine Todd by chance because there was a cool park Dick wanted to stop at. She’s trying to deal with her hungry and fussy 3 year old step son, but she’s young and stressed out and hungry herself and she just doesn’t know what to do. Bruce offers to take them out for lunch. He asks Dick to take Jason to the play area in the corner while they talk.

She breaks down and tells him of her struggles with addiction. She does her best to keep Jason fed, but it’s so hard. Feeding him means she goes hungry most of the time because she can’t quit using. Jason wouldn’t survive if she had to go through withdrawals with him.

He’s not even her kid! Not really. Her husband is just an abusive deadbeat so she doesn’t have a choice. She does love him, but she never wanted kids, and she can’t just let a child die when she can do something.

Bruce fills their fridge and cabinets to the brim (he offers to do much more for them but that’s all she will budge on. She has too much pride to accept outright charity, but she will do what she can to keep her kid safe) and he makes it clear to her that he is willing to take care of Jason for however long is necessary when she decides to take the first step to get clean.

Two months later, Willis gets arrested and Catherine shows up at Wayne Manor and tells Bruce she signed up for inpatient, but she thinks it would be best for Jason and for herself if Bruce would be willing to take permanent custody. She stays in Jason’s life, just not as a mother figure.

☆彡

A year or so later, Bruce gifts Alfred with a vacation as an early birthday present. Things have been hectic with the sudden acquisition of two sons, and Alfred has done so much, he deserves a break. Bruce promises he’ll be able to handle two kids on his own.

Turns out, he was mostly right, but only just barely. The kids are fine, the manor not so much. He ends up hiring a few services to help out with general housekeeping. A couple of those workers also happen to be regular hires for the Drakes.

Bruce overhears them talking about how sad it is that those awful people treat their toddler more like a doll than a child. He learns that not only do they leave for long periods at a time while not hiring a proper nanny to watch over their son, just expecting the help to take care of him, but they also lock him away on his own whenever it’s ’not fashionable’ to have a 2 year old around.

Alfred comes back to the manor on August 15th, just in time to celebrate his and Master Jason’s birthdays together. He opens the door and dodged around a very excited 4 year old jumping up and down in the entry hall.

“ALFIE! ALFIE! BOOSE GOT ME A BABY BWOTHER FOR MY BIRFDAY! LOOK! LOOK! HIMS NAME IS TIMMY AND HE’S THE BESTEST!”

Alfred leans over to peak behind the boy, and sees a very quiet, very small child standing behind him.

“Oh, dear.”

☆彡

The day Bruce got the call from Talia telling him she was pregnant with his child was one of the best days of Bruce’s life. The day she called to tell him she miscarried was one of the worst.

The only blessing was that he didn’t need to explain it to his kids. Talia was going to move in once she was in her second trimester, and they planned to reveal her pregnancy together.

He got the call two weeks before her flight out. He begged her to come anyway, he loved her, they could still be a family. She refused.

Six and a half months later, he walks into his bedroom to find Talia standing by the window with a squirming bundle in her arms. With equal measures steel and sorrow in her eyes she tells Bruce she is sorry for what she put him through, but it was the only way to keep their son safe. He gathers them both in his arms and holds them tight as she explains.

Her father had planned to raise an heir to be the Demon Head. He would be kept a secret from Batman until the very end. But when Talia gave the final push to birth their son, he came out quiet. She panicked for a moment until her midwife quietly leaned down to listen to the baby’s breathing and then looked up with a soft smile, she bundled up the small thing and handed Talia her baby. Big beautiful green eyes blinked up at her. The midwife leaned closer to Talia and whispered, “Sadly, your son was stillborn. I’m deeply sorry for your loss, but surely The Great Head of the Demon would be willing to allow you some time away from your duties while you recover.” Talia allowed the woman to cover her beautiful cooing baby gently with soft linen and silk and carry him from the room. Later that night she left her home with her son and boarded the first flight to Gotham.

Tears gather on Bruce’s lashes and he tells her everything will be alright because now they can finally be together as a family. Once more, she refuses. She tells him Damian and his boys are far too precious for her to bring the danger of the league of assassins to their door. Bruce closes his eyes in sorrow, but nods his acceptance. He asks her to at least stay the night together. They fall asleep wrapped in each other’s arms with their baby boy safely bundled between them. Talia is gone when he wakes.

☆彡

It’s been one week since Talia left and, while still beyond upset, Bruce feels like he’s starting to have a decent handle on things. He is sitting with his boys at the breakfast table, Dick and Jason to his left, Tim to his right, Damian in his arms, and Alfred across from him. They’re finally able to have a relaxing breakfast. No babies crying, no food fights, no arguing, just the sounds of eating and gentle chatter.

He feels a small hand grab his right sleeve and give a gentle tug.

“Boo?” Tim asks, quietly. Bruce feels his heart warm at his son finally feeling like he can speak up without permission.

“Yes, sweetheart?”

“Why isn’t Big Sister sitting with us?”

Alfred is the only person in the room other than Tim to not startle at the sudden appearance of a 5 year old girl standing next to Bruce at the dining table. He simply sighs, stands up, and grabs another place setting for her at the table.

[airenyah]

Episode 6: FadelStyle vs. Beginnings and Endings

In the past one and a half-ish weeks we've discussed at length just how good the last scene at the diner is and how Style drawing tears on Fadel at the rock concert was foreshadowing to Fadel ending the episode crying real tears. What I haven't seen discussed yet, however, is how that ending scene is actually a counterpart to Fadel and Style's conversation after the rock concert. And I think that makes the scene in the diner even more poignant. And it also makes the scene at the rock pub even more painful as well. Because they are basically the same scenes, just flipped. And I desperately need to talk about it or else I'll explode.

Part 1: "Tonight I am very happy"

In this scene Style knows something that Fadel doesn't: This will most likely be their last chance to be happy together like this. Tomorrow Fadel will go on his mission where the police will be waiting and then Fadel will be taken away from him.

But Style already loves Fadel, he is already worried about him and he really does not want to lose him. So he keeps trying to subtly talk Fadel into staying home from the mission and spilling the beans about the mission so he can explicitly ask Fadel not to go. But Fadel keeps his mouth shut. And as happy as Style is together with Fadel this evening, he is also very upset. He doesn't want the night to end, but there's no way around it. For Style this is a goodbye.

And for Fadel? Fadel went from I'll tell her this will be your last job to Ruerat is the last jerk we have to kill. After that, we can live however we want. Even in this episode, right before he goes to the concert with Style, Fadel tells Bison "Once we’re done with Ruerat, I’ll talk to Mother again", when Bison says it's time for them to quit. Fadel is on the same page as Bison now. Ruerat is their last victim and after that Fadel wants out. For Fadel, this is the last night where he's still stuck in his hitman life, but once he is done with his mission the weight will be off his shoulders and he can finally truly be with Style. For Fadel this is the opposite of a goodbye.

In the words of my mother: For Style, when the night is over life will end. For Fadel, when the night is over life will begin. Style is ending something and Fadel wants to begin something.

And another thing my mom pointed out is how they're standing in front of a pink sky:

And at what time of the day is the sky pink? Either at dawn or at dusk. The beginning of the day or the end of the day. And for Fadel this scene is only the beginning of the day while for Style this scene is the end of the day.

Part 2: "I think I already love you"

In this scene Fadel knows something that Style doesn't: Style has played him, has made him lower his protective walls, has made him fall for him only to turn around and betray him.

Style told Fadel he hoped that Fadel wouldn't get any more scars and yet here Style is, stabbing Fadel right in the heart and jeopardizing his life. Here Style is, bursting Fadel's bubble that he's finally started daring to dream about, a dream of a future where he wasn't lonely, a future where he was happy and himself with someone, Style, by his side. Style is a danger to him. Style can't stay. As happy as Fadel has been together with Style, he needs to let go of him. For Fadel this is a goodbye.

And for Style? He has just spent a full week worrying sick about Fadel after his mission went wrong and went completely MIA. Style has likely (definitely) spent a week checking the restaurant every single day for any sign of Fadel's return, not giving up hope of seeing him again. And then Fadel is back. Style is overjoyed. The heavy metal concert wasn't their last day together, Fadel is pulling through on his promise to have many more nights like that with each other. The concert may have been the end of the day, but now against all odds a new day has come. For Style this is the opposite of a goodbye.

And so we're left with the exact opposite situation from what we had at the concert: Fadel is ending something and Style wants to begin something.

Conclusion

These two scenes go together, they're flipped parallels of each other.

At the concert Style is internally saying goodbye to Fadel because he thinks their relationship will be over when Fadel gets arrested at the mission and the police take him away. At the diner Fadel is internally saying goodbye to Style because he thinks their relationship is over now that he "knows" that none of it was real on Style's part since in reality he was working with said police.

At the concert Fadel is truly happy, because once his mission is over he'll talk to mother and when he's managed to convince her that him and Bison will be out, then Fadel can go and start a new life, a new future with Style. At the diner Style is overjoyed because he thought he was about to lose Fadel, but Fadel has come back and now Style gets a second chance at a future with Fadel.

At the concert, Fadel is happy and he can tell something is kinda off about Style ("What's wrong? You act like we’re not going to see each other again."), but he has absolutely no idea that Style is in the process of bidding him farewell. At the diner, Style is happy and he can tell something is kinda off about Fadel ("You were just calling me out for being affectionate. Now you wanna be romantic?"), but he has absolutely no idea that Fadel is in the process of bidding him farewell.

It's brilliant writing, really. And both scenes are flawlessly performed by both boys.

[aquitainequeen]

I've been reading some excellent posts about the character development of Elphaba, Glinda and Fiyero and how this dictates who ends up together and who ends up alone at the end of the story, and I thought deeply upon the fact that:

all three of them are on a journey to gain a brain, a heart, and courage.

Elphaba starts the story already deeply intelligent, but while she's very loving toward her sister, she's emotionally closed off and afraid of losing control of her power and hurting people. She grows close to Dr. Dillamond, opens up to and befriends Glinda, develops a crush on Fiyero, and is eventually motivated by her empathy towards the plight of the Animals of Oz. By the end of Act One she gains the courage to take the Grimmerie for herself to boost her power, to defy Morrible and the Wizard and to bear the hatred of all of Oz for years afterwards.

Fiyero starts the story jaded and apathetic, pretending to be unintelligent, self-absorbed and shallow as he finds it's the easiest way to get through life. He even gets a whole song about how life is ultimately meaningless and it's far better never to try and achieve anything. Then it emerges that he's actually quick-witted and empathetic when he helps rescue the Lion Cub and starts to seriously think about the state of Oz. He falls hard for Elphaba to the point that he spends years trying to find her, but while he originally began to date Glinda because they were 'perfect together', he stays with her because he does genuinely care and doesn't want to hurt her. Roughly half way through Act Two and reunited with Elphaba, Fiyero finds his courage; he gives up everything to join her in defying the Wizard and Morrible's regime, saves her life very nearly at the cost of his own, endures brutal torture and a horrific transformation, and immediately sets out to help her once more. And he's potentially the one who comes up with a trick that not only allows them both to be free, safe and together but which eventually liberates Oz.

Glinda starts the story apparently genuinely self-absorbed and shallow, and while intelligent she's also spoiled and sheltered, finding methods to get her own way and move through life without much thought or effort. She wonders why Dr. Dillamond keeps going on about the past and is enrolled in Morrible's sorcery class purely because Elphaba wanted to repay her; while she repents of the way she initially treated Elphaba and comes to consider her a dear friend, she's far less empathetic to the fate of Dillamond and her renaming herself in solidarity with him is mostly to curry favour with Fiyero; she refuses to join Elphaba in her rebellion against the Wizard because she doesn't think it's a fight that can be won and she doesn't want to give up the position she has or the power she could achieve. Throughout Act Two Glinda goes along with the Wizard and Morrible because she doesn't dare risk losing what she's gained, she doesn't think of how she could use her influence to help those whom the regime is targeting and, while she loves Elphaba and Fiyero, she's very quick to turn around and lash out at her friend when Fiyero 'chooses' her and breaks Glinda's heart. It isn't until the eleventh hour that Glinda truly starts thinking about the methods of Morrible and realises she deliberately killed Nessarose, tries to stop the witch-hunt and rushes to save Elphaba from doing something irredeemable by hurting/killing Dorothy. Glinda's cunning in taking advantage of what she's learned about Elphaba's parentage, her courage in manipulating the Wizard into leaving and imprisoning Morrible, finishes what Elphaba started and Fiyero aided. By the end of the musical Glinda is wise, compassionate and courageous-

-but it's too late, because Elphaba and Fiyero are gone.

[kaffkanya]

i may be cornplating this but. i was thinking. i usually go by the man and the companion monolog thinking spock is the companion and jim is the man. you know, the obvious route. but i was wondering, since the monolog is said by jim, what if he sees himself as the companion?

lets break this down.

"You are the Companion. He is the man."

we will be back to this in a second. hold on.

"You are two different things. You can't join."

if i were to compare the companion to spock, that simply isnt true. spock is the one who can (quite literally) join, through his psychic abilities and whatnot. jim, however, cant. and he wont ever fully understand the importance of the meld, of being bonded to someone, because its not something he can do to others. others do to him.

"You can't... love."

i see how people can relate this to spock, specially with that one bones "because its not written in your book" monolog or whatever. BUT! between jim and spock, spocks sparse romance plots are way more emotional than jims (at least thats how i see it for now!). i hvnt watched tos s3 yet, but up until end of s2, jims most emotionally heavy romance was with edith. which, much like the others, didnt work out.

"You may keep him here forever... but you will always be separate. Apart from him."

again, jims the one who cant truly join spock like a vulcan would. he barely speaks the language. he gives and gives himself to and for spock, but hes always going to be too human, too emotional, too illogical, too much. he may keep spock forever, but he wont ever reach that one part of him.

you know past lives? that one quote "you dream in a language that i cant understand". yeah. kind of this.

now,

"You are the Companion. He is the man."

i might be reaching and projecting my own comphet on this. but, hey. what is art even for if not to relate to our own feelings and whatnot.

so! what gets me here is the semantics of it all. its the use of man instead of human and right before (or after, i dont remember) an extremely cisnormative and heteronormative dialogue line from jim himself. now, i know its cause it was the 60s, but the character said it, and im choosing to interpret the line with different lenses.

you are the companion (never a lover, never something beyond the platonic friendship realm. its someone you cant/shouldnt feel attracted to. its someone who wont be attracted to you, because of who you are) and he is the man (something you cant love, for youre not a woman*)

*following kirks own line of thinking here.

my conclusion is that jim is suffering from a severe case of heteronormative thinking and comphet, cant wait for him to find out about bisexuality and that he can be a girl too if he so desire!!!

anyway

[cconfusedkat]

I think the reason why I have a tendency to draw new things every few months is bc im Still relatively new to digital art and always wonder how much i improve in months

So mainly it's for my sake because im like Oh wait ive been drawing this character differently recently ?? And then Boom i take my eyes away for one second and theres redesigns

Plus instead of making clothing so complex i decided to go w my heart and base their clothes off of how id characterize them If That Makes Sense ,, i figure kallamars is the most obvious one for him being a tailor for example

Whereas shamura is the (main) undertaker , Leshy and Heket are the two missionary party leaders , and Narinders isnt very obvious but hes considered the gladiator :-3c

Lamb and Goat (Allure & Giuseppe) are the two leaders of the cult!! (Allure main leader, giuseppe co leader) As time went on and giuseppe settled in allure's cult , the name changed from just alluring lamb to the cult of death and wisdom ,,, Ram (aaliyah) isnt a very repetitive person that shows up at the cult since she has her own cult to run (within another universe , a war cult specifically) but she likes to show up every so often just to check in with her brother [giuseppe] :>c

And ofc how could i forget wilt lol- i forgot to add giuseppes cape here Woops ,, But its what giuseppes main clothes r in the other cult

And well i kinda wanted to incorporate the healed designs ,, another thing i wanted to add is that i constantly yap about them all being rlly strong (minus Narinder however- i believe he wouldn't be able to go on crusades or missionaries due to fibromyalgia) but its not too obvious either ,, id def say that leshy and allure are probably the strongest out of everyone else (leshy can summon roots from the ground and uses his body as an advantage, where as to allure their main weapon is withholding a heavy axe ,, but that shit is Not Easy so both leshy and allure are bottom heavy cuz of that- their back muscles and legs carry shit for the both of them HELPP)

Shamura isnt exactly a battlefield person though, they're probably the only bishop to not wanting to fight ?? Those days r Way behind them ,, Kallamar can make himself taller due to Allure reserving some strength left of the blue crown as apart of a compromise they were forced to make with kallamar to stay within the cult-

One thing in common Giuseppe and Narinder have is pacifism ,, narinder is a pacifist because of seeing allure so ill and he didnt actually like seeing people in pain- whereas Giuseppe is pacifist because hes a god of wisdom nd prefers to take things with a lighter approach. The complete opposites of those two are Allure and Aaliyah, theyre both aiming for any type of genocidal route because of what they went through for both the lamb and goat genocides occuring in different worlds of theirs ,, giuseppe doesnt rlly like crusading with allure for that reason 😭 even though aaliyah is Much worse since shes a god of war- its just the way that bloodthirst makes giuseppe incredibly uncomfortable,, to see such a shy lamb act the opposite on their crusades is Lowkey what terrifies him lmao-

Herrmm ,, heket and kallamar are pretty similiar in the stances of not rlly gaf-ing about fighting and crusades ,, heket is good at stealth and kallamar just aims right for the target because shi's just Impatient-

Okay thats all the yapping i have left in me fur now i also have these to share

The only decency here is giuseppe lmaooo 😭🙏

Oh one last thing is heights :-3

(Shamura is 4'7, Ram is 5'1, Lamb is 5'5, Narinder is 6'0, Goat is 6'1, Kallamar is 6'3, Heket is 6'6, and Leshy is 7'2 ,, Idk why i put sozo there but maybe bc its fur my own reference)

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.

[crescentfool]

What are your ryomina headcanons? I've loved these two since I played P3 FES, and I'm so excited to get back into the fandom^^

hi!! thank you so much for the ask, welcome back to the p3 fandom, it's always a delight to see new and old ryomina fans alike! 🥺💛💙

as for headcanons, here's a "few" i that i tend to come back to a lot! my interpretations of them are influenced from both the source material and other's fanworks, so i've linked to them as i saw fit! hcs in no particular order under the cut because oops this got long (900 word bullet point list, mentions of reload content up to 1/1)

minato's hair is dyed blue (hair originally brown, you can see it in his roots!) and he has a beauty mark on under his left eye. i like mirror imagery and there's definitely a few arts i've rb'd that portray them this way :) (e.g. this one by feliichu and this one by marasschino)

as far as i'm concerned the bathhouse scene from the manga where ryoji's hair down = similar shape to minato? that is canon to me. this art from xierru is a fun depiction of hair down ryoji :D

ryoji is homeless. everyone say thank you foxmulder_whereartthou for this awesome fic it's why i have the headcanon! but like seriously. we have no idea where ryoji lives and i could believe this.

minato dying at the end of the game is sad to an outsider's POV BUT!!! ryomina gets to be together in death for the rest of their lives (this illustration from mafuwara is a gorgeous representation of them as nyx avatar + the seal)!

speaking of the seal, they are like telepathically communicating to me in the great seal together. (mymp3 had a comic wip with this. give it a looksie :D)

ryoji likes cuddling with minato because he's warm :) (something something orpheus has fire affinity, minato is warm by extension and ryoji is cold because he's death)

ryoji's camera roll is filled with pictures of minato! ryoji... loves life, to me. and i feel that photography and journaling are perfect ways of expressing gratitude and capturing the moments in life that are most important to you :3

my other favorite activity for these two is stargazing- i feel like it's something they could appreciate either in life or death (looking at the stars from the great seal...)! they do a bit of this in the fic eurydice's vow by crescentmoontea (P5R spoilers, takes place in third sem it's a very fun fic concept).

between ryoji and minato i feel like ryoji was the one who fell in love first- and it doesn't really click in place for minato that he loves ryoji until december hits (appriser reveal + ryoji transforming into thanatos). its about the realization that ryoji was with him for his whole life and that he gets him like no one else does.

ryoji is like a sad and wet puppy who is so scared minato won't like him back. he is so scared of being rejected by minato to me like. this boy straight up deflates after he does his "i know i said i wanted us to be friends, but... i actually want to be something more." / "what about you?" on 12/1 ???

AND SPEAKING of wet puppy ryoji. ryoji is like. every animal in the world to me. he's a bird. he's a cat. etc. and also ryoji knows every language in the world ever and uses it to express his love for minato. see this fic from superheroics to see what i mean.

both of them are lactose intolerant. "this isn't lactose, it's milk!" i definitely think ryoji would make himself sick eating ice cream and milk he doesn't know what lactose is. (i made a silly poll about this once and the tags were very entertaining.)

i see minato as transmasc or nonbinary depending on the day (schrodinger's headcanons babey they're simultaneously true and not true at the same time!!). either way he's not cis to me and ryoji is like. His Gender. anyway go read this fic by nail_gun for t4t ryomina :D !

ryomina are WEIRD GUYS TO ME!!! they are so strange and they understand each other better than anyone else because of the circumstances of their relationship!!! if you asked them to do the "i wonder what i taste like" meme i think they'd start biting each other (affectionate) tbh but that's just me.

after ryoji gives minato the music box in 12/31 on reload, minato listens to the music box every night in january. this boy has insomnia and also chronic illness to me (things that housing death does to you). but i think he finds comfort in the melody and memories he made with ryoji.

in general, i think it's fun to imagine minato taking ryoji to places and show him things he's interested in! i feel that ryoji takes a lot of interest in minato's life, this isn't really a hc because in reload, minato DOES give ryoji a tour of the school (11/9) and possibly port island (11/12). but ITS CUTE OK! (tangentially related fanwork: this series of doodles from vinnigami: 1, 2, and 3)

not a hc but minato's kindness is like the backbone of their relationship and i think we would not have the ryomina we know and love today if minato wasn't such a kind soul. oh minato.... we can learn so much from you... like ryoji did!

anyway! that's all the hcs that i could think of, thank you for the ask! i had a lot of fun answering this, these two mean a lot to me 💛💙

i hope you don't mind the links to the fanart and fanfic as well, the fanwork people have made for ryomina have really made an imprint on me! if you want to see more of them, i definitely recommend looking through my tag for them because oh. i got a lot of them reblogged alright 😂 (<- SOOO NORMAL)

[quaranmine]

i just went to bed, then 15 minutes later got out of bed and turned the lights on, grabbed a pencil and sticky note, and began frantically calculating my total possible annual leave between now and December 2025. Again.

just in case anyone is wondering just how meticulous and obsessive i am over future travel and time off

[aheathen-conceivably]

His hands seemingly held her in place as the buzzards circled and the desert called. Run, Josephine. Run. Run before it’s too late. But he lifted her face to his and nodded, pulling her toward the house and away from the desert.

[psychotic-nonsense]

Steddie Week Day 4: Trade / Body swap

------- it starts off super rough, warning for suicidal thoughts/intent and brief descriptions of gore -------

Steve is going to die.

He went to his room for privacy. His thoughts have gotten so loud lately, headaches so deep he can hardly see, and he just needed a moment to breathe.

But then he went to sit on his bed, and fell straight through it into the Upside Down.

Panicked, Steve had scrambled to get up. A hand had reached down to help, and without thinking, he grabed it.

Then he recoiled with how cold and rotten it felt. He looked up to face its owner, and was met with Barbara Holland. Half eaten, swollen faced, glossy eyed, dead Barbara.

When he tried to crawl away from her, two hands reached down to forcefully haul him up from the ground. Hands that were soaking wet, filling the thick air with an equally suffocating metallic stench. As soon as Steve regained his footing, he whirled around and backed away from the moving corpses.

It's Billy Hargrove. Bloody, beaten, black veined Hargrove, skinny from the chunks taken out of his torso and swaying with the imbalance of it.

They began speaking, bemoaning in their haunting voices how he let them die and left them to rot, Steve the Hero running like the true coward he was. The forest came alive with the chittering of Demobats, underneath it all an unrelenting mantra. I told you to make him pay, why did I have to pay in his stead, you didn't even kill him, you lost you lost you lost and I died for nothing-

And Steve didn't hear anymore. Because he ran.

He's being Cursed, no one knows it, and he's going to die.

No matter how far he runs, the forest gets no smaller, the calls of animal and ghost alike getting no quieter. He strains, runs though he can't breathe, crying out for help. But all that does is worsen the voices. Calling him a failure, selfish, why does he get to live, why did they have to die-

Steve loses his footing. Skids forward over the rough ground further than he should, unable to stop. Then his feet fall over a sudden ledge and he isn't slowing down and his clawing hands are barely able to catch a stray hanging branch before he's dangling over a cliffside.

His breaths are heaving, and his hands tense hard to keep hold of the branch. He knows he shouldn't but the creature sounds have only gotten louder, so he looks down.

Hundreds of feet down it's a rolling mess of black vines, dark smoke, and demo-creatures. They're all lunging for him, their snarls and screeches mixing with the ghostly moans, urging him to just give in submit fall.

A sudden crack breaks through the mess of sound. Steve turns back around, sees the rock holding up his branch begin to splinter, and he's going to die.

In between his desperate panting, words fall out. Words he means that no one who matters will ever hear. "I'm-I'm sorry... I'm sorry, I'm sorry, I'm sorry! I'm sorry, Dustin, Nancy... R-Robin, Barb, Hargrove... I should- should've been more... I'm sorry, I can't-" He's cracking, the last of his desperation crumbling with the further breaks in the rocks. "I can't do it, I'm not... I'm not Max- Max, I'm sorry..." And as the cracks grow and his fingers slip, the tears finally fall. "I'm s-sorry, Ed... Eddie, I'm so sorry... It should've been me..."

And at the same time the crack finishes its journey, Steve lets go.

Everything quiets. Everything goes slow. It's almost freeing, knowing it's all going to be over, even though the terrified faces of his family flash through his head with every tear that falls. He doesn't want it to be over, he wants to live... but what right does he have-

Someone's calling out his name. A voice that gets his eyes to open, shocked at the blatant fear and desperation in it. Someone's falling right behind him, before him, reaching out for him.

Eddie. Eddie Munson. With all the same terror and need and pleading eyes that Steve remembers.

Steve automatically reaches back, shock urging him to beg just once more, somehow catching Eddie's hand. Immediately, he's crushed to Eddie's chest. Arms hold him tight, hands clenching hard at Steve's clothes.

Eddie feels real. Breathes and sobs like he's real. Warmth pulses through his clothes like he's real. Each brush of skin feels solid and soft and desperate and real.

So Steve holds him back. Tight, desperate to not lose him in their fall, no matter how real this may be. Shoves his face into Eddie's shoulder and closes his eyes and feels.

At least he won't go alone... At least in the end, he's not alone...

And then, like an electric shock, the world wakes up with noise. A familiar voice invades his senses, lamenting about a Mr. Crowley, as the world lights up in pure bright white behind his eyes-

Then another shock and he's gasping for air, falling from his suspension onto his bed and rolling off onto the floor.

Steve heaves, trying to regain his senses. The voices of his family surround him, echoing in his delirium, worried and scared. He breathes deep, attempting to respond... but his own voice beats him to it.

He finally opens his eyes, looking up from the ground he was kneeling over. There's no one around him, he's alone in his room.

His room that looks vaguely... fuzzy. And, come to think of it, uncomfortably wrong. There's a large mirror that rests opposite his bed that's now on the wrong wall, and the reflection is clearer than his own surroundings.

Except it's less of a reflection, and more of a portal. Through it, he sees his own body, sitting where Steve is kneeling, and staring at his hands. Shock and confusion is evident in every tremble of his fingers, and this reflection doesn't respond when someone says Steve's name.

There's something about it that feels familiar, a presence that Steve has longed to feel again for months. Steve unconsciously copies the reflection's position, and reaches out unsteadily. He wants to grab what he sees, catch the eye of it at the very least, just to know this is real like it was before.

Then another shock travels through his body, but this time, it lands hard in his fingertips and temples. He recoils sharply, face tensing up with a groan of pain.

But to this, his family reacts. Steve's eyes go wide, and he's suddenly met with reality. No fuzzy surroundings, with everyone right beside him. He shakes his shocked hand, rubs it, watches it flex and move just to convince himself. The presence from before is still there, but stronger now, like the person is right beside him.

He remembers the mirror, looks over at it, and freezes.

The others take notice, look at it too. Then they're freaking out, asking if anyone else can see it too, because it can't be real. Yet to Steve, it feels so so real.

The mirror reflects the room, but wrong. Fuzzy, without the others who are present. Where Steve's reflection should be isn't Steve. It's Eddie.

Dressed the same as he was in his final moments. Eyes as wide as the night they first found him. And that presence - the one Steve only felt during an Upside Down walk, at the front of a winnebago, in front of a trailer covered in vines - no longer feels like its beside Steve. Rather, like it's nestled right inside his heart, his brain.

Like Eddie's sharing the space there with Steve.

[deepfriedpaddymayne]

girls when they remember that wilfred owen was killed in action A WEEK before the armistice was signed

[spacerangersam]

idk i just had the urge to draw one of my other ocs. her name's Cassandra, she's trans, and she's had a demon attached to her since she was ten years old! they make it work