#ALSO ALL THE CHARACTERS HAVE BASIC CHARACTER ARCS PLANNED OUT AS WELL | Explore Tumblr posts and blogs

moongothic · 1 year ago

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When people talk about there being "evidence" for the theory that Crocodile could be Luffy's other bio-dad, they tend to point out these kind surface-level details, easter eggs and Crocodile's odd behaviour during the Marineford-arc. And while all of that is very important as it lays down the groundwork for explaining the theory to people, unironically I think there's even more to the theory. When you really think about the implications the theory has on Crocodile's character and how that would tie into the long running narrative elements and themes in One Piece as a whole, I think it kind of changes everything

So, in this post I want to analyze and speculate about the theory, going a bit "beyond" the basics we already know. Heavy emphasis on the speculation-part, because I'm not here to provide conclusive evidence to prove that Crocodad is Real, rather, I'm here to speculate about how it could be real in practise, and try to explain how so many things would suddenly add up if the theory was true. I'm here to prove that Crocodad would make sense on a narrative level.

Quickly starting with a brief-ish summary of the Basic Thesis of the Crocodad Theory, just so we're all on the same page:

Naturally, if you already know the basics, feel free to skip this bit

Crocodile has secret beef with Ivankov. Although there is no proof that the beef has anything to do with Crocodile being trans, when you go out of your way to introduce a new character whose power is Magic HRT, it's a natural conclusion for people to assume that if these two know each other, then Crocodile could be a trans man. And naturally, if we're assuming he's Luffy's other dad, then he has to be trans

Dragon, as the leader of the Revolutionary Army, is in canon considdered to be the world's Most Wanted Criminal. He is extremely famous as pretty much everyone (except Luffy) knows who he is

Crocodile knowing the second-in-command of the Revolutionary Army doesn't inherently mean he was involved with the Revolutionaries, nor that he has ever met Dragon, but being familiar with Ivankov means it is entirely plausible the two could've met in the past

(Sidenote but I do have a loose theory how Crocodile could've been involved with the Revolutionaries; not relevant here but if you wanted to read it, here you go)

Despite this, when Dragon is revealed to be Luffy's father during the Summit War, although Oda includes the reactions of all the other Shichibukai, he very specifically leaves out Crocodile's reaction to the revelation. This is suspicious as hell, because surely, between his ties with Ivankov and Dragon being world famous, he would've had some thoughts about Luffy being Dragon's son (wrote about this in more depth)

For Crocodad to be real, we are assuming that Crocodile did not know Luffy was Dragon's/his son until Sengoku's announcement during Marineford, this being the reason Oda didn't show that reaction; it would've been too revealing

(We are assuming that Dragon never told Crocodile his name; this is entirely plausible considdering his full name had been a secret to the whole world (as explained post-Enies Lobby), and Dragon had kept the existence of his son a secret even from Ivankov and Kuma. We also need to assume that Crocodile did not name his son, otherwise surely he would have realized Luffy was his son when they met in Alabasta)

This is why Crocodile ends up saving Luffy's life twice in Marineford (as well as Ace's) when until the revelation he had no reason to even care about the idiot

Crocodile choosing to save Luffy's life probably means one of two things; either he really hates the World Government more than the child who foiled his plans to take over Alabasta, or he cares about his son despite knowing Luffy hates his guts

Again, this is just the basic concept, if you want to read more and see all the more easter egg-type hints, I'd reccomend this post, this post and this post (the third one repeats most of the stuff the first two do in but less detail, but also adds a few more notes extra notes). But now that we're generally speaking on the same level, we can delve deeper.

Please, go get yourself a drink and maybe a snack, this is gonna get long and deranged

Going to start with a fairly small thing.

Through out the series Oda has been repeatedly hinting at Crocodile having A Past, some History, A Backstory that lead to him becoming the way he is. But Oda hasn't actually told us what that backstory is. On the surface, this wouldn't be that strange, after all, there's lots of characters whose backstories we haven't seen, for example Mihawk. We know essentially nothing about that man and how he became the way he is. But what's different about Crocodile as opposed to Mihawk and many others, is that Oda hasn't hinted at there being an interesting backstory there that's worth telling. Like I'm sure Mihawk could have an interesting story, but Oda hasn't alluded to that at all. So the fact that he has repeatedly told us that Crocodile does have a backstory, but at most gave us two whole breadcrumbs in an SBS, is a little suspicious. (For clarity, the hints we've gotten so far to Crocodile's backstory were his repeated comments about not trusting people and how he had given up his dreams in Alabasta, while Summit War gave us the Secret Beef with Ivankov and his grudge against Whitebeard. In an SBS in Vol 78, Oda did confirm that Crocodile had his ass kicked by Whitebeard after he became a Warlord in his early 20s, and that he went "quiet for a while" until he started his heroics around his 30s, setting his eyes on Alabasta. Indeed, we have some breadcrumbs of lore, but this hardly paints a full picture. We know nothing abot what he was doing in his late 20s, which would've been the time Luffy was born btw)

What I'm getting at, is that Crocodile clearly has a backstory, but the fact that Oda hasn't spilled the beans yet would indicate to me that it's likely Oda has been saving up that backstory. Which would make sense, Crocodile hasn't been in a role in the story yet where spending time to tell his story would've been appropriate. So really, we're just waiting for the right time for those beans to be finally spilled. But what makes things even more interesting is that One Piece has a very specific track record of not giving its villians extended and dedicated backstories/flashbacks. Villians can cameo in other characters' flashbacks (Moria, Arlong), they can have their own little segments inside the the heroic characters' flashbacks (Orochi, Doflamingo), they might even get their own SHORT dedicated flashbacks (Lucci whose flashback was 6 whole panels long). But villians do not get their OWN, dedicated and EXTENDED flashbacks. Flashbacks are for the heroic characters. There has been a single exception to this rule and that was Big Mom. That's it. And while I'm positive this rule is going to be broken at least one more time before the series ends, really. What do you think is more likely to happen? That Crocodile becomes such an important villian again, this late in the game, that he deserves his own flashback so we can finally find out what his deal is? (When Blackbeard and Imu are also there mind you) Or that Crocodile's role in the story might not be that of a villian anymore, and that Oda had been saving up his backstory all this time because it could reframe his entire character and how we view him?

Oda loves taking inspiration from various mythologies and pop culture alike to bring life into his work.

This is nothing new or surprising, we all know this. For example, Oda did base the original seven Shichibukai on the Seven Heroes from Romancing SaGa 2, each Warlord more or less matching a description of one of the game's villians. Crocodile just happens to match Wagnas, the queer coded leader of the group, who had the noble swordsman Noel (Mihawk) by his side when the group was created to save the world from a great evil. Meanwhile Alabasta as a whole took a lot of inspiration of Egyptian mythology, Crocodile in that arc matching the role of the crocodile-god Sobek. Sobek is a protector god ("Guardian of Alabasta"), associated with military power (literally what Crocodile wanted to obtain) and fertility, carrying the epithet of "he who loves robbery" (man stole a lot of things, from money and lives to rain and nearly a whole dang country). Sobek's name is speculated to come from the words "to impregnate" or "to unite", both being potentially very interesting coincidences (depending on if Crocodad Real and what Cross Guild's purpose in the story is going to be) (if you want more details you can go read the Wikipedia article on Sobek). (Also I'm sure there's something interesting to be said about Sobek's fusion with the sun deity Ra, Sobek-Ra, and how Luffy is our lil Sun God)

The reason I'm pointing this out is that based on Oda's hinting and/or references to mythologies, people have in the past been able to predict certain plot twists and reveals way ahead of time. For example, most recently people were able to predict that Saint Saturn had been the one to give Ginny (and by extension, Bonney) the Sapphire Scale-disease based on a certain legent about ushi-oni, which is what Saturn just happens to be. (Here's one of the many Reddit posts that predicted that reveal) And there is one particular story from Japanese mythology I want to bring up, as it may be relevant to our Crocodad Discussion here. The story of Toyotama Hime. Here's a quick TL:DR;

Princess Toyotama had travelled from the depths of the ocean onto land so she could give birth to her child. When the time to deliver the baby came, Toyotama asked for her husband, Hoori, to not look at her while she gave birth, as she would change into her true form. And while Hoori promised he wouldn't look, he couldn't keep the promise. He peeked in on her wife as she was giving birth, only to discover that she had transformed into a gigantic wani. Horrified by what he had seen, Hoori fled, leaving his wife and child behind. Hurt by what had happened, Toyotama abandoned her son and returned to the ocean. (You can read different summaries of the legend on the Wani-article as well as Toyotama's article on Wikipedia)

Now historically speaking, "wani" in mythology can have referred to serpent dragons, sharks or sea monsters. But in modern Japanese, the word translates to "crocodile". It's what Luffy and a few other characters call Crocodile on numerous occassions. Hell, Crocodile's favorite pets are his gigantic bananawani. Historically speaking it might be more accurate to say that Toyotama had transformed into a sea serpent, but for our intents and purposes, Hoori abandoned Toyotama after she became a crocodile.

I can not tell you what exactly the relationship between Dragon and Crocodile was like, how it began and how it ended. There's no way for us to know when Crocodile transitioned (beyond "after giving birth to Luffy"), nor do we know how Dragon found out about it and how he reacted to it. There's a million options for how things could've gone down, and nothing to truly go off of to even make a guess. All we do really know, is that 1) Dragon does not seem to wear rings at all. 2) Crocodile wears rings, but leaves one out specifically on his ring finger, where one would normally wear their engagement/wedding ring (mind you; for the first half of Alabasta Oda drew Crocodile without a ring on his middle finger, but from the latter half onwards, through Impel Down and Marineford, it's always the ring finger). 3) This suspicious ass comment

"I don't know they have kids or not" YEAH RIGHT

If we wanted to use the story of Toyotama Princess as a jumping off-point though. It's entirely plausible that soon after giving birth Crocodile transitioned thanks to Ivankov's ability, and because Dragon wasn't into it, the two broke up/got divorced. The unfortunate reality is that many couples end up breaking up if/when a partner comes out as trans and chooses to transition. Just like Hoori abandoned his wife because she turned into a crocodile, Dragon could've divorced Crocodile because he transitioned into a man. And Dragon would not be a bad person for it (as long as he was respectful about it). If Dragon is straight and just couldn't see himself being with a man, that's just how it is. At the same time, this would be a gut wrenching, painful thing to go through, and this kind of heartbreak could have devastating concequences for Crocodile's character. Concequences that could play deeply into One Piece's long running narrative elements, which is why a lot of my speculation from here on does end up relying on the Toyotama Myth possibly being inspiration for Crocodile's secret backstory. I acknowledge there's no quarantee that's the case, but I am here to make an argument for why it could be.

QUICK SIDENOTES

As mentioned before, although Ivankov holds the key to a weakness Crocodile has (in their own words), we don't know what that weakness is.

Crocodile joined the Shichibukai in the first half of his 20s (SBS vol 78), and he would've been 27 years old when Luffy was born. This means it's nearly impossible for Crocodile to be stealth trans, as he would've been a public figure for years; which means, Crocodile could be openly trans

A single earring on the right ear can be read as a "gay earring". The man does like his jewelry, so there's no proof he's signaling that he's gay, but if Crocodile's happy to let the world know he's into men, then surely there'd be no issue with him being openly trans either

His transition would've happened 17 years ago pre-timeskip, so in-universe it'd be old ass news and not worth bringing up to the readers if it doesn't add anything to the current plot or his character (which it wouldn't have during Alabasta nor Summit War)

If Crocodile's secret weakness wasn't him being stealth trans, and Ivankov can't detransition him against his will (can't hit Crocodile without Armanent Haki), then what is that secret weakness Ivankov knows about?

As Dragon told Kuma: "A child is a parent's weakness". If Ivakov was anywhere near Crocodile when his child was born (so that Crocodile was able to transition as soon as the kid was out) Ivankov could/should know about the child existing, and would thus be able to blackmail Crocodile by holding the information of his secret child hostage

However, Ivankov did not know about Dragon having a child

Meaning if Crocodile and Dragon were in a relationship, it must have happened in secret, otherwise Ivankov should've realized Crocodile gave birth to Dragon's child

So One Piece has a lot of narrative elements that come up time and time again through out the story,

And some of these have become more and more relevant in the story especially post-timeskip. This is not a comprehensive list of all of them, just the ones that could heavily tie into Crocodile if he were Luffy's other dad, as they could reframe his character. So, let's look at these narrative elements, how they've appeared in the story so far, and speculate how they could reflect in Crocodile.

🐊 People existing in the wrong bodies / bodies that have been altered (and what it means for you to be "you"/how does your body reflect who is on the inside) 🐊 Queerness

Wrote about this more in-depth in this post, but to keep things short; Thriller Bark, Punk Hazard, Dressrosa and Wano all heavily featured characters who have had their bodies either temporarily or permanently altered, sometimes with the person's consent and sometimes without it. Not to mention all the various characters through out the series who have gone through similar things, like Franky, Kuma as well as Brook, among countless others. As well as every Devil Fruit user who can transform their body (including every single Zoan user). People, the way they inhibit their bodies and the freedom to be who you are is very important to One Piece. That is already a very queer-coded narrative, but then we also have explicitly queer characters. Queer characters, who have been deeply important to the story, and whose presence has become more and more prevalent with time. Not to mention how queerness in general has been "escalating" over the course of the story. There's this video from Berry for A Thought on YouTube which explains this more in-depth, but to summarize the most important observation from the video; we have slowly gone from Kuina wishing she had been born a man, to non-binary drag queens (first one being able to temporarily change their own bio-sex by turning into someone else, to the second one being able to change anyone's bio-sex permanently), to two pre-transition transgender characters. All we really need for this escalation to reach its "peak" is if we had a (named, non-background) transgender character who has already transitioned. Unsurprisingly, Crocodile could fill that role really nicely.

🐊 Loneliness

Loneliness is generally speaking a very important theme in One Piece, as it's on the opposite side of coin with friendship on it. So many of our main characters have suffered for years from loneliness, by being ostracized and rejected by their communities, abandoned by their families, sometimes suffering for decades for the sake of their loved ones because they had promises to keep. Luffy himself considders loneliness to be most painful, scary thing imaginable.

Loneliness is something queer people struggle with. A lot. Being rejected by your loved ones for who you are is a painful, common experience for many. It alone can keep many queer people in the closet for years and decades, because the fear of being left alone and abandoned is too much to bear. Some people are accepting of queers but only as long as they stay "over there", pulling a full 180 when a family member comes out. Some people only ""accept"" trans people as long as they don't transition. And while some people may appear to be accepting of you when you come out or are early into your transition, many (trans men especially) lose friends and support the more they start to pass. Crocodile does not trust people. He set up base in Alabasta sometime around the age of 30, meaning he spent around 14 years by himself (until he recruited Robin), unable to trust anyone. That's a long time to be alone. Of course, there may have been a practical side to why Crocodile chose to spend over a decade in utter emotional solitude. If he was scheming to take over a country, then having anybody close who could leak his plans out and foil them would be dangerous. Hell, it's exactly what happened thanks to Robin. But having your significant other destroy your ability to trust people and then isolating yourself to avoid further heartbreak and "betrayal" could be another, potential reasoning as to why Crocodile chose solitude.

🐊 Two failed weddings and one relationship that never was

In Thriller Bark we witnessed Nami almost get married off to Absalom. On Whole Cake Island, we almost saw Sanji get married into Big Mom's family. During Egghead arc, we saw how Kuma never got to have the relationship with Ginny he had yearned for deep inside. I already mentioned Crocodile's missing ring. How his relationship with Dragon might not have worked out because of his transition. How Crocodile's queerness could've lead into solitude, out of distrust. We already have three relationships that never worked out. So how about a fourth one.

🐊 What makes a family (/chosen families) 🐊 Family reunions (with blood-relatives) 🐊 What it's like when your blood-relatives are really horrible people

For the first half of the series, One Piece did very much focus on the concept of chosen families, as most of the Strawhats grew up with non-blood relatives that they all considdered just as much family as their actual blood relatives (if not more-so); Luffy with Ace and Sabo, Sanji and Zeff, Nami, Nojiko and Béllemere, Chopper and Hiruluk, Franky and Tom's Workers. Chosen families are deeply important to this story. At the same time, a lot of post-timeskip OP has actually revolved around (blood) family reunions. Punk Hazard was about sending the kidnapped children back to their families (as well as Momonosuke to ""his father"" Kin'emon), Dressrosa was about reuniting all the broken families Doflamingo (and his family) had torn apart. Whole Cake Island was about Sanji reuniting with his blood family while being forced into a whole new one, and Wano allowed Momonosuke to reunite with his sister (and Kin'emon with his wife). On Egghead we've gotten to see the gutwrenching reunion between Bonney and Kuma, and we are all dying to see Luffy meet Dragon eventually. Not to mention all the other reunions many of us are waiting to see, like Shanks and Buggy, Moria and Perona. Luffy and Garp (currently held hostage by Blackbeard), Mihawk and Zoro. And many others. But indeed, not all the family reunions have been good. Sometimes, the blood relatives have been horrible people. Like Big Mom (to some of her children and husbands), Judge and Kaidou. Sometimes, your blood relatives suck ass.

Needless to say, Sir "I tried to bomb one million people to take over a country" Crocodile is not exactly the greatest guy around. But what might be arguably more important is that... Why is Crocodile a plot-relevant character again, on an emotional level? As I mentioned, characters like Buggy and Mihawk relate to certain characters, so potentially getting to see them reunite with other characters would have emotional weight behind it. Mihawk and Buggy are both relevant characters both to the plot but also on an emotional level, their return to the spotlight makes sense. But then we have Crocodile, a fellow member of Cross Guild. Sure, he's definitely there to help move the plot along, no doubt about that. But emotionally speaking, why the hell is he here again? Is there a character he could "reunite with" that would have that same kind of emotional weight behind it? You could argue Vivi perhaps, but between Vivi hating the man's guts and and Crocodile probably not giving a damn about her, I'm not sure that reunion would have that much emotional weight? Robin on the other hand could be very interesting, considdering she did live under Crocodile's protection for four years until she betrayed him, an action that seemed to have stung Crocodile. That reunion could be deeply interesting.

But you know what this post is about. If Crocodile is Luffy's other dad, then those two coming across each other would suddenly have enormous weight on it even if Luffy himself didn't know about it. Because if Luffy were to find out, Luffy would then have to decide if he'd acknowledge Crocodile as his other dad or disown him. Mind you, Crocodile already knows that Luffy hates his guts for what he did in Alabasta, not to even mention the fact that he tried to kill him three whole times. Luffy has every reason in the world to hate Crocodile. The man surely understands that. But then there's the fact that Crocodile isn't Luffy's mom, but his transgender father. If Dragon rejected Crocodile for being trans, why would his son be any different? Which raises the question, would Crocodile be afraid of that? Of meeting Luffy again? Of Luffy somehow finding out and then getting rejected by him too? How does Crocodile feel about any of this? Now of course, we the readers already know that Luffy canonically loves and respects queer people. Luffy would never look down on Crocodile for him being his dad (the warcrimes are different). But Crocodile doesn't know that. And this is what I mean by there being emotional weight on these two reuniting, as anything that could go down between these two could have massive concequences for Crocodile's character. And please, keep in mind, although Oda hasn't dwelled too deep into the subject in One Piece, there are people who aren't accepting of queers in this world.

This prince, and his entire kingdom, could not accept his mother for who she was. An entire country crumbled because their queen came out as trans. So just like there are accepting families (including Kaidou strangely enough), there are unaccepting, queerphobic ones too. So the fear of rejection would not be unfounded. (Also, if Crocodile and Dragon are divorced then those two coming across each other, especially after The Shit Crocodile pulled in Alabasta, would have a lot emotional weight on it too.)

🐊 The things you are willing to do and sacrifice to protect your loved ones

Shanks gave up his arm for Luffy. Zeff ate his leg so Sanji could have actual food. Béllemere died for her daughters while Nami sacrificed her freedom in an attempt to save her village. Tom gave up his life to protect Franky and Iceburg. Robin attempted to sacrifice her life so the Strawhats could continue their journey in peace. Sanji gave up his freedom for Baratie and the Strawhats. And so many countless more lives, given up for the sake of others.

So people often give Dragon shit for being a "deadbeat dad". I've discussed this in the past, so to keep it short; the World Government went out of its way to hunt an unborn child, hurting countless pregnant women, mothers and newborns while chasing for Gold Roger's son. A child who had "evil blood" and had to be exterminated from the world. Similarly, the World Government went out of its way to put a massive bounty on an eight year old child for the crime of being able to read ancient texts. Dragon would have known and understood that if he ever had a child, as the leader of the Revolutionary Army, his child would become yet another target for the World Government to hunt, just like Ace and Robin did. This should also apply to Crocodile; if the WG found out about him having been involved with the Revolutionaries they would no doubt strip him of his Shichibukai status and make him a wanted man again. Crocodile's child would thus be in just as much danger, even if the Government didn't realize it was ALSO Dragon's son. If Dragon wanted his son to be free and choose his own path in life, Dragon had to keep his distance from Luffy. The same would apply to Crocodile. Luffy probably ended up in Garp's care, not because his parents didn't want to raise him, but because they wanted Luffy to be free.

But as long as the World Government exists, if they ever found out about Dragon having a son, that child would end up in danger, he could become a target. And the only way to ensure that child's safety would be by eliminating the ultimate threat. The Government.

Now that is the ultimate goal of the Revolutionary Army anyways, something Dragon and co have been working towards for over two decades now. But most of their efforts have gone into freeing small countries by overthrowing corrupt governments and gaining support, little by little. Which is understandable, the WG is impossibly powerful, you can't just walk into Marijoa all willy-nilly, take out the Tenryuubito and free the world, the Government's forces would take you down within seconds. Dragon understands this, which is no doubt why the Revolutionary Army hasn't made a move against Marijoa directly until the latest Reverie. It'd be too risky, and if the Revs were taken down, who would be left to oppose the WG? Their slow approach makes sense. But at the same time, while the Revs did attack Marijoa, destroying the Tenryuubito's food banks and freeing a single slave... as long as the Tenryuubito are allowed to literally stay on top of the world, this attack has done nothing. They're just going to demand more tributes, they're going to enslave more people. It's going to make things worse for those who aren't in power. It's harsh and unreasonable, and I don't agree with them, but I do understand where some fans are coming from when they considder Dragon a "fraud". If you wanted to help free the world from this corrupt rule, then you have to actually strip those in power from their status, otherwise nothing will ever change. You have to actually fight the enemy.

I can not tell you for certain why Crocodile wanted to create "a military nation powerful enough to oppose the World Government", I do not know for sure why he wanted to obtain an Ancient Weapon. But nuking Marijoa out of orbit sure would be a fast way to end the rule of the Tenryuubito, ensure nobody would get hurt by the World Government's corruption and slavery ever again, and make sure your son would never become targetted by them. A line of thought I'm sure Dragon would not have agreed with. But a line of thought Crocodile could believe in.

Remember how we still don't quite know what Cross Guild is up to? How the Shichibukai are based on Romancing SaGa 2's Seven Heroes, a group formed by Wagnas (Crocodile) with the swordsman Noel (Mihawk) by his side to save the world from a great evil? And how Cross Guild has been focusing on hunting down Marines by putting bounties on their heads? Make of that what you will.

🐊 Learning not just to love and trust others but to be loved as well

Robin tried to sacrifice herself not just because she loved the Strawhats, but because she thought she herself was unlovable and did not trust the crew, believing they too would betray her eventually. Sanji tried to sacrifice himself because he thought he was unworthy of being loved. Ace went through most of his life, thinking it would've been better if he had never been born at all. We know Crocodile does not trust people. The logical assumption here is that it's because he was betrayed in the past and had his trust broken. Did he ever have a crew, in his younger pirating days? If so, what happened to them? Did they betray him, leave him? After Whitebeard kicked his ass? Who knows. If Crocodile was in a relationship with Dragon though, it does mean that one point he loved and trusted someone, deeply. So much so they had a child. But if their relationship ended because Crocodile is trans, that would have broken his heart, wouldn't it? Made it hard for him to trust anyone ever again. And what would make you believe you were unlovable more than being rejected by your significant other for being queer. But as I mentioned before; Luffy loves and respects trans people. His affection towards queer characters through out the series is absolutely unmatched (the way he exclusively uses the "-chan" honorific for Bon Kurei, Ivankov and Inazuma, calls Yamato a man, and is far more interested in Okiku's spooky mask than her being trans). What would be a better way for Crocodile to be reminded that he can be loved and that he can trust others than being accepted by his estranged son?

🐊 Inherited Will

In Alabasta we learn Crocodile once had a dream that he gave up upon after learning how strong the most powerful pirates of the Grand Line, the ones standing between him and his dreams, truly were. In Marineford we learn Crocodile lost to Whitebeard in his youth. During Miss Goldenweek's Cover story, we learn Crocodile dreamt of becoming Pirate King.

A dream that he shares with Luffy. An inherited will Luffy carries on.

You know the RPG trope where the final boss is either god or your dad? Yeah. This line really hits different when you shout it at your father.

Now, all of this is fine and dandy, but what does this actually do? How would Crocodile being Luffy's other bio-father add to his character, impact Luffy and the story as a whole?

Now there's no way for me to fully predict how the plot is going to develop through out the Final Saga and what might go down. There's a million moving pieces and a billion potential directions things could go. We could be here forever debating those things. But as I did explain in detail already, if Crocodad Real, it could heavily impact Crocodile's character depending on what does/doesn't happen.

For one, we could have an idea of why Crocodile is a plot relevant character again; if his ultimate goal had always been to destroy the World Government to protect his son at whatever cost, then we might know why he wanted to create Cross Guild to begin with; either create a military force strong enough to fight the WG on their own, or, if nothing else, dwindle down the Government's forces and be a general nuisance that leaves the WG vulnerable (perhaps enough so that the Revolutionaries can do the hard work) and/or unable to spend their resources on hunting down Luffy and the Strawhats. Crocodile could be acting as bait, a distraction to protect his son. There's a few options there. This would also give us an idea of where that Cross Guild plotline could be heading; some people believe CG is there to join the race for One Piece and get defeated by the Strawhats, and that'll be the end of it. But now we would have another option, of Cross Guild joining the expected final war against the World Government together with the Strawhats and the Revolutionary Army. So that's one way Crocodad could impact the story and the general direction its heading.

But then there's the character-side of things, how would Crocodad impact our characters? Now obviously, the three characters that would be most impacted by the theory would be Crocodile, Luffy and Dragon. There's some other characters too, Ivankov (since they didn't know), Robin, potentially some Cross Guild members (could they learn to respect Crocodile more sincerely if they learned that the man did in fact have a heart and something/someone he cared about and wanted to protect?) and maybe even Garp, but realistically, it's the core of the family itself.

Now Dragon already would know about everything so there'd be no Shocking Revelation for him. And based on what we saw him say about Sabo maybe being responsible for Cobra's death at the Reverie, we can make an educated guess that Dragon is Not Happy With What Crocodile Did In Alabasta.

So the two aren't on good terms, probably. Dragon might just be absolutely furious at Crocodile for what he did. Understandable tbh. I guess we're just going to be left wondering if the two could somehow ever reconcile, and whether or not they still love each other deep down, despite all the pain and hurt (and warcrimes) they've gone through.

Then there's Luffy. And I guess everything boils down to two major questions; will Luffy ever find out the truth, and if he does, will that impact how he feels about Crocodile? 'Cause it's entirely plausible the series could end with Crocodad being real and Luffy never finding out. And in that scenario, well, Crocodad could impact those other aspects of the story, just not Luffy. And in some ways that could be fine too. It could still be meaningful for Crocodile (and Dragon) that way. But what if Luffy did find out? Now, mind you, it's already a bit of a mystery how Luffy feels Crocodile as of now in the story; back in Impel Down he still understandably hated the man's guts with a fiery passion, but after Marineford Luffy does kind of owe Crocodile his life after he saved him. And Luffy is generally speaking pretty respectful when it comes to stuff like that. But also Luffy was unconcious when Crocodile yeeted him and Jinbei out of Akainu's reach, so does Luffy even know Crocodile saved him? (Though surely he would remember Croc sparing Ace and getting guarded from Mihawk) Not to mention, when the Cross Guild reveal happened, the only comments we got about it where Luffy calling Buggy an idiot and Zoro being confused about Mihawk being there. They didn't even acknowledge Crocodile. It was almost like Oda seemed to avoid the subject?

We also need to considder how much would Luffy find out? Just the basics, that his other parent is a trans man and just happens to be Crocodile? Or like, everything? From whatever his plans were with taking over Alabasta to however Crocodile might feel about his sweet baby boy? Because if all Crocodile had wanted to do was protect his son, despite knowing he might never see him again, and if Crocodile did still unconditionally love Luffy despite everything that happened, despite knowing (/assuming) that Luffy already hates him... Well first off, Robin nearly assassinated Iceburg and was willing to let the World Government potentially get their hands on an Ancient Weapon just to protect Luffy and co (on top of all the deaths she helped cause while working for Crocodile, all because she wanted to read the Poneglyph herself). If Luffy was willing to forgive Robin for all that, would he not forgive his dad for doing the same? And Luffy isn't one to dismiss kindness, when people express that they genuinely care about him and his well being Luffy does respect that (even if doesn't fully reciprocate the feelings, like with Hancock). And Luffy has deep emotional intelligence too. If Crocodile was convinced he'd be rejected by Luffy for who he was, especially if that had happened to him in the past to begin with, over something Luffy wouldn't bat an eyelash at (like being trans), like. Luffy wouldn't be shitty about that.

We know Crocodile is a broken, traumatized man. We don't know how much shit he has gone through though, beyond getting his ass beat by Whitebeard and The Divorce. Knowing how Oda likes to layer trauma in character backstories*, there definitely could be more to Crocodile than just those two things, but for the sake of this post, let's just focus on The Divorce. *(Like how Robin was alienated by her community long before the Ohara Genocide, and then spent decades of her life fleeing from the Government, hurt and abandoned by people time and time again. Or how Kuma was born into slavery, lost the love of his life and finally gave up everything he had just to save the life of his daughter. Early OP flashbacks may have been a bit simpler, but as time as gone they have definitely gotten more complex and layered, so I would not be surprised if Crocodile's Full Backstory had like 3+ layers to his trauma)

One important part of One Piece has been teaching/reminding certain characters important lessons, to change their view of the world and make them better people as a result.

Here's some of the messages of One Piece, its beating heart and soul

And of course, sometimes some characters can't have their minds changed, at least not that easily. But their ideals and worldview can always be challenged and proven wrong. This is what happens to many of the villians in the story. Like Moria's ideas of how he shouldn't have to do any of the hard lifting himself and how instead of having friends he can just have replacable zombies instead. Moria's worldview was wrong, and is exactly what led to his downfall in Thriller Bark. Or Spandam and the CP9's ideas of justice, how anything they do can be justified as it is for the "good of the world", including killing innocent civilians. They can do that, because they are "heroes of the world", they are "justice". Needless to say, none of the CP9's actions during Enies Lobby could be considdered "heroic", and, well. If "justice always prevails", then their defeat did prove theirs was a false one. Or how Enel isn't a god, how Doflamingo doesn't have a god given right to rule (neither does Wapol for that matter), how Akainu's ideas of "absolute justice" are monstrous at best, how the way Judge and Big Mom treat their families is not how a family should be like at all.

During Alabasta, Crocodile's plans were foiled because of he didn't trust his underlings with his secret identity and refused to communicate properly with them himself. That one conversation between Crocodile and "Mr. 3" (Sanji) is more or less what allowed the Strawhats to reach Alabasta just in time to stop him. But although distrust is what lead to Crocodile's downfall, he still carries that core belief even now; he still doesn't trust others. Which raises the question, what other beliefs might Crocodile still carry deep inside?

That he can't trust anyone because people will betray and leave him sooner or later? That nobody would ever stay by his side, that nobody will ever love him?

Are those not the exact same core messages of One Piece, the false beliefs that we've seen proven wrong, time and time again?

It really wouldn't be right to end the series without Luffy proving Crocodile wrong once and for all, and make him change his worldview, now would it? But hey, the good news is that there might be no better way to prove Crocodile wrong than to have his son unconditionally forgive him and accept him as his father.

All of this to say; yes, I think if Crocodad was real, it would heavily impact Crocodile's character and whatever character arc he might have. Like I'm not arguing for Crocodad in the name of meme'ing. His whole story could suddenly tie into so many of series' core themes and messages, and tie into our main character in a meaningful way. It could impact heavily where the story as a whole is heading.

The other, more likely option is that Crocodad isn't real and that I have lost my marbles thinking I was onto something with this post. In the end, time will be the judge of that. Thank you for reading, I hope you enjoyed my utter derangement.

Minor EDIT (Oct 20th, 2024) but. Because I am still obsessed with Crocodad, I keep on thinking about it and both coming to new conclusions and noticing new things, and I wanted to link a few shorter posts I wrote recently because I think they add to Crocodad, if in minor ways

Crocodile's motif is being a protector

Ivankov's fame as a miracle worker matching the Crocodad Timeline

Whitebeard would not have invited a woman on his crew (side tangent; the actual post is about something else)

#Moon posting #OP Meta #Sir Crocodile #Crocodad #If you've been following me for long enough and read most of my daily CrocoPosting then this is mostly repeating shit I've already posted #But there is also some shit that's like. I can't remember if I posted it or if it's still rotting in my drafts unfinished #This is. So obscenely long. Good dear god.#But this is it. This is my fucking thesis.#My Brain is Soup

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simpforsolas · 2 months ago

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i wrote up this whole rant yesterday about how I didn't find the Solas arc satisfying in this game, and seeing the ama and interviews today, I think I understand why that is lol.

yes, Solas carried this game. Yes i loved every time he was on the screen. yes his arc made me cry. NO it was not satisfying. and i'm just gonna go ahead and copy paste my rant explaining my feelings the best i can.

(i wrote this yesterday before all the revelations)

Solas's writing wasn't successful to me not because I think he was written out of character, necessarily. I think that every individual instance of his character being written on-screen was fine, but to me, his character was missing the wider context that put the isolated actions we saw of him in the game into perspective

The entire point is that the Dread Wolf/Fen'Harel persona that we see is a mask he wears. And that's fine, I like it! But what makes a mask interesting is to see what it's masking, and Rook doesn't really get to see that unless you choose the reedem ending. I guess what I'm getting at is that I craved to see more Inquisition-style Solas, in particular Trespasser Solas who was so remorseful but stuck in his ways, who stuck to his path but said stuff like "I would treasure the chance to be wrong once again, my friend." All these different sides are real sides of Solas, but because the game didn't really show us all these sides then we're left with a lopsided picture and now I have to deal with all these fools misinterpreting him all over the internet

I can still interpret it my way well enough, but the thing is that's my interpretation and it's a valid interpretation of the source material itself, but other people's interpretations are also valid because the game didn't really get more into his motivations other than "it's all mythal." But if you go back to inquisition, you can see how passionate Solas is about his ideals! His banter with other party members and his approval and dialogue you get with him really suggests that he actually CARES about his goal at an idealistic level, it's not just about regret. I like the regret! I like the history with Mythal!! I just wish it was more of something in his backstory that shaped him to who he is today and is something he needed to work through in order to finally see things clearly, instead of being the one magical thing that had to happen for him to get his "redemption"

I'm also rather frustrated that the right answer was just going straight back to the status quo, when we KNOW the veil is falling apart and shattered and an unnatural wound inflicted on the world that turns spirits into demons, prevents the world from achieving the magical/technological wonders it once had, keeps elves from immortality, and creates this fear and class difference between mages/non-mages and people who understand the fade and those who don't. Like when I replayed Origins i was struck by how many plot points are basically "the veil is weak here which means that there are demons here and they killed hundreds of people!!!!!!" Things like that are still going to be a problem hello why was none of this addressed 😭😭😭 I wish we could've validated the problems Solas's plan resolved to fix instead of saying "you just need to move on man this is just you taking your issues out on the world" because it WASN'T THAT

'm also really frustrated that we don't see a SINGLE big plan of Solas's go right because I know my man, I BELIEVE in my man, I know that he was smart and clever and had wins!!! I don't mind him fucking up but when all we ever see of him are major fuck ups it annoys me because COME ON. He's the DREAD WOLF. He knows how to make plans and carry them out. He saved thousands of slaves during his time, he fought and won countless battles, he locked away the Evanuris! Sure things fell apart in the actual veil part but he was able to trick all of them and did succeed in locking them away. The only thing we actually see him accomplish in this game is escaping regret prison, which is instantly seen as less cool because Rook gets out after like five minutes, and taking down the archdemon which was pretty hot but that wasn't about trickery, that was him engaging in straight up physical fighting in his wolf form. Anyway it frustrates me because now people in the fandom can rightly laugh about him being stupid and having bad plans. Yet I can't help but go back to inquisition and listen to his advice, dialogue, etc, and he's always so thoughtful and wise! So i just find it hard to believe that this man is incapable of taking a win. even if he kept all the Ls in this game but they had included a few more wins i wouldn't even be mad but it was literally just a collection of Solas's Ls and it frustrates me because I think he's better than that

i'm just worked up about this because i've been seeing takes about solas from people who used to like him but this game made them hate him, and the fact that the source material from datv as an isolated game actually supports their perspective is driving me insane. cuz if you ask me a lot of solas's character and motivations between dai and datv are actually at odds with each other. even if the surface characterization is absolutely on point, there was just so much context and scope that we're missing in this game. i can't handle it

#crazy how i know all the reasons as to why i felt this way now #it's because the creative director intentionally didn't want to validate solas's reasons!!!#he wanted to write him like a boring villain you're not supposed to like!!#so they sanded away his nuance!#the reason why his motivations feel different between the games is because they ARE different #ugh save me solas dai save me ilysm #solas #datv critical #datv spoilers #dragon age #bioware critical

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krashlite · 1 year ago

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Anyways my hot take abt the cheater’s arc is that all four of them were in the wrong but it was mostly Grian’s fault things went so horrendously since man was the reason why the actual Cheating part of the cheater’s arc happened (characters, obviously)

But yeah here’s how they were all wrong yes (after the cut!)

Grian was being incredibly controlling because he didn’t trust Scar to keep them safe. Man was scared of his own damn shadow for a lot of this, but his way of ensuring his own safety was basically to tell Scar to stand in one place and not move. He pretty much disregarded the fact that Scar is a grown man capable of making his own decisions And capable of keeping himself, and the both of them, alive. The fact that they were last on green doesn’t reassure him, only confirms that he is in the right for being so controlling. He thinks his behavior kept them alive. He only loosens up once they hit their red life since at that point danger is assumed. Grian DOES NOT learn to respect Scar here, just puts his paranoia on hold for another day. His conclusion is that he was right and Scar was unreasonable

Scar was pushing back against said control since he knew it was unfounded. Again, he’s a grown man capable of making his own decisions. He has a tendency to mock people to show when they’re being ridiculous, something he does here through being purposefully careless. It’s both to point out how ridiculous Grian’s being and a way to punish him for being so obsessive. Instead of having the intended effect, Scar just pushes Grian further away. He later winds up just following everything Grian says, which doesn’t address the root of the problem here. Except he has no way of knowing what’s wrong because Grian doesn’t tell him. From his perspective, the only thing that got Grian back at his side was murder- since the only times they actually stood on equal footing was when there was a plan for a kill or when that plan went well. Scar’s conclusion here isn’t that he was unsafe, but that he was boring. So it reaffirms that he’s in the right and Grian was being unreasonable

BigB is not and never was the mistress in this situation. Had Grian never approached him, he would’ve never left Ren. He was using his Secret Soulmate as an escape from normal relationship problems he was too scared to address. BigB mainly felt overlooked because he has a quieter personality than Ren, meaning Ren wound up making most decisions for the two of them. BigB did a lot to mirror Ren and to be Ren’s other half, but didn’t give himself space to be his own person in the relationship. This is something that’s brought up in couple’s counseling and something they at least started to address before dying. BigB never intended to hurt either of them, since he did love and value both Ren and Grian- something that’s affirmed by how he talks to them after dying. BigB and Ren talk about how they stayed together until the end and B takes the time to forgive Grian for murdering both him and his soulmate

Ren was doing his best to keep Box afloat but failed to meet BigB’s needs. Since B wouldn’t communicate what was wrong, Ren kept trying to course correct in ways that inadvertently made the situation worse. Ren’s instinct is to be protective- to find an enemy to defend against. That enemy was first Pearl and then Clockduo when Bdubs inadvertently got BigB killed. He also reacted to news of B cheating by distancing himself from BigB. Which, reasonable!! Ren wasn’t obligated to save them if B was the one who left. However, this action only pushed BigB away since Ren was so quick to assume they were over. Ren has a habit of isolating himself when something’s wrong, assuming the worst of a situation when things can be fixed. It worked out between him and BigB in the end but goddamn was that rough

Anyways the four of them are very!! Very messy, I love them dearly

#anyways that’s my armchair therapist take on them #I’ll shut up abt this arc I prommy #grian #bigbst4tz2 #rendog #goodtimeswithscar #trafficblr #trafficshipping #they make me crazy #it’s 2 in the AM take my keyboard away from me #krash’s insanity rambles

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pruneunfair · 6 months ago

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The internalized sexism in remarried empress, (for an ask)

*this is going to be a long one so hold on tight*

It's no question that remarried empress is one of the most popular manhwas on webtoon and being so popular it holds a lot of influence, unfortunately, that influence promoted the internalized misogyny in not just the readers but in other works as well.

In the first chapter, Navier is presented as this baddass perfect woman, during her divorce trial she brings in a hot rebound who also happens to be another Emperor so she wont have to give up her life as empress, sounds pretty feminist right? Unfortunately that's only one of the few times we see anything related to feminism at all.

We are soon sent back a few months before the trial and right away, Naviers ladies in waiting are tearing another woman down and already believe this new woman is a threat to Navier because the Emperor Sovieshu is attracted to this newbie

We are shown the basic concept of how the narrative wants us to view these two characters. Navier is perfect empress who is being wronged by her husband and this unnamed woman who's only crime so far was existing is a wench and a homewreaker, the ladies imply it as some sort of extreme act of disrespect for having to bathe what they believe to be a slave, proceeding with sucking up to the lead by saying they only wash their hands to bathe her as they don't even wash themselves and even when they admit this mystery woman to be beautiful they backtrack to making sure Navier is supported. You might think that this is just friends supporting friends but it goes beyond on that later on.

Later on we are introduced to this mystery woman, Rashta, a former slave found by Sovieshu in the woods who is immediately portrayed as rude, stupid, and a crybaby

The reason she cries is because she was struck and referred to as "the slave" while she wasn't very polite it's clear Rashta isn't doing this on purpose, rather it is sheer ignorance and an unusually large optimism

now, a lot of people like to say that Rashta must've done something on purpose to get Laura imprisoned and that she knew what she was doing, therfore justifying the hatred for her existence. However, Laura hit Rashta for reaching out to Navier and calls her a wench in the process

Some fans use the excuse that she smirked after Laura got sentenced to 3 days imprisonment and yes while that is excessive for Laura, Rashta was a slave only a few days ago and she's been mistreated by nobles her entire life plus I don't think she's smart enough to pull off Hannibal levels of planning like that, I personally think her smirk here is meant to be more of a "that's what she gets for treating me like that." Then a "hee hee my evil plan worked!"

the rest of the comic goes the same way, Rashta is continuously portrayed as a whore who ruined Naviers life by turning her husband against her, and she's written to be hated as a pick me who won't know her place. Rashtas pretty much every part of those "other girls" in those not like other girls templates. She's girly, loves the attention, emotional, dainty, overly sweet but secretly only has ulterior motives, and in the novel, she acts extremely childish even referring to herself in 3rd person, even when she makes good points it's all intended for the reader to laugh and jeer at her.

Shes practically designed to be the pick me archetype for baddass mary sue fans to despise and she sadly only gets worse as time goes on, not just in morals and personality but also in her writting

And how is Navier perceived?

Shes endlessly perfect, everyone loves her including several different powerful men from all different countries. Even her cheating ass husband is given the cheapest redemption arc in the end just for being sorry that he cheated and realizing how much he wants her. All the characters your meant to view as good adore her and anyone who doesn't is written as the meanest bad guy on the planet worthy of death. While she isn't the worst character I've seen, the narrative tries so hard to make her more amazing that Navier looks worse as a result, such as not caring about slavery despite being described as kind and devoted to all her subjects. Ergi even says it straight to us that there will always be that invisible wall between her and the poor.

The characters we're supposed to see as good are:

Heinrey: A king who planned on going to war with Naviers country and only stopped when he fell in love with her at first sight, who also tortures and threatens anyone who even so much as inconveniences or talks shit about her all while he puts up an innocent front to appear non threatening (wonder who that sounds like)

Kaufman: A grand Duke who drugs other people with love potions which are essentially date-rape drugs and gets away with it once another woman takes the blame

Kosair: Naviers brother who violates Rashtas autonomy by slipping abortion drugs in her food and it's never talked about again.

Lebetti: One of Rashtas slave owners who still continues to harass Rashta and views anyone lower than her with contempt including her own nephew and so on

And who are the characters we are supposed to hate?

Besides Rashta and Sovieshu, the only other characters so far are Krista, the former queen of the west and her father

Ironically Krista is hated for the same reason readers supported Navier for: not wanting to replaced as queen, which isn't helped by Heinrey asserting that Navier is the one and only queen and anyone who objects will face serious consequences but they fix that by dumbing her down and blaming her for Kaufman drugging Heinrey. As for her dad, the old Duke. While he is the only man actively against Navier so far the only ways he has been punished is being told that Krista killed herself. (In the novel the old Duke does face serious consequences which involved him being murdered along with innocent people after his son attempted a hit on Navier)

But overall you get the message, most of the characters you are supposed to love are men and ladies with no personality, men who do atrocious shit yet we're supposed to look past it and conveniently the only man who is punished is an ugly bastard.

The ladies in waiting are the biggest contributors to the internalized misogyny, often they support it by insisting any new woman who shows up must be an evil whore, even Krista's ladies in waiting do this

Not like it matters though anyway since Navier basically wins most of those girls over on her side and they're never seen again

You see what I mean? Every other woman in this story has little to no character, they exist solely to push the FL up and punch down at any woman they don't like which usually consists of women that either dainty "other girls" or ironically women in a situation similar to Naviers and any woman who opposes Navier is affectly an idiot who gets girlbossed back into place. Meanwhile almost all of the men who commit absolutely horrible acts get away with it since they all essentially go awooga for Navier, with the only exception being less than conventionally attractive dudes like Krista's dad.

for fucks sake even Alan, one of Rashtas other masters who 🍇ed her, got her pregnant and participated in keeping her child away from her until she got successful is viewed as this sorrowful wittle baby who got taken advantage of by the evil Rashta and was "wrongfully" told to screw off by her. It took an episode where Alan was so unfathomably stupid to get readers to realize they shouldn't side with a rapist, and yes, while the narrative will try to push the idea that Rashta took advantage of him to raise her status and that she consented. News flash: a slave cannot consent to someone who owns them, it's like a student-teacher relationship.

Now the hypocrisy. Navier can do one thing and it's viewed as such a girlboss power move but when someone else like Rashta does something similar, it's embarrassing and pathetic. For example, Rashta is mocked by nobles mind you, for wearing an expensive and flashy wedding dress. Meanwhile Naviers wedding dress is literally weaved with thousand of gemstones

Hey, it's their words not mine.

Or how Rashta was considered evil for stealing Naviers spot as empress (even though Rashta didn't even want to be empress at first and Sovieshu gave her the offer, it's not like she held a gun to his head) but when Krista shows distress over being replaced as queen, the comments basically tell Krista to suck it up because Navier deserves it more. Everytime a man does something wrong in this story, the characters and even the readers trace it back to somehow being a woman's fault.

Readers are even encouraged to laugh at Rashta for not being able to learn as fast and eventually having a breakdown from the stress (not to mention she's also pregnant here so those hormones must be going wild)

yeah let's just blame a pregnant woman who wasn't educated in reading until a few months ago for not being able to be as smart or stoic as Navier and then crying from the stress.

finally, how this promotion of internalized misogyny affected other works. The Trashta nickname has become so popular that it is used everytime a woman who doesn't support the MC or even just inconveniences her is introduced, constantly the comments never shut up about the "new trashta." Even women who don't mean harm like Helena from kill the villainess was treated horribly because she's the "other woman" it erases any attempt at creativity in these stories and dumbs down any other woman who isn't constantly worshipping the FL as an evil bitch who needs to go.

Conclusion:The Remarried empress isn't the feminist power book with complex characters, maybe in season 1 but not anymore. Women who even think about being rude to Navier are punched down and killed if they don't change their mind while almost all the men are excused for their cruel actions because their hot guys with abs who only wanted to protect the one and only goddess Navier.

#the remarried empress #the remarried empress critical #rashta #webtoon #anti heinrey #empress navier #anti kaufman #Dear God this took forever.

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buddieism · 6 months ago

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tommy's character, bucktommy's inherent flaws, tommy & eddie as mirrors and buddie endgame; a (lengthy) meta analysis

honestly, what's really confirmed my feelings about tommy (and the imminent bucktommy bones -> buddie pipeline) is that there have now been multiple opportunities for the writers to actually make tommy a likeable/serious love interest for buck and they just…haven’t. because while fans are naturally going to overanalyse every little thing, the vast majority of the show's audience are regular viewers who consume the show at face value and don't think twice about it -- so if tommy was intended to be buck's endgame or anything remotely close to it, they'd absolutely want to make the most of his (very limited) screen time to present him in the best light they could. think about karen, the only non-main LI, and how she was introduced to us -- despite hen's cheating, we can see how dedicated karen and hen are to each other and how karen is a complex character in her own right who is immediately easy to root for and love.

comparatively, when we look at tommy's s7 appearances and specifically his interactions with buck, it becomes abundantly clear that there isn't really much depth to their relationship at all. which is fine! it's just... you know. fine. let's get into it.

following the cruise arc, we watch tommy through buck's eyes in 7x04 where he's basically wining and dining eddie -- flying him to vegas, getting them front row tickets to a fight, sparring with him in muay thai, playing pick up basketball with him -- tommy and eddie are so similar (which we'll come back to later), and we even get that line from eddie about how well they "click." as the audience, we are being subconsciously told to align tommy and eddie together -- and furthermore, we are told that tommy can easily make grand gestures when he wants to. now let's compare that to the bucktommy moments of the season.

bucktommy's first date: tommy makes a shady comment that would have outed buck if eddie or marisol caught onto it and then proceeds to abandon him on the sidewalk because he thinks buck isn't "ready" for a relationship with a man

i'll be objective here -- i understand in a show like 911 there's always going to be "unnecessary" relationship conflict for the sake of drama and i can also see how buck trying to play off their date as platonic to eddie might have put a bad taste in tommy's mouth. but we hear from tommy himself that he struggled with being open about his sexuality when he was at the 118 so he could have absolutely extended some sympathy towards buck for not wanting to come out on the spot to his best friend -- especially when tommy fully knows how important of a role eddie plays in buck's life. at the very least, he didn't have to leave buck alone on the curb. this isn't me trying to woobify buck because yeah, he's a grown man, he's fine -- but that doesn't mean it still isn't a bit of an asshole move.

the bachelor party: tommy doesn't dress up for the theme and dismisses buck when he's clearly disappointed about him doing so

tommy showing zero interest for the bachelor party buck planned is practically the writers waving a massive red flag in front of the camera -- him having to leave because he's on call is an understandable 'conflict' plot point but why not have him show up in an 80s themed outfit? it wouldn't have changed anything except that he and buck would have had a positive interaction; buck would have been happy that tommy cared enough to make that small gesture and it could have been a cute way to establish their relationship as one built on mutual effort. (btw, the bucktommy hospital kiss could be seen as a big gesture, sure -- but from a more practical viewpoint knowing how rushed this season had to be, it was also just an easy way for buck to "come out" to the rest of the 118 without having to spend too much episode airtime on it.)

the medal ceremony: tommy says 'enjoy it while it lasts' (which, LOL) and also is not shown reacting to buck receiving his medal. he also has a conversation with henren in a deleted scene.

again, i'm going to try to give tommy the benefit of the doubt -- i'm not saying he has to be sunshine and rainbows all the time and i have no issue with a character having a snarky/sarcastic side. but when his screentime is so minimal, every line of dialogue matters. and it's pretty damning that the writers aren't taking those few chances to give us something to appreciate about him. with buck, tommy makes a dismissive comment for literally zero reason, and with hen and karen, who are rightfully looking out for their friend, tommy refuses to take them seriously at all.

bucktommy's dinner in the finale: buck displays some vulnerability about losing bobby, and tommy... really doesn't seem to care.

honestly i refuse to rewatch this part of the ep because it really icks me out on another level but iirc: buck says he's glad bobby's okay because bobby is like the father he never had -> tommy says "your father's alive" -> something something joke about daddy issues. ignoring #that joke entirely, it's really insane to me that they have tommy even acknowledge the nuclear bomb that is buck's relationship with his parents. yes, we had a bit of a ham-fisted 'redemption arc' in s6 but that doesn't negate the buckley parents being absolutely heinous and the fact that buck verbalises how bobby played the role of the father figure because philip didn't -- all for tommy to basically deny that to his face -- is absurd. tommy has expressed on multiple occasions that he's jealous of the 118 family bond, so this line is just... very interesting to me.

now, let's recap all these events and bring eddie back into the mix!

post-bucktommy's first date, buck is more torn up about the fact that he lied to eddie than the actual date to the point that he has to vent to maddie about it. he then comes out to eddie, who is incredibly supportive (and oliver and ryan make some very curious acting choices indeed). eddie is reiterated as one of buck's most significant relationships.

pre-bachelor party, eddie is the one to suggest he and buck dress in matching (queer-coded) costumes. he then stays by buck's side at the party when everyone else leaves and although we'll never get to see it (tim minear i'm inside your walls👹), they sing an absurdly romantic karaoke song together. eddie is reiterated as one of buck's most significant relationships.

during the medal ceremony, when the camera pans to each member of the 118's love interest/family, it is eddie we are shown smiling at buck, not tommy. this is especially interesting considering we get buck reacting to tommy. i honestly can't get over how a reciprocated tommy reaction would have been an easy yet significant moment to cement bucktommy as a relationship, but they gave us eddie's instead (with chris in the background and marisol conveniently obscured, mind you). eddie is reiterated as one of buck's most significant relationships.

in the final episode, when eddie is experiencing his personal worst nightmare, buck is the one at eddie's side every step of the way. buck talks to christopher, buck reassures eddie (without judgement), and it's made clear that buck will be there for eddie, whatever he needs.

at every possible opportunity, we the audience are being implicitly told that eddie is buck's person. he is his place of support (buck having his more vulnerable coming out scene with eddie rather than his sister); he has buck's back (the bachelor party); he is his family (medal ceremony reaction), and ultimately, this goes both ways (finale).

some other things worth noting: when buck has his coming out scene with maddie, she tells him he's confused about his feelings in a way that seems to indicate she's talking about his feelings towards eddie ("if you there's something you need to tell eddie, you will"). in bobby's conversation with buck in the firehouse, he's verbally supportive of tommy and even asks if buck is going to see him, but buck goes to eddie's house instead. these were deliberate choices made by the writers; eddie has been consistently intertwined in bucktommy's relationship both overtly and subtextually throughout the entirety of s7. and let's not even get into the whole 'evan' thing, because that could be a whole other post in itself.

from the first moment we start to learn about tommy's character (beyond his... coloured past), we find out that he and eddie are practically mirrors. why not make tommy and buck share similar interests? why not give them something to bond over? why present tommy and eddie as almost identical in every way? because tommy is a placeholder for eddie. buck's initial bisexuality journey can't happen with eddie when eddie still hasn't come to terms with his own feelings. so, in the meantime, tommy is the "safe" choice in buck's mind because buck has nothing to lose with tommy whereas he's got everything to lose with eddie. buck can't confront what he truly wants yet because the risk factor is far greater and it's been repeatedly asserted that buck has an issue with people in his life leaving -- he would never do anything to jeopardise his relationship with eddie.

but ultimately (and in my opinion, fairly soon), we are going to get that moment where it "clicks" for buck and he realises that it is eddie he has feelings for. and when that happens, there's basically only one way it can go. we know buck can't keep secrets from eddie; we know eddie is going into s8 feeling "isolated"; we know tim loves making his characters suffer before they can be happy. in my mind, the narrative is going to go something like this: buck feelings realisation -> pining buck era -> eddie healing journey and a reevaluation of what buck means to him -> some insane life-threatening situation that really doubles down on how buck and eddie care more about each other than anyone else because it is 9-1-1 at the end of the day -> love confession induced by their dramatic near-death experience -> #BUDDIE_CANON !

when we factor in how there was a possibility of eddie having the sexuality arc this season instead, how tim has said buddie is one of his favourite dynamics of the show, and how supportive both oliver and ryan are of the ship, i really can't see how everything isn't building to buddie endgame. every other main pairing of the show has had seasons of development, of conflict, of bonding moments. buck and eddie have gone through that with each other time and time over (tsunami/lawsuit/shooting arc etc), which is why every other random love interest that's introduced for either of them falls flat in comparison. they quite literally are exactly what the other person needs; buck wants the stability of a home, a family, and unconditional love; eddie wants someone he can trust, a caretaker for his son but also a partner. buddie is the ship the audience wants to root for, because we know they work! now that we have canonically bisexual buck and eddie finally having to face his complicated feelings about losing shannon, buddie isn't just the logical conclusion -- it's the inevitable one.

#if you made it all the way to the end of this mammoth post... thank you!#very curious to know what u guys think and if u agree/disagree #buddie meta #buddie analysis #buddie #buck x eddie #buddie theory #911 meta #anti bucktommy #<- not like... dramatically. but my stance is pretty clear!#eddie diaz #evan buckley #911 on abc

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campbell-rose · 1 year ago

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Charlie Redesign!

I want charlie to look super out of place in Hell. I wanted her color palette to resemble the sky, as the sky can symbolize infinity and is usually associated with the place gods reside, high above it all. The main point is looking super out of place in Pride, which will carry over to Vaggie. I made her colors bright because i can’t be bothered to alter the colors of Viv’s hell to dull it down and from the trailer it doesn’t seem like shading is that important. Not shitting on that btw, i hate shading my drawings.

The way I imagine this version of Charlie is that she helps do the paperwork side of things, since Viv’s hell is just earth but red, I'm just assuming her heaven will be similar. Charlie helps schedule things, she’s kind of a secretary and works under Adam to help make sure the Exterminations go smoothly. She takes stock of weapons, sees what was lost, tallies up the total deaths, general stuff like that, you feel me? She doesn’t like the Exterminations; she thinks it’s horrific and that the people in hell ought to have a chance to come to heaven.

So it’s basically the exact same plot as before and her personality is the same because Charlie was the only character i liked from the pilot the others all had something that threw the vibes off slightly. Charlie’s relationship with Alastor will be a little different, because he’s one of her benefactors. He wants to watch the pretty little angel’s plans crash and burn, and she is determined to prove him wrong. Side note while I'm thinking of him, I’m changing the overlords – they aren’t sinners that got powers because sinners don’t have powers in this version. Well, no, they are sinners, just sinners that made contracts with demons and gained favor with hell during their lives, earning their own place in the hierarchy of hell. Speaking of which, it goes: Sinners, Overlords, Hellborn, Ars Goetia, Princes/Seven Sins. Overlords are given the power to torture other sinners (so it makes sense that Valentino makes Angel’s life miserable, it’s his job to torment other sinners)

Once the show actually drops, I might add more benefactors in my rewrite. Like, since Alastor is backing Charlie, the cannibals from cannibal colony will be friendly towards her, things like that. Hell, maybe Val backs her, idk don’t want to jump the shark.

Either way, i think Charlie being an angel sets her up for a better character arc with her naivete and attitude towards sinners. Also i think my design for her is literally beautiful she’s so pretty, she’s my baby i love her. And for the sake of making things easier, i fused her little goats Razzle and Dazzle with the key cat KeeKee because i think having three cute little pets is too many and R/D didn’t really do anything in the pilot. I’ve doodled them a bit, haven’t settled on a design yet. In my mind this little kitty is a cherub thing that Husk adores as his first hint of not being a complete ass.

Any who. That is all.

#anti vivziepop #vivziepop critical #hazbin hotel criticism #hazbin hotel redesign #hazbin hotel critical #hazbin charlie #ignore her fucked up hand i got lazy oopsies

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kingmaxstatic · 6 months ago

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In Defense Of Lanolin, A Post About Perspective, Flaws and Development. (Part 1: The Incidents)

Hey there everyone! It's time for another ✨Max Opinion Moment✨. Out of all of the IDW characters I think Lanolin is the character I've seen get the most hate. I'm not just talking about "I dislike this character" I'm talking I've seen posts where people act like Lanolin killed their family sort of hate.

Today I plan on defending Lanolin as a character! Talking about the main panels that caused this hatred and why I think she's... actually justified in her actions!

DISCLAIMER! This post is not meant to say "You can't DISLIKE Lanolin!". You're allowed to have your opinions of the character!

with all of that out of the way, let's talk sheep! Buckle up! Because this is a long one! (So long I might have to make a part 2)

Case #1: The Paddle Ball Incident

One of the earliest examples (comic timeline wise) was this set of panels! I've seen people actually seethe over these panels. Now I want to explain why I, personally, understand why she's taken the paddle away from her!

Lanolin is talking about important stuff here! Tangle is ACTIVELY interrupting the conversation by playing with the paddle ball in her face. Also, as an autistic person, I personally know how distracting those noises can be!

People also seem to forget that Lanolin, a few pages earlier, looks EXHAUSTED. That is not the face of a sheep that's well rested. Of course she's going to be irritable!

You'd be a bit of a bitch too if you were trying to talk about important stuff and someone was cutting off the conversation by fiddling with something really loud in your face! It's like if you were trying to present a school project you worked all night on and someone started playing a really loud video next to you.

Does this make Tangle a bad person? Of course not! She's energetic and gets bored easily (trust me girl, I get it.) but Lanolin isn't bad for being upset.

Case 2: The Duo Incident

THIS is the main reason a lot of people hate Lanolin as a character. Though in the timeline it's the second panel people will point to as justification for wanting this fictional sheep dead. This is the part of the post where I talk a LOT about perspective and justification.

Get ready for a LOTTTT of panel posting to add context.

SO Let's discuss the main perspective we see, Silver and Whisper's

Silver and Whisper know something is up with Duo, hell Whisper hits the nail right on the head when she instantly assumes Duo to be Mimic! This all happens after Mimic sneakily kicks Silver and Whisper notices.

Another event this happens is when Mimic basically leaves Silver for dead and what does he say after Lanolin asks him where silver is?

"I'm sorry I couldn't save him... the teeth... so big."

From LANOLIN'S PERSPECTIVE, Duo is the new guy, inexperienced and doesn't know how to deal with badniks and this one was HUGE. So from HER pov Duo did his best to save Silver and just simply couldn't. Of course she doesn't know that Duo is Mimic.

So what do Whisper and Silver do after they assume there's a traitor amongst them?

"We're Going Hunting."

Silver and Whisper don't first contact Lanolin or the others, they jump INSTANTLY to murder. The next panel we sees Silver and Whisper in in this arc is them camping in a bush, ready to shoot this Mimic.

Once again, I need to emphasize, they DID NOT discuss this with Tangle or Lanolin. They jumped to murder. This is a rash choice on both of their ends.

I also want to point out that Lanolin acted a lil playful and friendly... before she saw Whisper coming out of the bushes with her wispon.

It doesn't take a rocket scientist to realize what Whisper is implying here. She wants to kill someone. Justified? Yes, Mimic is a horrible person who seems to only know one word, betray. But from Lanolin's perspective Duo is a newbie who's only crime was being inexperienced. She does not know Duo is Mimic.

She even asks "The Shape-Shifter? That's a big accusation. Do you have any proof?" She isn't saying "Whisper, this guy clearly isn't mimic." She's saying "If you have proof he's mimic, show it instead of shooting this person I assume is innocent.".

and Whisper responds "We will soon."

Whisper then walks forward and proceeds to grab Lanolin's arm and move it, if you have a keen eye, you'll notice it was the arm Lanolin was using to protect Duo.

A teammate is walking towards your other seemingly innocent teammate, accusing them of being someone from their past. They're carrying a loaded weapon and move you out of the way. It doesn't take a rocket scientist to figure out what would happen next. Someone is going to get shot, someone is going to get killed.

So what do you do?

You knock the person down.

What Lanolin does here is knock Whisper over before she does anything and attempts to reason why her. Before whisper then KICKS her legs, trying to knock her over. Thus starts a fight. I'm not gonna post the full panel because we already got the idea.

But afterwards Jewel asks "Hey let me get this straight, you tried to attack this dude based on an assumption"

And Silver is like "Yeah shit guess I was"

THEN Lanolin steps in like "Hey until you can like. think before you act you should stay away from us, kay?"

OKAY SO, TO EMPHASIZE THIS A THIRD TIME. Silver and Whisper decided to try and kill this guy before discussing with their team. Silver is a powerhouse and a well known powerhouse at that. "Yadda Yadda great power, great responsibility." and all that.

People act like Lanolin is banning Silver from ever being in the diamond cutters ever. But she's saying "FOR NOW you can't be one of us.". Until is a word that changes a LOT here. She's also saying "That's my vote." implying she wants the others' input.

Hell this is even more emphasized when Jewel says Tangle has a say in this! Lanolin is saying "Hey, I think Silver shouldn't be around until he grows more, what do you guys think?".

I do think Lanolin has flaws here, she should've tried to give whisper a bit more benefit of the doubt here, but Whisper shouldn't of ALSO jumped to murder. They're BOTH in the wrong here.

PHEW THAT WAS A LONG ONE.

Case #3: The X-Treme Gear Incident

This is the latest Lanolin panel that I've seen spark debate about her! Let's talk about the Diamond Cutters' roles in this arc!

They're referees! They're even called "The Restoration Refs" in issue 70! Basically, people who oversee the race to make sure everyone is playing fair and safe.

She's not doing this because she hates Sonic (okay maybe she has beef with Sonic), Amy and Tails. She's doing this because it was an active threat to everybody else and themselves!

Hell I want to point out that in the first panel of this case, she's pointing at Sonic. Who she has witnessed first hand clearly having a disregard to the rules and safety.

This then proceeded to almost get one of her teammates hurt.

So Lanolin calling Sonic a "Hazard" Isn't too far off. Do I think Lanolin is being harsh here? Yeah. Hell even the comic points out she's being harsh after the first panel of this case.

People act like she swiveled around to Tails and went "You suck as an inventor" and spit on him. She's calling the gear "faulty" and "hazards". Shes literally doing her job. I need to emphasize this. Is she being rude? Yes. But she's blunt and it's apart of her character. Tangle is gonna be naive, Whisper's gonna be distant, Lanolin is gonna be blunt.

Bonus Case: The Shattered Glass Incident.

Okay so this isn't one that I've seen people hate on Lanolin for but I... have seen the Anti-Lanolin squad be weird over this panel. Being all like "HA!! Not as perfect as she thought!" and "She's finally facing the consequences of her actions!!"

What actions?

Ah yes! Stopping Sonic from endangering more racers!

Lanolin broke the glass, yes. She acted quickly, yes. This wasn't her scheming and being like "Heehee!! Time to put all these people in danger for some reason!!"

Let's call it what it is.

A Mistake.

Something people are allowed to make, something Lanolin is allowed to make. This isn't some sort of "her getting what's coming to her" it's her realizing she fucked up. Let her make mistakes and let them BE mistakes!

But yeah, if you've read this all the way through, thank you! I had a lot of fun making this (despite how exhausted I am of the lanolin hate train). Hopefully I'll actually make that part 2! Because that would be more so me talking about Lanolin's flaws, her role, and her backstory! Things I like to discuss (I do not like being a hater).

#sonic #sonic the hedgehog #sth #sonic idw #lanolin the sheep #the diamond cutters #Whisper The Wolf #Tangle The Lemur #silver the hedgehog #sonic idw spoilers

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comicaurora · 1 year ago

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Out of curiosity, how far ahead are you on the comic? I mean, you must have it all planned and written out, but I imagine that you are drawing the future of Aurora even while we're reading it.

So is Arc 2 already illustrated and ready for upload while you're on like Arc 5 or something? I'm by no means undermining your need for a break; I'm shocked that you've been uploading continuously for over 4 years at this point. I'm just interested to know how long it takes a person to make something this great. And also if you change any details in the final edit?

Basically: what's the workflow like?

Also I think you low-key inspired me to pick up painting as a hobby. I'm ready to pour so much money into creating things that I know I'll hate. :)

God, arc 5? That's a very generous assessment of how fast I can draw!

Typically, when the comic is updating regularly, I keep a buffer of 10 to 20 completed pages. Right now, in the interest of taking a break, the buffer is 0 completed pages.

Chapter 1 of Arc 2 is completely storyboarded, meaning it's sketched out, the dialog is all mostly finalized barring last-minute rephrasements, etc. It can be read in its current form, it just looks unpretty. In fact, just for fun, here's a sneak peek!

In the next month I'll go through and finalize as many pages from this chapter as possible - which means locking down the panel borders, fleshing out the backgrounds, lining, shading, coloring, polish, etc. - which will be the process of building up a new buffer for when the comic starts back up again in January. During that time, I'll also be storyboarding Chapter 2 and as much of the following parts as I can manage.

I have the next several chapters and sub-arcs planned out in loose timelines - event A happens at location B leading to consequences C and D, stuff like that. Chapter 2, being the closest, is a little more fleshed-out, with a more detailed bullet-pointed timeline and various character ideas I've had that might or might not make it into the final version.

What exactly the chapter breakdown is going to look like is a little more complicated. Initially I'd planned for Chapter 1 to be low-stakes downtime and Chapter 2 to quickly kick off the high-octane adventure again, but when I started bullet-pointing out the stuff I wanted to do in Chapter 2, I ended up with a big pile of slower-paced character moments I thought were well worth exploring, so the runtimes might stretch a little.

Translating those brainstormed notes into storyboards and dialog is what I would classify as the "writing" part of this process. It happens at an erratic pace largely determined by the whims of whatever muse decides to get me in a headlock that day; sometimes I go weeks with no storyboarding progress, sometimes I hammer out fifteen pages in one day.

It's kinda like weaving, to me. The soon-to-be-arriving parts of the story are the most finalized, the most densely woven. A little ways beyond that, things get looser - some patterns may be locked down, but the actual work that'll hold it together hasn't been done yet. And in the far-flung future arcs, it's just the basic bones of the story and a pile of the threads I've planned to use. I know the shape of it, but in order for it to be fun and engaging for me to make it, I need to give myself room to be creative when I'm putting the whole thing together.

I actually have a file called the "Toolbox" that contains every random character or subplot idea I've had, and sometimes when I'm debating where to go with a chunk of story, I'll crack it open and scan through to see if anything jumps out begging to be used. Lotta fun stuff in there that may or may not ever see the light of day. Dropping stuff in the Toolbox is one of the most fun and freeing parts of the process for me!

#asks #behind the curtain #writing stuff

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autisticshadowthehedgehog · 1 month ago

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yes the plants take the gem but what does that have to do with sonic and tails can you explain I'm very intrigued

i'm assuming you're referring to this post!

In the anime Sonic X, the third season was dedicated to a completely original story. (also obligatory "please watch the subbed version, the dubbed version got censored heavily" mention) The spoiler-free version is that group of aliens in fucked-up robot armor, led by Dark Oak, descend on Mobius to try and steal the Chaos Emeralds. In attempt to save the universe from these freaks, Super Sonic scatters the emeralds across the galaxy before crashing to the planet (he's fine tho). The aliens, known as the Metarex, then attack the planet and steal something from its core, causing the plants to slowly wither and die.

Around this time, a refugee from space crashes on the planet, looking for Sonic. An anthropomorphic plant, her name is Cosmo and she is the last survivor of her race after the Metarex attacked her ship. She knows Sonic as the only person who can control the chaos emeralds, and begs him to help defeat the Metarex. Turns out these guys have been planet-hopping and genociding as they go, but their main goal is to steal the Planet Egg, which is a magic thing at the core of each planet that keeps it alive and thriving. She currently doesn't know what they're using them for but it's not for anything good. And, well, now they're hunting chaos emeralds... and, as we find out later, making fake ones.

Tails happens to have a spaceship so the whole gang goes into space to fight the Metarex. This takes up the entire season and it fucks severely. Again, the English dub was heavily censored; the og Japanese has constant death and shit. In the last of the spoiler-free bits, I will say that if you have ever heard of "Dark Sonic"... this is where he appears.

The entire season is extremely dark but extremely well-written, which makes it very popular in the fanbase. Ian Flynn has previously stated he wanted to adapt this arc to comic but Sega wouldn't let him; us seeing the Chaos Emerald surrounded by plants, along with fake chaos emeralds and Dark Sonic-implications, is making us wonder if Sega's let up and we might get this arc after all.

Now, spoiler version, though I really do suggest you watch the subbed version of this season bc it's a fucking masterpiece:

We find out late in the season that Cosmo and the Metarex are the same species. In this species, the sexual dimorphism is a different "final stage" of their life cycle. The "male" plant-creatures enter their final stage as basically a kaiju, in order to defend their society from threats; the "female" final stage is turning into a giant fuckin tree in order to reproduce with seeds. The downside is that once you enter this final stage, it is FINAL, and you die shortly after.

However, when their planet was attacked by an unseen threat (it's never clarified, but a lot of people theorize it to be the Black Arms considering Shadow 05 was about to drop), they were all about to get wiped tf out. Dark Oak started experimenting with the Planet Egg in order to stay permanently in kaiju version without dying. His wife, Earthia (or "Ashia" in Japanese, but it just translates to "Earthia") is fucking horrified that he's fucking with the life of their planet like this. While he convinces the "males" to join his side, Earthia escapes with the girls and bombs their planet to kill Dark Oak and his new monsters. They survive though, and Dark Oak starts leading them to steal more planet eggs.

Turns out their plan is to use the power of the eggs and chaos emeralds (fake or real) to do a full-scale attack on the entire fucking universe, which will kill all animal-people and turn every planet into overgrown plants. We actually see some characters from a Shadow one-off episode being killed and violently turned into trees in one scene. Fucked up. That's what they want to do to everything.

And Cosmo? Well she didn't just happen to be a survivor; turns out Dark Oak spared her from the attack on her ship, semi-possessed her in order to spy through her eyes and ears, and yeeted her down to Mobius. He's been using her to spy on the Sonic Crew this entire time, against her will and without her knowledge. It fucks everyone up a WHOLE lot.

Anyway there's like a three-part finale where Super Sonic and Super Shadow are desperately trying to keep these fuckers from Mass Genociding. Finally, Cosmo realizes that she's the only one who can stop this and sacrifices herself; she goes into her Final Stage, turning into a tree but trapping Dark Oak in there with her (it's a long story, he kinda turned into a meteor). She then appears to Tails, the ship captain, and tells him to fucking shoot her to kill both her and Dark Oak, saving the galaxy.

The problem is, Tails and Cosmo have had a bit of a romance over the course of the season. It's been fucking adorable, and Tails became extremely protective of her after Shadow tried to kill her (long story). There's an uncomfortably drawn-out scene (and I mean that in the best way) where Tails is like. Emotionally broken and trying to figure out any way to do this without killing Cosmo. Eventually, he has to give in and fucking shoot her, blowing her and Dark Oak up. It saves the galaxy but traumatizes the hell out of him.

Super Sonic and Shadow contain the blast, and Super Shadow chaos-controls it away and disappears (this is likely bc they were setting up for the Sonic Heroes arc, where Shadow would have to appear out of nowhere again). When Sonic returns to the ship, Tails meets with him, desperate for him to say he saved the day last-minute and brought Cosmo back. Instead, all Sonic could find was a single seed– considering how the Metarex reproduce, it's probably Cosmo's child, but it's never clarified. This causes Tails to have a complete fucking breakdown.

The season p much ends there. They show everyone starting to heal on Mobius, have a bit where the anime-exclusive character Chris has character development and leaves to go home, and then go "and now we're going to have more adventures!! yay!!" before panning to a potted plant in Tails's workshop, showing that the seed has sprouted.

As I said, it's very dark, but VERY good, and thus we all really really hope that it's what Sonic IDW is building up to. They've been building up fake Chaos Emeralds, Tails blaming himself for things outside of his control, and Sonic being 110% done. I didn't even get into the Dark Sonic stuff, cause it only appears briefly in one episode and then is never mentioned again, which you'd think would be bad writing but no it just raises so many questions and you know that was what was intended by it.

The arc is really beloved but because it only appeared in a 2005 anime (which was heavily censored in English, and the og Japanese didn't air officially until a couple years ago), not a huge chunk of the fanbase knows about it. Which means we really want to share it and get more people into it and how good a character Cosmo is. So yeah that's what we're excited for.

#sonic x #sonic idw #idw sonic #sonic idw spoilers #idw sonic spoilers #mine

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relaxxattack · 1 year ago

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Piggybacking off the last anon, what is it you like about Jane so much? I find my feelings on her kind of mixed but I lean towards positive.

okay i haven’t read act six in probably like 5 years so bear with me here. *cracks knuckles*

jane is sooo so interesting and it’s really a shame people miss like everything fun about her.

pre-scratch she used her detective work to literally succeed at tearing down the crocker cooperation, to the point that HIC has to fucking abandon ship and head into another universe to have another shot at her evil empire. pre-scratch jane is also fucking hilarious! if you didnt enjoy her antics with john as nannasprite you must just have no heart

meanwhile HIC breaches a new universe, and her FIRST fucking order of business is to NEUTRALIZE JANE CROCKER because of how goddamn detrimental she was to HIC’s plans the first time around.

not ONLY does HIC pump subliminal messaging and brainwashing into nearly every aspect of jane’s life, she also tries to straight up mind control her basically whenever possible! she ALSO sends assassination attempts after jane 24/7! (people will seriously try to say that jane lived a safe normal life… as if she wasn’t almost killed by walking into her backyard.) this is because HIC is fucking scared of jane, as she very well should be!

jane is also NOT a boring weepy annoying crybaby like everyone and their mother complains about. jane is literally the most fucking supportive friend and emotion-repressing dumbass you could ever hope to meet. jane combines john’s emotional repression and jade’s intentional cheerfulness together into one of the most fucked up cases of emotional repression in the whole comic

act 6 suffers from a LOT of shitty writing choices, but it’s not jane’s fault the whole act turns into a soap opera— and she’s ALSO not the only one who acts all soap-opera-y either! literally all of the alpha kids suffer from this, people just like jane the least so they project it all onto her. despite the fact that she did her very fucking best to NEVER talk about her feelings, to the point where she ONLY started telling people about shit when she was mind-controlled or took mind altering substances to make her do so! and you can say “ohhh that’s stupid she shouldn’t repress things in the first place how dumb” but, one she’s sixteen, and two, everyone eats that shit up when it comes from like. literally any other character.

people (cough hs2 writers) act like she would actually be “pushy” with a relationship on jake— as if she wasn’t literally the one who helped him make the decision to explore dating dirk?? because she thought it was the right thing to do???

jane is incredibly thoughtful and mature and people really throw all of those traits out of the window with preference for a version of the story where she Comes Inbetween Their Fave Gay Pairing as if she wasn’t, again, the one who got them together. jane is also extremely interesting in terms of queerness; she’s got the makings of a really interesting arc, not to mention she’s the only human girl that dresses mainly masc! there’s a lot there that people just don’t care to explore.

people just have less patience for the prospit kids in general. not to mention homestuck fans love to be misogynistic and berate jane for stuff they love the men doing, or claim she’s coming between them when she’s not, etc etc. and then because no one was writing fun meta posts about her, nobody ever rereads the comic to grab little scenes or lines to expand the online discussion about her! and then because there’s no discussion about her, people assume she’s boring and don’t go looking for bits to start discussing, which cycles on and on forever until we have the ripple effects we see of that misogyny today. which mostly consists of, “oh i hate jane because she was a villain is hs2”, or, “i know hs2 isn’t canon but i still don’t care for jane because she doesn’t do anything that interests me.” (and she’s only not interesting because of the cycle i mentioned before causing NO ONE to have meta discussion about her).

idk, it’s been a while since ive read so i could be talking out my ass but that’s what i’ve got.

TL;DR: jane is fucking COOL, she just suffers from intentional fandom ignorance. and she’s also a canonically hot, fat, masc woman, so i don’t know what else you could possibly want.

#oh god i didn’t mean for this to get so long #lol i hope this helped????#jane crocker #homestuck #op #hsmeta #long post

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sunderwight · 5 months ago

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Thinking about a crack SV AU where Shen Yuan transmigrates into a horse.

Luckily he is not a normal horse, no! He is a spiritual stallion, a character that was mainly a joke about the novel's genre in PIDW, originally bred on Cang Qiong's beast tamer peak but not actually encountered until Luo Binghe's "raze cultivation society to the ground" phase. At which point there was a subplot about him finding the stallion and letting it loose to run free, as like, an allegorical reference. Occasionally Binghe would find other horses across the years that were obviously descended from that one, as more jokes, until Airplane forgot about the reference and never brought it up again.

Shen Yuan, of course, was always Big Mad that Binghe never got to actually ride this super magical mystical horse, and never got the horsegirl arc he deserved! Where is the man's companion animal? How can someone with nine billion wives and even more nameless underlings be fated for a life of perpetual loneliness??

Naturally, the first thing Shen Yuan does upon figuring out that he's this magic horse is break out of the beast peak and make for Qing Jing. He's not necessarily planning to go bond with the protagonist or anything, but he's not particularly keen to live out his fate as some feral horse that fucks other horses either, and he's extremely valuable so it's unlikely anyone will kill him even if they catch him again. So, might as well take the opportunity to clap eyes on his favorite character before he's doomed to a life of eating hay and whatever, right?

Horse SY manages to arrive on Qing Jing Peak right before the start of the skinner mission, though, just as Ming Fan is telling Luo Binghe that there aren't enough horses. Ning Yingying points out SY and is all oh look, one of the stable hands must have realized the error and brought another, and everyone else is kind of like "uh that is... not a normal horse...?" but then Shen Qingqiu gets impatient and snaps at them to get a move on, and fear of their mercurial shizun overrides everything else to the point where Binghe just clambers desperately onto this mystical saddle-free horse.

Airplane borrowed kelpies for his demon beasts at some point and they are pretty common, so it occurs to Luo Binghe only after he's climbed onto the strange and definitely not normal Horse SY that he might be on the verge of getting carried off and drowned. But SY just kind of rolls with it, and falls into line with the other horses.

Hey, it's an excuse to leave the sect! And practice doing horse stuff! And also, he's not going to buck Luo Binghe off of his back!

Of course as it happens, the specific kind of magical horse that Shen Yuan is comes with a specially bred-for trait where they only bond to one rider. They're usually bred for like, kings and emperors and other highly important figures as status symbols, like magical companion animals but ones with perfectly mundane utilities. He's also got Shadowfax-like stamina and speed, meaning that Airplane can treat this kind of horse as interchangeable with a motorbike, and of course the capacity to cultivate. Which means that when the party finally arrives at their destination, everyone suddenly realizes that Luo Binghe has unwittingly bonded with a horse that's worth a fortune and won't ever let anyone else ride it now.

Shen Qingqiu flips his shit, Shen Yuan bites Shen Qingqiu, Luo Binghe hyperventilates, Ning Yingying gets kidnapped, and the situation basically resolves with Shen Yuan kicking the shit out of the skinner demon in defense of his new BFF the baby protagonist.

Well if he's going to end up letting anyone ride him for the rest of his life, Luo Binghe would be his first choice.

Anyway they get back and Shen Qingqiu is still spitting mad and offers Luo Binghe's head on a platter to the lord of the beast peak, but Beast Peak's people are actually kind of pleased. Like sure it's a little inconvenient, because Luo Binghe is a Qing Jing disciple and not one of theirs, but they were honestly beginning to worry that this stallion wouldn't bond with anyone! It's really hard to manage them when they don't! And SY in particular comes from a long and illustrious lineage that has nearly died out a few times, so they were never planning to sell him off even for a high price anyway. With a rider chosen, the odds of them getting him to cooperate for breeding purposes are a lot higher, plus it will be much easier to take care of him now! Though they will be taking Shen Qingqiu up on his offer of Luo Binghe's time, since "punishment" for this transgression will involve splitting his time between the peaks in order to help take care of SY (all the beast peak disciples are super relieved, apparently before Shen Yuan transmigrated, the horsey original goods was extremely prone to biting and kicking...)

Shen Qingqiu basically tells Luo Binghe not to bother coming back, which fills Binghe with despair, but he gets over it eventually. The beast peak is nice! They give him a cultivation manual as well, in order to help him understand what they do, and it seems that Binghe can understand it a lot better than his QJP one. The peak lord gives him permission to use the dorms as well, since there will probably be times when he has to stay overnight, and no one says much about it when Binghe basically moves in full time. On the books he's still a Qing Jing disciple, but functionally he's a transfer student now. He even sits in on classes and lectures, and a lot of the peak are just under the impression that he was transferred over to their peak in full.

Shen Yuan considers this a big improvement, and expects Luo Binghe to enjoy running around with all the pretty girls on the peak. But Binghe mostly seems to spend his time with him, in fact, asking questions upon questions not only about Shen Yuan's breed, but about his specific background and lineage. The beast peak is overall pretty nice, although sadly it's not full of cool monsters and companion animals as Shen Yuan would have hoped. Mostly the peak specializes in the cultivation world's equivalent of livestock and work animals, training beasts like spirit eagles and horses like himself, and raising animals prized for their meat, organs, bones, or other parts for medicinal, alchemical, or culinary ingredients, or sometimes components for weapons or other spiritual tools. They work the most closely with Qian Cao, Wan Jian, and An Ding.

Being a horse is honestly kind of boring for Shen Yuan, although running is fun, and he at least gets plenty of time to work on his cultivation.

By the time Sha Hualing's invasion happens, he's gotten pretty comfortable in his new state of affairs. Binghe has even figured out that he likes being read to, and has started reading aloud to him from various texts in the evenings! So far no good novels, or even bad trashy novels, but it's better than nothing!

Binghe also takes him for a lot of rides around the peaks (not Qing Jing) which is how they end up caught on Qiong Ding when the rainbow bridge goes down. When Shen Qingqiu tells Luo Binghe to fight, Binghe doesn't even have a weapon at hand.

Actually, he doesn't have a sword at hand.

Turns out having your magical horse kick a demon to death is still pretty effective!

Shen Yuan even manages to avoid getting poisoned too. Rather, Elder Hammer threatens to poison him and Luo Binghe charges at him shouting "stay away from my horse! I'll kill you!" and etc, and does get nicked by the thorns, but only Binghe and Shen Yuan notice and of course the poison doesn't work on Binghe, congrats for unlocking a new hint as to Luo Binghe's mysterious origins!

Yes, Horse SY shows up to help Binghe in the Dream Demon event. He still looks like a horse for it, but it also marks the first time he's able to speak to Luo Binghe, which successfully distracts Luo Binghe from a lot of the tormenting visions of his past because talking magic horse friend has a way of doing that.

So the Dream Demon is like, that's not a normal horse, and Luo Binghe is all "stay away from my horse! I'll kill you!" and Shen Yuan gets knocked out of the dream as usual. Wakes up to Luo Binghe rushing to his stall to check on him and prepare him some nice warm congee and double-check that he can't talk for reals (only in dreams for now, alas).

Anyway Luo Binghe has no reason to hide his demonic cultivation practice from his horse, so Shen Yuan gets to sit in on it as Binghe tries to put Meng Mo's teachings into practice, which he finds super cool. Binghe's normal cultivation also progresses quite a bit, but he's still very much disadvantaged there because the beat peak is only giving him like, half-assed guest disciple status lessons, no personal one-and-one tutelage, and he's unofficially banned from Qing Jing and wouldn't get any help there anyway (apart from Ning Yingying). The beast peak lord isn't really his shizun and Shen Qingqiu isn't going to take Binghe to do things like claim a sword from Wan Jian, either.

Luckily, Binghe can now confer with his horse in his dreams! Shen Yuan has such helpful ideas as compelling various hall masters and combat teachers to dream about their lessons, so that Binghe can insert himself into the form of their students and supplement his tutelage with nighttime training from all around the sect. And also stealing some blank documents from An Ding and forging paperwork to turn over to Wan Jian to make it look like Binghe has permission to claim a spiritual sword without Shen Qingqiu's approval.

What a way to pass the time before the Immortal Alliance Conference!

Horse Shen Yuan would like very much to just carry Luo Binghe away in the opposite direction, thank you, but he does have a system and it is still holding a metaphorical gun to his head about this. Still, there's no force in the world that could keep Shen Yuan in his stable when shit starts to go down, or that could stop him from kicking the snot out of Shen Qingqiu when he tries to throw Binghe into the Abyss. (Binghe's thoughts on the fight: "stay away from my horse! I'll kill you!")

However, Binghe does still get thrown down, and Horse SY runs off whilst weeping crystalline tears of dismay as his mane whips in the wind, imagining a future where a blackened Luo Binghe returns for his revenge arc and symbolically sends his beloved horsie companion away forever to go frolic or some shit, which Shen Yuan is not interested in!

But what can he do? By the time Binghe gets out of the Abyss, his need for a horse will be decidedly minimal. It already went down a bunch when he finally got Zheng Yang (that Binghe somehow almost never flew anywhere on, surely for reasons unrelated to his bond with SY), and with Xin Mo and all his OP talents, even if he did keep Shen Yuan, wouldn't he become as much of a useless background character as countless auxiliary wives in his harem?

No! He won't stand for it! There has to be a way for him to convince even blackened Binghe that Shen Yuan is still the best ride in town!

Luckily, Shen Yuan knows where there are some power-ups that might be able to help him. While he won't touch anything that would be vital for the protagonist, he's more flexible on screwing over random future harem members or side characters, especially when it wouldn't even really harm them all that much. So while Binghe is going through his gauntlet of horrors in the Abyss, Shen Yuan embarks on his own level-up quest to dramatically increase his cultivation, and become more capable of keeping up with Binghe.

When this leads to Shen Yuan being able to take on a human form, he gets really excited, but that's mostly for personal comfort reasons. He can finally hold books again! And talk to people! Who cares if he looks like someone's ponysona gijinka, he can walk over to a stall and order meat buns!

Unicorn form is next, and it's... meh? Mostly it's a boost in his cultivation. The horn looks fun but doesn't really do much.

When he upgrades to being able to take on a pegasus form, now that's really cool. He can fly now! Not only is it crazy good fun, but it also increases his mobility exponentially. Surely riding a flying horse would be more comfortable than balancing on a sword, too?

But that's not enough for his actual goal, he needs to keep going until he finally finds the right bullshit mythical item that will do what he hopes:

Turn him into a dragon!

Unfortunately said bullshit item is in the demon realms, which are a fairly difficult place to navigate as either a horse or a human. Beefing up for the trip takes Shen Yuan just about two years, and requires all of his other upgrades. But he does it, he gets to the demon realms, eats the creatively named Dragon Fruit Plant, and... gets... stuck???

In his new dragon form???

WTF this didn't happen to the random ox that Luo Binghe fed the fruit to in order to create a suitable beast of burden to impress the husband of Wife No.666! Although, thinking about it, maybe it did because it wasn't like the ox ever turned back into an ox afterwards. But Shen Yuan just figured that was because it was a simple beast of burden and saw becoming a dragon as an overall upgrade, why go back? He honestly hadn't really thought about it!

Cue Luo Binghe getting out of the Abyss only to shortly find that a random dragon is following him around. Maybe that just happens here? It doesn't attack him, at least, and he has no time to deal with it (or to sleep) because his first order of business is establishing enough of a foothold in the demon realms to regain access to the human ones, and find out what happened to his horse. And then kill Shen Qingqiu. In that order.

#svsss #bingqiu #scum villain #scum villain's self saving system #long post #bonus: in dreams shen yuan often refers to luo binghe finding a herd of wives as interchangeable with his ideas of success #binghe assumes this is because shen yuan is a literal stallion #shen yuan makes reference at one point to tolerating it if binghe needs to pull a girl up into his saddle #sy has of course been thinking about it and his magical one-rider-only horse aversions to the idea #but he's pretty sure he could control the impulse to knock her off and trample her for binghe's sake #and also because that would probably cost him good horsie privileges since binghe's wives come first etc etc #meanwhile binghe would probably sooner stab someone than let her ride shen yuan with him #the whole idea is so off-putting to him he's like if I encounter a damsel in distress with two broken legs she can drag herself home :)

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sebadztian · 7 months ago

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Inspired by this post from @derangedfujoshi

Talk about character development, being the protagonist of Kuro, Seb went through quite a development.

We started off with an uncaring asshole demon who thinks he's above puny little humans, including his own master (to be fair, Ciel is tiny, but that's not the point here).

And even in the Circus arc, he was still mocking Ciel.

Basically, he was saying that he would protect Ciel from life or death situations, but other than that, Ciel is on his own, most especially if the injury was caused by Ciel's own mistake. He has no qualm about putting Ciel in harm's way, and he even enjoyed it.

But then, the asthma attack happened and I think this is the first turning point for Seb - even if he didn't realize it back then.

So, why is that? Because for once, he couldn't save Ciel. Ciel got an ashtma attack and there was absolutely nothing that Sebastian could do. He could only wait it out. And this is also when Agni told him about putting Ciel's well-being above his orders. At that moment, he might've brushed it off & Soma's presence might've made the whole thing seem more lighthearted, but that comment stayed with him anyway.

That's why he started carrying that physician book that we see later on in the Green Witch arc. He didn't need to carry it with him everywhere, but he did anyway.

Next, of course we have the Campania arc, where Seb almost lost Ciel to UT. It was at this moment that he realized that there was a real possibility of him losing Ciel, that there was someone out there who can best him and take the boy from him. He started to worry, to pay closer attention and ee got this small detail...

Well, he looked just as concerned as the other two. The widening of his eyes, the slight panicked look, Ciel had fooled him and gave him a little PTSD moment just as he'd fooled Agni & Soma. And even back in Campania, he made a light comment about Ciel's asthma, but Ciel brushed it off because of Lizzy.

In the next arc, Ciel got hurt playing cricket and we got this...

The only reason he didn't go into panic was because that part was already planned. Was he happy about it? No. That's why he scolded Ciel while holding him securely. Like, what kind of professor would carry their fallen cricket student off the field like so? Or for those who know, a butler to make that kind of face at his master? I'd love to see Lizzy's reaction, but I digress...

Next, they encountered UT again and Sebastian, fuelled entirely by his fear, panic, and imagination, went against Ciel's order and prioritized Ciel's life and that resulted in this famous scene...

And then, Green Witch happened and oh, boy... This arc is the greatest turning point for Sebastian.

Once again, Seb was put in a situation where he couldn't save Ciel on his ownz where he was forced to stand aside and watch as others took care of his little master.

Just look at his face... His shock and dismay that Ciel had rejected him and had clung to Finny instead. He did not like it. Not at all.

Another look at rejected Sebas... He just stood there by the door, tormenting himself. He knew Ciel would reject him, but he just wanted to know how his little master was doing.

And then this...

This, imo, is a very important moment. Sebastian, who sees himself as above humans, has lowered himself in front of Sieglinde, and begged her to save his master. He even offered to do whatever Sieglide wanter him to do in exchange for that. Basically, he's offering his service without a cost or a contract.

The other servants talked about this later on, but Tanaka corrected them. Sebastian did not 'play around' with Sieglinde, it took a lot for a demon like him to do this. And nobody told him to do this. He took the initiative, acted on his own accord when his master was otherwise unavailable.

This, here, is one of the biggest proofs of his character development. The old Sebas would never, ever do this.

"But he tried to eat Ciel later on!" Did he, really? I had another post that talked about that.

Moving on...

The next time Ciel was injured, we got this...

What's so amusing about this scene is that he didn't have to jump out of a moving carriage. He could've just told the coachman to change ditection, but no, again, in his panic, he has acted impulsively.

Of course, I'm looking at this from a shipper's POV, but even if you don't ship them, you must admit that the demon has gone through quite the character development throughout the manga. He went from a mere hungry demon who sees himself above his master to 'Sebastian'.

#sebaciel #sebastian michaelis #ciel phantomhive #kuroshitsuji #black butler #manga panels

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askthefamous8 · 2 months ago

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Even if I haven't been very active lately, 9 years is still pretty significant- happy birthday to the blog!

So like Percy up there I'm gonna do so dome reflecting. This blog's where I've often done that for some reason, but here's the tl'dr for blog related stuff.

• I would like to keep drawing stuff but feeling generally unsure in myself, and I'm wondering if all the years of fandom harrassment have caught up with me • I have one big project in mind, I've been dipping my toe into what I'd need to do it. No spoilers but it was one of the first things I played around with this series, so do with that what you will • If I can keep myself drawing, I want to use more of the original source material since I'm struggling with original ideas. So stuff like redraws, hOpEfULlY even animatics, just like what originally got me so into trains yknow? Because that's fun and sparks joy. And that always goes down a treat with you guys so bonus • As always I appreciate you guys not coming after me for being so inconsistent

The rest of this is me doing what Percy's doing in the drawing and reflecting, as there is indeed much 2 think about. It's also a little sad and venty so, there's your warning there.

Ok so obviously a busy year, we moved into our new house that we actually own, I spent most of the year planning our wedding, and then got married. Big stuff. Also! I came off antidepressants in the summer. I've been on them for...basically as long as this blog, 6 months after I started it I think. Which also means I'd been on antidepressants my entire adult life. Feels like a big deal and I guess I'm still adjusting.

Another big thing, but sad, is that my dog died about two weeks ago. If you follow me on twitter you'll have seen her but she did make an appearance here a few Halloweens ago

I got her when she was 13 and had her 8 years after that. So that's been difficult. Unrelated to that (probably), but I just feel...really mediocre. And before you point out the obvious, this has been present even before I came off antidepressants. But yeah just... mediocrity. In myself as a person, how I look, what I draw, my whole life really (barring my marriage thankfully). What have I achieved? I'm 26, I'm not working, I don't feel well, my art isn't good (I don't think so anyway- like yeah it's technically fine I guess but it's not, and has never been, very stand-out or impressive). And lately art doesn't bring me the same joy it once did, and I'm wondering if all the years of harrassment from this fandom (mostly the twitter side, tumblr's been pretty good to me) has finally caught up with me and put me off the whole thing. Or worse, that I just don't have as much of an interest in it anymore. I don't think I'll ever be like "ok yep I'm officially done with this blog" because I'm so stubborn but idk. I want to make things and be creative, I want to make more train art, but it doesn't feel the same. I don't know what's wrong. What do you listen to? What you want vs what you feel? I still enjoy train stuff, I love going to Awdry Ex every year. It's been like this for awhile. It's not even like I have a strong feeling of what I'd rather be doing as far as careers go. And even if I did, oh yeah I'm sure my two degrees in animation will be very relevant in another field (sarcasm). I feel adrift. My sails are open but there is just no wind. Planning my wedding gave me something to do and work on and just, feel useful but now that that's over I feel lost again. Losing my dog, who had become the center of my life because of how vulnerable she had become, hasn't helped.

On the more creative side of things, I also don't really know what to do with this blog's story either. The show's ended as far as most people are concerned, and I kiiinda wrote myself into a corner because once Thomas turns 18 he's going to leave for university, and that sets off this whole arc with James but basically the problem is it involves characters leaving and for some reason that feels like a no-no here. Don't get me started on the timeline lol. But Thomas works on a railway on Sodor, that's how it has to be...right? I guess I'm sort of at a crossroads of, ok do I want this to be close to the source material, and thus easily digestible to newcombers? Or do I want to make it more and more my thing and distanced from the source material? I doubt there's many new people coming since the series ended. And even then, there's a lot more humanization artists around now than when I started, so it's not like I'm filling a niche anymore. Just to be clear it's fine and also good that there's more humanization artists, variety is good, I just don't feel as "needed" anymore (which is 100% in my head and not an actual role that belongs to me or something). I started this blog when I was 17, so my interests and what I relate to have changed obviously. The character designs certainly have. It's never followed a super rigid story plan, but the core of it has always been the central cast doing things on Sodor. I however have always had a scene/project/animatic/whatEver in mind for when this 'series' would '''officially''' ''''end''''. But then what comes after that? I've always tried to run this blog like they are Real People that You interact with. But in real life there is no ending to the story, there's always more stuff to come. You get married, and it's wonderful, and then life goes on. The credits never roll. So maybe that's what I'm having trouble coping with...the progression of time. Ah, my old nemesis. I've always had trouble with letting go of things. There's nothing to say that I couldn't still draw stuff after the series "ends". I guess any story after Thomas leaves could be like... a sequel series or a spin off or something. Spin-off of a spin-off. Famous 8 All Grown Up. Famous 8 Qurter Life Crisis. Who knows. I certainly don't.

I've also been really into an original project unrelated to this but those don't get as much attention and while I'd like to do something with it one day, I don't feel very confident in being able to make that happen right now. But you know... as far my as art not being super spectacular goes... I think my individual talent has always been is my ideas, like the writing side of things. And then brought to life with my art, which normally isn't anything to write home about but is good enough to convey the idea and be not-awful to look at, lifts both of them beyond what they were individually. Maybe that's what I should focus on. Maybe that's wishful thinking.

So....idk. Idk what I'm doing but I'm trying to be gentle on myself and just let myself continue to drift, to heal from this heavy loss, and then in the New Year I'll try and pick myself up. Then there will be no more big once-in-a-lifetime events coming up, no more just-moved-into-a-house-and-oh-no-there's-a-bunch-of-things-that-need-attention-NOW scenarios, and no more big holidays for awhile. I guess we'll see.

If you read all of this I am so sorry but also thank you for reading my ramblings. And thank you for being around, whether that's been for a few months or for several years, but especially if it's been several years

#blog anniversary #happy anniversary 2024 #percy #sleepyart #sleepy speaks #oh man does sleepy speak

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soupthatistohot · 1 year ago

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BSD 109 Spoilers!!!

I will always always ALWAYS come back to this panel when talking about Asagiri’s storytelling.

At its very core, BSD is an absurdist text, Kafka Asagiri having been inspired by many absurdist authors. Franz Kafka, who he took his pseudonym from is one of them. Albert Camus, basically the most well-known absurdist is referenced with the Mersault prison, the name of which comes from a character in his most famous absurdist work, The Stranger.

Absurdism is the belief that the world around us is irrational and inherently absurd and that explicitly seeking meaning is pointless. In his essay The Myth of Sisyphus, Camus explains, that there is value in the act of rebellion, though. Sisyphus, who has been doomed to roll a boulder up a mountain only for the boulder to tumble back down each time he reaches the peak, finds meaning in the act of continuing to push the boulder. Even though he will continue this cycle for all of eternity, he doesn’t just lay down and give up, he rebels against the absurdity of his situation by continuing to push the boulder, despite the seemingly futile nature of the act.

As I said earlier, BSD is an absurdist text. All of the animanga’s main characters are on a journey of discovering their meaning in life, and their place in the world, and they do this by rebelling against its absurdity — especially Dazai.

Dazai sees the absurd world for what it is, and when he was in the PM, he hated it. Thus, he sought suicide as a solution. I will note here that absurdists generally view suicide as a failure to rebel against the absurd, just giving up and giving into hopelessness. But ever since Dazai left the PM and took Oda’s advice, he’s been rebelling against this, doing good despite his inherent beliefs about morality and the world, and he’s absolutely gotten better for it.

Other characters embody this idea of rebelling against the absurd, hell, that’s kinda what this whole arc is about. The world is literally ending, and things seem to be at their absolute worst, but someone like Atsushi still has hope that he can change the minds of the hunting dogs and save reality as we know it. He even has hope that he can get through to a vampiric Akutagawa when the guy is literally brainwashed and attacking him. Aya as the “last hope” right now embodies this, too, deciding that she can’t just sit around and do nothing and then trying to remove the sword from Bram even though the effort appears futile.

But everything is going wrong right now. Fukuzawa is bleeding out, Dazai has just been shot through the forehead and appears to have died, Atsushi’s had his limbs ripped off and is at Akutagawa’s mercy, and Fukuchi is literally going to end the world! How can we have hope?!

Think about BSD. Think about the story that’s been told so far. Surely Asagiri isn’t killing everyone right now, surely the world isn’t gonna actually end. I’m not entirely convinced Aya’s plan is gonna work— but please consider that the point of absurdist storytelling is that even when everything seems to be at its worst, even when life seems completely meaningless, there is inherent meaning in still continuing to fight against this.

BSD has never been a story where the villains win, and I don’t think it’s gonna start being one. I think, as usual, Asagiri wants to scare us, to make us feel hopeless about the situation, only for someone to pull through and completely turn the tides.

Dazai laying down and accepting his death at Chuuya’s hands is not going to be the end of his story, because it goes against everything Asagiri seems to stand for. Dazai wouldn’t just give up in his fight against Fyodor, because he needs to prove he’s right about what he says in this panel:

"The ones who actually make the world turn are those who scream within the storm of uncertainty and run with flowing blood."

I think this reflects Asagiri's own beliefs and is also the reason why he is not going to let Dazai die like this, because in a way, that would be proving that Fyodor is right. From a storytelling perspective, it’d be saying “everything I’ve communicated up to this point actually means nothing and life is truly hopeless!”

Dazai has cheated death before, as has basically everyone else in danger right now. I promise you, something is going to happen and they’re all going to survive, because BSD is not trauma porn, for lack of a better term. It’s a story about how a group of people fight against the absurdity of their reality, even when everything seems completely and utterly hopeless.

There’s a lot of theories circulating about how things could work out, especially Dazai’s “death,” and I’m not here to repeat all of them, but I will say that a lot of them have credence, especially because Asagiri isn’t the type of author to make mistakes, every single detail has a distinct reason.

So even though I don't know how things are going to work out, I have full faith that they will, including Dazai's current situation. None of these characters are done just yet, they've got too much fight left in them to just give up.

[original twt thread]

#bsd #bungo stray dogs #bungou stray dogs #bsd 109 #bsd spoilers #bsd manga spoilers #bsd meta #kafka asagiri #asagiri kafka #soup rants #being a hashtag camus girlie has its merits!!!#bsd absurdism analysis

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itsabouttimex2 · 3 months ago

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I've seen people say that Mei's samadhi fire arc was rushed, I never really thought about it that much, but I wanted to ask more LMK fans about their opinion on it. I can't stop pondering about it sometimes.

The Samadhi Fire Arc

Honestly, in my opinion? The Samadhi Fire plot is probably the least rushed arc in all of Monkie Kid.

Season Four to me is rushed because they try to squeeze in lore about the Pilgrims, MK’s heritage, Pigsy’s feelings on being an adoptive father, the Monkie Crew’s feeling on their ancestors/forebearers, the Brotherhood, the Ink Scroll, and then try to set up for Season Five while they’re at it.

Season Five to me is rushed because they try to squeeze in Xiangliu, Nüwa, and Li Jing and flesh all three out with very little time to spread between another fetch quest (this makes four in total through only five seasons) while also trying to give attention to Mei, Tang, Pigsy, Sandy, Red Son and MK while not even having a special to help take some burden off of the 100-minute crunch the writing team unfortunately has to deal with.

However…

Because the writers set up the Lady Bone Demon beforehand, she’s not given too much direct attention in this season until near the end, instead getting occasional appearances throughout by interacting with Macaque and then Wukong and to some degree infecting both with her power.

Which means that we get a full ten episodes plus a special for essentially only two things- the Samadhi Fire foremost, with the Lady Bone Demon in the background until about the special, from my recollection.

This means Mei does get her fair share of character development throughout Season Three, which you would think might allow us to see her perspective and thoughts on the world around her. We do get to see a little more of her desire to “live up” to her ancestors very early on, but it’s addressed quickly and then entirely dropped.

Like, this was a heavily Mei-centric season! We should’ve gotten some thoughts and backstory and personal views and whatnot, but the Samadhi Fire basically took full control over any narrative that could’ve allowed the story to delve deeper into, well, Mei.

But it feels kinda like Mei herself is… secondary to the power inside of her at times, where she’s very much just an unlucky and draconic vessel.

Now this wouldn’t have been such a big deal if we had gotten something beyond the already seen “Mei wants to live up to her family’s expectations without comprising her moral values and self-identity”, but, uh… they dealt with that in the first season and resolved it pretty neatly. Her conflict with Ao Guang is just retreading water in the same way, when it would’ve been nice to have a deviation of some kind.

On a more positive note, one of the best things the season gives us is learning how she’s come to view Sun Wukong in the form of a tearful rant about his actions and the impact they’ve had on her and her friends.

That only matters to her for a few minutes, unfortunately, but it’s a highlight of the season, and I wish it hadn’t been dropped so quickly.

Now, her not being allowed to interact with him or Macaque past the third season in regards to the ways they’ve continuously endangered and hurt her is a horrible letdown that severely undermines the character growth of all three, which is part of the reason I think some people call it rushed.

Mei’s possession of the Samadhi Fire is dropped until season five, so it feels ultimately unimportant. Red Son; in spite of being fundamental to Mei’s mastery of his power, gets shelved from season four the next time we see him. Sun Wukong’s recklessness and threadbare “planning” is essentially forgotten about, because the next two seasons just find new shit for people to scream at him about. All of Macaque’s… everything, really, goes entirely ignored by the characters, narrative, and story.

And obviously that’s not exactly satisfying from a watcher’s perspective, because it feels like everything just has a strangely neat bow tied onto it in spite of there being lots of messy business in the past that still needs to be addressed, but just isn’t because there’s they’ve decided to write another “the world is going to end plot” instead of taking a breath and working through existing issues instead of circumventing older ones as irrelevant.

I think people are disappointed when they look backwards that these plot points or emotional beats were dropped and left unaddressed or only resolved with a heavy dose of “secretly all alongs”. For example…

Red Son somehow tracks Mei down without any real explanation. (No biggie, probably some kind of tech or magic. Him getting there isn’t as important as what he’s doing, so it can be ignored.) He decides to train her. For some reason he's good at teaching people to control themselves, even though he was barely able to control himself in seasons prior? Off-screen character development is never exactly satisfying, at least to me.

Throughout all of this interaction, he never once expresses the slightest of desire to reclaim or recreate the Fire for himself, and is content with Mei having it. Red even openly declares that the power is “hers” at the climax of the story.

(I could get into how fans treat Red Son + Samadhi Fire ((plus pandering from the writers)) in comparison to Mei, but that’s a rant for some other time…)

With his encouragement, Mei harnesses the Samadhi Fire and helps defeat LBD! This has a lot of longstanding implications for her place in the story and her role as a parallel force to MK! How exciting!

Sike! The Samadhi Fire is fucking gone, only one mention of it in the season, where an omniscient old man inside a hell scroll tells us that it’s gone.

Sike! Mei secretly all along still has the Samadhi Fire and also secretly all along has an insecurity complex over thinking she lost it but all of this is handled in about a minute.

Red Son secretly all along wanted to learn where the Samadhi Fire came from and is trying to recreate it...? When he's seen and felt how dangerous and uncontrollable it is and home of this was established before??

So, when you build up all these things for a full season and then drop most of them the fourth and wait until the fifth to resolve them, I think it left a very jarring impact on viewers who came to view the season as “rushed”… but only in hindsight.

It’s not a flaw I would attribute until I’m on the fifth season and thinking “this should’ve been addressed in an earlier season.”

Now, personally, there are some plot points I’m not really a fan of, like, again, the “macguffin fetch quest” nature of the Samadhi Fire rings. Normally I wouldn’t mind but again, this is Monkie Kid’s third macguffin hunt in total, and we get a fourth in Season Five. (Spider Venom Cure ingredients, LBD’s Mech Building, Samadhi Fire Rings, Power Stones)

Though I think the City of Lanterns is a cute bit of worldbuilding, like with most Monkie Kid worldbuilding it’s basically “Look at this cool thing! Enjoy it now, because we’re never coming back or addressing it again!” like they did with the Team Hideout, the Cloud and the Weather Station. “Look at this cool place! Okay we’re done showcasing a potential Lego set, change the backdrop!”

Or another is Sun Wukong just being… magically immune to it once he gets possessed?

Like, the whole reason he had to set out on this fetch quest was because the Lady Bone Demon was distinctly NOT immune to it? And he also was NOT immune to it? Because the Samadhi Fire is a wildly dangerous all-consuming fire that could destroy all of existence, but apparently all it takes to be totally unaffected by it is powerful person + possession by another powerful person? But again I guess the world-building and power systems of Monkie Kid have always been patchy and thin but it’s still frustrating AUGHHH

But I personally don’t think it’s “rushed” until it’s revealed later on that actually, “There’s more to the story!” when a lot of the story we have is just kinda… left hanging.

TLDR for anyone who skipped down here: It’s only rushed in hindsight. If someone theoretically stopped watching after Season Three I don’t think it would be called “rushed”.

#Time Talks #Lego Monkie Kid #LMK #Mei #Red Son #Sun Wukong #LMK Gushing #LMK Critical #LMK Analysis #btw if you’re the same ‘macaqetter’ from character.ai #then I LOVE your bots!#if not I’m stinky and stupid ignore me #And also I’m sorry this is so disjointed!

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