#ALL POINT TO THE SAME THING

[raayllum]

one of my favourite aspect of foil dynamics is when you have a pair of (although not always) foils who switch narrative positions. for examples i’ll use frankenstein and the creature and burr and hamilton from hamiltion bc hamilton is good from a literary standpoint good god.

frankenstein starts off in creating/playing god in order to gain recognition and glory, but also as he increasingly isolates himself for his cause. the creature awakes in a world where he’s rejected by his creator & by all other humans and endures then painstaking isolation. after killing/threatening to kill some of frankenstein’s loved ones, the creature demands victor make him a wife - an eve to his adam - despite knowing it’d condemn her to a similarly lonely life, save one person, and frankenstein refuses. the two then become mutually hellbent on killing one another, even as they’re cognizant that whoever completes the murder will truly then be alone in the world and without purpose

for hamilton and burr this is even more clear. both orphans, though in increasingly different upbringings, and both ever cognizant of mortality and the notion of history. burr never takes a stand, hamilton arguably takes too many. but over the course of the play, burr becomes more like hamilton and hamilton becomes more like burr. this means that while they switch perspectives, they still fundamentally never understand each other, and it’s this misunderstanding that makes hamilton assume burr would never act like him and shoot him, and burr assume that hamilton would never act like him and throw away his shot, yet this is precisely what happens.

we even see this in star wars. luke chooses to save leia & han, just as anakin tries to protect padme and obi-wan. anakin cuts off luke’s hand, luke cuts off anakin’s hand. farmboys on tattooine, ace shot pilots, etc etc. and luke is nearly successfully turned to the dark side, yet reaffirms his father’s place by refusing to bend... in the last movie. that point couldn’t have come any earlier because 1) it’s the triumphant victory and 2) the narrative tension of the foil dynamic means it has to go on as long as possible.

arc 1 is kind of a perfect example, where viren starts out powerful and close to the king and magically strong, and ends the season falling to his death thanks to his elven guide, and callum starts out powerful and close to the new king and magically strong, and ends the season literally soaring to new heights thanks to his elven guide. but like - that’s arc 1. that’s the arc where the heroes win. of course it ends that way.

but now we’re in arc 2. 

we’re in the arc - s4 to s6 - where the heroes Lose. 

and we know that TDP is aware of these principles when it comes to callum and viren precisely because they are in many ways already in the process of being switched. in arc 1, callum is the one going through a season without magic and being pursued before a powerful creature can be reunited with its place in xadia’s hierarchy; in arc 2, that’s viren, even if he’s far more passive about it and callum is more active. they’re brother-mage-advisors to the king, placed in proximity to power but never allowed to fully wield it, they both chase magical agency in s2 beat for beat (2x04 -> 2x07 -> 2x09) only really diverging in the finale of the season. viren is now going to be having dark magic dreams while callum is presented with the coined elves viren imprisoned. 

like yes it’s true that they’re not the same person and won’t make all the same choices, but in a show that’s all about the younger generation struggling to not repeat the same choices as their predecessors, and still getting caught in the cycles of their own journeys... it’s like “i have always been ready to do anything to protect my family however dangerous however vile” and “i value those close to me more than anyone and anything” when callum means it even more than viren does (because viren is and has been willing to sacrifice his family - hi soren - pretty blatantly) is like... yeah they’ll Diverge. just not till s7 lmao

[biggest-gaudiest-patronuses]

i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[brainrotcharacters]

Mothers and fuckers of the ketchup and mustard household (I'm going even more insane than usual)

[doberbutts]

Thank you for defending Nazis. They're just little guys. Just misunderstood, with genuine grievances. I noticed you accidentally forgot to defend child rapists. Dumb commies like you are all the same 🙄

Piss on the poor! Also I'm not a commie and never claimed to be one.

[agnes-come-back-challenge]

I love that everyone in TMA is just. Unremarkable. Jon isnt a heroic character; he's self-loathing and depressed and he exhibits the same self-pity as I do when I'm self-loathing and depressed. He doesn't stand out for his strength of will or quick-thinking or virtue. He's a good person but he stops trying to stay human when it gets uncomfortable. He's everything that a regular person is when theyre trapped in a horrible situation and it's ugly and insufferable and Real.

[asha-mage]

MDZS AU where Jiang Cheng realizes that Lan Sizhui is the Wen orphan that Wei Wuxian took care off during the Burial Mounds arc, decides that's close enough to qualify him as Nephew, declares that no Nephew of His (much less a surrogate son of Wei Wuxian's) is going to be raised in the Cloud Recedes, and immediately launches into a custody battle with Lan Wangji.

But since neither Jiang Cheng or Lan Wangji can acknowledge that Sizuhi has any connection to Wei Wuxian, both begin steadfastly and stubbornly insisting that he is a Cultivator of peerless potential and skill and he belongs in their sect thank you very much, and would clearly be very unhappy in the other's. This confuses the hell out of the already mystified Cultivation world, who had barely adjusted yet to gossiping about Sizhui being Wangji's illegitimate child by mysterious love affair.

(Eventually the common consensus in the rumor mills is that both JC and LW where in love with Sizhui's mother and both believe themselves to be Sizhui's real father.)

(LW couldn't care less what gossips say, but JC has to bite his tongue till it bleeds to avoid telling anyone the truth in a fit of anger.)

(It was Nie Huaisang who put that rumor out in the first place, partly to troll JC, partly because, in a way, it's a little true.)

[hamletthedane]

Love that Oppenheimer is a deeply disturbing horror movie about a man forced to accept that he is, in a person, the representative manifestation of mankind’s evil in committing one of the greatest horrors of human history - LITERALLY acting as the modern Prometheus, tormented by his sins for the remainder of time. Knowing that he will never be pitied and his actions will forever be utterly unforgivable because the blood of genocide and the potential of total human annihilation will eternally drip from his hands.

But also the simultaneous indictment by the film that to blame a single person for the Manhattan Project is to refuse to accept your own capacity for great evil if the ends ever seem to justify the means, and the culpability of every member of a species that lets itself create something so unspeakably terrible.

Hate that twitter’s take on such a nuanced and brilliantly handled examination of those issues is “movie bad because protagonist not evil enough.”

[originalartblog]

tiny cuddling skk for the soul

Dazai's clingy/tactile nature set free, and Chuuya who's still learning how to accept and reciprocate

[krittec]

there’s something extremely extremely creepy about taking an actor that you have known since they were 13 years old, only JUST a teenager, and making them kiss a fully grown woman the second that they turned a legal adult.

Steve Blackman already has a ton of shit out against him which came out recently so it unfortunately doesn’t surprise me that he would write something like this but it makes me genuinely concerned for everything behind the scenes.

There has been a HUGE problem in the Umbrella Academy fandom since season ONE when Aidan was a 13-14 year old of people writing insanely disgusting stuff and defending it because his character was mentally an adult but oh my god did they make it worse. You’d think they’d protect actor & character by avoiding any romantic interaction but instead you have him kiss an actress 15 years older than him. The age gap being the age that he was when they filmed season two. Quite honestly I feel that if he could’ve done this seasons previously and gotten away with it then he definitely would’ve done it, given the jokes that are actively made.

Quite honestly may Steve Blackman never work again if this is how he treats his actors because this is awful. I’m not even done with the season but that gave me very little desire to continue and this show has been important to me in ways I can’t explain. Maybe I am blowing this out of proportion but it feels so insanely creepy and horrific to me and I needed to rant.

[lesbianrobin]

ok so here is my pitch for my dream buddie catalyst:

eddie and maddie are trapped in some sort of likely-fatal time sensitive situation together (drowning related probably because it's Them) (have they overused it yes is it still thematically appropriate YES) where one person could potentially sacrifice themselves for the other to survive. i want eddie and maddie using their combined experience and ingenuity to survive together and discussing who should be prioritized which means they talk about parenthood and how they both feel they've failed their children by "running," how their lives have been so defined by trauma and they don't want to scar their children any further by leaving them again. of course they're doing everything they can to get out together, but as the situation deteriorates throughout the episode(s) (c'mon something like this could be at LEAST a two-parter) they can't help returning periodically to the world's most morbid debate.

i want buck and chim on the outside both going out of their goddamn minds. they know that eddie and maddie are stuck (wherever), know that they're probably alive, but aren't sure in what condition and if they'll stay that way. rescue operations begin as everybody walks on eggshells around buck and tries to comfort chim, who wants absolutely none of it. time is running out.

eddie says that he couldn't possibly let maddie sacrifice herself for him and look buck and chim in the eye afterwards. maddie says that she couldn't do that either. she says that at least jee-yun would still have her father, and eddie says that christopher would still have buck. maddie says that of course none of them would just abandon christopher if something were to happen to him but—

and eddie cuts her off and says it's in my will. if i die, christopher will have buck. buck will have christopher.

they just look at each other for a weighted moment. maddie makes a decision. she says ...i meant it, you know. that i couldn't let you die down here (wherever here is i don't KNOW okay i'm not here to think up convoluted emergencies i'm here for drama) and look my baby brother in the eye knowing that i could have changed it. eddie says i know, okay, but it's different, you're his sister, and maddie says, yeah, but you're his... and she pauses. and eddie says what? best friend? partner? that doesn't—

and maddie says you're his. eddie, you're his.

and eddie... i want to see something slot into place. i want to watch him understand as maddie spills everything she's been suspecting since the day that buck came out to her and maybe since before she and eddie even met. maddie says you know, when i first came to california, you were all he talked about? you're still all he talks about. you and christopher. you're his. i couldn't... eddie, you're out of your mind if you really don't think that losing you would break him just as much as losing me. he would forgive us both, because he's buck, but i couldn't... i'm no saint, eddie, i want to survive. i don't want my daughter to grow up without me. but i can't do that to him. i don't know if he'd survive it. even if he did, the guilt would eat me alive.

meanwhile. buck is barely holding on to his sanity as rescue efforts are underway and time is running out. chimney is keeping it together as best he can but there isn't much that he and buck can do. he can't let himself fall apart because buck is already a stiff breeze away from clawing his own skin off and somebody has to keep their cool. something goes wrong—suddenly, their short amount of time has gotten shorter, and they may only have enough of a window to get one out before it's too late for the other. buck, who has been ranting and arguing and screaming this whole time... is silent. he is silent, and he stares straight ahead at nothing in particular, and we know that no matter which way the scales tip, his soul will be destroyed all the same.

eddie regards maddie for a moment. grief, heartbreak, anger, all flicker over him, but what settles is determination. he says that neither of them are going to leave again. that they'll survive together, or not at all, or leave it to the universe to decide.

of course they make it out. by the skin of their teeth, they make it out, working together, clawing their way back to life and love and possibility. maddie makes it out first, and eddie sees buck as she falls into chim's waiting arms. he watches as buck sees his sister, and reaches out to take her hand with trembling fingers and white knuckles, but there is no relief, no happiness in his red-rimmed eyes. just a deep, unspeakable grief, until his eyes slide past maddie and meet eddie's.

finally: relief. and then he is in buck's arms, a perfect parallel to chim and maddie, and we see eddie's face over buck's shoulder, and we know. he is in love, and buck is in love, and eddie knows, and he sinks into his partner's embrace with joy and acceptance.

after that, who knows? maybe a grand confession. a moment of quiet understanding. a passionate post-rescue kiss. a chaste, tender kiss in some kitchen or other. maybe eddie panics later, or maybe he's found peace for once. maybe buck has realized something and he makes the first move. maybe it happens immediately. maybe it takes a while, takes discussions about how it'll affect work and christopher and whether it's worth risking all that they have for all that they want.

and maybe they'll ask whether it's even a risk at all.

[captain-flint]

Ed caressing Stede's face and chest

[omaano]

If you're still taking those polyam sketch prompts...D2 for Cody/Obi-Wan/Rex?

Obi-Wan deserves a pair of handsome space heaters for the cold Tatooine nights :3 nap piles for everyone! Thanks for asking (and for adjusting the requested pose so that I can keep drawing different poses)❤️

Polyamorous/platonic poses for sketching

[wyrmwright]

bro he does NOT want to hear you practice your villain monologue

[tagidearte]

Who?

(Can't do digital art again yet. Traditional has been fun, though. Click for not blurry quality)