#AHHHH I loved that quest

[unraysunshine]

Sethos' and Cyno's parallels are so good, so similar in their struggles as fragments of Hermanubis, but so different in their ideologies and ways of life. Cyno's entire resolve and already knowing how to rail his destiny, while Sethos is just beginning to understand his stand in the world. Both of them suffered the collateral damage of their predecessors' mistakes and actions, and it shaped them so differently, but in the end, that made them make their decisions to break that cycle and start to build things up again, for the peace and harmony that their respective people need.

[beammetothemoon]

[sunsetzer]

My questions regarding Setzer's everything continue as he somehow managed to summon what I'm pretty sure was the warring triad and KO everything on the field (including the party) on our way up to the floating continent.

[get-more-bald]

ME WHEN I PEAKEEDDDDD!!!!!!!!!!!!

v bad picture but THE ART IS NOT EVEN THE FULL POINT....I LOVE IT BUT THE STORY IN THE TAGS IS MY HEART!!

ngl the drawings are so good tho. im so much better at ghoul design than bethany

[readingwriter92]

Guess who bought an obscene number of books today? (She bought 12)

[chidorichild]

When I see a character I like my first thought is ‘I must put them on my mouth’

[hauntingofhouses]

yall i just KEEP doing back to mizu and taigen's wrestling scene in master eiji's forge and like i know that taigen literally got a boner from it BUT THE THING IS out of all the scenes these two have together, this scene actually has the least sexual tension ?!? cuz like the boner aside, this scene is actually very soft and emotions-driven rather than pure passion or lust.

arguably, a more passionate and sexually-charged scene would be their previous brawl in the snow with the chopsticks, which is tense and angry and also the scene that mizu thinks about when madame kaji talks about being honest with one's innermost desires.

but THIS scene in the forge? warm colours. their laughter and their smiles that both equally genuine. the WAY taigen looks at mizu in that scene, staring first at her lips, her smile, then looking into her eyes. and you can see by the framing of the scene and the look on his face that he is, for the first time, seeing her eyes as something beautiful rather than off-putting or frightening.

like before this point he's already come to not only respect mizu as a person and an equal but also admires her as an incredible swordsman and as someone who is kind and honourable* for having saved his life at the expense of her revenge quest. so as of the time of them tussling in the forge, taigen has already put aside his prejudices about mizu's blue eyes and no longer finds them as any cause for disgust. but in this scene he's not just indifferent about her eyes, but attracted too it.

and i'd also like to argue that his boner is not from the physical exertion or the act of wrestling itself, but from the intimacy of a playful spar, enjoying each other's easy company after having established a deep trust with each other (taigen endured torture for mizu and helped defend her from archers in the chasm while mizu saved his life from fowler's castle)

and all this while in the safety of mizu's childhood home while both of them are still recovering from near-death, amplifying their vulnerability with each other.

like when was the last time mizu cracked a genuine smile, let alone a laugh that's more than a little wry chuckle?? and for this to happen at such a low point in her life also speaks to the comfort this little friendly spar gives her.

because like, this is after she failed her mission to kill fowler. meanwhile her sword--the embodiment of her soul--is broken, and ringo who is her closest confidant is now angry at her and barely even looks at her. it just further lends to the inherent tenderness and intimacy in this scene. and i just. AHHHH i love them your honour....

* ALSO as a side note about taigen believing mizu to be honourable: he later realises that this assumption turns out to be quite false when she reveals that she'd not only allowed akemi to be taken away against her will but also has said nothing about fowler's impending attack on edo. also i find it very interesting that out of the two revelations, taigen is less angered by mizu letting akemi being married off (he sighs angrily and marches off saying he has to go to edo to find akemi), but much more angered by mizu's refusal to save the shogun and the shogunate as a whole. this is more proof that taigen's central principles are firmly rooted in the bushido and the concept of honour that comes with that. it's why he lashes out at mizu. because he'd believed mizu to be honourable and righteous, but was proven wrong. that's not to say that taigen is in the right for calling mizu a demon, not by any means. but i just find it a very interesting part of his character and it relates to his relationship and perception of mizu

also while rewatching the episode i found this very funny they just lyin there in the cart like this 🧍🏽‍♂️🧍🏽‍♂️

[literallyjusttoa]

I have been obsessed with the idea of Paris coming to the modern day in the same way Midas, Lityerses, and Medea did. Like, If anybody had some unfinished business, it's every citizen of Troy. Anyway here are some different little scenarios I've cooked up about how this silly little war criminal fared after making a mad dash for the doors of death in HoO.

Ok, so in this scenario, Paris is recruited by Gaea just like all the other spirits who come back from the dead. He ends up being tasked with working alongside Octavian. At first, he's driven only by grief and anger at the loss of his own family and city. As they approach Camp Half-Blood, Paris regularly remarks on how happy he is that's he'll be the one storming the walls this time. But over time, he slowly finds himself growing worried about Octavian's sanity. He tries to steer Octavian away from making reckless decisions, but Octavian refuses to back down. Paris sees the deadly fervor of his fellow soldiers in Octavian, and pulls away. From here we split off into two endings. 1. (the sad one) Octavian's fate plays out the same as the books and Paris just has to deal with how his actions unintentionally spurred the young man towards his own death. Or 2. (the happy one) Paris leaving is the wake-up call Octavian needs, and he pulls himself out of battle at the last second, breaking the cycle of hatred and wrath that started at Troy. Pick your fighter I guess.

In this scenario, Paris is not the only one who comes back from the doors of death. Half of the Argo II crew find him in Ancient Greece (Don't ask why he's there instead of Turkey idk shhhhh) And he's very helpful to them in whatever quest they're trying to complete at the time. All's well that ends well, except the OTHER half of the Argo II crew actually just met up with Hector on the other side of Greece lol. Turns out neither brother knows the other is alive, and the Argo II take the time to reunite the pair. I would specifically set this in BoO, and have the focus be on Jason and Leo as parallels for Hector and Paris, especially with them both thinking about sacrificing themselves bc of the prophecy (the whole "storm or fire" thing). Like, my idea is that a lot of emphasis would be put on Hector dying first, and how he sacrificed for Troy, and how Paris wishes he could've saved Hector. And Jason would come away from that thinking "Yes, I want to be Hector, i've made peace with making the final sacrifice to keep my friends safe" and Leo thinking "I'll do what Paris couldn't and give my life so that Jason doesn't have to" and ahhhh angst.

This is a ToA scenario instead of an HoO scenario. Paris and one of his siblings come back to life like in the last one, but instead of it being Hector, this time it's Cassandra. Idk when this would happen in the timeline of ToA, bc those books are so tight knit (maybe the infamous TTT to TON roadtrip) But I would add a little side quest where Apollo and Meg have to find Cassandra bc Nero's trying to kidnap her or smth. They run into Paris while they're searching for Cassandra, and the three of them team up for a lil bit. In this scenario, Paris works as a direct parallel to Apollo, all though he's a bit further behind on his redemption journey. Basically, Apollo feels like he's looking at slightly embarrassing old pictures of himself. When they find Cassandra, Apollo offers a genuine apology for everything he did to her. Emboldened by Apollo's example, Paris also opens up to Cassandra in a way he'd never done before. The two are finally able to air out their shared grief from Troy, and they set out to ... idk New Rome or the Waystation or smth. Either way they're a lot closer as siblings now, and Apollo promises to visit them once the Trials are over.

Of course, these are only my ideas that kinda fit into canon, I have a whole bunch more that go entirely off the rails. Anyways this pathetic little failure of a man has bewitched my body and soul or whatever I love rolling him around like a balled up chewing gum wrapper.

[thecousinsdangereux]

i just recently discovered your soulmate au and i loves it so much. so incredibly intriguing and well written and damn is it hot 🔥 thanks so much for sharing with us. in your mind, does it have a happy ending for them?

also wanted to ask if you'll be checking in to see the big warrior nun announcement coming tomorrow?

Ahhhh thank you! This ask is kind of tragic now given how everything with Warrior Nun ended up going, but I thought I'd use it as a way to share my ideas for the rest of a beggar in the morning, if anyone is interested in learning how it was going to go. Long story short, it was going to have a happy ending. :)

Here's a full outline for what I had in mind for the second half of the fic. Under the cut because it's very detailed in the parts that I'd started writing. Also in case anyone cares about spoilers? At the moment, I don't plan on finishing this fic, but I do plan on returning to writing in general, so guess there's a non-zero chance that I could come back to it. Stranger things have happened.

Beatrice keeps looking for the recipient of the Letter she's been trying to deliver and starts taking trips out into the countryside. She takes Ava's advice and takes to enjoying the journey - stopping into small cafes for lunch rather than eating in the car, taking the long way when it means she can enjoy a new view, etc.

During one of these side quests, she's told about a man who lives way off in the middle of nowhere who has the last name of Reis (the last name of the Letter recipient: Lara Reis), and she tracks him down. He had a sister who had a child with someone who was not her Match. I wanted to go more into what this looks like (and how the church is still anti-abortion in this world, because they think this could potentially ruin a future match, cue eye-roll) but in this case, the woman was basically run out of town. The man directs Beatrice to an orphanage where the child was raised.

This trail eventually goes cold because the orphanage has no records of the girl. They only know she left when she became of age.

The end of chapter six is basically Beatrice being frustrated and taking some 'advice' from Lilith to find someone to fuck hfkjshlk so she goes to the bar and ohhh nooo Ava is working that night, filling in for someone. Ava gets jealous, Bea does some shots, and it's basically a rehash of the lemon drop scene from the show, but hornier. Eventually, they make out, and decide to be friends with benefits.

Chapter 7 was honestly just going to be porn. lol. It's actually some of the first stuff I wrote for this fic - just a page of porn. Beggar came out of a Secret Santa fic exchange, and my friend Alex asked for lots of sex and a soulmate au. So... Chapter 7 was the payoff (part 2). Here's a few disjointed scenes, in case anyone is interested in reading some unedited very E-rated stuff.

A few months go by and all the nuns visit Beatrice for her bday and they're like huh so what's going on here and Beatrice has to pretend that it's not that serious with Ava (lol). I also wanted to do a conversation between Shannon and Beatrice where Shannon talks about the whole Mary thing and loving someone against the will of god (or at the very least, in the very gray areas).

The end of chapter seven is Ava finally talking about her past, which is that Ava doesn't remember hers. She woke up in a hospital without her memories and then spent the next decade traveling around trying to find something that felt like home.

In chapter 8, a lot of time passes, and the fucking continues. Beatrice is kind of losing it, poor girl.

I hadn't exactly decided what was going to happen next, but Ava was going to overstep in some way (or in some perceived way) and Beatrice was going to panic. Either Beatrice was going to have a brief thought about being in love, they were going to have reallyyyy soft sex, or something like that, but either way, Beatrice was going to have to admit she has deeper feelings for Ava than what's allowed allowed, so she goes back to Spain and ignores Ava's texts/calls/etc.

Eventually she realizes she owes Ava closure. She comes back and kind of explains why she's reacted the way she has. She gets more into why she joined the church and it's not for God or the Church itself, but because she does genuinely believe that love itself is holy. She admits she's falling in love with Ava, but she can't break her vows. She believes giving into her feelings would be putting herself above the whole history of love... the sanctity of the entire universe... and to be that selfish would be monstrous.

There's a callback to their early game of three questions, and how Ava still owes Beatrice one answer. Beatrice nearly asks if Ava loves her, but pulls back because she's scared of the answer. They basically break up, but Ava tells Bea to let her know when she's ready to ask her last question.

Beatrice takes it HARD. She buries herself in her work and starts visiting hospitals in various towns. She finds a Spanish doctor and he recognizes the number (or rather, the system behind the number) that is on Letter Beatrice is still trying to deliver. He tells Beatrice she's not looking for a hospital in Portugal, but rather in Spain - one in a small town in Andalusia. He mentions a patient who was in a coma, who woke up without her memories.

At this point, Beatrice obviously knows and she flies to Spain in daze. She visits the hospital, gives them the number, and asks for the name of the patient. When they'd brought the girl in, no one knew where she came from, she didn't have an ID, memories, etc. Nothing except for an old receipt from a restaurant in Portugal. ("Beatrice braces herself for what she already knows, but doesn't want to face.") The nurse at the hospital tells her they used a generic Portuguese name for the girl and it stuck: Ava Silva.

Beatrice visits Cat's Cradle because what else is she supposed to do? How is she supposed to deliver this Letter to Ava, who she's obviously in love with. She talks with Mary and we get the other side of the whole Mary/Shannon thing, and Mary is kind of like, okay, the Letters matter but they don't Matter. Beatrice asks Mary what she would do if she got a Letter (since Mary isn't a nun and could get one, but Shannon never could) and Mary basically says she would throw it away without opening it because she wouldn't want to give Shannon a reason to go self-sacrificial.

Of course, Beatrice doesn't really think this is her call to make. She's going to deliver Ava's Letter. There's this whole scene of her very dramatically and angstily getting ready for the delivery in the Official White Habit, then walking through the town she's come to associate so completely with Ava. And chapter 9 ends.

When Beatrice walks through the doors of the bar, Ava looks up, but doesn't seem surprised, even says 'oh, finally', which is pretty much the last thing that Beatrice expected, but then again, maybe it should have been the first, because Ava is always surprising her, and shouldn't she expect it by now? She asks Ava if she'd known that she was the person Beatrice had been trying to deliver to all along and Ava looks confused at this, like she hadn't considered that at all. "It's not that. I just knew my Letter would be coming because I'd already met you."

Beatrice is like, no no no. That's not how this works. It can't be me. I've been carrying this Letter with me this whole time - before I met you - and the Letters are only sent to a person when they've met their soulmate. And obviously, Beatrice is a nun and can't have a soulmate, etc. etc.

And then Ava says something like this: “Maybe every once in a while, God -- or the universe or whatever it is -- knows that it’ll be really hard to make two people meet organically, so it fudges the rules a little bit. Makes one girl a nun, makes another one hard to find, and sets up the dominos really early on."

And when Beatrice says she's being ridiculous/it's impossible, she says, "I know what’s in that letter. It’s you. I don’t need to open it to know it's you." and "Maybe it’s like some people say and god arranged it all. Fine. Then god chose me for you. Simple. He made me in this exact way, down to my hands and toes and whatever, so that I was perfect for his favorite creation in all of the universe. Because that has to be you."

And: "Or maybe it’s like what those other people say. You know - the past lives reincarnation stuff. Fine, then in our first lives we fell in love and then I found you in the second and third and the five hundredth. I found you and I picked you and I wanted you every time. Or okay, fine, maybe it’s what the the pseudo science people say. Even if those guys are right, I still know. It’s you because at the very start of the universe - at the very beginning of everything - we were the first two bits of something. The first two tiny little sparks. One of those was you and one of them was me. And even when we split off into a million trillion billion infinite pieces, the core of one was you. And the other one was me."

And: "In every religion or in any theory, the world exists so that I can find you again, and the world will do whatever it takes - bend the rules in whatever way - to make sure that at the exact right time, we would meet. And maybe it wasn’t perfect - maybe it was stupid hard for us to get to this point - maybe there was an easier way to make it happen - but I don’t care. Because it worked and I found you and I fell in love with you and I would do anything for that. So yeah. This Letter is telling me that I’m for you. That’s easy. It’s not faith. It’s just a fact.

And: "Besides, whatever’s on that paper? It’s going to be you. If it’s a picture of a butterfly, then it’s going to be you because of that time we went to the dam and one landed on your hand and you said “isn’t the world beautiful?” and that’s when I knew I loved you for the very first time. If it’s the notes to the first bar in At Last, then it’s you, because we used to play it all the time in the bar and I always thought it was fucking stupid to think you'd know like that right away, before everything, but it was the song that played in my head anyways when you walked in the bar that first night. There she is, I sort of thought, a dream that I can speak to."

"It could be any single word or phrase or letter and it would be you, because I love you and I love you so much I see you in every part of this entire world. I love you and I want to keep you with me always, and so you’re always there in my thoughts, slipping over and into everything else and I love it. It makes me love everything I see a little bit more, because it reminds me of you. It makes the world more beautiful."

"So, no offense, but I don't really give a fuck about the Letter. I already know it's going to be you. But I think you need to see it. So you know you’re not as selfish as you think you are."

And Beatrice admits that she wants to be with Ava anyways. Even if it makes her selfish. (Even if it makes her heretical.) Love is holy and what she feels for Ava is holy too, even if it's a sort of holy no one else will ever understand.

I went back and forth about whether they actually SHOULD open the Letter. lol. But I think I eventually settled on that they should, and that when Ava does open it, it's a blank page with like, 7 little dots and Beatrice is like??????????????? But Ava recognizes it instantly and it's the freckles on Beatrice's cheeks, the ones she's always tracing, and she does that again, following the ink on the paper.

Beatrice had been ready to give up her religion for Ava, so getting to keep it, maybe, suddenly is a LOT. She can't quite believe something divine would do something like this for her. But maybe she can believe that something divine would do something like this for Ava.

Later, I wanted Beatrice to have a conversation with Mother Superion. I thought it would be interesting to get into the philosophical bits of it. To debate if Ava could actually be right in her ideas about how this could be, and still fit into what they know about god/Letters/religion. I liked the idea of the conversation ending with neither of them really knowing, and Mother S being like, look girl, you'll never know for sure, but that sounds like faith to me. And Beatrice says no, no this is different, capital F Faith is for the divine. This is just trusting that Ava isn't lying about the freckles thing, or won't get tired of me, or won't find someone else. Etc etc etc. because it's panicking time for Beatrice, suddenly. And Mother Superion just raps her knuckles sort of in the most gentle way she can manage and says "That's love, Beatrice." in the way way someone might say "That's pussy, babe."

Beatrice does leave the church (though she eventually goes back to 'consulting' kind of like Mary). And when she does actually physically leave as well, Ava is waiting outside on a bench. Beatrice asks why she didn't just come inside, and she says something about being a little afraid of churches these days. She did steal god's favorite, after all.

And then they walk off into the sunset, with Beatrice being like wait a second, I thought you said this was all God's plan. And Ava shrugs and says that she would never willingly give Beatrice up, so god might come to her senses and change her mind.

I was going to end it there, but I did consider doing an epilogue as well. Early on in planning I had this idea where, years later, all the nuns regularly come over to the Silvas (because Ava does keep her 'second' name, though she does start to learn more about the Reis family, and meets her Uncle - the dude Beatrice learned about the orphanage from). And on one of these occasions, the nuns are all in white, and they're delivering Beatrice's Letter, which is addressed to Beatrice Silva. In the end, I decided against this, because I liked leaving it more open-ended, but nothing had been set in stone at this point, of course.

So yeah, that was going to be a beggar in the morning. lol. I plotted most of it out before I even started writing, because it wasn't the sort of story you could make up as you went and still tell it well. And I did want to tell the story well! There's a part of me that's sad that I wasn't able to, but I do think it was worth writing what I did. I really loved seeing people realize that Lara was Ava, even as early as chapter 5! And I also loved people coming up with theories about how Avatrice would be endgame. Some of them were honestly really good and maybe better than mine fhdskjhfd I had one person be like PLEASE let Ava's Letter be for someone else so they can metaphorically spit in god's face and honestly that was valid.

I don't know if anyone is going to bother to read this very, very long reply to an ask that doesn't actually ask for any of this, but it honestly just feels nice to put all these ideas together and 'complete' the story. Even if I've done it in the most half-assed way possible I am so sorry fhadskjlfhldsj

[theartisticapparition]

Ahhhh!!! I love your avatar au! Tyzias looks so tired and lanky but she just twirls her hammer around like it’s no big deal, MSPAR is left shocked. Does she join Mallek and MSPAR on their quest for the avatar? Is MSPAR the avatar too

Yes. Oh. Galekh and daraya will be there too.

[betraumatizebaby]

Care for some memes?

I Signed Up for a Quest Not a Wedding Registry! AU part three

Previous = Next

AHHHH!!!! HOW COULD YOU REMIND ME ABOUT ARGOS!!! I'M STILL NOT OVER HIS DEATH😭😭!!! Anyway, I love these memes; they made my day! The only reason I didn’t reply sooner is because I've been dealing with some personal issues, and I also made some memes for this AU. Does this count as a spoiler? I don’t really care. Anyway, enjoy the meme! ^^

Also forgive me for any wrong grammar today, I'm still tired😅

Thank you again for this meme; it really made my day! Sorry for the delay in my response. I'd love to hear your ideas and opinions for this AU!

[erinwantstowrite]

i feel like if you released a 24 hour + video of you talking about your plans for your original book i would sit and watch all of that with no breaks. so: would you be willing to share at least the bare bones of the plot you have now? or even some tropes that would be in it? or maybe random questions like how many main characters? how many povs? if it's sci-fi or fantasy? just stuff like that!

ahhhh!! i'd love to talk about them because they're constantly rotating in my brain!! i hope this doesn't get too long but we all know me, i can never stop yapping 😭

(okay this is present erin editing before posting and yeah this got long guess who called it. anyways there's art and stuff under the cut as well)

(Marked this as mature with violence only because there is an image below where I drew injuries/cuts on a character)

This book has been a thousand different books in all kinds of settings, plots, lessons, etc, and that's because I've had these characters since I was in middle school. At first I was so obsessed with them that I'd write and draw them all the time, to the point that my teachers were concerned I wasn't paying attention. I was seriously into magic and fantasy at the time because Harry Potter books were still the epitome of writing to my middle school brain. Ruby was a wizard with a bird theme that lived in the countryside and one day found out that her town was "alive" in a sense... But after I lost that sketchbook with all of the details (devastated to this day), and started venturing into other books series and shows, etc, I sort of forgot about the og story or what it was like. What remained was a love for the characters I had made over anything else about them, so I'd end up writing stories with a different theme each time, but the ocs being the same, just with their backgrounds shifted. (Around the time I was obsessed with VLD, Ruby was in a sci-fi plot set on a planet in another solar system.)

One of the most recent iterations was Ruby and the other characters essentially struggling to understand death, life, and everything in between. The story is called "Behind the Blue Glass" and I still really like that title lol. All of them had died on the same day, at the same time, just in various different ways, and then all of them came back to life in the same manner. They all developed different powers from the experience: Liam could float/manipulate gravity), August's body was essentially a phantom that could go through objects and disappear, Vin could possess people, Jean had an empathy link with the dead and could talk to and see them clearly, and Maya could figure out someone's cause of death/also tell when people were about to die. As for Ruby, she's the only one who can move freely between the land of the living and the land of the dead. It's different from Jean seeing the dead, as she's still in the land of the living.

The plot of that story was Ruby having dreams/visions of these other people she had never met before and knowing she needed to find them and set "something" right, but she didn't know what. She sets out to find them anyways, and they each join her on her quest to find everyone simply because they never got an answer to how they came back from the dead and find it weird that they all died on the same day and time. They solve deaths of ghosts they come across, meet people who are still grieving lost ones, have to lay some of the ghosts down to rest- all while figuring out why these shady people have started following them and trying to stop them from figuring out what happened to them. I even made some first draft titles (definitely, 10000% inspired by PJO because I was reading it at the time):

to top it all off, it's set in the 2010's I believe? Around that time. Just because I think more books should write about the time era

I have some (recentish) art of the characters:

first image: (Liam on the right, August on the left)

this is what Ruby looked like when I was first designing them for the story:

They're meant to look dead-ish but this art was SO long ago when I wasn't confident in my art so Ruby just looks like a wet rat or smth idk what is going on here

And here's Vin!! I don't hate this drawing of him that much, surprisingly, but this was also drawn a while ago

and this was some art i was planning at the time:

i think that's all of the art that i have for this story (at least on this computer. My old laptop might have more but it's been laid to rest)

to be honest, i'm still thinking about writing this story, but Ruby's name would be changed because at this point, this iteration of her character is VERY different from present day. She's two different characters at this point 💀 that's how you know I've had her for SO long because she looks so different from her original drawings.

The latest version of Ruby ended up in a story with completely different characters in the cast and a completely different setting (even if some of the characters were inspired by their og versions). It's called "The Clocktower's Chime"

It's very much inspired by those reincarnation manhwas. I like those stories but they all have the same plot over and over, and while I was more interested in the versions where the character is sent back in time to live their life again but with all the knowledge they had in the future, I always struggled with the aspect that the characters' mental age is far older than they are. It makes the dynamics a little weird, but they can be excused unless it's a romantic dynamic, I would think? I dunno, it was hard to get into the plots mostly because of that.

So I used Ruby as a placeholder OC and came up with a story where upon their death in the future, someone casts a spell or a god sends them back, and instead of having a mental older age, they get a journal with all of the details of their future. Ruby woke up one day and found a journal written by herself that detailed everything about her future up to the point of her death. It was more like a book, however, rather than a journal. It just looked like a journal because it was in her handwriting.

So Ruby gets this book, doesn't believe it at all, until she notices that there are way too many "coincidences" lining up with the events of the book. She starts believing it could be true, and then decides it must be when she finds out that a prominent family in the country she lives in is going to visit her hometown. In the book, they were there because they learned that Ruby was their daughter that had been kidnapped as a baby and believed dead. However, in the book, Ruby had spent her entire life living as a weapon instead of a daughter, and she died by their hands when she refused to kill a woman that is prophesized to end a war that would devastate both countries.

Ruby is, like, 12 at that point. So her kid brain is like "obviously I run away and go to school in a different country and tell everyone I have a different name and there's no way this could go wrong." Except before she can even do that, she runs into Julias Parlia, a Duke's son from the country that is supposed to be her enemy in the future. Ruby is like "shit this is THE worst adult to run into and I haven't even gotten to the running away part of my plan" and Julias ends up being the reason she doesn't even get to the train station. He's fucking hilarious by the way. He's got a well adjusted family with two loving parents and a bunch of little siblings and he basically picks Ruby up by the scruff of her neck and is like "I want this one she's insane."

This is Julias (kneeling on the ground to talk to Ruby) and Emelie (Julias' knight and childhood friend, she's so silly)

and this is the part where I share art from many months ago... when I posted my most recent art and said Ruby keeps getting buffer every time I draw her, I meant it 💀

Ruby and her love interest, Cecelia

This is Vekenti, a character that was also supposed to be a "villain" in the original timeline. Ruby goes looking for him to prevent his death as well, and Julias obviously is like "Omg another weird kid, how delightful!" Everyone thinks Vikenti and Ruby are related, but they are not. They're just raised as siblings in both timelines and have a lot of the same mannerisms

Julias' love interest (unnamed? I can't find her name anywhere) and him

REALLLY old drawings of what they looked like in the OG timeline (I desperately need to redesign these because I could do better now)

Julias and Ruby again

and that's all the art I have for this one (besides the other post of Ruby I posted today, this is the story that that version of Ruby belongs in. She's looks very different now!).

All of this has been in the back of my mind for a while, and I've been trying to figure out which story I would want to write first. Middle school Erin would love for me to finally write Behind the Blue Glass, but sometimes I find myself wanting to write a fantasy story like Clocktower's Chime a lot more

[miam0re]

Neuvillette with a reader with small tits... ;-;

More stuff that I can relate to mwehewehehehehe like omg please doing the archon quest has made me fall even more in love with him like ahhhh Im sorry zhongli but there's a new dragon boi in my heart 🥺

Loving Your Small Tits | Neuvillette

NSFW, Fem!Reader, tbh this is quite soft, soft Neuvi, praising, nipple play ig, more stuff I probably missed

He loves your pretty little tits. Neuvillette just loves to have you laid on the bed under him as he reaches behind you back to unclasp your bra and reveal your chest to his flickering lavender eyes. It doesn’t bother him if you consider your breasts to be smaller than normal. All he cares about how lucky he is that you trust him with this vulnerable side of you, and he’ll cherish each second he has. 

He always holds back the first moments when your nipples are exposed, gently arousing them with his fingertips or soft kisses till they erect and harden under his touch. He loves the way you squirm and giggle when his tongue rolls over your tit, circling your areola till it glistens with his spit. He wants to love you softly, to have you slowly melt under his feather delicate caresses and kisses. 

But it’s too intoxicating, arching your chest to push your nipple further against his pink lips and moaning his name. He wants you breathless just from the way he plays with your small breasts. He’s obsessed with them. He won’t admit it, but it’s obvious with how he eagerly plants his mouth on your nipple, creating a delicious vacuum that has your mind going numb. 

“Your body is absolutely divine.”

His praise vibrates around your sensitive nub as he switches sides, providing some tender love and affection to your other nipple with his mouth. You dive your fingers into his hair to keep him pressed against your chest and he loves it. He loves that he’s making you feel so good with how he sucks that you don’t even want him to part from you. 

When his teeth graze your nipple and you whimper audibly, his thoughts stray to all the other kinds of things he could do to pull that sound out of you again. Looks like an animalistic side of him has come to light. 

[the0retically]

Wonderlust #1: One Man’s Trash:

Thoughts below! :)

- The intro is so cool I love this

- The different camera angels??? Holy shit??

- Oh god the voice Charlie is already doing, can’t wait for this character to destroy me emotionally

- This combat is insane oh my god??

- Troy’s dad?? Who is that

- Condi just on the other side is so funny to me like hi Canada man

- Charlie is just truly spitballing and has no thoughts behind it love it

- TROY IS JUST DOWN??

- Damn poor Troy lost the big race

- One more race!

- God Troy is such a jock I love him

- “Thanks to your father” oh?? Hmmm

- He has a fountain and it has the only running water that is Very sus

- Troy has a concussion????? Also may seems sweet and Troy is just so—love him

- Love the repeated “Troy math Troy math”

- Please he’s trying so hard to be cool and prove himself

- “My dad is gonna turn you into a clock?” HUH???

- Poor bizly this npc is cool and Charlie is making him just buzz

- He’s crying :(

- May??

- He lost his sled??

- OH THE MUSIC SLAPS

- THE ART!!!!!

- THIS IS SO COOL

- The green screen change!!

- Bizly is so good at descriptions I love his style of dming

- RUNT!!!!

- Oh I love runt so much

- :((((((( the street rats :(((((( I love them

- :( a match lights the dark room I MISS RIPTIDE

- I love uncle threestrings oh my god he’s so cool

- If anything happens to him I’m going to cry

- Also…….runt…??? You’re sick, you ok?

- Runt are you my chronic pain/chronic illness Queen?

- “Use this on your knee twice a day!” UNCLE THREESTRINGS WITH KNEE PAIN !!!!!

- Also love his singing it’s so fun

- This tunnel is cool heist time

- Oof runt is getting pinched to death, girl??

- Runt took it apart!! Love her little artificer girl!

- :(((((( she sees the stars and the moon

- The music is so cool I love this

- “Nothing else you’re just gonna open the door?” BIZLY NO RUNTS CURIOUS

- Uh oh, three loud bangs

- Oh doppler was taken, yikes I don’t think anyone but runt is getting out of this

- Please it’s not even roll initiative it’s just roll to run away

- Runt :(((((

- Tell her what? ………..if they lose people they don’t go after them? Oh god

- Interestingggggggg runt isn’t telling them about the crystal

- OH THE VIBE CHANGE??? Uncle T please there was a tragedy and you’re just playing your banjo

- God runt is just a kid

- Grizz and Bizly laughing about the big circle in the sky and being confused on who put it there please that’s so funny

- PINCH????? HES BACK?

- Runt isn’t allowed back up there :(

- She was just curious :( give her another chance!! :((((( runt

- oh, she can’t even go there to say hi and show stuff, runt :(((((( my sweet girl I’m so sorry

- “Dude he gets so hyped about the cups” YAY!!!!

- Yeah at least Runt didn’t shit her pants

- Aim sees the rock? Hmmm, runt didn’t you want that to be secret

- …………does this belong to Blink?

- CONDI TIME!!!!! BLINK!!!!!!!!

- I love his design so much

- Gotta love the belts, true Condi design!!!!

- The vixens??

- “She’s looking for you” “aeon’s always looking for me” OH????

- God gram-gram just stealing the box from blink, please??

- PLEASE???? She just makes him do side quests????? That’s so funny

- BIZLYS FACE BROKE ME “if I was reasonable person I would never” “but you will :D cause you’re not reasonable are you!” Just the soft smile, it’s so funny to me

- Please granny trying so hard to make blink and aeon friends again AHHHHH AEON’S HERE

- “An iron fist huh? Actually it’s leather, gets the job done” AHHHH HELLO??

- HELLO AEON! She’s so pretty!!

- “Was it the street rats?” “Shut your fucking mouth!” PLEASE

- :((((( blink doesn’t have a house

- “What do I get out of this” “a warm feeling in your heart?” This is such a cool dynamic I love this

- Oh god she punches Blink??

- WAIT TROY!!!!!! HES HERE AND JUST WANDERING AROUND??????

- The art!!!!! Troy just chasing Blink????? Oh my god??? “Don’t play hard to get with me, I’ll fucking catch you!” WHAT?

- He just sleds after him oh my god??????

- “What is your costume made out of” TROY PLEASE????

- “There’s no need to be such a freak” TROY?????

- He thinks it’s a convention??????

- “Is that like a slur?” TROY OH MY GOD?????

- Not Troy telling Blink that they need a hole to throw their trash down???? Oh my god??? That’s crazy

- “I don’t know I’m not supposed to tell you!” Troy?? What do you mean by that?

- Troy with a concussion!!!!! He’s just like me!! “I’ll protect a worse one and that’ll undo it” I—

- Troy just thinking that Blink is in character is so funny

- “Dude hey, you look stressed” Troy please??

- “No one’s chasing you, no one’s sticking with you because they may have ulterior motives!” Troy, baby boy, you’re dumb

- Ok so Troy may have already been with the vixens?? Or it’s something else I don’t know? Or it’s just him wanting to get back up

- The imagery is so clear I love it I can see these characters and where they are

- Please they just made up random ass names for themselves

- Troy my guy be better

- “I will crush 30 of these I won’t even blink…oh sorry” TROY OH MY GOD

- Environmentalist activist blink! Let’s go!

- “I’m gonna be Frank” “WHO THE FUCK IS FRANK?” Oh my god

- PLEASE TROY IS SO FUNNY???? He’s a jock that just is so incredibly dumb

- Oop Troy with daddy issues

- I—Charlie is just so lost in Troy right now

- “You know sometimes I think about guys!” TROY????

- Troy stop talking pleaseeeee

- Oh god blink just running away with troy

- Bizly is rolling so badly this session oh my god

- “A blunt arrow comes whizzing by your head” “a blunt what? I smoke it” HUH?

- How are they even doing this??

- “You definitely don’t make it 30 feet up” “well to me it feels like that!”

- “I lost this cast iron a couple years ago” TROY?????

- A NAT 1 AND A NAT 20 OH MY GOD????

- Graphite seems cool!

- Troy peak adhd boy, love him

- “You just say things don’t you?” “….Troy”

- I miss runt

- RUNT!!! SHES WATCHING THEM

- ohhhhh blink was in the apothecary before

- She’s been tailing them!!

- THIS WAS SO COOL!!!! I LOVED IT!!! IT WAS SO GOOD

[iridescentmirrorsgenshin]

HIIIIII

Omd I love your work so much the analysation between Kaveh and Alhaitham is just so ??? (Beautiful wth I probably read like 99.9% of your work bc I just love reading the analysis between them) literally EVERYTIME you post I get so excited like it just makes me smile

Anyway if it’s not rude to ask, Ive read some of your fanfics about them and I just wanted to ask how you make them so.. accurate? Ive just recently started writing fanfics and do you have any tips?

Also knowing how much you analyse these two are there any like details about them you found out abt the pair? I would normally do it myself but im not even up to the Sumeru archon quest 😭

And another thing, do you have any head canons revolving the two or do you just stick by the canon? (If you do head canons i would LOVE TO HEAR THEM.)

Hope this isnt too much to ask!! (Also ignore my horrible punctuation it’s normally better than this i swear)

Anyway like i said your work is amazing and byebyeeee have a good night/day/afternoon

-🍀

hiya!! AHHHH i'm so glad you enjoy my brainrot analysis of these two <333 i'm way too invested so i'm happy that people are invested in them just as much!! HELPPP now i'm kicking my legs and giggling that's so sweet :'''')

firstly !?!?! thank you for checking out my fics!! and !!!!!! i'm glad you like the characterisation! :'''') when i first got into haikaveh, all i was doing was reading fics before i got to sumeru. i had ideas for writing, but i was way too scared of actually getting them up in full in case they were inaccurate, because i felt that i didn't have a great grasp on their in-game characters? (not that this fear should stop anyone - where would haikaveh nation be without the authors who wrote for haikaveh before kaveh was even released??)

personally i spent a lot of time going over their individual character stories and voice-lines, as well as constantly rewatching character trailer videos and clips where haikaveh are together onscreen, and also apart, so i could start the essay, and this definitely also helped me develop a voice for both of them in fic in terms of dialogue and inner monologues.

for me kaveh's inner monologue is going to be almost the complete opposite of alhaitham's, where kaveh's empathy comes out in overthinking, and is fuelled mainly by emotion as he tries to rationalise his perspective (in relation to interpreting alhaitham), whereas i write alhaitham's inner monologue to be more observation based, and where emotion is implied rather than stated - which i find is used in his character stories, particularly character story 5 where his past is given. although no emotions are mentioned, it's evident how essential his grandmother is to him, only there is no detail about how he felt when losing the last of his family, and having to arrange her funeral, and enrolling in the akademiya when he previously believed it to be boring, and the years spent after his graduation, up until the point where kaveh moves in - in contrast to kaveh's character stories which are extremely detail heavy in these regards.

there's a clear contrast between kaveh and alhaitham's experiencing of emotion in inner monologue, especially when it comes to alhaitham's grandmother's last wishes, as it's an impactful line about her wanting him to lead a peaceful life, and there's no further elaboration on this; the emotion is there to be interpreted, whereas kaveh will be explicit about his exact feelings at the time, and how these feelings change, or don't change.

for me, both are interesting to write, as kaveh's empathy ensures that he will be in constant motion, avidly aware of each shift of mood in any conversation, or aware of a thought that alhaitham might be chasing. if writing when alhaitham and kaveh are not in sync, then justifying kaveh's mindset and his interpretation of alhaitham can fuel the dialogue (whether it be typical banter or strained conversation). on the other hand, alhaitham's emotions are more subtextual, perhaps he'll notice kaveh beginning to frown when working, which shows that alhaitham has been staring at kaveh rather than reading, or something. i interpret his inner monologue as him being thoroughly aware of how he feels towards kaveh, and therefore he has no need to reiterate this when thinking - again, in contrast to kaveh, whose mood and feelings fluctuate depending on those around him.

those are just my personal approaches in case it's of any interest to you! if you're hesitant to write because you feel like things won't be 'in-character', i'd argue that fanfiction as a medium ensures that works can't be in-character as it won't be the game's canon; especially as characters can be reinterpreted for each person depending on the plot and the themes. in general, i'd say write whatever, and however you want, so long as you're writing something. you can come back and edit it later, and you may find that new ideas come to you as you start writing. so long as you're having fun!

as for things i like about them in terms of in-game canon(?), i would say that aside from the writing of their dialogue and their character stories, their arguments on the bulletin board posts around sumeru are so sacred and special! when you get to sumeru i highly recommend running around to find them! it feels very rewarding to click through each post to find alhaitham responding to each and every post that kaveh makes <3

additionally, there's the idea that as alhaitham accidentally created an aesthetically pleasing rug print design, with (supposedly) kaveh doing the same by creating a practical, affordable rug, mirroring each other's traits of artistry vs practicality (thanks to haikavehtimely). the devs being thorough in their haikaveh propaganda is so insane, but if i had made haikaveh i would be doing the exact same thing???

as for design inspiration, the idea of them resembling plato and aristotle in terms of their beliefs is rather interesting?? especially with kaveh talking about beauty having a whole form, in that it's a concept intrinsically understood! especially with their splash art poses in mind (which is written about in the haikaveh bible)

blessed be headcanons! i end up writing them into my fics, but i think the spaces in canon leave a lot to interpretation, so i think i end up working around that? a lot of them are domestic for me, for example, kaveh definitely has a skin/hair routine, and i think while alhaitham may not go to such lengths, he values cleanliness and has a lengthy bath time (alhaitham likes the smells of kaveh's skincare and kaveh likes the subtle smells of alhaitham's bath oils).

also!! that kitchen is TINYYY!! i think it's !?!?!? that alhaitham canonically had that research lab redesigned into a house, and approved a design that had TWO bedrooms, even after kaveh rejected the building?? i think he prioritised his dreams of a reunion over realistic living conventions and that kitchen is atrociously small, and kaveh complains about it all the time and clowns on alhaitham, so they have to scrunch up when cooking, or they establish a cooking schedule, which, a lot of the time, goes out the window, as they go to the tavern or get take away <3

thank you so much for your ask! it was really interesting to explore all these questions, i hope it's been useful to you in any way :''') and thank you for your support!

[slickfordain]

Imagine SAGAU AU, where the reader is a darling who basically can’t do anything and is stupid. Just sits there staring at the screen with a bag of Doritos, sweat dropping at the quest of trying to find Sara. You could’ve sworn, this was the end of you if it was to find La Signora and battle her…

You’re…

Not confident to battle a Fatui. Not after that battle with fucking Childe that took you two tries, and Signora is another length of strength. Hadn’t it been for the Shogun that is.

“…” Staring staring and staring. You just ate in silence, letting your vessel do their neutral auto movements when they aren’t moving;; which made them absolutely confused. Did Signora anger you? Did she make you upset?

Because don’t get yourself wrong, you pulled every damn character the first time you entered Teyvat. (Lucky… I want the Archons too~) But you aren’t leveled up perhaps?

Curse Signora. Absolutely fuck her. The Archons are enraged, thinking Signora has made you insecure, and will make sure they’ll set another war against the Fatuis once you log off.

As for Al-Haitham and other boys, they will taunt her. Taunt the Fatui to the very end of being so weak against you. Being so ignorant and selfish. You deserve a win, even Childe knows that after getting two tortures for killing off your vessels at the beginning of the fight.

The ladies and girls? Ahah. Ha… Yeah they’re going feral, leveling themselves up. You don’t need to find those looking purple papers, screw it, this game you implied it to be— will no longer hide their true strength in the story. They’ll use their true strength against Signora.

No. No longer shall their damages do “little”, they will do bigger damages… More cruel damages that’ll have Signora dead on the ground.

You’d love that, won’t you, our grace? They love you so much they’ll roughly stab Signora’s limbs and eat them. That is, if you want them to. They’ll do it. Especially the Archons who would feast on the poor woman.

AHHHH I PROMISE TO UPLOAD ANOTHER POST I SWEAR I AM JUST VERY BUSY-