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#A Regular Woman
sisionscreen · 2 years
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Almila Bagriacik (Leontine von Apafi) and Rauand Taleb (Theo) behind the scenes of The Empress (2022).
The two actors previously starred together in another German series called 4 Blocks as well as the movie A Regular Woman.
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They always say if u love smth then let it go 😔 as a long-standing Sidon girlie I was struggling w coming to grips I fear (which ended up not being all that hard to do bc Lady Yona is so cute I love her.......)
Before that happened I did manage to snap some photos mid-fish domestic. In case I had one last fighting chance
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hiddenvioletsgrow · 1 month
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Mary being treated as if she was sinless makes me so so sad. Like talk about erasing the wonder and glory of Jesus’ birth
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ms-hells-bells · 7 months
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you know that tunnel girl on tiktok digging dangerous tunnels under the house, against everyone's warnings, suffering legal action, and disrupting and endangering the neighbours?
not a girl. TIM lmaoooo. using extreme tiktok filters to appear more female. not only that, but there is evidence (obviously can't 100% as soon after stuff was found, he mass deleted it, so i'll be a bit vague with these claims) he is race faking too.
also, he would defend himself by saying he's 'an engineer' but it turned out his linkedin said....SOFTWARE engineer. but! it gets better. people dug further and found that he's not even a software engineer, he has a degree in business and finance and is just some middle manager in an IT company with no engineer or programming of any kind in his job title.
now this seems less like mental illness and more like male audacity.
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slvttyplum · 6 months
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women are so pretty. i love them so much and can’t express my love anywhere else. they make me tingle and giddy full of emotion, making my cheeks go warm and my body full of fireworks.
if a woman looks my way, my heart goes into defense more and starts beating erratically. how can i not live them? they’re beautiful voices, beautiful hair, comforting touch, nice figures no matter the size.
i want to listen to they’re every thought and every word that slips past they’re lips, i want to look into their eyes as they express their goals and fears, i want to hear them erupt into laughter.
looking at a pretty girls face and examining every detail is like looking at a colorful rainbow over the crystal blue sea.
i want to kiss a woman, feel a woman, make women happy.
if i could make every woman in the world happen in this very moment i would. i live for women forever and always
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asmodeus542 · 1 year
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*Gwen jumps out of a portal*
Gwen: Oh man, this is bad! This is really bad!
Hobie: Oi, what is it?
Gwen *blushing*: I kissed Miles.
Hobie: Whoa... I owe Pav so much money.
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fishnchip3011 · 6 months
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they r like straight yuri to me
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zarnzarn · 24 days
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The doors to Olympus are sturdy and strong, given everyone's preferences for drama and slamming said doors open and sending them cracking into the wall whenever the opportunity arises. Which is why it's a surprise when they creak open during the once-a-decade pantheon meeting; less so because no entity worth their salt would take so long to open the doors, and more so because everyone who is anyone is already there.
But if everyone is being honest with themselves- which no one is, usually- these gatherings are boring enough that the bland conversation is dropped immediately in favour of craning their necks to catch a glimpse of whatever is coming to relieve them of their boredom.
When the doors finally open however, several of the pantheon murmur in surprise.
"Odysseus," Athena whispers, wide-eyed as she pushes herself off her throne to her feet. It is him- in the king's garb he was buried in but the face he has when he reached home, hair till the shoulders and speckled with grey, face oddly blank. His feet are transparent.
"What are you doing here, sceptre?" Poseidon booms, hair the color of a stormy sea. Zeus, beside him, looks reserved, observing the ghost with something approaching curiosity- eyes flicking to the lightning scars on his daughter's face and back. "Your time has long passed, and Hades-"
"It is a temporary agreement," Odysseus says curtly, barely sparing him a glance as he approaches his patron. "Athena."
Her armour clinks as she steps forward and the gods all twitch, trading glances. Owls are silent creatures- to have her aspect so affected to make noise was... uneasy to say the least. She even holds herself different than usual, something like confused delight shining in her eyes. "How did you-"
"Did you sleep with my wife?"
The throne room is silent. Several jaws drop.
Athena straightens back up, blinking in surprise. She looks a bit shifty, some of the nymphs closest whisper to each other, which- well, almost every single god present owed some part of their existence to the mere story of Odysseus loving his wife.
Would he fight his own patron goddess over it in front of Mount Olympus, though? He certainly was unbalanced enough; Athena herself looked rather uncertain of her odds, even though-
"Are you addled in death, King of Ithaka?" Artemis drawls, looking amused. "Did you forget that your own patron is celibate? Whatever rumor you-"
"No, I-" Athena says suddenly, shifting her spear to her other hand. "I did."
Artemis chokes on her breath and several assorted divine beings gasp in shock and the rest shouting for explanations, although everyone is nearly drowned out by Aphrodite's loud, "WHAT?"
Odysseus inhales sharply and pinches the bridge of his nose. "I cannot believe you."
"She asked-" Athena starts, only to be drowned out by the din of various beings screeching and shouting about the scandal.
"ATHENA!" Hera hisses, peacock tail fanning behind her sharply as she pushes herself up. "Explain yourself!"
Athena half-turns to face her, face creased in a frown. "Mother, I-"
"LET ME REPHRASE!" Odysseus cuts in loudly, and the shouting settles down into silence. He walks to his patron, eyes blazing. "I cannot believe," he throws his clenched fists wide as he growls the last word, "-you took Penelope to bed-" Athena surprisingly stays still as he reaches her, mouth falling open as he grabs her by the chiton to yank her down, uncaring of the gasps of horror from all around as he snarls, "-before you ever kissed me."
And then Odysseus grabs Athena by the face roughly and kisses her.
This time Aphrodite's shriek cannot be escaped by anyone.
"Aphrodite, please," Zeus says a few moments later, wincing as his throne reforms around him, stained oddly pink. Quite a few minor entities have discorporated, and the ones nearest to her are still trying to regenerate their hearing. "Control yourself."
Their eyes land back on where Athena has dropped her spear- dropped her spear, Ares in the corner seems to be having some minor hysteria over this, well warranted- and is also on the floor, still being thoroughly kissed by that insufferable, mannerless hero of hers, perched on her stomach to reach. Zeus inhales in fury, Poseidon close behind him as the shock wears off, lightning crackling around his fingers as he opens his mouth to shout- of all the indignities-
"If you two ruin this for me," Aphrodite thunders, warping in front of them and glaring. "I will make you both regret it."
Both gods visibly blanch at the threat, taken aback for one brief moment. Threats from Aphrodite are far worse than any of her more violent siblings, at the end of the day.
Zeus visibly gathers himself just as Athena's helmet clatters to the floor, and he gains a second wind immediately, eye twitching as he spreads a hand to the spectacle in the middle of the hall. "WHAT MANNER OF DISRESPECT IS THIS? TO BARGE INTO OUR MEETING AND THROW ONE OF THE OLDEST GODDESSES TO THE FLOOR LIKE A COMMON WENCH-"
"Zeus," Hera says quietly. Everyone falls silent, although it's not quite enough to stop the two tangled together on the ground. She clears her throat, which finally seems to get through to Athena, who had finally seemed to have gotten over her shock enough to reach out, hands hovering over Odysseus hesitantly. Still, at the noise she seems to remember herself, pushing herself up on an elbow and dislodging him enough to break their necking. He pouts at her, but Athena's eyes are too glazed over to notice, heaving for breath.
Hera opens her mouth to speak, crown manifesting on her brow as she steps in front of the throne, but closes it as the door rattles again.
This time, the spectre shimmers with a faint hint of scales that comes with a freshwater nymph's heritage and excited whispers starved for drama explode across the room as the Queen of Ithaka steps into the room, skirts hitched in her hand and panting as if she'd been running.
"Your Graces," She bows respectfully before entering, Spartan princess through and through, until she catches sight of her husband and Athena, the former of whom seems to have taken the opportunity to start kissing the wisdom goddess again, fingers in her curls.
"What are you doing?" She snaps, rushing over. The entire courtroom holds its breath. She slaps her husband upside the head, making him yelp and move back to shoot her a betrayed look. Athena looks even further dazed than before, cheeks red. "Argos has more manners than you! No wonder Lady Athena wanted nothing to do with you- ah, hello, darling, by the way."
"Penelope," Athena murmurs hoarsely, and the Queen of Ithaka leans down to kiss her as well.
Odysseus chuckles, then jumps with everyone else as Hera slams a hand down on the throne elegantly, cracking it to the base.
"Ah, goddess-" He says, clambering off Athena to bow.
"Silence," Hera interrupts, holding up a hand, eyes cold. "You will not say anything to me apart from an explanation. My agreement for your release from Ogygia was due to the assurance that your marriage was one of the truest I have ever witnessed, conveyed by Athena herself when bartered with all of us to let you go. Tell me, was it a ploy? Because from the disgraceful looks of it, this seems to not be the case in the slightest."
Odysseus frowns, face twisting in confusion. "Athena bartered with...?" He turns to look at his patron, who stares back, unspeaking. His eyes flicker to the lightning scar over her right eye as Penelope traces it with horrified eyes and a gentle thumb, and understanding seems to dawn.
For a moment, rage seems to fill him, glaring with a hatred towards Zeus that everyone whispered later wasn't met by the god king with anger, but a flicker of remorse- before he visibly throws it away behind Athena's old smile and bows.
"God-queen," He says formally, gracefully. Hera twitches a bit, and they'll all talk later about how odd it was to so clearly see Athena's younger mannerisms in the man, down to the curl of the letters. "My marriage to Penelope has never been false, never been broken, this I promise you." He takes Penelope's hand and squeezes it for emphasis, and she raises them as acknowledgement. "But... can you not argue that Athena has been part of our marriage all this time? From its start, where she advised me on courting and her on what to look for, to the twenty years she spent with both of us- me on the battlefield and Penelope in the court; to say nothing of how she helped raise our son and lived in our palace in the days after. And is she not so unbearably beautiful that even my Penelope couldn't wait-" He shoots a glare at her, which Penelope returns with a smile. "-when the chance was presented? How can you fault us for disgrace, after being so long apart from our wife?"
Hera raises both eyebrows at the impudence, the kind of disbelieving expression that hides a warning to tread carefully. "So you claim to be both married to Pallas Athena?"
"In every way that matters except legality," Odysseus says, fearlessly. He is dead, after all, what much can you do to a shade that they didn't already put him through when alive. He is sort of worried about Athena, though, as they both help her back to her feet, Penelope busy whispering compliments and updates and endearments in turn- she's not usually one to be quiet in face of a problem.
Hera tilts her head. "Ah, but you see. I need the legality, if I am to finally-" A helpless, excited smile pulls at her lips once, twice, before unfolding into a bright grin, peacock tails unfolding to their full wingspan. "-finally arrange for a marriage for my eldest daughter who has not once- oh finally, I can hardly believe this day has come-"
"I do not like the way you grabbed her, Sacker of Troy," Ares steps forward as Hera starts ranting half to herself, half to an equally loud assemblage of joyful entities about wedding arrangements, eyes narrowed.
Odysseus barks an incredulous, loud laugh, gesturing to Athena with a slightly crazed look in his eyes. "This lady has broken- and I do not exaggerate- every single bone in my body before I saw my sixteenth year. I have punched her a hundred times in the face when she taught me how to fight. We'll survive, thanks."
"That is fair," Ares steps back, hands raised.
"What duties will you provide as spouses, Ithakan Queen?" Hestia questions, stepping forward.
"Oh, the same we did when we were living," Penelope huffs a laugh. "Keep her busy, make her laugh, be of mild frustration to her, love her well, worship her-"
"I do not. Need to know," Hestia closes her eyes and raises a hand to cut her off, stepping back. Around them, the din catches speed and volume as no further objections arise, excitement spilling into the air.
"What is happening?" Athena says faintly, looking around as if she was just waking up.
"-oh, and we can get out the decor once more! Hebe, Aphrodite, loves, do you remember where we kept the fountains-"
"-finally, a reason to celebrate! Call them all out of hiding-"
"-can't believe this is finally happening, oh sister, what songs should we-
"Why am I getting married," Athena says with much more alarm and horror. She turns to Odysseus and shakes him by the shoulder, eyes wild. "What did you do?"
"Nothing!"
"How is this nothing? Do you have any idea the headache-"
"Athena, sweetheart, will you consider changing into that beautiful piece you made for the ceremony?"
"Oh, I'll make a deal with Hades or something, you hush!" Aphrodite leans forward and snaps, before her irritation melts back into a manic joy. "Oh, what paint shall we do?"
Creakily, she turns her head to Hera, disbelief pasted across her face. "Mother," She says slowly. "They are both dead."
Paint, Athena mouths, looking afraid for possibly the first time since her conception.
Penelope laughs and tugs on Athena's hand to make her turn, tucking dishevelled curls behind her ear. She wonders if the goddess knows how beautiful she is when she's flustered. "Take us away," She whispers. On Athena's other side, Odysseus leans against their patron with a besotted, helpless smile as he stares up at her, her helmet and spear in hand. She'd missed Athena like a limb, missed her deep laugh at night when they'd discussed the day's court, the dry jokes, the hands over hers as she weaved- but Odysseus wasn't himself without her, happy though they were in Hades' lands together, all of them.
"I'm-" Athena wavers, then looks around once more at all the excited screaming, something unreadable flashing in her eyes. Almost against her will, her eyes fall to Zeus, who is sitting silently and staring back at her. Poseidon looks like he still wants to start a fight, but clearly by his wary looks below can tell he will be heavily outnumbered by the overexcited crowd to not try, but Zeus just stares back at her, face blank of any emotion.
"We ask you formally this time," King Odysseus says, walking in front of her to take her attention away, holding onto her hand. His voice has strength in it, drawing the eyes of the murmuring crowd, but he's deaf to it as he stares up at her.
"Will you be our wife?" Queen Penelope asks, joining him, watching their beautiful patron shudder for breath she does not need as her eyes flick to one of them and then the other.
"Yes," She whispers and cheers erupt all across Mount Olympus.
"Finally!" Odysseus complains, and then pulls her down once more to kiss her, all three of them fading at the edges as one of the generous gods present there- who seems to realize that they're not very inclined to stop anytime soon- thankfully teleports them away into a nice room with a large bed.
"Finally," He whispers as he breaks apart to lay her down, cupping her face, voice heavy with the longing of a full lifetime and more. Penelope circles to the head of the bed and starts undoing Athena's braid, staring at them both lovingly.
Later the ones closest will murmur, as the silhouettes faded away, that tears had slipped from proud Pallas Athena's eyes as she placed one hand against Odysseus' cheek, trembling.
"I missed you," She will whisper back, and all three of them fade away to their own story, yet to be made.
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adiradirim · 6 months
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From right to left: Beya Melamed; Bulgaria, 1890 - Jewish bride after the wedding; Turkey, early 20th century - Torah ark curtain made from a woman’s dress; Izmir, Turkey, 1929 - Wedding dress belonging to a Jewish family from Edirne, Turkey; early 20th century, gifted to museum exhibition in memory of Colombe Papo
Worn in the 19th and 20th century for weddings and other occasions by women across the Balkans and Anatolia, bindallı dresses were typically made of velvet in deep jewel tones. They were decorated with extensive gold embroidery of floral designs, which give this group of dresses their name, meaning thousand branches. This Ottoman-derived yet European-influenced style marked a transitional period between uses of traditional and modern western fashions.
The dresses - adopted from the surrounding culture as a fashionable item without any Jewish specificity - took on unique Jewish meaning through their use in the synagogue, where they became ark curtains, Torah mantles and binders, bimah covers, and the like, frequently with added dedicatory inscription. The donation of dresses and trousseau items by women to the synagogues created a personal bond between the women and the synagogue. The habit of donating these textiles to the synagogue endured long after the original embroidered bedclothes and dresses had gone out of fashion, and the transitional bindallı fashion thus remained alive in Sephardi synagogues long after the passing of the brides who wore the dresses.
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beaft · 3 months
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anyway i'm always fascinated by the people who think that trans men transition purely to escape misogyny and gain social capital. idk how it is for other people, but since i transitioned i have not only experienced more misogyny than i ever did before but also lost access to the public spaces and support systems that might have helped me deal with it
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vanpalmr · 1 year
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YELLOWJACKETS APPRECIATION WEEK 2023 day three: favorite dynamic ➣ SHAUNA x GHOST JACKIE
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whatupcherry · 6 months
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if a criminal and bad then why pretty big brown eyes?
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I MEAN LOOK AT HER IF EVIL AND BAD THEN WHY SO PRETTY?
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blueskittlesart · 6 months
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finally started my character design final and it's a 3-phase video game boss and protagonist so of course i had to go BATSHIT FUCKING INSANE. here's my first pass stay tuned for more bc this is like a 5 week assignment
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kennyomegasweave · 3 months
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Ming DID NOT put on that cunty blazer just to lose Joe.
His mom and Tong should have known he wasn't going to go down without a fight as soon as they saw him show up in the Hillary Clinton. Man meant BUSINESS with that.
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"Madame Delait pruning roses"
She was a French bearded lady from Thaon-les-Vosges, Lorraine region of eastern France. She run a local pub with her husband in the town and used to shave regularly until 1900.
In 1901, she visited the carnival of Nancy with her husband and saw a bearded woman there. Upon returning to the town, one of the regulars in the pub offered her 500 Francs (roughly 5k USD in today's money) if she let her beard grow. Even though she never get the money, she kept the beard and renamed the pub to Le Café de La Femme à Barbe, "The café of the Bearded Woman".
She became a kind of celebrity, by selling postcards and photographs (in relatively feminine settings at the beginning, later she even got a special permission from the authorities to wear men's clothes at her leisure, which was illegal at the time). She also toured in Europe and became even more famous during WW1 when she joined the Red-Cross and became the mascot of the Poilu (French infantrymen with lower class background).
French vintage postcard, mailed in 1937 to Paris
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cinnamonsikwate · 8 months
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"why couldn't shuro have just been honest about what he felt with laios and falin it's not that hard" are you. are you White
#dungeon meshi#shuro#toshiro nakamoto#look you can hate him for other things but this is very clearly a case of cultures (& personalities influenced by these cultures) clashing#shuro is japanese/east asian-coded and laios is european white boy#i am not japanese but i also come from a collectivistic society#pakikisama is a filipino value both prized and abhorred#it relies heavily on being able to read social cues and prior knowledge of societal norms#shuro being from a different country/culture is important to his character#his repressed nature is meant to contrast with laios' open one like that's the point#they both had similar upbringings but different coping mechanisms#shuro explicitly admits that he's jealous of laios being able to live life sincerely#anyway the point is they were operating on different expectations entirely and neither had healthy enough communication skills#to hash things out before they got too bad#re his attraction to falin i personally believe he unfortunately mpdg-ed her#she represented something new & different. a fresh drink of water for his parched repressed self#alas not meant to be#i'll be honest the way ryoko kui handles both fantasy & regular racism in dm is more miss than hit for me#i don't doubt that a lot of the shuro hate is based off of marcille's pov of him#marcille famously racist 😭#characters' racist views don't often get (too) challenged#practically everyone is casually racist at some point#anyway. again if you're gonna hate shuro at least hate him for being complicit in human trafficking & slavery#he couldn't help falling for the wrong woman goddamn 😭#calemonsito notes#edit: upon further reflection i take back what i said about toshiro mpdg-ing falin!#i'm sorry toshiro 😭
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