#5 things I like to write about

[wibzenadarksiderwithasoftheart]

5 things I like to write about

I was tagged by both @prahacat and @cocotter, thank you both for that 💜.

This is an excellent exercise.

Hmm 🤔 five things I like to write about, 😅 honestly it feels a bit like I'm all over the place with what I like.

I like to write fix it stories. There's just something about fixing what goes so horribly wrong in canon, and there are just so many moments where a small adjustment can change the course of the whole story. It's always a joy to tweak these small and big details and shift the course of the story, it's like a game… plus it gives me the chance to save them all (damn my soft heart)

But the second thing I enjoy to write is major character death (just to totally contradict myself). I just love killing my characters, especially Obi-Wan and Anakin, and maybe it's best not to think about why that might be 🤷. However, there does seem to be a pattern to it when my murderous muse strikes. Something about how sometimes death is preferable to living in suffering or without the ones you love… Oh well, I always make sure to give a warning when I kill.

Thirdly, I always enjoy writing atmusphere, especially nature descriptions. It's just pure pleasure to succeed with a good description, preferably infused with metaphors of various kinds. It's an art form and one that I enjoy both creating and reading (looking at you @prahacat who is a master of long, marvelous, beautiful and amazing descriptions packed with metaphors and symbolism).

Hmm a fourth thing I enjoy working with is short stories. The ones where I leave my readers (and often myself) wondering how it got to that point, what happens after and what's going on? These small, often ambiguous stories are one of my greatest writing joys 😄

And last but not least, I love writing threesomes. It's just and will always be a very, not particularly guilty pleasure. I know exactly why I enjoy this, as the reason is both personal, complicated, but also simple. I enjoy letting more than two characters find joy together, there's just something appealing about this dynamic between three individual characters that never ceases to fascinate me.

I think that was five things.

I will tag @underacalicosky @palfriendpatine66 @piecesofeden11 @barmadumet @grapenehifics @willameena @amadwinter and @heretolurkandnothingmore , no pressure of course.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[buddie-buddie]

“So,” Buck says, blinking up at Tommy. He still hasn’t gotten over how good that feels– looking up at his partner. Being with someone whose warm, protective hand settles on the small of his back and nearly spans the distance between his hips. Someone whose big, strong arms envelop him when they hug, someone who can tuck Buck into his chest almost effortlessly. Someone who makes him feel grounded, protected, safe. In more ways than one.

“So,” Tommy returns the word, accompanying it with a warm smile, the kind that reaches all the way to his eyes and makes them sparkle as he looks down at Buck. 

“You met my parents,” Buck says with a laugh, because really– how could he not? It’s a little ridiculous, now that he’s saying it out loud. “On our third date.”

Tommy nods, leaning against the wall outside of Buck’s front door. “Mhmmm,” he hums, watching Buck with a fond smile as he fumbles for his keys. “Sure did.”

It takes a minute, but Buck finally manages to get his keys out of his pocket and into the lock. Tommy is nothing but patience and fondness, watching him with a sparkle in his eye that makes Buck feel warm all over. When he finally gets the door open, Buck’s chest swells as Tommy’s big hand comes out to hold the door open for him, nodding for him to head inside first. 

That’s a first. Buck’s stomach flips, a warm, pleasant feeling skating across his skin as he pulls his key from the lock and steps inside. It’s the same feeling he had on their first date when Tommy pulled out his chair before he sat down. The same one he had the first time Tommy texted him Be safe at the start of a shift. 

A smile tugs at his lips as Tommy follows him into his apartment and the door clicks shut behind him. There’s something so simple about it, something so mundane and normal and domestic that it makes Buck’s head spin and his heart pound against his ribcage in the very best way. He wants this again. And again, and again, and again. Wants to come home with Tommy. Come home to Tommy. Wants the door to close behind them, wants to leave the world outside and exist only in this world here, in the one with the warm glow of the kitchen lights casting shadows on Tommy’s face as he toes his shoes off beneath the bike that hangs on Buck’s wall. The one where he pulls two beers out of the fridge and sets them on the counter, and Tommy opens them wordlessly, the silence comfortable as it stretches between them. The one where the necks of their bottles clink and their knuckles brush and Buck’s skin hums and his heart sings from just one small taste of Tommy’s skin against his. 

Buck’s the one to break the easy, comfortable silence. He does it with a small laugh, just shy of a giggle, as he thinks back to the look on his mother’s face when he walked into Chim’s hospital room with Tommy by his side and she connected the dots. “You were covered in soot.”

“Wasn’t the only one,” Tommy points out, grinning against the lip of his beer bottle as he takes another sip.

keep reading on ao3

[rubykew]

this is so fun! i'm gonna do this!

5 Things I Like Writing About

Awkward and bitter main characters

Angst that kills my friends

Fantasy and futuristic settings

Found family

Callbacks in stories to prior events

i'm gonna tag @birchtreecat and of course anyone else who sees this and wants to chime in as well!

Thanks for the tag @elsie-writes!

5 Things I Like Writing About

Bitchy characters

Dnd-esque magic

Waterside trade cities

Characters with close platonic bonds

Milf villains

I'll tag @echowritesstuff @writingwithfolklore @bargainbincheese @bard-coded and anyone else who wants in :)

[mortalstrife]

Animals! Brutal! They deserve no mercy. Strike them down! Follow them to their base and kill them, all of them!🔺I did not realize similarity was required for the exercise of compassion. They are afraid. We wish only to do what we can.

minvember prompt 3: crowd

[rondoel]

Looked into my folder and there was so much of them! 😭

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[tea-tuesday]

currently doing peachtober for the first time in my hobonichi 5-year🍑 !! i've never been much of an artist but this is my best attempt.. i haven't done today's entry yet but yesterday, i went into the city to trim my bangs and explore union market 📚☕️

[jojo-schmo]

The 24 Character Strengths are awesome references when writing characters!!

I've found this website to be extremely helpful and cool while fleshing out my characters' personalities and motivations.

Even if I only have basic personality traits for a character, exploring strengths that I feel fits them and reading their descriptions is fantastic for inspiration!! It really helps narrow down the basic ideals I imagine a character would believe in, and then I can get more specific from there. It's a great guide to springboard off of!

Each strength is sorted into one of six virtues. Starting with a broad virtue, for example "justice," and honing that down into the strengths of "fairness," "leadership," or "teamwork" makes writing them really fun!

Here's an example of the "fairness" strength description! Lots of detail and tangible qualities describing it!

Of course there are infinite ways to interpret a character strength, just like in real life. And people aren't always black and white and follow a strength 100% of the time. But it's been extremely helpful to see specific traits being described in so much detail, and imagining different scenarios that a character would react in. It's like I can understand them a bit more and think a little like them, especially if their trait isn't one of my personal strengths. :3

But I also recommend taking the actual personality test for yourself! I took it years ago and it was really cool to put a name to some of my strengths and see how detailed this descriptions were. And when my friends and I shared our results, I felt like we understood each other just a little more. :)

Just thought I'd share this reference that's been helping me lately :D

[danandfuckingjonlmao]

whenever dan and phil say words i remember misha collins coming out as straight and think, maybe if we’re really good, that could be dnp too 🙏

[autisticaradiamegido]

day 39

a redraw from a couple years back that was originally a redraw from 2014 so thats a FULL DECADE OF PROGRESS, BABEY!!

[ywpd-translations]

Ride 787: The back that was pushed!!

Pag 1

1: Packed with the passion of everyone in Sohoku... a full throttle injection of will-power!!

Pag 2

1: Iitsuka-san!!

Goo Fukuoka!!

Oh, Tomaribata!!

Fukuoka, take the mountain!!

2: What about Hakogaku's Manami!?

3: Don't worry about him. He did catch up to me but then suddenly stopped

When I shouted at him, he closed his eyes and fell silent!!

4: Is it because he found out that Iitsuka-san is Fukuoka Josei's “mountain shogun”?

Yeah, probably!!

Amazing!!

5: Let's take the lead now!!

Ahead there's also Fujiwara-san from the Kyuushu team Kumadai!!

6: But anyway for a moment I was so scared....

Pag 3

1: When Hakogaku sent ahead their ace Manami!!

2: I can hear it

4: The first day's mountain prize!! Let's take it, at our hometown's Inter High!!

5: Wait....!!

6: “The sound of wheels”? “He's catching up”?

Could it be that Manami is waiting for someone?

Pag 4

1: And that's why he slowed down....!?

2: Raise your pace, Tomaribata!!

4: We're still at the start of the mountain, if we use up our legs here....

It's fine, we'll establish a good distance now

Huh!? But

Think, idiot!! If you think about it, you'll get it!! The person Manami slowed his legs down to wait for....

Pag 5

1: It's Sohoku's “Mountain King”!!

Pag 8

1: Mountain King!!

2: Fo-fo-for the first day's mountain!?

Why even the Mountain King, even the Mountain King!!

I don't know!! I don't know but that doesn't change the reality!!

3: Last year so many times we couldn't race each other

So I thought that maybe this year too...

4: What do I do if he doesn't come, I thought....

5: I was scared

6: For a while I couldn't even open my eyes

Pag 9

2: I caught up

4: Thank god it's real!!

Pag 10

1: You came, Sakamichi-kun

Yeah!! Manami-kun!!

Pag 11

1: Can we race?

2: Yes!!

Pag 12

3: Everyone in the team pushed my back!!

Pag 13

1: Onoda-kun!!

2: He should have caught up with Manami around now!!

3: Onoda-san!!

4: Hahaha!!

5: Back-gate slope-senpai!!

6: At full throttle!!

At full throttle!!

Run!!

Please run!!

Pag 14

1: Nghh...!!

2: “Nghhh” it's right!!

3: Ahaha

Hahaha

They're suddenly laughing, let's raise our pace!!

Yes!!

4: It was during your training camp on our first year

5: When we raced for the first time

6: I remember I was so excited when I heard that our names were “Sakamichi” and “Sangaku”

It's the perfect combo!!

Pag 15

1: I was surprised you didn't even have your feet fastening on

We stopped at the summer house and talked

2: We were so free back then!!

We didn't have any responsibility, not teams nor jerseys!!

3: Ahaha

4: When you're in second and third year the things you have to do increases so much....

5: I'd throw this “captain” title away anytime!!

Hahaha I get it, it's difficult for me too

Pag 16

1: If someone on my team heard that they would get angry

Doubashi-kun especially would get angry!!

Sounds scary...

4: You're wearing the number “3”

Ah, yeah, uhm, we talked with everyone on the team

Huh.... on official races the winner of the previous year should wear the number “1”

5: I see, leave it to me then

I'll push through, hahaha!!

Thank you!!

Is.. is that alright?

Waa, Pierre-sensei is so reliable!!

6: Your teacher....!!

Then...

7: Yeah, “3” like Makishima-san's “173”

Pag 17

1: I'm also wearing Toudou-san's number “13”

2: “Sleeping beauty”!!

Kuah!! Toudou!!

Pag 18

1: That day, the first day of the Inter High two years ago

2: While we were pulling the team, I imagined those two fighting for the mountain prize....

3: I'm sure they must be having fun

Fighting until you're empty

It can't not be fun!!

4: We can't go right now, but let's do it

A fight until the last drop, until our limits!!

Yeah!!

5: We promised to race

Today may be the day to truly make that wish....

Pag 19

1: come true!!

Pag 20

1: Our third year, the last Inter High

2: The first day.... a fight to compete only for the colored bib

3: The purity of this race is infinitely high!!

4: Yeah!!

Pag 21

5: Let's do it, Manami-kun!!

Pag 22

2: I've been waiting to hear those words!!

[luck-of-the-drawings]

my TWO FAVORITE THINGS IN THE WORLD, VAMPIRES N COWBOYS... deacon keller is SUCH a fun character, hes charming and funny but ALSO formidable and STRONG when he feels he needsta be. i hope him and arthur can get a chance to talk more and be better friends. l ike really good friend s. . like. like really good f. hangon i gotta go i think i hauve rabies.

[felix-lupin]

In Coraline, there’s a recurring theme with names and identity, and I personally don't think it's talked about enough. 

(As a note, this is dealing largely with the book, not the movie, although there are some hints of this theme in the movie as well)

Coraline’s neighbors constantly get her name wrong, calling her “Caroline” and not “Coraline”, to which she persistently corrects them. Despite her attempts, they never get it right, until chapter 10, in which Mr Bobo (Mr Bobinsky) finally gets it right.

"It's Coraline, Mister Bobo," said Coraline. "Not Caroline. Coraline." "Coraline," said Mr Bobo, repeating her name to himself with wonderment and respect. "Very good, Coraline."

It should be noted that, until this chapter, Coraline did not know Mr Bobo’s name either. In fact, it had never even occurred to her that he had a name. Up until then, she had just been thinking of him as “the crazy old man upstairs”, not as a person with a name. This moment, with her learning his name and him getting her name right, is a moment of genuine understanding and connection between the two, humanizing them both to each other.

Coraline’s other neighbors get her name wrong, which is representative of them not listening when she says anything, really, such as her telling Miss Spink and Forcible that her parents are missing and them literally not even acknowledging it at all??

"How are your dear mother and father?" asked Miss Spink. "Missing," said Coraline. "I haven't seen either of them since yesterday. I'm on my own. I think I've probably become a single child family." "Tell your mother that we found the Glasgow Empire press clippings we were telling her about. She seemed very interested when Miriam mentioned them to her." "She's vanished under mysterious circumstances," said Coraline, "and I believe my father has as well." "I'm afraid we'll be out all day tomorrow, Caroline lovely," said Miss Forcible. "We'll be staying with April's niece in Royal Tunbridge Wells."

Mr Bobo gets her name right after being corrected (only after being corrected alongside her using his name, mind you, showcasing her making an effort to listen to and understand him as well), which is representative of him actually making an attempt to listen and understand her. This point is further illustrated by a conversation Coraline had with the Other Mr Bobo in chapter 10.

As Coraline entered he began to talk. "Nothing's changed, little girl," he said, his voice sounding like the noise dry leaves make as they rustle across a pavement. "And what if you do everything you swore you would? What then? Nothing's changed. You'll go home. You'll be bored. You'll be ignored. No one will listen to you, not really listen to you. You're too clever and too quiet for them to understand. They don't even get your name right."

He equates those in the real world not getting Coraline’s name right with them not listening to her, and fundamentally not understanding who she is. So, somebody getting her name right, then, shows them actually listening to her, and being willing to understand who she is.

The mice in the real world know more than they should be able to know, and they also get Coraline’s name right.

"The message is this. Don't go through the door." He paused. "Does that mean anything to you?" "No," said Coraline. The old man shrugged. "They are funny, the mice. They get things wrong. They got your name wrong, you know. They kept saying Coraline. Not Caroline. Not Caroline at all."

They seem to know about the other world, somehow, on some level, and the dangers it presents. Them getting her name right represents them knowing more than they should know, more than they are told. Animals in general seem to have this type of quality in Coraline, actually.

The cat does not have a name. It says so in chapter 4, that cats do not need names. It says that this is because cats know who they are. But humans need names, because they do not.

"Please. What's your name?" Coraline asked the cat. "Look, I'm Coraline. OK?" The cat yawned softly, carefully, revealing a mouth and tongue of astounding pinkness. "Cats don't have names," it said. "No?" said Coraline. "No," said the cat. "Now, you people have names. That's because you don't know who you are. We know who we are, so we don't need names."

The cat shook its head. "No," it said. "I'm not the other anything. I'm me." It tipped its head on one side; green eyes glinted. "You people are spread all over the place. Cats, on the other hand, keep ourselves together. If you see what I mean."

This shows that, in humans, names are connected to our identities and who we are. Names are used to individualize and distinguish ourselves from each other. But cats do not need names to recognize each other, or be recognized.

"Oh. It's you," she said to the black cat. "See?" said the cat. "It wasn't so hard recognising me, was it? Even without names."

With or without names, it is still the same cat.

During the Other Miss Spink and Forcible’s performance, in chapter 4, they begin quoting Shakespeare. The specific quotes that they use are interesting to me when looked at under this lens of the importance of names, especially Miss Forcible’s.

"What's in a name?" asked Miss Forcible. "That which we call a rose by any other name would smell as sweet."

"I know not how to tell thee who I am," said Miss Spink to Miss Forcible.

Now, of course, this is just them quoting Shakespeare. But. Why these quotes specifically? They’re at the very least notable when discussing Coraline’s recurring theme of names. Especially the quote about the rose. It makes me think of what the cat said earlier, about how cats are sure of who they are so they don’t need names, about how Coraline didn’t need the cat’s name to be able to recognize it for who/what it was.

But, of course, this does not apply for humans. We need our names to be able to know ourselves, to be able to tell others who they are.

In chapter 6, Coraline wakes up and is disoriented. This disorientation is compared to the feeling one might experience upon being suddenly pulled out of a daydream. In this comparison, forgetting one’s name is equated with forgetting who one is and where one is.

Sometimes Coraline would forget who she was while she was daydreaming that she was exploring the Arctic, or the Amazon rainforest, or darkest Africa, and it was not until someone tapped her on the shoulder or said her name that Coraline would come back from a million miles away with a start, and all in the fraction of a second have to remember who she was, and what her name was, and that she was even there at all. Now there was the sun on her face, and she was Coraline Jones. Yes.

The ghost children have also forgotten their names, and with it most of who they were. In chapter 7, when Coraline is locked behind the mirror in the Other World, one of the ghost children says that names are the first things that one forgets after death.

"Who are you?" whispered Coraline. "Names, names, names," said another voice, all faraway and lost. "The names are the first thing to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names. I still keep pictures in my mind of my governess on some May morning, carrying my hoop and stick, and the morning sun behind her, and all the tulips bobbing in the breeze. But I have forgotten the name of my governess, and of the tulips too." "I don't think tulips have names," said Coraline. "They're just tulips." "Perhaps," said the voice sadly. "But I have always thought that these tulips must have had names. They were red, and orange-and-red, and red-and-orange-and-yellow, like the embers in the nursery fire of a winter's evening. I remember them."

The ghost children may have their memories, but they have largely forgotten who they were. They may remember their tulips, and certain strong memories, but there is very, very little left of them, and they have forgotten who they once were, they have forgotten their names.

"That is why we could not leave here, when we died. She kept us, and she fed on us, until now we're nothing left of ourselves, only snakeskins and spider-husks. Find our secret hearts, young mistress."

"She will take your life and all you are and all you care'st for, and she will leave you with nothing but mist and fog. She'll take your joy. And one day you'll awake and your heart and soul will have gone. A husk you'll be, a wisp you'll be, and a thing no more than a dream on waking, or a memory of something forgotten."

The Other Mother stole their hearts and their souls and their selves. She stole who they were away from them, their identities and names and the names of those they loved, leaving nothing in her wake.

The same ghost that talked about the tulips and the names of the tulips struggles to answer when Coraline asks their gender, as well, and when they do eventually give an answer they seem somewhat unsure of it, as shown by the word choice of “perhaps” and “I believe”

"A boy, perhaps, then," continued the one whose hand she was holding. "I believe I was once a boy." And it glowed a little more brightly in the darkness of the room behind the mirror.

(I personally take this quote, specifically it "glow[ing] a little more brightly" after coming to this conclusion, to mean either that the ghost is happy at realizing that he was once a boy, or even to mean that he has become somewhat more tangible upon this realization; upon remembering something about his self, and his identity.)

As an aside, it's noteworthy to me that we never learn the Other Mother’s true name. She is simply “The Other Mother” and “The Beldam.” Never is an actual name applied to her, only titles. We do not truly know who, or what, she is. Beings without names are shrouded in mystery (or should i say mist-ery). The ghost children are benevolent mysterious beings, the cat is an ambivalent-leaning-helpful mysterious being, and the other mother is a distinctly malevolent mysterious being.

"Who are you?" asked Coraline. "I'm your other mother," said the woman.

"She?" "The one who says she's your other mother," said the cat. "What is she?" asked Coraline. The cat did not answer, just padded through the pale mist beside Coraline.

But in conclusion, names in Coraline are extremely important. I’m sure there’s probably more that I'm missing, and feel free to add onto this, but basically—

People need names to know and remember who they are, and forgetting one’s name is the first step to losing the rest of who one is. Names humanize a person; with a name, they are less shrouded in mystery, more clear.

Knowing somebody's name helps one connect to and better understand that person; it is the first step in getting to know them and see them as a full person, the transition from “the crazy man upstairs” to “Mr Bobo”. Names, to people at least, are one of the fundamental building blocks of who we are.

[angy-grrr]

SJ's internal changes (I recall it was the editor in chief, someone really influential) happening JUST at the same time it was announced the epilogue would be 5 chapters (same week) + the ending not bringing up huge plot points (where the other villains are, why theres no actual Himiko corpse and instead we got Ochako's grief over that assumption, what happened to Dabi, what was the All Might vestige, why the bkdk handhold was off screen when its a big deal for them, who is Deku's dad, etc), letting them linger in the air while trying to make an okay ending + that strange two week break because of "schedule conflicts" + choosing to end BNHA under even more pressure even tho its one of the most important manga in SJ + Horikoshi talking about the ending days after the official release and bringing up how grateful he is for being able to work in SJ, as in past tense (like he is grateful he worked here, but isnt happening again; I say this bc I expected him to say something around the lines of "I hope im able to create something good here again soon!", considering we already know he has another manga project, if I remember correctly)

Thinking about it.

Thinking about how he could let it as it is, or try to pick it up and confirm the things that do matter to his story.

Btw, im not talking about the handhold as a shipper -it was genuinely important for them, as it symbolizes both their new mutual understanding and an acceptance as the new All Might duo thanks to their respective heroisms. It wouldn't be weird to add it in the epilogue, especially considering so many characters hold hands in non romanitc ways, so to choose not to when its arguably the most important one... Idk, it felt really weird as it was the only thing I was sure would get sooner or later.