#4.14 i do

[datshitrandom]

Darren Criss as Blaine Anderson | 4.14 " I Do" | Wardrobe Photos

[pentacentric]

Another thing that just adds to the madness of Sex and Violence is that Jim Parrack, who plays Nick, is the same height as Jared at 6' 4".

I mean, come on. Everything about this episode is so, so (deliciously) deliberate.

[scoobydoodean]

WHY SHOULD HE

[bpdpenguin]

i really don't know how i feel about the writing for oswald in s4

[aashiqeddiediaz]

CHRISTOPHER DIAZ + wanting to talk to his parents

[Image ID: six gifs of Christopher Diaz from 9-1-1 episodes 4.14, 6.11, and 6.15:

GIF 1: Christopher standing at the edge of the couch, asking Buck, "Can I talk to my dad now?"

GIF 2: Buck checking his phone, looking towards Christopher hesitantly as he says, "Um...Um, n-not yet."

GIF 3: Chris standing at Buck's bedside, leaning over him as he asks Hen, "Can he hear me?" Buck is hooked up to multiple machines.

GIF 4: Hen, teary-eyed, eyes fixed on Buck, says, "I bet he can."

GIF 5: Christopher and Eddie sitting at Shannon's grave, facing her gravestone. Christopher asks Eddie, "Dad? Do you think she can hear us when we talk to her?"

GIF 6: Eddie nodding as he says firmly, warmly, "Absolutely. That's why we come here." There's an edge of melancholy to his words and expression as he blinks, turning his head slightly in Christopher's direction.

/end ID]

[lover-of-mine]

Hi, I put this anonymous so it would let me ask from my 911 account instead of my main account. I wanted to ask a question about your yellow and blue color code post.

"They're also in the wrong colors during the will reveal, which is interesting if they follow through it this particular symbolism the way I'm expecting them to."

Do you think the colors are wrong or connected in any way with the original intention of bringing both Eddie and Buck out of the closet post 4.13 and 4.14? Further, do you think that they also originally intended Eddie to come out first in season 7 may have played a role in the wrong colors?

Asking from @justchillandshipit

link to the meta in question

Hi, darling! Yes for the first one, not exactly for the second one. They have been playing with Buck and Eddie and blue and yellow in the background since under pressure, so the will reveal is deliberately blue and yellow and I believe it is because of the romantic connotations surrounding the aborted love confession that conversation is.

I was actually thinking about making a post about this, so thank you, because during the will reveal Buck is in a yellow that's close to the shade I expect Eddie to reach. They are basically the same color.

That's not true for the blue, but I believe that the choice to make Buck's blue closer to the color of Oliver's eyes to make that particular shot as harmonic as it is affected the shade and made it a bit more teal than expected, because it is close to the blue Buck is wearing during 706, that is the second part of Buck's coming out.

So I believe they are intentionally switched during the will reveal, because while that is a major movement, it's not the climax of the situation, is the setup. They aren't really saying what they need to get together. So I think the plan has always been Buck as blue and Eddie as yellow.

I also think that because Buck in general is a lot more blue than Eddie, so the color feels a lot more natural on Buck than it does on Eddie. There's also the way that they use that burnt yellow color with Buck. Especially the therapy connotations, I feel like it was supposed to be used as a discovery color, but not as the destination color, so Buck would reach the blue anyway, just through a different route.

And if we consider the locker room scene as something that stayed the way they intended when the plan was for Eddie to come out first, they could've made Buck yellow anyway, because the way they used the sun on Eddie could've easily been done with Buck, and he's already yellow in this context, they could've just kept building on it. They decided against it, and I think it's because that was never something they wanted to go that way.

But actually my major proof here, is actually the couch theory dinner in 601. Because assuming a bunch of things, including that they knew s6 was gonna be their last season with fox, and that they were gonna try and force fox to let them get them together before the show ended and they changed plans once abc bought the show and gave them the space to do it with the full glory, I feel like Buck's blueish grey and Eddie's yellowish cream are on purpose and the base of the beginning of the color theory with them, especially because all signs of the couch pointed to Eddie.

I feel like if they were allowed to do what they wanted with s6 with the threat of cancelation but without someone on fox telling them they couldn't, buddie would move to the brighter color together, since there would be no time for them to do two separate queer arcs. In this world, the lighting actually triggers something, and they get together during the s6 finale, which would be the series finale, bringing the conclusion to this conversation during the closing arc.

But the switch to abc allowed them to expand on that more, and now we are here. I think the colors are supposed to be switched while they are on the wrong path, and that was always the plan.

taglist (interact with this post if you wanna be tagged, or send me a message, just let me know):

@sparkedblaze @hermioneindisguise @eddiedisasterdiaz @mosaicstardust @stagefoureddiediaz @kejfeblintz @glasscities @angelcamael @sparkedblaze @caw-salem @dreamofsomepiphany @100ceruleaneyes @linus-lucy @chaosqueery @gina-spike @chimchiminie98 @elvensorceress @dangerpronebuddie @ijustdontlikepeople @182daysof @steadfastsaturnsrings @sparklespiff @inell @joshwritesfics @lunarsolar1 @dingdongfries @wolfdeans @jesuisici33 @miles--to--go @hopefuldreamers-world

[corporalicent]

2.22 "New York" | 4.14 "I Do"

[aliusfrater]

god i'm thinking about the fact that sera wrote the 4.09 samruby sex scene as intentional self-mutilation again. he doesn't want it and he's aware of this. he knows it's coercive and he knows what kind of power ruby holds in their relationship. he avoids talking about it in 4.14 when the siren asks sam and dean to get their shit off their chests. he emotionally compartmentalises too close to the fucking sun about her because there was a purpose. 4.09, "what are you doing? / no, that is anything but okay! / what's wrong? where do i start? / what are you doing?" / "what she said to me... it's what you would've said. if it wasn't for her, i wouldn't be here." 4.16, "you think i wanna do this? this is the last thing I—" 4.18, "no. that's not true." sam and ruby are both icarus with their wings falling apart in that chapel and they don't even know it yet. they both fall in some metaphorical semblance of the term in that threesome framed death scene

[soft-pine]

spn20rewatch: 1.10 asylum // cn domestic violence

once again, it's sam that's looking for john. he's calling john's friends and colleagues. he suggests calling the Feds to help find john. dean pushes back saying, accurately, that john would hate that.

then john texts dean's phone - a new case. dean is somewhat relieved by this; john is alive and okay enough to give them homework. sam is, understandably pissed.

the case - cop murders his wife then himself - takes them to a bar in illinois where they stage a scene so sam can talk to the cop's old police partner. in the scene, dean plays a reporter badgering for details. sam plays the local hero - pushing dean away from the table and buying the cop a beer.

but he pushes dean hard enough that dean is clearly taken aback and even comments on it later.

DEAN: Shoved me kinda hard in there, buddy boy. SAM: I had to sell it, didn't I? It's method acting.

the episode ends with sam getting controlled by evil dr ellicott. his anger takes over. he shoots dean with rock salt. he would have shot him with live ammo if the gun dean handed him hadn't been empty. it's not the last time spn will have an episode where someone's anger gets magnified and intensified by supernatural forces. 4.14 and 8.06 come to mind.

but i think it's interesting that not only sam's anger - but the violence - were present before ellicott ever got his hands on sam. people have a view, i think, in which dean's more often aggressor in their physical altercations. (it's not true, of course. they're much more evenly split than that). but i think it speaks to the toxic family and culture they were raised in that violence shows up in these ways.

and i think sam is genuinely frustrated with dean for not having as much enthusiasm in searching for john. sam is upset dean is just working the cases john sends. but sam is also clearly mad at john. i mean, 1.20 makes it very clear that sam does not accept the "need to know" basis john has been forcing on them. in 1.02 sam is furious when john doesn't turn out to be in black water ridge and wants to abandon the case.

so sam's mad at dean and mad at john but john's not here.

it reminds me of the scene in 1.20 where john conversely angry with sam for not just taking him at his word and instead pushing back. but he expresses it by telling dean that he's not doing a good enough job taking care of baby.

dean is there to absorb (and try to diffuse) the anger john and sam have for each other.

but critically, dean is also dealing with a huge amount emotional uncertainty about john this season. we know john's left them before - and for long periods. but the pilot makes very clear that this time john has been gone and out of communication longer than normal. once dean's realizes that john is probably okay, he's just left to wonder what john's motivation is for not being in contact. season 14 will tell us that one of john's punishments is distance and silence.

i wonder if that's what dean's thinking about and feeling now. in the last episode, he called john crying to ask for help. in this one - with no check-in or follow up that dean is aware of - john texts him his next job.

when sam's being affected by ellicott, he says "I mean, why are we even here? ’Cause you're following Dad's orders like a good little solider? Because you always do what he says without question? Are you that desperate for his approval?"

but it's something much more basic than approval that dean is maybe hoping for. and i think he is worried that sam's insistence on not working cases in order to find a john who does not want to be found is going to jeopardize even the small contact he's receiving. of course dean doesn't know john is aware sam is with him. so any time they take away from working the cases john sends, could be read by john as only dean's actions. and, like we see in 1.20, even if it's not dean's actions, he could still face the consequences. and dean knows he's never gotten anything from john by demanding it.

i know im kind of playing a lot of speculation games. but dean's emotional landscape in this season is so important to me. and i think the way his peacekeeper role comes into play and diminishes his ability to voice his own needs is crucial to unpack a bit.

[jgroffdaily]

Maria Friedman talking to Frank DiLella about casting Jonathan at 4.14:

“I searched for a while and Jonathan Groff’s name came up. I met him. He campaigned for the part. He could do the initial New York Theatre Workshop and then we were going to have to wait. When Jonathan stands on stage he brings this heart, humanity, intelligence, openness, curiosity, drive… I was like, ‘I’ll wait. I’ll wait for you. I want you so badly.”

[best-nun-tournament]

Round 1, Match 28

Sam and Dean Winchester (Supernatural) vs John Wilkes and Edwin Booth (US history)

Propaganda under break. Spoilers for Supernatural

Sam and Dean Winchester

Unlicensed and unregistered guns/vigilante justice

---------

they try to kill each other SO many times. well maybe not that often but more often that is emotionally healthy for both of them. dean tries to kill sam (4.14, 8.06, 10.03, 10.23) and sam tries to kill dean (4.14).

in s10 dean has this really shitty curse that basically makes him really violent and want to kill people. however he also wants to just try to deal with it instead of trying to remove the curse because they know removing the curse would cause something really bad to happen. they don't know WHAT the bad thing is but they do know it would be devastating. anyways sam goes behind dean's back and gathers a bunch of other people to try and remove this curse even though dean doesn't want him to AND even though he knows it would cause terrible consequences. eventually sam does get the curse removed and surprise! the bad thing that happens is THE FUCKING APOCALYPSE. basically.

in s9 dean lets an angel possess sam - something he knows sam would never consent to under normal circumstances - in order to save his life and then, when sam finds out and gets mad about it, dean basically refuses to apologize. and then he just never gets around to apologizing about it or even showing regret about doing it.

in s4 sam lies to dean continuously and works with a demon behind dean's back, and he's also doing the supernatural equivalent of drugs that give him powers. when dean finds out about this he locks sam up in a panic room to suffer through his (very painful) withdrawal completely alone. also sam is having hallucinations of dean calling him a monster. and when another character says that he thinks they should let sam out because sam is at risk of dying, dean says "at least he dies human." later sam gets out of the panic room, dean catches up to him, and they have this huge fight where sam just beats dean up.

honorable mention: in between s7-s8 dean dies and goes to purgatory. the concept of purgatory is previously mostly unexplored on supernatural so sam doesn't really know that dean is in purgatory in the first place but also he just straight up does not bother looking for dean at all and just goes back to living a normal suburban life for a couple months. and then when dean gets back he is SO upset about this and resents sam for it for basically the whole season. (this is also one of the reasons he tries to kill sam.)

also they continually try to save each other, at the expense of themselves + each other + everyone around them. they also treat cas (cas!! my best girl cas!!) really shittily on multiple occasions just because he's in the way of their goals.

ALSO. very important. sam & dean are, respectively, the vessels of lucifer & michael (like the archangels) and essentially they are destined to each get possessed by lucifer/michael and kill each other in the apocalypse (the 1st apocalypse, not the 2nd).

all this propaganda might be a little bit biased in favor of sam because i'm a samgirl but you get the point. they think they're so normal but they are SO fucked up. they hurt themselves AND each other in the pursuit of trying to do what they each think is best and they never ever learn from it. i don't even ship wincest i just think they are so interestingly fucked up AND that's not even going into all the stuff about their childhoods / pre-canon

John Wilkes and Edwin Booth

They were actors which is fine. Except. Edwin was better and John was bitter. And the John assassinated the President while delivering a line well associated with Edwin's Brutus. Edwin (already on the outs with John) disowned his brother after that.

Poll Runner's Note: Also their brother Junius Brutus Booth Jr was arrested because of John Wilkes Booth shooting the president. And the three of them had just done Julius Caesar in 1864 (John Wilkes was Mark Antony and Junius was Crassus), the year before the assassination.

One of Junius' other famous roles was as King John, also in this tournament!

[dailyanarchistposts]

I.4.14 What about the person who will not work?

Anarchism is based on voluntary labour. If people do not desire to work then they cannot (must not) be forced to by means of physical coercion. This makes some wonder what happens if someone refuses to work in a libertarian society.

In terms of a mutualist or collectivist anarchy, this question is easy to answer for goods are distributed according to work done and so if people do not work then they are left dependent on the charity of those who do (exceptions for the young, old and ill would apply, of course).

So this question is directed towards communist-anarchists, with many people arguing that communism is impossible because people simply would not work unless they get paid. This ignores the many people who do volunteer work (often in addition to their “real jobs”). It also ignores those who spend their time contributing to projects they are interested in (such as fan journals) which would be considered work in other contexts. A classic example of this is the internet, particularly webpages like Wikipedia and software projects like php. Then there is the activity of the pro-capitalists themselves, often fanatical anti-communists (which they almost always equate to Stalinism), who spend their free time working on wikipedia, newsgroups, webpages and journals explaining how communism could not work because people would never voluntarily contribute to society! It is one of the great ironies of life that those who hate communism the most often, by their actions, prove its viability.

So, communist-anarchists argue, in a society based on self-managed work in pleasant surroundings and a reduction of the working week to a minimum, there would be few people who refuse to do any kind of productive activity. The question arises of what to do with those (a small minority, to be sure) who refuse to work.

On this question there is some disagreement. Some anarchists argue that the lazy should not be deprived of the means of life. Social pressure, they argue, would ensure those who take from, but do not contribute, to the community to listen to their conscience and start producing for the community that supports them. If this did not happen, then the person who refused to contribute would be asked to leave (freedom of association means the freedom not to associate). As Kropotkin argued;

“First of all, is it not evident that if a society, founded on the principle of free work, were really menaced by loafers, it could protect itself without the authoritarian organisation we have nowadays, and without having recourse to wagedom [i.e., payment by deeds]? “Let us take a group of volunteers, combining for some particular enterprise. Having its success at heart, they all work with a will, save one of the associates, who is frequently absent from his post … some day the comrade who imperils their enterprise will be told: ‘Friend, we should like to work with you; but as you are often absent from your post, and you do your work negligently, we must part. Go and find other comrades who will put up with your indifference!’ “This is so natural that it is practised everywhere, even nowadays, in all industries … [I]f [a worker] does his work badly, if he hinders his comrades by his laziness or other defects, if he is quarrelsome, there is an end of it; he is compelled to leave the workshop. “Authoritarians pretend that it is the almighty employer and his overseers who maintain regularity and quality of work in factories. In reality … it is the factory itself, the workmen [and women] who see to the good quality of the work.” [The Conquest of Bread, pp. 152–3]

Most anarchists agree with Camillo Berneri when he argued that anarchism should be based upon “no compulsion to work, but no duty towards those who do not want to work.” [“The Problem of Work”, pp. 59–82, Why Work?, Vernon Richards (ed.), p. 74] This means that an anarchist society will not continue to feed, clothe, house someone who can produce but refuses to. Anarchists have had enough of the wealthy under capitalism consuming but not producing and do not see why they should support a new group of parasites after the revolution.

Obviously, there is a difference between not wanting to work and being unable to work. The sick, children, the old, pregnant women and so on will be looked after in libertarian communism. As child rearing would be considered “work” along with other more obviously economic tasks, mothers and fathers will not have to leave their children unattended and work to make ends meet. Instead, consideration will be given to the needs of both parents and children as well as the creation of community nurseries and child care centres.

We have to stress here that an anarchist society will not deny anyone the means of life. This would violate the voluntary labour which is at the heart of all schools of anarchism. Unlike capitalism, the means of life will not be monopolised by any group — including the commune. This means that someone who does not wish to join a commune or who does not pull their weight within a commune and are expelled or choose to leave will have access to the means of making a living.

We stated that we stress this fact as many supporters of capitalism seem to be unable to understand this point (or prefer to ignore it and so misrepresent the anarchist position). In an anarchist society, no one will be forced to join a commune simply because they do not have access to the means of production and/or land required to work alone. Unlike capitalism, where access to these essentials of life is dependent on buying access to them from the capitalist class (and so, effectively, denied to the vast majority), an anarchist society will ensure that all have access and have a real choice between living in a commune and working independently. This access is based on the fundamental difference between possession and property — the commune possesses as much land as it needs, as do non-members. The resources used by them are subject to the usual possession rationale — they possess it only as long as they use it and cannot bar others using it if they do not (i.e., it is not property).

Thus an anarchist commune remains a voluntary association and ensures the end of all forms of domination. The member of the commune has the choice of working as part of a community, giving according to their abilities and taking according to their needs (or some other means of organising production and consumption such as equal income or receiving labour notes, and so on), or working independently and so free of communal benefits as well as any commitments (bar those associated with using communal resources such as roads and so on).

So, in most, if not all, anarchist communities, individuals have two options, either they can join a commune and work together as equals, or they can work as an individual or independent co-operative and exchange the product of their labour with others. If an individual joins a commune and does not carry their weight, even after their fellow workers ask them to, then that person will possibly be expelled and given enough land, tools or means of production to work alone. Of course, if a person is depressed, run down or otherwise finding it hard to join in communal responsibilities then their friends and fellow workers would do everything in their power to help and be flexible in their approach to the problem. What method a community would use would depend on what people in that community thought was best.

However, most social anarchists think that the problem of people trying not to work would be a very minor one in a free society. This is because productive activity is part of human life and an essential way to express oneself. With work being voluntary and self-managed, it will become like current day hobbies and many people work harder at their hobbies than they do at “real” work (this FAQ can be considered as an example of this!). How long this takes to organise fully is, of course, unknown but one of the most important tasks of a free society will be to ensure work is transformed and the burden of what remains is shared in order to reduce toil to a minimum.

It is the nature of employment under capitalism, the hierarchical nature of its workplace, that makes it “work” instead of pleasure. Work need not be a part of the day that we wish would end. It is not work that people hate. Rather it is over-work, in unpleasant circumstances and under the control of others that people hate. Reduce the hours of labour, improve the working conditions and place the work under self-management and work will stop being a hated thing. All these will help ensure that only an idiot would desire to work alone for, as Malatesta argued, the “individual who wished to supply his own material needs by working alone would be the slave of his labours.” [The Anarchist Revolution, p. 15]

So, enlightened self-interest would secure the voluntary labour and egalitarian distribution anarchists favour in the vast majority of the population. The parasitism associated with capitalism would be a thing of the past. Thus the problem of the “lazy” person fails to understand the nature of humanity nor the revolutionising effects of freedom on the nature and content of work.

[scoobydoodean]

You really just can't unsee it once you see it though, can you?

Sam starts blaming Dean for what he's going to do (work with Ruby) way back in 3.09 because Dean isn't going to be around to be Sam's mommy, which is going to force Sam's hand.

After Dean comes back, Sam actually blames Dean for him working with Ruby by saying Dean wasn't there to protect him (4.04).

Dean repeatedly begs Sam not to work with Ruby and is ignored repeatedly (3.03, 3.04, 3.09, 3.16, 4.01-4.04, 4.12-4.22).

After telling Dean to open up to him and trust him (4.08), Sam calls Dean weak and pathetic for being traumatized by hell and says Dean is holding him back and therefore deserves to be lied to because he can't be of use (4.14) Sam says it's not what he really thinks when they both know it is (and Sam repeats it to other characters in 4.16, and 4.18) and then he admits it's the truth again to Dean's face in 4.21.

Sam accuses Dean of not trusting him enough (4.21).

Bobby blows up at Dean for not supporting Sam enough and calls him a pansy after Sam strangled Dean near unconscious, and tells him family is supposed to make you miserable (4.22).

Dean tries to reach out to Sam and Zachariah and Cas actively prevent him from doing so (Cas only at first) (4.22)

Zachariah (5.01) and Cas (5.02) both tell Dean the apocalypse is his fault because Dean didn't reach Sam in time to stop him from killing Lilith.

Dean says Sam hurt him, Sam is the one Dean depended on the most and Sam hurt him in ways he can't even voice (5.01). Sam apologizes, but then in the very next episode, shoves Dean into a wall for not trusting him like Dean is crazy and irrational when Sam doesn't even trust himself (5.02).

Sam says he thinks they should go their separate ways and is shocked when Dean agrees easily. Dean says that he spends more time worrying about Sam than he does doing the job right and time apart would be good. Sam reiterates that he's sorry and Dean gently says he knows Sam is (5.02).

Cas asks Dean if he's okay even without his brother, and Dean says "Especially without my brother. I mean, I spent so much time worrying about the son of a bitch. I mean, I’ve had more fun with you in the past twenty-four hours than I’ve had with Sam in years, and you’re not that much fun. It’s funny, you know, I’ve been so chained to my family, but now that I’m alone, hell, I’m happy." (5.03)

Sam says he wants back in. Dean objects, on the basis that he thinks they're stronger apart. Dean says they're each other's weaknesses and it's being used against them (5.04, but the weakness line is repeated from 3.03 and 3.16).

Zachariah pushes Dean into a future 2014 where Dean never met up with Sam again, and as a result, Sam said "Yes" to Lucifer, and billions of people died. All because Dean didn't want to be around Sam after being hurt and never reconnected with him (5.04).

Dean reconnects with Sam (5.04) even though he clearly doesn't want to, because the first case we see them on again, Dean struggles to trust Sam and leaves to go drink alone because he doesn't want to be around Sam (5.05).

Sam says part of the reason he went off with Ruby was to get away from Dean, because Dean is smothering. Dean is the problem in the relationship, because Sam feels inferior compared to him. Dean apologizes for being too smothering (5.05).

What does all of this tell you? Dean can't win. Dean will always be the bad guy in the family. He loves too much, or he isn't loving enough. Sam needs him and Dean wasn't there for him and so Sam went down the wrong path, but also Dean is smothering and Dean being smothering is the reason Sam went down the wrong path. Sam is not a trustworthy person, but Dean doesn't trust him enough. Sam not being trustworthy is Dean's fault. Dean doesn't deserve trust, but Sam deserves Dean's trust no matter what and not giving Sam his trust is the worst possible thing in the entire world and also again makes him smothering. The apocalypse is Dean's fault. Every single thing Sam does every single mistake he might ever make in his life is always at least partly Dean's fault and Dean's responsibility.

[polivias]

A few years ago (*cough* at least a decade ago at this point), I made a proper "tags" page for this blog so people could look for specific Peter x Olivia things to their heart's content. But that was back when people mainly used their computers to go on tumblr, so I'm aware no one has seen the actual look/structure of this blog in a long time. So I created this pinned post with the tags to help you navigate this page :)

Peter x Olivia Tags

Touch and Comfort

Hugs

Kisses

Hands

Looks

With Etta

♥ (love)

Pain (literally, only painful stuff in this tag)

Past P/O events organized by this page

25 days of P/O

One Year Anniversary - The Little Show That Could

Wish Me Luck - A Story About Love

Back to the Start

Tags for each episode under the read-more!

SEASON 1

1.01 - Pilot

1.02 - The Same Old Story

1.03 - The Ghost Network

1.04 - The Arrival

1.05 - Power Hungry

1.06 - The Cure

1.07 - In Which We Meet Mr. Jones

1.08 - The Equation

1.09 - The Dreamscape

1.10 - Safe

1.11 - Bound

1.12 - The No-Brainer

1.13 - The Transformation

1.14 - Ability

1.15 - Inner Child

1.16 - Unleashed

1.17 - Bad Dreams

1.18 - Midnight

1.19 - The Road Not Taken

1.20 - There’s More Than One of Everything

BONUS EPISODE - Unearthed

SEASON 2

2.01 - A New Day in the Old Town

2.02 - Night of Desirable Objects

2.03 - Fracture

2.04 - Momentum Deferred

2.05 - Dream Logic

2.06 - Earthling

2.07 - Of Human Action

2.08 - August

2.09 - Snakehead

2.10 - Grey Matters  

2.11 - Johari Window

2.12 - What Lies Below

2.13 - The Bishop Revival

2.14 - Jacksonville

2.15 - Peter

2.16 - Olivia. In the Lab. With the Revolver

2.17 - White Tulip

2.18 - The Man from the Other Side

2.19 - Brown Betty

2.20 - Northwest Passage

2.21 - Over There (Part 1)

2.22 - Over There (Part 2)

SEASON 3

3.01 - Olivia

3.02 - The Box

3.03 - The Plateau

3.04 - Do Shapeshifters Dream of Electric Sheep?

3.05 - Amber 31422

3.06 - 6955 kHz

3.07 - The Abducted

3.08 - Entrada

3.09 - Marionette

3.10 - The Firefly

3.11 - Reciprocity 

3.12 - Concentrate and Ask Again

3.13 - Immortality

3.14 - 6B

3.15 - Subject 13

3.16 - Os

3.17 - Stowaway

3.18 - Bloodline

3.19 - Lysergic Acid Diethylamide

3.20 - 6:02 AM EST

3.21 - The Last Sam Weiss

3.22 - The Day We Died

SEASON 4

4.01 - Neither Here Nor There

4.02 - One Night in October

4.03 - Alone in the World

4.04 - Subject 9

4.05 - Novation

4.06 - And Those We’ve Left Behind

4.07 - Wallflower

4.08 - Back to Where You’ve Never Been

4.09 - Enemy of My Enemy

4.10 - Forced Perspective

4.11 - Making Angels

4.12 - Welcome to Westfield

4.13 - A Better Human Being

4.14 - The End of All Things

4.15 - A Short Story About Love

4.16 - Nothing As It Seems

4.17 - Everything in It’s Right Place

4.18 - The Consultant

4.19 - Letters of Transit

4.20 - Worlds Apart

4.21 - Brave New World (Part 1)

4.22 - Brave New World (Part 2)

SEASON 5

5.01 - Transilience Thought Unifier Model-11

5.02 - In Absentia

5.03 - The Recordist

5.04 - The Bullet That Saved The World

5.05 - An Origin Story

5.06 - Through the Looking Glass and What Walter Found There

5.07 - Five-Twenty-Ten

5.08 - The Human Kind

5.09 - Black Blotter

5.10 - Anomaly XB-6783746

5.11 - The Boy Must Live

5.12 - Liberty

5.13 - An Enemy of Fate

[aashiqeddiediaz]

BUDDIE + cliché romance tropes

(original poll)

(happy birthday @oneawkwardcookie <3 ily)

[Image ID: eight gifs of Buck and Eddie from 9-1-1. They are colored various hues, and overlaid on top is one post from a tumblr poll of cliché romance tropes.

GIF 1: Eddie and Buck standing across from each other in 3.03. Eddie watches Buck kindly while Buck looks over at Chris before shifting on his feet to meet Eddie's eyes. The gif is colored purple on Eddie's side, and yellow on Buck's. The poll text reads, "Symbolic pairs (Sun/Moon, Heaven/Earth, King/Queen, Fire/Ice, etc.). Overlaid on the purple side is a wallpaper with moon and stars, and on the orange side, various designs of suns

GIF 2: A blue-toned gif of Eddie wide-eyed in the truck in 4.14, asking Buck if he's hurt. There is orange-pink gradient text on the gif, reading "are you hurt?" and "no, no, no, I'm good." The poll text reads, "'Are you okay?' asked by the bruised and battered one/'Thank God you're okay'"

GIF 3: A rose-pink hued gif from 5.06. Eddie is blurred out, close to the camera, gaze fixed on Mitchell with his jaw tight and angry. Buck, in focus, has his hand hovering up after being struck, bleeding from the forehead as he turns towards Eddie, looking worried. The poll text reads, "'Who hurt you!?'/murderous rage upon finding the other beaten up (bonus if quiet)"

GIF 4: A sea-green colored gif of Buck and Eddie hugging as they make up in 3.06. Buck's head tucks against Eddie's shoulder happily. Overlaid are red hearts. The poll text reads, "Cool-down hug."

GIF 5: A purple gif of Eddie exasperatedly telling Buck that he's telling him about the legal guardianship because Buck believes it would be better if he'd been shot instead. Overlaid over the purple is faint repeating text with Eddie's dialogue from the scene, "Because, Evan, you came in here the other day and you said you thought it would have been better if it had been you who was shot. You act like you're expendable. But you're wrong." The poll text reads, "'You better not die on me'/Scolding the other for trying to sacrifice themself."

GIF 6: A red-toned gif, blended with Eddie gripping the rope in 4.05 to help lift the container off of Sal, and Buck digging at the ground in 3.15. There's text from multiple dialogues that read, "Buck can you hear me? / We gotta go dig. / Hang in there Buck / Eddie, Hang on! / Do more!" The poll text reads, "'I'll follow you into hell' but also 'don't go where i can't follow'"

GIF 7: A blue toned gif, two scenes - Buck in 6.12 sucking in a breath, head propped on a hand as he turns his gaze up at Eddie, telling him he doesn't know how he is; Eddie in 5.14, watching Charlie make the rounds on the horse, not believing he could have a hand in saving the kid's life. Overlaid the blue are multiple lightning strikes. The poll text reads, "Hurt/Comfort."

GIF 8: Eddie telling Buck he can have his back any day, blended with Buck telling him he could have his. On Eddie's side, the gif is pink, and on Buck's, a sea-green. The poll text reads, "'I've got your back'/battle couple/absolute trust"

/end ID]

[astorytotellyourfriends]

2023 fic roundup

(last year's post)

completed:

1.01 need to make you mine (chrissy/eddie, rated m, 4k)

Everybody knows about what happens when you kiss someone at midnight on New Year's Eve, but Eddie's not exactly in his right mind when he kisses Chrissy.

1.02 hold me like you'll never let me go (chrissy/eddie, rated e, 17.8k)

Having the middle seat on a long flight is never easy, but having a handsome stranger next to you certainly makes it better.

1.14 just say i do (chrissy/eddie, rated t, 2.8k)

The day Eddie proposes starts out like any other normal Thursday.

1.15 you can have more than one (chrissy/eddie/steve, rated e, 7.6k)

She could play it off, just say she was thinking about nothing at all or make up some random thing to tell them. Or she could tell the truth and maybe get what she's been wanting, been craving.

1.15 always have & i always will (chrissy/eddie, rated t, 1.7k)

Even on days when the fog lifts, when the grief doesn't weigh his bones down so much that just breathing takes a herculean effort, the pain remains. An ache he can't escape. A phantom limb that he wishes he could get back more than anything else in the world.

1.18 under control ('til you're in front of me) (chrissy/eddie, rated e, 8.1k)

The day they've both been waiting for is finally here.

1.29 in my defense (i have none) (chrissy/eddie, rated t, 6.6k)

Lucas and Dustin hatch a plan to help Eddie ask Chrissy to the spring formal ... but they're never gonna get anywhere if Eddie doesn't actually try.

2.05 the trigger (chrissy/eddie, rated e,  2.4k)

Eddie knows that fucking smell. He'd know it anywhere.

2.09 maybe next time (chrissy/eddie, rated m, 2.5k)

All Callahan wants on his night off is a little peace and quiet, but instead he finds Eddie and Chrissy.

2.14 something else when i see you (chrissy/eddie, rated m, 4.1k)

On the red carpet for the Golden Globes, there's no telling what might happen.

2.15 in plain sight (chrissy/eddie, rated t, 11.1k)

Chrissy and Eddie meet in a random Omegle chat one night over winter break and hit it off, but neither of them are comfortable giving out their public Twitters, so instead they make private ones just for the two of them. Five months later, they're still chatting every night and have no idea they go to the same school... until prom rolls around.

2.16 oh, but you're good to me, baby (chrissy/eddie, rated e, 4.5k)

Chrissy's just helping Eddie study, it's not a date. As long as he keeps telling himself it's not a date, he'll be fine.

2.28 if we don't leave this town (we might n ever make it out) (chrissy/eddie, rated e, 52.3k)

Chrissy finally finds the strength to leave a terrible situation, only for her getaway car to break down just over the Illinois border. Now she's stranded, as well as broke, and has to rely on the kindness of strangers. The mysterious mechanic who takes pity on her may look mean and scary with his wild hair, calloused hands, and grease stains, but Chrissy quickly discovers that underneath all of that, he may as well be a teddy bear.

3.21 just the thing (chrissy/eddie, rated t, 3.2k)

They were alive, they'd made it. Eddie wouldn't have called them friends before that, not really, but the way Steve clung to him that night made Eddie rethink a lot of things he thought he knew about Steve Harrington.

4.05 gentlemen don't ask questions (chrissy/eddie, rated e, 15k)

The first time Eddie runs into Chrissy at a metal show, he thinks he must be seeing things.

4.06 if you go down, i'm goin' down too (chrissy/eddie, rated e, 1.5k)

cunnninghams asked: because i’ve wanted to write it but i’m too lazy — hellcheer getting either drunk and/or stoned and having a competition of who can go the longest without touching the other. 😇

4.14 imagine being loved by me (chrissy/eddie, rated e, 7.6k)

She could play innocent. She could just forget all about it. Or she could stay right where she is and watch.

4.24 i think you have a type (and it's not me) (chrissy/eddie, rated m, 33.4k)

Eddie tries to help Steve woo Chrissy, even though he's been in love with her since they were kids. or ... a HellCheer Cyrano de Bergerac AU.

5.01 play me better (chrissy/eddie, rated e, 15.5k)

Chrissy wants to get better at talking about sex, and Tammy knows just the person to help.

5.10 roll for orgasms (chrissy/eddie, rated e, 17.8k)

"So… the dice do everything?" / Eddie laughs. "Yeah, kinda. I mean, they decide everything, more or less."

5.17 savor the moment (chrissy/eddie, rated e, 1.9k)

I can't wait to memorize this day / Oh, a picture could not contain the way it feels

5.20 the dark caress (chrissy/eddie, rated e, 2k)

Chrissy can't sleep until she gets what she needs.

6.08 you know better, babe (chrissy/eddie, rated e, 36.7k)

Chrissy moves to Hawkins just after her sixteenth birthday, having only ever kissed one boy. Before school even starts she falls head over heels for Eddie, who falls just as hard but he has some reservations about their relationship.

6.29 she's gonna save me (chrissy/eddie, rated e, 12.3k)

Eddie can think of a billion things he'd rather be doing than spending his Saturday night in the emergency room, but after meeting Chrissy while they're waiting, that list quickly dwindles down to just one.

7.12 a better fighter than her fear (chrissy/eddie, rated e, 6.6k)

Chrissy takes refuge in the drama room while running away from her ex-boyfriend, thinking she'll just give him the slip and be able to go home in peace soon enough. But nothing ever goes according to plan.

7.21 you can buy love (from a payphone) (chrissy/eddie, rated e, 9.8k)

Calling up a phone sex hotline instead of finding some random stranger at a bar to go home with seems like a good idea when Eddie's struggling not to ask out Chrissy before she's ready for a new relationship, but he'll be damned before ever admitting it to his friends.

8.13 you still have my heart (chrissy/eddie, rated t, 3.1k)

Chrissy hates the night shift.

8.29 a tender age (chrissy/eddie), rated e, 16.2k)

There's no fanfare. No fireworks. No heavenly beacon of light shining down as soon as she opens her eyes. The morning of Chrissy's eighteenth birthday feels like every other morning before it, but she knows the moment she goes downstairs is the moment her life is going to change.

9.01 let me put my lips to something (chrissy/eddie, rated e, 9k)

Chrissy can't seem to find the nerve to tell Eddie that she wants more, so she hatches a plan to steal one of his porno mags for some research.

9.12 when we begin again (chrissy/eddie, rated g, 1.2k)

A few months past where If We Don't Leave This Town (We Might Never Make It Out) left off, Eddie surprises Chrissy with a gift.

9.13 the only proof that i need is you (chrissy/eddie, rated g, 2.1k)

Eddie is supposed to have a solo interview with Vogue but it turns into a family affair.

9.16 as i get older, i get more afraid (chrissy/eddie, rated e, 19.1k)

"Hello, Chrissy!" She pulls up a chair close to the examination table and taps Chrissy's chart. "What brings you in today?" / Chrissy draws in a deep breath. This is it, she thinks. Now or never. / "I want to have a baby."

10.10 livestream: stardew valley co-op! (chrissy/eddie, rated e, 5.2k)

Eddie has not one, not two, but three surprises for Chrissy on the day they play Stardew Valley live on stream, but two of them are for after the camera is turned off.

10.13 so pure, so electric (chrissy/eddie, rated e, 13.5k)

Chrissy's happy with Jason. Sure, things could be a little more exciting. They're in college, it's the perfect time to try new things! Learn new skills, meet all sorts of different people! They both should want these things, but it seems like only Chrissy's willing to (or, at the very least, wants to) actually try. But... she's happy with Jason, right?

10.19 be there in five (hyperbolically) (chrissy/eddie, rated e, 3.6k)

A perfectly normal conversation about Halloween costumes devolves into Eddie and Chrissy playing hooky. (They just can't help it.)

11.24 a king beside you, somehow (chrissy/eddie, rated e, 5.2k)

Chrissy finally convinces Eddie to come to a basketball game to see her cheer and rewards him handsomely afterwards in the girl's locker room.

12.15 before i bury you (chrissy/eddie, rated e, 43.5k)

When two counselors turn up dead at Camp Hawk and the camp leaders are forced to leave to get help from the police, it's up to the remaining counselors to try and keep both the campers and themselves alive.

12.24 never thought you'd happen to me (chrissy/eddie, rated t, 6.8k)

Eddie's watch beeps at the same time every day so he can be sure to catch a glimpse of his pink princess walking by the shop windows, none the wiser that she works right next door until one fateful day…

wips:

01.16 if the fates allow (chrissy/eddie, nancy/steve, rated e, 13.5k)

The best way to spend Christmas is 3000 miles away from home, right?

2.23 lost boys like me are free (chrissy/eddie, rated e, 16.2k)

Chrissy stows away on a pirate ship to reclaim the family heirlooms that Captain Eddie Munson stole from her, but she soon discovers that maybe going back home isn't what she wants at all.

09.04 i lied to you (but i never needed to) (chrissy/eddie, rated e, 18.3k)

After an accident that almost cost him his life, Eddie needs to heal a lot more than just his broken bones. He needs to face the demons he's been hiding from for years, keeping them at bay with drugs and alcohol. When Chrissy signs on to be his physical therapist, she knows from the get-go that this isn't going to be easy, but she's determined not to let Eddie give anything less than 100%. What neither of them expect is for Eddie to help her heal, too.

12.06 last night's clothes & tomorrow's dreams (chrissy/eddie, rated e, 27.9k)

Eddie's no stranger to the life of a rockstar and all that goes with it, including having his pick of pretty much any woman he wants for a night. Chrissy, on the other hand, has no idea what she's getting herself into when she joins her friend backstage at a Corroded Coffin gig.

12.19 love is just a currency (chrissy/eddie, rated e, 103k)

When she graduated high school, Chrissy Cunningham thought she knew how her life was going to turn out: college, marriage, the whole nine yards. But now it's five years later and nothing in her life went according to plan. Least of all running into Eddie Munson in a way she definitely never saw coming. or ... a HellCheer OnlyFans AU.

total fics: 43

total number of words: 608,877 (according to AO3 stats, but really it's 539,937 if i subtract the chapters of WIPs i posted in 2022)

going through the list this year made me realize just how much i'd actually posted!! thank you so much for supporting my silly little ideas through another year 💛 next year i hope to FINISH MY WIPS FOR REAL and maybe get a little better at balancing my schedule so none fall to the wayside like they did this year 🥲 but here's to another year in the books!!