#2010 - 2015 timeline

[popcorn-plots]

Very long Doctor Strange ramblings below the cut. You have been warned. If you read all of it, feel free to give me your opinion, I am way too invested in this help

In She-Hulk, we see that Wong worked as a librarian at Kamar-Taj for 11 years. In the beginning of Doctor Strange, the first few scenes show Kaecilius and his Zealots stealing pages from the Book of Cagliostro and beheading the current librarian.

When Strange first meets Wong, Wong claims that the former librarian was relieved of his head, and he implemented the rules he now enforces (no portals inside the library, etc.). However, we do not know how long Wong has held the librarian position. If we consider that there is not much Kamar-Taj life shown in the movie, it suggests that no one has forgotten the rules or made mistakes regarding them. This implies that Wong's rules have been around long enough for people to understand and remember them (or at least Wong has been enforcing them consistently). The rules have been in place for a while, and people are not surprised by the missing pages.

Additionally, Kaecilius' betrayal does not seem to be a major issue during Stephen's training, as if it had happened a while ago and Kamar-Taj was biding its time, attempting to hunt him down or waiting for him to make a move. Of course, a rogue sorcerer with that much power is a concern for the Ancient One and Mordo --as seen in the movie-- but Stephen, being a novice/apprentice, is probably not told much.

So, how long has Wong been running the library by himself? It doesn't seem plausible that the gap between Kaecilius' betrayal and Stephen's arrival is 11 years. The entire movie happens over a period of at least a year and a half, maybe even two years. The movie is set from 2015-16, so Wong would have had to take up the position somewhere between 2004-5. If we take Benedict Wong's age and assume that is how old Wong is (as we do with Stephen's age), then he would be 44 in 2016 (Stephen would be 39), making him 33 in 2005. So, was Wong working with the previous librarian for 11 years, and Kaecilius betrayed the Order within a year of Stephen's arrival? Or did Kaecilius steal the pages 11 years prior to Stephen's arrival, right at the beginning of Wong's career?

Not to mention the amount of time it would take for Stephen to recover from the initial accident and the numerous subsequent surgeries, plus the physical therapy and the time it took Stephen to find Kamar-Taj.

The recovery time for hand surgeries is 6 weeks on average. With Stephen having a total of 8 surgeries, his recovery time would be, on average, 48 weeks of the 52 weeks in a year. That's 11 months of recovery, plus a month of travel and logistics. So, if Wong has been working at the library for 11 years, then Kaecilius would have stolen the pages somewhere between 11 years to 1 year before Stephen arrived at Kamar-Taj.

@invye what's your expert opinion? (I'm going way too far into this rabbit hole HELP)

[boydholbrookfanpage]

Update: As I'm sure some of you have noticed, there are some new BHFP gif sets posted. Once I have more time (which should be coming up in the next two to three days) I will start work on a new gif pack. I was going to do one of Donald Pierce, but then I found that someone else had done one with a lot of scenes in there, so I just reblogged that into the fan page and credited them. I will try to get some of these younger/earlier scenes put into their own Young Boyd Gif Pack in the next two to three weeks. The gifs that I'm tagging #young donald pierce will also be included in that set. I will add some earlier interview scenes, as well, dating from about 2010 to 2015 in Boyd's career. They may not be the *best* quality, but I'm shooting for, at least, 720p or above. As always, requests are open. If I cannot make things right away, I will try to reblog what I can, or will attempt to find another way to make them later on. Take care and thank you for your patience! -BHFP

[hoovesandfloorpaws]

[since everything under a Read More cut gets deleted in case a blog deletes/gets deleted and the WayBackMachine isn’t good with pictures, for Archive Purposes Only, I will add the most important bits of the/rest of the full post and have also checked/updated/added the source links to the best of my abilities]

"From [North] America, they traveled to Australia and New Zealand, then back to the U.S. again. They didn’t have extended time in the U.K. until the end of April (when they were likely writing/recording Take Me Home, as well as rehearsing for their continuing Up All Night tour).

In the gifs above, OT5 are pictured at a Much Music interview from May 2012, unavailable to view [I have added the video link. Btw, at 16:06 there is another very interesting moment where they start talking about Larry Stylinson and Liam says "It's true!"] —the one with the two red tables, where the interviewer asks about boys kissing, and Niall’s wearing a lavender t-shirt and backwards snapback.

Interviewer: “How do you balance [making an album] with how busy you are, and all these concert dates?” Harry shrugs, “You tell us!” Louis says, “We ask ourselves the same question!” Interviewer: “You already have nearly a hundred shows confirmed and almost sold out—for 2013. How do you plan your lives that far in advance?” Harry and Liam laugh, “We don’t!” Louis says, “We wish we did!” [I added the video link]

In Florida during the Up All Night tour in [July] 2012, Niall comments that he spent "30 days at home [in 2011]. So, that's a big difference from 365..." [link to whole interview video]

–––––

Q: Many of these groups get huge but burn out after three or so years.  What’s your plan to make sure that doesn’t happen?

Simon Cowell: “Be sensible and treat them as human beings, genuinely.  That’s the most important thing.  Traditionally, record companies would put out the most possible product in a short period of time, thinking you only have two or three years.  I don’t think that’s necessarily the case now.  If you’re sensible and you don’t burn them out, you don’t have to put a time limit on this anymore.  And they’re so young, these guys.”  

Rolling Stone Q&A with Simon Cowell  (by Andy Greene, April 2012, emphasis mine)

––––��

“I’ve never known a band to announce a second summer tour before a first summer tour is over.  It’s insane – they’re working them like dogs and printing money right now.”  — Andy Greene, May 2012

During This Is Us promo in August 2013, Harry says, "If we could choose the perfect scenario, I would be 'the well-rested one.' "

–––––

Simon Cowell, 2015:  “This is five years, literally non-stop. I’m amazed they’ve done it for so long… I hope [they’ll get back together], but like I said, it’s not going to be because of any pressure from me… like we said in the beginning, this is an opportunity, you won it, and I’ve always had that attitude with them…. Look, even though they’re young, that is a gruelling schedule and after a while I could see they were exhausted, so when they said, “How do you feel about it?”  I said, “Do whatever you want.”  Having a year off is going to be a healthy thing.’

Also during This is Us promo, during one of their multiple press conferences, [in August 2013] a reporter asks, "Did you have a choice to say no to this documentary?" Harry half-shakes his head, and leans in to speak. Niall almost imperceptibly shakes his head, and tightens his mouth.

––––––

Niall, October 2012: I've a re-occurring knee injury from playing football. I've dislocated my knee ten times in the last two years. Operation time for me.

So are you gonna have to go and get an operation done? When?

Niall: (shrugs) Whenever I have time. ...[come up with] a couple years. (Late Late Show, October 2012)

14 months later, January 2014: after performing 123 shows during the Take Me Home tour (only a portion of his responsibilities during that time), 20-year-old Niall had major knee surgery that was 'much larger than anticipated'. He began a new tour with One Direction about three months later, after One Direction’s first extended break since forming as a group.

––––––

From January 2011 – December 2015, One Direction:

• wrote for and recorded 5 albums (91 songs included on the albums)

• performed 327 full concerts as headliners during four tours (on the road for about 110 weeks total)

• were interviewed more than 800 times by various media

• performed at least 97 times on television

• visited at least 37 countries, often more than once

• walked some 33 red carpets

• filmed 18 music videos (at least 36 days’ work)

• filmed well over 100 additional miscellaneous videos

• had at least 29 photo shoots

• shot a feature-film ‘documentary,’ with cameras trailing them for months

• shot concert films for the Up All Night and Where We Are tours

Just one week of heavy promo for the feature-film This is Us in August 2013 included:

approximately 95 junket interviews appearance at the VMAs appearance at America’s Got Talent performance and interview at Today Show press conference in NY Premieres in London and New York; red carpet interviews hours of transatlantic flights

1D’s pace was much more relentless than the glancing summary I’ve given here.

–––––––

During the Four Hangout, Liam comments that there are "...a lot of meetings, there's a lot of meetings in Boybandville." [I added the video link]

(a very young and starry-eyed Zayn, Niall, Liam, Louis, and Harry are pictured above listening to the judges after their week 2 X-Factor performance, 2010) Below, Liam continues, "One thing we didn't realize when we [got in] this band is how many meetings you have." [I added the video link]

––––––

“…the business empire fronted by these cherubic faces now stretches well into the hundreds of millions of pounds, with licensing deals that include everything from lunchboxes to their own fragrances.  Their ambition, or at least their management’s ambition, is seemingly infinite…

During press for Midnight Memories in France, interviewer Cauet asks, "After your films, books, perfume—what's coming up next?" Harry: Space Liam: Our own range of door handles... lampshades... curtains! Louis: Let's do radiators. Harry: Radiators. Louis: Warmth. Zayn: Next music video's on the moon! [I added the video link]

––––––

Harry Magee, Modest!Management: ‘The scale of this band is unprecedented.  None of us involved in the band, from the management, to the agents, to the licensees, to retailers, have ever worked on anything this big before.  There might be huge acts that have been going longer than 25 years but they are not nearly as broad as One Direction, especially when it comes to selling tickets and selling merchandise. …in terms of per-head numbers for merchandise we have broken all the numbers.  We need more stands at the gigs.  More people serving.’ …  (GQ magazine, August 2013, emphasis mine)

(C'Cauet clip continues) Louis: One Direction central heating, I think. Liam: People. Our own range of people! Niall: Coffee tables! Liam: Opening a pet shop! Zayn: On the moon. (C’Cauet sur NRJ, 14 December 2013)

––––––

April 2012, below: it was rumored Simon had given them each 2 million pounds because they were so successful — Niall and Harry said ‘not true.’ In the first gif, Harry says, "He's a bit tight, Simon is." "That's why he's so successful, he's able to keep his money to himself,” Niall laughs.

––––––

1D partial gross revenue 2011-2014 (3 tours, 3 films): more than $500 million   xx  xx  xx  xx

(Here’s an enlightening post re: 1D finances) [updated the link]

––––––

Niall: You know when the Backstreet Boys and New Kids On The Block came back a few months ago?  And all they did were arena tours.  That’s how I’d like to be remembered.

Liam: Yeah, just pop in and do an arena tour every ten years…

Niall: Sell out Wembley.  Smash it hard. Home in time for tea.

Liam: Fingers crossed, eh? (Aug 2013)

In the gif above, OT5 hug in a tight bundle on the day of their X-Factor Judges' House audition, when Louis had an injured foot.

–––––––

One Direction were/are ambitious… but one must consider their ages when they signed their contracts, who truly managed their schedule (’This is what you have to do if you want to succeed’) and the pressure to continue making money. 

Beginning with X-Factor in October 2010, One Direction didn’t get any extended break until 21 Dec 2013 – Feb 2014, about nine weeks.

As students in the UK, they would've received anywhere from 10-22 weeks of vacation a year—not to mention being at home with the love and support of their families and friends.

master list of March 2012 filmed promo [by @youcancallmeathief]

March 2012 timeline [ @bulletprooflarry]

Four Hangout, Nov 2014 

(all gifs by OP, @quietasides)"

One Direction won at the Brit Awards on 21 February 2012.  Harry had just turned 18, Liam and Niall were 18, Zayn was 19, and Louis was 20.

Adding gif captions in italics! Above, the four gifs show some moments from Four Hangout, November 2014. Liam, Louis, and Zayn are pictured sitting on the red couch. Louis says, “I remember that first American promo trip was relentless.” Liam: “Crazy.” Niall: “Nuts.” Louis: “I think it was like three weeks on the trot that we were away [from home].” Liam asks him, “Do you remember when we were doing, like, ten  things at once, as well? Doing interviews and signing and something else…” Louis: “That’s what it was all like. It was all just so, so manic.” Liam: “Crazy.”

Three days after the Brits, they were in Chicago for a radio interview/meet and greet.  They also opened for Big Time Rush that night, and proceeded to play 12 shows over the next two weeks, each in a different city.  During March they also did at least six signings, some smaller performances (such as three songs on the Today Show), and over 60 interviews.

14 March 2012, above: Louis, Harry, and Liam are pictured during one of the nine+ interviews they filmed that day. The interviewer asks, “What’s your favorite thing to do when you’re not working?” Liam replies with a rueful laugh, “Have days off!”

Keep reading

[crystal-bytes]

GIFTOBER 2023

DAY THIRTY-ONE: FREE CHOICE

A timeline of DONALD GLOVER and MILES MORAELS

Spider-Man 3 (2007) / The Amazing Spider-Man (2012) / Donald Glover: Weirdo (2012) / Community 2x01 "Anthropology 101" (2010) / Ultimate Fallout #4 (2011) / "Not Going Back" Live Performance (2011) / Ultimate Spider-Man 3x11 "The Spider-Verse: Part Three" (2015) / Spider-Man: Homecoming (2017) / Spider-Man: Into the Spider-Verse (2018) / Spider-Man: Across the Spider-Verse (2023)

[starkwlkr]

barbenheimer series

she’s everything!

he’s just ken

TIMELINE

2006 — if you dance, I’ll dance

2007 — we’ll always have paris

2008 — so there’s this boy . . .

2010 — my love

2012 — celebrity skin

2013 — beautiful boy

2014 — you are my love

2015 — never meet your heroes

2016 — I’m not even a real blonde!

2018 — i wait for you

2021 — pink in the night

2023 — july

[petrerpkr]

X men for beginners

2008-2024

Marvel timeline & reading order & marvel comics Release calendar

New x men (2001-2008)

Young x men (2008-2009)

X men (2008-2024)

X-force (2008-2024)

Astonishing X-Men (2004-2013)

Uncanny x men #526-534(2010-2011)

X men Schism(2011)

Avengers vs x men(2012 )

Uncanny xmen (2013-2017)

Wolverine and the X-Men(2013-2014)

All-New X-Men (2013)

Jean Grey (2017-2024)

Amazing X men (2013-2015)

Storm (2014-2023)

Gambit (1999-2023)

Rogue & Gambit(2018-2024)

Wolverine (2010-2024)

Wolverine Origins (2006-2010)

X Lives & Deaths of Wolverine(2022)

X men gold(2014-2018)

X men blue(2017-2018)

X men red (2018-2024)

Cable (2008-2024)

House of x (2019)/power of x

X men Hickman (2019-2024)

X of swords (2020)

X-Men – Hellfire Gala (2022-2023)

X-Men: The Trial of Magnetto (2021-2022)

Immortal X-Men (2022-2024)

[softgrungeprophet]

also have done possibly the most impractical thing which is starting in the *middle* of the 2015 fic (houston), expanding outwards in both directions to write the beginning and end, and then having to deal with the fact that i then need to write the fic that comes after it (kaine goes back to nyc) and the multiple fics that must come before it (the entire setup for his existence and also all of the stuff with ben)

okay to be fair in "creep" i've already set up the setup (peter breaking prof. warren's face), i just haven't finished it yet cause i wanted to write about this sad wet rescue dog of a man and things spiraled out of control a little bit...

kaine wip 60k and it only covers like 2 months' worth of events

the power of... *checks document* describing kaine taking a bath for half a page, and all these scenes of him half conscious in the hospital... 3 page dream sequence... buying a $400k car... etc...

[mecachrome]

pre-mclaren oscar piastri primer (ft. maxf, landoscar)

0. introduction

for a few months now i've been wanting to make both an oscar primer and a timeline of pre-mclaren landoscar moments, but i couldn't figure out which one to prioritize… then after some deliberation i finally realized i could just combine the two things together! so. here is an oscar-centric timeline that is mainly about his racing background, moving to the uk, and how he became acquainted with other members of the rfm pack—aka lando, maxf, and logan. i don't know whether any of this information is useful or even vaguely interesting, but i mostly just wrote it for myself and thought i'd share what i had in case anyone else wanted to check it out. please feel free to comment or shoot me an ask if anything here is egregiously incorrect; i've checked and linked as many sources as i could but it's of course possible that some errors remain :)

1. background, rc racing, early karting days (2007-2015)

oscar piastri was born on april 6, 2001 in brighton east, a suburb of melbourne not far from albert park circuit, as the son of chris and nicole and to-be oldest brother to 3 younger sisters. a love for all things automotive ran deep in the piastri family: both of his grandfathers were mechanics and his father had also co-founded his own vehicle diagnostics software company, hp tuners, aka oscar's sponsor throughout his racing career. thanks to his father's business, oscar's family was objectively well-off and managed to contribute a fairly substantial amount of support toward his junior career, but they also weren't swimming in cash by multi-millionaire motorsport standards either.

(L-R) edie, mae, hattie, and oscar, from nicole's twitter — each sibling is ~2 years apart (source)

while most drivers on the current grid were introduced to motorsport through go-karting, usually at or before the age of 7, oscar's path to single-seaters differed slightly. he first developed an interest in racing via remote-controlled cars at the age of 6, when his father brought him a monster truck as a souvenir back from a business trip in america. oscar began racing them that same year, eventually moving to safer electric track vehicles and even winning the second class of the national titles in 2010, at the age of 9. he was so small then that he often needed to stand on a milk crate to see the cars on track, and the next-youngest competitor at the time was twice his age. (source)

oscar on the podium at age 8 (nov 16, 2009)

oscar with his father chris, who often competed alongside him in a separate class (dec 21, 2010)

by 2011, oscar and his father were seriously considering his potential of pursuing rc racing as a viable career path, but things changed when he was introduced to karting via a friend's daughter in the rc community and his aspirations slowly shifted toward racing from inside a car. oscar was an unsurprisingly sporty and competitive child growing up; he'd played some cricket and aussie rules football and knew that all he wanted to do was race professionally, full-stop, at the time thinking along the lines of australian racing categories like v8 supercars. he was still competing in remote car racing as late as 2013, but he began karting seriously within australia in 2014, placing respectably in the junior categories of several regional karting series against relatively senior and more-experienced racers, and even going to france for a one-off event where he finished on the podium of the iame international junior x30 final. this outing affirmed his potential to his father and motivated the two of them to split time between australia and europe in 2015 as they juggled his karting future; plans for two more european events that year fell through, including the cik-fia world championship at the kfj level (which logan sargeant would go on to win), but at this point they were officially looking to take his career to the next level and commit fully to european karting in 2016.

this is when ricky flynn (and the hypothetical idea of lando norris!!!) comes in. before we get into rfm and karting professionally in europe, it's important to note that the defining aspect of landoscar's junior careers is that their pathways never once intersected. in fact, they don't even seem to have met properly before oscar entered the f1 grid as alpine reserve, although they'd spoken over social media and oscar was familiar with several people around lando's life—for example, maxf, logan, guanyu, and even lando's older brother oliver, who had also raced for rfm.

in short, you could say that landoscar's biggest hindrance was their parallel excellence. oscar was good enough to catch up and even surpass everyone else at lando's level, but lando remained untouchable throughout the years. oscar is only 1.5 years younger than him, but their f1 careers are offset by 4 years (2019 vs. 2023 debut) because of exactly two things: oscar's 2022 gap year in alpine and his two attempts at formula renault eurocup. on the other hand, lando sped through all of his junior categories in blistering fashion, falling short of the championship only once: the year he placed 2nd in f2 behind george russell. this is significant because many talk about the clinical nature of oscar's rapid single-seater ascension and three b2b2b victories (still very impressive, especially given his limited karting career!), but all of that speaks equally to the illustrious nature of lando's junior success and the sheer magnitude of faith placed in him as mclaren's "golden boy" coming up the ranks. to put things into further perspective, lando was teammates with maxf and jehan daruvala at rfm until 2014, jehan competing in the same class and max one below, yet by the time oscar was racing max and jehan—in f3 in 2020 and f2 in 2021, respectively—lando was already into his 2nd and 3rd years of f1. here's a chart that hopefully makes a bit more sense:

majorly simplified timeline showing lando, guanyu, maxf, logan, and oscar's junior careers + the karting classes they primarily competed in each calendar year. maxf did not complete his 2nd f3 season and many of them contested multiple/different formula renault series, but this is just a rough overview of their feeder series experience. 

2. moving to europe, rfm, regional formulae (2016-2019)

back in australia, oscar was a member of the oakleigh go-kart racing club and being actively mentored by james sera, a multi-time australian karting champion and fa kart dealer who worked with young karting talents alongside his cousin david. in late-2015, he presumably helped oscar and his father reach out to ricky flynn, who ran ricky flynn motorsport (rfm) and whose team was at the time enjoying exorbitant success in the karting scene; lando had won the world championship at the kf level the year prior, and logan would soon clinch the kfj title in 2015, results which further drew oscar's interest toward the team. ricky flynn agreed to take oscar on and have him and his dad move out to europe, and by november 2015 oscar announced on social media that he would be joining rfm the next year. in january of 2016, he and his father moved to hertford, uk, so that oscar could begin a 100-day karting program and travel extensively around europe to attend races. this is where he met logan sargeant, who was in his final year on the team but competing a class above, now at the ok (previously kf) level. oscar himself was only competing in the okj class.

not oscar-related, but as you can see guanyu, logan, and maxf were already acquainted before oscar and logan met, since the three of them and lando had been in rfm together as of 2014 — (may 11, 2014) & (feb 6, 2015)

oscar and logan in 2016

in an interview published on june 7, 2023, oscar reflected on leaving australia and committing to his racing dream, saying:

"i think if there was a turning point, it was probably when i started finishing towards the front in australia, and i started winning a couple of races here and there and finishing in the top three of championships and stuff, and then went to europe and fully committed to going down that route. [...] there's obviously a very big commitment at that point when you move halfway across the world without family and stuff. so i knew at that point that i really wanted to become a professional because, firstly, that's what i want to do anyway, but, secondly, now i'm sacrificing seeing my family, and stuff like that to be able to do this — which was a sacrifice i was more than willing to make."

like the majority of oscar's karting career, his time with ricky flynn can primarily be summarized as decent. none of his performances were particularly stellar, and in november 2016 he placed 6th in the fia world championship final behind the likes of victor martins and théo pourchaire (he mainly competed against guys like them, dennis hauger, caio collet, etc… once again logan was a class above and lando/maxf had already graduated to single-seaters), but he showed promising racing foundations and a great capacity for improvement, especially given that he'd moved to europe the same year and was still adjusting to life and racing on the opposite hemisphere. about 6 months into his new karting venture, oscar had settled in reasonably well and his father decided he would return to australia to continue on with his life, so they made the joint decision that oscar was to begin boarding at haileybury's uk campus and continue racing in europe entirely on his own. uk and australian school years are misaligned, so my personal understanding is he moved to europe after finishing year 9 in australia, attempted online school/took a few months off (he says he did online coursework here, but mentioned here that he was out of school, so it sounds like it must have been a very half-hearted effort…), came back to australia over the uk summer to do some more karting, then began boarding in september 2016 as a year 10 student. he spent ~4 years there and eventually received his a-levels in 2020, except his final year was disrupted by covid and he never sat his exams. (blog post mentioning his a-levels + btg transcript excerpt about his exams; his website says he attended haileybury from 2016-19, but i think this mainly encapsulates his boarding period, as he was still doing remote work in april 2020.)

oscar in f4 with his gcse revision guide, 📸 sebastiaan rozendaal (may 20, 2018)

2016 is also when oscar began his well-documented super-liking of several of lando's social media profiles. i think understanding oscar's time in rfm and his extremely british single-seater origins helps better paint his history with lando and maxf; my personal understanding of pre-mclaren landoscar is that while oscar never formally met lando or maxf during his karting days, he knew of them quite well through rfm and thus followed them on instagram/twitter after moving to the uk. of course, oscar has a fairly active social media presence in general, so young oscar quietly liked instagram posts and tweets from many different people, but i do feel compelled to note that in the early days he liked lando, maxf, and logan's posts with seriously impressive frequency compared to anyone else on the grid (or anyone in general, really); after creating his twitter account in may 2016, some of the very first tweets oscar liked were from maxf, and he also liked a multitude of mundane lando tweets from 2016 until… today, while on the other hand he didn't start liking george's tweets—another similarly-aged young british talent—until late 2017. (he does have some fun george-admiring moments though, but that can wait for another time!) outside of rfm, other people oscar was familiar with during his early racing years were british f4 teammate ayrton simmons, to-be series champion jamie caroline, and old australian karting friend christian pancione, who appears to still be one of his best mates (if not his best) as of today. fun fact is that christian raced for the carrera cup as a support event to the australian gp in 2023; here's oscar allegedly checking the quali live timing at lunch during his own media day. 

so, to conclude, oscar's early lando focus basically traces back to the motorsport path he took at the behest and guidance of his early rfm connections in the uk. the thing is that despite growing up in australia and vaguely admiring several aussie drivers in f1 as a child (read: mark webber and eventually daniel ricciardo), oscar has never had a specific driver he consistently mentions when pressed for his racing "idol," likely since his personality inherently resists idolatry and he instead views successful people more as actionable benchmarks or reference points for self-improvement rather than as unattainable paragons of accomplishment. as a kid forced to grow up almost entirely on his own, the majority of his racing aspirations were molded independently in the uk—he completed his karting career in the uk, boarded at haileybury for 4 years (fun fact: other drivers to attend include jehan, callum ilott, and clément novalak; callum was a few years above oscar and finished school in 2017, but the two would later become quite talkative over social media anyway), raced in british f4, became a brdc member, contested eurocup under a british license and therefore had the british flag raised and british national anthem played during his wins, stayed in the uk even at alpine since the factory is based in enstone, etc. oscar basically moved to the uk from australia without having really met anyone significant in the racing scene (other than jack doohan, or more importantly jack's father mick, but jack is younger and did an extra year of karting) and pretty much didn't have anyone specific to "look up to" at the time. oscar's first acknowledgement of lando's online existence was in december 2015, when he liked one of lando's instagram posts prior to moving to england, so it can be assumed that lando basically functioned as his most accessible reference point in the junior ladder as a 14 year old dipping his toes into the european racing scene for the first time. that is my highly subjective analysis of the situation!

select quotes re: oscar's inconsistent responses to his motorsport "hero" (or his favorite driver / a driver he looks up to in general):

(f1fs; mar 9, 2022) "i started watching f1 in… 2009 was the first season i properly watched. so when brawn came in, obviously mark was the only aussie on the grid at that point, so i was kind of naturally going for him. then joined by daniel, so obviously going to support the aussies, but i think watching lewis has been nothing short of spectacular, and a very good role model. [...] i think when i was first watching, i supported mark, but, you know, and i hope he takes no offense to this—vettel was winning everything at that point. so i was supporting mark, but vettel was doing most of the winning. i think now that i understand more about racing though, i would say [the driver i look up to the most is] lewis, mainly. the way he goes about things on and off the track is quite exceptional."

(mcl youtube; mar 29, 2023) sporting idols mentioned: ayrton senna, alain prost, michael jordan (see also ultimate athletes list)

(p1; aug 10, 2023) "i would say i never had like one specific idol. when i was growing up watching mark webber was at red bull, and obviously being australian, red bull being very quick at the time, i kind of naturally followed him. i mean—even like some of the guys in the junior ranks above me. like lando was always kind of two, three years above me, winning… most things on his way up. so i guess kind of him in some ways?"

(eff won; dec 4, 2023) "i don’t really have like one specific [idol]. i think what lewis has been able to do in terms of getting to seven world championships was incredibly impressive. i think what max is doing now is also very impressive…" 

the first lando post oscar liked on instagram (dec 21, 2015)

the first maxf posts oscar liked; instagram (feb 26, 2016) & twitter (may 9, 2016)

anyway, back to british f4! despite his initially unconventional foray into motorsport, oscar's journey progressed in a much more orderly fashion once he stepped up to single-seaters. his actual debut was in f4 uae, which he ran 3 rounds of between 2016 and 2017 (another fun fact: this is where he briefly acquainted himself with mclaren indycar driver david malukas, who would later recall him being very intelligent and whom zak brown allegedly spoke to oscar about before appointing to their indy team). after cutting his teeth on actual car-racing for the first time, oscar decided against moving up to the ok class as he felt confident in his ability to be competitive in single-seaters. his first full season was therefore the 2017 british f4 championship, during which oscar signed with arden while logan went to reigning champions carlin (lando had won with them in 2015, then maxf in 2016). oscar made his way to the top step 6 times in the season and placed just barely above logan for 2nd in the championship, finishing behind the considerably more experienced jamie caroline. arden was also founded and is currently owned by red bull team principal christian horner, so it was during oscar's time there that christian took note of and interest in his talent; oscar reportedly did a few runs in the red bull simulator but was passed over for joining the academy, which christian later voiced regret on. (source)

maxf, logan (center), and oscar (to max's right) on a day maxf was visiting the 2017 british f4 grid (april 11, 2017)

linus lundqvist, oscar, and logan on the podium at snetterton (jul 30, 2017)

jamie and oscar, who were… er, mathematically in the main championship fight. for some reason they made them take these photos (sep 30, 2017)

after a successful f4 outing with arden, oscar returned to the team for his first season of formula renault eurocup in 2018, a renault series that ran in its specific configuration until 2020 before merging with the parallel regional series frec to become what is today known as freca. this season proved to be less competitive for oscar, as arden was relatively inexperienced in this series and oscar's three teammates were afflicted with what can colloquially be referred to as a "skill issue," making it difficult to collectively develop the car throughout the season. (blog interview) the series was thus returning driver maxf's to lose, who at the time was racing for reigning champs r-ace with teammates that included oscar's fellow rookies logan and victor martins.

despite the unideal environment, oscar managed to prove his worth by placing a respectable 8th in the series, scoring 110 points as a rookie driver and capping the season off with 3 podiums and a top-finish of 2nd place—a jarring contrast to his teammates' joint total of 12 points. this result attracted the attention of r-ace and granted him a seat with them for the 2019 season, at which point maxf and logan both graduated to f3. thankfully that wasn't too much of a concern for oscar since he'd always intended to do two seasons of eurocup, and now he finally had a chance to win the first serious championship of his racing career with an established racing outfit.

oscar, max, and yifei ye on the hockenheim r2 podium (sep 23, 2018) [full gifset]

oscar's second season of eurocup is when he truly started proving himself as a driver, or at least to the people whose names, money, and opinions mattered around the paddock. his main competition in 2019 was again victor, who was now racing for mp and had been made a member of the renault sport academy back in 2018 after a strong performance in french f4. despite a close title fight, oscar managed to hold him off for the championship in the final race of the season, kicking off what would soon become an impressive string of consecutive single-seater series titles. even sweeter was the fact that all eurocup champions were awarded a renault sport academy spot that could be left or taken as they pleased, and of course—while the finances weren't nearly as impressive as alpine would later proclaim in their baseless smear campaign—oscar's connections in the racing world were limited as an australian driver almost exclusively managed by his father, so he gladly accepted the offer for the many venues of support renault presented to him.

see also: bby oscar briefly mentioning lando after winning eurocup in 2019 (@ 1:10)

oscar being lifted by his team (r-ace) after placing 4th in the abu dhabi finale and winning the title by 7.5 points

3. renault sport academy, lockdown, f3 (2020)

many things happened in 2020. one: oscar became an official member of the renault sport academy, joining the likes of max (who'd been picked up on merit after winning british f4 in 2017), guanyu, christian lundgaard, caio collett, and fellow new recruit hadrien david (victor had been strategically demoted after oscar's win because renault is a notoriously unserious organization, but again this is not the post). two: by the time oscar was ready for f3, moving up the ladder proved to be exorbitantly expensive, and he realized he needed better funds and managerial support to sort his career out. he'd been offered a spot in prema's f3 team by team-owner rené rosin at the end of his eurocup season, who'd named him for the post-season test before the championship was over and stressed that the spot was his no matter where he finished. (source) prema is unquestionably one of the top—if not frequently the top—teams one can drive for in most junior series (though there is also somewhat of a self-selection bias; if you ask oscar he is not a significant beneficiary of prematax!), having absolutely demolished the f3 competition that same year and achieved a clean sweep of the drivers' standings with rob shwartzman, marcus armstrong, and jehan at 1-2-3 consecutively. oscar completed post-season testing with them in spain alongside to-be teammates logan and fred vesti in october (source), before confirming on jan 26, 2020 that he would be joining them for the f3 season as a renault junior.

so, where does mark webber come in here? apparently mark's trainer from red bull and wec had also been oscar's trainer since 2016 (i'm pretty sure this is australian physiologist simon sostaric), and it was through their joint connection that oscar was introduced to mark. according to mclaren's 2023 season preview, "the pair hit it off, and webber took his countryman under his wing," signing oscar to jam sports management, aka the management agency he runs with his wife ann. mark's support would become a major factor in helping oscar progress through the feeder ranks and establish himself in f1, mainly because he had actual connections and could help oscar network with sponsors and negotiate his way during future signings. of course, more on this later.

as an aside, here are a few things mark has said about oscar:

"he’s got that white line fever when he puts his helmet on and turns into a different character, which is sensational." (mar 1, 2020)

"one of oscar’s biggest strengths by a mile, compared to everyone he is competing against — and this will be a huge string to his bow when he makes it to f1 — is his composure. he has immense levels of composure. [...] if you are weak mentally you won’t make it. he was on his own from an early age. he did brilliantly with his studies. but the racing disease would not go away, he wants it very much." (sydney morning herald; dec 11, 2021)

"he’s a prost, mate. he’s such a thinker and so calm. at first i thought i needed to inject a bit of urgency in him, but actually no, he’s got his own frequency. that’s just where he is." (the race; oct 7, 2023)

estimates provided by chris piastri on the cost of oscar's junior career, stressing the million-dollar commitments of running a single season of f3 or f2 (source)

anyway, back to the chaotic events of 2020. i think something that's good to keep in mind when discussing oscar's time in the renault sport academy is that he was actually a relatively new recruit, as in he only participated in a single training camp with the other juniors in 2020 and most of them (max, christian, guanyu, the temporary ghost of victor) already knew each other before. oscar essentially met with renault's factory team in early 2020, filmed promotional material with other juniors in january before attending the season opener together in february and then heading to winter training camp later that month, after which he and max left early for f3 pre-season testing in bahrain on march 1—a blessing in disguise, seeing as caio, hadrien, and christian remained behind and would soon be stuck quaranting in a hotel in tenerife—then briefly spent a week at school before returning home for what was meant to be a quick pit stop at the australian gp, which at the time had yet to be canceled.

then, of course, lockdown happened.

simplified breakdown of renault junior stints, notably showcasing the academy's struggles to meaningfully promote any of its juniors

oscar at the 2020 renault season opener alongside then-academy director mia sharizman, then-tp cyril abiteboul, alain prost, f1 drivers esteban ocon and daniel ricciardo, and the other academy juniors: fewtrell, lundgaard, zhou, david (feb 12, 2020)

oscar and maxf behind the scenes of the same event (feb 12, 2020)

stuck in australia for three months, oscar would end up participating in two fia virtual races, one for f2 and another for f1 (jun 7, 2020). a fun landoscar tidbit is that he finished 5th in the virtual gp right behind lando, so they technically had raced each other before 2023, depending on... well, whether you count a 2020 sim race wherein george russell and alex albon lead the pack as a real race. nevertheless, this was a time when drivers were becoming much more active online, seeing as streaming was the best way to keep their images relevant and connect with fans, and despite oscar expressing little interest in streaming on twitch he would still experience a considerable uptick in his online activity and twitter reach that year.

racing resumed on july 4 at the red bull ring in austria; oscar had been granted an exemption to travel to the uk and complete a 2-week quarantine back on may 27, a reassuring indicator to the motorsport world that the f3 season would run after all. now that he no longer had to attend school, having received 2 b's and 1 c for his maths, physics, and computer science a-levels, oscar relocated from hertford to oxford in june to be near the renault facilities, which he visited nearly every day to train at, and began living independently (as in in a flat) for the first time since 2016, rooming with fellow renault junior caio collet.

as i said before, this season is when oscar's online presence and "memeability" began to really conceptualize, enabled primarily by the fact that he was a) finally living outside of a school dormitory, and b) now, of course, signed at prema, a team notorious for its social media visibility, literal family atmosphere, and frequent youtube pandering. according to this f3 article, his twitter followers jumped from 795 at the start of the season to 11.6k by the time he won the championship, an audience built significantly off the self-deprecating string of jokes he used to tweet regarding drs and general reliability issues faced throughout the season.

what i guess i want to touch on here is how oscar's online presence has always been concentrated around the bare fundamentals of his personality: dry humor, candid words, sparing emojis, a few humorous photos detailing the mundane reality of his everyday routines, and at most the occasional inopportune meme or reaction gif (#thepiastri 🤷‍♂️, f2 in baku, jetpack guy, so on). he's bantered frequently with callum on twitter and near-obsessively liked memes, videos, and other updates lando shares with his audience, but he also has seemingly little interest in building up his own "brand" the way lando so smartly has with ln4 and quadrant, and quite frankly seems viscerally incapable of wanting to engage one-to-one with fans or otherwise leveraging the popularity of his material image. basically what i like to say is that oscar enjoys being adjacent to "lad humor" and will happily enable it, but he really has no interest in being the one to initiate it himself!

"there's some things you want to share, some things you don’t. in today's age and sort of having the profile that us drivers do, we kind of just have everything shared,” piastri said. “but (social media) can be used for good, certainly within the profiles that we have. but in some ways, it can be negative, and there's always going to be people out there that don't like you for being you.” piastri tries to write as many of his posts as possible, and he checks those written by his team to be sure they sound authentically him. (the athletic; jun 29, 2023)

along these lines, oscar does enjoy the spotlight, only he seems to prefer it concentrated in a specific lens toward a specific productive end. he's endlessly capable of seeing the objective upside of a situation, joking after he was made a meme in baku following his f2 sr1 collision that he was all for it if it got him popularity. after his eurocup championship he also said: "i think everyone loves a bit of spotlight on them. i think that's just human nature, so a bit of attention's always nice." which is interesting to me!

but back to racing. this season would unexpectedly become two things: maxf's last competitive season in motorsport—especially disappointing considering that he'd gone into the championship expecting to put on a second-season title charge, instead failing to gel with the hitech team to the point that each increasingly poor weekend made him spiral mentally—as well as oscar and logan's last season racing against each other before f1, since logan would later encounter financial difficulties that left him stranded in f3 as oscar catapulted himself to f2 victory. 2020 was obviously a weird season in general because of covid and the gap from pre-season testing, so it also meant that oscar had gone into the season fairly rusty; he managed to win the first race of the season, but on top of his drs rollercoaster he did struggle with middling results in qualifying and was met step-by-step throughout the championship by logan.

maxf's last race in f3 was the barcelona sprint race on august 16, with three rounds left to the end of the season. he dnfed in an unfortunate first-lap incident mere moments after oscar charged his way up from 5th on the grid to the front of the pack, where he would eventually breeze his way to victory and pull himself near-level with logan for the championship lead. i recognize that this is an oscar post and not a maxf post, but i think their time in f3 during an extremely isolated and covid-affected period speaks to both an interesting dynamic between them (the little kid who always lagged a series behind you suddenly beating you on merit) and their respective temperaments toward racing. while at renault, max reportedly lived with jack aitken during the week but would return to his family home on weekends, so it makes sense that he struggled to adapt when covid hit and drivers were collectively forced into very regimented sporting bubbles. mark webber, who worked for channel 4 as a commentator and had access to the f1 paddock, basically couldn't see oscar in person and instead spoke to him over the phone every day on race weekends. maxf said of his decision to quit:

"normally [...] i’m able to stay calm under pressure and i don’t let many things get to me but when you have a bad qualifying result and you see guys up there that you know you’re capable of beating, it definitely takes a dig at you inside and it’s been a lot to process throughout the year." (source)

while then-academy director mia sharizman, who worked closely with the renault juniors, spoke of oscar's inherent propensity for independence and how he adapted well to the pressures of living on his own:

"if you look at oscar piastri, he has been living on his own, [away] from his family who are in melbourne for the past five to six years. because he has been living on his own in boarding school, he learns how to live on his own, and he thrives in that. we have to force him... 'have you spoken to your father?!' it's just things like that, but he thrives in that. that's why he thrived in those weekends racing. he loves being on his own without anybody. on the other hand, we had max fewtrell, for example, who can't – he couldn't survive the 11 weekends racing, because he always needed his family to be around him. so those are the things that suddenly you see and, i think that that we see now, after a few years a driver who is quick, a driver who has the talent, and then the driver who is stable." (source)

2020 is also when lando and oscar spoke to each other on twitter for the first time. yay! after lando went semi-viral for having a meltdown over a hornet on three separate social media platforms, oscar first joked with him about it on august 24 (this was incidentally also the day maxf announced his functional retirement, which oscar liked as well 😭), before referencing the incident again a few weeks later in september.

(aug 24, 2020) / (sep 10, 2020)

outside of drs tweets and trying desperately to banter with lando norris, oscar's popular tweets at the time included several food-related mishaps and home appliance tragedies. while this isn't actually a lando moment, he was also slandered by the LN4 twitter account a month later on october 17 for reasons that remain a mystery, resulting in this set of interactions:

(oct 17, 2020) / (oct 19, 2020)

bonus: maxf's tweets @ oscar (when you aren't close enough to just text him.......)

but back to f3. similarly to his second season of eurocup, oscar would go on to clinch the title in only the final race of the year, this time even more stressfully—he never got pole that season and won arguably off of consistency, benefiting from errors and unfortunate collisions involving his primary competitors. after a hectic qualifying and string of contentious grid penalties set for the before-last round in monza, he began the feature race 15th on the grid but put on an impressive performance to finish on the podium, buffing his points lead after logan was tapped by clément and put out of the points. he, logan, and fred all dnfed in race 2 (read: the novalak pendulum swung away from oscar's favor to maintain stringent cosmic equilibrium, while logan and fred threw away a points opportunity with a teammate4teammate love tap), and oscar went into mugello with only an 8-point lead over logan and a 24-point lead over pourchaire. this weekend proved equally hectic, as is frequently the case with f3 racing standards, but in short oscar and logan entered the final sprint race level on points, with théo approaching terrifyingly near in their rearview mirrors. logan was unceremoniously taken out of contention on the first lap after contact with zendeli, and oscar managed to squeak his way to 164 points in the championship by placing 7th in the race; théo finished 3rd, with 161 points, two positions away from claiming both the race and the championship title.

a succinct summary of an eventful season! (posted jun 30, 2021)

despite winning the f3 championship in far-from-dominant fashion, oscar's career was now steadily on an upward trend. on october 30 he was rewarded with a private test in the r.s.18 at bahrain alongside christian and guanyu, and a month later confirmed that he would be racing for prema again in f2 (december 1, 2020). as a rookie f3 champion there was a moderate amount of interest in him, but no one really expected him to carry home the f2 title on his first try and so one of the main favorites going into the next season was his second-year teammate and 2019 f3 champion rob shwartzman.

4. f2, alpine reserve duties, #piastrigate (2021-2022)

at the start of 2021, fernando officially took daniel's place at renault and the team rebranded itself as alpine, parting ways with team principal cyril abiteboul and functionally replacing him with new ceo laurent rossi—part of a no-tp management structure, frankly a self-evident infrastructural faux-pas from a million miles away. the renault sport academy was then also renamed to alpine academy; again i know that this is an oscar post so i won't get too into the details of Alpine Being Alpine, but understanding how the academy functioned does help better contextualize the inevitable unfurling of piastrigate.

the main issue, really, would always be laurent rossi, or at least the values laurent rossi had been hired to represent and which he willingly peddled during his controversial tenure at alpine. after rossi's appointment it was reported that "the renamed alpine academy was now being tugged in two directions between director mia sharizman's ideal as a creator of future f1 drivers and alpine's chief executive officer laurent rossi's commercially-led preferences." (source) mia directed the academy from january 2016 until may 2022, and had been the one to restructure its recruitment process by demanding better funding and robust testing programs to cyril:

"when we first restarted the team in 2016, it was, we didn't even have a two-year-old car program at that time. we had to use a 2012 program using the [lotus] e20. [...] then in 2018, i went through it, and i said to cyril abiteboul, "look, let's try and do this." we needed financial resources. i needed a head start with financial resources to kick start the program whereby you entice drivers, and you offer [a place] to the academy drivers. it was more to see how they are... it was more of an evaluation process... that was what the first idea was. then we developed the program to develop the drivers to suit their formual 2 program." (source)

(note: mia also believed that 2020 was a disappointing year for all of his juniors save for oscar's performance in f3, which is a whole other thing. but rossi's greatest shortcoming was that he had singular, insulated vision, and he resisted any external input to the detriment of reactionary business decisions, a fact that alienated alain prost and soon led to his exit from the outfit in 2022. not a good look!!! prost would later call rossi "the best example of the dunning-kruger effect, that of an incapable leader who thinks himself able to overcome his incompetence with his arrogance and lack of humanity toward his troops." 🤌)

so basically, the cracks of mind-boggling incompetence within the team's leadership structure were long evident. on a brighter note, oscar's 2021 f2 season would quickly become his strongest single-seater contest ever (f1 youtube has a good summarizing video of his season, if interested); because of covid, f2 was experimenting with a three-race format this year in which quali set the reverse grid for sr1 and sr1 results then set the reverse grid for sr2, which essentially meant high qualifiers were rewarded for simply maintaining composure in the first sprint and running cleanly in the top 10 in order to secure a favorable grid spot in sr2. oscar adapted well to this format, building off his reputation of smooth, consistent driving on top of slowly improving his qualifying results over the course of the season, finally breaking through with his first feature-race win in monza. 

oscar with mia sharizman

this is also around the time when lando mentioned oscar in official f1 media for the first time, reading off a question about him to daniel in an interview posted in october:

"this one's not even about formula one. it's about oscar piastri. oscar pias-tree! [...] he's been on it this year." — (full video) (oct 1, 2021)

of his own f2 campaign, oscar said:

"i thought that i could challenge for race wins, but i probably wasn't expecting to be so consistently at the front. consistency is something that i’ve had as a trait throughout my career, and i was expecting to be consistent in my results this year — but maybe a bit lower down!" (source)

not only did he end up being consistently at the front, he became virtually unstoppable in the second half of the season. on december 11, oscar clinched the title in abu dhabi with two races to spare, ending the season with 5 consecutive poles and 4 consecutive feature wins, 60.5 points above his previously-favored teammate in the standings. #notbadforashitqualifier!

by now oscar was a hot commodity in the paddock; the only problem was that alpine didn't really care, mainly because rossi had enthusiastically re-signed ocon to a three-year deal in 2021 and held zero intention of actually promoting any of its juniors to one of the race seats, plus the one open spot at alfa romeo had instead gone to guanyu and his considerable financial package (though oscar has always been vocally defensive of guanyu's appointment to his detractors). instead of moving to another series, such as indycar or super formula, oscar recognized that he'd proven everything he needed to prove within the feeder system and opted to remain on the grid as alpine's reserve driver, mainly so that he could embed himself in an f1 team environment and—most crucially—avoid being left "out of sight, out of mind," because once you go to america you usually don't come back.

i'll keep the rest of this post brief since i feel like everyone already knows What Went Down, but a quick highlight for fellow landoscar enjoyers was the 2022 australian gp on april 10, during which oscar accompanied rosanna tennant for the post-race show and awkwardly participated in a chaotic lando & alex interview. as far as i know, this was landoscar's first time interacting on-camera!

o: "i haven't raced either of them, no." l: "not yet!" o: "not yet. hopefully soon." — (full video) (apr 10, 2022)

then silly season started, and everything was thrown into disarray when sebastian vettel announced his imminent retirement and fernando subsequently took his place at aston martin; alpine scrambled to recover from this blindsided move and prematurely promoted oscar to an f1 seat, to which oscar eventually posted The Tweet—claiming he'd never signed a contract with alpine and would not be racing for them in 2023, thus kicking off #piastrigate. or the piasco, or whatever you prefer to call it.

here's a good article that properly summarizes the crb ruling, but tl;dr: mclaren and alpine had come to an agreement back in march to loan oscar to mclaren's stable of reserve drivers after daniel contracted covid; mark webber, who was close to andreas seidl from their time at porsche in wec, quietly negotiated a contract with mclaren for 2023 that oscar would then sign on july 4, which was reportedly initially a reserve deal with an upgrade clause to a full-time drive given a dr buyout; alpine's legal team turned out to be essentially one overworked legal director who mishandled the situation thanks to a lack of organizational support, while a concrete williams deal never actually existed no matter what people continuously allege, and any proprietary right to oscar's services that alpine purported to have for the 2023 season would soon be voided by crb rule on september 2. in other words, they dun goofed.

because tumblr dies when i try to include it in this post, here's a link to a condensed chronological timeline version of this post.

that's it for now. i'm sure you know how the rest goes!!!

[brooklynisher]

Hey all, you ever hear of Jaunty?

[x]

Do you WANT to learn more about Jaunty?

Well I dug deep, and found some things I never thought I could find. I'm really excited to share what I've found with y'all. This post is sort of a little journey of how I found Jaunty.

There's a few sections to this.

Skip to But where does Jaunty come from? If you just want answers

Is Jaunty even a real character?

Jaunty, from what I originally found, is SUPPOSEDLY a Steam Powered Giraffe character. But where have we seen this character before? Was it the comic? Was it the timeline? Maybe in a song cover? Does the band ever talk about Jaunty?

And to answer all of your questions, no! At least not that I knew of. The only source of Jaunty’s existence is here.

The Steam Powered Giraffe Wiki

So that makes this whole thing pretty complicated right? The wiki has info, and it’s not too inaccurate most of the time, but some of the lesser known/more nuanced information tends to get scuffed.

It really doesn’t help knowing that David has mentioned before that the information on the wiki wasn't that accurate.

What I’m saying is, the only proof we have for the existence of this character is on what might be one of the more unreliable sources of SPG information.

But despite that, this page is special in the fact that SUPPOSEDLY it was uploaded by Steam Powered Giraffe themselves!

[x]

However, there isn’t really much of any information on this user at all. All we know is that they founded this wiki, added a few characters and a bit of information, and then became inactive. Really our biggest reasoning for believing that this was an actual SPG member is the fact that they are the founder and have been around for a very long time.

Okay, suspicions aside, let’s see what I found about this thing.

What the wiki tells us

One, this image was touched by the founder of this wiki twice, it was uploaded in 2011, and in 2014 they protected the page, which means only the administrators can edit the page.

[x]

Both are pretty major years for SPG being the year Upgrade left the band and the year Rabbit transitioned, but there’s not many connections you can make with that.

This user was first active in 2010 and last seen in 2015 [x]

Cool dates to have, but not a lot to work with. It mainly gives us a clear vision of what SPG was looking like at the time of the creation of this page. I can see this thing being used for a special, slightly themed show.

Of course, the information the wiki alone offers is very limited, but we know two things for sure. One, this character is a robot being under the category of robots, and two, these photos were taken by Cineria.

[x]

So, here's the problem, you'd think that by having the name of the photographer, we could get far with that, but unfortunately, it is such a vague name, that there is just no way we could figure out who Cineria actually is. It really doesn't help that they don't seem to be a professional photographer. The only page I could find that connects both the name Cineria and Steam Powered Giraffe is this one.

Useless information

I started searching for stuff by reverse searching it. It wasn't really successful, as I was expecting, but I did find one thing.

A different source.

This source doesn't go anywhere must you know. The ORIGINAL site, florist.buketbunga.com is still up an active serving as an Indonesian site for selling flowers, but this very specific link is broken, and the Wayback Machine doesn't know a thing about it.

The good news is, the link title alone gives us a ton of stuff to work with! Appropriately, the last part of this link translates to "Flower Bouquet Florist Shop Address Nearest 24 Hours Online", which makes sense.

What DOESN'T make sense is everything else coming before it. Specifically the Team Fortress 2 Wiki. This made me believe that someone used these sites to create a scam link, but it's weird because somehow, it's relevant?

Yandex was able to match these images of Jaunty to this site, and what's crazier, Jaunty is in the title of the link! But it's not just Jaunty, it's the Jaunty Explorer.

I did some searching, and discovered that the Jaunty Explorer originates from a TF2 livestream charity event called Tip of the Hats! Donations can earn you medals known as the Jaunty Explorer ($10 Donations), the Jaunty Ranger ($30 Donations), and the Jaunty Mountaineer ($100 Donations). They can come in many different color variations, but here are the main ones.

[x] [x] [x]

There are TWO connections between this and SPG. One, the shared name of Jaunty, and two, hats. Steam Powered Giraffe is pretty big on hats. But, bad news, these are completely unrelated. Main reasoning? The image of Jaunty was posted to the wiki back in 2011, while Tip of the Hats as an event started back in 2013. Can't even take the "SPG was inspired by TF2" route with that.

Okay, but what even IS it?

Now we get into the visual aspect of this!

I tried to see if there was at least any way to identify what this is, but that solely relies on observational skills. There are two images of this thing, but the image with the blue background is much easier to make out.

[x]

There's a lot that's going on with the design of Jaunty. Unfortunately, I'm not smart enough to identify what half of the doodads are. This machine, whether it's an actual machine or just a prop, is definitely a one of a kind as I couldn't find anything like this.

I talked with @boneinator about this, and he was able to read the text: "STAND CLEAR!" on the top of the doors of this machine which lead him to believe that it might be a time machine of sorts.

What we both managed to agree on when it came to the design of this thing however, was that it looks like a cabinet.

Now, like I said, this thing has a one of a kind design, so it's not going to look exactly like one thing or another, but it has similar features to other things such as to this cabinet

[x]

Two longer doors on the upper half, and two smaller doors/drawers on the bottom. Is that actually what it is? I didn't know, but there is a resemblance.

One thing that's REALLY interesting about this machine is the intense amount of steam it lets out.

[x]

So it's definitely a very active machine.

But where does Jaunty come from?

Something I've been wondering is how much of this is actually connected to SPG.

Is it theirs? Is this a part of a bigger thing? Is it just associated with them?

A bigger thing. There is one example of a big SPG show that comes to mind, and it was not just them.

During their 15 Year Anniversary Livestream, the band was asked about their favorite memories. Bunny mentions that one of her favorite memories was at a show called Clockwork Vaudeville. This was one of the band's first time having a massive audience. According to her, this was a time traveling show, and they performed alongside others.

I looked into it and found that the full name of this performance is called Clockwork Vaudeville Circus Cabaret. And there, I found a little advertisement for it as well!

The Kickstarter for this show started in late 2010

I did some more searching and realized there is a bunch of video from this show out there though all these clips are recorded at random intervals. Assuming that the uploader posted these clips close to the date of the actual show, we can see that this show took place in February of 2011!

About one month after this show, this page was added to the wiki.

I checked the clips, and guess what.

[x]

Right there in the corner, there was Jaunty.

But that's not all

Not only have a found a video that contained Jaunty, I found a video that contained Jaunty in action!

[x]

Unbelievably enough, it was a video of the band performing Honeybee alongside a pole dancer. And thanks to the title, we now know that this show took place February 19, 2011

Which all this confirms 100% that Jaunty IS a time machine.

Now with all things considered, Jaunty is not necessarily an "SPG character" as in they didn't create it. It's hard to say if Jaunty is even a character at all at this point! But it does exist in their world and they actively interact with it!

Who cheered? I cracked the code!

[amyoffline]

It's done! The outline for—

—is below the cut. The goal of this project is to explore the following phenomena with as much context and nuance as I can manage, tracing our history over the past 15 years:

What about us, and what about Dan and Phil, drew in and continues to draw in a very specific audience. If they are a ranch metaphor, we are a pizza metaphor 🥗🍕🫶🏻

Why we were Like That™, by which I mean so parasocially invested in them that we became, at times, the most annoying people on the internet. Much of that reputation is undeserved, and the videos on the phandom to date have been strongly negative. So, uh, I guess I'm going to put my face on camera and (mostly) defend us.

Reblog, share in your Discord servers, reply, or send me messages/anon asks with feedback or resources if you have any! Especially if your experience being in this fandom community has been dramatically different from mine. There are TIT spoilers near the end of the outline, but I'm not tagging because certain individuals seem to be lurking over there. Thank you!

Chapters:

Full outline:

introduction

cold open

felt personally attacked by jonathan haidt's last press tour

showed up to the phrenaissance 11 months late

had an unexpectedly strong response to their new content, needed to find out why

what the hell are we doing here?

- phenomenology (academics are professionally insufferable) - research question 1: what drew the audience in? - research question 2: why were we Like That™?

what we're NOT doing here

- a strict content analysis or "wow we sucked" video - providing sources for things best left uncirculated, thank you

reflexivity (personal biases)

- american zillennial in public health - in the youtube audience by spring 2010 - lurking in the phandom on tumblr 2013-2015, back* since 2019 - fan behavior i did and did not engage in

(----): truly necessary background information, i swear

(pop) cultural trends, tech, and their intersection

- nerd/geek identity and the first online weirdos - broadcast tv & the music industry vs the internet - defining "emo" - blogging & vlogging - early internet comedy

broader social/economic trends

- so the U.S. economy collapsed in 2007 - a decade that sucked except for rom-coms and square enix games - the flip/slide phone + digital camera + mp3 player loadout

(05-8): early youtube and early phil

youtube: a great video uploader without a clear purpose

the content on the website

- crossposts, corporations, and creative/social outlets - omg guys it's amazing phil - contemporary youtube-to-legacy success: justin bieber

the audience of "early adopters"

contemporary social media sites and forums

(2009): origin story

a wild dan appears… in the comments

the global constant that is teenagers being messy online

daring my old school district to sue me

- "one town's war on gay teens" (literal rolling stone headline!) - epidemiology 101: rates of… ugh… "unaliving" oneself - ways kids cope when it seems no adults will help them

the earliest days of dan & phil

- hello internet + pinof - a chronically overexamined timeline - file deleted ---* so how big WAS the audience at the time? ---* acceptable funny/edgy language was just different

contemporary youtube-to-legacy success: lucas cruikshank

omg it's meeeeeee

- how amy & friends were using youtube - ways i was just destined to end up here - being in social environments with peers 3-6 years older

(2010): is it "twenty-ten" or "two thousand ten?"

youtube is a platform about to explode in popularity

- the algorithm before it was The Algorithm™, lost site features - let's take a trip through the wayback machine :3c - actual dan & phil content in 2010 - the green brothers found vidcon - contemporary youtube-to-legacy success: darren criss

social media: also about to explode in popularity

- facebook was cool at the time, believe it or not - law of equivalent exchange: 2010 amy cringe compilation - the birth of instagram and pinterest - youtube slash livejournal (the first phanfics… sort of) - shockfic and its place in the overton window

the beginning of "the great rewiring" as haidt calls it

- ways social media is about to dramatically change - third spaces become online spaces - confounding variable: changing expectations of teens

(2011): the end of an era, the start of an age

a very long tangent on fandom and pop culture

cultural exchange

counterculture and teenagers as concepts

the first british invasion: the 1960s

- beatlemania and its descendents - moral panic about the virtue of tween/teen girls - tv/film/fashion trends being imported from the uk - in parallel, star trek births the modern fandom

the second british invasion: the 1980s

- synth/new pop that came out of the punk movement (hi, emo?) - confined mainly to music and fashion - cool britannia

it's harry freakin' potter

- absolute titan of pop culture influence - the rise of online fandom: examining the horrors ---* what is "wank" ---* flaming, sockpuppeting, and general cyberbullying ---* censorship: ffnet purges, boldthrough, & strikethrough ---* other fandom shenanigans of the time (yaoi paddles, anyone?)

harry potter's over. now what?

- for those who needed coming-of-age hero's journeys ---* twilight and YA dystopia waiting in the wings ---* some pretty iconic tv shows start or hit their stride ---* the mcu's phase one ---* takeaway: the rise of "geek culture" generally - for those who just wanted to go to hogwarts ---* doctor who & the wider world of bbc programming ---* british vloggers, you say? where? on youtube? brb--

end tangent, back to your regularly scheduled programming

dan & phil in the first half of 2011

- a continuation of 2010… for now - the videos - british pancakes as a case study of bad fan behavior

streaming and social media

- the birth of snapchat, twitch, and younow - netflix starts developing original programming - multi-channel networks (mcns) - digitour

dan & phil in the second half of 2011

- and they were roommates (omg they were roommates) - fantastic foursome - youtube glitches out - the super amazing project - the first proper baking video + wait, is that the bbc?

~ baking interlude 1: christmas cookies ~

the family sugar cookie (sorry, delia)

amy's 2011

(2012): why is anyone nostalgic for this

the transition from desktop to mobile

- massive growth in smartphone ownership 2011-2015 - things one might do on mobile one might not do on desktop - non-online ways smartphones changed being a youth™

what is tumblr and why is my child using it

- how the site is meant to work - fandom, memes, aesthetics, and SOME public figures - want to be anxious and depressed in peace? come to tumblr - this site seems a little……… gay ---* tumblr's very queer, very neurodiverse userbase ---* legacy media representation in 2012: bad! ---* actual academic research on tumblr users (yes, it exists) - the tumblr experience for non-native english speakers

amy becomes a vibrating mass of panic and paranoia

- in context of the above - additional rant about the american public school system

the growing dan & phil audience

- investigating the origin of the term "phannie" - more collaborations = more viewers - more video uploads = more /invested/ viewers - younow and interacting with fans - watch time replaces clicks in the algorithm

online etiquette, or lack thereof

- mid-transition from the 2000s to the 2010s - "professional internet celebrity" is still basically brand-new - lack of boundaries - various ways to be an asshole online - unsupervised kids simply do not engage in best practices

the end of 2012

- dan and phil move to london - wikipedia vandalism - tiptoeing around a top contender for the phandom's greatest sin - super amazing project DONE, now it's BBC RADIO TIME

(2013): arguably the most important year

- wait. what's that six-second video platform over there--

[amy's curated vine compilation]

- a new wave of internet comedians (read: future youtubers) - the zillennial lexicon - other platforms start emphasizing short-form video content - magcon

emo is BACK - well, sort of

- fob hiatus ends, mcr breaks up. my god. you had to be there - more open ties to nerd/geek culture than in the 2000s - these things once again intersect at dan and phil

dan and phil in the first half of 2013

- siri, what's a "sex symbol?" why are you booing me i'm right-- - d&p are everywhere - radio shows, interviewing, hosting - youtube uploads on their individual channels

rapidly changing cultural attitudes towards queerness

- gay marriage will be legal in places other than canada soon - a lot of assimilationist rhetoric though tbh - parallels to the pop feminism of the decade

hey kids, let's talk about compulsory heterosexuality!!

- what is it and why do people do it - academic, tumblr-level, and anecdotal research - the dannies, the phillies, and the phannies

amy

- the closet™ - mental health stigma - 2013 dnp posts from my main blog

dan and phil in the second half of 2013

- subscriber milestones, vidcon - joint content before the gaming channel - phandom starts having a major presence outside tumblr

(2014): achievement unlocked!

it's time to talk about rpf

- definitions (a chance to be annoyingly pedantic) - academic perspectives and fan discourse on the ethics - when the subjects clearly aren't fine with it - so… we can acknowledge "shipping phan" was different, right? ---* sometimes the subjects are fine* with it, actually ---* how dan and phil started to handle the shipping ---* obvious differences between phan and other rpf ships ---* sharing my favorite passages as a first-time phanfic reader

dan and phil in 2014

- wikipedia vandalism 2: electric boogaloo - bbc request show → internet takeover - the 7 second challenge - youtube content, subscriber milestones, rewind - cons and award shows

tumblr reaches the peak of its influence

- yahoo's attempts to monetize the userbase - buzzfeed and aggregators steal our jokes and bait our clicks - legacy media dangles carrots and uses us for free marketing - the legend of korra breaks TV precedent, almost out of nowhere - the tumblr user experience ---* on mobile, without xkit ---* on desktop, with xkit ---* 2014 dnp posts from my main blog

gamergate and its long shadow

- trolling, renewed and revamped - algorithms push increasingly extreme content - the broad conservative backlash conglomerate - increased normalization of conspiracism in general

my greatest sin [not clickbait] [very funny]

- so, circling back to comphet… - the actual story

anyway, let's talk about danandphilgames

- a star is born: dil howlter - different types of gaming content on youtube at the time - why did 17yo amy not subscribe? well…

~ baking interlude 2: chocolate cupcakes ~

make your own frosting. it freezes well

roasting myself further

(2015): it's not queerbaiting when it's real people

facebook "pivots to video"

- mark zuckerberg lied. water is wet - causes other platforms to REALLY double down on video - the birth of musical.ly - corporate-branded creators (read: future youtubers)

queerbaiting enters mainstream public consciousness

- academic origins - early fannish and acafan writing - johnlock, destiel, and sterek - statistics 101: type i error, type ii error, and queerbait

dan, phil, and the phandom

- bbc, cons, & the brits - danandphilcrafts - phan conspiracies ---* japhan ---* body language experts ---* timeline truthers ---* floor plan investigators ---* no but seriously imagine it - regular youtube uploads ---* solo content ---* joint content ---* subscriber milestones, rewind - tatinof uk and tabinof ---* on "selling out" ---* revisiting the statistics 101 lesson: now with real people! ---* never meet your heroes (unless they're dan and phil)

amy's (temporary) exit from the phandom

- it's legal adulthood with a steel chair!! - growing discomfort with some fans' behavior - 2015 dnp posts from my main blog - the closer: final fantasy vii

(2016): season finale

vine's imminent demise

- content platforms behaving badly - content creators behaving badly

youtube after "the great rewiring" (as haidt calls it)

- version 1.0 of the modern youtube algorithm ---* deep neural networks for dummies ---* what's holding creators accountable, or not - advertising and sponsorships ---* basically every child and youth™ is watching now ---* the battle for our attention ---* regulators start to crack down on undisclosed ads - the rise of drama/tea content (and later, channels) ---* youtubers are now seen as regular celebrities ---* dan and phil as the butt of other youtubers' jokes ---* baiting the phandom for engagement

tatinof us and aus

- a proven new model for live show tours - show & documentary released to youtube red (now premium) - [sigh] the tour bus

sea change in online fandom

- the newer, sometimes queerer media in korra's wake ---* better and more representation in live-action tv shows ---* voltron (i'm sorry!!!) ---* the mystic messenger craze ---* alice oseman & heartstopper - the new dynamics of #discourse ---* proship is to anti as phannie is to phanti ---* the bad behaviors of the 00s get a new coat of paint ---* new, though: fans harassing creators ---* a personal note on ace discourse

dan and phil presence off-tour

- the internet takeover ends - regular content, subscriber milestones

so. uh. current events.

- brexit - sorry the united states is a font of chaos - ripple effects

closing out the year

- amy finally gets an anxiety diagnosis and treatment! hurray! - dapgo, rewind - bbc radio awards & the boncas - gamingmas

(2017): time for a rebrand

tangent - sit down!!! buckle up!!! today's lecture is on PSIs & PSRs!!!

"parasocial" as defined by the current zeitgeist

- summing up youtubers' and laypeople's opinions (not dan's) - an unfairly negative stance overall, imo

older academic literature

- the 1956 paper (yes, 1956) - with traditional celebrities - with fictional characters

current academic literature

- with youtubers and other content creators - positive effects on the audience - negative effects on the audience - broader societal implications

fandom spaces as a parasocial experience

- parasocial and truly social interactions with each other - phandom as a supportive, welcoming space for oddballs - what research i can find about neurospicy folks, + anecdotes - me and everyone else on planet earth move to discord

inherent transactionality

- the nature of celebrity - positive effects on creators - negative effects on creators

reexamining early phandom through a parasocial lens

- the good, the bad, and the ugly - the role audience demographics played in all of this - entering, exiting, and remaining in the phandom

end tangent, back to your regularly scheduled programming

vine is well and truly dead

- some had prepared to become primarily youtubers (smart) - some move to musical.ly, insta, facebook, or snap (less so)

the sun sets on danisnotonfire

- i am very normal about dan's hobbit hair, i swear. - the last dnp content before the rebrand - new apartment, new floor plan investigations

adpocalypse now

- youtube has become the village elder of platforms ---* increased scrutiny, increased responsibility ---* some youtubers had been getting away with !#$!#@% - the scandals ---* pewdiepie + logan paul ---* elsagate and being "family- friendly" (read: ad-friendly) - censorship and monetization ---* adsense revenue goes down as advertisers pull out ---* the glory days of posting whatever and making bank are over

amazingphil and ~daniel howell~

- youtube & younow content - that week in march - vacations and conventions - conjoined baking and the concept of a "soft launch" - daniel & depression → dan as a mental health advocate - truth bombs, ii announcement, rewind

(2018): the phandom vs the hiatus they told us not to worry about

interactive introverts

- "giving the people what they want" - in hindsight… - let's talk about dnp fans from the global south

youtuber burnout

- it wasn't just dan: (more examples than header fits) - the old model was simply not sustainable - newer contributing factors - research on burnout, plus personal anecdotal experience

other dan and phil content

- younow/rize lives - dan's last videos before… you know… - phil's solo content in 2018 (quiff!!) - pinof → wdapteo - the gaming channel

other stuff happening online and in the world

- youtube raises the barriers to monetization - many "pivot to video" creators are now independent - the modern youtuber's multiple streams of income - continuations of societal trends in 2016 - musical.ly becomes tiktok - notable: she-ra and the princesses of power

the hiatus™: part myth, part reality

- how long dan was actually offline - major confounder: tumblr implodes almost overnight - major confounder: perception of content density from '13-'16 - major confounder: rapidly maturing audience - major confounder: our temporal awareness is about to go way ↓↓

~ baking interlude 3: scotcheroos ~

minnesotans and their obsession with "bars"

amy has one last existential crisis (you know, to date)

(2019): demolishing the closet with a nail bat

phil videos in the first 5 months of this very important year

basically i'm gay

- my thoughts - its legacy in the canon of "coming out" stories - multiple things can be true at once

coming out to you

- my thoughts - its legacy in the canon of "coming out" stories - why phil waited (actual explanations, speculation)

amy's 2019

- return to the audience, not really to the phandom (rip tumblr) - strange coincidence that i also had a major life transition

dan and phil: still here, freshly queer

- twitter becomes the main nexus of phandom, by default - regular phil uploads + brief return to younow - vidcon

(2020): go home and stay there

so it's a goddamn global public health crisis

- infectious disease perspective - effects on overall well-being of adults - effects on kids and teenagers (sorry to all of you) - political and economic impacts

hitherto unforeseen levels of online content consumption

- tiktok replaces basically all short-form video content - yet another wave of new (otherwise unemployed) youtubers - you're watching a video essay. these got really popular now. - being young and isolated: thoughts from younger phannies

the Content™ bc that's the one word we use for this now

- phil's videos - when dan is around - that attitude magazine interview - pour one out for the phil solo project(s) the panini wrecked

further political disaster… avoided?

- checking in on the state of social issues previously discussed - unfortunately,

(2021): welcome to the 2020s, we have lingering trauma

THE PHOUSE?!?!?

- social media posts - the stereo shows

other dan and phil videos

- phil's solo videos - gay and not proud - hometown showdown - other joint videos - phil's #shorts (sounds normal in american english)

panini updates

- vaccines soon, uwu??? + entrenched misinformation - pros and cons of remote work - pros and cons of remote school - pros and cons of remote socializing

you will get through this night

- younger me really could have used this book too, dan - thoughts as a professional in a related field - reflecting on some of my more unique circumstances

daring my old school district to sue me (again!!)

- updates: racism and transphobia - updates: right-wing freaks take over the school board again - residents vote against improving mental health resources

(2022): dan returns (still not on fire)

hey so politics are um getting worse

- americans lose the right to reproductive freedom ---* the quickest of histories on where these freaks came from ---* this shit kills people. - trans kids become the punching bag of culture war discourse ---* fuck off! (gently) ---* fuck off! (i have a knife) ---* checking in on terf island

we're all doooooooooooooooomed

- dystopia daily my beloved - the style, the substance, the metatextual analysis-- - not everyone loved it, though. why? - the promo - dan on tour + sister daniel

amy's 2022

- i got covid - then i got long covid: brain fog, pots-like symptoms

some more news (i will work on my warmbo impression)

- dan joins tiktok + danisnotinteresting uploads - phil: uploading less, busy doing remote crisis management - twitter is acquired by an idiot jackass - heartstopper on netflix! ---* the show and what it means to people ---* drama (revisiting "real people can't queerbait") ---* why this has anything to do with the phandom

~ baking interlude 4: cinnamon rolls ~

- lovingly, recipe changes and corrections :) - if i have an opinion about anything, it's sweet yeasted breads

(2023): the phrenaissance

phil

- joins tiktok! - youtube uploads through september - what even is phannie tiktok. i've never used this app. help.

dystopia daily b-sides

- dan memes of 2022 - the 2023 dystopia daily episodes

amy: the doctoral candidacy process

- purgatory, privilege, poverty, and free pizza - checking in on what this is like outside the united states

pretending the panini is over

- complaining about post-adpocalypse censorship standards - honest take about "giving up" on covid - who gets the short end of the stick

the youtube algorithm is BAD and UNINTELLIGENT, actually,

- unhinged rant about not hearing about the gaming rephrival - because i was offline from other platforms. like, @amyoffline.

pov: you are a phannie (not me) on october 15th

- what i was doing on october 15th - saying goodbye forever, spooky week, and november - gamingmas - phil uploads through december

(2024): fifteen years of terrible, terrible influence

hey what the fuck is going on

- dan and phil ---* joint and phil videos ---* jokes they never would've made ten years ago ---* a collection of emotional posts about how far they've come ---* people want fun and silly content again. we'll get to why ---* nostalgia, hope, and other warm and fuzzy feelings - the phandom ---* ancient parasocial attachments, reactivated instantly ---* people are way more normal now. let's discuss why ---* tumblr vs twitter vs tiktok phandom

we're all doomed, youtube version

- my thoughts - thoughts on "dan should/shouldn't" do video essays - i can't objectively evaluate anything he makes bc [gunshots]

terrible influence tour

- legally phlonde - the concept: healing one's inner child / taking it back - we gotta talk about phannies in the global south again - no but seriously imagine it? ---*ogres are like onions, they have LAYERS ---* [placeholder for whatever does(n't) happen]

anglosphere current events once again

- the likely us tiktok ban - the tories get fired - [placeholder for whichever hell americans manifest] - witnessing genocide and feeling powerless

ffx full-circle moment to the intro of this video essay

- the night i found out they came back - why i am doing this, now with context - reflections on a nearly 15-year (parasocial) relationship

whatever youtube uploads we get during fall/december

AMY SEES TIT (nov 14)

- the vibes at the phamily reunion - buying merch to apologize for eternal ublock origin use - how much should i document?? (not during the show) - phanspiracies confirmed - atlanta confessions - favorite bits - the alternate universe where i went to tatinof and/or ii

(2025): the horrors persist, but so do we

whatever 2025 content is out while i'm still working on this

our parasocial social club

- let me be philosophytube for a second ---* every interaction has a parasocial element ---* what are we obligated to do as a phandom, actually? ---* as people who parasocially care about these two dorks? ---* what else should we be doing socially to be at our happiest? - "they're my gay uncles" vs "i'm a little in love, even now" ---* riffing about the boundary/overlap between these camps ---* sibling reads me for filth in a single text (sister daniel...) ---* at least we're all in this together

what's going to continue to draw people in

- grown adults drawing our cat whiskers back on - updates on queer/nd kids - updates on anxiety/depression rates - updates on tech and the broader environment of content - world still feels doomed

tangent - the "hard launch" and why people want it

what are people referring to, exactly

- general definition and other examples - when it comes to dan and phil - maybe they hard launched already and we just missed the memo

the ludonarrative of phandom

- if you got here early on - if you got here in the mid-2010s - if you got here after they came out - if you got here post-hiatus - final fantasy comparison: ffvii's chokehold over first-timers

a rom-com for the ages

- the tropes in play - brief tangent on the evolution of the genre - queer romantic comedies - final fantasy comparison: ffviii's plot and squall/rinoa

phriends… or…

- wholesome influence, slice-of-life - projection - final fantasy comparison: ffxv's gameplay loop, the chocobros

humans don't like ambiguity

- from a media perspective (narrative tension) - research from the hard sciences - final fantasy comparison: fanille ---* the first gay final fantasy characters, actually ---* ffxiii's character development process ---* fang and vanille in the text. brb, clawing at the walls ---* so, if anyone is looking for a phyuri au prompt…

tl;dr: reality is not fiction. make peace with not "knowing"

end tangent, back to your regularly scheduled programming

the phuture

- phil's big solo project when??? - dapg is just the joint channel now - youtube has changed since when dan last "regularly" uploaded - nothing lasts forever, and that's okay

~ baking interlude 5: ranch + pizza ~

- ranch propaganda and ranch metaphors - showing off my dough and sauce skills

conclusions

- a lot has happened in 15 years - [placeholders: don't write your conclusions before you do your research]

Proof this project can only be done in consultation with Tumblr: no other platform we're on could accommodate a post of this length and formatting detail lol

[andavs]

It seems like there's some common misconceptions about Eddie's time in the army, which is understandable because the show is very vague about it. And I think there’s still a bit of this outdated idea of the pregnant wife waving her handkerchief from the porch as her husband goes off to the front lines, and then he comes back years later to their six year old child he’s never met.

Which is very much not the case.

So some quick definitions: Enlistment is not the same as deployment.

Enlistment: The eight year contract during which a person is employed as a servicemember of the armed forces. The clock starts after basic training. The minimum is two years active duty, followed by six as a reservist. Four years active would be followed by four years as a reservist, six active would mean two in the reserves.

Deployment (tour): a time period where personnel are sent from the base where they’re stationed to a theater of operations (not always warzones). Most deployments in the US Army are about a year or less, with time at home between to decompress and reintegrate into everyday life.

Not everyone who enlists gets deployed or even leaves the US. Even fewer see combat. This depends entirely on what’s needed and also on units; individual soldiers don’t get deployed, their units do.

Now, Eddie.

The show tends to make it sound like Eddie was in Afghanistan for like five years straight, but he was not. There's a minimum period of time between deployments during which he would’ve been working regular hours at the base where he was stationed, presumably in El Paso. It’s possible he was stationed outside of Texas while Shannon stayed behind with his parents, but he’s never mentioned living anywhere else.

Eddie was enlisted active duty from at least 2011 (possibly 2010) until sometime in 2015 when he was injured and discharged. During that time period, he did "multiple" tours—the exact number is never said, but presumably more than two.

Eddie enlisted when they found out Shannon was pregnant. He went off to basic training (10 weeks) and then additional medic training (16 weeks) after that, and then he was deployed to Afghanistan for his first tour very shortly after. He was home on leave when Chris was born; Shannon said he was going back the following week.

After his first tour ended, he would’ve returned to his home base. If he was stationed at Fort Bliss in El Paso (again, he’s never mentioned living elsewhere), he would’ve been working fairly regular hours on base and going home to Shannon and Chris every night. 

The reenlistment argument is hard to pin down, timeline-wise. Eddie said he reenlisted at the end of a tour, and the argument we see says it was in 2015. That would mean Eddie signed up for four years of active duty and probably did two or three shorter tours in that time, but Chris doesn’t look like a three or four year old, and they have a different and much older kid playing him later that same year..

If it was supposed to be around 2013 and he only signed up for two years active duty, that would mean he probably did a couple shorter tours.

Reenlisting wouldn’t guarantee he’d be deployed again, but the uncertainty and not knowing how long he’d be home would put a ton of strain and stress on his family, especially with Chris having recently been diagnosed with CP. Long term planning is especially difficult.

He got deployed again in 2015, which is when the helicopter went down. I tend to think this was his third deployment, but it could’ve been his fourth. His welcome home party is three months after the crash, and Shannon seems to leave very shortly after.

[louisisalarrie]

helloooo sweet angels. welcome to the show!

I tend to answer and talk about a lot of bbg/2015 things on here and seem to attract a lot of newer fans & Larries (which is wonderful!!!) but I thought I’d just share some resources that you can refer to so there’s not so much back and forth in my inbox.

Arden (cosmicleeds) makes fantastic, super digestible videos recapping years, bbg, rbb & sbb and the big gay war etc., and I think it’s a really valuable way to kind of get your head around some stuff as socials, especially Twitter, have a lot of misinformation, fighting, wrong timelines, stuff that’s already been debunked etc.

so, here are a couple of faves that I recommend newer larries, or people who want refreshers, to watch as it’s a little less overwhelming than the 15k word essays we have on these topics that are hard to read about when you haven’t kind of been introduced to it initially

The Larry Stylinson Timeline - 2015

Larry denials and why they’re meaningless

RBB, SBB, & the Big Gay War

The difference between larry and the rest of 1D

there is a video on each year of Larry since 2010 too, so you can feel like you were there for it!

as always, I also highly recommend Allie’s (skepticalarrie) tags post if you want more of a read instead of a video, with so many masterposts and specific info on everything larry, and also louis and Harry individually

if you’re looking for fic recs or general larry/1d chats and a heap of receipts, Gina (twopoppies) is also very wonderful

and obviously there are a million other fantastic blogs and videos to watch, but I highly recommend those to start off with at least as they are based off facts and are very clear, as opposed to some wild reaching that goes on these days in certain parts of twitter etc.

we’re all here to be welcoming, have a chat, and be here for you to navigate this wild part of the fandom, and while there can be some nasty folks out there, remember that this is a welcoming place where we love love and we are a community who supports each other. the way it should be.

so, welcome baby larries, you’re in for a wild ride!

(also I’m very excited for this year’s recap - I want something crazy to go down the end of this year because damn rewatching 2015 took me right back to the days!)

[quantum27]

To whom it may concern - the mutuals, the fandom-in-laws and the average movie goer. I would like to explain the plight of the Tron fandom.

The sequel announcements Disney pulled this year (2024) are insults to anyone who enjoys movies. There's nothing wrong with sequels, don't get me wrong, but to have a catalogue that has only 1 original movie announced is truly saddening, especially to those who love animation.

Then there's also the fans of Tron.

Tron (1982) was the first major motion picture to use CGI extensively for it's settings, vehicles, and many more things. Many of it's animators would go on to work at Pixar and pioneer CGI there. It was so early that it was rejected at the Oscars for special effects because it was considered "cheating" essentially. This isn't a post about the history though I recommend learning about it if you're interested in the medium of animation.

Tron was an average boxoffice movie. It made back it's money and that was it. However it became a cult classic. It's a strange movie- a bit hard to get into- I only fully understood the plot the second watch, even though it's not that complex.

It would spawn a video game sequel, Tron 2.0 (2003). Years later, in 2010, another sequel would come out, setting the current canon timeline (think of a Star Wars legacy canon and disney canon or Star Trek alpha or beta timelines- that's how the fans treat it) Tron: Legacy.

There were also other supplements, the ever mourned, cancelled after one season cartoon midquel Tron: Uprising- tie in video games and comics and a complete ARG before the release of Legacy. Then there was the planned third movie. It languished in development hell, canceled and uncanceled. (There's more complexity there, involving even, Tommorowland (2015) and of course money.)

Now what we're getting is Tron: Ares. A movie that doesn't even feature the actor for the character Tron, Bruce Boxleitner. There's also the fact that Cindy Morgan who starred in the original movie and original video game sequel was always ready to come back has now passed away. Jeff Bridges is set to return in some capacity, the most well recognized actor from the franchise to the point people assume he is the actor who portrayed Tron.

The first short trailer shown for Tron: Ares shows fundamental flaws in misunderstanding the concepts in the prior works, watering it down to an aesthetic. Most fans I've spoken with have little hope for a good movie at this time. It even stars the controversial actor Jared L*to as it's main character! All of these are red flags.

So, to those who read, please know, after waiting for a decade, Disney has decided to shill out a product with less love than any prior element in the franchise. And I mean even less love than the tie-in movie games for Legacy, of which are of varying quality. This is likely due to the opening of the US version of the Tron rollercoaster. The rollercoaster has more love and attention in it than the trailer shown. And with complete love to it and what I've seen of it- the movie should be a higher quality than a rollercoaster in terms of story and lore.

Our only current hope is for more visual novels after Tron: Identity was released in 2023. And I suppose the NIN fans will get a soundtrack.

Disney does not care about it's audiences. But it especially does not care about Tron fans.

[vinelark]

With the exciting news of Kon being in MAWS season 3 (!!!!!), do you have an specific recs for him when it comes to comics? (I know Young Justice is good for him, but not much outside of that)

hello! exciting news indeed!!! and hell yeah, here are some kon-centric comics outside of yj that i’ve enjoyed reading:

Reign of the Supermen arc (1993)

this arc has kon’s intro, well before he even had the name kon, and it’s worth a read if you haven’t already because of the way he shows up and is peak annoying immediately (said with love). especially Adventures of Superman #501! (the storyline spans a number of titles, reading order here)

(and for a related rec, the reign of the superman (2019) animated movie blends aspects of the original comic arc with the “kon is made with lex luthor’s dna” reveal/retcon; it’s a fun watch! left me with Much To Think About pang-wise, too.)

Superboy (1994)

the most concentrated amount of og jacket and glasses superboy you’ll find in one series; there’s a lot going on here, most of it so very 90s (both in the plot/world and on a more meta level) and also so many adorable kons. special shoutout to my favorite side character, krypto in his “tiny white terrier with a giant attitude” form. (and for a more specific rec i’ll point to issues #60 - 61, in which kon is hopping through multiple realities and we see, among others, robin!kon and “supergrrrl” kon.)

Batgirl (200) #41

this is the issue where cass goes “hmm, i should try to do A Romance” and shows up outside kon’s window to see what all the fuss is about, and they proceed to have the most lavender date of all lavender dates. i adore kon’s inability to shut up here, and also for obvious reasons need to give it a special shoutout for kon taking a “bat-babe” on a date in the clouds.

Adventure Comics (Vol 2) #1 - 6 (2009)

this arc serves to re-settle kon into the world (and smallville) after the whole [waves hand] dying and coming back to life thing. (technically it’s 12 issues, but you’re asking for specific recs so my specific recs are the first six!) this is about kon starting life in smallville and having a prolonged identity crisis re: the superman + lex luthor of it all. cassie, bart, and tim all show up as significant guest stars (one of my fav tim & kon issues of all time is in here) but it’s very kon-centric! i also really enjoy the art, especially when it does wide/landscape shots.

Superboy (2010)

this is a pretty direct continuation from the adventure comics arc, once again feat. kon’s 21st century black t-shirt (sigh) and also kon wearing the tiniest, goofiest pair of Disguise Glasses. that said, it’s a fun, classic “teen superhero juggles school and crushes and a statistically high number of supervillains for a small town (seriously, what the hell was poison ivy even doing in kansas?)” series. also if there were any justice in the world simon valentine would’ve been one of those crushes, but alas.

Convergence: Superboy (2015) #1 - 2

i’ll be honest, i’m not super familiar with the overarching convergence storyline, but i really enjoyed this two-shot featuring a kon who has been stuck in metropolis without his powers, only to suddenly gain them back and immediately start brawling with alternate versions of heroes he knows. i also like the art in this one, and the character designs overall—leather jacket kon my beloved!

Action Comics (2016) #1020 - 1028 (“House of Kent” arc)

this sequence brings kon back into the kent family fold after the timeline fuckery (and i think follows from the young justice (2019) gemworld arc where they re-find kon?)—so basically it’s kon’s re-introduction to clark, and to lois and jon (who’s visiting from his own future adventure) and kara and martha and jonathan. despite spelling conner’s name two different ways in the span of a few issues, it’s a neat speedrun of different kon+superfam interactions, and also a fun time for anyone who’s a fan of kon being solidly part of the kent family. also: jacket kon is back 🙏

this is not at all an exhaustive list, just some of my favs--happy reading!

[cobbbvanth]

the culture impact of glee, for the uninitiated

okay YEAH I'm starting glee discourse in the year of our lord 2024 due to recent events on the gay firefighter show. so for those who don't understand why josh's speech on 911 this week was so important, here's a brief run down of the impact glee had on queer history.

glee, also created by ryan murphy, began airing in 2009 and ran for six seasons before ending in 2015. for all ryan murphy's crimes™, his contribution to queer representation in media has been incredibly influential especially in the early 2000s-2010s. at age nine, kurt hummel from glee and mitch and cam from modern family were the first queer characters I remember encountering. representation of any kind was still so hard to come by on television, let alone stories where queer characters got to have happy endings. in 2009, chris colfer (who played kurt on glee) was one of the youngest openly gay actors in hollywood, being just 19 years old when they started the show. throughout its run, glee introduced several additional queer characters and story lines that dealt with real issues queer people experienced such as being closeted, coming out, homophobia - external and internal.

only 33% of Americans supported same-sex marriage when glee started airing, and "even among millennials — Glee’s target audience — just 51% were in favour at the time."

the support for marriage equality jumped to a record high of 60% as glee was airing it's final episodes. same sex marriage was legalised in the usa in 2015, just months after the final episode of glee aired. a season six episode features a double wedding for a wlw couple and a mlm couple where a lesbian, a bisexual woman and two gay men get to experience a day of joy and celebration surrounded by friends and family, despite having to cross state lines to marry legally. and yes, as stated in the above quote from this article and the speech josh gave on 911 this week, glee had its fair share of problematic moments. plenty of stuff on that show (as is the case with many ryan murphy shows) is not what we'd class as "good representation" today. and it's not perfect yet either. biphobia is still prevalent in bisexual arcs, wlw representation is still far behind mlm representation, and it's hard to convince networks to go for anything that's not cis male queer rep. but it's important to show grace for the media that helped us get to the state of queer representation we do have now. shows like glee have been credited with changing the minds of many of the people who were initially against marriage equality, purely by exposing them to stories about lgbtq+ people and their experiences. and glee was HUGE. one of the biggest shows on television when it was airing - it brought in millions of viewers weekly, hundreds of glee covers climbed the charts, it won awards, the cast sold out national and international tours. we get to have characters like josh and hen and karen and buck and tommy BECAUSE OF shows like glee that came before. so yeah, it wasn't just ryan murphy worship on another ryan murphy show, the pre-glee/post-glee timeline was a "genuine unit of culture measurement" as @autisticjoshrusso put it here.

on a personal level: I watched glee every week as it aired from age 9 to 15. so much of the way that I am today (my sense of humour, my love for performing, my taste in music) is because of this show. I've seen it countless times, but didn't fully realise how much it meant to me as a piece of queer media until I was in my early 20s, so this is a topic I'm very passionate about. I owe ryan murphy my life and I also want to hit him with my car <3 anyway. stream teenage dream (glee cast version)

[wintfleur]

⚘ ˖˙𓈒ִֶָ☾.˙ ᰋ ── WHERE’D ALL THE TIME GO?

aka ophelia’s timeline

━━━ ❛ it’s starting to fly

ᯓᡣ𐭩 EARLY LIFE & SCHOOLING !

april 11th, 2002: ophelia is born on a bright and sunny Thursday afternoon in Vernon, British Columbia.

may 9th, 2006: ophelia (4) takes her first ballet class

2008 - 2013: early childhood / elementary school

august 2010: ophelia (8) joined the soccer team and met her now best friend Amber Jameson; they have been inseparable since.

october 2013: ophelia (11) got an ankle injury during a soccer game and sadly had to quit the sport. Her love for ballet was stronger and she didn't want to risk not being able to dance again.

She had to stop dancing for the rest of the year so her ankle could heal, it was miserable for her.

2013 - 2016: start of her teenage years / middle school

march 2015: ophelia (12) joined the theater club and helped make the costumes for their play, in turn finding her love for fashion designing.

april 2016: ophelia (13) went to get her photos taken for her ballet portfolio and was approached by a teen modeling agency.

summer 2016: ophelia (14) went to south korea for a ballet summer intensive program.

She was housed by a sweet family, where she met one of her bestest friends seunghan and his younger brother park sunghoon who is her age. Seunghan is a fellow ballet dancer and went to the training camp with her.

Ophelia became very close with the family, only becoming closer with them as the years go by, she's an honorary park! Seunghan’s parents think of her as their own child and his little sister thinks of her as her big sis!

2016 - 2020: teen years / high school / start of her modeling career

december 2016: Ophelia (14) was on the cover of pointe magazine.

june 2017: ophelia (15) won first place in the Helsinki international ballet competition, in juniors for women.

august 2017: ophelia finished her first wedding dress that she made for her cousin's wedding.

may 2018: ophelia (16) won first place in the american ballet competition

july 2018: ophelia won first place in the varna international ballet competition

was invited to be on jimmy fallon after her win.

february 2019: ophelia (17) made her debut by walking the catwalk and attending the New York fashion week.

may 29th - june 2, 2019: ophelia walked and attended the miami fashion week

september 2019: ophelia walked and attended the paris fashion week

october 9th 2019: the creation of ophelia's youtube channel

Ophelia created her youtube channel so she could have another way to communicate and become closer with her fans.

She mainly posted vlogs of her days as a model and a ballet dancer, and her just traveling and doing random activities with her friends.

december 2019: ophelia walked and attended the NYFW: December pre-fall and fall-winter, fashion week.

february 2020: ophelia walked and attended london's fashion week, fall-winter.

Ophelia meets Ryan James, a fellow model, they exchanged numbers and Ophelia then got in a relationship with him in may.

June 2020: Ophelia (18) graduated highschool with honors.

july 2020: ophelia moved into her apartment/loft in manhattan, New York. With her best friend seunghan.

Throughout 2016 - 2020 ophelia modeled for many different high end brands, her favorites being Dior, Dolce and Gabbana, and GQ.

She was given the nickname “the next model it girl” for her sudden dominating presence in the modeling world.

ᯓᡣ𐭩 JUILLIARD & JACK !

september 2020: ophelia (18) starts her first year at juilliard

february 23 - march 1st 2020: ophelia walked and attended milan’s fashion week

march 2 - 9th 2020: ophelia walked and attend paris fashion week

Throughout the rest of the year ophelia really focused on her ballet career, putting modeling to the side, and focusing on her studies.

march 2021: ophelia (19) won the Youth America Grand Prix (YAGP)

may 2021: ophelia won first place in the american ballet competition

july 2021: ophelia won first place in the varna international ballet competition

for the rest of the year, Ophelia modeled for many different brands, but she really just focused on her ballet career and getting more known in the fashion design world.

2022 : breakup era

april 11th 2022: Ophelia (20) broke up with Ryan after finding out he has been cheating on her for many months.

april, may, june, july 2022: ophelia took a break from anything that evolved with modeling during those months, trying to heal from her breakup. Throwing herself into training, practices, and her studies.

august 2022: ophelia modeled for celine as her comeback into modeling

was invited back on the jimmy fallon show where they talked about what she's been up to, the celine shoot, and her comeback to modeling

october 6-9th 2022: ophelia walked and attended los angeles fashion week

november 2022: ophelia was interviewed by WIRED where she talked about ballet and modeling and her love for fashion design

2023: meeting jack

march 3rd 2023: curtis gets traded to the new jersey devils

march 28th 2023: ophelia and Jack meet for the first time at a club and share a kiss.

april 18th 2023: ophelia joins curtis out at a bar to meet some of his teammates, and she sees jack for the first time since the club.

they keep what happened at the bar to themselves (besides Jack freaking out about it to Luke), and pretend to just meet each other for the first time.

april 25th 2023: ophelia and jack run into each other at a bar, things escalate and jack ends up bringing her back to his place where they hook up for the first time.

the next morning they talk about what happened, and how they need to keep what happened between them a secret. They want to keep seeing each other, so they decide to become friends with benefits.

july 2023: ophelia models for calvin klein

july 17th 2023: jack confesses his feelings to ophelia after 3 months of being friends with benefits.

Ophelia didn't take it well and left his apartment in haste (girly was afraid of her feelings and commitment) and they didn't talk for two weeks.

july 31st 2023: ophelia goes to jack’s apartment where she apologizes and asks him on a date.

august 1st 2023: jack and ophelia have there first date and officially start dating (secretly)

november 6th 2023: curtis holds a dinner at his home for his teammates, curtis finds jack and ophelia kissing in the garage and did not take it well.

curtis gives her an ultimatum ‘him or me’ in a moment of anger and that leads to ophelia not talking to either of them for a week, locking herself in her apartment.

november 14th 2023: curtis comes to see her early in the day to apologize for his reaction and what he said, later in the day jack comes to see her and they have a sweet moment, happy that everything is now okay between them.

january 12th 2024: ophelia and jack said i love you for the first time

january 24-28 2024: ophelia walked and attended miami fashion week

february 9-14th 2024: ophelia attended new york fashion week fall-winter

february 16th 2024: ophelia and jack's relationship is exposed to the media when videos and pictures of them at the njd’s family skate go viral.

february 26th - march 5th 2024: ophelia walked and attended paris fashion week

may 2024: ophelia did the 73 questions with vogue

june 2024: ophelia did the “10 things I can't live without’ with GQ

may 6th 2024: ophelia (22) attended the met gala for the first time

ophelia did a get ready with me / last looks with vogue for the met

june 2024: ophelia did diary of a model with vogue

july 2024: ophelia and jack do a couple quiz with GQ

may 2025: ophelia (23) graduates at juilliard

ᯓᡣ𐭩 WHAT'S TO COME !

aka phia and jacks future

. . . to be added

ᝰ.ᐟ 𝓇oro's note. I didn’t add every detail about her modeling and dance career in the ‘julliard and jack’ section, it would have taken forever for me to do that 😭 I will update the timeline as time goes! I hope this helps give you a better understanding about the AU >.<

au masterlist

˖ ་ feel free to send in any thoughts/requests you have !! And please let me know if you want to be added to the taglist mwah

˖ ་ taglist : @yoontwin @toasttt11 @winterbarnesblog @iceflwers @cixrosie @bunbunbl0gs