#2000s crime shows my love

[badadboombadabing26]

Be the change you want to see in a Fandom that's been dead since the 2000's

[lilcathsmith]

Crime Show Meme - CSI insp [3/5 characters]

"Do you believe in past lives? No, ma'am. How come?. Because I'm just trying to make it through this one." - Nick Stokes (portrayed by George Eads, 2000 - 2015)

[michameinmicha]

🎶

Schön wenn man liebt, was Mutter Natur einem gibt

Was kann ich dafür, dass du mich nicht vergisst?

Ein geselliges Tier ist das Schwein und das Stachelschwein lieber allein

Ohne dich will ich nicht, mit dir kann ich nicht sein

🎶

[thekimspoblog]

"It's part of Nissan's safety guarantee" - Tony Soprano.

[baycitystygian]

y’all I am going absolutely feral. I’ve been glued to this one show lately and it’s a 90’s sitcom called Caroline In The City and it’s driving me crazy. I love it. I love the characters (except Charlie but he doesn’t get a super huge amount of screen time so like. whatever) and the main ship is just so fucking GOOD and the writers are dragging this out so bad. literally giving me ship blueballs and I hate thisssssssss just let them be happy already 😭

[goldsainz]

GUESS WHO’S BACK? — one shot.

pairing: daniel ricciardo x reader

MASTERLIST.

NOTE: first of i wanna say that this is not meant to diminish the treatment nyck got bc it is undoubtedly shitty (helmut marko you will pay for your crimes), i am just happy one of my fav drivers is back. this is eminem!daughter!reader an idea @lorarri let me use, all the lyrics and song she came up with are fantastic, i couldn’t have made this without them, so thank you lola!!!!

liked by danielricciardo, eminem and 3,082,719 others

yourusername i am so excited to announce my newest album “BADGER BEWARE”!! this project has been in the making for quite some time, it has the help of people i am very close with. and inspirations behind a lot of impacting moments in my life. which is why i am so happy that it is finally here and you can all enjoy it july 13th

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ynfan1 oh this is so about daniel

ynfan2 NEW MUSIC FINALLY😭😭

danielricciardo 💛💛💛

liked by yourusername and 96,053 others

⤷ danielfan1 acting as if the album isn’t gonna be dedicated to him

icespice gonna be bomb ����

scottyjames31 Claiming track 3 right now

⤷ danielricciardo No, it’s already claimed. Pick another.

ynfan3 july 13th cannot come any sooner

danielfan2 i hope y/n knows that she just sent me into cardiac arrest

danielfan3 MONZA MASH??? YOU’RE TELLING ME SHE MADE A SONG FOR HIS WIN IN MONZA

ynfan4 thank you eminem for the blessing that is y/n🙏

liked by charles_leclerc, bellahadid and 3,950,416 others

yourusername “BADGER BEWARE” is out now in all streaming platforms! i wanna take a moment to thank all the people who made this album possible, to the man who inspired this project and sat with me until sunrise writing down lyrics, to my friends who participated and helped me push through, but especially to all my fans who waited patiently for me to release my music in my own time. have fun and pls don’t take what i talk about too seriously (or do 😉)

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danielricciardo I would sit until sunrise every day with you

⤷ yourusername love the sentiment but you were asleep 90% of the time

⤷ danielricciardo But I was still there!

ynfan21 RED WINGS IS WILD

ynfan22 album of the year!!!

danielfan21 oh so this is a diss track to mclaren…

redbullracing Our playlist has been updated!

liked by yourusername and 107,368 others

ynfan23 when we needed her most she appeared🙏

ynfan24 damn she did not hold back

danielfan22 DANIEL AND Y/N BEST COUPLE ON THE GRID

“Show-stopping” is the expression Y/N wants to convey each time she sits down and starts to write her songs. It is a “big word”, as she puts it, but there is no other word that would fit the feeling she hopes to transmit through her music.

“I started writing “BADGER BEWARE” back in 2021, I think around august, and by the end of that year I had written 3 songs. I stopped writing because I thought of either scrapping the whole project or making a 4-5 song EP. Obviously that didn’t end up happening because now there are 10 songs, 1 intro and 1 outro. All those songs hold a different place in my heart and while they all form part of the genre of Rap, they’re heartfelt in their own special way.”

Rap is a genre Y/N is all too familiar with. With her father being Eminem, an icon to the genre and the 2000s — even now. She says that the choice is not arbitrary, that there is an influence she cannot deny, but chooses to embrace it rather than push it away.

She dedicated the album to her boyfriend of 3 years, Daniel Ricciardo, who was the initial inspiration behind it. “Danny listened to me rant about my ideas for hours, sat in different studios with me and suggested different things that made the whole experience different than anything I’d ever done before. He also introduced me to — now one of my good friends — Charles Leclerc, who plays piano and is the one that composed the music for both the intro and outro.”

When asked about her favourite songs she picked a couple because “there is no way I could choose just one”. There is an evident passion to her craft when it comes to Y/N, something not everyone in her field possesses quite as well as she does.

“HONEY, RED WINGS and SUMMER SMILE are probably my top 3. They were all written at such drastically different points of my life, about things that have practically nothing to do with each other but that are tied by a little string. Some people think I pick my singles because they’re my favourite, which is true because all my songs are my favourites! But most of all I pick them because they’re the ones that I felt most comfortable publicising, all the other songs in the album are like a little secret between my fandom and me.

“There are also songs which are more personal. MONZA MASH, for example, it’s a very hyper song but it still is about an event that was very emotional. TEARS OF THE SUN, is also an obvious one. My songs are about something, and if it makes you feel anything at all then I did my job right.”

CLICK HERE TO READ MORE!

liked by tayrussell, saweetie and 2,785,046 others

yourusername 2 THE MAX MV IS HERE!! i heard it was a fan favourite and had to deliver… there is no way to express my gratitude to you all for the support the album has gotten, so i guess this is my way!

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ynfan31 MY FAV SONG YES

⤷ danielfan31 “i turn up the heat to the max and watch them bitches squirm” ATE THAT SHIT UPPP

ynfan32 y/n mathers?? MORE LIKE Y/N MOTHER

danielricciardo She’s wearing red, next question!

⤷ yourusername LMAO??

⤷ maxverstappen1 Let him be, he’s a bit jet-lagged

ynfan33 literally fell down the stairs bc of this announcement

danielfan32 forget daniel… I WANT HER

ynfan34 as a y/n fan i am more than amazed at the amount of content we’re getting😭

ynfan35 it suddenly got real hot

⤷ ynfan36 we call that “the y/n effect”

ynfan37 LITERALLY RUN ME OVER!!!!!!

[sailormew4]

Happy International Lesbian Day!

Here are some of my favorite Sapphic Ships and awards to them. (Reblog and add your favorite sapphic ship with your own award to them)

Lumity! Congrats for being one of the few Sapphic Ships that ended up being Canon with No Margin to Deny It. You get the Fuck Disney Award!

Anthy and Utena for being the THEE Yuri Ship for Anime. Creating so many tropes as well. Also for being the start of Pink x Purple Ship for me. You get the Trope Starter Award

Bubbline! For being the Slowest Queer Coded Turn Canon in Western Animation. Award for "My Ex Keeps Missing Me, But Her Aim Is Getting Better!"

TogaChako! Congrats for breaking the internet this past weekend. Award for Making Me Scream, Cry, and Throw Up Everytime I See You (I will make them Canon every chance I get in fics)

Catradora! Congrats for being my introduction to Childhood Friends to Enemies to Lovers Ship (this definitely didn't affect my future ships at all). Award for Winning a War with Gay Love!

HaruMichi! Congrats for finally having your love story shown without censors for western audiences. You get the "And Censorship Will Call Them..." Award

Korrasami! Congrats on jump-starting Sapphic (and maybe even LGBT relationships) in Western animation. We salute you! You get the Hand Hold as an I Love You Award

And here's a surprise contender. ZakuMint from Tokyo Mew Mew. You gave the Vibes in 2000s and now you're fully Gay Coded Congrats! You get the Upgrades People Upgrades Award!

It's not as surprising but needs to be mentioned. But here's a Liana and Alexa from Barbie and the Diamond Castle with the award of "Baby's First Gay Coded Movie"

MadoHomu for being my first Doomed Yuri Ship... pray for their safety in the next movie. You get the "Was It Casual" Award.

Harlivy for showing that Men (specifically men like Joker) ain't shit and healing from toxic relationships. You get the Award also for "Be Gay, Do Crimes"

Sashannarcy: To show you what's better than one girlfriend? TWO Girlfriends. You get the "She Has Two Hands" Award

And we'll be closing out with Rupphire! The first Sapphic Wedding I watched on screen. May you live as Garnet forever happily!

And Honorable Mention to Kugisaki Nobara! For being the Most Lesbian of Lesbian to the point where I knew to multiship her with Maki, Mai, and many more. You get the award of "Most Girlfriends" Award

Along with Velma Dinkley who had the Best Lesbian Coded to Canon Lesbian Development. Shout Out to being played by Lesbian Jesus Hayley Kiyoko in a live action!

[hareofhrair]

While I'm yelling about House MD--

I see in the notes of my House posts sometimes people being like "ooh, maybe I should watch that" and I always kind of wince and want to grab them like, yeah, please do, but also watch out. There's a reason we call it hate crimes md, and it's not just because of the queerbaiting.

So the thing about House is... It began airing in 2004. The 2000's were, for those of you who missed them, an... interesting time for what was then still called "political correctness." And these times were heralded by a certain Type of Guy, with a certain type of Edgy Humor. In pushing back against the admittedly very white liberal language policing of the PC movement, his goal was to be as offensive as possible, to every demographic possible. For those that had thought it through enough to justify this behavior, the claim was an intent to shake things up and force people to confront their unspoken biases and have hard conversations. The catch phrase was "I'm not racist, I hate everybody equally." These were your Jeff Dunhams, your Dane Cooks...

(For my part, I think it was, at it's heart, white guys attempting to parrot the marginalized groups demanding radical acceptance? A gay person saying "yeah I'm a faggot, what's it to you?" A disabled person saying "yeah I'm crippled, fight me about it. Call me a person with special needs again and I'll break your kneecaps with my cane." They picked up on the "we'd rather be called a slur than this avoidant, self righteous, language policing bullshit" and came away with "so I should call everyone slurs, got it.")

Enter House MD.

The tagline of the show is "Everybody Lies," and it's a very consistent theme throughout. The thesis of the show is that our society, with its shame and repression and bias, is incapable of real honesty. And approaching problems with soft, non confrontational language that talks around the issue instead of dealing with it only makes this worse.

So naturally, House is one of Those Guys.

I doubt there is a single episode in which he does not at some point, say a slur. When Foreman (the only black character and, until Kutner and Park, the only non white major character) is in the same scene with House, you can be absolutely certain he is going to say something racist, while staring at Foreman with a shit eating grin, daring him to make a fuss about it so he can monologue about how Affirmative Action is actually condescending to black people.

It would be one thing if this were strictly a character choice, something that was specifically wrong with House the person. Unfortunately, even when House is not involved the show itself is still, just, blindingly racist, all the time. Any time the patient isn't white, it's a horror show. Racist caricatures as far as the eye can see. It's also intermittently sexist, intersexist, nauseatingly fatphobic, and while it generally does better with disability than most any other show of the time, it is still shockingly ableist at times given the main character is, himself, physically disabled, and implied to be autistic as well.

What makes it worse is that they set House up as someone who wants to deflate people's egos and make them confront their biases ect, and then almost never puts him in a position where he's punching up. There's even a specific episode where he's treating a conservative campaign manager who released an insanely racist anti-migrant political ad, and his racism just doesn't get brought up. The ugly truth about himself he's forced to confront is that he's gay, and the man he's in love with and the people he surrounds himself with are, well. Conservatives.

All of this is not to say you shouldn't watch House or that House is a bad show. It's just very much a show from a very specific and unfortunate moment in the recent history of the ongoing battle for equality. The worst part is, its heart is in the right place, it is just doing a real bad job. It wants to be progressive. It just thinks being polite and respectful is weak and lame.

On that note! The show also features a canonically bisexual woman who actually says the word bisexual-- fucking wild for the time, where the best you generally got was vague allusions to "swinging both ways."-- And it shows her in relationships with both women and men. Including, very notably, Foreman. And if I need to tell you how revolutionary it was for them to show a romantic relationship between a black man and a white woman in the 2010's, take a minute and think about how many relationships like that you've seen in TV or movies since then. Or ever.

It centers on a nuanced and compassionate portrayal of an addict, and tackles the realities of that in an incredibly honest way I don't think I've seen anywhere else. Just the simple, consistent reminders that both House and the other addicts featured on the show are using for a reason, and it's often because they have medical needs that have been neglected by bigoted doctors. There's a whole arc where they try to restrict House's use of painkillers by reducing his prescribed dose to basically a handful of ibuprofen, claiming he only thinks he needs such a high dose because he's addicted and he'll "adjust" to a lower dose in time-- IE, get used to just living with the extreme pain. Unsurprisingly, the increased pain makes him awful to be around, worse at his job, and eventually drives him further into addiction. The way the show deals with this is honestly fantastic, especially given, again, this was the 2000's and 2010's. For a somewhat contemporary comparison, take a look at how addicts are portrayed in Breaking Bad, which came out four years after House in 2008. The general attitude towards addicts was not great.

This show has a lot going for it. The relationships and the stories it tells are honestly incredible. But it is also very flawed, and people should be aware of that going in.

If you want to start watching House, awesome! But maybe look up trigger warnings first.

(Also, completely aside from All That^ there's also the genre typical medical gore and body horror, so, you know, also be prepared for that!)

[carolmunson]

the nerve.

virgin!eddie x reader, semi-modern AU, it's the very early 2000s (early enough that the phantom menace would have already come out in 1999, but cellphones weren't really a thing yet.) i feel like we've been on a toxic!eddie train for a little so here's a little love drunk baby boy (in his late 20s) whose been about you for ages but the timing wasn't right. now you're together and it's time, but he's real nervous. this fic is mostly from eddie's point of view, so, hopefully you bitches like that. super fluffy, smutty, sweet. cute. tooth rotting even. warnings: smut, minors dni. couples first time, virgin!eddie, p in v, fingering (f receiving), oral (f receiving).

Eddie's hands are sweating when he pulls up to your house. A small little one bedroom he's been in so many times before -- cozy and soft, like you. You never have the overhead lights on, except for in the kitchen. Always opting for something warm and glowly, decorative. You told him a story once about how women used to put pink lightbulbs in their house so they'd look younger and he never forgot it, so now he tells people that story and says he learned it from you.

You hadn't been dating long, but he feels like he's been with you forever. You come so naturally to him -- years of friendship will do that to a person, he guesses. Spending those years watching you be with someone else, someone he didn't really know very well -- different town, someone you used to know in college with Nancy. When you showed up to Steve's after the break-up he was almost relieved but he felt awful about it. Feeling giddy while you cried into Nancy's shoulder and Robin rubbed your back. You thought you were gonna marry that guy -- how?! He didn't even like your favorite movie! He didn't even know how you liked your pancakes! Or how you lie about what your favorite song is depending on who you're with! (It's a tie between Nina Simone's 'New Day' and The Beatles' 'Blackbird' in case anyone was wondering.)

Getting here, coming to your house for dinner dates, taking you out, holding your hand, that was an easier task than what was to come. But it wasn't an easy road to get here for him either. He wasn't really great at the whole girls thing.

It's why he was was still blushy and nervous the night you came over to Steve's for a movie night. You all got snowed in. He knew you liked him and you knew he liked you but you weren't sure if you 'like' liked each other -- you'd never said. Neither of you had.

He stopped breathing when you'd sat next to him, sinking into the cushions of Steve's large L-shaped sectional with your knees brushing. Steve casting glances over at Eddie to implement at least one trick he taught him to get close to you. 'If she doesn't do it back then you know it's not happening, it's that easy.' It's that easy? He'd rather die than make a move and have you not be into it.

You were half way through The Empire Strikes Back when he noticed Steve knock Robin on the knee with his. Robin looked over at the two of you, knees and shoulders touching, hands to yourselves. Her lips curled into a mischevious smile when she realized what her partner in crime was asking from her.

"Hey," she whispered over to you, offering you a peach ring from the bag, "Want one?"

"Ooh, thank you," you whispered back. 'They're my favorite.' He thinks it as you say it to her, he knows they're your favorite, that's why he always picks them up at the gas station before he shows up to these things. The crinkling of the bag gets Nancy's attention and she casts a glance up at Steve from where she's settled in the crook of his arm. They share knowing looks, shaking her head while her attention goes back to the screen.

"You want one, Ed?" she asks, except this time her hand is much farther away, resting on the back of the couch so that he'll have to reach behind you to get one. Eddie looks at her, eyes begging, 'you're kidding'. Her eyes glint back in the glow of the TV, 'I'm not kidding.'

"Yeah, sure," he says shakily, reaching across the back of the couch. If you know what he's doing, you're not letting on and that's fine with him. He grabs the candy, popping it in his mouth and letting his arm rest behind you at first -- heart pounding while he moves it downward enough so that you can feel him drape himself around you. He can't look at you at all while he does it, terrified that you might be disgusted by him even attempting to be close to you.

He swallows when you turn to him, your knees pressing up to his thigh when you shift your hips towards him, feet tucking up onto the couch. Eddie turns slowly to see you looking up from his shoulder, eyes shining with a smile.

"Hey," he says.

"Hey," you say back in a whisper, inching your face a little closer to him, "Can you tell me what's happening?"

He lets out an airy chuckle through his nose, "I always forget you haven't seen these, sorry we started with the second one."

"So, right now," he starts, pointing at the screen, "Harrison Ford's character--"

"Anakin," you say, certain of your answer.

"No," Eddie laughs.

"Qui-gon Jinn," you offer, as a new answer. "Oh my fucking God," he laughs, running a hand over his face in disbelief. He looks at you, toothy grin and all, "You don't know who Harrison Ford's character is, but you know the name Qui-gon Jinn?"

"It's very memorable," you say softly, laughing at yourself. He loves that about you -- you're very confidently wrong sometimes.

"Jesus Christ," he mutters, "That's like, in the newer movies -- he's not even in the ones from the 80s."

"Oh -- is it Obi-wan?" you ask, "Or Luke?"

"You know you're the assistant editor for the Culture section, right?" he asks, his face inching closer to yours, "How do you not know about film culture?"

"More like nerd culture," you huff back, rolling your eyes. When you turn your attention back to the screen he feels you settle into the crook of his waist, scooching yourself closer to him. His hand falls to your shoulder, unsure if he should hold you the way Steve holds Nancy -- arm wrapped around with a hand resting on her hip. That might be better for another day when he was feeling more confident.

Your head finds a home on his shoulder and part of his chest, your hair smells like Herbal Essences and he only knows that because he started buying it recently. He holds his breath for a moment while you get comfortable against him. Eddie eases himself against you, hand around your bicep to pull you in closer.

"Harrison Ford is Han Solo," he says to the top of your head.

"No, he's Obi-wan," you mutter defiantly, brushing off his answer.

"Sure," he laughs, "You're right, he's Obi-wan."

He kissed you in the kitchen after everyone had gone to bed and you both stayed up talking over a six pack. You tasted like peach rings.

Once he parks in the drive way he gives himself a mini peptalk all the way to your door. It's not like it was your first date, which he'll admit went really well, but this was the date. You both felt it. With every kiss getting more feverish, every makeout getting more and more hot and heavy, every wandering hand and mouth -- he was gonna have sex with you tonight.

Which would have been fine.

If he wasn't a virgin.

He'd gone over and over it again with Steve. Tips, help, tricks, reassurance -- but all of it made him feel even more inexperienced. It took him three years to graduate high school and he wasn't exactly the most popular guy there. No one caught his eye when he threw himself into work at the auto-shop, even less at the craft store full of old ladies, and even less at the comic book shop where all he was, was surrounded by other vigrins who were ten years younger than him.

He was always too nervous to talk to girls at The Hideout or other bars his band played at. They were almost always more into Jeff and Gareth anyway. Smooth talking, suave, more confident with age -- he felt like he was behind. Regressing, even. More focused on his hobbies, his friendships, more focused on you. How you'd talk about work and whether you wanted to move closer to the city. How you'd hang out at the bar with him after a gig and listen with bright eyes while he told you what was coming next for the band. How you'd ask about the next campaign for the store's D&D club. Even if you didn't get it, you at least tried. Anakin, Obi-wan, Qui-gon Jinn.

He knocks and rings the bell, he can hear the thump! of Brutus, your old gray cat, jumping from the couch down to the floor getting ready to greet him. You appear, flushed and smiley, some of your hair stuck to your cheeks with sweat.

"Hi, sorry, the kitchen's kind of hot -- didn't get a chance to y'know -- get my shit together," you say, while the door opens. He swears his heart is going to come out of his mouth out of these days with how it rises in his throat when he sees you.

"You look pretty," he says, shrugging off his jacket when he steps inside. You press a kiss to his cheek but it's not enough. With his coat still in his hand he catches you with the free one, stopping you before you head back to the kitchen, to kiss your lips.

"Hi, baby," he says quietly. You grin, eyes downcast to the floor.

"Hi."

"How was work today?" he asks, finally stepping away to hang up his coat in your closet by the door. Brutus follows him with scraggly 'meows' and 'rahhs', weaving through his boots to get his attention.

"Work was worky. Nancy's bummed she didn't get that promotion but she'll be alright," you scrunch your nose in sympathy for Nance, drying your hands off on your jeans.

"She's got bigger things going for her anyway," Ed says, bending down to scratch Brutus behind the ears. The cat nuzzles his hand with a pleased purr, following him who was following you back into the kitchen. He looks at the pots and pans boiling and simmering, the light on in the tiny oven. Your kitchen and little and hasn't been updated since the sixties but you told him you prefer it. 'S'part of my charm,' you'd say. He thought all of you was charming.

"This is a lot, baby -- you didn't have to do all this," he pleads. He hates when you over work yourself, and you do it all the time. 'I just wanna impress you,' he thinks your response as you say it because of course you do.

"Everything you do impresses me," he murmurs, coming up behind you while you massage arugula for a side salad, "But I would've been more impressed if you called a pizza joint and placed an order."

"I can't make a phone call," you laugh, "I think it would kill me. I think I'd have a heart attack."

"Which is why I'm saying it would've been more impressive if you ordered a pizza," he says into your hair, leaning his head on your shoulder, "What can I do to make this easier for you?"

"Will you just set the table for me?"

Dinner was delicious. You made it for him, so of course it was. He likes this, snuggling on the couch, laying long ways, Eddie's head on your chest with your hands gliding through his waves. His eyes are fluttering closed and open again while the graze of your nails glides over his scalp. He totally gets why Brutus begs for scratches behind the ears -- this must be exactly what it feels like.

The hum of 'If I Only Had A Brain' leaks out of the TV speakers. This was culture you knew -- you'd seen The Wizard of Oz a hundred times over. He knows it's not your favorite movie, but it's up there, it's close. Your favorite movie is Grease and you don't lie about that to anyone. You got John Travolta's autograph once and framed it when you were little, he remembers you telling him that when you were drunk at karaoke. You sang 'Hopelessly Devoted'.

Then you made him come up and sing Summer Nights with you. He wished he would've kissed you then, but you had a few drinks and he thought maybe you were just feeling flirty. That you didn't like him like that. You wanted to kiss him when he hit the end high note, it still makes your heart race a little when you think about it.

"This is so you," you say, the sleepy hum of your voice vibrates against his ear. He furrows his brow and looks up at you.

"Excuse me? If I only had a brain?" he inquires, hand crawling up to press against your face in a fake smack, "That's mean."

You laugh, it's a sound he wants to be the one to cause for the long haul, "I don't mean you don't have a brain, I mean like -- look at him move. He's such a goofball -- you're like that, you're goofy."

He rolls his eyes, "Okay."

"In a good way!" you argue playfully.

"Oh look, it's you," he teases when the Wicked Witch appears on screen with her green hands and sneering glare.

"Did you know that she actually --"

"Couldn't use her hands to eat or drink whenever she had the makeup on because it was toxic?" he finishes, shifting his body so he was caging you in under him. He uses his free arm to nudge you onto your back, both of your faces hidden by his sheets of dark hair, "You told me."

"Oh," you blush, "Sorry. I always forget who I tell my little facts to."

"No, it's okay," he says softly, leaning down to kiss you, "It's very cute."

"You're very cute," you say back when his lips break away.

"Stop," he says with a giggle. Always so boyish when he doesn't mean to be.

He lets out a sharp exhale through his nose when you lean up to kiss him again. The kiss is chaste and sweet, your legs parting so he can comfortably slot himself between them. He's come to learn how much you like that type of friction and closeness. You like loosely wrapping your legs around him -- it's a thought he has often when he's home alone and thinking about you.

You deepen the kiss, hands finding his hair, tongue snaking into his mouth. Somewhere deep in his belly comes a growl, hips pressing up against yours eagerly. The softest, 'mm!' squeaks out of you at the pressure and he can feel the gentle roll of your hips against him. His heart hammers in his chest -- oh fuck, we're gonna actually do it.

Eddie's eyes flick up to see Brutus on the lounge chair looking at him. He looks back at Brutus, green eyes shining into his brown ones -- it feels...judgemental.

"Could we maybe go somewhere that Brute can't see this? I feel like the spirit of your dad is inside him," Eddie asks, still keeping his eyes on the cat.

You let out an airy laugh through your nose, "Yeah, sure, c'mon."

Your room smells like you, so do your sheets, your pillows. He loved being engulfed like this, he didn't think he could be any more in love with a person.

You follow him in and watch him sit on the bed, eager faced and flushed. He gulps when you take your jeans off, followed by your sweatshirt and socks.

"I just wanted you to see -- surprise!" you cheer quietly, looking back at him. The set was burgundy, made of satin, shiny. Slightly frilled on the ends. Underwear cut high and perfectly laid over the curve of your ass. The cups of the bra in that old timey balconette cut. You bought it on purpose, you bought it for him.

"Oh fuck," he mutters to himself.

"I didn't know if you'd like black or red more so I sorta," you shrug, "Met them in the middle."

"I don't care what color it is," he breathes out, eyes glassy and blown, mouth completely dry. How could you talk so casually to him when you look like this? How could you act like this wasn't a really big fucking deal to have worn a set for him to see? With him in mind? Like, you thought about him while you bought this? His jeans feel tighter by the second. He leans back on his hands on your bed to take you in, "You look -- insane."

"In the good way," he quickly follows up.

"You like it?" you smile.

"I really like it," he nods, gulping again, begging his voice not to crack, "C'mere, let me look at you up close."

He watches you approach him and sits up slowly, hands coming out to caress you. He puts his hands up to cup your breasts, thumbs dragging over the fabric of the bra, drifting down to your hips where he leans forward to kiss the side of your tummy, another by your ribcage, a third on your sternum. He looks up at you afterwards, awaiting your lips when you lean down to kiss him.

"You're so pretty, baby," he mumbles against your lips, "You're beautiful."

He swallows when you get him on his back, biting his lip when you straddle him over his jeans. You take your hair down, he blinks hard to make sure he's not dreaming -- that you're really on top of him, really in lingerie, really looking like that.

"Shouldn't um -- shouldn't I be on top of you?" he asks.

"What do you mean?" you ask with a giggle, "You don't want me to be on top?"

"It's just, like," he sighs, letting his hands rest on the outsides of your thick thighs, "Aren't I supposed to be in charge?"

"You're not supposed to be anything, Ed," you reason, pawing up his chest until you were flat against him. You kiss him but he stays rigid, his mouth rubbery and unmoving.

"You okay?" you ask, his chest pangs.

"Uh, yeah," he says, shaking his head. He racks his brain for anything Steve might've told him, any porn he might've watched. Sure girls were on top but like, they didn't like that did they? Didn't they like being thrown around? Slammed? Fucked? What do you like? Shit, how was he supposed to figure this out? Especially with you grinding your hips like that, slow and teasing -- fuck.

You tug at his shirt and he uses the moment to pull it off, scooching you off him to take off his jeans. Regular, clean, tartan boxers. He wished he'd worn something sexier -- like boxer briefs or something -- something that didn't look so ridiculous with a hard on.

"So we're doing this, right?" he asks, climbing back on the bed and laying you down on the mattress.

"Only if you want to," you smile at him, reaching behind you to snap the bra off throwing it on the floor. All the light in the room was from a single three wick candle on your dresser on the back wall but even then he could see the curves of your chest. The shape of your body under him. Your head hits your pillow and he sighs, using one arm to steady him and the other to glide over you, from your cheek, down your neck, landing on the swell of your breast.

"You're so perfect," he says softly, eyes lingering where his hand was resting. He kneads it gently and smiles when it earns him a small gasp. Your legs part again and he uses his knees to part them further.

You look up at him, a little confused, but part your legs further anyway. He sits up, leaning back to take your arms and pin them against your chest, falling back into his previous position. He kisses roughly, you oblige but it doesn't feel like him.

He bites at your lower lip, hard enough that you let out a whine but he takes it as the go ahead. He lets his mouth wander, nipping down your neck in harsh love bites with nothing to follow up to soothe them. His hand snakes into your hair with a sharp tug.

"Ow," you whisper, but he doesn't hear it. Too busy trying to make sense of this in his head. Is he supposed to lick a stripe up your neck before or after he bites? Is it supposed to be closer to your jaw? Where did he even see this? This would be easier if he wasn't achingly hard.

“Hey, hey, stop — stop,” you say sternly. Eddie recoils immediately, sitting back on his heels and shrinking into himself with a deep blush you can’t see in the low light. His eyes sting with embarrassed tears, adams apple bobbing while he tries to swallow them down. His heart is beating so hard he think it might shoot directly out of his chest. And how awful would that be? First he ruins sex and then he just bleeds all over you?

“What’s going on?” you ask, pulling your blanket up from the end of your bed.

“I just — I’m doing what I thought you might like?” his voice his tight, like he’s holding back a cry, “Am I not doing it right?”

“Ed, I just want you to be yourself,” you sigh. You reach out to him but he slinks away before you can, "You're like, trying to be the DM version of you right now."

"Yeah but he's like, hot and confident," Ed shrugs, "I'm just...Eddie Munson, resident virgin."

"I wanna fuck Eddie Munson, resident virgin," you state plainly. His cock twitches, he thought he might even cum from hearing you say that.

"And you won't know what I like unless you ask me, don't just guess," you instruct softly. He let's you reach back out and touch him, pulling him down to lay next to you. His hand skates over your tummy and he wraps an arm around you to pull you close. The smell of your perfume and shampoo engulfs him instantly -- his brain had to be shutting down at this point.

"This is all about communicating," you assure, "Do you think you like it rough like that? Like how you were doing to me?"

"Um, I don't know," he lies, because he does like that. He thinks he likes doing it and he thinks he'd like it being done to him.

"I like it," you confessed, "Just not right now."

"Oh," he blushes, "You like when I'm rough? Just not all the time?"

"Exactly," you smile.

"So what do you like tonight?" he asks awkwardly, "Or what would you like tonight?"

"Soft," you say, pressing a kiss next to his lips, "And gentle."

You kiss him again, on the lips this time, "You."

With a newfound approach he leans in to kiss you, this he knows he’s good at because Steve overheard you tell Nancy that you ‘never got so wet from making out before’ and that it ‘made you feel like you were in high school again’. He gasps when you break away to kiss his jaw down to his neck, his hand traveling up to get entangled in your hair.

"I really like when you kiss me there," he pants out, eyes rolling when you reach a spot on his neck right above his collar bone, "Fuck."

"There?" you grin against his skin, letting your tongue run over it again before sucking on the spot eagerly.

"Fuck, yeah there," he whines, hips bucking against your thigh. You maneuver him again, crawling on top of him and he succumbs to letting you take the lead. Your hips do that deliciously evil grind over him again, and he can feel how dampened your panties are over his boxers. Each drag of your hips pulls his skin over the head of his cock, sending him hurtling closer to cumming than he anticipated. He reaches feverishly for your hips, holding you to a stop.

"Too much?" you ask. Fuck, why are you so cute?

"A little," he confesses, breaths getting heavy, hips twitching.

"Sorry, I just...I'm really horny," you whisper with a giggle, covering your face with your hand like a visor. He giggles back, shimmying down so your heat was directly over him.

"We can...you know," he says, reaching up to move your hand and place it on his chest, "We can do it."

"You sure?" you ask again.

"I'm sure," he assures, heart still thumping with nerves. He watches you lean over him, breasts directly in his face, knocking his nose, while you fish in your beside table for a condom.

"I brought some, they're in my --"

"Too late," you say, gold foil packet in hand, offering it to him while you sit back between his legs.

"You're too confident in me," he says at the sight of the Magnum XL wrapper.

"I promise I'm not," you laugh, "I've seen a lot of dicks."

You both pause.

"I mean...you...fuck, you know what I mean," you smack your hand to your forehead, "Let me shut the fuck up really quick."

He takes the condom from you and tugs down his boxers slowly, while you help him take them the rest of the way down. He sighs while he reaches down to pump himself a few times before slipping on the latex. He catches your eyes round out when you see it, your soft swallow of the saliva pooling in your mouth.

Maybe you weren't too confident in him.

It was a little tight, if he was being honest.

"I'm gonna be on top, okay?" you ask. He nods, looking at you while you slide off your underwear, nerves building in his throat. Adrenaline coursed through him like he just did a line, like he just played a show. Like you just kissed in Steve Harrington's kitchen. Like when you tasted like peach rings.

You kiss him while you get back over him, sliding over his length with your lips. Your thighs twitch when the rigidness of the underside of his cock runs over your clit.

"Ooh, fuck yes," you mutter to yourself, face crumpling with pleasure.

"That's good? You like that?" he asks, hands resting on your hips while you continue toying with yourself over him. You nod, knowing you're wet enough to take him without foreplay, which will be a different conversation for a different day.

He squirms when you take his cock by the base, guiding the tip to your entrance. "Oh, fuck, fuuuuck me," he gasps while you start sinking down on him, "Jesus fucking Christ. Shit."

He watches you sink all the way down to the base, bodies meeting again. He feels you press your weight on your hands on his chest, eyes rolling when you adjust your hips, walls tightening over him.

"Baby, I -- you're -- Jesus," he gasps, a soft groan follows suit. "Oh my god, oh my god," he hears you whine, eyes begging when he looks up at you.

"Are you okay?" he asks, nerves overriding his pleasure, "I'm sorry."

"No, no, I'm okay," you breathe out, "It's just you, fuck, you feel so good."

"I -- I feel good?" he asks, "I'm making you feel good?"

You nod over him, hips dragging up slowly and then back down, little soft gasps and moans coming out of your mouth when you lean your head back. He watches you in awe, light bursting behind his eyes and sparks going off in his belly while you pick up the pace.

"I'm -- oh my god -- I'm not doing -- shit -- I'm not doing anything," he admits, "How am I -- oh god, oh god --"

You slow down, resolving to grinding your hips slowly to answer him, "You don't have to do anything, you just...you fit like, perfectly in me."

He grabs a pillow and covers his face so you don't see him smiling like an idiot, "Are you saying I have a nice dick?"

You laugh and it sends vibrations down his shaft to his sac, his hips jump involuntarily. He feels you reach for the pillow and he grips it harder.

"C'mon, let me see you," he hears you say, relenting when that soft coaxing tone comes out of your mouth. You tuck the pillow off to the side, still sitting there with him inside of you. He puts his hands on your hips, sliding them down your thighs and then back up again.

He mumbles gently, "Can't believe you're here with me."

"I can," you smile, hips rising and falling again.

"Shit," he gasps, fingers pressing hard into the fat of your hips and back to your ass to steady you. He blanks out his mind, shaking out whatever Steve said, whatever porn he watched, whatever he read online. He lets you keep riding him until he sees stars and on instinct he wraps him arms over your hips to keep you in place and pull you to him.

"Want me to slow down?" you gasp out.

"No," he grins, planting his feet on the mattress. He bucks up into you, once, twice, three times until he gets a steady rythym. You feel like fucking heaven, and you sound like it too.

"Oh fuck, Eddie," you whine out, it's high pitched and needy. He grunts in response, chasing his high while your tits bounce in his face.

"Oh my god, oh fuck that's -- that's so good," you gasp, the end coming out in a yelp. Your nails did into his shoulders and he hisses in response, the pain feels good -- he makes a mental note of that to go back to later.

His thrusts slow as he feels himself getting closer to the edge, taking it away from him as he eases up. He wants this to last forever -- he can't even believe he's lasted this long.

"You good?" you ask, taking his face in your hands. He smiles, it's stupid, pussy-drunk.

"M'good, I'm so good," he says softly, "I wanna be on top now."

"Oh, okay," you chuckle out, "Let me just--"

You raise up off him and he whimpers at the feeling of you leaving. The cold air hitting his cock, his chest -- he feels exposed. You lay back on the mattress, legs open and spread for him while your hand travels down to rub lazily at your clit.

"You can't be serious," he whispers, "That's so hot."

"Me touching myself?" you ask.

"Yeah, you -- shit, you're a like a high preistess or some-something," he says, eyes wide with wonder while your hips squirm. He feels stupid after saying it, mentally scolding himself. You're such a fucking loser, Munson.

"Can you um," he takes a deep breath while he steadies himself between your legs, lining himself up with your opening, "Can you keep doing that while I -- do this?"

"Yeah," you nod, a whimper coming out of you when he pushes in. His body knows what to do but finding a rythym is hard at first. The caveman in him wants to just go for it, jackhammer you until he cums. He starts like that, hard and fast thrusts, grunting and moaning like an animal, hips smacking against the backs of your thighs -- but he can hear Steve in his head.

'Start slow and work your way up, try different angles -- when you feel her like...I don't know -- gush? That's when you know you're hitting it right.' 'Gush?" 'Yeah, gush. You'll know what I mean when you finally do it.'

He takes your legs, pressing them up against your chest -- a position he's definitely seen in porn. But the normal kind. The real couples kind. The kind where they're definitely in love. He readjusts, sliding back into you slowly, he smirks to himself when your eyes roll back, arms falling back to your ears.

Then he feels it.

The gush.

"Ed that feels so good," you whine, tears pricking your eyes, "You're doing so good, baby."

Eddie gasps, cock twitching wildly at the praise. His face gets white hot, biting his lip, "Thank you, thank you, thank you."

You catch his reaction, letting yourself get louder for him.

"You're such a good boy, Ed," you coo between moans, "You're so good for me."

"So good," he rasps back, hips starting to snap erratically.

"Oh baby, shit, fuck, I'm gonna cum -- m'gonna fuck -- cum," Eddie grunts out, laying flush against you while he finishes out hard and fast. He groans into your ear while you feel him spasm over you and inside you, riding out his orgasm until he comes to a stop. He takes a shaky breath but he doesn't get up, his chest and shoulders continue to shake, he sniffles.

He's crying.

"Oh, no, Eddie -- baby are you okay? What's wrong?" you ask, running your hand over the back of his head. He lifts up slowly, looking at you and your concerned face, your kiss bitten lips.

It makes him want to cry more, "Oh angel, I'm sorry. I'm not sad I --"

"I just love you so much," he sniffles, laughing at the ridiculousness of this, face already wet with tears, "I love you and I've never like -- felt close to anyone like this before. M'sorry for crying. I know it's stupid --"

"It's not stupid," you smile, pulling him to your chest, "I love you, too."

He laughs again, "Do you think I'm some loser virgin for crying?"

He sighs at the feeling of your nails against his scalp again, his body still so sensitive with the aftershocks of his orgasm.

"No," you smile, "Especially not a loser virgin. Since, you know, you're not anymore."

"I guess you're right," he says into your neck.

In the light of the three wick candle on your dresser, you both continued you lay there, naked and wrapped up in each other on your bed. You've switched around, your head on his chest and his hand stroking your hair.

"Do you uh," he starts, "Did you cum?"

You shake your head no, "I didn't, but that's okay."

"No, don't say that," he huffs, "Steve said that girls say 'it's okay' but that it's actually not."

"Psh, you really listen to everything that Steve says?" you argue.

"Well yeah, he's -- you know, he used to get girls before him and Nance were official," he says, "He wouldn't lie to me."

"Well I'm not lying to you either," you say, leaning on your side to look up at him, "It's okay."

He squints down at you, "I don't believe you."

With you on your side, he gets up on his knees again, hands finding your hips to lay them back on the bed.

"What're you doing?"

"I said, I don't believe you," he repeat, leaning down to kiss your stomach, your hip bone, the top of your pubic bone, "So I'm gonna make you cum."

"You're really confident," you say while he opens your legs to get between them.

"You think I can't?" he asks, a small frown falling onto his face.

"No, I'm sure you can," you urge, "I'm just saying, you sound really confident."

"It's sexy."

"Sexy?" he asks with a grin, kissing the inside of your knee, "I'll take it."

He looks down in the low light, your pussy still slick and glistening, still slightly puffy from earlier. No wonder guys ventured down here so often -- you looked delicious.

His fingers graze your inner thighs, making you shiver. His eyes meet yours, a devilish smirk dancing over his features, "Do you like that?"

"M'just excited," you blush, grabbing the pillow from earlier to cover your face. Eddie gets to work, laying down on his stomach, letting his lips slip and slide against your inner thighs before licking a thick flat stripe up through your lips. Your whine is loud enough to leak past the pillow, your hips grind slowly up against his mouth.

This was a skill he felt good about. He'd only done it once before a couple years ago during a really drunk hook up in the city, but he definitely didn't hear any complaints. And he figured, if he was a good kisser he had to be good at like...kissing pussy? That's how he thought about it at least.

His tongue traveled wherever he could let it go. Into your opening, against your lips, up and over the hood of your clit. He listened to your breathing, how your hips would react, the tensing in your thighs, trying to see where you liked it the best.

"Up a little higher," you instruct, pillow discarded, leaning on your forearms to look down at him. Your eyes meet and he melts, nodding while he moves up, waiting for your okay. He reaches up, the gods of cunnilingus speaking to him while he does, and pulls back the hood of your clit to lave his tongue over it.

"Ohmygod," you whisper out, head falling back on its hinge, "Don't stop."

"That's really hot," he croaks out to himself, looking at the expanse of your body above him, your exposed neck. He didn't mean to say it out loud. Fucking christ, he sounds like a teenager. He busies his mouth so he stops talking, sucking gently over you while your hips grind in time with his work.

"You can -- mm -- you can use your fingers, too," you tell him while your hand comes down to entwine in his hair. Eddie's eyes flutter closed, the gentle tug when you hit the right spots sends him reeling. His other hand comes up, tongue still flicking in alternating rhythms over your clit. He lets one finger slide in without resistence and then another -- Steve always said something about using two, but he doesn't remember, he just remembers 'curl upwards'. He pumps slow at first, your moans are getting to him, the sound hitting him right in his pelvis. The tightness of your walls around his fingers feels just as good as it was around his cock.

"Oh just like that, just like that, fuck," you gasp out. The praise sends him into a frenzy, hooking his fingers up to feel a different texture than before -- spongey, rigid.

But that's what it happens -- more than a gush. A flood, all over his fingers while your walls clench down hard on him. Hips rising off the mattress while you cum for him, whimpers and whines pouring out of your mouth.

"Easy, baby, easy," he giggles, free hand gripping your hip to ease it back down, "I got you."

You steady your breathing on the bed, feeling him detach from you, pressing soft kisses back up your tummy to your chest.

"You okay?" he asks gently.

"How," you breathe in, and out, "Did you get so good at that?"

He shrugs, "I dunno, just sort of winged it. Was I really that good?"

"You were really that good," you nod, "I came really hard."

"Fuck yeah," he nods to himself, still not realizing that he's thinking out loud, "Sick."

"Sorry," he says with an embarrassed shake of his head. You sit up, pecking him on the lips in a silent 'I love you,' and go to your dresser to throw on some pajamas. He reaches down off the bed to slide on his boxers, pulling his shirt over his head. You meet in the middle of the room and he can't help but hold you to him, feeling closer to you than he ever has. Magnetized, like you're meant to be touching at all times.

"I made brownies," you say, "They're already sliced up and in the microwave. Figured we wouldn't have time to get to dessert, so -- I prepped ahead of time."

"Is it lame to say I already had dessert?" he asks, a boyish grin showing off his teeth.

"Yes," you reply with a smile, "It is."

"Do you wanna watch Grease with me?" you ask while you walk to the door, warm light pooling into the room as you open it.

"Are you gonna say every line as it's being said like you always do?" he responds, following you out of the room, trying not to trip on Brutus who is scurrying past his feet to sleep on your bed.

"Of course I am," you say confidently, going to the kitchen to take out the plate of covered brownies in the microwave above the fridge. He takes them from you, placing them on the counter while he grabs two small plates from the cupboard above your head.

"Then I absolutely want to watch it with you," he smiles, a genuine full smile. Steve is gonna lose his fucking mind when he tells him.

Eddie Munson, resident virgin loverboy.

[angelshizuka]

I actually think Hazbin Hotel and Helluva Boss being so called "problematic" (though, what tf does that word even mean anymore, with the way it's being used for literally anything someone personally doesn't like) is exactly why I love it so much.

Modern media has gotten way too "pure" and "wholesome" for my liking. I mean, I like it from time to time, but I'm sick of it being shoved down my throat as the only meal option. Because god in heaven forbid characters have flaws and arcs anymore. Nowadays they're expected to always have been good little beans from the start, with nothing to learn, because they're already right and everyone else is just wrong. Even villains, the characters we are supposed to enjoy hating, now commit some of the mildest crimes imaginable, because godforbid evil characters are shown doing evil things.

It's all thanks to the kind of people who act like showing fictional characters "committing a crime" in a fictional world is the literal same thing as that crime actually being committed in the real world... I need people to tell me they know the difference between those two things, common sense can't be THAT dead... right??

This is also one of the reasons I'm so happy these shows are for mature audiences, because the "think of the kids" arguments can finally fuck off and there's no need to "dumb things down for the kids" (despite kids who grew up decades ago being able to handle it just fine). Either you're mature enough for these shows or you're not, but it's not our problem if your media literacy hasn't matured beyond kindergarten.

Like, I grew up with movies that showed the villain literally burning down an entire city, because he had a boner for a woman who didn't want him. Or heck, when they had the balls to show the main character literally killing the co-lead's mother, because of his own bigotry. (A cookie for the people who know which movies I'm talking about!) Modern "kids media" could never.

The best way I can describe HH and HB is the fandom of a 2000s show, so like the best of both worlds. With a bit of modernization sprinkled in, because yes, I can acknowledge the 2000s wasn't perfect either. I just feel like these shows really know what tropes to ditch and which ones to keep. As someone who grew up with shows in that era and has been active in online fandoms since the mid 2000s, it just makes it right up my alley.

And considering Viv is barely a year older than me, this doesn't suprise me. I also think it's why she understands her fandom so well, because she's literally been on the fandom side of this sorta thing.

[thekillingvote]

No Birds Allowed: Batman without Robin

The usual claim is that Jason Todd was singularly hated by audiences. Dick Grayson, Carrie Kelley, and Tim Drake are proper, beloved Robins—and Jason Todd is the one and only outlier so unlikable that audiences killed him off by popular vote.

But this claim ignores a massive piece of the puzzle—the Robin role has long been treated as an outdated remnant of a childish era, not only by a significant share of Batman fans, but also by Batman creative teams. While there were definitely fans who hated Jason Todd, he was at least partly chosen to be killed as a scapegoat for some long-standing complaints about the Robin role in Batman stories.

The 1988 poll to kill Jason Todd wasn't just a poll to kill Jason Todd—the poll to kill Robin was a poll to kill Robin.

Fan letters columns from Batman #221 and Detective Comics #398, reacting to Dick leaving for Hudson University in Batman #217 (1969):

Denny O'Neil Batman/Detective Comics writer (1970-1980) Batman group editor (1986-2000) on sending Robin away to Hudson University:

Dan Greenfield: Actually, last night I went back through my comics and the one thing that always strikes me is that before you came onto the character, they’d already made the decision to have Robin leave. Robin was up at Hudson University and was used sparingly from that point forward. Denny O’Neil: Well, that was a conscious decision of mine. Greenfield: Oh! O’Neil: Yeah, I mean … I had been offered Batman a year before I did it. Greenfield: No kidding? I wanna hear this. O’Neil: Because that was in the (Batman TV show) camp thing. The comics were very half-heartedly following in the footsteps of the camp because it was having a palpable effect on circulation. That’s not always true but it was in that case. Camp as in the sense — as opposed to the more erudite sense — this one-line joke about: “I loved this stuff when I was 6 and now that I’m 28 and I have a bi-weekly appointment with a therapist and a little, mild drug habit and two divorces, ‘Look how silly it is.'” I would go into the most literary bar in Greenwich Village on (Wednesday) or Thursday evenings and there would be writers and poets and college professors, all looking at Batman! But when that was over, it was over. It was like somebody turned a switch. And that’s when (editor) Julie (Schwartz) said, in his avuncular way, did I have any ideas for Batman? And at that point, I wasn’t going to be asked to do camp. I was going to be asked to do anything within the bounds of good taste, etc., that I wanted to.

O'Neil, quoted from “Notes from the Batcave: An Interview with Dennis O’Neil” in The Many Lives of The Batman: Critical Approaches to a Superhero and His Media:

There was a time right before I took over as Batman editor when he seemed to be much closer to a family man, much closer to a nice guy. He seemed to have a love life and he seemed to be very paternal towards Robin. My version is a lot nastier than that. He has a lot more edge to him.

O'Neil in 2015:

Modern Batman does not do camp. He has to evolve but to stay true to the concept he has to stay lonely. The kids, there shouldn't be many. Keep him the lone, obsessed crusader and the stories will be better. We did a story called Son of the Demon. It told a story where he had a kid, a baby. It wasn't in continuity. These days, the kid came back and became the new Robin, and I hear that Batman's got a few more running around.

Jim Starlin, Batman writer (1987-1988), writer of A Death in the Family:

I tried to avoid using [Robin] as much as I could. In most of my early Batman stories, he doesn’t appear. Eventually Denny asked me to do a specific Robin story, which I did, and I guess it went over fairly well from what I understand. But I wasn’t crazy about Robin.

I thought that going out and fighting crime in a grey and black outfit while you send out a kid in primary colors was kind of like child abuse. So when I started working on Batman, I was always leaving Robin out of the stories, and Denny O’Neil who is the editor finally said, "You gotta put [Robin] in."

In the one Batman issue I wrote with Robin featured, I had him do something underhanded, as I recall. Denny had told me that the character was very unpopular with fans, so I decided to play on that dislike. [...] At that time, DC had this idea that they were gonna do an AIDS education book, and so they put a box out and wanted everybody to put in suggestions of who should contract AIDS and perish in the comics. I stuffed it with Robin. They realized it was all my handwriting so they ended up throwing all my things out. About six months later, Denny came up with this idea of the call-in thing. [...] I didn’t find out about it until I came back [from Mexico] and found out that, just as I expected, my ghoulish little fans voted him dead. But by a much smaller margin than I’d imagined. It was only like 72 votes out of 10,000, so statistically it was next to nothing.

Dan Raspler, assistant editor/associate editor to Denny O’Neil (1988-1990):

Denny wasn’t really interested in comics continuity, and he didn’t like superheroes. And if you read his work, you see his influence was really a pushing away from the conventions at the time—it was growing old, that sort of Golden Age-y, Silver Age-y stuff, and Denny sort of modernized it, and he never stopped feeling that way. Jim Starlin’s Batman appealed to Denny. It was a little more ‘down to Earth. Nobody liked Robin at the time. For a while Robin was not—it didn’t make sense in comics. Comics were darkening, and so having the kid was just, it was silly, and even at the time I kind of didn’t. Now Robin is my favorite all-time character, but at the time when I was twenty-whatever, I accepted kicking Robin out, the short pants and all the rest of it.

Comic shop owner Phil Beracha on A Death in the Family, quoted in The Sun Sentinel (October 22, 1988):

"I got 100 copies, and I don't expect them to last past the weekend," said Phil Beracha, owner of Phil's Comic Shoppe in Margate. "I usually get 50 copies of Batman. I doubled my order, and I still expect to sell out." The readers voted right, Beracha said. "Robin is an outdated concept. He was created in the `40s, and back then in a comic book you could have a kid beating up grown men. I don't think that works today."

Writer Steve Englehart, quoted in "Batman, the Gamble; Warner Bros. is betting big money that a 50-year-old comic book vigilante will be a `hero for our times'" in the Los Angeles Times (June 18, 1989):

Writer Steven Englehart, who did a series of Batman stories in Detective Comics, also worked up some movie treatments. In a letter to Comics Buyer's Guide, he revealed the approach he had in mind, which would have pleased Batfanatics: "My first treatment had Robin getting blown away in the first 90 seconds, so that every reviewer in the country would begin his review with, `This sure isn't the TV show.' "

Michael Uslan, producer and film rights holder for the 1989 Batman film:

I only let Tim [Burton] see the original year of the Bob Kane/Bill Finger run, up until the time that Robin was introduced. I showed him the Steve Englehart/Marshall Rogers and the Neal Adams/Denny O'Neil stories. My biggest fear was that somehow Tim would get hold of the campiest Batman comics and then where would we be?

"Death Knell for the Campy Crusader" in the Orlando Sentinel (23 June 1989):

For most people, the name Batman summons up a picture of a clown in long johns, a Campy Crusader who - with the young punster Robin - ZAPed and POWed his way into our lives. That's the Batman that appeared on TV in the mid-'60s, and that's the Batman that the world at large knows. Such is the power of television. But this ludicrous image may become obsolete now that the new, $40 million Batman movie has opened. Robin is absent from the film, as are the perky Batgirl and the utterly superfluous Aunt Harriet of the TV series. And though the movie has plenty of sound effects, they don't appear on the screen as words, spelled out in neo-Brechtian absurdity.

Sam Hamm, writer for Batman (1989 live-action film):

The Case of the Disappearing Robin is high comedy. Tim (Burton) and I had worked out a plotline that did not include the Boy Wonder, whom we both regarded as an unnecessary intrusion. Really: Our hero was crazy to begin with. Did he have to prove it by enlisting a pimply adolescent to help him fight crime? Was Bat-Baby unavailable? But the studio was insistent: There was no such thing as solo Batman, there was only Batman and Robin. So, after holding off the executives for as long as we could, Tim and I realized we had better try to accommodate them. He flew up to my house in San Francisco and we walked around in circles for two days, finally deciding that there was no way to shoehorn Robin into our story. [...] We figured that if we managed to squeeze him in, the lame hacks who were making the sequel could worry about what to do with him next. When the film went into production in London, and ran seriously over budget, WB started looking for a sequence that could be cut to save money. And there was one obvious candidate: Intro Robin! So Robin was cut from the movie and shoved back to Batman Returns— from which he was cut yet again and shoved back to Batman Forever.

Grant Morrison on creating Arkham Asylum: A Serious House on Serious Earth (written 1987-1988, published 1989) with Dave McKean (see the annotated script's fourth page):

The original first draft of the script included Robin. Robin appeared in a few scenes at the beginning then remained at Police Headquarters for the bulk of the book, where he spent his time studying plans and histories of the house, in order to find a way in to help his mentor. Dave McKean, however, felt that he had already compromised his artistic integrity sufficiently by drawing Batman and refused point blank over for the Boy Wonder — so after one brave but ridiculous attempt to put him in a trench coat, I wisely removed him from the script.

Paul Dini on Batman: The Animated Series (1992), as told in the 1998 book Batman Animated:

The Fox Network, on the assumption that kids won't watch a kid’s show unless kids are in it, soon began insisting that Robin be prominently featured in every episode. When Fox changed the title from Batman: The Animated Series to The Adventures of Batman & Robin, they laid down the law-no story premise was to be considered unless it was either a Robin story or one in which the Boy Wonder played a key role. Out were underworld character studies like “It's Never Too Late"; in were traditional Batman and Robin escapades like “The Lion and the Unicorn.” A potentially intriguing Catwoman/Black Canary team-up was interrupted in midpitch to the network by their demand, “Where's Robin?” When the writers asked if they could omit Robin from just this one episode, Fox obliged by omitting the entire story. Looking back, there was nothing drastically wrong with Robin's full-time insertion into the series—after all, kids do love him. Our major gripe at the time was that it started turning the series into the predictable Batman and Robin show people had initially expected it would be. For the first season, Batman had been an experiment we weren't sure would work. We were trying out different ways of telling all kinds of stories with Batman as our only constant. For better or worse, having a kid forced him, and the series, to settle down.

Christian Bale, star of Christopher Nolan's The Dark Knight trilogy (2008):

If Robin crops up in one of the new Batman films, I'll be chaining myself up somewhere and refusing to go to work.

Summed up

Among the keepers of Batman, there has been a vocal contingent arguing against the inclusion of Robin. They argue that Robin damages Batman's brooding, solitary persona. They argue that the concept of Robin is too ridiculous and fantastic for the grounded, gritty ideal of Batman. They argue that a respectable version of Batman shouldn't allow, encourage, or train "child soldiers" to endanger their lives fighting against violent evil-doers.

The original and most iconic Robin, Dick Grayson, has definitely benefited from his deep roots in DC lore and his consistent popularity among fans—and yet even he has been shunned from various Batman projects over the decades. When even he struggles to get his foot in the door, his successors face stiffer opposition.

So it's not quite correct to say that Jim Starlin hated Jason Todd. In his own words, Starlin wasn't fond of Robin, and his storytelling (most obviously A Death in the Family) set out to argue against Batman having any kind of "partner" at all. This, following the wildly successful comic that treated Barbara Gordon as a disposable prop. A growing audience welcomed the Dark Age, and the gruesome spectacles made of kid-friendly elements like Batgirl and Robin.

This trend could be broken by the upcoming sequel to The Batman and by the planned slate of upcoming DCU films. But most Robin fans will tell you that many movie-going Batman fans still have their doubts about Robin sharing Batman's spotlight.

[vamplire]

lgbtq+ films per decade

1910s:

Different from the Others (1919)

Two male musicians fall in love, but blackmail and scandal makes the affair take a tragic turn.

1920s:

Wings (1927)

In this silent film, romantic rivals fly against the enemy in World War I.

1930s:

Queen Christina (1933)

Queen Christina of Sweden is a popular monarch who is loyal to her country. However, when she falls in love with a Spanish envoy, she must choose between the throne and who she loves.

1940s:

Rope (1948)

Two men attempt to prove they committed the perfect crime by hosting a dinner party after strangling their former classmate to death.

1950s:

Rebel Without a Cause (1955)

A rebellious young man with a troubled past comes to a new town, finding friends and enemies.

1960s:

The Children’s Hour (1961)

A private school for young girls is scandalized when one student accuses the two young women who run the school of having a lesbian relationship.

1970s:

The Rocky Horror Picture Show (1975)

A story of creation, love, hate, adventure, and most of all, sex.

1980s:

Maurice (1987)

After his lover rejects him, a young man trapped by the oppressiveness of Edwardian society tries to come to terms with and accept his sexuality.

1990s:

My Own Private Idaho (1991)

Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.

2000s:

Dorian Gray (2009)

A corrupt young man keeps his youthful beauty eternally, but a special painting gradually reveals his inner ugliness to all.

2010s:

Call Me by Your Name (2017)

In 1980s Italy, romance blossoms between a 17 year old student and the older man hired as his father’s research assistant.

2020s:

Ammonite (2020)

In 1840s England, an acclaimed but overlooked fossil hunter and a young woman sent to convalesce by the sea develop an intense relationship.

[hypocriticaltypwriter]

🍒Welcome to My Pad!🍒

Hi there! I'm Cherry or Cherri! I'm a female artist from Utah who loves ninja turtles, vampires, 80s glam, and cheesy early 2000 crime shows!

My pronouns are She/Her or They/Them! I'm Bi-curious heterosexual!

I'm a fellow selship artist/writer who's mostly known in the TMNT Fandom and Lost Boys Fandom for my Tamsin and Chrysta! But I'm into more than just these shows. You can also find me scrolling around in...

The Tolkien universe, Fablehaven, 80s Horror slashers, indie horror games, Lackadaisy, Psych, Office, Eddsworld, Demon Slayer, Marvel, Spider-verse, Merlin, Invader Zim, Narnia, Animaniacs, and MANY more!

Find me on Discord under hyp0criticaltypewriter and Instagram hypocriticaltypwriter!

You can also see a few of my OCs and Other self Inserts as well here!

-Nancy Sullivan

-Gwendolyn

-Tammy Sullberry

-Talaney Anne Morris

-Parker Peterson

-Kana Rengoku [OC wip]

-Taiko Ayashi [OC wip]

-Amai Roberts [OC wip]

- Pam Suthers [Self insert wip]

-Evelyn Rose [Self insert wip]

-Nimzy [OC wip]

-Moonshire [OC wip]

🍒🩷About Me🩷🍒

My hobbies include baking, jewelry making, embroidery, drawing, writing, and singing! I enjoy very homey and crafty activities, especially things to do while relishing in my love for traveling and camping!

I'm usually comfortable with sharing F/Os, but feel free to talk to me if so! Sometimes, it depends on certain or specific F/Os!

I love meeting people, so feel free to talk to me! My inbox or messages are always open as long as you can be polite and respectful. Everyone is welcome, and my page is a safe place! I will not tolerate Proship, pedo, tcest/incest, racism, homophobia. Please DNI and or block me before I block you.

My blog is meant for ages 16+!

✍️Sideblogs✍️

@sentimentalkeyboard [original characters and writing]

@hypocriticalspicewrites [NSFW blog. 18+ ONLY please!]

🛼RP blogs🛼

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@dead-n-hopeless

🩷✨️TAGS✨️🩷

🍒daily dose of cherry🍒 [all my art and writing will be found under this tag!]

🍒cherrys spice cabinet🔥 [spicy/NSFW art and writing tag]

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🎀CobraBaby🎀 [stand by me selfship tag]

🦇🤍White Wedding AU🤍🦇 [The Lost Boys AU tag]

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the last hope au [for my ROTTMNT AU]

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CITIZENS OF THE CHERRY CONATION STATION NATION YOU HAVE A NEW DECREE AND RULE: Any posts of my silly KIEFER SUTHERLAND or ALEX WINTER you are OBLIGATED to tag me 🫵 IF YOU DO NOT FOLLOW THE RULES YOU ARENT ALLOWED TO THE SLEEPOVER and you CAN'T watch LOST BOYS or BILL AND TED with US

[pastafossa]

Happy Birthday and a merry 6 years to TRT! 🎂 🎁 🎈 🎉 🍰

🕯 🕯 🕯 🕯 🕯 🕯

Some FUN TRIVIA FACTS:

TRT's sun sign is VIRGO and its moon sign is LEO!

After 6 years, its current wordcount is 932k words. If you put that in size 12 arial font, single-spaced, this would come to about 2000 pages, and even more if the pages were the usual mass market paperback size!

TRT is now 40 in cat years!

The Man in the White Coat is my tribute to the Mad Scientist trope common in scifi, which is one of my favorite genres!

It is old enough developmentally to tie its shoes! Keep going, TRT!

Ciro is partially inspired by John Marcone from The Dresden Files!

TRT shares a birthday with literary great Agatha Christie! Maybe I'll introduce poison-based murder into the fic in her honor...

The idea of seeing threads came to me after seeing a meme about red threads tying soul mates together. Everything that came after - the other threads, the thread world, how it works, is unique to TRT!

TRT is now longer than War and Peace, and Crime and Punishment combined! So if you've read all of TRT so far, then you have the perfect middle finger to anyone who tries to say you can't focus on longer stories!

The inciting penguin documentary that Foggy drunkenly watched (which led to him declaring Matt and Jane 'penguins') was about Adelie penguins specifically!

Jane has a leather jacket because I love leather jackets and think all badass characters should have a leather jacket! And so you should you! EVERYONE DESERVES A COOL LEATHER JACKET.

The long hiatus between Chapter 4 and Chapter 5 was because I had life things pop up. During that hiatus, I realized the plotline/ending needed some work, so I spent those two years outlining, and I also wound up doing a bunch of additional novel writing classes just because I wanted to learn. A lot of this wound up influencing TRT!

The grey threads are one of the only threads that no one has solved yet!

There are absolutely some bad people working for Cyrus James. There is also a guy named Kyle. He is there not for Evil Purposes (tm) but instead because this was the only place he could work that would allow him to pay off his student loans.

When I started TRT, I thought maybe 5 people total would read it. I was told five people total would read it by some shitty people. So I wrote it expecting five total people would read it, and told myself at least I'd enjoy it, and I could use it to learn. In other words: I had ZERO idea TRT would take off like this. None. Nada. Zip. AND LOOK AT US NOW, BABY. FUCK THE HATERS, 6 YEARS AND GOIN' STRONG.

Based on my outline, we're a bit over halfway to the end!

I hope you enjoyed these TRT funfacts. And I hope you know: this fic isn't just me. It's you, too. This fic has become so much larger than just me. It's the TRT playlist you've sent songs in for that keeps me inspired when writing. It's the fanart I look at to give me a boost. It's your sweet comments and likes and kudos and messages that encourage me when I'm sick or depressed. It's the people who've made friends over this fic, or who've been inspired to write fic themselves, adding beautiful works to the community that we all use to keep going. It's all of this love for both TRT and Matt, and I'm so happy that I've been able to contribute in at least a small way in keeping Charlie!Daredevil love alive even after the show's been gone for years now. I love you all so, so goddamn much. I love this fandom. I love TRT with all my heart. Thank you so much for being a part of these past six years through cancelations, through your high school and college years and beyond, through my ups and downs of moving and sickness and fiberglass and pandemic craziness, through late night chapter drops and wild twists and turns.

And I hope the next few years as we enter the second half of this story are just as amazing!

[manwiththemagic]

Some of my favorite spn episodes are were it's from someone else's prospective.

Like the ghost faces ep or s8 EP4 bitten with those nerdy camera kids!!!

Because not only is the editing fun, like it's some rando docu series from the 2000's made by kids in a basement (super underground, literally), but it is that! Like it's just a bunch of kids/young adults doing stuff and learning about the supernatural for the first time!!

So of course that's very interesting and new because when spn starts off Sam and Dean already know about the world, they grew up in it. Which is good because, well the narrative, but I love seeing fresh meat.

It's like all those other books and TV shows. The nativity of watching them try and figure out a crime? Amazing. 10/10.

But also it's the outside perspective on Sam and Dean that I love. Like duh these guys show up and are all tall and intimidating, weather they're pretending to be FBI agents or just fighting ghosts. Would you trust them?? No.

Like in the episode bitten where a guy gets, well yk, his GF and best friend gotta figure out what to do. The nerdy best friend wants to be all super powered up like the guy which is important for later, but not in the perspective of Sam and dean.

These collage kids, high, get a knock on the door from the FBI agents who were investigating the dead guy that popped up and asked if someone was bitten?? One weird question, two someone WAS bitten, and three the men walk off talking about killing a Mayan god. So obviously the kids keep it to themselves and investigate these 'cops'.

Find out they *aren't* cops and are instead some kinda hunters? Who are after the thing that turned the guy. So obviously they aren't gonna trust em??

Anyways I love those episodes, it's like watching a old YouTube video put online in 2010 by a couple of dweebs who somehow found some shit. Like it reminds me of the lame older brother in 90's movies.

[acidichcl]

I’ve been seeing people make their own tmnt iteration for a while now and i wanted to finally join in the fun. Im not as creative tho so 😭 whatever. Heres me doodling the main cast to get an idea what they look like in my version

Edit: this is kinddaaa outdated. Theres been a few changes to their designs

I wanted to get the 2000s cartoon vibes. And i was thinking of sgt frog too while making this so there might be the same vibes. I love sgt frog. I call this version TMNT: Against All Odds. Probably sounds corny but idk, sounds catchy

Some info about them under the cut

April’s the one who dressed them up based on their interests. Excluding leo’s and donnie’s techs. Donnie made his tech and leo’s hologram control thing. And leo’s hologram necklace is actually a gift April got from her science teacher, Baxter Stockman. More on that later tho. Maybe. Idk yet

In my version, things are more lighthearted. Shredder is an alien that took over the utroms planet and so the utroms escape to earth. Theyre like pests tho, they carry ooze that makes ppl sick. Theyre not TOO harmful, but theyre bothersome. the turtles do fight crime that happens and also tries to help out with utrom situations. The turtles are mostly carefree and has a more positive outlook on everything. Leo tends to be the most innocent, other than mikey. They both have so much joy and love in their hearts bless them

The best way i can describe donnie is that he’s like Rise donnie but less vocal abt his sense of superiority and intelligence(?) my donnie is more mysterious and puts on an off-putting facade just for the fun of creeping people out. He cares for others tho and it rlly shows that hes kind hearted. Just a bit weird and sometimes takes his pranks too far (he pranks his brothers with his inventions to show how impressive his inventions are. Sometimes it fails and so their adventures consists of them having to get around donnie’s invention problems) if you watch Sgt frog, then u can tell i got heavily inspired by Kululu lol

My raph is basically like 2003 raph i think, just a bit nicer

For April, i wanted to make her be a popular girl in her school. Shes not a mean popular girl. She just is popular for some reason and shes cool with everyone. Everyone gets along, mostly, but she just doesnt like being around people and prefers to stay home doing her own thing. Shes an art kid who loves anything artsy, especially making her own stories

Overall theyre just having fun tbh. I want them to not have trauma for once😭 or at least not yet. Other than the whole utroms situation, their problems are mostly them wanting to have fun outside and do normal people stuff but April doesnt let them cuz she knows people will be weirded out by them. And other shenanigans. I do have more plans for them but for now, this is all

Close ups without the little notes: