#19th (thai time) :((

[loversmore]

“you make others happy; you must not forget your own happiness.”

smiley fourth and gemini, for @hyunsung ❤️‍🩹

[virtualtadpole]

Behind the blue shorts: How an all-boys Catholic school sparked the origination of Thai BL

(Cross-post from Reddit)

One evening this past July in Bangkok's long-time youth hangout of Siam Square, a crowd was gathering in the street, around an area set aside for busking musicians. The mostly young-adult female audience politely applauded as several high school bands took turns performing, but they were actually waiting for a different act. After some time, the crowd began to stir as members caught sight of some two dozen teenaged boys, all in a uniform of white shirts and bright royal blue shorts, headed towards the gathering. As they filed out onto the makeshift stage area, the boys were loudly greeted with passionate, enthusiastic screams, all too characteristic of fans cheering on their idols.

But these boys weren't actual idols - not yet, at least. They were all brand new actors, yet to appear on screen anywhere. They were the cast of Love Sick 2024, an upcoming remake of the pioneering Thai BL series whose tenth anniversary they were celebrating that day, in one of their first public appearances.

Why, then, would such inexperienced newcomers inspire such fervent devotion?

The Love Sick 2024 boys (and three girls) with their audience (Tia51)

Well, for starters, the original Love Sick series is a quintessential classic of Thai BL, arguably the one pivotal work that kick-started the entire TV genre - which in the decade since has developed into an industry worth multi-millions and recognized as a major cultural export. It still holds a place close to many long-time fans' hearts, and BL, like other phenomena of fandom culture, has been known to elicit very enthusiastic emotional responses from followers.

But the scenes witnessed with Love Sick 2024's actors are actually quite reminiscent of those previously seen during the original's release, when BL series didn't yet even exist as a category. Surely, there must be something else underlying this series' - and its actors' - popularity.

Let's take a closer look.

Love Sick's real-life inspiration

In chapter 21 of the original Love Sick novel, Noh, having taken delivery of the music club's new set of drums and overseen band practice for the evening, spends some time sitting around on the stands along the sports pitch next to the F. Building, wondering how he's going to pay for them. It's not long before Earn shows up to rescue him from his financial troubles, but let's pay attention to the location.

The F. Building Noh mentioned is an actual place - F. Hilaire Building at Assumption College (AC) in Bangkok. It is named after Frère (Brother) Hilaire, one of five French missionary teachers of the Catholic Brothers of St. Gabriel who arrived in Siam in 1901.

In the late 19th century, Siam (Thailand's historical name) was rapidly modernizing in response to colonial pressures. American Protestant and French Roman Catholic missionaries played a large role introducing technological and medical advances, and also established some of the first schools in the country as the royal government introduced reforms to formalize the education system. Father Émile August Colombet, the head priest of what was then Assumption Church, founded Assumption College as a school for boys in 1885, and after a decade of growth, the Brothers were invited to help run the school. A convent school for girls, run by the Sisters of St. Paul of Chartres, was established next door soon after.

While the early government schools mostly served the aristocracy, the missionary schools catered more to the general populace, especially the minority ethnic groups who also formed the majority of their congregations. However, while they are remembered today for their legacy of modernization, the missionaries had relatively little success proselytizing, and the large majority of their students remained Buddhist.

Over time, these schools expanded and grew. The St. Gabriel's Foundation now operates over a dozen schools, as well as a university, and Assumption College is regarded as one of the most elite private schools in the country. Its lengthy list of famous alumni includes names from several of Thailand's biggest business families, as well as major political figures, demonstrating its historic stature and the strength of its alumni network. Today, the stereotypical image of its students is of those coming from wealthy or upper middle-class families of Chinese descent, and hefty donations are the norm for families looking to secure placement for their sons.

AC student Keen (Only Boo!) giving a presentation in 2022 on his team's experience joining a NASA-sponsored CanSat (miniature suborbital satellite) competition. It's not like every school has an aerospace program. (Assumption College, via Workpoint Today)

Brother Hilaire, barely 20 when he arrived in Siam, spent his next 67 years dedicated to the school. He learned Thai well enough to write the foundational Thai textbook series Darunsueksa, which remains in use over a century later. Along with Father Colombet, he is memorialized as one of the school's two most celebrated figures.

Today, the building which bears his name overlooks the school's central courtyard, an assembly ground of red brick facing the apse of Assumption Cathedral, an imposing Romanesque Revival structure nestled in Bangkok's old European district along Charoen Krung Road, the city's first modern paved street. Guests headed to the famous Mandarin Oriental Hotel nearby might catch glimpses through the steel palisade fence of boys in their white-and-blue uniforms playing football in the tiny sports pitch - the very place where Noh and Earn had their conversation in the novel. The stands are no longer there, but were present in 2007 when The Love of Siam was filmed at the school. Also appearing in the film, and the site of Noh's classes in the novel, is the 13-storey school building which now towers over the cathedral in order to accommodate its secondary student body of some 2,500 within the limited historic space. (The primary section had been split to a different campus in 1966.)

The F. Hilaire Building clock, and Kao Jirayu as young Tong in the sports pitch, seen in The Love of Siam (Sahamongkolfilm International)

A nativity play right in front of the cathedral would be epic. However, this is artistic licence, as the school's primary section lies elsewhere. This area is now the red brick courtyard; Noh actually mentions in the novel that the school was undergoing a lot of landscaping projects. (Sahamongkolfilm International)

The Love of Siam may have been one of the first few instances where the wider public got to actually see what things looked like inside the school. Although it was only standing in as a location for the fictional St. Nicholas School, there was something about seeing students in their sea of blue uniform shorts that tickled the imagination. Such was the effect that when Love Sick began serializing as a web novel on Dek-D.com a year later, the Thai subtitle, usually translated as The Chaotic Lives of Blue Shorts Guys, undoubtedly helped fuel its popularity.

But what's so special about these blue shorts anyway?

This might come as a surprise to international viewers who've only primarily seen Thailand through its TV series, where they tend to be over-represented, but school uniforms with blue shorts are actually rather uncommon in real life. Let's look back again to Brother Hilaire's time, to find out more about their origins.

A history of the blue shorts

In the early days of formal education, most schools did not have defined uniforms, and AC students wore a varied assortment of costumes according to their ethnic background. The school first introduced a uniform in 1933, consisting of a white standing-collar jacket with metal buttons bearing the school insignia, blue shorts, a white pith helmet, white socks, and black leather shoes (though the helmet, socks and shoes remained optional). This was similar to a form already used by some royally affiliated schools since the 1910s,* though their shorts were navy or black. The reason AC opted for blue shorts is not recorded, though some writers have postulated that it may have been to reflect the common colour of the raj pattern costume, the formal dress of the time.

A class of AC students, with their teachers, in the 1940s. It's unclear whether the shorts were the school's original blue, or khaki green in accordance with the 1939 law. (Assumption Association, via The Cloud)

The first piece of legislation governing school uniforms came out in 1939 under the Fascist-leaning regime of Prime Minister Plaek Pibulsonggram. Male students in government schools were assigned a khaki green military-style uniform to match that of the government's Yuwachon Thahan military youth movement. Some AC students also joined the movement, though those who didn't continued to wear the white uniform, creating an interesting contrast which we'll come back to later. In 1943, at the height of World War II in Southeast Asia, a new law extended the khaki green uniform to all schools, but it's unclear whether it ever took effect as Pibulsonggram was ousted the following year and the Yuwachon movement was dissolved after the war's end.

In 1949, the old regulation was scrapped and replaced with a new one, which codified school uniforms to the almost exact same appearance we see today: for boys, a white shirt, shorts, a belt, socks, and shoes. But the shorts were to be khaki for all schools, except those who requested otherwise to the Ministry of Education. Assumption, together with its sister Gabrielite schools, were among the first to register exemptions and became the only schools with blue shorts for their uniforms for several years.

In 1961, the national regulation was changed again to allow schools to choose between khaki, blue, navy, or black shorts. As time passed, boys' uniforms developed into the convention we see today: black or khaki shorts for government schools, blue or black for private schools. But given their prominence, the image of the all-boys Catholic school has remained one of the strongest associated with the blue shorts uniform.

Not that it mattered much back then, though. In the pre-digital era, people's exposure to different schools was mostly limited to their immediate locality and depictions in the media. While blue-shorts uniforms did feature in some teen movies and sitcoms in the 1990s,† those works didn't really play into the stereotype, and the 1997 financial crisis soon disrupted most media production anyway.

Attracting attention

Then several things happened. The BTS Skytrain opened in 1999, and Bangkok became much smaller overnight - at least for the middle class. Cram schools moved into building spaces in Siam Square left vacant from the recession, and saw an explosion in popularity. School students from all over now flocked to Siam Square in the evenings, and the video classrooms became something of an inter-school melting pot where one could catch sight of all sorts of uniform styles and colours.

And the AC boys, they very much stood out.

It's unclear exactly when things began, but throughout the years, Assumption students had developed a fashion culture of their own. The school is one of a handful that require leather shoes (as opposed to canvas),‡ and its upper-secondary students usually opted for a certain pointy style produced by a couple of old shops on Charoen Krung Road. They would also have their shorts tailor-modified to be very short - typically 15 inches or less, while uniforms coming out of the factory are usually 18 inches at the shortest for high-schooler sizes - and wear them with waists pulled very low. This was despite the rule book stating, like any other school's, that shorts should reach no more than 5 centimetres above the knee. It's actually a common refrain of experiences retold by AC students and alumni that they'd get into trouble for their shorts and shoes whenever the disciplinarian teacher would inspect their uniforms. But it was also part of the challenge, to stay on top of the fashion of their peers and at the same time get away with it.

This fashion only added to the fact that those vivid blue shorts are very visible, like, even from 100 metres away. So, coupled with the stereotype of them being rich kids with likely above-average attractiveness, these AC boys' uniforms easily caught attention, whether they were entering late into a cram school classroom or queuing for the train at the BTS's central interchange at Siam Station during rush hour.

This group strolling down the streets of Siam Square would surely draw plenty of eyes in real life. (Sahamongkolfilm International)

The turn of the 21st century also saw the spread of internet access, and with the early web came the proliferation of online discussion forums, both smaller ones serving specific groups like schools and larger public communities like the youth-oriented Dek-D. Suddenly, it became possible to peak into some of the conversations kids elsewhere were having and share in the knowledge of their hijinks at school. This, in some ways, helped fuel the fantasy of this exclusive boys' world, filled with good-looking guys in revealing shorts who weren't averse to having physical contact with each other.

The online forums also gave birth to web fiction, which soon expanded to include the emerging Y (BL) genre. Naturally, these trends eventually converged to give us plenty of Y fiction set in all-boys schools. But the epitome of these wouldn't arrive until after The Love of Siam hit screens in 2007.

The Love of Siam was probably the first major work in a decade to prominently feature the blue shorts uniform,§ and this time it was actually used to highlight the Catholic boys' school setting, employing AC itself as the location. Though it appeared only in a few short glimpses, they were powerful images that further inspired fascination with the real-life school.

It might be because it's accurate, or because the film has completely coloured viewer's perceptions, but this scene is exactly how one would imagine things to be like in those Catholic boys' schools. (Sahamongkolfilm International)

Then in 2008, Love Sick quietly began serializing on Dek-D's writers' section. The story's premise was simple, but it so effectively tapped into this collective fascination and quickly rose up the site's readership charts. Its popularity came no doubt thanks to author Indrytime's extremely lively and enjoyable writing of Noh, who narrates the story throughout. But a large part of the appeal is also attributable to the lifelike portrayal of his school life, with plenty of references to actual locations both within the school and outside - including the convent school next door and the numerous shops of Siam Square. The novel also name-dropped some of the school's actual teachers who, in Catholic school fashion, are addressed as Miss and Master, and Noh even mentions specific happenings at AC, like the new belt buckles that had been added to the school uniform for younger students that year. The only thing not mentioned was the name of the school, which was intentionally left blank. So close did the story feel to real life that the author had to emphasize its fictional nature when people started speculating about the real identities of Punn‖ and Noh and tried to identify them with actual AC students.

But the most significant reference to real life in Love Sick by far must be its descriptions of what is clearly meant to be the Jaturamitr football competition - a biennial event between Thailand's four oldest boys' schools: Assumption College, its Protestant counterpart Bangkok Christian College (BCC), and the royally founded government schools Suankularb Wittayalai (SK) and Debsirin (DS). The tradition is a HUGE part of school life at these four schools, which pretty much share this culture of intense collective institutional pride.

These boys and their ball game

It's kind of hard to explain all that the competition entails, but the football is just a small part of it. This YouTube video looking at the BCC side makes for a nice intro.¶ There are parades, mascots, Thai-style cheerleading (featuring not acrobatics, but synchronized arm movements), and most notably, the spectacular card stunt displays, which involve the entire student body from the lower-secondary years. The students will spend months practising to perfect their card flips, under the direction of the cheering president. Sounds familiar? That's Earn's position in Love Sick.

Fourwheels (Oxygen, Nitiman, La Pluie), wearing the cheering crew overalls that Noh dreams of, addressing the AC crowd in 2017 (AC Ed Tech)

Beam Boonyakorn (Make It Right) as AC's eagle mascot, though it's often teased for looking more like a chicken, also in 2017 (TTaewTaew Twitter)

The card stunt tradition actually originated at AC in 1942, from the aforementioned contrast between the military youth and regular uniforms. A teacher came up with the idea of having the differently dressed students arrange to form the school initials on the stands. This eventually developed into the elaborate displays done today, which use coloured card booklets to create pixels that together form a detailed aggregate image. Crowds of 1,250 from each school, seated opposite the paying audience, are needed to perform these.

Oat Tharathorn (Fourever You) in the card-stunt-performing audience in 2014; note the plates of colour card booklets set on the racks in front of them. (oattrt Instagram)

Such plates appeared in Love Sick 2024's episode 4 behind-the-scenes clip, but didn't show up in the actual episode. They later appeared in episode 5. (Tia51)

Regular fixtures among these displays include school logos, the royal family, and sponsors. There are also have these coordinated sequences with portraits of students and alumni greeting the crowd, which may feature some familiar faces.

A sponsor ad for Est gives way to AC student Chimon greeting the audience in 2017. (AC Ed Tech)

Alumni PP Krit (AC), Ice Natara (DS), Nonkul (BCC), and Sky Wongravee (SK) welcoming the audience, 2019 (AC Ed Tech)

GMMTV's Marc (AC) and Ford (SK) from the same sequence in 2019; Inn (BCC) from before 2014; AC alum Net Siraphop in 2023 (AC Ed Tech; Suankularb Photo Club; inpitar Instagram)

This attention to popular students didn't exist during novel Noh's time, though. Back then, few people followed the event apart from the schools' students and alumni, and football people scouting for young talent. But the 2010s' "cute boy" craze brought a sharp rise in attention from the sao-Y and cute-boy-following crowds, who flocked to the matches, some equipped with huge telephoto lenses to capture not the football action but cute guys in the audience.

BCC alumnus Inn Sarin photographed in the audience in 2014. Photos of him from the event were virally shared and boosted his following and "cute boy" stature. (inpitar Instagram)

BCC cheerleaders Winny Thanawin (2017) and Ping Krittanun (2019) (BCC Jaturamitr)

The origination of Thai BL

In some ways, the Love Sick novel helped lay the foundations for the phenomenon. It gave readers this imaginary connection to the school, which drove interest in seeing what its real-life students shared on social media, especially as Instagram exploded in popularity around 2012. And of course, attractive boys in revealing uniform shorts was already a winning combination in itself (and the fashion soon spread to other schools).

So it's appropriately fitting that things would come full circle with the 2013 announcement of Love Sick The Series, which generated huge amounts of engagement as fans recalled their impressions of the characters and shared pictures of real-life AC students whom they saw as the perfect Punn and Noh.

As it turned out, recent AC graduate White was cast as Punn, and several other AC boys were also chosen for the many supporting characters. Fans readily took to following these budding actors from the moment they were announced, gathering to meet them after acting classes and supporting them through to the last post-series events. It was a revelation in how dedicated such a fandom could be, without seeing even a second of these actors' work.

For the production, though, it could hardly be expected that explicit reference to the real-life school would be allowed, so they named the school Friday College in the series. (Which kind of bugs me. Couldn't they have at least come up with a vaguely Catholic-sounding name? Anyway, they developed it into a brand and it's stuck now.) They did model the school emblem and uniform exactly after AC's (in its 2008 form, before the new belt buckle), and the same uniform was featured in Thank God It's Friday, a 2019 spin-off set in the same universe. However, the school emblem was redesigned for the 2024 Love Sick remake, maybe because the resemblance now felt too close for comfort. (Another detail that bugs me is how the 2014 series had four-digit student IDs, while the 2024 has six. Most real-life schools have five digits!)

While it would have been a dream come true to see the actual original locations in the series adaptation (even if unnamed), this was not to happen. In fact, unlike its sister school Assumption College Thonburi, which served as the location for Hormones and numerous other works, AC seems to no longer be keen on allowing access as a filming location, and hasn't been spotted in anything since The Love of Siam.

Anyway, Love Sick's broadcast was a turning point in several ways. Of course, it most importantly kickstarted the Thai BL industry,** but this also led to a shift in Y culture where shippers turned their focus from real people to actor pairs from series. "Cute boys" from social media were now regularly tapped to join the many budding modelling agencies, who would try to push them as actors and influencers, and AC students attracted particular attention. Make It Right (2016)'s Peak, Ohm and Beam, for example, were all scouted from the school.

AC students Peak, Ohm and Beam, taken by a fan account in 2016. (allaboutpeak Twitter)

The boys made use of their newfound cult. Popular AC students were tapped to promote the school's annual Christmas Fair, which drew an influx of visitors from their followers, who happily contributed to their fundraising efforts. This was much changed from Noh's time in the novel, when the fair was still pretty much an internal event for students and their immediate friends and family.

Turbo (Love Stage!!) promoting merch for AC's 2015 Christmas Fair (turbotb Instagram)

However, this trend, as with the cute boy craze itself, seems to have largely petered out, especially as life was disrupted by the COVID pandemic and the 2020 protests brought about sharp changes in ideology among young people. Another victim of this has been the Jaturamitr competition, which was postponed for two years before taking place again in 2023.†† But it then became the topic of a huge online drama over the compulsory nature of attendance for the card stunt performances (which not everyone willingly enjoyed), and the negative public attention soured the experience for a lot of the students.

These new concerns seem to have influenced Love Sick's 2024 remake. In the novel, during preparation for the football competition, Noh talks about how hard the marching band was practising, and how he and the band leaders felt the need to push them to perfection, in order to uphold the school's reputation. There's a clear institutional pride in the way he says, "I'm sure the young ones understand. (Or if they don't now, they will in a few years.)"

This stands in sharp contrast to Earn's stance in Love Sick 2024, where he says in episode 4, "If the formation fails, the school’s reputation will just take a hit. But the school doesn’t have feelings, does it? It is they (the young ones) who have feelings."

We'll find out in a couple of hours how else they're updating the depiction of the competition, which was one of the highlight scenes in the novel thanks to how detailed it was with insider info of the behind-the-scenes workings at the Suphachalasai National Stadium in real life. It's an unfortunate fact, though, that it's near impossible that any TV production with a normal budget would even come close to the spectacle of the actual event, with its crowds in the tens of thousands. But let's see how creative the production crew can be.

After all, it's the emotional threads that make the real highlight of the story, isn't it?

Footnotes

* These schools had been set up after the English public school model by King Vajiravudh, who himself was educated in England. Vajiravudh College still uses it as its ceremonial uniform.

† One of these was I Miss You 2 (1996), which was filmed at Montfort College in Chiang Mai, another Gabrielite school. Incidentally, The Love of Siam director Madeaw Chookiat was a student there and became an extra in the film, an experience which inspired him to go into filmmaking. He would later base the Nay-Beam segment of Home (2012, one of the most significant mainstream proto-BL works) at the school.

‡ Most other schools allow both, and their students usually prefer canvas shoes. Nanyang, with its iconic green soles, has long been the most popular brand.

§ Actually there's at least Yong Songyos's Dorm (2006), set at his alma mater Assumption College Sriracha, but it's a horror focusing more on the boarding-school aspect. Yong also created a short film dedicated to the school in 2015, starring four Hormones Next Gen actors (no English subs, but there are hardcoded Thai captions that maybe a tool can translate).

‖ Sorry, but I just can't accept the spelling Phun, as it's plain incorrect. The /p/ and /ph/ are supposed to represent different sounds in Thai, but most Thai people don't understand the system as it's not taught in schools.

¶ As an expat, the video creator misses the meanings of some of the things that happen in the video. The yellow chicken is a reference to a Facebook satirist who's said to bring bad luck to sports teams, while the no-banana sign is a response to the angry chant the BCC side was yelling. It's an expletive that rhymes with the word for banana in Thai.

** Isn't it ironic that a genre revolving around a topic so controversial with the Church should be inspired by a Catholic school? But then, as director Madeaw demonstrated in The Love of Siam, religious conflict has always played an important role in driving social issues, while in the case of Love Sick, it's not actually relevant at all.

†† Yet another victim is the Chula-Thammasat Traditional Football Match, a competition between Thailand's two oldest universities which features similar elements of parades, cheerleading and card stunts. It hasn't been properly held since 2020, and when a substitute event was held in 2024, a huge online drama erupted over the student body's decision to alter certain elements.

[fyeahthaidramas]

On the first day of Christmas, my true love gave to me...

I know it's spooky season, but I want to give plenty of time for creations to be planned and made without stress, so-

Welcome to the first of fyeahthaidramas' Christmas events!!

12 Days of Thai Drama appreciation challenge.

The Event is open to all, and will run from December 1st - 23rd, with a themed challenge every other day.

Rules etc:

Thai shows only please

BLs, GLs, lakorns, and everything between are eligible

All forms of fan content are welcome

Complete the challenge, or just choose your favourite prompts

Content can be as seasonal or not as you want to make it

No ship, show, character, or cast bashing!

Please reblog this post to help spread the word! 💗

Don't forget to tag your creations with #12dotd so that other people can find and enjoy them.

Challenges below the cut:

Also tagging some people under the cut to help spread the word:

Challenges / Prompts:

December 1st - twelve drummers drumming Twelve Couples bonus challenge theme: Parallels

December 3rd - eleven pipers piping Eleven Shows bonus challenge theme: Tropes

December 5th - ten lords a-leaping Ten Male Characters bonus challenge theme: Shapes

December 7th - nine ladies dancing Nine Female Characters bonus challenge theme: Patterns

December 9th - eight maids a-milking Eight Locations bonus challenge theme: Colours

December 11th - seven swans a-swimming Seven Friendships bonus challenge theme: Sharing A Braincell

December 13th - six geese a-laying Six Cast Members bonus challenge theme: Emotions

December 15th - five golden rings Five Weddings / Proposals bonus challenge theme: Golden Yellows

December 17th - four calling birds Four Parent(al Figure)s bonus challenge theme: Empathy

December 18th - three French hens Three Pairs/Sets of Siblings bonus challenge theme: Dark & Light

December 19th - two turtle doves Favourite Couple or Favourite Branded Pairing bonus challenge theme: Through The Years

December 21st - a partridge in a pear tree Free Choice, theme: Love is all around us.

Just FYI: There will also be a GMM-specific event, running from December 1st - 24th, which will tie in to some of these challenges.

Info post on that coming soon!

��� Happy Creating!!! ✊🏻🫰🏻

Thank you in advance if you reblog ❤️💚✨

@boyslovesource

@gawincaskey

@girlslovenet

@girlsloveupdates

@gunsatthaphan

@khaotunq

@moonkhao

@mosbanks

@namtan

@sherrymagic

@sollucets

@thaidrama

@thebroccolination

@usertoxicyaoi

[absolutebl]

thai language question! what do tongthap and atom call each other in MLMU TH? it sounds like ‘nai’ or maybe ‘ngai’? it’s translated to both of their names several times on the YT subs. i’ve tried to look it up but i’m not sure i’m hearing it right 🙈

Thai pronoun: Nai

They are indeed using nai. Hold on I know I posted about that one at some point... AH HA here it is:

you want this section: (but I'll c&p it over here add to it at the bottom)

Nai & the Mafia 

So in 2022 Thai BLs seriously started moving setting outside of the school systems and thus added new pronouns (for us watchers) into the mix. KinnPorsche, Even Sun, and Unforgotten Night all use the pronoun nai (นาย) for you between men. Like many honorifics & pronouns, it’s derived from a minor title of nobility. In the 19th century it was declared the official courtesy title for adult males - regarded as a direct translation of “Mr”. 

It has several different uses today. 

As a title, it only appears before the real given name (not surname), in official/formal contexts, e.g. when writing down one’s name on an exam paper, job application, or government form. If used with a nickname, it implies a bit of irony (like a teacher calling out a misbehaving student). 

As a pronoun, it’s usually an informal second-person pronoun used with males of equal status. It’s a decidedly non-rude word, so it’ll be used among friends/classmates if they don’t feel close enough to use gu/mueng (or if a person just doesn’t use rude pronouns, like swear words there are people who don’t feel comfortable ever saying guu/mueng). 

Rao/nai as pronouns used to be the default mode of address on TV before gu/mueng became acceptable to broadcast in the 2010s. 

When used by females, nai is pretty much equivalent to males using ter with females - so an old fashioned but intimate and sweet, loving. 

On TV, the use of ter/nai is probably most often associated with straight dramas in the acquaintance phase of courting. 

Nai also has the meaning “boss” (similarly to the combined form เจ้านาย (jao nai/chao nai). If it’s being used as a pronoun in a more formal or deferential context (like organized crime), it is used in this sense. 

Usage number 2 & 6 are the ones we see in Thai BL. All that said I understand as a tourist in Thailand, you will hear nai but not all that often. It’s fine to use khun instead/back, but good to know to identify nai. 

Nai & My Love Mix Up

So My Love Mix Up is using #2.

With adult males, nai is actually often paired with chan. (I know, right, but it's what they use. See any of the mafia shows.)

But in this high school setting, Atom & Kongthap seem to be using pom or sometimes even tan. (I haven't touched on tan at all because I find it the most confusing pronoun.)

Atom & Half use guu/mueng. Atom use rao/name with Mudmee, and she does they same with him. Although I think she shifts to chan with Half when they get closer.

Kongthap doesn't seem to ever use informal. Even Half uses nai with him.

So I think the use of polite nai in this relationship is being dictated by Kongthap's character's reserved gentlemanly stiffness (much as in the original show). In other words, were it not for Kongthap's personality, this show in this setting (and with this pair) would be using guu/mueng. But because of the original IP and the extreme reserve of Ida in Kieta Hatsukoi (who also uses quite formal Japanese) we are seeing a linguistic characterization of one half of a couple carry through to the tenor of the whole relationship.

In other words, the use of nai was dictated by Kongthap's personality.

Frankly put, Kongthap would simply not use guu/mueng so they had to find some other way for these two to communicate. Rao/ter is too sweet and cute and old fashioned out the gate (these boys could graduate to it, I suppose, like in college or after).

Now they might have used khun instead of nai. If this were set in uni or the office that would have worked fine. Or even if this were a high school in Bangkok. But I'm not surprised they reached for nai.

In fact, since the announcement of the adaptation I was curious about how they were going to approach Kongthap's pronouns. I thought they might make Kongthap older to solve the issue with phi but they wanted to do the "going away to college together?" part of the plot, so yeah... nai is the solution.

This couple sounds a bit stiff and distanced from each other when speaking together as a result, but I understand why the script chose it.

Hope that explains.

(source)

[solarlunarsstuff]

𖦹- SOLAR'S KINKTOBER M.LIST 2024 !!!

-

-

Hõla and welcome to my 2024 Kinktober masterlist!!! (YIPEE) This is going to be my fisrt one (besides the cancled one), I AM so happy to be apart of this for this year! Be sure to check the warnings and if you're uncomfortable, please ignore!!! (WARNING! ALL IS WRITTEN BY MINOR!!!)

1st "KEEP IT ON" Suguru G.

⁀➷ <clothes> Suguru forces his poor baby into wearing her skirt while pumping her until she can't breathe.

5th "POPPED BUTTONS" Captain John Price

⁀➷ <suits> You'd never think your big boyfriend would look that good in a suit.

7th "LOOK HOW PRETTY YOU ARE" Sylus (Loveanddeepspace)

⁀➷ <mirror/window> Forcing your pussy to take him as you see how pathetic you are.

15th "KEEP IT DOWN" Mahito

⁀➷ <muffling> His family is in the other room. So hush up before he slaps you harder.

17th "ON YOUR KNEES" Jeffery W.

⁀➷ <pet play> Forcing you into acting like his pet is one way of intimacy.

19th "DO IT QUICK" Valeria G.

⁀➷ <mouth/oral> Before Valeria goes back to being a scary drug dealer, she needs to eat her gf like it's her last meal.

23rd "YOU NEED ROPE TO WHAT?" Johnny 'Soap' M.

⁀➷ <ropes> Keeping you in place with rope that way he could make you cum for as many times as he wants you too.

27th "YOU LOVE ME MORE THAN HIM?" Horangi & König

⁀➷ <polyamore> Horangi, You, and König are in a relationship. But he's sure you love him more.

29th "WHERE'S THE MASK?" Simon 'Ghost' Riley

⁀➷ <cosplay> Simon thought 'scaring' you with his mask would scare you but it did something else.

(BONUS) 1st "FULL LIKE A DOUBLE-STUFFED DOUGHNUT!" Pyramid H.

⁀➷ <size> How he would love to force himself deep in you. (Raw)

All fics will vary from 250-1k+ words !!! All will be posted on the days thay are assigned at 12:00 PM . And of course, the crossed out fics means I will not be doing them but maybe on a later time !!!

©2024 SOLARLUNARSSTUFF | do not copy, plagiarize, or translate my work + dividers are not made by me !!!

[barricadescon]

Barricades 2024 Final Schedule!

The time is near! Barricades 2024 is happening THIS WEEKEND, July 12-14 , all online!

We have the final schedule available on the website at barricadescon.com or right here, on this post! A more detailed schedule including descriptions is available in text under the Keep Reading break!

BarricadesCon 2024 Program

A full programming schedule of all the panels, their content, their presenters, their times, and whether they will be recorded. 

All times are in UTC, and can be converted to your local time zone at this link.

Key to types of Panels:

Convention Administration panels: Panels run by the Con Committee, to open and end the convention.

Guest of Honor: Special panels from our guests of honor. This year, our guests of honor are Jean Baptiste Hugo, a descendant of Victor Hugo who will discuss his project photograph his ancestor’s house; Christina Soontornvat, the author of the award-winning Les Mis retelling “A Wish in the Dark;” and Luciano Muriel, playwright of the 2018 musical play “Grantaire.” 

Fan/Academic Panel Presentations: Panels on history, fandom, or analysis of Les Mis. Scholars will share historical research, fans will share hobby projects, and the audience may get an opportunity to ask questions. 

Social Meetups: Casual unstructured time to meet up over video call and chat!

Social Games: Games and activities.

Friday, June 12th

Discord Server Opens: Friday Morning UTC

Read through the rules, explore the channels, and chat with other congoers.

Welcome Session 

Friday, 17:00-17:30 UTC

Session Type: Convention Administration

Presented by: Convention Committee 

Recorded: No

In this session, Concom 2024 will kick off BarricadesCon 2024 and welcome everyone. Concom will also walk everyone through some basic information and FAQs to help ensure a fun and interesting con for everyone.

The Cats of Les Misérables

Friday, 17:30-18:00 UTC 

Session Type: Social Meetup

Presented by: Melannen

Recorded: No

A laid-back social panel to meet your fellow attendees, share pictures of your pets (or have them join you in the panel!) and chat about pets and Les Mis fandom generally.

(Guest of Honor) From Paris to Bangkok: a Thai-inspired retelling of Les Misérables

Friday, 18:00-19:00 UTC

Session Type: Guest of Honor

Presented by: Christina Soontornvat

Recorded: Yes

Christina Soontornvat’s Newbery Honor-winning children’s novel, A Wish in the Dark, is a Les Misérables adaptation set in a magical Thai-inspired world. Christina will discuss the inspiration for the book, how she decided when to be faithful to the original, and how Hugo’s powerful themes of compassion and forgiveness resonate across age ranges and cultures.

Learn more about Christina’s work at soontornvat.com.

The Yellow Passport: Surveillance and Control in 19th Century France 

Friday, 19:00- 20:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: David Montgomery, creator of the Siecle History Podcast

Recorded: Yes

Les Misérables takes place in a France of police spies, intercepted mail, travel restrictions and other elements of a 19th Century police state. What exactly were these ways French governments surveilled and controlled their citizens? How did they work? And how did people get around them? 

Meetup: Fan Creators

Friday, 19:00-20:00 UTC

Session Type: Social Meetup

Presented by: Eli

Recorded: No

Come meet fellow fan creators! Casual unstructured time to chat with other fans. A good place for people who spend a lot of time on Ao3.

Break 

20:00-21:00 UTC

Early Transformative Works: The First Les Miserables Fanart, Fanfics, and AUS

Friday, 21:00-22:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Psalm

Recorded: Yes

This presentation will give you an overview of the earliest works inspired by Les Misérables – including illustrations, comics, poems, pamphlets, and novels. Which ones will stand the test of time? And what can these works tell us about the book’s reception and impact? Come learn about the forgotten, but fascinating first transformative works about Les Misérables.

Black and Pink International

Friday, 21:00-22:00 UTC

Session Type: Panel Presentation

Presented by: Darryl Brown Jr. (he/him), Senior Director of Programs and Advocacy, Black and Pink National. Kenna Barnes (she/they), Advocacy Manager, Black and Pink National

Recorded: Yes

This year, Barricades Con is donating all profits to Black and Pink International.

Black & Pink National is a prison abolitionist organization dedicated to abolishing the criminal punishment system and liberating LGBTQIA2S+ people and people living with HIV/AIDS who are affected by that system through advocacy, support, and organizing. Programming includes wrap-around services for those coming out of the carceral system such as but not limited to workforce development, transitional housing, newsletters to inside members and penpal matching, nationwide Chapters, youth-led research about young people living with HIV, and programming for and by people who do sex work.

Sex work as an issue sits clearly at the intersection of reproductive justice, prison abolition, and trans and queer liberation. Black trans women who engage in sex work face some of the highest rates of policing and surveillance, directly interfering with their ability to access safety and autonomy. We know that when we center the needs of Black trans women, especially those who engage in sex work, we are inherently able to address the needs of other system-impacted people along the way.

The Sex Worker Liberation Project (SWLP) is a collaboration between Black and Pink National and a network of current and former LGBTQIA2S+ people who do sex work across the country. This sex worker led group moves with the intention of building community, providing resources, and cultivating self advocacy tools.The SWLP is on a mission to tackle the urgent and multifaceted issues confronting sex workers, with a specific emphasis on the challenges faced by Black and Brown LGBTQIA2S+ sex workers.

Meetup: Brick Readers 

Friday, 22:00-23:00 UTC 

Session Type: Social Meetup

Presented by: Mellow

Recorded: No

Come meet up and hang out with your fellow Brick readers! Let’s talk about weird nonsense from the book. 

Beat by Beat: a Les Mis 2012 Deconstruction

Friday, 22:00-23:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Eli

Recorded: Yes

To quote Eli: “As an avid Les Mis fan and also someone with an MFA in screenwriting, I find the script for the Les Mis 2012 movie absolutely fascinating. The choices they made, the added brick scenes, the added song, the pacing, the dialogue, the shots selection—all of it contributes to a very interesting adaptation that our fandom owes a huge debt of gratitude to (whether we like it or not 🥲). I would like to take an audience through the 9 major beats of a screenplay, apply it to Les Mis 2012, and share my thoughts on what the filmmakers did right for this adaptation and what they did wrong. I’ll compare it to the Les Mis musical (the direct source material) as well as the Brick (the secondary source material) for insight on the choices they made!”

History Researcher Meetup

Friday, 23:00-24:00 UTC

Session Type: Social Meetup

Presented by: David Montgomery

Recorded: No

A chance for history researchers to meet up and discuss their research!

Atonement: A Theatrical Piece for One Actor, Based on Segments from Hugo’s Les Miserables

Friday, 23:00-24:00 UTC

Session Type: Panel Presentation

Presented by: Alexiel de Ravenswood

Recorded: Yes

This theatrical piece is a dramatic adaptation of scenes from Book 1 of the novel, focusing on the Bishop of Digne. Following the piece, actor Alexiel de Ravenswood will engage in q&a on the creative process and the themes explored.

Saturday, June 13th

Guest of Honor: The Photography of Jean Baptiste Hugo

Saturday, 15:00-16:00 UTC

Session Type: Guest of Honor

Presented by: Jean Baptiste  Hugo

Recorded: yes

Jean Baptiste Hugo is the great-great-grandson of Victor Hugo. He has extensively photographed Hugo’s home in exile on Guernsey, which Victor Hugo decorated following his own aesthetic philosophies–in particular, the journey from darkness into light, which we see reflected throughout Hugo’s literary career. M. Hugo will share his photographs and discuss Hauteville House as a physical realization of his ancestor’s ideas.

Reflecting on Directing Les Mis

Saturday, 16:00-17:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Cait

Recorded: yes

In Cait’s words: “I directed an amateur production of Les Mis at the end of last year, and would love to talk about how that went and share snippets from the show and behind the scenes. This will include talking about adapting Les Mis for the space and budget, approaches to certain scenes, dual casting lead roles, and probably raving about my lovely cast.”

The Fallibility of History in Les Misérables 

Saturday, 16:00-17:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Syrup 

Recorded: yes

Throughout Les Misérables, Hugo often reminds readers that what they are reading is derived from some form of documentation or hearsay. While this serves to provide credibility to the tales he is sharing, there are certain moments where Hugo opts out of describing exact details, despite his efforts at a historically-accurate record. In this panel, I will take a look at these instances where Hugo either addresses or obfuscates these events, and how by doing so, he reveals the fallibility of history, and highlights how history documentations are not always as reliable as they seem. Thesis: By crafting Les Misérables as a form of historical documentation, Hugo reveals the fallibility of history, and readers are able to understand how history and history documentation are not always as reliable as they seem.

Break  

Saturday, 17:00-18:00 UTC

What Horizon: Tragedies, Time Loops, and the Hopefulness of Les Amis

Saturday, 18:00-18:30  UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Percy

Recorded: yes

In Percy’s words: “I have directed a staged reading of the play and will have video clips to show! My play is focused on the rebellion and Les Amis; it aims to give the barricades the attention they often lack in adaptation and develop the individual characters of the insurgents. I’m working to make this episode of the Hugo novel and its historical context accessible to audience members who may not be familiar with the source material, while hopefully also bringing something new to the story for longtime fans.

One aspect of the story I’m particularly interested in examining is the persistent sense of hope associated with the barricades, despite the insurgents’ eventual defeat and the previous failure of the July Revolution. Linking the seemingly cyclical process of revolution and restoration, the metatheatrical tradition of tragedies aware of their own repetition in performance before the audience, and the nature of Les Misérables itself as a story that has been told and retold countless times, I hope to show the audience the worth of the insurgents’ struggle and the importance of their continued efforts. Many adaptations construe the rebellion as futile or as solely a tragic story, so I would like my adaptation to counter that idea, as Les Amis grapple with the meaning of their sacrifice and the impacts of their actions.

In a presentation, I would discuss these ideas with reference to Hugo’s original text and the ways in which the rebellion has been changed in adaptation, as well as other works that inspired me (namely Hadestown and Rosencrantz & Guildenstern Are Dead). I’d discuss the choices I made in my adaptation process and show clips from the staged reading, touching on the different characters and the historical setting as well as the overarching themes with which I engaged.”

Cosette: A Novel, The (Fanmade) Sequel to Les Misérables

Saturday, 18:30-19:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: IMiserabili

Recorded: yes

This presentation is  a deep-dive into the 1995 fanfiction “Cosette” by Laura Kalpakian. It will include a short background on the author and the publication, a summary of the plot, an analysis of represented historical events in the work, character analyses and comparisons to the source material and other Les Mis adaptations, and memorable quotes. 

Musical Eponine and Grantaire in song and lyric edits: Personal research on their development

Saturday, 18:00-19:00 UTC

Session Type: Panel Presentation

Presented by: Ruth Kenyon

Recorded: yes

In Ruth’s words: “I’m an older musical Les Misérables fan who has watched the show develop from its beginnings at the Palace Theatre. I have a special interest in how the lyrics and the characters have changed over time. As plenty of people know now, I am also writing a book on the musical using these experiences. I’m working on Eponine’s chapter at the moment, and while I know fans have a lot of love for as she is now, I feel quite upset to see what happened to her as she was developed from the original French version of the musical. She seems to have lost quite a lot of emotional agency along the way. Grantaire has also changed over time; he was cut before the previews and there was a big re-write of his character when the show went to Broadway, but I really like what they have done with his character. I’ll provide examples of all this detail with material from my book and (trying) to sing bits of lyrics to explain what has happened to the characters.”

Barricades as a Tactic: How Do They Work?

Saturday, 19:00-20:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Lem

Recorded: No

This session will explore the tactical and strategic uses of barricades, with an eye towards what to consider when writing both canon-era fanfiction and modern AUs. After all, the strategic goals towards which the barricades were used in canon-era urban warfare were often quite different from the strategic goals of similar-looking tactics in contemporary protest movements. Core components of the session will be a map-based analysis of July 1830, a comparison with June 1832 highlighting strategic goals and considerations canon-era characters would have, and an exploration of various parallels among contemporary protest tactics (which may or may not *look* like barricades).

Meetup: Musical Fans

Saturday, 19:00-20:00 UTC

Session Type: Social Meetup

Presented by: Erin

Recorded: No

A casual place to meet up with other fans and discuss the musical!

Break

Saturday, 20:00-21:00 UTC

Why is There a Roller Coaster in Les Mis? The Strange History of the Russian Mountains

Saturday, 21:00-22:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Peyton Parker/Mellow

Recorded: Yes

In Les Miserables there is an actual canon scene where Fantine rides a roller coaster. How did a roller coaster end up in Paris in 1817? And why did this ride, one of the world's first wheeled Roller Coasters, make a cameo in Victor Hugo’s novel?

It’s “Les Mis Meets Defunctland.”

We’re going talk about the earliest origins of the Russian Mountains, the fascinating history behind how they came to France, their many connections to the political turmoil of the time period, what they felt like to ride, why they were shut down, how they fell into obscurity, and why Victor Hugo included them in Les Miserables. It’s time for a roller coaster digression.

Fanfic Round Robin

Saturday, 22:00-23:00 UTC

Session Type: Social Game

Presented by: Featheraly

Recorded: No

Participate in a round robin to help write a fic together!

Obscure(-ish) Les Mis Adaptations To Watch

Saturday, 23:00-23:30 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Pureanon

Recorded: Yes

Les Mis has been adapted many times over the years, and this means there’s a lot of adaptations to enjoy. Because of this, a lot of adaptations are underviewed or underappreciated. I’d like to use this panel to discuss some of my favorites/the most unique — 1925, 1948, 1967, and 1995. These are all very different, and aside from all being ones I enjoy, they’re fascinating looks at how different countries and different time periods adapt this story. 

The adaptations I’ve chosen are both some of the best and some of the worst out there, but they’re all unique. 1925 is one of the most faithful adaptations out there, and it uses the medium of silent film to full effect. 1948 has Valean get shot at multiple times in the opening minutes, and the revolutionaries fight with BARRELS in the barricade. 1967 is half one of the best Anglophone Les Mis adaptations ever, and half the drunkest. 1995 is more of an adaptation of how people react to Les Mis as a story than a straightforward adaptation, and it’s one of the most beautiful and unique versions out there. I intend to show a clip from each adaptation, so people can get a little taste of what each adaptation is like.

Recovery: a Fanfic Live Read

Saturday, 22:30-23:00

Session Type: Fan/Academic Panel Presentation

Presented by: Eli, Barri

Recorded: Yes

A full cast will live read a Les Mis fanfic written specifically for the con.

Compared to Some People Grantaire is Doing Just Fine (No, Really)

Saturday: 22:00-23:00

Session Type: Fan/Academic Panel Presentation

Presented by: Ellen Fremedon, Pilferingapples

Recorded: Yes

Grantaire and Marius are the two characters on the fringes of the Friends of the ABC, connected to the group by social ties rather than sincere political belief. In this panel, Pilf and Ellen will discuss the two characters as narrative foils, touching along the way on the problem with Great Men, bourgeois inaction, what it means to have the republic as a mother, and dying for love–plus those two pistols in Marius’s pocket.

Preliminary Gaities

23:00-24:00 UTC

Session Type: Social Game

Presented by: Rare, Percy, and ShitpostingFromTheBarricade

Recorded: No

Preliminary Gayeties is the chapter where Grantaire gets drunk with Joly and Bossuet before the barricades.  It is perfect for a drinking game. 

In keeping with personal tradition, Rare, Percy, and ShitpostingFromTheBarricade will bring you a second year of our dramatic reading of the “Preliminary Gayeties” chapter of the brick. all while following specified drinking game rules (including classics such as “drink for brick quotes that appear commonly in fanfiction,” “pretentious classical references,” and “drink/eat when characters drink/eat”), and enjoying snacks mentioned in the chapter as they are mentioned. Everyone is invited to participate by reading, eating, and drinking along with this activity!

Sunday, June 14th

Publishing, Podcasting, and Promotion

Saturday, 15:00-16:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: David Mongomery, Alexiel de Ravenswood, Nemo Martin

Recorded: Yes

Whether it’s fanart, Tiktok videos or deep historical analysis, lots of us have THOUGHTS about Les Mis we’d like to share with the world. This panel discussion features creators sharing their advice on how to share your work with the world in a range of mediums.

Femme/butch: Dynamics of Gender and Attraction in Les Mis

Saturday, 15:00-15:30 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Eléna

Recorded: Yes

In Eléna’s words: “This is a presentation about parallels between femme/butch dynamics and les mis! The focus is on Marius, Cosette and Eponine and their individual gender presentation and attraction. There will be a focus on the original text, but I will also talk about headcanons & representation in the fandom space! I’m a femme myself, but I’ll try to incorporate butch and transmasculine viewpoints!”

Lee’s Misérables: Jean Valjean, Confederate Hero

Saturday, 15:30-16:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Sarah C. Maza

Recorded: Yes

Victor Hugo’s Les Misérables (1862) was as big a success in the United States as elsewhere in the world upon publication, hailed throughout the young nation as the commanding masterpiece of modern French literature. Why would a novel that celebrates violent insurrection and radical republican ideals be so warmly received in America? One of the (many) answers to that question is that the novel appeared in the midst of the Civil War, and that it provided engrossing reading to the many soldiers stuck in place for weeks or months in camp, hospitals, and prisons. Most surprising, though, is the evidence of Les Misérables’ appeal to Confederate soldiers (who jokingly called themselves “Lee’s Misérables”), as Hugo was on record as an ardent abolitionist. My paper will illustrate and explain the paradoxical appeal of Hugo’s novel in the South in two contexts: first, I will draw attention to the ways in which Confederate nationalists likened their cause to the European Revolutions of 1848; and second, I will explain the novel’s resonance within what Wolfgang Schievelbusch has called the “culture of defeat,” the emotional resonance, in some historical contexts, of narratives of doomed causes and heroic failure.

Guest of Honor: Luciano Muriel, playwright of “Grantaire”

Sunday, 16:00-17:00 UTC 

Session Type: Guest of Honor

Presented by: Luciano Muriel

Recorded: Yes

Panel about the details of the creative process behind the show Grantaire, from the discovery of the character during the playwright’s first reading of Victor Hugo’s Les Miserables to the opening night of the staging at the Teatro Pradillo of Madrid. Why Grantaire? Why a dramatic monologue? Why include Amaral songs? What did the awards and subventions entail? All the answers to these and many other questions.

Break

Sunday, 17:00-18:00 UTC

1848 in Chile: The Society of Equality and the Siege of La Serena

Sunday, 18:00-19:00 UTC

Session Type: Fan/Academc Presentation

Presented by: Duncan Riley

Recorded: Yes

While the Revolutions of 1848 are traditionally seen as a European event, they had a powerful influence in Latin America. In Chile in particular, university students who studied in France during the revolutions would lead a movement to oust the conservative dictatorship that had ruled the country since the 1830s. Inspired by the poetry of Alphonse de Lamartine and the ideals of utopian socialism, a group of Chilean intellectuals and artisans founded “The Society of Equality,” a cross-class political club dedicated to creating a democratic and participatory republic. Inspired by these ideals, in 1851 the citizens of La Serena, a mining town in northern Chile, declared their independence from the central government. Members of the Society of Equality transformed La Serena into the torchbearer of their vision of a new “democratic republic” that would restore civil liberties and grant greater autonomy to Chile’s provinces and municipalities. In defense of these principles, La Serena endured a months-long siege by government forces. The conflict inscribed itself within broader international dynamics of revolution and empire, as the British Royal Navy Intervened on the side of the government, while French immigrants built barricades to defend La Serena from invasion. Ultimately, then, La Serena and the Chilean Revolution of 1851 provide a fascinating window into the transatlantic exchanges of ideas that drove movements of democratic reform in both Europe and Latin America during the Revolutions of 1848.

The Unknown Light Examined

Sunday, 18:00-19:00 UTC

Session Type: Fan/Academic Presentation

Presented by: Madeleine

Recorded: Yes

In the tenth chapter of Les Misérables, Bishop Myriel sets out to perform the last rights of Conventionnel G, a man reviled by all of Digne for having served on the body that voted to execute the king during the French Revolution. The bishop and the dying man debate the nature of equality, divine authority, and resistance to oppression. G’s fierce defense of the French revolution and Myriel’s staunch condemnation of political violence represent diametrically opposed philosophies, but the two men have more in common than first appears. They are both men of faith, in their own way, called to serve by their profound love for humanity. Intensely shaken by this realization, the bishop kneels before the dying sinner and asks his blessing.

What does this role reversal signify? How do Myriel and G’s conceptualizations of God and morality compare, and why does Hugo seek to reconcile them? To answer these questions, this panel investigates the thematic implications of this chapter. We’ll dissect the characters’ debate, discussing the historical and religious context that informs their moral frameworks—and Hugo’s depiction of them. Drawing on analysis by literary scholars, we’ll situate Hugo’s portrayal of the bishop and the conventionnel within this same context, evaluating the extent to which G is based on the Abbé Grégoire. We’ll also examine the impact of this chapter on Bishop Myriel’s characterization and symbolic role in the novel. Lastly, we’ll explore how “The Bishop in the Presence of an Unknown Light" serves as a political and philosophical thesis for Les Misérables.

Revolutionary Rants: “Les Misérables” Onstage from an International Perspective

Sunday, 20:00-21:00 UTC

Session Type: Fan/Academic Presentation

Presented by: Tessa, Anne, Kaja, Marie, Apollon

Recorded: Yes

What started out as an open call online to gather fans from around the world to rant about the musical version of Les Mis has turned into a group of musical fans from four countries getting together to discuss our different perspectives of various international productions of the show. Topics include our favorite cast albums, how our favorite character interactions are staged in various productions we follow (including Enjoltaire), our favorite actors from the different productions, and our favorite memorable moments from the show. And we would be remiss if we didn’t mention the major impact the 2012 movie had on us as well!

Paint & Sip

Sunday, 20:00-21:00 UTC

Session Type: Social Game

Presented by: Psalm, Potatosonnet

Recorded: No

A short presentation on the artwork of Victor Hugo, his medium and subject matter, followed by crafting time inspired by Hugo’s work.

Les Mis Letters: Building a Book Club

Sunday, 21:00-22:00 UTC

Session Type: Fan/Academic presentation

Presented by: Mellow, Eccentrichat

Recorded: Yes

There are 365 chapters in Les Miserables. Les Mis Letters is an email subscription that sends you one chapter of Les Mis daily for a year.

Rachel and Mellow have been running the “Dracula-Daily” inspired Les Mis readalong since 2023! Mellow will speak to the behind the scenes process of setting up a Substack and discord server, while other readers will speak to the experience of reading Les Mis for the first time in this format or the small projects they’ve put together while following along.

Les Mis Singalong

Sunday, 21:00-22:00 UTC

Session Type: Social Game

Presented by: Megan

Recorded: No

Let’s let loose by belting out our favorite Les Mis songs together! All singing abilities welcome and encouraged, it’s virtual after all 😀 It will be musical-heavy but we’ll be sure to throw in some other fan favorites!

Closing Session 

Sunday, 22:00-22:30 UTC

Session Type: Convention Administration

Presented by: Convention Committee

Recorded: No

Closing remarks by the convention committee, marking the official end of the convention.

Dead Dog

Sunday, 22:30-24:00

Session Type: Convention Administration

Presented by: Convention Committee

Recorded: No

 “Dead Dog” is a fandom slang term for a laidback “afterparty” that happens when a convention has officially ended. 

[gunsatthaphan]

~ Monthly BL Breakdown: February 2024 ~ 

🌱 Happy March!!! 🌷

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Anti Reset - February 2nd (Taiwan)

🌟 Love Syndrome: The Beginning - February 8th (Thailand)

🌟 Baka Pwede pa? - February 9th (Philippines)

🌟 War of Y: The Reunion (special episode) - February 10th (Thailand)

🌟 1000 Years Old - February 14th (Thailand)

🌟 My Strawberry Film - February 16th (Japan)

🌟 A Secret Love - February 17th (Thailand)

🌟 To Be Continued - February 19th (Thailand)

🌟 Unknown - February 24th (Taiwan)

🌟 Wedding Impossible - February 26th (South Korea)

🌟 Kiseki Chapter 1 & Chapter 2 - February TBA (Thailand)

🌟 Ambiguous - February TBA (South Korea)

Monthly likes/dislikes

❣️ I'm gonna have to list Cherry Magic and Cooking Crush again just because they filled me with so much serotonin lol. Truly beautiful productions, so carefully written, so well executed and with so much wholesomeness and so many green flags lol. I had the best time watching them and the fact that 2 OG pairs had comeback shows back to back gave me so much nostalgia lol, especially since the genre is reminiscent of their old shows. It's been a blissful and therapeutic few months and I'm extremely sad that it's over 😩🥺🫶🏻 A+ content from everyone involved. 12/10 for both.

👎🏻 It has been a year lmao a lot of things happened this month, the Pawin situation makes me sad, we don't know what actually happened but the whole thing is messed up either way. James dropping out of LUAT came as a surprise as well, I'm not a NetJames fan but if they really had a falling out like the rumors say then that's sad. Singto coming back to gmm has been a nice surprise amongst the scandals lol but other than that I hope things go uphill after this 🥺

New series & movie announcements

🎥 My Bias is Showing (manwha adaption) - Date TBA (South Korea)

🎥 All About Lust - Date TBA (South Korea)

🎥 A Balloon's Landing - Date TBA (Taiwan)

🎥 Roommates - Date TBA (South Korea)

🎥 Good Night to Get Drunk - Date TBA (South Korea)

🎥 First Note of Love - Date TBA (Taiwan)

🎥 Living With Him - Coming April 11th (Japan)

🎥 The Young Gangster - Coming 2025 (Taiwan)

Other news from the BL world

❗️ Actor Singto Prachaya has returned to GMMTV as an artist. He previously left the company in 2021 to work as a freelance actor & producer after being under contract for nearly 5 years. It is unknown whether he will be part of any projects of the 2024 lineup.

❗️ The Thai BL Playboyy is getting a second season.

❗️ The upcoming Korean series High School Return of a Gangster announced the removal of the original BL plot. The show will air as a censored version, focusing on the friendship between the male leads.

❗️ Actors Charles Tu (HIStory 4) and Michael Chang (My Tooth Your Love) were confirmed to star in the upcoming BL First Note of Love. The series tells the story of a musician who is struggling with stage fright and one of his fans. An air date has not been announced.

❗️ Actor Non Ratchanon will no longer partake in the upcoming BL Live in Love. In an official statement, the production company stated that the decision was made due to disagreements between his agency and the one representing his co-star Hearth Chindanai. A recast for his role has yet to be announced.

❗️ GMMTV actor Win Pawin was accused of physically assaulting his ex-girlfriend, who made public allegations with photo evidence of her wounds. As a result GMMTV released a statement announcing the suspension of Pawin from all further work activities until legal investigations are complete. This lead to him making a public statement saying he is withdrawing from the upcoming BL We Are. He was cast as one of the 8 protagonists and was paired with his former partner Marc Pahun. GMMTV released a followup statement today, announcing Pawin's character would be recast to newbie Poon Mitpakdee.

❗️ Actor James Supamongkon announced his withdrawal from the upcoming Domundi BL Love Upon a Time. He released a statement on Twitter, saying he wants to expand his career and focus on other projects as an artist apart from acting. The company stated that Net and the others will stay part of the cast and that a new partner for Net will be cast shortly. This caused a big uproar amongst the fans who have been waiting for the series since it was announced over a year ago. Whether James' dropping out has anything to do with a dispute between him and Net is not confirmed.

Upcoming series & movies for March

👉🏻 Love is Better the Second Time Around - March 5th (Japan)

👉🏻 Deep Night - March 7th (Thailand)

👉🏻 Two Worlds - March 21st (Thailand)

👉🏻 High Demand - March 23rd (Thailand)

👉🏻 Wuju Bakery - March TBA (Thailand)

👉🏻 The Star - Date TBA (Thailand)

👉🏻 Blossom Campus - March TBA (South Korea)

👉🏻 Jazz for Two - March TBA (South Korea)

[dom1re]

Hi! 💙 I partly know the answer to this question regarding Sunan’s hair colour, but other than that, are there any other characters (from books, films, etc) that were references for Sunan or influenced his traits, lore and/or design?

I don't think I referenced anything for Sunan specifically. The goal was to write someone who's nice and easygoing but sort of has a wall up coz he's scared of opening himself up.

In that regard, actually, Sunan reminds me of Allen Walker from D Gray Man. They're both in their teens but forced to grow up very fast; they are the keys to the war that's going on in their respective worlds, and carry this unreasonable burden to resolve conflicts and save lives. They also share a deep fear of being rejected by their loved ones due to their past. I remember being really fascinated by Allen as a teen myself so I might have drawn inspiration from him unconsciously.

(I didn't realize this but D Gray Man also takes place in 19th century... And Allen is presumably British)

But what I can say for sure is that the fic is loosely inspired by Catcher in the Rye by J. D. Salinger. The book's about a 16 year old boy, Holden Caulfield, who's basically stuck between childhood and adulthood. He feels rejected by the society and neglected by adults around him; he refuses to grow up and become one of them. This is the interpretation i take with not just Sunan but Sebastian and Ominis as well. Those of u who read the fic might recall the rye field and the cliff scene. That's meant to be a nod to this book (though it's pretty vague). I'm planning to use this imagery throughout the fic. We'll see how many times I can squeeze it in

Oh I also wanna mention The Sympathizer by Viet Thanh Nguyen. This book is about a double agent who's half Vietnamese, half French. Some of its key themes are, surprise surprise, dealing with one's conflicting cultural/political identities; the idea of belonging to both and neither.

Now Sunan's also mixed (Chinese Thai / British), and spent time as both a Squib and a Wizard. He has to lie and pretend a lot for his goal (protecting the Repository), which he doesn't particularly feel loyal towards. I guess being a 1.5 gen immigrant I've always been drawn to these themes, so I'm trying to explore them in my writing. And that's how Sunan became a deeply troubled teen

(In fact Natty is a perfect character for this; she's an immigrant who had to move to a different society and adapt to new ways. It'd be fun to write a one shot about her... if I ever get time 🤪)

Alright I gotta stop myself 😂😂 sorry this is so long, you can tell how much I loved this ask 🫶 thank you for ur interest diana!! such good questions keep em coming coming

[heaven-is-in-your-arms-series]

Costume Break Down

aka more than you ever wanted to know about Thai dance costume details but I think they are gorgeous and require so much effort to create and wear that they are worth celebrating.

Let's take a look at Khem's beautiful red costume.

Here the presence of the dagger and the colour choice quite firmly indicate that he is performing the role of the hero Prince Inao from the Lakhon Nai dance drama 'The Romance of Inao.'

His costume is based on the traditional costumes worn by heroes in both Khon and Lakhon Nai. There are some historical differences between the two types but they have very much influenced each other from the 19th Century onwards.

There are some elements of his costume that read as modern influences which I suspect are to reflect both current tastes and also the fact that the costume was intended to be seen on screen rather than a stage.

Here we see Khem's ornate headdress, known as a chada, he has a flower garland on the right side of his crown, which is the side that male characters always wear these flower pendants with heroines displaying them on the left.(Historically Lakhon Nai was only performed by women and was only for the eyes of the royal court although rules did relax in the 19th Century.)

It's hard to see in these pictures but he would usually be wearing the ornate wing shaped ear kaffa as well, which sit around the ears.

We can also see his very fine inthorn-tanu, which are those high pointed shoulder pads, worn by male characters to exaggerate their body shape.

We can see him wearing the ornate wide collar around his neck, known as a krong-kaw and a large pendant pinned to the end of the collar against his chest.

A body chain known as sangwan is then crossed around the pendant and is usually attached to an ornamental belt or just below it, at the front and back of the costume.

Khem's sangwan is a relatively simple looking version of what can be a very intricate piece of jewellery but I suspect it is because the camera will be getting a much closer look at him than an audience looking at a stage could do.

In general I think his costume is not quite as ornate and covered with detail as a stage costume often is but there is just enough there to show the luxurious nature of dance outfits without looking too much on screen.

The above picture also gives us a great look at both his hoy-na, a silk panel that hangs at the front of the costume, (here it is red and gold with gold fringe) and his hoy-kang, the silk panels that sit either side of the central hoy-na.

We also see one very modern addition - the shiny gold buttons!

Traditionally dancers are sewn into their costumes with no visible seams, a lengthy process which does run the risk of damaging the costumes every time they are stitched and unstitched.

I suspect that Apo is still partly sewn into this outfit but I imagine they wanted to give him a top that he could get in and out of more easily as he would need to be able to change constantly for filming.

I really like the design of the top, it gives both a hint of Western influence with the shape but also has a Chinese feel with the high collar and then those beautiful very Indian looking fabrics, which feels appropriate for the era and for Man Suang itself. We see it sits over the pha-nung and hoy-na etc which would not typically be the case and is why I suspect he is not also wearing a cloth belt under it as well (mentioned below.)

The red tights are also a modern addition, usually we would see bare legs and feet but they do give a very theatrical look which feels fitting for Man Suang.

From this angle we can see his pha-nung, which is a long rectangular cloth that is usually pre stitched and pleated and is wrapped around the waist and drawn through the legs to be tied in a knot at the back.

Underneath that he will be wearing a pair of sanab-plao, short trousers with deep embroidered hems that sit just below the knee.

He may also be wearing pha-pawk, which is a fabric that basically functions like hip pads to assist the pha-nung in exaggerating the body shape to create an image that mimics statues and murals depicting dancers.

Usually he would be wearing a radsa-aew, a cloth belt which is stitched into place and secures the pha-nung. I can't tell just by looking at this but I suspect he may not be given the way his clothes are lying.

We can see he is wearing a lovely cloak here that appears to be silk lined velvet.

Here we can see his embroidered sleeves, these are usually sewn on to an undershirt which also has padding sewn into it to exaggerate the shape of their chests. The decorative outer shirt is then usually sewn onto that undershirt.

Now in this picture, we see the fancy sleeves taper off to a plain red fabric at the shoulders which could indicate the presence of an undershirt but there is that clip in the trailer where Khem tugs his costume open and we see his bare chest so I don't know whether he is or isn't. Perhaps it depends on the necessity for him to be able to strip in any given scene which is totally fine by me!

We can also see his decorative golden vambraces and he is likely also wearing beads or a bracelet of rings as well. Usually more is more when it comes to dance jewellery but once again, I think they have been more restrained here.

Rings worn on the fingers are common and of course, anklets are essential.

At least they are to me ❤️

[jinitak]

Fun fact about the poem Yai is reciting

Note: I could not find a translation of the poem so everything is translated amateurishly by me

As people wanted to know, the poem came from Nirat Phukhao Thong (Voyage to the Golden Mount), one important work of great poet Sunthon Phu back in the 1800s.

The poem he is reciting is this verse,

 ไม่เมาเหล้าแล้วแต่เรายังเมารัก

สุดจะหักห้ามจิตคิดไฉน 

ถึงเมาเหล้าเช้าสายก็หายไป

แต่เมาใจนี้ประจำทุกค่ำคืน ฯ

Roughly translated as follows;

Even though I am not drunken by alcohol, I am drunken by love.

It is very difficult to stop my heart from wandering.

Drunken by alcohol goes away by late morning the next day,

But drunken in the heart is recurring every night.

My translation is probably subpar, but it gets the point across.

The historical context behind this is that Phu is travelling to the golden mount in Ayutthaya (Don't get confused with the Golden Mount in Bangkok). He was travelling from the south of Bangkok and he passed a distillery and he commented on drunkenness by love. All of this was written when he was a monk by the way. The genre of poem he is writing, Nirat is poems about voyage, usually filled to the brim with love from a man to a woman he left behind and people excuse that even if the author is a monk.

The interesting part is about Sunthon Phu's life, he was a monk at the time because he was good friends with the previous king but he embarrassed the king's son and after the previous king died, the son got to be king. Phu, not really getting along with him, decided to be ordained to avoid any persecution from him.

In this poem he wrote many verses on how much he yearned for the previous reign. He did not really enjoy the life of monkshood. Sujit Wongthes (I'm his fan, bear with me) basically summarised Sunthon Phu as an 19th century celebrity, he had girls lining up to be his wife. He probably did not enjoy the life of a monk which is probably bland for him.

Another thing of note is about the metre of the poem, Sunthon Phu is known for his skills as a Klon writer, he is known for writing Klon 8 (Klon with 8 syllables per verse) very craft fully and you can see that in the poem.

First we need to understand the structure of a typical Klon 8. The typical Klon 8 has 4 verses per stanza with each verse having 7-9 syllables, the syllables have to rhyme in this set scheme as follows,

Note: This diagram is arranged the traditional way Thai poems are written, 2 verses per line.

Sunthon Phu's style is known for using exactly 8 syllables per verse and has a lot of rhyming within each verse as demonstrated below

Note: This diagram is arranged with each verse being on a different line

This section of the poem is probably not the best part to show that he uses exactly 8 syllables, so please trust me on this one.

Note: This diagram is arranged with each verse being on a different line

But this section really showcases the amount of inner verse rhyming, in this 34 word section, he managed to put 11 rhymes into it, quite impressive

This concludes my TEDtalk on Sunthon Phu, I wanted to talk about this more but I am too tired. I will work on the historical context behind the series post soon.

[guzhufuren]

i really wish we would get a real period thai bl with an older magical setting like in chinese wuxia dramas. no time travel, no modern people, no 19th or 20th century. i adore The Sign for giving us moments of this gorgeous old world and magical creatures inhabiting it, all the moments from their previous lives are the best part of the show. i just really need a full bl like that too

[falseandrealultravival]

Dialogue with Gemini (20) Causes of turmoil in Thailand

Prime Minister of Thai: Paetongtam（Thaksin's daughter）

My Question:

Thailand has been in political turmoil for over 10 years. The root of the problem seems to be Thaksin, a Hakka Chinese outsider. The fact that the Thai royal family is also of Chinese descent makes the situation even more complicated, but what is the balance of power between Chinese and non-Chinese residents in Thailand?

タイ国の政治的混乱が１０年以上続いている。根元はタクシンにあると思われるが、彼は中国系の客家で、タイ国にとっては外部の人だった。タイ国国王一家も中国系であることが問題を難しくしているが、タイ国での中国系、非中国系住民の力関係はどのようになっているのだろうか？

Gemini’s Answer:

Here's a breakdown of the balance of power between Chinese and non-Chinese residents in Thailand, incorporating insights from the provided information:

Historical Context:

Chinese Immigration: Chinese migration to Thailand dates back centuries, with significant influxes occurring during the 19th and 20th centuries. This established a substantial Chinese presence in the country.

Economic Influence: Over time, Thai Chinese have become prominent in the Thai economy, particularly in commerce and business. Their economic influence is considered substantial.

Current Situation:

Population: Thai Chinese constitute approximately 14% of Thailand's population, numbering around 10 million people.

Economic Power: Thai Chinese continue to hold significant economic influence, with a strong presence in various sectors.

Political Participation: While Thai Chinese have historically been active in politics, their direct political power is not proportional to their economic influence. There are both Chinese-Thai politicians and those of non-Chinese descent.

Nuances and Considerations:

Assimilation: Many Thai Chinese have assimilated into Thai society, adopting Thai customs and language while maintaining some cultural ties to their Chinese heritage.

Diversity: The term "Thai Chinese" encompasses individuals with varying degrees of cultural connection to China. Some may have stronger ties than others.

Generational Differences: The political and social views of Thai Chinese can vary across generations, with younger generations often having a stronger sense of Thai national identity.

Additional Insights:

The issue of political turmoil in Thailand is complex and multifaceted. While the role of Thaksin and his Chinese heritage is a factor, it's important to avoid oversimplifying the situation by solely attributing it to ethnic tensions.

The relationship between the Thai royal family and the Chinese community is nuanced. While the royal family has Chinese ancestry, it has also actively promoted Thai nationalism and sought to unify the country.

In Conclusion:

The balance of power between Chinese and non-Chinese residents in Thailand is complex and ever-evolving. While Thai Chinese hold significant economic influence, their political power is not proportional. The relationship between the two groups is multifaceted, with varying degrees of assimilation, cultural connection, and political views. It's crucial to avoid generalizations and recognize the diversity within both groups.

Impression:

While much of the unrest in many Southeast Asian countries stems from conflict between Chinese and non-Chinese residents, Thailand's political turmoil does not appear to be due to that single factor.

[moerusai]

Can Man Suang replicate Pee Mak box office success?

Pee Mak is a 2013 horror comedy. With a box office of over one billion baht, it is the highest grossing Thai movie of all time.

The highest grossing Thai movie until Pee Mak unseated it, was The Legend of Suriyothai (Mile named it as one of his inspirations in the Standard Pop interview).

Here are some fun coincidences between them:

Both are set in 19th century Siam.

The leading actors of Pee Mak - Mario and Mai Davika, were Apo's colleagues (heh) at CH3. They starred together in Buang Banjathorn (2017), a hit historical drama.

Apo & Mario are still good friends. The latter even came to support Apo at the last KPWT concert.

Meanwhile, Mai Davika & Apo reunited in the most dazzling way at the Bulgari event last November.

(Apo seems to get along well with people whose names start with M 🤭)

They are talented and beautiful people and I'm really, really rooting for their reunion at the Man Suang Gala Premiere and maybe even at the top of the Thai box office ranking 🕯️🙏🕯️

[mykpopwire]

exclusive interview: MY K-POP WIRE x BLITZERS

BLITZERS returned with a brand new album [LUNCH-BOX] on June 19th.

BLITZERS members share more about their music, daily life, appearance on Britain's Got Talent, and more while answering the questions from BLEE.

✨From CHRIS✨

[@blitzersGAY] Has any specific song inspired you lately?

"Love" by Keyshia Cole. The song is really good. It's a great song to listen to when you're excited!

[@blitzersfiIes] How do you manage your energy and stamina during tours?

I make sure to eat well and exercise regularly to maintain my energy and stamina!

[@e_e__am] Do you have any favourite lyrics in any one of the new songs?

From our latest song “SUPERPOWER,” my favourite lyrics is the one that says, “There’s power in small things (작은 것들에 힘이 있어)”!

[@itzyblitz] Is there a music genre you haven’t tried yet that you really want to?

I usually like and enjoy listening to hip-hop, so I'd like to try hip-hop if possible! Or I'd like to try EDM too!

[@starblitzers] What was the experience of performing on Britain’s Got Talent like?

I was worried at first, but I was confident, so I practiced hard and had a lot of fun on the show!

[@jjongpie] If you could relive any concert you have done, which one would you relive?

I remember all our concerts, but I want to go to America where my parents are and have another concert!

[@prettyboysya] Which member sleeps in the funniest position?

I think it’s WOOJU! We’re roommates, so I sometimes see him sleeping, and he does Muay Thai in his sleep!

✨From JINHWA✨

[@blitzersGAY] What’s your favourite thing about this new album?

Among all the things from this album, I like the outfit for BOX's version the most!

[@e_e__am] What would you put into your lunchbox?

I want to put LA galbi!

[@blitzersfiIes] How do you feel when BLEE tell you how much you’ve inspired and helped them?

I don't know how to express it, but the fact that our fans say they were influenced by us is the whole reason why I continue promoting as BLITZERS.

[@marcusina_] How do you deal with negative comments and how do you motivate yourself to keep getting better?

I think that if you ignore the nuances of the things that you’re criticized for no reason and just focus on the helpful content, negative comments are also good feedbacks.

[@chiwoodle] How would you rate your experience on Britain’s Got Talent?

It was an experience that gave me a sense of accomplishment in challenges.

[@hoonyversee] What would you like to achieve by 2024 as BLITZERS?

I want to go on concert tours at various places!

[@Lunarsolar_cute] A concert on the moon or a concert at the bottom of the ocean?

Concert on the moon! I think it’d be less difficult to perform on the moon, haha.

✨From JUHAN✨

[@jjongpie] Is there anywhere in the world where you dream of performing a concert in?

I love every stage because they are all precious, but I personally dream of performing at the Super Bowl! I watched The Weeknd, an artist I respect, perform there, and it was so cool.

[@tannietooz] What song do you never get tired of performing?

Among our songs, the most exciting one, “Macarena”!

[@thicccamisul] What has been your happiest moment as an idol?

Performing with fans is what makes me happy.

[@Manar669] How do you prepare mentally and physically for a comeback?

As for this album, since it has been quite a long time since we met our fans, we tried to communicate a lot, and we workout to have strength to show those who are watching our performance.

[@Bleeverse_] What is the hardest choreography out of all your songs?

I think “BOBBIN (끄덕끄덕끄덕)” is a really hard song to do both sing and performance together.

[@withyunsik] What would it be like for you to be the maknae for a day?

If I were to become the maknae, I’d like to speak informally to the older members and pretend I didn’t.

[@vishythefishy_] If you were a piece of furniture, what would you be and why?

Umm.. I'll be the curtain! Feel free to use me whenever needed.

✨From SYA✨

[@jinbeomiee] What was your favourite part of the production of the songs?

I especially liked the lyric “Life is beautiful (인생은 아름다워)” in SUPERPOWER.

[@minhlvrs] What inspires you to be an idol?

I think being able to keep releasing albums and have the opportunities to meet with our fans are what motivates me.

[@SeptemberP1H] Are there any projects outside of music that you would like to try in the future?

I haven't thought of any other paths or projects other than music yet!

[@glamhoon] How would you like your music to influence your fans?

I hope that the messages we want to convey through each of our music are well conveyed to the fans as well.

[@sya_mpoo] If you could meet your younger self what is one thing you really want to tell them?

I want to tell me, "Don't doubt yourself, trust yourself and move forward."

[@blitzersfiIes] What’s the most important message you want to convey through your music and career?

I want to continue to deliver positive energy and various messages to our fans.

[@tannietooz] If BLEE was an emoji, what emoji would we be and why?

‘🥳’. Because just the presence of BLEE makes me feel motivated and happy!

✨From LUTAN✨

[@ana_guerrero10] What is your favourite moment when it comes to recording music videos?

This wasn't included in this music video, so it came out in our behind-the-scenes video. The most fun moment was when we went back to our childhood and played with water guns.

[@Lunarsolar_cute] If you could swap positions with one member, who would it be and why?

I'd like to swap position with JUHAN. I'm currently in the maknae line, but I'd like to be looked up to as the oldest member of the hyung line.

[@ilovyoumin] How has becoming an idol changed your life?

First of all, I think I started my social life earlier than my normal peers, so my sense of responsibility grew and matured faster. And since I’m doing what I like as a job, I often have fun and happy times.

[@starblitzers] What's the first thing that comes to your mind when you talk about BLEE?

The first thing that comes to mind is my gratitude.

[@irt497] What personal achievement are you most proud of?

When I was in high school, I became interested in physics and focused only on that subject even though I knew nothing about it, and I’m still proud of the fact that I got good grades.

[@joongswifee] What’s a song you could listen to all day and not get tired of?

BLITZERS’ SUPERPOWER?!

[@daidaiskee] If you could have an exotic animal as a pet, which one would you choose?

I’ll pick monkey!

✨From WOOJU✨

[@blitzersfiIes] What’s an iconic moment in your career that you’ll never forget?

Doing shows with BLEE.

[@LvLyACE] What song do you think represent BLITZERS the best?

Our comeback song, “SUPERPOWER.” It's because we're brimming with exciting energy after “Macarena.”

[@Bleeverse_] If you could only eat one food for the rest of your life, what would it be?

I’ll choose meat! I think I can eat meat without getting tired of it.

[@blitzersfiIes] How do you feel when BLEE tell you how much you’ve inspired and helped them?

I want to express how thankful I am because I feel BLEE is the reason I’m here.

[@starblitzers] What do you usually do on a stressful day?

Going out for a walk helps me to organize my thoughts and relieve stress.

[@tannietooz] What’s a concept you’ve never tried but would like to?

Honestly! I'm still thinking about it.

[@saythenaim_17] Which of you fights more often, and who wins?

There is no win or lose. We fight because we just want to play around with each other!

Watch BLITZERS 'SUPERPOWER' MV here!

*photo courtesy of WUZO ENTERTAINMENT

Don’t forget to like, follow and subscribe to MY K-POP WIRE for more K-Pop interview, debut, comeback and event updates!

X (Twitter): mykpopwire

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Connect with BLITZERS!

X (Twitter): @WUZO_BLITZERS

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Youtube: BLITZERS OFFICIAL 

TikTok: blitzers_official

[mileapo]

Mile & Apo: It takes two to triumph

IN THE GLITZY REALM OF entertainment, where talent often shines like a beacon, there occasionally emerges a pair of stars whose chemistry transcends the screen. Such is the case with Mile and Apo, two charismatic Thai actors whose TV show KinnPorsche has become a global sensation, watched by millions of viewers from Russia and India, to Poland and Peru.

The two have risen from relative obscurity to become the new ambassadors of Dior, mobbed by teenage girls when they arrived in Mumbai earlier this year to attend a Dior fashion show.

On the surface, the Thai series KinnPorsche seems to have thrown the rulebook of “How to make a hit TV show” out the window. It is a mafia story filled with surly men, bloody gang fights and epic shoot-outs – which, yes, is a mainstay of TV programming. But the radical twist is this: the two main characters are a mafia boss’ son (played by Mile) and his male bodyguard (played by Apo) who – surprise, surprise – fall in love with each other.

In the history of TV, there has never been a hit crime series centred on a gay plot. But when KinnPorsche debuted in April 2022 on Thai TV and global streaming service iQiyi, it almost instantly became the top trending title in neighbouring countries such as Singapore, Indonesia, Malaysia, Vietnam and the Philippines.

Soon after, it claimed Europe, finding particular popularity in Poland, Turkey, Italy and France. Then it stormed its way into North and South America, where it was a top trending topic in the US, Mexico, Brazil, Argentina, Ecuador and Colombia.

No one – not even the cast and producers – thought the show would be this successful. It seems to have fed into some untapped market for female audiences who love action shows, but don’t care to see yet another threateningly perfect actress couple up with their fantasy man.

If you ask any fan what it is about the show that makes them sweat, swoon or quiver with delight, they’ll answer quite simply: Mile and Apo.

Double or nothing

At their photo shoot in Bangkok’s top restaurant Nusara, which overlooks the splendid temple complex Wat Pho, the models-turned-actors are in their element. They tailor their bodies and facial expressions instinctively for the camera, conveying a range of emotions, from sultry and mysterious to bright and playful. The slinky Dior suits, with their clean lines and minimal embellishments, don’t hurt either.

Mile (or Phakphum Romsaithong) and Apo (or Nattawin Wattanagitiphat) recently released their new film Man Suang in cinemas. It is a big-budget political thriller set during the 19th century reign of Rama III, replete with historically authentic sets and costumes.

Apo plays a traditional dancer who is recruited to spy in an elite club and uncover a plot to overthrow the order of the king. Finding a kindred spirit in the club’s taphon drummer (played by Mile), the two team up to stop the underground rebellion.

Speaking with the help of a translator, Mile, 31, explains: “We hope the movie reaches out to a wide audience. We wanted it to have both commercial and critical success, something that could show Thai history and culture to the world, but also be fun and entertaining enough to be a popcorn movie for the masses.”

Both actors note how T-pop (the shorthand for Thai popular entertainment) has been hyped as the next global sensation after K-pop and J-pop, following the massive success of Thai stars such as Lisa Manobal, Bright Vachirawit and Win Opas-iamkajorn.

“And it can happen,” says Apo, 29, also through a translator. “Thai people are very humble, gentle, hardworking and friendly. We can blend into any culture. If anything, Thailand has served as a melting pot for different cultures – just as Singapore has. Our culture can be easily embraced by the world.”

The duo believes that the global audience has transformed in recent times. “They’re now more welcoming of stories from different parts of the world, especially if those stories involve characters going on a journey to discover themselves and make themselves better, stronger, wiser and happier,” says Apo. “That’s why when I look for new projects these days, I look for the ones that carry the messages of self-actualisation.”

Mile concurs, adding: “I’ve always believed in ‘high risk, high return’. KinnPorsche was a risky proposition, because it took a mafia crime genre and placed it in the Boy Love category (a niche genre involving gay romance). But I believed in the project’s potential from the start – even if I never thought it’d become the cultural phenomenon that it is today. Its success has only strengthened my belief in ‘high risk, high return’.”

One-two punch

The road to success has been winding for both actors. Though born with the magnetic allure of leading men, they’ve had to work hard to secure roles over countless rivals, as strikingly handsome as they are. Having appeared in smaller parts before, it was the smash success of KinnPorsche – a show that almost didn’t get made because of funding issues – that catapulted them into not just the Thai limelight, but the global stratosphere.

Asked what Dior’s artistic director Kim Jones thinks of KinnPorsche, the duo laughs. Apo says: “We don’t know if he’s seen the show – we didn’t ask him. But we do know that our fans had been bombarding his Instagram account for a while, telling him about us, asking him to check us out, before he signed us up – well, at least that’s what he told us when we met him for the first time.”

“But for all you know, he could be binge-watching the series right now,” quips Mile, prompting another round of chuckles.

As the two men trade jokes in Thai, it’s clear that they share a genuine friendship. Their camaraderie is palpable, adding an extra layer of authenticity to their on-screen chemistry. Their behind-the-scenes antics and playful banter in candid posts have become fan fodder, launching thousands of TikTok videos and memes.

Mile says: “We’ve only become better friends in these past two-and-a-half years. We’ve become more synchronised, and our mindsets and energies are moving at the same pace. I can look at Apo and more or less understand what’s going on in his mind. We have small conflicts, of course – it’s normal among friends – but it’s usually something so minor, we can resolve it quickly.”

The best part of their friendship? Their shared love of dad jokes – that genre of silly, cheesy jokes with predictable punchlines that fathers supposedly love to tell their kids.

But Mile confesses: “I don’t tell dad jokes because I like them, to be honest. What I really, really want to tell are smart jokes, witty jokes… But I’m so bad at making jokes that they always come across as dad jokes, no matter how hard I try.”

Apo interjects: “Do you wanna hear a good dad joke?” Then, switching from Thai to halting English, he says slowly: “Hey you… watch where you walk… or you will… fall… into… my heart.”

[pchuaymee]

[My Hetalia Thailand Headcanon about his cat breeds in my head and fan fact some about cats in Thailand.]

(Disclaimer: This is my opinion about his cat and I'm not a cat breeds professional, I just share my fan fact about Thai cat story only.)

Hi, and Happy new year everyone! This is my first post for the year, I have my opinion about Thailand Headcanon about Thai cat breeds and Thai beliefs about cat breeds too. You can read about my Thailand Headcanon from this post:

Well~~! Lemme tell my fluffy Headcanon for healing you!

I. Thai cats breed originally have 17 breeds; those are lucky cats in Thai ancient cat book in Ayutthaya era or as known as Cat-Book Poems. Those cat breeds are popular such as Wichien Maat or Siamese cat (Thai: วิเชียรมาศ), Sukphalak¹ or Copper cat (Thai: ศุภลักษณ์), Konja or black cat (Thai: โกญจา), and Korat², Si sawat, or Malet⁴ (Thai: โคราช, สีสวาท, มาเลศ). However, in present day, you can find them are ancient cat breeds as Wichien Maat or Siamese cat, Sukphalak¹ or Burmese cat² or Copper cat, Konja or black cat, and Korat³, Si sawat, or Malet⁴ anywhere in Thailand. For other cat breeds for example Khaomanee or White cat (Thai: ขาวมณี) is existing in Rattanakosin era. In addition, these is a new Thai cat breeds in Bangkok in 2018 for 6-year ago. It called "Wila Krungthep" (Thai: วิฬาร์กรุงเทพ). However, Thai ppl who love cats, they are added Khaomanee in belief is lucky cat too. So, he might get positive energy by his cat. But he is adopted Wila Krungthep cat too.

II. Meaning for their cat breed's name that popular and ancient cat. They are meaning those:

"Siamese cat" in Thai name is "Wichien Maat" is meaning that "Diamond of moon.".

Copper cat in Thai name is "Sukphalak¹" is meaning that "the beautiful of appearance.".

White cat in Thai name is "Khaomanee" is meaning that "White diamond.".

ฺBlack cat in Thai name is "Konja" is meaning that "Crane" in Pali, or it might mean "Sound likes as peal.".

Silver-blue-gray cat in Thai name is "Korat²", "Si sawat", and "Malet", they are meaning; "Korat³" is meaning "Nakhon Ratchasima³.", "Si sawat" is meaning is "Love" and it is meaning "silver-blue" or "blue gray" too. And which words is "Malet⁴" is meaning "Flower⁴.".

Mocha cat or Brown-Gold cat in Thai name is "Wila KrungThep" is mean is "Cat of Bangkok.".

III. In ancient Thai ppl who believe in lucky cats those are popular Thai cat breeds for example on the post:

Wichien Maat or Siamese cat: wealth and healthy.

Sukphalak cat¹: Upgrading rank, wealth and fortune.

Konja or black cat: Successful and enhance power.

Korat² cat: Happiness and fortune.

Khaomanee or White cat: Support to luck.

(For Wila Krungthep that is not be sure how ppl thinks about this breed.)

IV. His boss as known as King Rama V, he was giving away his Wichien Maat cats with British ambassador in 1884 as Rattanakosin era (In my assumption it is during in 18th centuries.), in later, the ambassador jointed to cat contest at the Crytal Palace in London, England. That resulted is his cat won from that cat contest, it made they are called "Wichien Maat" that is "Siamese cat". In during 19th century, Cedar Glen Cattery who was bringing Korat cat to Oregon, USA in the first time, they were name "Nara" and "Dara" in 1959. And in 1966, People who was cat breeder in Maryland, they were used to Korat cat sent to contest. That result is their cat won, and it became to be popular from that day. Also, Korat cat is brought to Britain in British Cat Show contest, they were called "Blue Siamese cat.".

V. It is not Thailand only which wonder about Sukphalak Cat¹ and Burmese Cat² (Yep, it is me too, LOL), cause this cat breed is look as same but Burmese Cat² is not all copper and their feet are black. But Sukphalak Cat¹ is all copper body, and their feet is pink, however he doesn't care anything. Because he just wanna happy with them after he back from work. (Look at my illustration as sketch doodles below)

And the last my opinion.

VI. His Sukphalak cat¹ is named as cat called as "Thong Daeng" (Copper).

Well done, this is my Hetalia Headcanon about Thailand (Yeah, which is my country that I love and hate too. LOL) about his cats and some fan fact about Thai cat story too. However, it cannot to use in official reference. Enjoy with this cat or you can tell me about your cat story, if you are interested in belief or history about cats all around the world!

See ya!

Notes:

Sukphalak cat¹ is difference of Burmese cat² as Sukphalak cat is all copper body, amber eyes, and feet are pink. Meanwhile Burmese cat is not all copper body, gold eyes, and feet are black. (I'm wonder why foreigner called Sukphalak cat that "Burmese cat" or it maybe my data is fault, so, I'll do research it later.) Burmese cat² is not from Myanmar only, its origin from Thailand too. Because Thai Cat-Book Poems is told about this cat. (Lemme do research about it later with Sukphalak cat too.) Korat³ is ancient name is "Nakhon Ratchasima³.". It is province of Thailand; it is most popular province in North-East part in Thailand. Malet⁴ is originally word from "Malee" or "Mala" is meaning "Flower", in my opinion from Pali-Sanskrit.