#khon

[heaven-is-in-your-arms-series]

Costume Break Down

aka more than you ever wanted to know about Thai dance costume details but I think they are gorgeous and require so much effort to create and wear that they are worth celebrating.

Let's take a look at Khem's beautiful red costume.

Here the presence of the dagger and the colour choice quite firmly indicate that he is performing the role of the hero Prince Inao from the Lakhon Nai dance drama 'The Romance of Inao.'

His costume is based on the traditional costumes worn by heroes in both Khon and Lakhon Nai. There are some historical differences between the two types but they have very much influenced each other from the 19th Century onwards.

There are some elements of his costume that read as modern influences which I suspect are to reflect both current tastes and also the fact that the costume was intended to be seen on screen rather than a stage.

Here we see Khem's ornate headdress, known as a chada, he has a flower garland on the right side of his crown, which is the side that male characters always wear these flower pendants with heroines displaying them on the left.(Historically Lakhon Nai was only performed by women and was only for the eyes of the royal court although rules did relax in the 19th Century.)

It's hard to see in these pictures but he would usually be wearing the ornate wing shaped ear kaffa as well, which sit around the ears.

We can also see his very fine inthorn-tanu, which are those high pointed shoulder pads, worn by male characters to exaggerate their body shape.

We can see him wearing the ornate wide collar around his neck, known as a krong-kaw and a large pendant pinned to the end of the collar against his chest.

A body chain known as sangwan is then crossed around the pendant and is usually attached to an ornamental belt or just below it, at the front and back of the costume.

Khem's sangwan is a relatively simple looking version of what can be a very intricate piece of jewellery but I suspect it is because the camera will be getting a much closer look at him than an audience looking at a stage could do.

In general I think his costume is not quite as ornate and covered with detail as a stage costume often is but there is just enough there to show the luxurious nature of dance outfits without looking too much on screen.

The above picture also gives us a great look at both his hoy-na, a silk panel that hangs at the front of the costume, (here it is red and gold with gold fringe) and his hoy-kang, the silk panels that sit either side of the central hoy-na.

We also see one very modern addition - the shiny gold buttons!

Traditionally dancers are sewn into their costumes with no visible seams, a lengthy process which does run the risk of damaging the costumes every time they are stitched and unstitched.

I suspect that Apo is still partly sewn into this outfit but I imagine they wanted to give him a top that he could get in and out of more easily as he would need to be able to change constantly for filming.

I really like the design of the top, it gives both a hint of Western influence with the shape but also has a Chinese feel with the high collar and then those beautiful very Indian looking fabrics, which feels appropriate for the era and for Man Suang itself. We see it sits over the pha-nung and hoy-na etc which would not typically be the case and is why I suspect he is not also wearing a cloth belt under it as well (mentioned below.)

The red tights are also a modern addition, usually we would see bare legs and feet but they do give a very theatrical look which feels fitting for Man Suang.

From this angle we can see his pha-nung, which is a long rectangular cloth that is usually pre stitched and pleated and is wrapped around the waist and drawn through the legs to be tied in a knot at the back.

Underneath that he will be wearing a pair of sanab-plao, short trousers with deep embroidered hems that sit just below the knee.

He may also be wearing pha-pawk, which is a fabric that basically functions like hip pads to assist the pha-nung in exaggerating the body shape to create an image that mimics statues and murals depicting dancers.

Usually he would be wearing a radsa-aew, a cloth belt which is stitched into place and secures the pha-nung. I can't tell just by looking at this but I suspect he may not be given the way his clothes are lying.

We can see he is wearing a lovely cloak here that appears to be silk lined velvet.

Here we can see his embroidered sleeves, these are usually sewn on to an undershirt which also has padding sewn into it to exaggerate the shape of their chests. The decorative outer shirt is then usually sewn onto that undershirt.

Now in this picture, we see the fancy sleeves taper off to a plain red fabric at the shoulders which could indicate the presence of an undershirt but there is that clip in the trailer where Khem tugs his costume open and we see his bare chest so I don't know whether he is or isn't. Perhaps it depends on the necessity for him to be able to strip in any given scene which is totally fine by me!

We can also see his decorative golden vambraces and he is likely also wearing beads or a bracelet of rings as well. Usually more is more when it comes to dance jewellery but once again, I think they have been more restrained here.

Rings worn on the fingers are common and of course, anklets are essential.

At least they are to me ❤️

[whatthehaxx]

[huitzilinthebudgie3]

When It Rains 1 chaos

My Muse is chaotic atm and i blame Sideswipe and Sunstreaker .....Iykyk ......

Anyways Here's some Khonshu and Reader sass ...it's not proof read so let me know of any mistakes :)

Khonshu : So what are you worm ?

*Watching Y/n warm some baked potatoes in their air fryer *

Khonshu : Why do you ignore me ! How DARE you !!!

Y/n : *Unfazed by the gust of wind* I'm not a bird , a gust of wind ain't gonna scare me !

Khonshu : *Pouting* A pitful worm doesn't deserve my attention ! What are you doing ?!

Y/n : * Grabbing her sinks hose and aiming it *

Y/n : *Sparying Khonshu with the water full blast * Wouldn't you like to know weatherboy !

........

Jake : *Startling awake* THE F-"

Jake : *Turning to find a soaking wet Khonshu *

Khonshu : I may need you assistance , Lockley !!

Jake : *Laughing * She spray you again !

Khonshu : She is Dead to me !!

Jake :*rolling his eyes * Sure.

Again ... Blame @steverogerssimp1 and Sideswipe lol :)

[sound-and-vision-inspiration]

[postcard-from-the-past]

Tad Hua Khon, the Waterfall of Heads in Laos

French vintage postcard

[danceoftheday]

Number: "‘Khon’ - the beautiful and mesmerizing masked dance drama of Thailand"

Style: Khon Masked Dance

From: Sonasia Holiday (2022)

[jasonraish]

Out now! Welcome To The Arts: Dance. The largest project i've ever worked on, 45 illustrations including the cover. I illustrated dance from around the world including: Hip-Hop, Flamenco, Ballet, Contemporary, Ballroom, Kpanlogo, Kabuki, Salsa, Tap, and more. Also included are dance legends like Antonio Gades, Sir Matthew Bourne, Pina Bausch, Akram Khan, Rudolf, Nureyev, Martha Graham, The Nicholas Brothers, and more. Just researching for this book was a massive effort, on top of composing and executing the art. This book launches Big Picture Press' new Welcome To The Arts series. Written and curated by Sadler's Wells' artistic director Sir Alistair Spalding. Yes it was written by a knight! Big thanks to Oliva, Winsome, Joanna, Alistair, and my wife Jen and dog Dubu who saw very little of me for months as I toiled away on this book. I hope ya'll like it and get inspired to go out there and watch performances, research, and ultimately get your dance on!

[heaven-is-in-your-arms-series]

I'll always have a soft spot for the original trailer

Apo Nattawin details, new movie. Elegant, graceful and ethereally beautiful.( @apofilms you'd love it.)

[cartoonsbyandie]

Lockstep

[haxxydraws]

make a wish

[vorpaelyzis]

Tried to design Thai Khon for Ganondorf... But full helmet design is so damn difficult so y'all getting a mask instead

[heaven-is-in-your-arms-series]

Apo in dance rehearsals

I can not get enough dance bts, I hope they release a ton of stuff when the film is eventually available to buy. 🙏

[whatthehaxx]

Summary of Netherbound eastern god lore (because I never talk about it)

The eastern part of the nether is relatively isolated from the rest of the setting due to a large grove of incense trees that creates a type of border. (incense trees are a very fragrant type of plant that can cause anything from allergic reactions to chemical burns in a lot of nether species).

Due to its isolation and its distance from the western nether (where gods and godlings from Mame's line are more common), the east ends up having a small, more influential pantheon of gods.

The gods consist of: -- Ven: a god of nature who spends most of their time cultivating plant and animal life. responsible for groves of birchlike trees that bleed golden sap. This is reminiscent, and has somewhat similar properties, to gods blood. -- Khon: a god of luck who grants boons and curses through the magic rings he gifts. Khon has a tendency to wander out of boredom and curiosity. -- Cten (or Ctenda, or Ctanda): A swanlike god with three heads, primarily a god of art, although it later becomes fixated on war and protection after later events.

Ven and Khon create a new race called the Ven'Kan, yes that is why they're called that. Cten mostly keeps to itself and harbors flocks of strange, large birds.

Eventually word gets out through the border and other people start learning about this trio of (relatively) benevolent, peaceful gods. God's blood is something that can be sold for a significant amount of money, and the opportunity to obtain it without needing to venture west is an appealing one.

Assassination attempts are made against Ven and Cten. Ven is a pacifist who is successfully killed, while Cten is beheaded but does not die. Khon is elsewhere at the time and only realizes what had happened upon his return.

After being wounded, Cten becomes significantly more aggressive and takes on the role of a god of war. It is very protective of its nest (typical of a swan) and passage to and from the eastern nether becomes further restricted.

Khon removes himself from the picture almost entirely, choosing to travel elsewhere and mourn rather than interfere further in what is happening. The balance of things has been thrown off, and although he still resides in his old home, he isolates from his creations and prefers that they consider him dead as well.

[templeofvengeance]

[Well this is probably jumping the gun considering most of these people I've only just started threading with and many I've barely spoken to/have been awful with talking to OOC, but--

I guess consider this a Thanksgiving gift? Just a bunch of portrait sketches of people I enjoy seeing on my dash, with a theme of drawing all of them happy and smiling, even/especially the ones who don't normally! Some of these are pulling double duty because I've had this blog for like A Month and I've already interacted with dupes, what can I say]

@spiderman2-99, @iobartach, @silverjetsystm, @ask-the-midnight-mission, @violetgleams,

@externalconceit, @therapardalis, @hearthoftaweret, @shallliveoninsong, @lyrate-lifeform-approximation

[blackrainbowblade]

King Ptolemy makes offerings to the Theban triad: Amun, Mut and Khons, as well as the falcon-headed Montu.

[maggiecheungs]

Cemetery of Splendour (2015) dir. Apichatpong Weerasethakul