#1956 fury

[its-godzilla-baby]

Watch what you say about my car, she’s real sensitive.

God I love Christine with all my heart. I spent like 10 hours on this pls validate me lmfao

[streets-in-paradise]

As I was looking at something else (but related), your post on how much Troy (2004) builds on/is a reaction to earlier movies - especially Helen of Troy (1956), wasn't it?

Because I was reminded again the other day how closely Paris the Musical's first act is based in that movie's events for the same part of the story. (Paris and Helen meeting after a shipwreck, the way the Greek kings are plotting war already, and such.)

And it's just interesting/funny that this movie seems to have had such an effect on later adaptations!

Hi!

I haven't got into the musical yet, partially because I don't listen to/watch many musicals and so I have to get in the mood to pick the two I have yet to check: Paris and Epic.

That being said: you are absolutely right. And the thing is it had such strong impact but this influence remains pretty much forgotten by history. Every now and then, a new Iliad adaptation pops out and people start to make the same questions about why they took certain choices that don't happen in the text without really digging for the root. I got genuinely curious about this topic, so i recently started searching about the history of trojan war on film. Youtube is full of peplum films you can watch for free, so i began watching and rewatching every film adaptation i could find.

I recently rewatched this one again and found out Helen of Troy (1956) is responsible for the following creative liberties that happened in Troy (2004), yet can often get repeated in other trojan war media :

-Paris portrayed in an heroic and/or romantical light. ( Although in this one they made him a full gary stu action hero because it's the 50's. They won't risk it with an effeminate, coward lead guy/love interest.)

-As a direct consecuence, Helen x Paris as star-crossed lovers.

-The idea that the greeks already wanted war with Troy for economical reasons linked to a rudimentary concept of imperialist development.

-Agamemnon and Menelaus as a power villian bros duo that push the war for these interests.

-Menelaus being older than Helen, an irascible man, and somewhat aware she doesn't want to be with him because in this version is a convenience marriage.

-Paris for real going on a peace mission in Sparta and meeting Helen there, not him using a pre existing political conflict as excuse to go find her.

In this point, some versions also took the concept of them meeting after a storm threw Paris like a sad wet cat on Helen's shores. Troy avoided it only so they could introduce both Hector and Paris in the same Sparta scene.

-Trojans portrayed in a peacefull, sympathetic light as a mighty, more civilized city threatened by some barbarian danger.

Not all of the adaptations influencied by it that followed took every single element on this list, like Troy did, to a point where you can literally get the feeling that the ending of the movie is a fix it giving the 1956 the happy ending that was abrutly taken away in its final scene.

However, i find extremely curious that this movie also influenced so many other later portrayals of the trojan war, because it wasn't a successfull one. With a budget of 6 million dollars, it only made 3.5 millions.

Not only it wasn't a box office hit, it's not very remembered. Despite it belongs to the golden age of classic historical epics, it's not a Ben Hur or Cleopatra. It didn't make it to movie history in a similar light and according to what I have read in the standard online sources for movie trivia, some critics teared it to shreds.

One can wonder, ... how a movie with this reception had such huge impact in everything that came later? And yet I have no answer. It failed at its time, but silently made history sneaking into the imaginary of many creators for future versions like a game of telephone. Everyone has been there, but no one mentions Helen of Troy (1956) as an influence of theirs because they may not even realize it.

It's hilarious, it's fascinating. I will be forever intrigued by this fact.

[morrisoxide]

Ron Dulin's 1956 Plymouth Fury

[caroftheday]

Hello everyone! I again apologize for the inaccuracy of yesterday's post.

Today's car is my personal dream car, the 1956 Plymouth Fury! This car is absolutely gorgeous my favorite color scheme being the factory cream with gold trim.

I hope you enjoy! Find the details below.

It seems that searching for reliable images of the engines for specific years of these classic cars is difficult, if anyone has any resources for that I would greatly appreciate it!

Date launched: January 10, 1956

Units made and sold: 4,485 units

Company: Chrysler

Weight: 3,650 lbs/1,655 kg

Horsepower: 240 HP

Top speed: 119mph

0-60mph/0-37kmph: 9.5 seconds

Drivetrain: RWD

Transmission: 3 speed manual

Mpg/km/l: 15.2 mpg/5.4km/l

Engine: 240hp 303-cubic-inch poly engine

Engine position: front

Peak power: 4,800 RPM

Peak toque: 2,800 RPM

Price then: $2,886 USD

Price now: $17,500-40,000 USD

Consumer opinion: the Plymouth Fury was widely considered a beautiful car and its body style was copied by many companies, it was pretty affordable for the average family and most people who drove it had a very positive opinion of the car.

[diecastmania]

1956 Plymouth Fury Hardtop Coupe

Originally issued by Brooklin Models in 1997. It is 1:43 scale and is crafted in white metal. The model is finished in Buckskin Beige w/Gold trim. BRK 63.

[wheelsgoroundincircles]

1977 Plymouth Fury

1977 Plymouth Fury

1977 Plymouth Fury

The Plymouth Fury is a model of automobile that was produced by Plymouth from 1955 until 1989. It was introduced for the 1956 model year as a sub-series of the Plymouth Belvedere, becoming a separate series one level above the contemporary Belvedere for 1959. The Fury was a full-size car from 1959 until 1961, then a mid-size car from 1962 until 1964, again, a full-size car from 1965 through 1974, and again, a mid-size car from 1975 through 1978. From 1975 until 1977, the Fury was sold alongside the full-size Plymouth Gran Fury. In 1978, the B-body Fury was the largest Plymouth, and by 1979, there was no large Plymouth. This product gap was filled in 1980 with the R-body Gran Fury, followed by the M-body Fury in 1982. Production of the last V8, RWD Plymouth Fury ended at the Kenosha Main assembly plant in Kenosha, WI, on December 23, 1988. Unlike its sibling brand, Dodge, Plymouth would not live to see the resurgence of the large, V8/RWD sedan.

[derangedrhythms]

I love you like fury

Sylvia Plath, The Letters of Sylvia Plath Volume I: 1940–1956 — Ted Hughes, 1st October 1956

[frenchcurious]

Plymouth Fury 1956. 📸 Bring a Trailer. - source Rétro Passion Automobiles.

[incurablyromanticsblog]

Contemporary Toshiro Mifune Films Guide

For @silencervalkyrie and dedicated to @ginkovskij and @spirit-of-koryushka and @majortomwaits

I’m going to use “Toshiro Mifune the films” as a guide cause it’s just a master list of every single movie the man did.

Ok let’s go Chronologically:

1. Snow Trail (1947) ⭐️⭐️⭐️

2. Drunken Angel (1948) ⭐️⭐️⭐️

3. The Quiet Duel (1949) ⭐️⭐️⭐️

4. Jakoman and Tetsu (1949) (Rare)

5. Stray Dog (1949) ⭐️⭐️⭐️

6. Conduct Report on Professor Ishinaka (1950) (Rare) ⭐️⭐️⭐️

7. Escape From Prison (1950) (Rare)

8. Scandal (1950)⭐️⭐️⭐️

9. Wedding Ring (1950)⭐️⭐️⭐️

10. Beyond Love and Hate (1951) (Rare)

11. Elegy (1951) (Rare)

12. The Idiot (1951)⭐️⭐️⭐️

13. The Life of a Horse Trader (1951)⭐️⭐️⭐️

14. Meeting of the ghost of Appres-Guerre (1951) (Rare)

15. Who knows a Woman’s heart? (1951) (Rare)

16. Foghorn (1952) ⭐️⭐️⭐️

17. Golden Girl (1952) (Rare)

18. Tokyo Sweetheart (1952)⭐️⭐️⭐️

19. Swift Current (1952) (Rare)

20. The Man Who came to Port (1952) (Rare)

21. My Wonderful Yellow Car (1953) (Rare)

22. The Last Embrace (1953) (Rare)⭐️⭐️⭐️

23. Sunflower Girl/Love in a Teacup (1953) (Rare)⭐️⭐️⭐️

24. The Black Fury (1954) (Rare)⭐️⭐️⭐️

25. A Man Among Men (1954) (Rare)

26. All is Well 1 & 2 (1953) (Rare)

27. No time For Tears (1955) (Rare)

28. I live in Fear (1955)⭐️⭐️⭐️

29. Settlement of Love (1956) (Rare)⭐️⭐️⭐️

30. A Wife’s Heart (1956)

31. Rebels on the High Sea (1956) (Rare)

32. Be Happy, These Two Lovers (1957) (Rare)

33. Downtown (1957) (Rare)

34. A Holiday in Tokyo (1958) (Rare)

35. The Rickshaw Man (1958)

36. The Last Gunfight (1960)

37. The Bad Sleep Well (1960)

38. Fort Graveyard (1965)⭐️⭐️⭐️

39. The Mad Atlantic (1966)

40. Grand Prix (1966)

41. A Tunnel to the Sun (1968)

42. Hell in the Pacific (1968)⭐️⭐️⭐️

43. Tora San goes North (1987)

44. Death of a Tea Master (1991)

45. Deep River (1995)

The stars ⭐️ are for films I’ve seen and these aren’t all of them still. And in a lot of these when I say rare sometimes I mean LOST. As in unfoundable unless you’ve got Japanese cable.

The Last Embrace

In order, from left to right the movies are:

The last embrace, sunflower girl, pirates, golden girl, settlement of love, the idiot, meeting of the ghost of appres-guerre, jakoman and tetsu.

[inkstainedheartbeats]

Okay @scarlet-bitch (hope you don’t mind the tag) this is the very basic like timeline of that thing I mentioned. It’s a super crossover xD

—//—//—//—

1917

James “Bucky” Barnes is born March 10

Howard Stark is born August 15

1918

Steve Rogers is born July 4

1921

Margaret “Peggy” Carter is born April 21

1930

Eric Lehnsherr is born May 25

1932

Charles Xavier is born July 13

1939

Howard Stark starts up Stark Industries

1950

Nick Fury is born July 4

1954

John Winchester is born April 22

Mary Winchester is born December 4

1956

David Rossi is born May 9

1958

Henry Winchester stumbles upon a mutant/human co-op trying to force mutations in humans. He is saved by an undercover CIA agent and forced into Witness Protection without his wife and child. The CIA agent has betrayed the CIA and is instead working with the co-op.

The CIA agent, calling herself Abbadon, starts to subtly threaten Millie.

1960

Harold Finch (Thomas) is born April 9

1962

Abbadon injects John with a prototype serum that is supposed to force a mutation out of him. It seems to fail.

Nathan Ingram is born June 6

Olivia Manx is born July 5

1964

Phil Coulson is born July 8

1965

Abbadon scares Millie, who believes that she has hidden John’s existence from Abbadon as the ex-CIA agent never threatens him, away. Millie leaves John with her sister Maisy. She takes on the name Maria.

Millie meets and falls in love with Howard Stark.

Nathan Ford is born August 16

Carl Elias is born August 18

1966

Robert Hersh is born May 7

Mark Snow is born May 22

1967

Anthony Marconi is born November 23

1968

Lionel Fusco is born March 17

James “Rhodey” Rhodes is born October 6

1969

Bruce Banner is born December 18

1970

Tony Stark is born May 29

Emily Prentiss is born October 12

1971

Clint Barton is born June 18

Aaron Hotchner is born November 2

1972

Joycelyn Carter is born March 7

Haley Hotchner is born July 16

1973

Derek Morgan is born June 6

1974

Pepper Potts is born February 12

1975

John Reese (Harris) is born May 4

1977

Elle Greenaway is born June 24

Penelope Garcia is born July 7

1978

Sam Wilson is born September 23

1979

Dean Winchester is born January 24

1981

Samantha Groves is born September 4

Sean Hotchner is born August 7

Spencer Reid is born October 28

1982

Maria Hill is born April 4

1983

Grant Ward is born January 7

Sam Winchester is born May 2

Nathan Ingram leaves MIT with an unfinished degree to start IFT May 29

Michael Cole is born July 10

Sameen Shaw is born October 25

Mary Winchester dies November 2

1984

Jessica Moore is born January 24

Will Ingram Finch is born August 31

Natasha Romanov is born November 20

1985

Devon Grice is born November 30

1986

Alec Hardison is born April 13

Dum E is created June 18

1987

Tony graduates from MIT June 5

Leo Fitz is born August 19

Jemma Simmons is born September 11

1988

Skye (Daisy Johnson) is born July 2

1989

This is the last year that Millie Winchester was seen alive. This is because she abandons the name and steps fully into her Maria Stark alias.

Pietro & Wanda Maximoff are born January 1

1990

Adam Milligan is born September 29

1991

Maria and Howard Stark die December 16

1992

Theresa Whitaker is born March 7

John Winchester drops his sons off with his half brother Tony Stark April 20

July 20 Tony manages to gain custody of his nephews.

1993

John Winchester suffers a mental break and kills Kate Milligan and kidnaps his son on October 3

October 11 Adam is dropped of with Tony which causes a scandal

1995

Caleb Phipps is born July 26

1997

Taylor Carter is born June 18

1999

Masha Ingram-Finch is born February 24

2000

Lee Fusco is born January 9

2001

Peter Parker is born August 10

2003

Genrika Zhirova is born December 13

2004

Lionel and his wife divorce

2005

Jack Hotchner is born October 7

“The Machine” goes online February and the next day sold.

2007

On February 5 Tobias Hankel kidnaps Spencer Reid.

2008

Henry LaMontagne is born November 12

2009

Tony is kidnapped by 10 Rings February 13

2010

The Ferry bombing happens killing Nathan Ingram September 26

Sometime during October or November Rick Dillinger is hired by Finch

Dillinger dies December 5ish

2012

May 4; Battle of New York happens.

[elastijubilee]

2024:

Beauty and the Beast (1946, French foreign language)

The Color Purple (2023)

Time Bandits (1981)

Mean Girls (2024)

Repulsion (1965)

The Uninvited (1944)

Rumble Fish (1983)

Alien (1979)

A Brighter Summer Day (1991, Taiwanese foreign language)

Tess (1979)

Picnic at Hanging Rock (1975)

Aliens (1986)

Idiocracy (2006)

Looker (1981)

Alien 3 (1992)

Furiosa: A Mad Max Saga (2024)

Inside Out 2 (2024)

Super Capers (2011)

Deadpool and Wolverine (2024)

Twisters (2024)

Westworld (1973)

Borderlands (2024)

The Magnificent Seven (1960)

Beetlejuice Beetlejuice (2024)

Shocker (1989)

Trick or Treat (1986)

Jaws (1975)

My Hero Academia: You're Next (2024)

The Wild Robot (2024)

The Thing (1982)

Alien Resurrection (1997)

Late Night with the Devil (2023)

Jennifer's Body (2009)

Muppets Haunted Mansion (2021)

Lisa Frankenstein (2024)

Heretic (2024)

Anora (2024)

Wicked, Part I (2024)

Meet the Feebles (1989)

Alice's Restaurant (1969)

Red One (2024)

Santa Claus Conquers the Martians (1964)

Splash (1984)

The World According to Garp (1982)

Home Alone 3 (1997)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

So, I decided in 2019 to keep track of every movie I'd watched for the first time each year moving forward. This year has been my biggest year!

Movies I watched for the first time in 2023:

Glass Onion (2022)

X (2022)

Pearl (2022)

The Witch (2015)

Fright Night (2011)

The Lighthouse (2019)

Knock at the Cabin (2023)

The Northman (2022)

Hereditary (2018)

Midsommar (2019)

Men (2022)

Saint Maude (2020)

The Wolfman (1941)

Psycho (1960)

The Birds (1963)

Vertigo (1958)

Psycho (1998)

Into the Spider-Verse (2018)

Across the Spider-Verse (2023)

Guardians of the Galaxy Vol 3 (2023)

Suspiria (2018)

Rosemary's Baby (2014 made-for-tv 2-parter)

Poltergeist (2015)

Shazam! Fury of the Gods (2023)

A Nightmare on Elm Street (1984)

A Nightmare on Elm Street 2: Freddy's Revenge (1985)

ANOES 3: Dream Warriors (1987)

ANOES 4: The Dream Master (1988)

ANOES 5: The Dream Child (1989)

Freddy's Dead: The Final Nightmare (1991)

Wes Craven's New Nightmare (1994)

A Nightmare on Elm Street (2010)

Freddy vs. Jason (2003)

Friday the 13th (1980)

It Follows (2014)

The Flash (2023)

Oppenheimer (2023)

The Hunger Games: The Ballad of Songbirds and Snakes (2023)

The Little Mermaid (2023)

The Red Shoes (1948)

Rebel Without a Cause (1955)

The Blob (1988)

Paint (2023)

Mafia Mama (2023)

Everything Everywhere All at Once (2022)

Uncut Gems (2019)

The Green Knight (2019)

The Last Airbender (2010)

The Dark Crystal (1982)

The Fog (1980)

They Live (1988)

Office Space (1999)

Fifty Shades Freed (2018)

Teen Titans Go to the Movies (2018)

John Wick Ch. 1 (2014)

Super Mario Bros (2023)

Muppets From Space (1999)

Scream 6 (2023)

12 Monkeys (1995)

Bottoms (2023)

Five Nights at Freddy's (2023)

The Craft (1996, fully through)

I Married a Witch (1942)

The Umbrellas of Cherbourg (1964, French foreign language)

Friday the 13th, Part 2 (1981)

Barbie (2023)

The Boy and the Heron (2023)

The Color Purple (1985)

Violent Night (2022)

The Stepford Wives (1975)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

2022:

Staten Island Summer (2015)

Nobody's Child (1986)

This is Spinal Tap (1984)

Shawn of the Dead (2004)

The Wiz (1978)

Phantom of the Paradise (1974)

Ghostbusters: Afterlife (2021)

Licorice Pizza (2021)

Fifty Shades of Gray (2015)

Fifty Shades Darker (2017)

Cyrano (2021)

The King and I (1956)

Carrie (2013)

Carrie (2002, made-for-tv)

The Batman (2022)

Firestarter (1984)

Frozen 2 (2019)

The Fury (1978)

Firestarter (2022)

The Rage: Carrie 2 (1999)

The Bob's Burgers Movie (2022)

The Deadzone (1983)

Sparring Partner (2022, short)

My Fair Lady (1964)

The Untouchables (1987)

Singin' in the Rain (1952)

The Black Phone (2022)

Barbarian (2022)

Nope (2022)

Flashdance (1983)

Crimes of the Heart (1987)

Don't Worry Darling (2022)

The Exorcist (1973)

Child's Play (1988)

Scream 3 (2003)

Scream 5 (2022)

The Fablemans (2022)

Halloween (1978)

Black Panther (2018)

Black Panther: Wakanda Forever (2022)

Thor: Love and Thunder (2022)

Doctor Strange and the Multiverse of Madness (2022)

Return to Oz (1985)

Newsies (1992)

National Lampoon's European Vacation (1985)

National Lampoon's Las Vegas Vacation (1997)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

2021:

Star Wars: Return of the Jedi (1983)

Star Wars: The Force Awakens (2015)

Star Wars: The Last Jedi (2017)

Star Wars: The Rise of Skywalker (2019)

Rogue One: A Star Wars Story (2016)

Solo: A Star Wars Story (2018)

X-Men: Days of Future Past (2014)

X-Men: Apocalypse (2016)

Dark Phoenix (2019)

X-Men Origins: Wolverine (2009)

The Wolverine (2013)

Logan (2017)

Deadpool (2016)

Deadpool 2 (2018)

Watchmen (2009)

Wonder Woman (2017)

Aquaman (2018)

Shazam! (2019)

X-Men: New Mutants (2020)

Cruella (2021)

Space Jam: A New Legacy (2021)

The Suicide Squad (2021)

Reminiscence (2021)

My Hero Academia: Heroes: Rising (2019)

My Hero Academia: Two Heroes (2018)

My Hero Academia: World Heroes' Mission (2021)

Dune (2021)

Poltergeist (1982)

The Babadook (2014)

A Silent Voice (2016)

Rockdog (2016)

Rockdog 2: Rock Around the Park (2021)

Lion King (2019)

Terminator (1984)

Hot Fuzz (2007)

West Side Story (2021)

Spiderman: Homecoming (2017)

Spiderman: Far From Home (2019)

Spiderman: No Way Home (2021)

Looper (2012)

Brick (2005)

Back to the Future Part II (1989)

Back to the Future Part III (1990)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

2020:

Mr. Mom (1983)

Rosemary's Baby (1968)

Pretty Baby (1978)

Private Benjamin (1980)

The Color of Pomegranates (1969, foreign language)

Only Angels Have Wings (1939)

Cunningham (2020, documentary)

And Then We Danced (2019, Georgian foreign language)

The Young Girls of Rochetfort (1967, French foreign language)

Love on a Leash (2011)

Star Wars: The Empire Strikes Back (1980)

Star Wars: The Phantom Menace (1999, fully through)

Star Wars: Attack of the Clones (2002, fully through)

Star Wars: Revenge of the Sith (2005)

Buffy the Vampire Slayer (1992)

Blazing Saddles (1974)

The Producers (1967)

Dr. Horrible's Sing-along Blog (2007)

Death Becomes Her (1992)

Captain Underpants (2017)

X-Men (2000, fully through)

X-Men 2 (2003)

Dust in the Wind (1986)

Phantasm (1978)

The Cabin in the Woods (2011)

Sonic the Hedgehog (2020)

I Eat Your Flesh (1971)

Serenity (2005)

Juice (2017, short, Indian foreign language)

Earth (1998, Indian foreign language)

Protocol (1984)

Voices Within: The Many Lives of Trudy Chase (1990, 4 hr full version)

Clue (1985)

Unleashed (2016)

Fright Night (1985)

Moll Flanders (1996, BBC 2-parter)

Parasite (2019)

Tucker and Dale vs. Evil (2010)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

2019:

Irreconcilable Differences (1984)

The Brady Bunch Movie (1995)

A Very Brady Sequel (1996)

Frozen Assets (1992)

Knives Out (2019)

Doctor Sleep (2019)

Santa Claus With Muscles (1996)

Jack Frost (1997, dog sh*t horror)

Home (?, Indian foreign language film)

The Greatest Showman (2017)

Pinjar (2003, Indian foreign language)

Interstellar (2014)

Shock and Censorship (1993)

The Witches of Eastwick (1987)

Beetlejuice (1988)

Gypsy (1962)

The Shape of Water (2017)

The Favorite (2018)

A Small Circle of Friends (1980)

A League of Their Own (1992)

Shock Treatment (1981)

Empire of the Sun (1987)

[britsyankswheels24]

🇺🇲 Let's delve into the captivating history and remarkable characteristics of the 1956 Plymouth Fury—an iconic automobile that made its mark during the golden age of American cars.

🚗 Introduced in 1956 as a top-of-the-line modelas (a sub-series of the Plymouth Belvedere), the Plymouth Fury embodied Chrysler's vision of luxury and performance within the "Forward Look" design era. It quickly gained acclaim for its distinctive appearance and powerful performance.

🌟 The 1956 Plymouth Fury boasted a sleek and aerodynamic profile, characterized by prominent tailfins, chrome accents, and dual headlights, setting it apart from its contemporaries.

⚙️ Under the hood, the Fury was equipped with Chrysler's FirePower V8 engine, delivering impressive horsepower and torque, making it a favorite among speed enthusiasts.

👑 Inside, the Plymouth Fury offered a plush and comfortable cabin adorned with premium materials and modern amenities, reflecting its upscale status.

🚀 The 1956 Fury introduced advanced features for its time, including power steering, power brakes, and push-button automatic transmission controls, enhancing the driving experience with added comfort and convenience.

🎬 The Plymouth Fury gained widespread fame as the primary vehicle in Stephen King's novel "Christine," later adapted into a popular horror film, showcasing the Fury's timeless allure and sinister reputation.

🏁 A formidable contender in NASCAR racing, the Fury demonstrated its performance capabilities on the track, solidifying its reputation as a high-performance vehicle.

👑 Despite its popularity, the 1956 Plymouth Fury was produced in limited numbers, becoming a rare and sought-after collector's item today. It represents an era of automotive innovation and artistic design, influencing subsequent generations of car enthusiasts and designers.

🦅 The Plymouth Fury 1956 embodies the spirit of American automotive excellence, blending style, power, and sophistication into an iconic package. Its enduring legacy continues to inspire admiration and nostalgia among car aficionados worldwide.

[streets-in-paradise]

Because it's not about either.

Troy (2004) is a Helen of Troy (1956) and Fury of Achilles (1962) crossover remake made in the mixing of styles between Gladiator, Braveheart and the Lord of the Rings trilogy.

Hope that helps.

[steddielicious-quaerhye]

So next up for peak bi experience is Joyce Byers.

Joyce Byers, who is still Joyce Maldonado in 1956. She’s the daughter of a doctor in Hawkins, living a comfortable upper middle class life that she hates. So at fourteen, she starts dating twenty-year-old Lonnie Byers, who her father loathes. Daddy Dearest threatens to kick her out if she doesn’t break up with him after a pregnancy scare; she focuses on her friends and school. She forms a clique of girls who idolize her and are fascinated with her tragic forced break-up and salacious stories. Her friends would never dare to approach boys and be labeled as hussies, but they all want to know how to kiss them at upcoming Semiformal and Winter Formal and Homecoming and Prom. Joyce is thrilled at the power she holds in teaching her gal pals to kiss. She gets to pull breathy whimpers out of the other girls and she can’t even get pregnant from it. 

By the time she’s a junior, Joyce and Jim Hopper are scandalously best friends. She’s queen bee and he’s a notorious ladies man, but they don’t ever date. People gossip about how it’s not right for boys and girls to act the way they do with each other and they don’t care. They skip class to smoke and compare their exploits. Jim just laughs when Joyce says Alice Gilbert let her feel her tits when she wouldn’t even let Jim kiss her. 

After they graduate, Jim goes to Vietnam and Joyce to NYU where she has grand plans to be a realtor after a degree in psychology or something. She hasn’t changed much from high school and finds herself around the same type of girls, this time as part of Kappa Kappa Delta. She gets close to a girl named Rachel and spends all of her undergrad at her side. That is, until December 1963, senior year. Sigma Chi is hosting a luau, so Joyce and Rachel go all out. They’ve got grass skirts and coconut bras, even managing to rustle up leis made of real flowers. Sangria flows all night, and by 3 am, Joyce has Rachel in her bed, plying her with endless kisses. It feels so, so right, but in the morning, Rachel says that she thinks they shouldn’t be friends anymore. It’s just not what girls are supposed to do with each other. 

This lights a fire under Joyce. She is enraged by constantly being told what she is supposed to do, who she is supposed to be. So she drops out. She returns to Hawkins for Christmas and does the exact opposite of what a sorority girl is supposed to do. She heads straight into Lonnie Byers’ bed and they’ve eloped by June. This is the final straw for her parents, who take her younger siblings and move to Boston. They don’t provide any contact information. Joyce lives off of her rage and her broken heart, though she doesn’t quite realize how it got there. Rachel’s face still flits through her mind when her husband is drunkenly fucking her. She tries to drown out the sounds of masculine grunts with her memories of coconuts knocking together. Lonnie is furious once she’s cut off from her family funds, so she takes a job at Melvald’s to help make ends meet and stick it to the system that told her she had to graduate from university and marry a finance major right after. 

It’s not until 1967 that her fury subsides. She and Lonnie have somehow created the most beautiful baby boy, Jonathan, who is the center of her universe. She becomes a stay-at-home mom to him and their next son, William, until money runs out; she has to return to Melvald’s when Will is only two. Being a parent to her boys and keeping Lonnie off of all of their backs is exhausting; Joyce mellows. She is no longer the temperamental young woman telling the world to fuck off. She just wants Lonnie out. Jim Hopper moves back to town, dealing with his own heartbreak at his daughter’s death and his subsequent divorce. He and Joyce don’t reconnect much beyond surface level chats when they run into each other around town, but that’s fine for now. Their time will come. 

Divorce papers are served to Lonnie on Joyce’s fortieth birthday and it turns into an explosive fight, as all their disagreements do. And Joyce knows this isn’t healthy for their sons, but she needs to show them that she will always stand up for them and herself. Because she’s Joyce Fucking Byers. 

And once it’s just the three of them, she keeps the Byers name. She associates it more with her boys than Lonnie anyways. Joyce doesn’t even think about dating, especially once Will goes missing a year later and their world is turned upside down. Jim Hopper reintegrates himself into her life and this crazy mindfuckery. 

But then that’s done and Bob Newby is just such an extreme opposite from Lonnie that it’s easy to slip into a relationship with him. And then the Upside Down is back and Bob is brutally killed. Time passes and Jim asks her to dinner, which she forgets, because of the magnets, and then he has the audacity to die just as the potential for something starts to appear; now Joyce has the sweetest daughter as well. And she has to protect her kids and leave this toxic, cursed town, so it’s time to head for California. There isn’t any time to date anyone and Joyce is well-practiced at ignoring her urges to ruin the careful hair and makeup of the polished women that Lenora Hills is full of. (She hates them all so much and doesn’t connect these feelings to the thrills of her youth at making pretty girls gasp and pant against her.)

Then Hopper is alive and Joyce thinks that for the first time ever, she’s actually in love. (She thinks she came close with Bob, but alas.) She still notices beautiful women, but so does everyone. It’s normal to appreciate when a woman has a gorgeous smile or can hold herself well in heels, right?

Christmas 1986 brings the usual shuffling of Steve Harrington between the various Party households for each meal. The Hopper-Byers home has the honour of hosting him for Christmas dinner, for which he provides two homemade pies and a topic of conversation that seems suspiciously well-rehearsed with Jonathan. 

Very, very casually, the two oldest boys bring up David Bowie, and a little thing called bisexuality. Will and El share several looks, but are overall attentive. Joyce can see the surprise on Steve’s face as Hop asks more questions than either of the younger kids. She stays silent, but Hop gently takes her trembling hand under the table, giving her a soft look. 

After dessert, Joyce escapes to the back porch for a well-needed smoke and reflection. Lovely, kind Steve wants to check in on her and, she can tell, gauge if she has any disgust at the dinner’s main conversation. 

And maybe it’s strange that the first person she says these words are to Steve Harrington, not Hop or any of her kids, but she sends a silent prayer up to Bob that she’s not making a massive mistake. 

“I think,” she pauses to take a shaky drag of her cigarette, “No, I am bisexual.”

See more in the series at #peak bi experience

Crossposted to AO3 here

[saintsenara]

Tom + “Fiona Apple’s When The Pawn…” album?

thank you very much for the ask, anon!

now look, i'm not going to claim that many of the tracks on this album aren't extremely tmr coded.

yes, he was born to slither moodily around london soundtracked by lyrics such as if you keep on killing you could get me to settle, the shame is manifest in my resistance to your love, and i want your warmth but it will only make me colder when it's over.

yes, paper bag, limp, i know and fast as you can are tomarrymort anthems.

[and also, more seriously, many of fiona apple's songs refer to themes - trauma, grief, mental illness, etc. - which are obviously things any voldemort enjoyer has to grapple with his own experience of.]

but, while i recognise the fact that tom makes a great alt-pop girly, the thing i'm really into when it comes both to thinking about the sort of media he'd like and the sort of things which you can slap on playlists about him is the fact that so much of the pop culture of his youth - so, let's say the period 1926-1956, when he's born until when he disappears after killing hepzibah smith - is just so un-voldemort-ish that it's funny to imagine that he's [however reluctantly] into it.

he loves skulking dark corners of cinemas watching a screwball comedy or the latest fred and ginger banger, sipping a tiki cocktail and flicking through a bit of p.g. wodehouse. he loves a cryptic crossword and a detective novel. he's furious - even if he'd rather die than admit it - that the sort of parties his pureblood friends force him to go to are still stuck in the age of the quadrille and polka, when he'd prefer some big-band swing. he is of the opinion that harry looks like montgomery clift and bellatrix looks like ava gardner.

[graphic design is my passion.]

he brought years of careful plans forward to begin the first war in an incandescent wave of fury on 23 june 1969, to the great confusion of dumbledore, the ministry, and the death eaters, who all thought they had years before it all went off.

nobody ever twigged that lord voldemort could no longer see any point in trying to preserve even something about the muggle world the day after judy garland died.

[he is, after all, a paid-up friend of dorothy...]

[eternal--returned]

On storm-struck deck, wind sirens caterwaul; With each tilt, shock and shudder, our blunt ship Cleaves forward into fury; dark as anger, Waves wallop, assaulting the stubborn hull. Flayed by spray, we take the challenge up, Grip the rail, squint ahead, and wonder how much longer

Such force can last; but beyond, the neutral view Shows, rank on rank, the hungry seas advancing. Below, rocked havoc-sick, voyagers lie Retching in bright orange basins; a refugee Sprawls, hunched in black, among baggage, wincing Under the strict mask of his agony.

Far from the sweet stench of that perilous air In which our comrades are betrayed, we freeze And marvel at the smashing nonchalance Of nature: what better way to test taut fiber Than against this onslaught, these casual blasts of ice That wrestle with us like angels; the mere chance

Of making harbor through this racketing flux Taunts us to valor. Blue sailors sang that our journey Would be full of sun, white gulls, and water drenched With radiance, peacock-colored; instead, bleak rocks Jutted early to mark our going, while sky Curded over with clouds and chalk cliffs blanched

In sullen light of the inauspicious day. Now, free, by hazard's quirk, from the common ill Knocking our brothers down, we strike a stance Most mock-heroic, to cloak our waking awe At this rare rumpus which no man can control: Meek and proud both fall; stark violence

Lays all walls waste; private estates are torn, Ransacked in the public eye. We forsake Our lone luck now, compelled by bond, by blood, To keep some unsaid pact; perhaps concern Is helpless here, quite extra, yet we must make The gesture, bend and hold the prone man's head.

And so we sail toward cities, streets and homes Of other men, where statues celebrate Brave acts played out in peace, in war; all dangers End : green shores appear; we assume our names, Our luggage, as docks halt our brief epic; no debt Survives arrival; we walk the plank with strangers.

Sylvia Plath ֍ Channel Crossing (1956)