#17th-century artists

[kecobe]

Still Life with Asparagus and Red Currants Adriaen Coorte (Dutch; active ca. 1683–1707) 1696 Oil on canvas National Gallery of Art, Washington, D.C.

[escapismsworld]

"Bellona (detail)"

1633

Rembrandt

[haematinon]

Detail of a bigger painting created for my upcoming book Ergo Cosmos

"That is why certain devout knights wear a solar helmet; the Radiant Star is called to witness the sacrifice of their life, the ascension of their spirit, and the depths of their passion."

[himmelgrauart]

Vento Aureo • 1600 AU (JJBA) × Vampires

If your masquerade doesn't look like this, don't even bother inviting me

(Pinterest reference)

[diana-andraste]

Oculus Artificialis Teledioptricus Sive Telescopium, Johann Zahn, 1685

"Emission theory or extramission theory is the proposal that visual perception is accomplished by rays of light emitted by the eyes."

[classic-art-favourites]

Still Life with Guinea Pigs by Teodor Lubieniecki (1654-1718).

[twirld]

The vision of Saint Francis (detail) after Carlo Saraceni

[lionofchaeronea]

Self-Portrait as the Allegory of Painting (La Pittura), Artemisia Gentileschi, 1638-39

[0039pf-third-blog-hooray]

explaining! my main goal was to make them different and colorful. everything else is secondary. i didn't really try to make them realistic, i didn't really try to make them historical. this is character design, right? so, the main thing is that everyone is readable and unique among others in their environment. if you don't confuse anyone, then i've made it, hehe!

i made them colorful because, firstly, i just like it that way, and secondly, it's customary to exaggerate book characters for illustrations so that the image is brighter and more recognizable. if i were drawing as if for a movie/series, i would have done it differently. but this is a book. and, as i like to say, am i studying to be a theater artist for nothing... 🤫

also i was laughing so hard at the song from bratz that i used for speedpaint because it was too funny to finish the work with. enjoy JHSJSHSHDH

a few words about each one, not in the order in the picture:

i had an idea to draw aramis a popular type of lovelock at that time - with a ribbon of his beloved's favorite color. this hairstyle was also worn together with pearl in the left ear. i learned about it from another artist, and then i read about it on the internet in more detail. and when i sketched him for the first time, i drew it exactly like that, but this time i already came to the idea that, unfortunately, he would hardly wear such a hairstyle in reality. in the first book he hides the woman's identity until the end, when everything has long been obvious to everyone 😭 so there would hardly be any hint in his appearance about his lady. fanfact, his heel is slightly higher than the others. aramis, the man you are 💅 and i also really ask you to take a closer look at aramis's hairstyle, i left a tiny detail there. it's right there in plain sight and it's hidden in the styling!!

porthos is associated with warm colors for me, because he's such a silly, but together with aramis and d'artagnan it turned into one spot. so i went with the second option - blue, because i really liked that he appeared in sky blue before d'artagnan when they galloped after the duke, even though it was already in the second book. he turned out so charming, wahaha.

i think olive is the perfect choice for athos in the first book. depressive, long-term drunkard, but a nobleman undercover. matching? also, i have a headcanon that athos is this much 🤏 shorter than d'artagnan and aramis. just because it's funny. and those two are about the same, because it was specified in the book that they have the same size

d'artagnan is simple, yellow-brown - a young provincial, even the collar does not really match the shirt. where will he get the money for a collar for each shirt... but he's the only one with a bright feather, the mc after all! if you look closely, the feathers of all the others do not stand out so much. that's how it was intended. btw, his shirt is a little yellowing, if you look closely, you can see it

i really like it when all the characters has their own little things. their own collars, their own way of wearing jackboots, their own little details of the sleeves. i drew simply, but put my soul into it. i tried to put a lot into the form, both in general and in the details, and although i could explain absolutely everything, i would like you to look closely at it yourself 💝

[life-imitates-art-far-more]

Simon Vouet (1590-1649) "Woman Playing a Guitar" (c. 1618) Oil on canvas Baroque Located in the Metropolitan Museum of Art, New York City, New York, United States

[the-evil-clergyman]

The Toilette of Venus by Benedetto Gennari II (1674-84)

[kecobe]

A Merry Violinist Holding a Roemer Gerrit van Honthorst (Dutch; 1592–1656) ca. 1624 Oil on canvas Sotheby’s, New York

[escapismsworld]

The Three Graces

Marble relief carving

Late 16th/ early 17th century

Italian

[weirdlookindog]

“Flee as you will / The image of death / Always aims at you”

Memento Mori, 17th century

source

[himmelgrauart]

Vento Aureo • 1600 AU

They ♡

[history-of-fashion]

17th century Unknown artist, France - Portrait of a boy

(Nantes Museum of Arts)