#1/2 credit is still contributing

[fisheito]

@shieran

anothe r enabler. very good.

[endiness]

Debunking misinformation about Netflix's The Witcher (Part 1)

[Part 1] [Part 2] [Part 3] [Part 4] [Part 5] [Part 6] [Part 7]

"Henry Cavill is a massive fan of the books and the games and he quit the show because the writers wouldn't stick to the books and he just cares about the source material so much."

Henry Cavill not only did not know that the books existed when he started pursuing the role of Geralt, but he actually thought that the books were based off of the video games (and he still didn't bother to read them) and he didn't learn that the games were actually based off the books until Lauren told him (even though the first thing in the game credits is that they're based off the books); as of 2021, he as only read the full series once — right before he was cast in 2018; while he has played TW3, he has only played a little of TW2 (and I've never found any evidence that he's played the first game); and he also has not played the DLC for TW3.

Henry Cavill also started heavily pushing the narrative that he's just such a massive fan of the books and how important adhering to the source material is to him during the press for S2 to deflect from how it was due to his acting choices of cutting Geralt's lines and either saying nothing or just grunting instead that Geralt's characterization — who is much more verbose in the books — was book inaccurate in S1:

He also lied about the situation and tried to act like Geralt was never originally written as being verbose and blamed the lack of dialogue on Yennefer and Ciri's prominence, which cannot be true as confirmed by Lauren:

And tried to act like the lines he was cutting weren't that important anyway so it wasn't really a big deal, which also cannot be true as confirmed by Joey:

He also started pushing the narrative that adhering to the source material is so important to him and it's 'tricky' to do that with Lauren's vision, but his definition of "Lauren's vision" is the show being an ensemble piece with Yennefer and Ciri at the forefront (like the books) and the show in general heavily centering around women (like the books):

So the idea of him caring so much about "book accuracy" is, in fact, not accurate to the books at all as his problems were the prominence of women in the show when Ciri is the main character of the main book series, which the show started adapting from S2 onwards (which is when Henry Cavill started to complain about wanting "book accuracy" in the first place), and when women are very prominent, central, key figures in the books and they often drive the plot forwards.

Lastly, S3 was the closest adaption of the books out of all the seasons so far, so the idea that he quit after S3 because the writers just weren't respecting the source material and the show wasn't following the books doesn't make any sense anyway.

"Henry Cavill is the only reason why the show was even close to the source material at all."

I've not only never seen any evidence of this, but if anything, I've seen the exact opposite: Henry Cavill was either directly responsible for or at least contributed in some way to a lot of things that went against the books or didn't happen in them.

As I already pointed out, he cut Geralt's lines in S1 and either said nothing or just grunted instead which is inaccurate to Geralt's characterization in the books. Here's another quote from Joey affirming that:

(Just to note: During the press for S1, he frequently talked about how the games inspired his performance as Geralt — sometimes talking about them even more than the books despite how the show is based off of the books, not the games — and it wasn't until S2 press that he suddenly changed his tune and started talking about how important adhering to the source material ie the books is to him. He also only started advocating for a more book accurate Geralt because he got dunked on by reddit for his book inaccurate performance in S1.)

He didn't want to play Geralt and Jaskier's friendship as directly as in the books and buddy-buddy with each other:

He didn't want to have any kind of conflict in Geralt and Ciri's relationship in S2 — at least on Geralt's side of things:

Nor play Geralt struggling with fatherhood at all — all of which led to the domino effect of Yennefer's betrayal:

Eskel's death (which in itself also led to things like Vesemir trying to create new witchers and Lambert's attitude toward Ciri):

And Voleth Meir being the big bad of the season:

He didn't want Geralt and Triss to even just platonically find comfort in each other in S2 — which is what happens in the books:

He nixed a sex scene between Geralt and Yennefer in S2 because he didn't think it'd be in character of them to have sex after reuniting which, uh, is absolutely in character of them:

While this is an incredibly inconsequential change, given the prevalence of this idea that Henry Cavill is such an ardent defender of the source material ie the books and how much he wanted the show to adhere to them, I do think it's important to note that he pushed for — and got — more signs into the show even though by his own admission that is more of a game thing than a book thing and he got it into the show for the explicit purpose of catering to game stans:

This is also another incredibly inconsequential change, but again, given how prevalent the idea of Henry Cavill pushing for perfect source accuracy is, I do just want to point out that he would wear his armor 24/7 to make it look worn down:

Even though it is canon in the books that Geralt will buy himself brand new clothes, so the idea that Geralt's clothing has to look worn down and can't be brand new is not actually book accurate.

"Lauren wanted to make Roach's death a joke."

Just to address this point specifically, Lauren wanted to make a meta reference about how all of Geralt's horses are named Roach. That in no way, shape, or form means that she wanted to make Roach's death into a joke or even that the scene had to be played comedically. This is what Lauren had to say about the subject and the 'joke' in question (which, js, actually fits the tone of the books more):

And as far as the "Henry Cavill is the only one who cared about the source material and he's the only reason why the show even stuck to the books at all" front goes... Henry Cavill did change the dialogue in this scene to a book quote/reference; however, the quote in question ("Enjoy your last walk across the meadow and through the mist. Be not afraid of her for she is your friend.") is not something that Geralt himself says and the line/scene from the books foreshadows Geralt's ending in them.

So, at least imo — especially taking into account the incredibly high standard the fandom has set for Henry Cavill as the #1 defender of the books — I don't think this change was actually book accurate especially given the narrative significance of that exchange in the books.

[joonsytip]

Withering for You || Seungcheol- Part 3

Pairings: Seungcheol x Fem!Reader

Genre: Angst, Fluff, Smut, CEO! Seungcheol au, Husband! Seungcheol au, Wife! Reader au, Music Teacher! Reader au, Arranged Marriage au, College Sweetheart au, Exes to Lovers au

Synopsis: When you are arranged married to the man, whose heart you had broken years ago, even dreaming about mending things seems next to impossible when he has been holding grudge for all these only to return it to you tenfold.

Warnings (specific to this part): suggestive, crying, profanities, love blooms, mentions of infidelity (doesn't happen to though), mention of alcohol consumption, betrayal, rock bottom, italics represents occurrences in past

Word Count: 6.4k

TAGLIST FOR THIS SERIES IS CLOSED!

Banner credits to my baby @hoeforhao <3

[ SVT Masterlist ] [ SVT Flick - Fic Masterlist ]

Teaser | Part 1 | Part 2 | Part 3 | Part 4 | Epilogue

Seungcheol is distressed. He thinks something is wrong with you. Though he had dismissed all the previous occurrences, he can't do it anymore. You're distant nowadays. You don't kiss him goodbyes. You don't say the 'I love you's. You're always ditching him at any chance given. You don't let him sneak into your sheets.

The inseparable godly campus couple are barely seen together nowadays. The rumours are being spread. Some are worried, some are happy. Though you both had no secrets, Seungcheol still thinks you must have your own reasons if you're keeping something upto yourself. He tries his best to be patient and waits for you to come back because he trusts you.

Seungcheol is an enigma. He's sculpted, he's hella smart, he's hella rich. The girls lined up outside the dorm just to catch a glimpse of him. The guys hogged out his dorm room just to know how can someone be a full package.

He knew people would either love him for his looks or mostly for his money. He had no hope of making genuine friends until he came across Wonwoo, a scholarship student, who was aloof and coincidentally his assigned roommate.

If Seungcheol thought he was good at pushing people away, he was amazed to see Wonwoo. Sharing the dorm room with him was almost living alone. Seungcheol couldn't pinpoint why but he knew Wonwoo hated him. So one day after gathering courage and confronting him, Seungcheol comes to know about his cautiousness against rich people in general. Then one talk lead to two, two lead to three and that's how Seungcheol and Wonwoo became friends.

He was sure he wouldn't find love until you came in the picture.

A hard slap comes against Seungcheol's cheek and the whole campus becomes eerily silent.

"How dare you submit my assignment in your name?", you are fuming in rage and raise your hand to slap him again when he holds your hand mid air.

"What the hell are you talking about?", he hisses through his teeth.

You scoff, "The audacity to pretend, Mr. Choi Seungcheol. Just because you have looks and money which you have no contribution in, you think you've conquered the world.", you free your arm from his grip, "Come to the professor's cabin at 2 or else I'll skin you alive. Pathetic loser."

You walk away but Seungcheol has his head spinning. He doesn't get why he got slapped out of nowhere and why the hell would he submit your assignment in his name when he doesn't even know you.

Then the lightbulb in his head goes off.

He immediately corners Jiah.

"What have you done?", he asks angrily.

Jiah is sweating, when she had assured Seungcheol that she would take care of the assignment because he had to aid his father with some business work and would be out of the country for two weeks, she didn't foresee herself completely forgetting about it.

So when she saw a binder kept on a desk, she silently took it and attached Seungcheol's name and details on it, tearing away the original owner's details.

Confident that even if someone caught onto it, they would let it slide just to get on Seungcheol's good side, she never thought it would backfire so bad.

Hence, Seungcheol is currently standing in the professor's cabin admitting to the wrong, head hung low.

You stand straight, head high also glaring at the professor, "What if he had not admitted to doing it? You'd have my whole work credited to him. Next time if something like this happens under my watch, I'll report it to the committee."

The professor gulps nervously and you are walking out not sparing another second.

That's where it all begun. Him knowing your name from the professor and chasing you down to apologise. You unabashedly giving him lectures on authenticity and ethics whenever he approached you.

You frequently get to see him, coincidentally or not. Him trying to make small talks, you ending his approach with an one word answer and moving ahead.

"Are you stalking me?", comes your sudden question one day.

"No, but I do look forward to seeing you, talking to you.", comes his honest answer.

He notices, you also like to keep your circle small. You're seen everywhere with the same two people. Now it's your turn to be amused when one day Mingyu insists on bringing Seungcheol to the musical, the one in which you've contributed to the background score. You're left embarrassed when at the end of the show he yells your name and applauds the loudest because he is mesmerized. That night he treats the whole team to dinner.

"I think Seungcheol likes you.", Eunsoo tells you one day.

"The almighty Choi Seungcheol?", you are laughing, "Soo, I don't match his social status. Have you seen those plastic heiress chasing him? I had even slapped him infront of the whole campus."

"Look, we have become good friends but I do know he approached me because of you.", Mingyu admits, "He definitely likes you."

"Do you like him?", Eunsoo asks you.

"Why would I like him?", you ponder.

Wonwoo is an observer. And with his special skill he deducts that his friend must have had his heart taken.

"So who's the one?", he asks one night when they're both getting ready for bed.

"Who's who?", Seungcheol asks confused.

"The one you like."

"Am I that obvious?"

"Yes. Please it be anyone except for Jiah, I can't tolerate her. Anyways, I know it wouldn't be her...", then Wonwoo goes on about how he spends less time in the dorm room nowadays. How he's always wandering around in the campus which he never did before. How he's consistent in attending the same two specific lectures.

"It's Y/N.", he says shyly, hiding his face behind his palms.

"No wonder, you're a masochist.", Wonwoo lays down on bed, "You like the girl who slapped you."

Seungcheol gasps, utterly embarassed, "Stop blabbering nonsense!"

When he asks you out, instead of being taken out to a fancy restaurant as initially planned you request him to go on a movie date.

It took you five dates to make him know you.

"We don't belong to the same class, Seungcheol."

"I'm not looking for anything temporary, Seungcheol."

"I don't enjoy the luxuries, I'd rather achieve everything on my own, Cheol."

"I like to keep my circle small amd private. Nothing extravagant."

"I like you too but would you accept me after knowing all this?"

The response from him comes as strong as a whirlwind in the form a deep kiss. You might have been hesitant at start but he has always been sure.

Things have gotten better since your birthday. Seungcheol's hostility towards you has decreased and though you want to question him about this certain change, those take a backseat just to not lose what you have at this moment.

He snarks at you less. Listens if you have something to say. Checks upon you occassionally. Wears the attire you choose for him, you both have breakfast & dinner together. But you still sleep in separate rooms but after intimate nights he doesn't leave, rather sleeps in nowadays.

"You should never trust him.", says Chan from the other end.

"What if he's really changed?", you tell him, "Maybe he has finally got that all this revenge agenda is worthless if you can be with the person you love."

"Just ask him.", Chan insists, "You need to understand that being in denial would only hurt you so confront him."

"Okay, if you insist."

Wonwoo is suspicious of Seungcheol. He too like Chan isn't convinced that Seungcheol could change overnight. So he secretly keeps the tabs on him. The fact which disturbs him is Jiah is happy nowadays. If your relationship with Seungcheol improves then Jiah would be anything but happy which leaves him skeptical.

"Don't do anything you'd regret later.", he warns Seungcheol one day. The latter just shrugs off.

Seungcheol was escatic when he started first. It was fun for him to watch how you'd easily trust him. A piece of calk to make you a fool he thought.

He acts as a considering husband in front of you but schemes your downfall behind your back.

"One of those busy days?", he asks one day when he sees you returning from the academy late. It totally catches you off guard but that simple gesture makes you visibily beam as well which doesn't go unnoticed by your husband. He then proceeds to fake concern and show interest when you talk it out.

"How about we go to watch a movie?", he asks one night when you both finish having dinner.

"Will you be able to make time for that?", you ask concerned.

Next, he's grabbing your hand and dragging you out.

"We're in our pyjamas, we can't go out like this, Seungcheol!", you yell in panic when you get his motive.

He doesn't lend you an ear throughout the ride while he's driving you both to the theatre, having it entirely booked to his name.

You can't say much about the movie because Seungcheol's good at distracting you. His dirty whispers, lingering touches and sly looks lead to something unspeakable. Movie long forgotten you're basking in afterglow against your husband's bare chest, in his warm embrace.

"Remember when we were taken out of the theatre by the security after getting caught while making out?"

You laugh at the memory, "We did some real crazy things back then. I could never forget how you walked into the class only in underpants after loosing a bet to me."

Seungcheol response comes out as a scowl as he pinches your sides making you squeal.

You watch him for some moments in silence before mustering the courage and ask him, "Are you really willing to forgive me? Because after what I have done to you, I know it would take a lot more to forgive me."

Seungcheol freezes but gains his compusre quickly and lies through his teeth, "I pondered a lot upon it. You know my mom said the exact thing as you about marriages. So maybe it's a good idea to start anew."

"I-I promise I'll make it up to all the hurt and pain you've been in because of me. I'm so ashamed for treating you like that back then, wish I could take it all back.", your voice cracks, tears pooling in the corner of your eyes, "We'll be happy Seungcheol."

He doesn't believe you. But you do.

Then this goes on. He tries to slip into your life, your circle, your family casually so that when he hits later, the blow catastrophes you.

"I'm currently working on a piece.", you reveal to him one night, "And I'm planning to release the composition, it's midway.", a sigh escapes your lips as you snuggle closer in your husband's arms, "You're the first one to know."

Seungcheol mirrors your smile, pressing a feather kiss on your head, "I'm honoured. And I'm so proud of you.", he laughs when he says, "I wonder how Seungkwan's gonna react when he comes to know that he wasn't the first one to know."

"Oh God, he's gonna be a bitch about it.", you exclaim about it.

He surprises you with gifts, visits you in the academy and takes you to dates. All of it just to keep tabs on you, make you slip out crucial information about anything.

"When are you going to take her down?", Jiah ask impatiently, "You're unnecessarily stalling time."

"I do have gotten something crucial on her. But the more I dwell into this act, the more she'll be hurt.", Seungcheol assures, "Just do what you've been told to and don't act so obvious, specially around Wonwoo, I don't know why but he has been lately saying stuffs. Seems he has grown closer to Y/N and her circle."

Though he wasn't interested at all, but for the sake of fooling you again, he attends the competition you & Seungkwan had taken part in.

Though he would never admit, he was intrigued as he watched you perform again, the nostalgia had hit him hard. He still isn't sure if the loudest claps those came from him were just for eyewash or out of genuinity.

Though he didn't want to spend his birthday with you, somehow it ended up being the most memorable one. When you had wished him dot at midnight and gathered his family and beloved people for a private party where you played him a romantic piece which you had composed just for him as a birthday present, in front of everyone, he wonders if love laced aura radiating from you was real. He wonders if the swell in his chest was just not because of you.

Every time he thinks he's slipping, he reminds himself of the heart burns, the trauma and again he's back to his agenda.

There's a fine line between pretense and reality. And that line is starting to blur for Seungcheol. The worst part, he hasn't even realised it yet.

So when he makes time to visit your academy, he thinks he's acting out according to his plan. But he doesn't realise he goes there just to watch you teach.

He doesn't realise that when plans those dates he actually looks forward to spending time with you.

When you were down with fever, he took you to the doctor not to look good to you but out of genuine worry.

He now shares his bedroom with you. All your belongings have shifted from your room to his. He doesn't like it when he finds the other side of the empty in the mornings. He doesn't let you go if he catches you while you try to sneak off, he whispers sweet nothings in your ear.

He knows about your schedules and nowadays he frees his schedule when you ask him to come and watch you perform. He anticipates your performance until you're on the stage, still claps the loudest and rushes to the backstage with a bouquet just to hug and tell how proud he is of you.

He doesn't fuck you and he might yet not be aware but makes love to you.

"Cherry!", he calls out one day when the two of you were goofing around and both of you freeze instantly. It was a name you both called each other when you both dated and were so in love. And now, that's what falls back to your lips. Like the good old days.

"You have changed.", Jiah says with disappointment, "Do you really not want revenge?"

"What rubbish.", Seungcheol laughs, "It's all just acting.", but the assertiveness in his voice fluctuates.

"So when are you gonna do the needful?", she raises her voice and Seungcheol glares at her.

"I'll decide when to do what.", he snarks, "Doesn't concern you, so stop being pushy."

And Jiah is sure that Seungcheol isn't determined anymore, that his feelings are resurfacing and interfering with the plan.

So she decides to take the matter into her hands once again, like she did years ago.

"Tell me you're joking.", Seungcheol laughs as his gaze sweeps at the faces, "Ok fine you guys got me. Good try."

There's an eerie silence clogging the room.

"Guys, I said y'all got me!", Seungcheol says this time a bit anxious, "You won! Now can we stop all this drama?"

You roll your eyes, as if unbothered, "There's no prank going on here. What I said was true."

You step closer to him, "I'll say it again so listen carefully. You were just a bet to me.", you say unapologetically, "Those guys", your index points at Mingyu and Eunsoo, "gave me a bet to make you, 'the enigmatic Choi Seungcheol'", a mocking laugh follows, "who nobody could bag yet", you're now objectifying him, "make fall in you love with me."

Seungcheol just listens. But he refuses to believe.

You are laughing again. Your hands grab his face moving it side to side, "I was so skeptical because you seemed scary. I mean you do have looks, money and power. But who could guess that you'd be so easy."

You circle around him, "All I had to do was create this image of aloof, private kind of girl and bam! you were circling around me like a puppy. I must admit, I was surprised at my own acting. Never made you have a doubt any second."

The first tear rolls down his cheek, when Seungcheol says, "Was none of it real for you, all the time we spent together?"

"Are you not getting it?", you ask annoyed, "No. None of it was real."

Seungcheol rushes to Mingyu and grabs his collar, "Gyu, please tell me it's all a lie. Just say it and I'd believe it in a blink."

Mingyu stays quiet, eyes lowered.

He then grabs Eunsoo, "Soo, I know you're the most rational one among us, so please please I'm begging you to tell. Tell me whatever she's telling is not true."

Eunsoo refuses to meet his gaze, she stays silent as well.

Seungcheol frees her and stands motionless for moments. He processes everything that he has heard since the moment he stepped into the room. He thinks over but he still doesn't want to believe.

Because he loves you to much to let you go. So he decides to be irrational just one time.

Seungcheol wipes the tears and walks upto you. When you look at him, your heart twists within your chest.

"Y/N", he looks at you so tenderly, "But none of it matters.", his hands travel up to caress your face, "Because all of it was true from my side. I love you, Y/N. Love you so much that I want to spend the rest of my life with you. It's you or no one.", he says so sincerely, "It was wrong to start off as a bet but I want to forget all this."

He then kneels on his knees, "Y/N, let's start this relationship afresh, on the right foot."

You panic because this was not you had expected. You had expected him to throw tantrum, say mean things, even slap you. But none of that happens.

"I don't love you, Seungcheol --"

"Then let me court you. Let me try my luck. Let's see if I could make you fall for me?", he's radiating so much love and grief that it suffocates all the three of you.

This won't do, you think, your plan is failing.

"I have been sleeping with people behind your back the whole time we dated.", you say unabashedly, "I have climbed beds and you never got to know."

Mingyu gasps, Eunsoo freezes at your words.

"It's okay", Seungcheol assures, "Because we weren't real. But now--"

"What makes you think I wouldn't do the same even after being an actual thing with you?", you scoff, "I might actually cheat on you this time. I would have you, your money, the luxuries. I might also see other people and like now, you'd never know.

Seungcheol feels like you've stabbed his heart and twisted the knife. There's an unfathomable bleeding.

"But you never used me, nor my money, none of the luxuries to get something. If you wanted, you could have, have it all.", he argues, "It might have started as an act but at some point it must have become real. Or why would you make me aware of this stupid bet if you didn't have feelings for me?"

"Stop being a sucker.", you snark at him, "It's not like you won't girls. Why are you acting like a loser when you know I don't, I won't reciprocate your feelings?"

Seungcheol gets up, with shaky hands and bloodshot eyes.

"Because even if you didn't, I have loved you honestly.", comes Seungcheol's response.

"I won the bet and lost interest in you.", you look at him condescendingly, "I felt bad for you, so right now I'm letting you know the truth. So just leave, forget about all this and carry on with your life. You were nothing but another notch on my bedpost. I would admit, I had fun. Thanks for that."

Seungcheol gets up and thinks about how he made a fool of himself. Thinks about how right he was about people taking advantage of him because of the baggage that comes with him. Thinks about how wrong it was of him to let his guard down.

"Well played, y'all.", he claps and chuckles bitterly with eyes pooling with tears, "Well played.", he then throws a glare at you which sends down a shiver down your & your friends' spine.

"Make sure to not cross paths with me again. Or I'll make you regret your existance."

And you made sure that's the last time he saw you.

"I have to be overseas for an important deal.", Seungcheol says laying back on his office chair, "It will be a one week trip and the connectivity is so bad, I'd probably lose touch with everyone while I'll be there."

You go over to his side and stand behind to rub his shoulders making your husband groan in relief, "Tell me about it, happens with Chan as well. When are you leaving?"

Seungcheol takes your hand and pulls you to make you sit on his lap when he says, "Month end. Y/N, I was thinking that...", he pauses to look at you before continuing, "If you could make some time and come with me. We didn't have our honeymoon yet so maybe we could make a good use of this trip."

You smile softly at him, "I'd love to but remember I had told you about working on a composition, it's release is set on by the month end."

"Oh right!", Seungcheol exclaims as he recollects, "God, I'm sorry it skipped my mind.", he instantly sullens, "But I don't think I'd be able to postpone this trip. I'm sorry I couldn't be there with you."

You peck his pouty lips and trace them with your thumb softly, "I can guess how important it would be, so don't worry. Anyways our first anniversary is coming as well, we can plan something later."

"Woah, we're getting through it?", Seungcheol laughs, "I can't believe, we made it."

"All because of you.", your mood shifts when you say, "Just because you had it in you to give me a second chance. That alone was enough."

"I had loved you back then", Seungcheol exhales sharply because of what he's going to say now. He smiles when he realises his feelings, realises that without hesitation he's ready to say it again. Gently holding your face he confesses, "I think I'm falling for you again."

You go absolutely stiff in his hold.

Seungcheol carefully searches your face for any signs of discomfort or uneasiness but he finds none.

"Am I dreaming?", you ask him animatedly, "Can you pinch me? No..", you shake your head, "Would you say it again?"

His eyes turn into crescent moons, as he flashes you the adorable teethy smile.

"I've fallen for you again.", he admits.

"I-I... Seungcheol.. I--", you stutter unable to wrap your mind around your husband's confession.

It was so hard to let you go. It killed to break your heart. Only if I could turn back time, only if I could tell how much I loved you as well.

The thoughts inside your head become louder making you so overwhelmed that now you are sobbing. It's uncontrollable and it makes Seungcheol have to rock you gently side to side while downing your face on his shoulder.

"I-I can't believe this is happening.", you don't face him, saying the words with your face still perched, while wrapping your arms around him tighter, "I love you so much, I know it'd be hard for you to believe but please just trust me on this."

Seungcheol doesn't speak, but he knows that he wants to believe you. Because love is about taking chances, so he might take it as well.

Once you calm down in his embrace, he watches you. He watches the gear in your head turning so he does what he could do to take your mind off of things.

He calls Wonwoo and says, "Don't let anyone into my cabin until you get another call from me. Also, don't connect anyone to the telecom."

Then he's flipping the phone somewhere and he gives you that one look which is enough to melt you into a puddle before his lips, tongue and hands start to work on your whole body.

"Congratulations!", Chan says hugging you, "I'm so proud of you."

"Thanks for making time and coming to the event. Also, the inspiration comes from you all", you say pulling away, "Credit goes to you too."

"Bluff.", Seungkwan comes to pitch in, "The theme is love, then clearly inspiration must be someone named  'Choi Seungcheol'."

You roll eyes hitting him on the arm but laugh nonetheless.

"Look she isn't even denying!", Mingyu joins in to throw a banter, "But I must say you're okay compared to Eunsoo, she's hopeless."

Chan quirks brow at the statement and asks, "Am I missing something?"

You hook your arm into his, saying, "Eunsoo had an itty bitty crush on Wonwoo at uni days which gradually got away. But now that he's back and into our circle, looking like a four course meal according to her, she thinks her crush is relapsing."

"You make it sound like it's cancer.", Eunsoo finally quips in, "Anyways doesn't matter, there's no scope, I must move on. Good thing Seungcheol took Wonwoo with him, out of sight, out of mind."

"I miss my husband. He didn't even wanna leave for the trip to be with me.", you sigh, leaning on your brother's shoulder, "I can't even contact him. Three more days, ugh sounds like an eternity."

"Oh god, I might puke at the lovesickness.", Seungkwan fake gags, "Disgusting."

"It's good to see that you're happy.", Chan whispers just to you while others indulge in several topics to tease one another, "It's such a relief. I would like to talk to Seungcheol once he's back. If he really loves you and makes you feel like home then I'm ready to mend things as well."

You just nod and let the moment sink in. Your pupils dilate as you see the smiles on your friends' faces who have been there with you through thick and thin. Your mind lingers back the proud expression on your parents face. The heartiest congratulations that you received from your in-laws. You tilt your head to look at your brother who always has been your anchor, your biggest supporter. All of them have been present at the composition release event and now they are present at your home to extend the celebration. The parents take leave after sometime to let the peers have fun.

Your home, as you say it proudly now, a place you share with your loving husband, who has forgiven you for the scarred past and shares companionship with you.

Everything is falling back to place and you wish it stays the same. Your eyes fall heavy and you drift off.

The sleep must have been good because it's 10 in the morning when you wake up to see yourself tucked in sheets in your bedroom. The hall is empty and you immediately understand that your brother must have taken it upon himself to drive away your lovely but clingy-when-drunk friends from your house.

You try to call Seungcheol but as usual he's unreachable, so is Wonwoo, so is everyone who has gone to the trip. Dejected, you leave him a series of undelivered texts in hope it somehow reaches him and decide to take a bath which involves you to be away from your phone, just relaxing music and another round of sleep in the bathtub with your favourite bath bombs.

Not sure how long you've fallen asleep but you're woken up by loud voices from the other side of the door. Quickly freshening up you get ready as your phone keeps ringing or dinging because of notifications. Ignoring that you get out of your bedroom to find very distressed Chan and Seungkwan waiting for you.

"What happened guys?", you ask in concern.

Chan makes you sit and you see the two exchanging nervous glances which in turn makes you nervous as well.

"Y/N..", Seungkwan starts off, he exhales sharply and says, "Your work is being accused of plagiarism."

The ground beneath you slips. You look at Seungkwan and then at Chan.

Chan sounds pissed when he says, "Apparently a local artist has already released the composition five days ago, meaning four days before your release event."

You are panicking, shaking, tears are streaming down your face, "I-I didn't steal anyone's work. I-I have composed them, they're my work. Trust me guys, please..I--"

"We trust you, Y/N.", Seungkwan runs to you and rubs your arms, "I have been with you through it. I have seen it all."

"I was studying it with Kwan before coming here, everything is same. Every piece, every insertion, every note.", Chan says, "It looks like someone wholly copied your work.

Seungkwan sighs, "I feel so ashamed but all I can think of is somefrom the academy doing so."

"That's possible.", Chan asks, "But from what I know no one knew about this except you both. Even the event was announced just before a day or two to the people of academy."

Seungkwan asserts, "Everything was done remotely. Y/N do you recollect telling anyone else about this at any stage apart from Seungcheol?"

"Seungcheol knew?", Chan quips surprised and you are shaking your head.

"No. Leave him out of this, he wouldn't have done anything.", you warn your brother.

"I'm sorry Y/N, but I can't leave anyone out of this.", Chan says, "Someone is trying to harm you and I would see through the end of it. Be it anyone."

Eunsoo and Mingyu are stumbling upon while crossing the threshold. Seungkwan briefs them about what have been deducted till now and they decide to stick by your side while Chan and Seungkwan rushes out to the field to gather evidence and facts.

"I have already talked to my father.", Mingyu informs you, "He himself will aid with any legal advice. Don't worry everything will be sorted out."

"I had a talk with my mother. She also ensured that we'd broadcast only the solid proofs that pertains to the truth. We have faith in you, it'll get over soon.", Eunsoo ensures you, "Infact we have had our reporters dig in the matter as well."

Soon after your parents arrive followed by your in-laws. Your phone keeps ringing and no one allows you to hold it. Eventually, the device is turned off and kept somewhere, out of your reach.

Among all of the ominous thoughts involving losing your career, unable to pursue your passion anymore, being deemed as a thief, outcasted by the society and all others, the one that prevails is would Seungcheol believe you?

Two days go by and there's not much progress. You strike continuously as the most trending person on the internet, on news papers, in some tabloids boldly called out as a thief, the others focused more on why there's no statement from your own company or the Choi's themselves. The only thing that keeps you at bay is Seungcheol's return tomorrow.

You are flabbergasted at how can the two pieces of work be exact same unless someone copied it. You decide to visit the academy and search for any leads. Just as you are about to drive off your phone buzzes.

I have some information that would benefit you. Meet me at The Ritz at 11.

The text was from Jiah and you're instantly drawn to how Jiah could be the one involved in this.

"Let's skip the formalities.", Jiah smiles as she places some documents and an usb drive in front of you.

There's a laptop kept on the table, the screen displaying an audio ready to be played.

"Aren't you eager to know what's happening and why it's happening to you?", Jiah asks with a cunning smile which irks you.

"Stop wasting my time and reveal if you know something.", you snark back, "And don't think I'd believe a word you say without any proof because I don't trust you a bit."

"Seungcheol--"

"Don't you dare bring my husband into this, Jiah!"

Your heart shrinks because of the look Jiah gives you. No way your husband would be involved into all this, no way he'd go as far as to ruin your career.

"I have done it. I have paid a staff in your academy to steal your work, made it release before your event and hence you're being charged with plagiarism.", Jiah confesses and before you could charge her she drops the bomb, "Your husband, Choi Seungcheol is the mastermind behind it."

"I'll cut your tongue for speaking rubbish--"

"How do you think I knew about all this? Who else apart from Seungcheol knew about this?", Jiah asks. Her gaze falls on the laptop and she gestures you to play it.

"Y/N is working on a composition and is planning to release it sometime later. We should use this opportunity to bring her down."

The audio stops and you recognise the voice as your husband's. The jab hits hard, hard enough to make you loose your footing. Jiah is quick to hold you and make you sit on the chair.

"Have a look at these papers."

Your hands are shaky when you pick up the papers. You freeze on reading the heading. Your hands fall to the sides once you finish reading it whole. Those bunch of papers were about transferring your shares of the academy under the Choi's name.

Jiah doesn't give you time to settle as she plays another recording.

"Are the papers ready? What will happen if I take her lifeline away from her?"

"When are you going to take her down? You're unnecessarily stalling time."

"The more I dwell into this act, the more she'll be hurt. Just do what you've been told to and don't act so obvious, specially around Wonwoo, I don't know why but he has been lately saying stuffs. Seems he has grown closer to Y/N and her circle."

You sit there motionless. The person you considered your world was the one planning to stab you.

"You can get these recordings examined.", Jiah tells you, "To be sure that I haven't manipulated or tampered with the recordings."

She takes a sit beside you and observes you carefully. The triumphant smile that graces her lips on seeing you getting trampled, makes her believe that now's the time when she could spew any lies and you'd believe it. She knows she has won over.

"The plan was to take advantage of your helplessness and make you transfer the shares in the disguise of helping you clearing your name.", Jiah leans in closer to your face, "Why do you think Seungcheol is out of country out of all the time? He's trying to build up the urgency so that as soon as he walks in you'd be at his feet asking for help."

Jiah has accepted that she would never have Seungcheol to herself, so not at fear of loosing anything she's going all out as for to separate you two.

"The Choi's are so powerful that no matter how much you try, there's no way you could prove your innocence.", Jiah says as her sinisteric gaze falls on you again, "You can take all these proofs, additionally, I'll even provide the details pertaining to the person who stole your work and make them confess."

"W-Why are you helping me?"

"Either way it breaks you two apart and that's the motive. Knowing the truth would hurt you the most."

Her heels clank loudly as she walks out, leaving you behind, defeated and devastated.

How foolish of you to believe that Seungcheol would forgive you easily? How naive of you that you fell for his act of a doting husband.

You wonder if this is how he had felt after being betrayed by you. You run your hands over your chest to soothe the ache. You scream, throw down anything you could grab, stomp over the place but nothing helps you in calming down.

Three hours have passed and you're still in that damned conference room. Scathed, scrotched and scattered.

You inhale, exhale and repeat. Then you're calling your brother.

"Chan, arrange for a press conference tomorrow evening. Also stop looking further into the case. I have evidence to prove that I'm innocent.", you say into the phone, "Gather everyone at the academy, none of the Choi's though. Ask Eunsoo if they would broadcast it on their network. Tell Mingyu to have Mr. Kim free some time for me this week if possible. Make the checks now, we can't delay it further."

Seungcheol's boarding the plane back home when he comes to know of the situation. He feels sick to stomach when all that's happening feels too known to him. Though he might have wanted this to happen once but now he can't even fantom the thought of doing something so viscious to you.

He calls you but you don't pick up. He calls others, makes Wonwoo call them too but it's fruitless.

He's anxious throughout the way, worried sick, feels guilty for not being by your side when you're going through so much. He hopes you're not beating your much, wants to hold, wants to assure you that everything will be fine, that you have him.

Wonwoo is running through all the red lights equally anxious. He wants to go inside and check upon you but he steps aside as he watches Seungcheol rushing into the house, hoping you'll be okay.

Seungcheol rustles through the corridor and slam opens the door, hurriedly making a sprint inside the house.

It's afternoon but the house, entire hallway is dimly lit. Suddenly the lights go on and he spots you.

Something about you is different, it's almost eerie. The black dress you're wearing, the cold gaze your throwing is unsettling.

"Baby--", you hold out your hand when Seungcheol starts to walk towards you.

Seungcheol halts, he feels the grimness in your aura.

"Welcome back, Seungcheol. I have been waiting for you.", you say apathetically, "Take a seat, I have some things to discuss with you, before I leave for the press conference."

That's when Seungcheol notices your finger void of the wedding ring.

→ Do not copy, re-post, translate, or share any of my works on other platforms! All stories are copyrighted, joonsytip. ©️

[mistresscitrusslice]

The Season 2 Opening. We Must Discuss.

First of all, small beans. Instead of static, lifeless statues, this time we get moving humans. Mel features significantly more than I expected, so she'll probably be a much more major character than I expected for a non-champion character and I'm so happy for her. I believe the use of moving people instead of statues signifies that immense change will be happening. What we thought was literally set in stone in Season 1 will be turned on its head in Season 2.

Okay, on to the really concerning matters.

Yuhuh. Jinx moves too fast for me to get a good screenshot, but she gestures like this around her face a lot. I think we all already know about the Caitlyn-Jinx parallels, but my sister suggests it could be a red herring for the actual resemblances she has to Silco.

Sis gets credit for the following observation, but Caitlyn's daydream sequences about shooting Jinx are controlled and clearly separated from reality unlike Jinx's.

However, sis has not seen ep 2 yet, where Caitlyn does have that moment in the arcade where she shoots her vision of Jinx among the wooden dummies. Not only does this more closely resemble Jinx's hallucinations, it also parallels Jinx shooting the harmless crow in s1 e5. By the time the strike squad are about to leave, she can clearly tell that what she thought might be Jinx was really just a harmless wooden standee. Startling, but harmless. She shoots it anyway.

Caitlyn is totally gonna spiral more, and maybe she'll start losing her grip on reality too, but for now, she has more in common with Silco than she does with Jinx. Did anyone else get reminded of Silco's coat when Ambessa put the supervillain cape on Caitlyn? The collars don't look similar but they still eerily resemble each other, you get me?

Ok back to intro stuff

Vi wipes off her name from her face. That's two tattoos that are rendered impermanent in this opening theme. In the Fenty x Arcane video, they mention that Mel's golden freckles are tattoos. Later in the intro song, we also see her golden freckles gone. Change, impermanence. That seems to be a theme here.

Vi is literally erasing her name from her face. In any normal circumstance, I'd say that means she wants a change of identity, a desire to start over. However, I know that Vi's League lore involves amnesia. Does she really drink herself into that bad of a stupor? Jkjk. I assumed that her amnesia was replaced by the Stillwater imprisonment to explain how she got topside and with the enforcers, but perhaps I was wrong. Maybe they do still intend to go the amnesia or partial amnesia route with her.

The teasers implied that Vi shares the genetic trait that has Jinx predisposed to hallucinations. It's possible that this eventually contributes to her loss of memory, but I wouldn't call it quite yet. However, if this happens during her emo era when I'm assuming she has no support system, she'll be very vulnerable, unlike if it were to happen while she was still partnered with Caitlyn, in which case they could easily fill in most blanks in her memory.

I have no idea what to make of this. It's clear as day what they're paralleling, but why? Why the flashlight scene? My best guess is that they're trying to draw on déjà vu, implying a repetition of history, but why this particular moment? They could've easily chosen anything else in Jayce's s1 arc. He has many more memorable moments than this. Let's see, I'm literally making this up as I go.

This meeting was a pivotal moment for Jayce. Both his meeting with Viktor and his meeting with Mel changed his fate. The Viktor one is pretty self-explanatory, but without meeting Mel, they would've both just gotten exiled or locked up again. With Mel, they had someone in power who could vouch for them.

That begs the question, is Jayce meeting someone new? Or is this a reintroduction to someone he's already known before, a new meeting after a long time apart or after a significant change, maybe a change in them both. I believe it must be someone who was involved in the original hallway scene.

Jayce is either looking at Mel again or at Viktor. Given the amount of Viktor/Mel parallels in Season 1, I believe Jayce is looking at Viktor after he's undergone his likely final evolution. That'll obviously be another pivotal moment for him... but will it be a good one like it was with Mel? Viktor has power now. He's performing miracles. He's, like, two steps away from parting the Pilt River like it's the Red Sea. He seems to hold a grudge against Jayce, though, for *checks notes* saving his life? Jk I know he feels like he's losing autonomy and like Jayce didn't respect his wishes with the Hexcore and Jayce obviously couldn't let Viktor die when he'd fought so hard to stay alive before.

Anyway, I feel like this could easily be both a good omen and a bad omen for Jayce. More than anything, I feel like it'll be an epiphany. He is quite literally seeing the light. The light at the end of the dark tunnel? The light of the heavens at the end of his life? The light of a revelation sent by a god he once knew as a man?

Seeing Mel screaming bloody murder during the opening, this was the first place my mind went to. The pose doesn't match up exactly, and Jinx/Powder's screams are definitely wilder, but I feel like there's definitely something here. Is there anyone else who screams like this, thrusting their head forward and keeping their arms back?

We also see the shadow hands from this earlier shot:

I'm thinking of the Black Rose (is that their name?) kidnapping her in thin air, incorporeal hands reaching at her and snatching my joy the love of my life Mel away. It could also represent people grasping at the power Mel wields, both as the wealthiest Council member and as a Noxian princess, one of the closest people to Ambessa, the one wielding the most power right now.

Mel is really out of her depth right now. Her power and influence is up for grabs if she dares to blink and let her guard down. I'm also surprised that we don't see her fight back at all when there's danger around. I thought she might have more battle experience as she was raised by Ambessa. For those people wondering about her magical powers, I think she would've used them by now if she had them. Council attack aside, which could've been Viktor's magic, she wasn't able to do anything about the memorial attack or her own kidnapping. I think they're trying to show us that Mel is not as untouchable as she presents herself. Under the right circumstances, she's just as vulnerable as any civilian.

The sliver of light? My sister pointed out that it looks just like the crack of light between two double doors. Almost closed... or barely open? It appears in pretty much everyone's shot in the opening, but it's right down the center of Mel's face here. Is she torn between two sides? Is this about an impossible choice she has to make?

The spotlight is also on her. That's two sources of light. It looks like a red sun. All eyes on her as the surviving voice of the Council?

And her expression... shock, fear, horror. The heavy breathing, the look on her face... I feel eerily like I've seen it on someone else before. I can't place who, but I'm getting déjà vu from this. Does anyone else recognize this expression and these mannerisms?

[thelovehypothesis]

Part 2.2 : Between the Pit Walls and the Heartbreak - 43

part 1

Franco Colapinto x fem-engineer!reader x friend!Max Verstappen

+2k words

a/n’s: lastly! full credit to @afterglowsainz go read their fic “don't smile” its amazing, and this is the long awaited part 2 on my take of their fic! BUT here is and alternate ending... Part 2.1, I really enjoyed wiriting this, hope you like it!

warnings: angst-fluff

Summary: Two hearts, one racetrack, and a love that no team can control. When love collides with ambition, can they find a way back to each and if they can, can they learn to forgive?

Start line, finish line, at the end it's the same 

It had been nearly four since you walked away from Franco, since you’d chosen your career and dreams over the love you once thought would last forever. Life had changed in ways you could never have imagined. The moment you accepted the position at Red Bull, everything shifted. The high-intensity world of being Max Verstappen’s race engineer consumed you, leaving little room for reflection, which was how you preferred it.

You were good at your job—great, even. From the very first race weekend with Max, you felt the rush of adrenaline, the electric tension of every decision you made behind the mic, and the weight of contributing to a world championship. It was thrilling, everything you’d ever worked for, and yet, there were quiet moments when your mind drifted back to what you had left behind.

But you didn’t have time for what-ifs. You stood in the garage, headphones around your neck, watching the pit crew scramble as they prepared the car for qualifying. Max was a machine—focused, relentless—and the two of you had developed an easy rapport. He trusted you with critical decisions, and you trusted him to deliver on the track. It was a partnership built on mutual respect and shared ambition.

As you stood there, watching the screens, you felt a familiar tug of emotion—memories of race weekends with Franco, late-night strategy talks, and the way he used to smile when he nailed a lap. But you pushed those thoughts away. That chapter of your life was over.

“Y/N, we’re ready,” Max’s voice crackled through your headset, pulling you back to the present.

“Copy that,” you replied, all business again. “Let’s nail this one, Max.”

The next few minutes were a blur of data, radio calls, and fast decisions. Max was flying, setting the fastest times in each sector. By the time the session ended, he had secured pole position, and the garage erupted in cheers. You smiled, proud of the work you’d done and of what the team had achieved together. This was where you belonged now—at the heart of the action, right on the edge of greatness.

But as the celebration in the garage began to die down, you caught sight of a familiar figure across the paddock—Franco. He was there, leaning against the railing, watching you. His eyes met yours, and for a brief moment, everything around you seemed to blur, the noise of the team fading into the background.

He looked different—older, somehow, more serious. But that same magnetic energy was still there, the pull between you undeniable, even from a distance.

Franco was back in the paddock as a reset driver for Williams and Mercedes in the 2025 season. It was bittersweet seeing him there, a constant reminder of the past and what you had left behind. His presence felt heavy, especially for him when he started to believe Max had feelings for you. Franco noticed every subtle interaction—the way Max’s eyes would linger on you during quick debriefs or the soft smirk on his lips after a race. Franco was convinced there was something more, but you didn’t see it. To you, Max was just being friendly, and you never thought to question it. Yet, Franco couldn’t shake the feeling, and each time you were near, the tension seemed to grow.

You quickly looked away, your heart pounding in your chest. It had been so long since you’d seen him. You didn’t know what to feel—anger, sadness, or relief. You had moved on—or at least, you convinced yourself you had. But seeing him here, now, was like reopening a wound that hadn’t fully healed.

Later, after the garage had emptied out and the team had retreated to prepare for the race, you found yourself wandering the paddock, lost in thought. You didn’t expect to bump into Franco, but as fate would have it, there he was, standing by the entrance to the hospitality suite, waiting for you.

Y/N," he called out, his voice soft but urgent.

You froze, torn between walking away and confronting the emotions you had buried. Slowly, you turned to face him.

"Franco," you said, your voice steady though your heart was racing.

He stepped closer, his expression unreadable. "I wasn’t expecting to see you here."

You raised an eyebrow, trying to maintain your composure. "I work here now. This is my job."

"I know," he said quietly. "I’ve been following you this season. You’re doing incredible things."

There was a brief silence, filled with unsaid words and memories. Finally, Franco spoke again, his tone softer, less guarded. “I’ve thought about you a lot. About us.”

You swallowed hard but kept your emotions in check. "Franco, that part of my life is over. I made my choice."

"I know you did," he said, his voice strained. "I’ve made mine too. But I don’t want us to keep being strangers. We shared too much to walk away from each other like this."

You hesitated, not expecting this direction. "What are you saying?"

He sighed, running a hand through his hair, frustration mixed with something softer. “I don’t want us to end on bad terms. We were friends once, Y/N. I don’t want to lose that, too.”

Your chest tightened, the weight of the past heavy on your shoulders, but his words reached you. "You hurt me, Franco. We can't just pretend like none of that happened."

"I know," he said, his voice thick with regret. "And I’ll carry that. But maybe we could start again. Not like before, but as friends. You’ve moved on, and I need to accept that."

You studied him, searching his eyes for any hint of insincerity, but all you saw was the boy you had once cared for, now standing before you, trying to make amends.

"Friends," you repeated, testing the word.

He nodded, hopeful but cautious. "Yeah, friends."

A small, tentative smile tugged at your lips. "I think I’d like that."

Franco’s shoulders relaxed as if a weight had been lifted. "I’d like that too."

For the first time in a long while, the air between you felt lighter. You knew it wouldn’t erase the past, but maybe it was a step toward healing it.

"I’ll see you around, then?" you asked, taking a step back toward the paddock.

He smiled softly, nodding. "Yeah, I’ll see you around."

As you turned and walked away, the knot in your chest loosened. Maybe this wasn’t about choosing the past or the present—it was about allowing both to coexist in their own space.

Heading back toward the Red Bull hospitality, you felt a sense of closure. You were ready to move forward, and for the first time, it didn’t feel like you were leaving something behind.

For the next few races, something began to shift between you and Franco. Slowly but surely, your interactions felt less heavy, less tied to the past. You started to talk more during race weekends, sharing little jokes or catching up between sessions. It wasn’t forced, and for the first time in a long while, it felt easy.

As the weeks went on, your friendship began to mend. The conversations that were once filled with tension now carried a lightness, and the lingering pain of what had happened between you both faded. You found yourself laughing with him again, and before long, you were falling back into the familiar rhythm of being really good friends—just friends this time you promised yourself. There was no pressure, no unspoken feelings. It was just you and Franco, rebuilding something new.

The next  race,  you once again crossed paths with Franco again. 

“Hey,” he called out, taking a step closer. “I’ve been meaning to tell you something.”

You raised an eyebrow, intrigued but cautious. “What’s up?”

He leaned in slightly, his voice lowering as if sharing a secret. “I think Max likes you,” he teased, a mischievous grin playing on his lips. “I mean, have you seen the way he looks at you? It’s like you’ve got him all flustered.”

You laughed, shaking your head in disbelief. “Oh, come on, Franco. Max and I? It’s nothing like that.”

Franco crossed his arms, still smirking. “Sure, sure. But I’m telling you, he’s definitely interested. You just don’t see it.”

You rolled your eyes, smiling at his playful tone. “Trust me, it’s all professional. Max and I work well together, but that’s as far as it goes.”

He raised an eyebrow, not quite convinced. “Really? Because he seems to hang around a lot when you’re around.”

You nudged him lightly, amused by his teasing. “Don’t worry, Franco. I’d never see Max that way. He’s my driver. That’s it.”

Franco chuckled, clearly enjoying the banter. “Alright, alright. Just don’t be surprised if he starts asking you out for coffee or something.”

You laughed again, feeling the tension between you both ease with each joke. “I’ll keep that in mind, but seriously, it’s nothing to worry about.”

He smiled, and for the first time in a while, it felt light between you two. “Good to know. Just looking out for you.”

You nodded, grateful for the lighter moment. “Thanks, Franco. I appreciate it.”

As you turned to leave, Franco called after you, still with that teasing tone. “But if he does ask you out, you owe me an update!”

You laughed over your shoulder. “Deal!”

After the race, as you and Max walked toward the team hospitality, he glanced at you with a grin. “Hey,at this point I just need to tell someone, when I head back to Monaco, I’ve got a date lined up,” he said, his tone casual but playful.

You blinked in surprise, then smiled. “A date, huh? Good for you,” you replied, nudging him lightly. “I hope it goes well.”

“Thanks,” he said with a wink, and you couldn’t help but feel relieved. Whatever tension had been there between you two, it seemed Max was focusing elsewhere. It was a reminder that everything between you was purely professional.

Later that night, back at the hotel, you found yourself thinking about the past few weeks and Franco’s teasing remarks about Max. Pulling out your phone, you shot Franco a quick text: "You were wrong. I was right 😏 Max has a date, so nothing to worry about!"

Moments later, your phone buzzed with his reply: "Told you I wasn’t worried 😉 Wanna grab ice cream and celebrate your victory?"

You hesitated for only a moment before responding with a quick, "Sure, see you in a bit"

It didn't take long for the two of you to find a cosy, well-known ice cream shop nestled in the heart of town, far enough from the hustle of the paddock to feel peaceful. The shop had a retro charm, with colourful decor and the scent of freshly made waffle cones filling the air. You both grabbed your favourite flavours and found a quiet corner by the window, the soft hum of chatter around you.

Sitting across from each other, you fell into easy conversation—old memories, upcoming races, and life outside the paddock. The laughter came naturally, and it was as if the tension of the past had melted away. The familiarity between you felt comforting, like slipping back into something that had never really been lost.

As you looked over at Franco, you realised something you hadn’t expected. Despite everything, despite moving on, there was still a part of you that loved him. It was buried deep, hidden beneath layers of time and distance, but it was there, undeniable and real.

The finish line?

A week later, when the F1 circus rolled into the summer break, you found yourself spending a few days together with Franco. It wasn’t planned, but it felt natural, falling back into a familiar rhythm. You wandered through small towns, shared meals at local cafes, and simply enjoyed each other’s company. The past no longer felt like an anchor, pulling you back; instead, it was something you both acknowledged but didn’t dwell on.

The moment you sat down during one of those quiet afternoons, Franco reached over and took your hand, his thumb brushing gently over your skin. There was no pressure, no unspoken expectations—just the comfort of being together.

“Everything okay?” he asked, his voice calm, yet filled with concern.

You nodded, squeezing his hand in return. “Yeah. Everything’s fine now.” And for the first time in a long time, you truly believed it.

The weight of the past no longer held you down. You were moving forward, and maybe, just maybe, there was still something between you and Franco worth exploring.

(abu dhabi grand prix)

The Grand Prix was electric,charged with tension, adrenaline, and the weight of the championship. Max was on the verge of winning his fifth world title, and every decision you made felt like it could either secure or break the season. The pressure was immense, and everyone in the paddock knew what was at stake. The intensity of it all was almost overwhelming, but you were laser-focused, guiding Max through the race.

On the final lap, a risky opportunity appeared—one that could win both the drivers' and constructors' championships in one brilliant stroke. You had mere seconds to make the call. Your heart raced as you pushed the radio button, your voice steady despite the adrenaline coursing through you.

“Box, box, Max. Trust me on this.”

There was a heartbeat of silence before Max’s calm voice responded, “Copy. I trust you.”

And that trust was everything. As Max executed the strategy perfectly, crossing the finish line first, the Red Bull garage erupted in celebration. The screams of the team echoed around you, but for a second, you were frozen—still processing the magnitude of what had just happened. Max had done it. You had done it. Together, you had clinched the championship, securing not just his fifth world title but the Constructors’ Championship for Red Bull as well.

The team started racing toward the barricade to greet Max as he pulled into the pit lane, his car surrounded by a sea of red and blue. As you ran alongside your teammates, you were suddenly jostled in the rush of bodies. The next thing you knew, you bumped into Franco—completely by accident—but before you could even apologise, his arms were around you.

He caught you easily, lifting you up, and in one fluid motion, he kissed you. The world seemed to stop, the noise around you fading into nothing as his lips met yours. Franco pulled back just slightly, his voice filled with emotion as he whispered, “Congratulations. That call was amazing.”

You were stunned, the whirlwind of emotions overwhelming you, but you smiled through the tears that suddenly welled up in your eyes. “Thank you,” you whispered, before leaning in to kiss him again. This time, it was slower, more intentional, as if you were both grounding yourselves in the reality of the moment. The past, the pain, all of it seemed to fade away.

When you finally parted, Franco set you down gently, his hands lingering at your waist, and you gave him a soft smile. "I guess you owe me some ice cream later,” you joked, trying to lighten the charged atmosphere.

He chuckled, his eyes softening as he gazed at you. “Definitely."

With a quick glance at the roaring celebrations ahead, you squeezed his hand and ran toward the podium area, where the ceremony was about to begin. Max was already there, grinning ear to ear, waving to the ecstatic crowd. You stood beside him, watching as he was crowned world champion again, but all the while, your mind drifted to Franco.

From your place on the podium, you spotted Franco standing quietly off to the side, watching you with a look of pride and something deeper. And in that moment, as the confetti rained down and the world celebrated around you, you realised the truth that had been tugging at your heart all along—you still loved Franco.

You found yourself falling in love with him all over again.

---The end---

I'am really happy with the outcome! hope you are too.

Once again my request are open for all your request!

-lots of love, Em.

[writing-for-life]

Tales from the Flat Earth by Tanith Lee

A few thoughts on the supposed similarities with The Sandman—with actual comparisons (and a summary of the most important beats for those who want it)…

[This post is super long. It contains a lot of different thoughts, that’s why I broke it down into three parts: 1. General Considerations, 2. Boroson’s Claims and 3. A beat-by-beat summary of all five volumes of Tales from the Flat Earth. You might want to read this in instalments, or you might want to leave part three if you are still planning to read any of the five volumes.]

Part One: General Considerations

By now, many of you will have heard of Tanith Lee’s series “Tales from the Flat Earth”—not because the world all of a sudden woke up to a literary genius, but because of a Facebook post by Matthew Boroson in the immediate aftermath of the sexual assault allegations against Neil Gaiman. Boroson now made a further statement that he will “delete […] challenges so he can live”. I completely get the exhaustion of a post going viral—been there, got the T-Shirt—but why not just ignore it? Switch off notifications or comments altogether? Actively censoring only the people with different opinions, whom he even admits have mostly been engaging in good faith, because “he can’t do this 24/7”, while leaving up those in agreement (apparently he can do that 24/7)? He might not have thought through how bad this looks, and the irony of a man silencing dissenting voices and trying to control the conversation really shouldn’t be lost on people. But apparently, it is.

Anyway: I have absolutely no desire to defend Neil Gaiman. As should be clear from my blog, I stand with Gaiman’s victims and have done so since last summer when the allegations first broke. I believe those women, for both personal and professional reasons I won’t go into here. And I believe them, whether some author guy tells me I should or not. What grates on me is that this overshadows what’s actually important here, and I’ll get to why in a second.

I love Tanith Lee’s Tales from the Flat Earth and have read them first in the 1990s, and quite a few times since. For that very reason, I wish people would just read her work without trying to engage in a “gotcha” that is still all about Gaiman and not her. She was a great and talented writer who deserves more than now forever being known as “the woman whom Neil Gaiman plagiarised”. And to say it quite frankly: The sexual assault allegations can stand on their own and don’t need a male writer telling us, verbatim, “I have no difficulty believing the accusations against him. Because I know — KNOW — that he has felt entitled to take what he wants from a woman, without her permission, and without any acknowledgement of her contributions.”

I can’t even begin to say how problematic this statement is, for so many reasons. So all I’ll say is:

There is a certain tone-deafness in thinking a sexual assault claim holds even more weight because a male writer says, “See, he did this, so you should also believe that.” We should believe SA victims. Full stop. We don’t need wonky plagiarism or “inspiration without credit”-claims to give them more weight. These two things shouldn’t even be mentioned in the same sentence.

But all of that aside: Read Tanith Lee’s “Tales from the Flat Earth” because you are interested in a writer who crafted imaginative worlds in a florid prose-style that hearkens back to old fairy tales and Arabian Nights. If you only want to read it for a “gotcha”, I might be able to spare you the arduous work, although I strongly recommend you read it to come to your own conclusions (go to the source yourself. And I honestly wish more people did before they just blindly believe things). Again, spare a thought though if Tanith deserves to be “the woman NG plagiarised” to a new audience, because let’s be honest—that’s the only reason why so many people now read her works.

And that’s exactly why I thought so long and hard whether to even write this post, but there comes a point when people who actually know both works in depth need to speak up about the informational conformity bias that now has us at over 30,000 notes on Tumblr alone, all the while the person who put this into the world seems to actively censor anyone who dares to disagree. I get that Boroson’s claim is what a lot of people want to believe right now, but that doesn’t make it more true. Someone even said that “misinformation doesn’t matter in this case because only the result does.” That’s an incredibly dumb and also dangerous statement, but I’ll leave it at that.

Horrible people can create good art. We don’t need to pretend they were always hacks. We have to learn to sit with that cognitive dissonance and can disassociate ourselves from the creator regardless—because he’s an abuser.

Part Two: Boroson’s Claims

With all of that out of the road, let’s have a closer look at all that Boroson alleges in his FB post; quotes are verbatim.

1. “Despite the fact that the main character — a byronic, pale, otherworldly, deity-like character - is the prince of night and dreams.”

Here, we already have the first bit of wrong information. Azhrarn is one of the Lords of Darkness. He is the Prince of Demons. He is evil-aligned. He is not a “prince of dreams”. He is “Night’s Master” because he only walks the earth at night, and sunlight is lethal (oh?) for him. He is really nothing like Dream. One is all about rules and responsibilities, the other is about inconsistency, wickedness, mischief, changing his mind on a whim and treating humans as playthings (which he repeatedly admits himself). You could build a much stronger case for similarities between Azhrarn and Lucifer/Iblis (and Loki if you wanted to go Norse) than Dream, because Azhrarn actually hates the gods, and Lee’s whole series builds very strongly on how he (and then someone else) tries to bring them down. And Azhrarn might be older than gods, but whether he is truly more powerful depends on how you look at it—he even asks them for help at some point. Dream, on the other hand, is more than the gods. They begin in his realm, and they end there when people stop believing. Because gods come from the collective unconscious—and that’s who and what Dream is.

2. “Despite the fact that every time people see art depicting Tanith Lee's main character Azhrarn, they think it's Morpheus from the Sandman.”

This is interesting since the depiction Boroson chose for his FB claim is fanart. If you claim something like this, at least use original artwork, not works that have already gone through 20 subconscious filters. If you look at original art, you get this:

Azhrarn in the middle, Uhlume (Lord Death) to the right, Chuz (Lord Madness) to the left. And in the other picture, Azrharn in his eagle form. Which is just weird, soz. But that’s why he has feathers on his garb.

Maybe there’s a fleeting similarity in the one to the left, but there’s also literally none in the one to the right. And if you have ever read any dark fantasy of the 1980s and 90s (and even earlier), pretty much the majority of male protagonists fitted the stereotype of “pale, clad in black and byronic”. It was a dark fantasy trope—goths read that stuff in droves (I was one of them). And it became even more likely if the hero/antihero/villain was somehow aligned with the underworld. Which Azhrarn is.

And since artists are always influenced by other artworks and their own mental image of a character, have an actual description of Azhrarn’s looks from “Night’s Master”:

“marvelously handsome, with hair that shone like blue-black fire, and clothed in all the magnificence of night.”

But we also get this when he makes a not so great experience:

“He gazed to east and west, to north and south, and the face of Azhrarn, it is truly said, had become white. Long he looked, and long his pallor increased. A mortal man could not grow so pale and live.”

So we can reasonably deduce that he isn’t usually as white as Morpheus in his main form (I don’t know what else to call it)?

There are many other descriptions of a similar ilk. Is this really enough to say they look the same? Really? Instead of admitting that we might be filling in some blanks here if descriptions are so vague?

3. “Despite the fact that the dream lord's younger sibling is Death.”

That one truly made me laugh out loud. Apart from the fact that Gaiman’s Death is older and female (which one could say was a purposeful switch to “hide the tracks” 🙄)—only the least read people would assume this was in any way new or sensational and “borrowed” from any one particular writer. Hypnos (Sleep) and Thanatos (Death) are twin brothers in Greek mythology. And the closeness of Death and Dream in The Sandman (both conceptually and on a relational level) is much more of a mirror of that than the relationship between Azhrarn and Uhlume in Tales from the Flat Earth, because in all honesty: The latter two don’t get on that well, which Boroson conveniently forgets to mention. Their relationships are really nothing alike.

Hypnos is also a deity residing in the underworld, and you have to cross the river Lethe (forgetfulness/oblivion) to get to him. Lee borrows from that idea very heavily when she tells the story of Kazir visiting Azhrarn in Underearth. These are myths, told and retold by hundreds of writers over and over again, including Lee herself.

I don’t even know what to say about this one. It’s so thin that it immediately blows away if you as much as cough at it.

4. “Despite the fact that other members of his family include Delusion, Delirium.... They are not gods but beings older than gods, and when the gods die, Dream, Death, Delusion, and Delirium will remain. This family of immortal, eternal, unchanging beings, who each embody an eternal abstraction starting with the letter D.”

There are only two Lords of Darkness beginning with a D, and they are called Uhlume (Death) and Chuz (Delusion). Azhrarn is Wickedness.

There is no Dream, as I already stated. And guess what? There is also no separate Delirium. So wrong facts again. The character is Delirium’s Mistress (or at least that’s the title of the volume), and in that case, we are referring to her as being the lover of Chuz (so Delusion and Delirium are effectively the same person). And her name is Azhriaz; she is half human, half demon (and something else, but that would be too spoilery) and Azhrarn’s daughter. She looks like this in original artwork (sorry for the crappola photo):

Without wanting to give too much plot away because some of you might still want to read this: There are three Lords of Darkness (or one could argue five—more about that later) in Lee’s Tales, but they don’t all begin with a D—neither if you look at their names (their initials are A, U, C, K and A), nor at their functions (in which case it’s W, D, D, F and L).

Okay, the domains of two Lords of Darkness start with D. Is it really enough to be sure Gaiman borrowed from it, turning it into seven? Or is it perhaps far more likely that this still falls into the realm of literary archetypes? And even if Gaiman did expand on that idea—that’s not plagiarism (which, to say it very clearly, Boroson didn’t explicitly say it was. He just implied it a bit between the lines, and other people who probably didn’t read either ran with it). I don’t think it would even constitute “heavy borrowing”, especially since the characters, their relationships and the stories as such are so, so different.

Why is Boroson’s account riddled with inaccuracies? Why be so wrong in your descriptions of a work you supposedly know so well? I really don’t know. It’s either that he doesn’t know it as well as he says he does (which I can’t imagine, since he’s apparently been going on about this for years), or he purposefully misrepresents it to add more weight to it. Which looks bad to be honest. Or at least as if he’s a bit too taken with an idea and at the stage where he can’t let it go anymore.

5. “[…] description of a character who was clearly the inspiration for Gaiman’s Mazikeen.”

That’s also Chuz. As depicted in the art above, and also here:

One side of him is young and beautiful, the other old. I’ll let you decide if this is clearly the inspiration for Mazikeen:

“So she beheld the entire aspect of his face, one half youthfully bronzed, one half haggardly gray, the rusty hair and the blond, but it seemed to her it was the most natural face she had ever looked on.”

And to say it quite frankly: Framing it like that is a bit dishonest to start with? It’s not the description of “a character”. It’s the volume’s protagonist. Whom Boroson earlier insisted was the inspiration for Delirium (also a bit wonky that one, as I already wrote, since I bet most of the people who don’t know Lee’s work pictured her Delirium as a woman after reading Boroson’s account). But now it’s Mazikeen all of a sudden? Leaving out he’s actually talking about the same character here looks like wilfully obfuscating that neither of it truly holds water, so he’s picking little bits and offers them without context.

Mazikeen is a visual creation of Kelley Jones btw, so maybe Boroson should also take it up with him? The same could be said to everyone who might feel tempted to shoehorn a certain other character (DC’s Destiny) into this, woefully forgetting that Destiny is not a character created by Gaiman. He has existed in the DC Universe years before Lee wrote Tales from the Flat Earth. I don’t hear anyone complaining that Lee stole Kheshmet/Fate from DC because it would be quite frankly idiotic—these are literary archetypes!

6. “The prose, the characters, the narrative strategies, the mythology, the story structure, all of it: Gaiman found it all in Tanith Lee's writing and never gave her any credit.”

The prose is really hard to compare because one is a novel, the other a comic. I really recommend you read both yourself so you get the full picture, but just two examples here:

Tanith Lee:

“A mile from the enameled walls of the city, where the desert lay gleaming like golden glass, a beautiful woman sat in a stone tower, and she played with a bone.

“Will he come to me today?” she asked the bone, rocking it in her arms like a child. “Or will he seek me tonight? All the stars will shine, but he will shine more brightly. For sure, he dare not come by day, for he would outshine the sun. The sun would die of shame, and the whole world grow dark. But oh, he will come. Nemdur,” said the beautiful woman, “Nemdur, my lord.”

Her name was Jasrin; Nemdur was the king whose city stood one mile to the east. Once, he had been her husband.

No longer.”

Neil Gaiman:

As someone who’s read both many times over, my personal assessment is:

They are not very alike. Lee writes floridly, Gaiman is often fairly to the point. Even in Ramadan, which is one (out of 75!) issues that closest resembles the style of Arabian Nights (which is Lee’s inspiration), his voice seems distinct to me—as is hers. Lee’s prose always struck me as great, Gaiman’s as good (I always loved his world building more than his actual writing style). I think Lee’s prose is more accomplished, but that’s personal taste.

Characters: I already expanded on it.

Narrative strategy: This is so vague. Does he mean perspective? Point of view? Other narrative strategies like foreshadowing?

Since I don’t know what exactly Boroson is referring to because he likes to keep it nebulous, I really can’t say, but I don’t think the way the stories are told are in any way alike. And where they seem similar (“Night’s Master”, as an example, is told as interconnected stories in the style of Arabian Nights with a throughline. And of course the Sandman also contains some interconnected stories with a throughline, although they are in no way reminiscent of Arabian Nights to me, bar Ramadan), I seriously have to ask again:

Do we believe only one writer utilises these strategies and/or has a monopoly on them? Because there are truly only so many of them to go around. And we could say that Lee’s “narrative strategy” is hardly unique either. This is just a bit silly.

Mythology: Just no. Both Lee and Gaiman use themes that have been there a million times before them, I already brushed on it. Both lean heavily into existing mythologies, with Gaiman more into Greek, and Lee into Near- and Middle Eastern one (especially Mesopotamian/Babylonian—there are some parallels between her characters and deities like Nergal, Sin/Nanna and Ninazu), although they both also use others. But the bottom line is: Both have expanded on long existing mythologies.

Story structure: Again, what is Boroson insinuating here? He is truly the master of vagueness.

To say it very directly: The story structure is not the same. If you look at The Sandman in its entirety, it’s a clear three act tragedy with a lot of Hero’s Journey thrown-in. The fact that it’s told in 10 arcs changes nothing about that—you can clearly make out Campbell’s stages, like Call to Adventure, Crossing the First Threshold, Belly of the Whale… you name it. This is long enough already, but look at Campbell’s Hero’s Journey, and it’s fairly obvious (and no, the hero doesn’t always have to survive).

Tales from the Flat Earth have a throughline in their five volumes, but they are connected more loosely, with the odd referential throwback. Only “Delusion’s Master” and “Delirium’s Mistress” have an ongoing narrative (of sorts). “Night’s Sorceries” always seemed like an afterthought of material Lee would have liked in volume four but couldn’t fit in. They are all told in a way that hearkens back to oral storytelling (hence Lee saying she was inspired by 1001 Nights), and there is a clear sense of an unchanging, but not personally involved storyteller/narrator all the way through who sometimes even offers commentary.

7. “Tanith Lee was far more progressive about Igbtq+ identities, and that was twenty years earlier.”

Well, for starters: Ten years earlier (“Night’s Master” was published in 1978, the first issue of The Sandman in 1988).

Is Tales from the Flat Earth truly more progressive? I’m not sure. Both were progressive for their time, simply because they wrote about LGBTQ+ characters at all and gave them a voice. And to put it in a disclaimer: I don’t apply moral purity standards to fiction, neither do I believe certain things that would be problematic in real life can’t be written about in fiction (and dare I say: I find that take worrying, for many reasons, but that’s a different discussion). But if we’re talking about “progressiveness”:

A clearly bisexual Demon Prince grooms a child to then seduce him on his 16th birthday—in a time when gay men were often still thrown into one pot with groomers and even pedophiles?

A lesbian queen who basically gets cursed to have sex with many, many men because only a pregnancy can lift that curse (!), finds out she is barren and can only conceive if she has sex with a dead guy, makes a deal with Uhlume who then brings a man back from the dead so she can be impregnated and then, via many many twists and turns, turns into [I’ll tell you later if you really want to know]?

I don’t know, but it’d probably be the same people who find certain angles of the Sandman problematic who would also bolt or get outraged at this? And they would 100% engage in the same type of revisionist readings they now apply to Gaiman’s works if they ever found out that Lee did anything wrong. There is a lot, and I mean a lot, of rape, SA and questionable power dynamics in Lee’s work. But it’s also a work of fiction.

8. In the 1990s, toward the end of her life, she complained in an interview that magazines weren't buying her stories anymore.

[edit: Lee died in 2015, so Boroson’s claim the 90s were “towards the end of her life” also reads a bit weird to me—as if he’s consciously trying to appeal to the sympathy of his readers by portraying her as “the poor woman on her death bed”, when she still lived for another 20 years]

That’s a bit nebulous again. It’s amazing how some people never quote their sources. I am near certain that Boroson talks about this interview from 1998, but I stand corrected if it’s a different one:

Tanith talks about her troubles getting published, but she also says it’s a hard time for everyone right now. Plus, her bibliography also clearly indicates she still got published on the regular, and that the amount of works published in any given year didn’t really fluctuate all that much apart from a burst in the ‘70s (and “burst” refers to the difference of publishing four books instead of two per year), a dip towards the end of her life (when her output was probably affected by her illness) and then the sad thing that always happens when someone dies: Suddenly, there’s another uptick.

Someone even went through the trouble of visualising her published works in a graph:

Courtesy of Das_Mime

Does this honestly look like no one published her anymore?

Now, don’t get me wrong: Of course it is a nice gesture if those more successful put in a word for those who find themselves in a bit of dry spot. But to turn this almost into some conspiracy theory is just a bit weird if I’m honest. It’s much more likely that people are simply not on someone’s radar than that they are actively trying to hinder their career. Writing is hard. Getting published is hard, even if you already have a few published works under your belt. Ask me how I know…

These were the points Boroson made that I wanted to address directly. For those of you who want to get a feel if the story as such is actually in any way similar enough to even call it heavy borrowing, I’ll now do a summary of all major story beats for all five volumes.

Part Three: Tales from the Flat Earth Beat-by-Beat

I assume that most of my followers are familiar with The Sandman, but only a few with Tanith Lee. Hence I won’t do a summary of The Sandman, and once again: You really have to read both works yourself to understand why Boroson’s claims are so far out there. I’m more than willing to discuss and answer questions that come in good faith, but I’ll say it outright: I am not interested in engaging with anyone who just comes here to peddle conspiracy theories and platitudes like “misinformation doesn’t matter in this case because…” if they haven’t even read the works in question.

Just as a quick hint, because that’s where you’ll find the superficial similarities (and that’s my phrasing it with the utmost goodwill):

If you want to compare the entirety of both works, there’s no way around reading both.

For “Night’s Master”, I’d argue you also need to read the entirety of The Sandman, because in a nutshell, it is, at least at first glance, about the heel-face-turn of its protagonist. You’ll need at least Preludes and Nocturnes and The Kindly Ones, but it makes no sense to read them separately, so…

For “Death’s Master”, maybe read The Doll’s House and Season of Mists, because it is partly about a queen who wants to save her land (everything else would be too spoilery, but just so much: The similarities are fleeting at best, and that’s already generous).

For “Delusion’s Master”: Again The Doll’s House and Season of Mists, because at its very core we have a love story that gets torpedoed by a traitor. But other than that, said love story is truly nothing alike.

For “Delirium’s Mistress”: Honestly, I thought long and hard about this. I really don’t know because it is so different from the Sandman that I see absolutely no parallels at all. Maybe read Brief Lives, because there is something in there about parent/child relationships. But they are hardly unique in literature, so once again: I truly don’t know how anyone could find similarities here. And The Kindly Ones would be such an immense stretch that I won’t even go there.

For “Night’s Sorceries”: There are three stories that give a bit of context to the rest. If anything, I’d say read The Wake. But that would actually be insinuating Azhriaz is Daniel, and I’m like… no, massive stretch. If it’s just about loosely connected stories that somewhat fit into a greater narrative, read “World’s End”. But if we’re thinking that’s already a similarity, I truly cry for literary analysis…

Briefly about the world we’re in: The Flat Earth basically consists of four planes: Upperearth, home of the gods; Earth (the Earth of humans before it changed shape); Underearth, home of Azhrarn, Prince of Demons and Wickedness; Innerearth, home of Uhlume, Lord Death. Azhrarn’s kingdom, Druhim Vanashta, houses three classes of demons: Vazdru (most like Azhrarn himself, beautiful and prone to change into eagles and other animals), Eshva (basically mute servants to the Vazdru who can change gender at will) and Drin (ugly, exclusively male creatures and accomplished creators of beautiful and practical things). All three demon kind frequently visit earth to tempt and create chaos.

Volume One: Night’s Master

Night’s Master begins with Azhrarn finding a dying woman and her newborn son, Sivesh, on a hillside. After her death, Azhrarn becomes captivated by the beauty of the child and takes him back to Underearth to raise him (and then promptly seduces him on his 16th birthday). Azhrarn then creates a woman called Ferazhin from a flower for Sivesh (because, you know, Azhrarn thinks it’s good sport to sample a woman. As one does). However, nothing can prevent Sivesh from longing to live on earth because he is human, and the decision to leave Azhrarn for a life in the light offends the Demon Prince. So he consciously tricks him into death by drowning (by chapter three).

The next storyline shifts to a collar (crafted by a Drin) from Ferazhin’s tears because she is inconsolable. We follow the collar around on its journey to different owners (who all meet a gruesome end in one way or another). The final owner, the blind bard Kazir, is the only one not to get corrupted by it, and we conclude the first book with his journey to Underearth to give the collar back to Azhrarn in exchange for Ferazhin, whom he loves without ever having met her. Azhrarn agrees to let Ferazhin go if Kazir can answer a particular question, which he can (not going to get too deep into that, apart from: Azhrarn is rattled, and we’ll revisit it at the end of this volume). Kazir and Ferazhin are happy for a while, but as usual, Azhrarn changes his mind, and by the end of it, Ferazhin is dead (a bit of a nod to Romeo and Juliet in there, but that just as an aside). But lo and behold, Kazir manages to bring her back after a while, and “somewhere perhaps, some dark door slammed like thunder in a city underground.”

Book Two of Night’s Master focuses on Zorayas, who survived the overthrow of her father (a king) as a newborn but suffered severe disfigurement. After the death of the monk who took care of her, she seeks revenge for being raped by a Prince and takes back her father’s kingdom with the help of the Drin. And, as usual, she meets her demise through trickery orchestrated by Azhrarn.

Book Three. Azhrarn’s cruel prank on a young married couple goes wrong, escalates and ultimately leads to humanity teetering on the brink of destruction (the remnants of the husband turn into Hatred and wipe out everything). After seeking intervention from the gods of Upperearth in vain, Azhrarn makes, for once, a sacrifice to preserve humanity’s existence. But does he do so completely selflessly? Could be argued, and I guess Kazir knew, but that’d be too much of a spoiler… Suffice it to say, Earth enters an age of innocence without the presence of hatred and wickedness. Until… 🤣

Volume Two: Death’s Master

Narasen, Queen of Merh, is sexually assaulted by the magician Issak. Feigning cooperation, she manages to kill him. Before he dies, he curses Narasen and Merh, declaring that both will become barren. The curse can only be lifted if Narasen (we have deduced at this point that she is a lesbian because she “doesn’t lie with men”) gives birth to a child, but includes a stipulation that prevents this solution: “Your reluctant womb will never quicken from the seed of living man.” After numerous attempts to conceive, Narasen, driven by her desire to save her land and people, makes a deal with Uhlume to conceive a child from a dead man. In return, Narasen agrees to spend a thousand years in Uhlume’s kingdom. Narasen is poisoned shortly after childbirth.

After Narasen is locked in her tomb with her newborn child Simmu, Uhlume arrives to claim her, leaving the child behind. However, Simmu is rescued by two passing Eshva and lives with them by night. Simmu develops Eshva abilities, like changing gender at will. Eventually, the Eshva grow tired of Simmu and leave him at a temple near Merh, where he grows up among monks and becomes friends and later lovers with a boy called Zhirem.

Simmu and Zhirem eventually become separated and somewhat turn into the tools of Azhrarn (Simmu hates Death because he remembers him coming for his mother) and Uhlume, respectively.

Meanwhile, Uhlume and Narasen don’t get on too well—Narasen sets herself up as Lady Death and constantly struggles for power. To get her off his back, Uhlume grants her permission to spend a day in Merh, where she promptly destroys her city (yeah, after all that trouble…). Upon her return, she gradually takes over the supervision of Innerearth from Uhlume and turns into “Lady Death.”

Azhrarn saves Simmu during Narasen’s attack on Merh. He instructs Simmu to obtain water from the Cistern of Life (a little throwback to volume one). His plan is to kill Uhlume, hence bringing death to an end. The well is guarded by nine virgins called the Golden Daughters—Simmu makes use of his gender-changing abilities and sneaks into each of their chambers as a woman and then takes their virginity as a man. With their virginity taken, the well cracks, and Simmu founds the City of Simmurad (populated by immortal humans) with the golden daughter Kassafeh (too long-winded to get into it all).

Zhirem has embarked on his own adventures and eventually returns to Earth as the magician Zhirek. He agrees to serve Uhlume, who plans to destroy Simmurad, perceiving it as a threat. With the guidance of Azhrarn, who has grown weary of Simmu and Simmurad (you see, Azhrarn is not very consistent and doesn’t abide by rules nor responsibilities like our boy Morpheus 😉), Uhlume lets Zhirek destroy the city by submerging it under water after re-introducing death via creating and killing an insect. Simmu seemingly dies at the hands of Zhirek, who casts him into a well of fire. Zhirek retires into solitude, and Simmu is ultimately saved by Azhrarn, who transforms him into an Eshva and erases all memories of his past.

The story concludes with Narasen effectively ruling Innerearth and giving death, while Uhlume spends most of his time on Earth, finding solace in the presence of Kassafeh.

Volume Three: Delusion’s Master

We’re starting with a tale about Jasrin, the young wife of King Nemdur of Sheve. Because she is jealous of her newborn child, she abandons him in the desert, where he gets killed by dogs. Nemdur banishes Jasrin to a tower, where her sanity gradually deteriorates. She is visited by Chuz, the Prince of Madness (the third Lord of Darkness). Inquiring about her deepest desires, Jasrin expresses her wish for her husband to share her madness. Nemdur awakens with a crazy plan to construct a towering structure that reaches Upperearth (where the gods live). Inspired by the legend of Simmu, he envisions attaining immortality. The Tower of Babyhelu, aptly named “The Gate to the Gods,” grows and grows until it becomes unstable due to its immense weight, causing it to collapse with catastrophic consequences: The fall of the entire kingdom of Sheve.

Azhrarn and a few of his demons are drawn to the commotion, and a conversation between him and Chuz reignites Azhrarn’s disdain for the gods, who had failed to assist him in “Night’s Master”.

Hundreds of years later, we meet 7,000 pilgrims on their journey across the desert to worship the gods at Bhelsheved (Sheve rebuilt). Azhrarn is incensed that his sacrifice to save humanity in “Night’s Master” is credited to the gods. Disguised as a prophet, he reveals that a Lord of Darkness (not the gods) is the true saviour of humanity. For this, he is lashed with a whip and sheds three drops of blood. Azhrarn continues with his quest to destroy Bhelsheved but is unexpectedly diverted by the beauty of a young priestess named Dunizel. Recognising Azhrarn’s true intentions, Dunizel bravely offers to sacrifice herself to appease his wrath. Azhrarn turns into a wolf and bites off her lower arm, but when she encourages him to bite again instead of showing terror, he hesitates. Reminiscing about his own sacrifice to Hatred, he changes his mind, heals her with his own blood, and falls deeply in love with her.

We then learn the story of Dunizel’s mentally disabled mother, who was held captive by the assistant of an astronomer (who was on a field trip to observe a comet passing by). After impregnating the girl, the assistant attempted to abort the child by exposing her to the comet’s energy as it passed. The girl was instead exposed to a rainbow of light captured by the astronomer’s magical engine, regained her sanity and gave birth to Dunizel, who was also affected by the comet’s light. Dunizel’s mother raised her but gradually transformed into a fire elemental and ascended into the sky. The assistant gave Dunizel to a grieving mother from a nearby village, who raised her until she was chosen to join the religious cult (like her mother, she is also part solar being).

We are panning back to the love story of Dunizel and Azhrarn. Dunizel gives birth to a daughter named Soveh, who is initially mistaken for a goddess on Earth and grows at unnatural speed. Through the workings of Chuz though, the truth about the child’s paternity is revealed, and Dunizel dies at the hands of an angry mob (she also comes into contact with one of the drops of blood Azhrarn had formerly shed in the desert). Devastated, Azhrarn takes Soveh, whom he renames Azhriaz, to Underearth. Before he departs, he addresses Chuz and declares their relationship as “un-brothers, un-cousins, and now, un-friends”. He also reveals he will go to war with him and considers it a kindness he has informed him in advance.

The story concludes with Chuz finding Jasrin, who is haunting her tower, and releasing her.

Volume Four: Delirium’s Mistress

So if you waited for this to start with all-out war between Azhrarn and Chuz, you’ll be disappointed. We meet Oloru, a court jester to tyrannical prince Lak Hezoor. Oloru convinces Lak Hezoor to take him on a sightseeing tour of Underearth. It’s not going well—Lak Hezoor is torn apart by Azhrarn’s red hounds. Oloru transforms into a “slender rod of yellow radiation, vaguely purplishly limned” and flies towards the island where young adult Azhriaz has been sleeping since her arrival in Underearth (it’s a been a few years). Oloru, who is actually Chuz in disguise, awakens her, convinces her to escape, and takes her back to Earth. And of course they become lovers.

Kheshmet (King Fate) enters the story, just like that, and in no time, Azhrarn arrives and ends his quarrel with Chuz— also just like that. But to atone, Chuz has to agree to live a mortal lifetime, disfigured, without his powers and truly mad. Azhriaz initially stays with Chuz, but he forgets who she is.

Azhriaz, now without Chuz, despairs. She visits her mother’s grave with Khesmet and decides to embrace her father’s legacy: discrediting the gods. She replaces a king who committed suicide and ascends to the status of a cruel goddess on Earth, conquering much of the world who revels in her cruelty. Her teachings to humanity are that the gods care nothing for them: “Remember, to the gods, you are nothing. To Azhriaz, the Goddess, you are only grains of dust or sand.”

Khesmet arrives to foretell a looming war with sea and sky.

And weirdly, that war starts because a god, whom Azhrarn kissed in “Night’s Master”, awakens and decides that was sacrilege, plus he’s also not pleased with Azhriaz’s activities on Earth. The gods consequently hurl three shards into the sun that transform into three angels—the Malhukim of the gods: Ebriel, Yabael and Melquar. Azhrarn holds the angels at bay while Azhriaz escapes into the ocean aboard a special fish-ship crafted by the Drin, pursued by Ebriel and Yabael. Azhrarn fights Melquar in the air and narrowly avoids incineration. Azhriaz escapes imprisonment in an underwater city when Yabael destroys it with his sword. She receives no assistance from Azhrarn because he lies in a death-like coma in Druhim Vanashta and has been usurped by the demon Hazrond. Eventually, Azhrarn recovers and reclaims his kingdom. Azhriaz is still pursued by Yabael, who conveniently undergoes a transformation and forgets his mission in the process. Then pursued by Ebriel, she travels with Dathanja (Zhirek making a reappearance) and ultimately engages in an eternal battle with the angel. Realising she’ll be otherwise stuck there forever, she convinces Ebriel to stop by revealing her plan to give up her immortality.

Ebriel departs, snd Azhriaz (who is actually called Atmeh at this point, but that’d lead too far) seeks out Kassafeh for a bargain with Uhlume (who is in the process of abdicating to Narasen) to become mortal. She reunites with Chuz, who has paid his penance, and they stay together for a while until Chuz helps her with her final transformation into a mortal woman.

Atmeh/Azhriaz approaches death after 200 years or so, and is visited by Azhrarn, who tells her, “Humanity is my plaything no longer, only a toy for those that are mine under the earth. But you, you are her child. You are hers. You are Dunizel. Not mine. Never mine. Though I made you to be my curse upon the world. Though I made you to be myself. You are Dunizel, that I loved, Dunizel who was the moon and sun together.” Azhrarn expresses his sadness over his inability to cry, and Azhriaz responds: “Each word you have spoken has been a tear.”

Volume Five: Night’s Sorceries

I wasn’t sure if I should even go into this one, because “Delirium’s Mistress” always seemed like the final volume to me to be honest, and it concluded the story for me. “Night’s Sorceries” is a collection of short stories that seem connected to “Delirium’s Mistress” and fill in some gaps (that’s why each of them has an introduction that explains where we are, and when). So I will only go into three of them (there are seven altogether):

“The Prodigal” is essentially about Narasen’s reign as Queen Death.

“Dooniveh, The Moon” is written like a fairy tale about a monk from Nannafir. He travels to the moon on a winged horse, and by the end of his adventures, we witness the wedding of the Moon Queen and the Sun King. And that’s connected how? Well, the winged horse was a gift from Hazrond (who usurped Azhrarn) to Azhriaz.

“The Daughter of the Magician,” recounts the tale of a magician who successfully resurrects the soul of Azhriaz. But the child, named Ezail, ends up being offered as a sacrifice to a monster. And that’s connected how? Well, the monster was created as the counterpart of the winged horse in “Dooniveh, The Moon.” But Ezail regains Azhriaz’ memory and lo and behold, Chuz just happens to appear in the reincarnation of a young boy named Chavir. Together, they decide to take the monster with them and embark on a life together.

The main reason I did include this volume is that it somewhat puts the former four in context. The last sentence of “Night’s Sorceries” is:

“Love is also an immortal.”

Which somewhat suggests that Azhriaz is operating on the same plane as Azhrarn, Uhlume, Chuz and Kheshmet. And we already get hints at that in the other volumes.

In “Delusion’s Master”, Azhrarn says to Dunizel that their child will be his feminine aspect. It’s just ambiguous enough, but we also get this in “Delirium’s Mistress” when Azhrarn wonders about love: “There is no such commodity. There is carnality, our plaything. There is worship, and there is obsession. Death you may perceive walking the world, and Fate, and Delusion, too, in a form that I have kindly granted him. But no man sees love, and no demon sees it.”

So while many of the stories of Tales from the Flat Earth can stand on their own, there is also an overarching theme: Establishing another power that serves to balance out the others: Wickedness, Death, Delusion, and Fate—Azhriaz’ four “sons” (cryptically mentioned in the final chapter of Delirium’s Mistress)...

[aureum-cordis]

Lost & Found, Part 4

A/N: Hey! It’s been a short while since my last update, college got a little hectic for me. But I’ve gotta admit, this has been my favorite part to write so far. I really have to thank everyone for checking out this little fic and I appreciate all of the reblogs and follows, as well as the notes! Thank you all so much! Check out the other parts here: Part 1 , Part 2 , Part 3

_________________________________________________

You were more than content to have an audience as you drew an amalgamation of little doodles on the page you were provided. CraftyCorn was offering you any crayon, marker, or pencil you even vaguely gestured to while Bobby BearHug rested her head on DogDay’s shoulder.

The dog was unbothered by this, especially since this was the happiest he had seen the other two in what felt like years. He was grateful for this little moment of peace, even if some nagging thought attempted to plague his mind with negativity. It wasn’t as if he would ignore the thought that this could be stripped away just as quickly as it came, but he refused to feed into it.

Even he was surprised by the way he felt fiercely protective over you and the others, not that it was a negative form of surprise at all. You, and that precious little smile on your face as you lifted the page to show the trio of Smiling Critters that you had drawn them, had caused the little amount of hope in his heart to flourish. If you had survived then it was possible that they all could, that this situation wasn’t impossible to walk away from.

He wrapped his arm around the bear that rested her head on his shoulder in a side hug of sorts, allowing his own head to gently press against hers. The two watched as you gestured for CraftyCorn to join you, to which they happily accepted.

You still sat cross-legged on the ground but the unicorn laid on her stomach to join you, taking a crayon between their hooves and helping you in drawing the scenery of your little drawing of the Smiling Critters as well as yourself.

DogDay and Bobby BearHug watched you and the unicorn as you both drew an adorable image of the strange yet endearing quartet they had formed through chance. You and CraftyCorn were passing crayons and markers of various colors between each other, a wordless understanding between the two of you.

The leader of what remained of the Smiling Critters was more than content to just rest against the bear of the group as he watched you enjoy yourself, even if your hands were now covered in various colors from your composition.

You were far from deterred nor were you upset from such a thing, even going as far as admiring the smear of vibrant colors that covered your palms and fingers.

It was something so small yet noticeable that the dog and the bear couldn’t help but laugh softly at the little display, even more so as CraftyCorn lifted her hooves to show you that their luck with the crafts wasn’t all that orderly either.

The unicorn muttered her praises, admiring the way you drew each of them as well as the background they had been helping you design. You shook your head, pointing at yourself and then the Smiling Critter that had joined you.

She paused for a moment, watching your gesture before it finally clicked what you had meant. “Oh, I didn’t contribute much, this was all you. I could never take credit for it.” They replied in an amused yet genuine tone, it wasn’t fair when you had done the majority of the artwork.

You shook your head again, more enthusiastic this time and bent down to point at the paper. One of your small fingers rested on the drawn unicorn on the page, before you pointed at the real one in front of you. CraftyCorn raised her hooves in a manner that bordered on compliant, yielding their stance on rejecting any credit.

The white furred member of the Smiling Critters shifted from the prone position they were in to a seated one as she spoke. “While I still think I didn’t do much, I appreciate that you let me join you. Together, we created something that easily beats anything I have ever drawn alone.” You were positively beaming as you heard the final agreement that left the artist of the quartet.

Slowly, you moved the papers and the art supplies out of the way as you stood up. CraftyCorn was about to speak when you suddenly wrapped your arms around her torso and squeezed her in a warm embrace.

The unicorn was stunned, unsure of what to do at that moment, and turned to look at DogDay and Bobby BearHug. The dog was about to speak when the bear at his side hugged him in an instant, whispering as she did so. “Hug them!” It was a hushed shout in anything but you seemed unphased, nuzzling into the soft fur that was the unicorn’s chest as they gently wrapped their arms around you in return.

The touch was featherlight, as if you would break should any force be applied. Regardless, you were more than happy to be held even if it was by an incredibly careful unicorn.

A tired yawn left your mouth, the sound still audible despite the fact that you hadn’t, or perhaps were unable, to speak a word. With a balled up first, you rubbed one of your eyes which grew teary from the drowsiness that overcame you.

DogDay knew that you would crash soon when he had found you, the bags under your eyes were more than a sign of the sleep deprivation you suffered from. CraftyCorn allowed her arms to fall to her sides as you broke the hug and backed up slightly. Still rubbing your eyes, you turned to look at the duo that were still close together.

Bobby BearHug hadn’t let go of DogDay since she had first hugged him and he was content enough to not stop her. He didn’t have the heart to do so, not when she had been so distant until you came along, and because he didn’t mind the contact. With a slow and sluggish gait, you walked over to the two of them.

The orange dog was a little puzzled as you approached, extending the arm that he didn’t have around the bear at his side to you. You grabbed his arm and used it to steady your wobbly steps before you promptly sat yourself down in his lap. The suddenness of your action caused some of the wind to be knocked from him, but not a word of protest left his mouth.

He watched as you curled up in his lap and gently pulled the arm you had been holding onto earlier closer to you. He was more than willing to allow you to do such a thing and if he were able to cry in that moment, he would’ve. You wrapped your little arms around his as his hand rested against your back, supporting you to keep you from falling should you stir in your sleep.

A tired smile rested on your face as you looked up at him, before nestling up against his leg and closing your eyes. Together, all three of the Smiling Critters watched as your little chest rose and fell, falling entirely silent to keep from disturbing you as you rested. Collectively, they could all see how exhausted you were, which was exactly why they were more than willing to let you sleep.

For several long moments, they all remained where they were, simply observing you as you clung to the leader’s arm as if they would vanish if you let go. Carefully, CraftyCorn slowly approached the trio and sat down on the side of DogDay that was unoccupied.

There, she rested their chin on his shoulder and looked down at you, nothing but sympathy and a warmth that would soothe anyone in her gaze. They shifted slightly, resting against the dog with her body to be closer to him and you. He was more than pleased with the action, a happiness that he hadn’t felt in a very long time came to the surface, warming his heart and bringing with it an unbridled sense of joy.

You had brought forth a side to himself and the others that he feared was long gone, yet in this very moment it returned. It wasn’t until he heard a steady and rythmic thumping against the ground did he realize what was happening. His tail was the cause of the sound, wagging openly as a display of his happiness and how overjoyed he was that the others had finally been able to find a beacon of hope in this otherwise grim situation.

None of those around him stirred at the disruption nor did they seem bothered by it in the slightest. DogDay himself was embarrassed by the physical reaction that displayed his elation, but it faded as Bobby BearHug continued to embrace him and CraftyCorn’s head now rested on his shoulder and their sides pressed against one another. They were just as content as he was and that only made the thumping of his tail increase in pace.

The only sounds that filled the room were the quiet inhales and exhales of your sleeping form and the sound of the orange dog’s tail as it met the floor as those most important to him were surrounding him. Despite the fact that they had all met you today, they all shared the same sentiment as their leader did. You were now a very dear member of what remained of the Smiling Critters.

[1shirt2shirtredshirtdeadshirt]

Today on popping the corn and feeding the children, what do you folks think of this discussion? :)

I'm always curious to hear what other Trek fans, especially queer Trek fans, think about our place in Trek history and how we fare as the queer participants within our fandom. What have your experiences been like?

Overwhelmingly I've found a great reception and a welcoming attitude, but I admit that has increased considerably since the 90s. However, there are still some Trek fans who seem to be vehemently in denial about queer history in Star Trek, or the fact that anyone who has worked on Trek has pro-LGBT attitudes. This always surprises me considering some of the blatant queer content we have already seen in Star Trek such as the Jadzia Dax and Lenara Kahn kiss.

Anyway, I enjoyed the discussion that followed and seeing the overwhelming outpouring of support coming from Star Trek fans in response to this thread.

Here was my two cents contribution:

"No, what they said was factual.

Have you forgotten Nichelle Nichols was indeed an African American woman in the core seven bridge crew back in 1966?

Or the fact that Gene Roddenberry went out of his way to write The Motion Picture Novel, creating the term "T'hy'la: friend, brother, lover" so that fans could choose which interpretations of Kirk and Spock they saw fit? He also embraced K/S fans and hired a number of them to write the earliest Star Trek novels, including the very first official one (The New Voyages Vol. 1 & 2) which included slash fiction as well as Gene's approval/forward in the books.

In case anyone has forgotten, here's a little bit of background on Gene Roddenberry and his perspectives on queerness in Star Trek.

He admitted that in his early life he was very affected by how society and culture treated the LGBT community, and that he too found himself subjugating and judging others for that lifestyle because it was what people did at that time. As he got older and had more life experience, he began working with a number of queer artists in Hollywood -- and through TOS, a number of queer individuals began asking questions about Kirk and Spock.

Instead of vehemently shutting down this perspective, Roddenberry was intrigued, and saw potential to tap into a large audience (LGBT) that most others didn't want to go near or acknowledge publicity-wise. He saw it as an opportunity to expand the fanbase while also pushing yet another envelope.

But with the heat already on the show for what they'd already pushed, he found he was often stuck between what he'd like to do and what production would let him get away with. There are a number of Kirk and Spock scenes in scripts that got cut out for leaning a little too obviously romantic. Tiny trickles of that content still made it in were infamous moments like the backrub scene in Shore Leave. Even the 2009 movie had a K/S moment while Spock Prime and Kelvin Spock talked that was written and filmed that was cut out of the final product.

Queer subtext and coding has always been relentlessly weeded away at with an excuse ready to go for why they always try to cut us out, but we all know it's because they are scared of the homophobic backlash and ratings hits. Look how violently homophobes went after the gay romance episode of The Last of Us **just this year**. This has always been our reality, so for someone like Roddenberry to make efforts in the 70s? That was massive.

But Gene as well as the queer/slash Trek community managed to accomplish some things in the 70s which I'm surprised more folks don't talk about or give much credit.

In the same TMP novel which features "T'hy'la" and the famous footnote, Gene cleverly wrote Kirk with a bisexual/pansexual lens: Kirk describes himself as *preferring* women but being open to "physical love in **any** of its many Earthly, alien, and mixed forms." (Direct quote from Genes book). Basically, Captain Kirk was DTF with whoever if there was a connection, which was a very progressive take for a character in a novel written in 1979, but made sense for the future which would have a lot less hang ups about sex and love compared to our current rather puritan/conservative society.

I also prefer women, but I married a man. Shout out to Gene Roddenberry for giving us a seat at the table back in the 70's when folks *still* try to insist there is no place for K/S or queer concepts in Trek, because he made efforts -- however small -- to employ queer people and show queer perspectives. According to David Gerrold, LGBT+ representation was a big thing that Gene personally pushed for in TNG and wanted various depictions of love/couples in the Risa scenes, to name one example.

In the 70s, fanzines led to meetings and swapped fanmade magazines, which got so big that they needed hotel centers, then convention centers, then one day the TOS cast came to one and what we know as modern fan conventions were born -- inspiring even George Lucas who attended Trek conventions in the 70s and saw how popular Trek was in syndication; it was a great climate to launch his Space Opera. Star Wars then became so huge that we got TMP.

But none of that would have happened without the level of organization, passion, and creativity that those fans poured into Star Trek and their characters after it got cancelled and went into syndication.

Without queer folks we wouldn't have George Takei, Theodore Sturgeon who gave us Tribbles, Bill Theiss and his amazing TOS costumes, Mike Minor's art direction, Merritt Butrick, David Gerrold (writer for TOS, TAS, TNG) to name a few of many queer contributors to Trek that Roddenberry respected and tried to go to bat for wherever he could in a climate that was absolutely impossible to gain an inch in.

At a time during the 70s and 80s when so many people resented and feared the queer community and wanted us to disappear, especially in the 80s during the AIDS epidemic which many homophobes claimed was "God's punishment to the gay community" or "Gods's answer" to our "hedonism", thinking we'd gotten our just desserts and should just disappear . . .

During that time, Gene Roddenberry gave us queer folks a place to say: "You know what? Sure. Write your stories. TV says you guys shouldn't exist, they pull books with queer people off the shelves and burn them. Laws exist specifically to forbid you guys from loving each other, and call you mentally ill. You can't even hold hands in public. But I'm going to validate you guys and invite you to write novels or work for me, try to see what we can get by production, and allow you to see yourselves in my characters if you want to. There's a place for you in our fandom."

He gave us bi/pan Kirk, he gave us K/S is open to interpretation. In Phase 2 Kirk's surviving nephew Peter, son of his brother Sam from Operation: Annihilate!, was going to be written as gay and living on the Enterprise with his partner -- that also got chopped and reworked into a script that wouldn't get used until decades later. That was huge at a time that being queer was officially listed as a mental illness, and villainized due to the AIDS crisis.

So before you try to dismiss or tell K/S + queer Trek fans whether or not they deserve a seat at the table, remember that Gene Roddenberry was among the **first** to pull that seat out for us in a climate that was ruthlessly against LGBT+ folks." -- 1Shirt2ShirtRedShirtDeadShirt

P.S: Have some cute bisexual/pansexual K/S pride gifs. :) Pride month is a hop, skip and a jump away.

LLAP!🖖💚

[bibluebutterfly]

It is truthfully so impressive to watch how we've watched Stolas grow as a seemingly asshole character to a genuine person who truly does want the best for the person we love. (HEADS UP: This is LONG)

Now, and we're only going to lightly touch on this because the Pilot isn't cannon, but it still contributed to the public opinion on Stolas. In other words, he was borderline predatory in a way that made EVERYONE uncomfortable. (It makes sense though since he was innitially supposed to be the villain. Which thank goodness that was changed because we already see enough bisexual predators in media as it is. Yes, I'm headcannoning that Pilot Stolas was bi.)

Then we get official episode 1. Stolas is... not much better. Although to his credit, he's not as bad or as creepish. The unfair power dynamic is very there, and he definitely talks down to Blitz, but at least he waits until Blitz agrees before getting to the pilot level of sexual.

And then we kind of just keep this up until episode 7. Stolas is VERY sexual and VERY horny with Blitz, and you either like it or you don't. It was consensual, nobody forced anything, and even Blitz says that he doesn't fuss about banging Stolas, but that power imbalance is very much there.

Stolas is calling him by pet names like "my little imp" and is baby talking him, which really comes off like his fetish is sleeping with the lower class. Again, you either like Stolas at this point or you don't.

HOWEVER, despite all his baby talk and just generally inappropriate behavior, we are shown very early on that Stolas has a loving side, mainly in the form of his daughter. "You Will Be Okay" was the thing that got most people from hating him to actually liking him. It was the thing that separated him from just being a horny owl.

Then Ozzies. Hooo boy. This is where we finally get to see Stolas apart from Blitz's POV and as it turns out... he's kind of a pathetic dork more than anything else. We see him go very low. Like the man is alone in his big house eating cereal for breakfast in his bathrobe and watching telenovelas. It's hard to go lower than that. More importantly, it's a stark contrast from how we saw him just one episode ago.

Not just that, but when he's asked out on the date he is genuinely so excited and awkward that you just can't help but feel bad for the guy.

And then we have Hells healthiest couple have their dick moment which leads to Stolas covering his face, validating every and anything Blitz had feared, which lead to him calling out Stolas which leads to them both crying at home.

AND THEN WE GET THE THING THAT MAKES EVERYONE EITHER LOVE STOLAS OR THINK THAT HE'S RUINED.... THE CIRCUS.

Yeah, so it turns out the arranged marriage theory was true, and that Stella has been verbally abusive for who knows how long. But the real kicker is how much it explains Stolas's behavior from season 1. As it turns out, Blitz coming on so strong that night resulted in Stolas trying (badly) to copy that energy. And it turns out that when Blitz told him to stop that first night, he still ended up tying Stolas up and banging him. So... understandable. It turns out that Stolas never wanted to be malicious with his intentions, but genuinely thought that the arrangement was something that they both wanted.

But at the same time, he realizes that misunderstanding or no, a part of him did recognize that Blitz wasn't as happy as he was, and that he can't gaslight himself into thinking otherwise anymore.

Now the big thing about season 2 we all need to talk about, is how hard and fast it took Stolas off the regal and powerful pedestal that I think we all subconsciously put him on. Whatever mystery and darkness that surrounded him in season 1 went completely out the window in season 2. But personally I believe that this fits as season 1 was mostly told from Blitz's POV while season 2 takes place in Stolas's when he's there.

Stolas does not see himself as something regal and powerful. Stolas, as it turns out, is a romantic as well as a MASSIVE dork. Like he's disney princess levels of dorkiness. The man even gets his own slapstick moment for crying out loud.

But aside from that, he's highly intelligent and a genuinely good person who will put others before him if he can recognize the benefit.

Also, while we're on the topic, I don't think that Stolas is as powerful as we or Blitz were led to believe. Like yes, he's got immense power to those who have none.

But at the same time, put him next to Asmodeus, and this demon who seemed so strong before is actually tiny in comparison. Especially when noted that Ozzie was still holding back in this scene.

Now we have the "Look My Way" MV. By now, any dark mystery is gone, we know who Stolas is, but what we didn't expect to see was how blatantly Stolas realized his mistakes and took responsibility. This whole season we saw him be sad over his relationship with Blitz, but we never expected him to realize just how badly he messed up.

But he did. And it was glorious. And again, we realize how much he truly cares for Blitz, this isn't just him saying "I care about him" then doing nothing. This is him realizing he cares about Blitz, and wanting to do something to make it right. Even if that means Blitz will never want to see him again.

Anyway. If you made it this far, I'm impressed. As I've said before, I'm proud of the owl boy and how far he's come as a character. Tell me if you think I missed anything.

[maybe-boys-do-love]

Because I've really enjoyed Peaceful Property and contributed to the discourse on here around it, I want to spend some time exploring the thoughtful critiques of the show by @bengiyo, @lurkingshan, @twig-tea, @respectthepetty, @my-rose-tinted-glasses, and @one-of-tankhuns-neurons. I started writing this out but then it got all annoying and academic so imma just list rant with the utmost respect for everyone's thoughts for making me think so much about this show.

1.I wondered about what shows might be examples of class division themes done with an orientation toward the lived experiences of the working class in BL, cuz honestly it's just not super prominent and well-done in much of media anywhere. The Aof series where he takes screenwriting credit seem to be the best representatives: ATOTS and Moonlight Chicken, especially, but he touches on macro and micro economic issues in all his works. Aof's really willing to depict the hardships and compromises required when living with less financial security, and I can def agree that Peaceful Property is not offering that. I just personally feel okay with that, because I see the latter show as doing a more theoretical and symbolic narrative about economics, and overt symbolism seems pretty in-line with the ghost story horror genre its using.

2. To me, I see Peaceful Property's main critique of class issues as being about Marxist alienation. So we've got our first two ghosts being really literal with this, where they have a labor they do and a final product that they don't get to partake in. Builder wants to have a meal in the house he built. Wig maker wants to wear the luxury wig she sewed. Then, with rider, we get a lil more abstract with him wanting him and his delivery to be recognized and build a meaningful relationship with someone. And since then we've been getting more and more abstract about people finding personal meaning and supporting others through their labor. But all of it still connects back to this idea of alienation from their labor, the magician, Chef Hong, and Peach are all prevented from performing the labor that brings them fulfillment by different circumstances.

3. For my reading, the queerness is very much part and parcel of its capitalism critique. Agree with it or not, but man x man loving stories have been used historically to run counter to the competition between men fighting for the top spot encouraged by capitalism. Maurice is a pretty prime example of this, where Maurice, instead of pining upward for Clive, ends up choosing the lower-class Alex and running away to be happy together. Pat and Pran's love in the face of their family's business related feud in Bud Buddy is an even closer example to how I think Peaceful Property is contrasting queer love and capitalistic competition. There's a few signals for me that Peaceful Property plans to explore this a bit more. The Cok Long sign reminds me way too much of the slang of "dick measuring competitions" and I don't think they gave us a character named 'Best,' who has reappeared a couple of times for no reason. With the magician, Pang, and Chef Hong, we also have a repeating motif of lost assistants who made the work meaningful and possible, a socialist emphasis on the value of all workers and the need to connect with others to produce their labors of love, which we see thwarted for the queer story line. The fact that the Thai dancing was two men working together to create the art offers an alternative to a competition between men. And I want to say that I'm just talking about narrative devices here, not the reality of how capitalism works. We're very much in symbolist land, with this take. I'm just a sucker for symbolist land, and it's hard for me to watch horror especially without taking my brain there.

4. And then there's the way queerness alienates one from the accepted 'normal,' which has emerged as a dominant theme in the last few episodes. But if we take this theme and apply it back on previous episodes, we can see traces of it throughout the characters. Home's statements have been the most explicit in illustrating an internalized homophobia with his desire to be part of a 'normal family.' And the tensions with his family about whether he deserved to inherit the properties has queer connotations about queer people's inclusion in their families and the legal and financial repercussions of that (What Did You Eat Yesterday is the top tier of detailed impacts of queer rights in that vein). Peach's social anxieties and depressive behaviors, ostensibly related to his close call with death and ability to see ghosts, parallels queer experiences, too, and we see how it shapes his and his sister's financial predicaments. (Aside: I wonder, regarding some of the complaints about their behavior in the context of poverty, if we might better read the two of them as broke middle class characters. We don't have much context about their childhoods, but their behavior has never really presented as people familiar with getting by on a dime.) Queerness and the threats of financial insecurity have been articulated as interrelated by the series.

5. Home's redemption? We'll know more as things get revealed, but it seems that we're meant to see Home's biggest failing as the negligence that allowed him to hit Peace and his cowardice in not standing up to his family and taking responsibility for the harm he caused. If that is his chief issue, in my view of a restorative process (and thank you so much @respectthepetty for naming this aspect of the show!), the necessary amends are...

facing up to his family (partial check)

admitting his mistakes and seeking forgiveness from Peach (he was in the process of doing so in the latest ep)

addressing the distraction that led to his negligence so that he can attend to Peach and people like Peach so it does not occur again (hmmm...)

That last point is key because we still don't know why it was significant that he was on his busy ignoring the call of girlfriend number 32 or whatever. But I'm suspecting it will connect to Home's internalized homophobia (and @heretherebedork has done some great writing about that subtext). That would give the accident a significance regarding horizontal violence between gay men that the privileged can then run away from while others who can't escape have to suffer the consequences. There's lots of ways queer men can and have done this to one another in everyday life and hook-ups but at the most extreme historically we have the the AIDS crisis, where someone's negligence regarding sexual health inspired by the psychological fear induced by being in the closet could truly be a life-or-death matter with major financial ramifications. For Home to truly own his mistake he is going to have to risk his own financial security in standing up to his family, and he's going to have to stop hiding from himself so he can develop compassion for others in the world. And the last scene in which we see him in the same predicament as Home I saw less as a cop out so Peach and the audience would feel bad for him and forgive him and more as a representation of his ability now to truly understand what Peach has gone through.

6. Do I think this series is going to solve capitalism? This show is about the spiritual dimensions capitalism robs from people, and I think it has real answers about disrupting capitalism through reconnection with our relationships to our work and to other human beings. I'm not religious, but I respect religion's ability to help people find and emphasize a deeper meaning in life, and I think that that doesn't necessarily but can challenge capitalist practices. Peaceful Property is working to show how caring about spiritual well-being breaks up the automaticity of capitalism and has never let go of that thread. To discuss Peaceful Property's takes on class division without speaking about its religious elements seems disingenuous to its greater purpose and a bit disrespectful to the Thai culture the series is so infused with. I'm intrigued about how Kan's plot will play out with the Vimarnsukmun family and it's impact on their finances. What would actually disappoint me and run counter to the show's themes is if the gang somehow inherited the family's wealth or properties other than the ramshackle Cok Long Cocktail Lounge. In Aof's work and in Maurice, the endings involve a disinheritance to represent that life is about connection not financial gain, which contrasts philosophically with the upward fantasies of capitalism. So in ATOTS, Tian moves to the village, in Moonlight Chicken, Jim trades out his diner for a smaller food truck, etc. To find the true meaning of home, Home will need to release himself from his attachment to his inheritance of financial privilege. Of course, being dead might be an option for that lol, but we'll see how the rest of the series plays out.

[makeste]

BnHA Chapter 425: New Normal

Previously on BnHA: Everyone was all “and with that we conclude our final battle for better or worse!! We will now commence our slow return to the new normal, beginning with our protagonist and deuteragonist who are miraculously more or less intact, albeit exhausted and mildly traumatized. Also the words ‘more or less’ are kind of doing a lot of heavy lifting there.”

Today on BnHA: The Big 3 and Aoyama are OUT. Shinsou is IN. The Tododrama is PENDING, and the mysterious figure in the shadows is UNIDENTIFIED. Also class 1-A finally becomes class 2-A and it only took them 425 chapters and TEN LONG YEARS. Can you imagine if this series had actually run throughout their high school experience like people once expected. “THE YEAR IS 2044 AND MY HERO ACADEMIA IS FINALLY WINDING TO A CLOSE.” There’s an alternate universe somewhere where this actually happened and we were all so very, very tired.

This is once again a shorter than usual reaction summary post, as opposed to my typical page-by-page liveblog. Not gonna have time to do those for a while yet most likely, but like hell am I gonna miss out on the last days of the series, so here we are.

Once again basing this off of @pikahlua’s spoiler translation summary here!

watching the eighteen inch tall Rat Principal standing at a podium overseeing this graduation ceremony is surreal in the most wonderful way. it’s like receiving your diploma from a sentient Funko Pop

I love how they established that Mic sitting there screaming at the top of his lungs is also a beloved U.A. graduation tradition, and that the senpais just roll with it while everyone else is in varying stages of trying to decide if it’s too late to transfer to another school

ngl sometimes I forget that Ochako and Toga were actually the second canonical f/f ship in this series. shoutout to Hadou and her adorable girlfriend whose name I absolutely cannot recall

absolutely wild that Horikoshi gives credit to Rat Principal for coordinating the entire disaster recovery nationwide. are you serious. the “world-famous” Principal Nezu?? you’re telling me this little capybara is effectively the secret president of Japan now or something. when does he even sleep

“the principal made great contributions to quirk morality education” is also a VERY interesting tidbit that I really want to know more about. “hey guys what if we did a better job at teaching people not to be dicks with their quirks” AND JUST LIKE THAT JAPAN WAS SAVED huzzah

“we lost many things, but we gained nothing” is both HILARIOUS and soundly depressing, but I can see what he’s trying to get at. still an odd choice for a graduation speech though. “our job is all about harm reduction, and we couldn’t even do that this time around, but in the future we hope to balance things out and maybe even get some net positive impact going!” lmao. again it’s all true, and in all honesty it’s spectacular that they managed as well as they did, all things considered. and I guess it would have been disingenuous to just ignore the reality of everything this particular school body has been through and pretend like everything is great right now. but I still can’t help feeling like there was probably a more inspiring way to get this message across lol

regardless of what he says, Aizawa 100% either bribed or threatened Rat Principal behind the scenes in order to stay with his class. and will do so again next year. he can and will keep getting away with it. he is never leaving these kids

and the sheer relief from all of them upon hearing it is all the justification he needs. these kids have four thousand nine hundred and seventeen accumulated traumas among them. they don’t need a four thousand nine hundred and eighteenth. this man is their father ffs. MINA WAS CRYING AND EVERYTHING

Kacchan watched that YouTube video about a dozen times until he managed to tie his tie all on his own with the one hand. and he did an amazing job. he’s such a model citizen now

also it looks to me like he has his right arm hidden in a sling underneath his shirt, which is interesting. if I’m not mistaken (and I very well could be, since it’s been a hot minute since I did any BnHA timeline math), the final battle took place sometime in early May, so this chapter is taking place roughly one month later. the hospital chapter took place about a week after the battle, so it’s been about 3-4 weeks since then. I really want to know what kind of shape Kacchan’s arm is in, but I guess Horikoshi will get to it when he gets to it

also, “we all gotta be together today” was a real wakeup call to me in that it gave me just an absolutely ridiculous amount of feels. just a totally unreasonable amount. and it’s like. listen, self. Kacchan has completed his character growth arc. he’s a team player and a leader who loves all his friends and they all love him in return. we’ve known this for years now. it’s an established fact. you can’t keep bursting into tears or whatever every time he shows it. this is no way to live your life. I need an intervention

anyways later this evening class 2-A is gonna have a celebratory movie night in the common room, and Kacchan is gonna fall asleep two minutes in peacefully surrounded by all his classmates, and they’re all gonna nudge each other and smile fondly and cover him with a blanket and stay up until 2am and Aizawa will have no mercy on them the following morning. it’s gonna be so wholesome you guys

(ETA: I decided to go back and have some more feels about this one tiny Kacchan panel, because apparently the four paragraphs I already wrote about it weren't enough. so the thing is, Sero's wonderment at Katsuki being out of the hospital initially read to me as half bemused awe, and half "oh boy, time to get back into our usual rhythm of antagonizing Kacchan!" but my second time around, I can't help remembering that all of Kacchan's classmates got to watch this kid getting tortured and strangled and stabbed through the heart in 4K. like, even if they were busy with their own fights at the time, there's no way they didn't see the footage later on afterwards.

and that had to have been traumatic for them. their friend literally died and was just lying there so still for so long afterwards. and him getting better and going back to his usual asskicking self later on doesn't just erase those memories, you know? especially with him having lasting, permanent damage afterward. not just his arm, even! like who even knows if his heart is going to be okay long term. when people get organ transplants they have to go on immunosuppressants afterwards because otherwise their body will try to attack the replacement organ. so I wonder how exactly it works when it's still your heart, but it's being held together by various bits and pieces of a spindly little floss man. idk, but I bet you it's still pretty rough.

anyway so long story short, I'm now reading this as one-third bemused awe, one-third joking antagonism, and one-third genuine "no seriously, is it okay for you to be here, please don't do anything to put your health at risk because we seriously cannot handle you dying on us again." and Kacchan's not even disagreeing with him lol, which has to be the most concerning thing of all. "they said it's okay if I rest." even he knows he's pushing it, but it was too important of an occasion to miss. anyway please take it easy kiddo.)

Aoyama leaving makes me sad but it makes total sense for his character after what he’s been through. he needs time to sort things out and continue down his own personal honor-regaining journey. respect

also glad to hear that it was his own choice and that both Rat Principal and Nao would have supported him if he stayed. I still to this day do not understand Naomasa’s actual level of authority lol. like, he’s supposedly a detective, and yet he seems to be personally in charge of every single important police operation, on like a national level. and he has the authority to make decisions like letting Aoyama go free. he is the law, literally

Aoyama trying to feed Deku some farewell cheese also took me out. like he just walked in there and was all “sorry everyone, I’m leaving, but I’ll still aim for the path of a hero and will one day return, don’t you worry!” and at some point in the midst of this tearful speech he made a beeline directly to Izuku and tried to give him some cheese that he apparently just had in his pocket or something. and Izuku was all “YEAH!” all solemnly but HE DIDN’T EVEN TOUCH THAT POCKET CHEESE. like he loves you and accepts you for who you are Yuuga but COME ON

at this point in the chapter it also became clear to me that Aizawa has his hair up in some sort of loosely assembled messy bun and that’s why it looks so especially flowing and gorgeous today. this is great cinema

and then AT LONG LAST, the admission of Shinsou into class 2-A. they tried everything they could to keep him out, BUT NOT EVEN THE END OF THE WORLD COULD STOP HIM. his rightful place

Ojiro’s scandalized response to hearing Fuwa refer to Aizawa as “Era-sen”, and then Fuwa subsequently revealing all of Aizawa’s secrets and Aizawa getting flustered and kicking her out, was one of the most delightful sequences I’ve read. “nooooo don’t tell them that, what the hell am I gonna threaten them with now”

Izuku has not even attempted to crack a smile since the final battle, aside from when he was frantically trying to reassure Kacchan in the hospital. I’m worried about him but also loving this a little bit, ngl. I am content to wait for you to eventually have a proper breakdown, mister Greatest Hero

also I singled him out on the whole not-smiling thing, but really this is true for just about all of them. my heart aches :(

were there really so many people freaking out over Izuku’s hair that Horikoshi felt compelled to throw in that “HEY DEKU-KUN, YOU SHAVED YOUR HAIR LIKE THAT DUE TO AN INJURY, RIGHT? BUT IT’LL GROW BACK, RIGHT!?” line in there lol. the hilarious thing is that this chapter was already in the books before 424 was released, so it means that Horikoshi anticipated the backlash ahead of time. the man knows his audience

and now for this mysterious little barefoot man randomly emerging from some rubble somewhere. who are you. fandom already thinks you’re everyone from Tenko to Hisashi lol. my personal theory is that he’s just a random citizen who’s hurt and traumatized and needs help. and unlike what happened with baby Tenko once upon a time, this young man actually will be helped by a hero in his moment of need, and it’ll be all hopeful and stuff because SOCIETY IS CHANGING FOR THE BETTER NOW HOORAY

or maybe he really is Tenko, idk. what do I know lol. don’t listen to me

lastly, Shouto out here immediately leaving U.A. after class and ruining my dreams of a class 2-A movie night. FINE THEN. GO AND BE WITH YOUR FAMILY my precious little life preserver. and I’m actually really, really excited to see what their endgame is actually, so yes, Horikoshi, bring it on please and thank you

[missypanther]

Power levels

I took this video, like I could have taken any other. I simply couldn't disagree more with this list.

I'm not too fond of power scales in shonen or in any kind of superhero work or similar, because I feel that they always end up becoming completely subjective balances of who makes them. But, I suppose, Dandadan is no exception.

Chapter 61.

In all the rankings I see Momo MUCH BELOW what I consider to be Momo's real power. Momo has the potential to alter reality. No, she hasn't reached that power currently, but she has the potential. And although I know that many times Momo is put very low just considering her strength and ignoring her strategy and quick reaction, that doesn't happen with Okarun who only beat Evil Eye because he is smarter than him. Okarun to this day has not shown any hidden potential and is still limited to using the turbo special hit 2 or 3 times. Or, at least, it was like that when he still had them. Evil Eye can use his powers unlimitedly even while inside Jiji's body and the same is true for Jiji himself when Evil Eye gives him control of his powers.

Chapter 173.

On the other hand, the fact that characters like Kinta or Vamola are not positioned at practically the same level is insulting. Yes, they are strong and big, but they are completely dependent on technology. Kinta without the nanoskin is directly a teenager with less skills than average and Vamola is something similar but they take away her armor. There are so many ways to beat them without having to get into a fight… Although Kinta can make incredible things, he was defeated not long ago by a well-placed baseball bat. You don't have to try too hard to knock it out of the game.

If we go to the fights that have been adapted in the anime so far. Momo is the one who wins in these fights or, at the very least, the essential piece to make the fight go in her favor. Let me explain:

Episode 1. Momo and Okarun vs Aliens and Turbogranny. Although Okarun tries to do something, he cannot help Momo. She is able to unlock the powers herself, save herself and Okarun, and dispossess Okarun's body even though the curse is still inside. If the turbo had not used the curse to teleport to the ufo, it would have finished off Okarun without him being able to defend himself.

Episode 2.

Momo and Okarun vs Flatwoods Monster. Again, Okarun tries to contribute something, but the thing is that if it hadn't been for the fact that the seal would have burned Okarun's body, Momo would have won the fight with extreme ease. If anything, we can say that he borrowed a little power from Seiko, as the talisman is what makes the fight end. But Momo's strategy is too good not to give her credit for it.

Episode 4.

Momo and Okarun vs Turbogranny, Earthbound Spirit Crab & Spirits. Obviously, without Okarun's powers it is impossible that they would have left the city unscathed, but Momo could have just let it go in the first place as Seiko suggested. The strategy of the entire combat depends on her, in addition to her powers, they are capable of containing the turbo in fusion mode. She wasn't strong enough to beat her, but she was strong enough to stop her until she broke through Seiko's barrier. Yes, Seiko was also important. But at that point in the fight, Momo not only had to endure a very tough fight, but on top of that she had to carry an unconscious okarun.

Episode 6 & 7.

Momo & Okarun vs Acrobatic Silky. Okarun was the first to be devoured. Although in the second part of the fight he was able to intervene something else and even delivered the final blow to the acrobatic, the rest of the fight depended on the strategy and powers of Momo who, on top of that, was tied up.

Episode 8 & 9.

Momo, Okarun & Aira vs Serpos, Mantis & Nessie. The target was always Okarun. Every time the enemies took advantage it was because Momo was not in the fight or because she made mistakes and got distracted. Errors that serpos take advantage of to use fusions. The final strategy is once again Momo's, her powers are those that destroy the arms of the fused version and she is the one who manages to revive Aira when she is knocked out. It is evident that both Aira and Okarun are necessary for them to win. But they don't succeed until Momo is able to focus and coordinate the entire fight.

[lucid-loves]

First Light ~ Simon "Ghost" Riley Part 5

Pairing: bodyguard!Ghost x princess!reader (fem!reader)

Word Count: 4.2k

CW: angst, violence, blood, strong language, scars, verbal abuse by parents, physical abuse by parents, psychological abuse by parents, opposites attract, forbidden love, slow burn, fluff, attraction and sexual tension, reader POV and ghost POV, minors DNI, smut, virgin reader, first kiss

Let me know if I missed any CWs.

Story Synopsis: After receiving death threats from a mysterious terrorist organization, your royal parents make a decision to reach out to the United States for help. Specifically, they want the US to send a bodyguard to protect their precious princess. When the 141 is called upon to investigate, Ghost is the one assigned to protect you. With your lack of experiences outside of your royal life and his experience with nothing but deadly, worldly affairs, opposites attract.

Chapter Synopsis: You are having a blast doing what you want to do for the first time in your life. However, the longer you live with Ghost, the stronger the tension between you gets. One night, curiosity gets the better of you and Ghost can’t help but satiate it for you. 

Part 1 ~ Part 2 ~ Part 3 ~ Part 4 ~ Part 5 ~ Part 6 ~ Part 7 ~ Part 8

Ghost watched you watching your movie with a slight smirk under his mask. While you have already seen him without the mask a couple of times already, he still felt more comfortable with the mask. Especially since he was technically still working. While he has been having fun watching you run around the safehouse enjoying new knowledge, he still had to stay on his toes. Your life was still in danger as far as he knew. 

You were wrapped up in a fluffy blanket on the couch, your eyes trained on the screen that flashed movie scenes that were once banned for you. Since day one, you have been desperate to fit as many banned activities as you possibly could before you would go back, whenever that was. Watching movies was part of those activities along with listening to diverse music, exploring the wonders of the world wide web, and trying new foods that weren’t exactly the healthiest. 

In your hands while you watched the movie was a small journal and pen where you took notes. For you, this was more about enjoying the contraband. This was research. You took notes on the cinematography when it came to shows and movies. You took notes on the melodies and harmonies when it came to music. You took notes on ingredients and flavor when it came to new food. 

Anything and everything was a research opportunity in some way. And Ghost admired that about you. You weren’t too naive despite growing up the way you did. You picked up on things rather quickly, especially when you were in a groove. Now that you were free, you didn’t hold back in demonstrating just how smart and competent you were. He figured that if you weren’t a princess, you’d be a scientist of some sort. 

He suppressed a chuckle as you gasped and jumped from a jumpscare on the screen, the horror movie clearly getting to you. Not that you were silly for being scared. The original Psycho was a fantastic piece of cinematography from the horror genre. The lighting work, the script, the acting, and the camera angles all contributed to creating the creepiest horror movie that has stood the test of time. 

You wrote down your experience in your notebook, excited to add to your research. Just before the credits began to roll, Ghost walked over and sat himself next to you on the couch. The couch dipped under his weight, reminding you of how big a man he is. You scooted over, making sure to give him enough space that he took up. 

When the credits began to roll, you stretched your arms above your head to help out your back. Ghost stared at how your graceful arms raised up high, how your back arched slightly. He noticed how flawless your skin looked. It was no surprise that you had scarless skin. At the same time, though, you looked unbelievably soft to touch. 

Ghost had been thinking about that more often within the past week and a half. It was hard not to think about it as you became comfortable within the space. You wore more casual yet cute clothes, you carried yourself more easily, and you have been more active in maintaining the temporary home. Not to mention that you have been wearing that hair clip he bought you just about every day, exposing the nape of your neck. 

He wanted to snake his arms around your waist, pull you close into his lap, and kiss your bare shoulders. The desire passed as you looked at him suddenly. “Would you like to choose the next movie?”

“Me?” He questioned, surprised by your offer. Ghost hasn’t had much time to see a lot of movies. He’s seen the classics and some modern popular films, but his job didn’t exactly allow him time to really indulge in any binge watching of any kind. 

“I was planning on choosing a romance to directly compare the cinematography differences since I expect the contrast to be quite stark. However, if you would like to watch something else, I don’t mind.” You warmly smiled, happy to have Ghost join you in your movie binge. 

You had been trying your best to give him space since he was still taking his job very seriously. You were also trying to keep your crush on him under control by keeping a healthy distance. Though, you still always craved his attention. You wanted to spend time with him. Get to know him. Now was the time to perhaps learn something new about him.

Ghost held his chin in thought for a moment before grabbing the remote off from the coffee table. It didn’t take him long to find the movie he thought would be best for the both of you. Your small smile turned into a large grin as he started Casablanca.

“Is this your favorite movie?” You inquired curiously.

“It’s the best romance movie in my opinion. Not particularly my all time favorite, but it’s up there and a first choice if I’ll be watching a romance. Besides, it would probably serve as a good film to study alongside Psycho since they’re around the same era of film.” He explained, not realizing how easy it was to talk to you about his personal opinions.

You snuggled back into the couch, getting cozy once again for a new movie. The both of you sat in comfortable silence as the film played, feeling a sense of ease in each other’s presence. As the film progressed, you only became more and more entranced in the wonderful story on screen. 

It was hard not to sympathize and empathize with Ilsa. To swoon with her, smile with her, and cry with her. The acting was impeccable. It almost felt real. Especially when Ilsa asked Rick for a kiss for the final time without him knowing. A sharp pain went through your heart as they closed the distance, your notebook and pen falling into your lap. The bittersweet romance made you think of your own inexperience. 

You haven’t thought of it much before. Yes, you did read a few contraband romance books here and there. However, there were more important things to you besides finding a partner you wanted to spend the rest of your life with. It wasn’t until the event with the Duke that you began to think about it a little more each night. You were a grown woman. A capable, smart, curious, and slightly rebellious woman. Yet, you still haven’t had your first kiss. It was starting to make you feel like you were missing out on something in life.

“Hey, you okay?” Ghost called out to you, noticing how pained and distracted you were. He paused the movie for a moment so he could completely focus on you. 

“Ah, pardon me. I was just thinking about something serious.” You apologized, your cheeks flushing a bit. 

“Do you want to talk about it?” He offered, causing your cheeks to turn even more pink. While you have been feeling more comfortable talking to your bodyguard, it was still a little embarrassing to talk about the romantic things on your mind. It was hard to refuse him though. You knew that he was genuinely concerned about you. 

Curiosity was getting the better of you too. You wanted to know what kissing was like. If Ghost had ever kissed someone before. He probably has given his age and ability to actually see the world. The image of him kissing someone made you a little sick to your stomach too. Oh god, what if he has a girlfriend back home? Or a wife?!

You took a deep breath, trying to calm your silly anxieties. If this were to be truly resolved, then you needed to speak up. Hopefully Ghost won’t judge you too much. “I. . . I was thinking about how I haven’t had my first kiss yet. . .”

He quirked a brow under his mask, not expecting that confession to come out of your mouth. He didn’t even occur to him before that you thought about those kinds of things. “Something like that bothers you?”

Your cheeks began to feel like they were on fire. He didn’t say it in a judgemental tone, but it was still very embarrassing to admit. “It doesn’t so much as bother me, but I do feel like I am missing out on something. Most women my age have already had their first kiss. Probably a lover. Some may already have children. I know that I’ve been locked away for most of my life so it isn’t my fault. Still though, I can’t help but wonder about it.”

“I can understand where you are coming from. Most people get curious about things like that eventually.” He reasoned, hoping that his understanding would make you feel better. It was obvious that you were getting uncomfortable talking about something like this with him. Your shoulders were tense, your cheeks were pink, and you stared down into your lap where your thumbs twiddled. 

“May I ask how your first kiss was?” You pried in a cautious tone.

Now it was Ghost’s shoulders that were tensing up. Besides feeling the instinct of keeping his privacy that he so strongly protects, it also didn’t feel entirely appropriate to talk about his experience with you. You were still a princess by nature. Plus he was still working.

It was hard to say no to you though. 

With a deep sigh, he leaned back into the couch. “I was a teenager. There was a neighbor who’s granddaughter came to visit every once in a while. She kissed me one night when we were hanging out. We fooled around until she left to go to college. Haven’t seen her since.”

You bit the inside of your cheek as you listened to his story. A part of you was glad that he left out the more intimate details. Another part of you wanted to know what his true feelings were within those moments. “Were you heartbroken when she left?”

“Not particularly. I already knew what was going to happen by the end of that summer. We didn’t really kiss out of mutual feelings either. It was more so just. . . curiosity.” He elaborated further, somehow finding it easy to tell you about these things than he expected.

“Have you ever fallen in love then?” You asked before you could think. 

This caused Ghost to tense up again, his heart skipping a beat. He didn’t know why, but the first thing that came to his mind when you asked was your name. Not even a yes or no. Just your name that danced at the tip of his tongue. 

He felt his body grow warm as he swallowed your name down, not ready to acknowledge what it probably meant. “I had a girlfriend several years back. Hard to maintain a relationship with my job.”

“I see. My apologies.” You lowered your head, somehow feeling like it was your fault that your bodyguard can’t settle down with someone. Like you were keeping him away from a lover that didn’t exist. 

He noticed how depressed you seemed about his answer. He didn’t mean to make you feel bad. “It’s just part of the job. And I won’t say that I was completely innocent in the breakup.”

You hugged your knees to your chest, unsure how to respond to his confession for a moment. You never really asked about his work before. All you really knew was that he was in the military and was one of the best at his job. Now that you thought about it, though, he probably had to move around a lot. He had to travel all the way to your country after all. 

“Did you want to experience your first kiss?” Ghost asked, switching the attention back onto you. The question made your heart feel like it was tripping over itself with how fast it pounded. At the tip of your own tongue, you wanted to admit that you wanted to experience your first kiss with him.

“Um. . .” You hesitated, feeling the butterflies in your stomach turn into a hurricane. It felt like your brain was malfunctioning. Still, Ghost waited patiently for your answer. Silently. 

He didn’t mind waiting. It just meant that he got to see just how flustered you were. While he did feel partially guilty for being the reason why you were embarrassed, he also secretly enjoyed it. It was too much of a treat to see just how pink your cheeks could get. It made him want to tease you. 

Finally, you raised a hand up to your face to try to cover your blush. You were just getting way ahead of yourself. “It’s not nice to tease a princess, you know?”

He wasn’t expecting you to say something so cute and cool at the same time. 

At that moment, Ghost wanted to pounce. Hover his weight above your body and give you a kiss you would never forget. Nibble on your kissable lips while you shivered underneath him. Or he could pull you into his lap and slide his tongue into your pretty mouth. Slide his hands along your waist as he tasted you. You probably tasted devine. Sweet.

He had to bite his tongue hard in order to get his mind out of the gutter. After that, however, he couldn’t help but chuckle. You were so much more full of surprises than he realized. 

Your eyes widened as he laughed. What could be so funny? Was what you said really that comical? Thankfully, your bodyguard was willing to explain. “Sorry, Princess. I don’t mean to laugh at you. What you said was just cool. I didn’t expect it.”

The attention went back to you, Ghost clearly not willing to let this go just yet. It was a little strange. You have never seen your bodyguard so playful before. Relaxed. It made your insides feel like they were melting. While you couldn’t see it with the mask, you knew he was smiling. At the very least, you could tell he was through his eyes. “Anyway, do you?”

You almost forgot what you were talking about until he brought it up again. It seemed that you weren’t going to escape this. “Well. . . yes. However, I don’t think it’s going to happen anytime soon.”

“What about with me?” Ghost slipped up. He gauged your reaction swiftly, trying to figure out if you heard him or not. If you didn’t he could save face.

You did hear him though. Loud and clear. It wasn’t like there were many distractions that would cause you to miss what he said. The movie was on pause. There was no sound but the conversation at hand. 

This was dangerous territory. Saying no would result in losing your chance to not only experience your first kiss, but also miss a kiss with your crush. If you said yes, then the professional boundary of princess and bodyguard would be broken. That could lead into a whole whirlwind of issues if things were to progress. Or if the kiss was found out.

No, you could keep a secret. You have been keeping secrets for years. There were even some secrets that Ghost didn’t know about yet. You were sure that with his occupation and general character, the lieutenant could keep a secret to his grave. 

Could you excuse the kiss for research purposes? Accepting a kiss would satiate your curiosity on the subject. For now at least. Besides, the safest way to explore this was probably with the man that has been keeping you safe. He wouldn’t do anything you weren’t comfortable with or even sure of. 

This was your chance. You couldn’t miss it. “If you wouldn’t mind, then yes. . .”

It took everything out of Ghost to not pull you in right then and there. He didn’t even think you would say yes. However, he had to be sure. You had to be sure. “You positive? There’s no taking it back once it’s done.”

You seriously considered it again for a second before nodding, not much more confident and sure of yourself on this. “Yes. Only if you are willing.”

Oh, he was willing. He craved it. Slowly, he took off his mask, allowing you to see the face you didn’t even realize you missed. Your heart picked up speed. Everything seemed to happen in slow motion as a surreal feeling took over. Was this really happening? Your first kiss? With your bodyguard?

As much as you wanted to just keep admiring his handsome face, you closed your eyes, waiting for him to make the first move. You felt the cushions on the couch shift as he moved to a more comfortable position. You felt his body heat become more noticeable as he got closer. 

You flinched slightly as his hand cupped your cheek, the feeling of his skin on yours sending fireworks through you. Ghost was feeling the magnetic pull too. Just as he thought, your skin was silky smooth. Your lashes were delicately long and your lips begged to be kissed already. He felt his own heart thud loudly within his chest as he got closer and closer.

He let his lips lightly brush against yours, not wanting to startle you too much. At first contact, your heart soared. Naturally, you leaned forward to really close the distance, feeling your bodyguard’s lips perfectly fitting against yours. 

Soft, sweet, thrilling. You wanted more. You really wanted more. Ghost felt the same way as he got lost in the way your lips felt. So perfect. So flawless. Without thinking, he deepened the kiss, pressing his lips firmer against yours. 

A subtle moan came from your throat, pleasure spreading across your body. Your lips moved in sync with his, despite this kiss being your first. It was amazing how warm you felt, how sparks flew. It was exactly what your romance novels described. It made you want to try the other intimacies you’ve read too. 

As much as Ghost wanted to keep kissing you, he had to pull back. He was getting too lost at the moment. Any more and he could completely lose control. This was meant to give you new knowledge. A favor. He couldn’t enjoy it as much as he was. 

The absence was devastating though. As soon as his lips left yours, you felt a terrible pain in your heart. It broke your heart that this could be your first and last kiss with him. Your bodyguard felt that strain too deep within his soul. 

He cleared his throat before speaking, trying to relieve the romantic tension that still lingered in the air. “Well, was it what you were expecting? Gonna write it down for your notes?”

You scooted back, creating distance between the two of you. It felt like he was an ocean away. “It was pleasant. I see why people like doing it. I may write about this a little later.”

An awkward silence fell as the both of you tried to ignore the magnetic pull. Ghost scolded himself for getting too close. He really shouldn’t have even entertained the idea of kissing you, but he couldn’t help it. His attraction to the beautiful princess next to him was consuming his mind, body, and soul. The kiss only heightened it.

You reached forward towards the remote and put the movie back on, hoping that this would distract the both of you from your intense attraction.

It helped somewhat as the movie audio filled the silence. However, while your eyes were trained on the screen, your mind was as chaotic as a hurricane. You loved kissing Ghost. You craved it now just like how you have been constantly craving his attention. 

This didn’t feel like this was just a crush on your bodyguard anymore.

Bittersweet, romantic music swelled as Ilsa and Rick said their final goodbyes and finally reached closure with each other. Ghost turned towards you once again, watching your reaction to the end. As he waited, he couldn’t help but gaze upon your lips. 

You felt his eyes on you, something that you were getting better at detecting. Turning your head to meet his gaze, you realized that he seemed closer than before. Did he move closer without you realizing it? Or did you?

Credits began to roll, the sweet music still filling the quiet. Before he could stop himself, Ghost had cupped your cheek, his thumb gently rubbing your skin. God, you were gorgeous. A princess from another world. Away from his world. Just looking into your sparkling eyes helped him escape the traumas in his life. 

On his own, he saw blood, guns, death everywhere. With you, he saw life blossoming from the ashes of the world. 

His lips crashed into yours, no longer caring if this was crossing the line. For now, he wanted that temporary escape. That fantasy of being with you. Of you being his.

You closed your eyes as he kissed you greedily, your arms looping around his neck. Your heart threatened to break out of your chest as he kissed you how he wanted. A real kiss. His kiss. You could feel every cell in your body melt under his touch. 

His hands moved down to your waist where he lifted you into his lap. Straddling him gave you an exciting rush of pleasure that traveled all the way down to the tips of your toes. Strong, large hands felt you up, sending shivers down your spine.

He nibbled your lower lip for a moment, making you moan not so subtly this time. Taking advantage of the situation, he slipped his tongue into your mouth. The pace wasn’t as greedy as he tasted you further. He slowed down to not startle you. But god damn did he want to take all of you. He wanted to take all of your firsts. This was shown with just how deeply he kissed you.

Your grip around his neck tightened as your tongue slid against his. Your chest pressing against his didn’t help the now sexual tension growing. His body felt amazing. Strong, defined muscles with the perfect touch of softness. True strength and power that has protected you. 

You could feel your sex tingle with need.

Ghost pulled back to give you a moment to breathe. He also was feeling himself responding to the sexual tension. It took everything in him not to start grinding into you. The side effect of holding back was gripping your hips tightly to hold you close. 

Feeling weak and out of breath, you leaned against him further, your head pressing against his shoulder. As the both of you began to calm down, his grip loosened. His hands now traveled around your back and waist, hugging you to provide more comfort.

Once your breath became steadier, he placed a kiss against the side of your head. He could tell that you were tired now. He did just take a lot of energy from you. “Why don’t you go take a nap in your room. I’ll be getting some work done.”

Your brows furrowed out of his vision. It hurt that he was sending you away so quickly. But, you did need a moment to think. Regain some energy too. With that realization, you then realized that Ghost was just being courteous to you. 

Slowly, you got off of his lap and headed to your room, fighting the urge to turn around. At the same time, Ghost fought the urge to pull you against him again. As soon as he heard the closing click of your door, he gave a loud sigh. He was really in it now.

You laid yourself down onto your bed, the phantom touch of Ghost still lingering. It felt like his arms were still wrapped around you. Like his lips were brushing against yours. You rubbed your thighs together unconsciously as you recalled everything about your sudden makeout with your bodyguard.

It didn’t take long for you to bury your face into the pillow, muffling your moans as you touched your slick pussy to the thought of him.

Before you were a princess, you were a woman after all. 

[intrepid-fictioneer-7]

How to read the Lord El-Melloi II Case Files Light Novels

I was recently reminded that there is a lot of people who simply don’t know that they can read the Case Files light novels, and that there are people who do know but have no idea where to find them. This is especially a problem when these people have only watched the anime and want to know where they can find more of the story. Since it kind of requires you to go through some hoops (not a whole lot but still), I decided to take a page out of @humbertozero​‘s excellent Fate/strange Fake resource post and make one for my other favorite Type-Moon Fate spinoff, the dossiers of El-Melon.

Read the First Volume: Lord El-Melloi II Case Files Vol.1 (PDF) (EPUB)

Read the Second Volume: Lord El-Melloi II Case Files Vol.2 (PDF) (EPUB)

Read the Third Volume: Lord El-Melloi II Case Files Vol.3 (PDF) (EPUB)

Read the Fourth Volume: Lord El-Melloi II Case Files Vol.4 (PDF) (EPUB1) (EPUB2)

Read the Fifth Volume: Lord El-Melloi II Case Files Vol.5 (PDF) (EPUB)

Read the Sixth Volume: Lord El-Melloi II Case Files Vol.6 (PDF) (EPUB)

Read the Seventh Volume: Lord El-Melloi II Case Files Vol.7 (PDF) (EPUB)

Read the Eighth Volume: Lord El-Melloi II Case Files Vol.8 (PDF) (EPUB)

Read the Ninth Volume: Lord El-Melloi II Case Files Vol.9 (PDF) (EPUB)

Read the Tenth Volume: Lord El-Melloi II Case Files Vol.10 (PDF) (EPUB)

Important note!

It should be noted first that I am just the compiler here. I am neither the translator nor am I the files’ creator. So all credits go to...

Credits

Credits and thanks to TwilightsCall on the Beast Lair forums (from which the majority of the other creditors originally posted their contributions) for translating the first 4 volumes and some of volume 5, thus getting the ball rolling. Further thanks to azwhoisverybored for translating the rest of the series from volume 6 onwards, and thanks to Kneenaw for starting the translation for the rest of volume 5. Thanks to Dotelias for making EPUBs for volumes 1-3, thanks to  cereal_ for making EPUBs of volume 4, thanks to u/confusedkuratowski on Reddit for making EPUB of volume 6, and thanks to ProtoformX for making PDFs and EPUBs for volumes 5 to 10 as well as for Adventures volume 1 and 2!

And big thanks to Makoto Sanda for writing Case Files in the first place!

Further explanations

Anime

The anime adaptation of Case Files, with the mouthful of a title that is Lord El-Melloi II's Case Files: Rail Zeppelin Grace Note, is particular to use as an entry-point in the series, because it only partially adapts the series. See, the author, Makoto Sanda, said in interview that the two first arcs/cases in the series didn’t quite work as scripts for anime episodes, so the anime only adapted the third case/arc, Rail Zeppelin, which is more action oriented than the more mystery focused first arcs. But because they still needed to explain stuff like Gray, Reines, El-Melloi’s students, etc., many of whom are relevant characters to the arc, the first half/six episodes of the anime is about introducing them.

So to the question “where do I start reading after the anime?”, the answer is unironically to restart at volume 1. And then you may skip volumes 4-5 since they are the Rail Zeppelin arc and there are not much differences besides some characters not being present during that arc. This is why I think you can watch the anime first if that’s more your speed (I have my problems and criticisms of the anime but that’s irrelevant to this post).

And you can’t start with the anime and start reading with volume 6, the first 3 volumes have characters and plot points that come back for the final arc, so you’re gonna be incredibly lost if you think to consume the series this way.

Weirdly enough, despite being original episodes, the anime originals are most likely canon in some ways. Episode 0, the original OVA, is an expansion of an anecdote Gray mentions in the first volume’s prologue, and Episode 1 takes place during Waver’s travels before the story starts and is an actual story, one of the 3 incidents Sanda has in mind for Waver’s journey before he returned to London. Episodes 2 to 6 take place during the one month period between volume 3 and volume 4, and finally the special OVA take place on Christmas also in between arcs.

Manga

The manga’s translation used to be on hiatus for a long time, but it has fortunately been picked up by the team doing the UBW and HF mangas. As of the time of writing (14/10/24), it has been translated up to the Rail Zeppelin arc, meaning if LNs aren’t your thing, you can experience the first two arcs that weren’t adapted in the anime in manga form. It has really gorgeous art so definitely check it out.

The Adventures of El-Melloi II

The sequel series currently ongoing, started a year after the first Case Files ended in 2019. You might know it as “the (other) series where Rin shows up grown up and also a pirate” and, as of recent volumes, “that one series where Shirou comes back spending the entire time half-naked”. @call-me-noa has been compiling pretty thorough chapter-by-chapter summaries of the volumes by @kaibutsushidousha if you don’t mind being spoiled. Or you can be patient and wait for azwhoisverybored to finish translating them on Beast Lair in this thread.

At the time of writing (14/10/24), the first and second volume of Adventures have been completed and compiled into PDF and EPUB forms:

First Volume: The Man Who Devoured God (PDF)(EPUB)

Second Volume: The Demon of the Wandering Sea I (PDF)(EPUB)

Lord El-Melloi II Case Files material

This is absolutely not required reading in any shape or form, those lore books are usually of interest only to dumb nerds like me lol. A timeline of the Clock Tower? An explanation of its politics? Yes please. But it also has insights into the characters by the author that aren’t in the books proper, as well as behind-the-scenes explanations for some decisions (for example, why it’s Gray with the American spelling instead of Grey with the British spelling). Only the glossary/encyclopedia is translated, but give it a look...after you read the series, because it assumes you did and has some big spoilers.

Drama CD

What’s that? You heard something about a Buzzfeed quizz about the most handsome Clock Tower teachers and how it’s somehow a plot point? Look no further than one of my only posts that did numbers. Read the summary, it’s hilarious.

[kaitsawamura]

🪞 🔮 🍅 🧺 🍯 🌱 The Farmer & The Wizard

❦ SUMMARY ❦

You need a change, a big one. When your estranged grandfather passes away and bequeaths you his farm in a little town just south of the middle of nowhere, you take it as the sign you needed to make a change instead of waiting for one.

The farm, while having fallen into a state of disrepair, is just the thing to cure your modern-world ailments. The people are kind and always ready to offer help, if a bit unusual. They have old superstitions, a haunted community center, and a resident wizard. Spoiler alert: those last two on the list take some getting used to.

Yes, things are different here but you have a sneaking suspicion that the slow pace and a certain alchemical practitioner are going to remind you that sometimes, all you need is time and a little bit of magic.

THIS SCROLL WAS LAST UPDATED: 6/1/24

❦ STATS ❦

Pairing: Wizard!Gojo Satoru x Farmer!Reader

Rating: M for Mature, 18+ only minors do not interact

Warnings: Fantasy/Stardew Valley violence, sexual content, angst (maybe like just a tiny lil bit)

Tags: Stardew Valley AU, strangers to friends to lovers, red thread of fate, soulmates (kinda) eventual smut, fluff focused, canon divergent, more tags to come (literally am too excited, I need to get this masterlist post out in the world lol)

Projected Word Count: 100K

Author’s Note: In unsurprising news, I have still been in the trenches with my Stardew Valley hyperfixation. Then, along comes this lovely PC Gojo mod and the fate of this fic was sealed. It's going to be inspired a touch by that mod (which I will link below, full credit to that amazing modder) and will heavily follow a standard Stardew Valley play through timeline. I'm a lil nervous to write Gojo since he doesn't fall neatly into the character type I normally am drawn to but I have WRITING HANDS (like jazz hands but for writers :P ) and so I'm adding another fic to my WIPs list.

Important Note: This fic is part of this blog's contribution to the @ficsforgaza initiative!

❦ LINKS ❦

Fics for Gaza Masterlist <- now linked! ->

GOJO MOD FOR PC'ERS

JJK Masterlist

Main Masterlist

Playlist

Moodboard

❦ TABLE OF CONTENTS ❦

SPRING

Part 1: In Which You Unexpectedly Receive The Deed to A Farm

Part 2 | In Progress | TBL

SUMMER

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AUTUMN

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WINTER

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This work and its digital elements (credit for pixel art to ConcernedApe) are © Kait of @kaitsawamura 2020-PRESENT. I do not own any rights to Stardew Valley and any subsequent settings/characters, but this work is heavily inspired by that amazing game. Please do not alter or copy this work. Please do not repost this work to other platforms without my express permission.

[thelovehypothesis]

Part 2.1 : Between the Pit Walls and the Heartbreak - 1 | 43

part 1

ex!Franco Colapinto x fem-engineer!reader x Max Verstappen

+3k words

a/n’s: again full credit to @afterglowsainz go read their fic “don't smile” its amazing, and this is the long awaited part 2 on my take of their fic! BUT here is and alternate ending... Part 2.2

warnings: angst-fluff (debatable happy ending)

Summary: Two three hearts, one racetrack, and a love that no team can control. When love collides with ambition, can they find a way back to each or to another?

Racing Ahead (qatar grand prix 2025) 

It had been nearly a year since you walked away from Franco, since you’d chosen your career and dreams over the love you once thought would last forever. Life had changed in ways you could never have imagined. The moment you accepted the position at Red Bull, everything shifted. The high-intensity world of being Max Verstappen’s race engineer consumed you, leaving little room for reflection, which was how you preferred it.

You were good at your job—great, even. From the very first race weekend with Max, you felt the rush of adrenaline, the electric tension of every decision you made behind the mic, and the weight of contributing to a world championship. It was thrilling, everything you’d ever worked for, and yet, there were quiet moments when your mind drifted back to what you had left behind.

But you didn’t have time for what-ifs. You stood in the garage, headphones around your neck, watching the pit crew scramble as they prepared the car for qualifying. Max was a machine—focused, relentless—and the two of you had developed an easy rapport. He trusted you with critical decisions, and you trusted him to deliver on the track. It was a partnership built on mutual respect and shared ambition.

As you stood there, watching the screens, you felt a familiar tug of emotion—memories of race weekends with Franco, late-night strategy talks, and the way he used to smile when he nailed a lap. But you pushed those thoughts away. That chapter of your life was over.

“Y/N, we’re ready,” Max’s voice crackled through your headset, pulling you back to the present.

“Copy that,” you replied, all business again. “Let’s nail this one, Max.”

The next few minutes were a blur of data, radio calls, and fast decisions. Max was flying, setting the fastest times in each sector. By the time the session ended, he had secured pole position, and the garage erupted in cheers. You smiled, proud of the work you’d done and of what the team had achieved together. This was where you belonged now—at the heart of the action, right on the edge of greatness.

But as the celebration in the garage began to die down, you caught sight of a familiar figure across the paddock—Franco. He was there, leaning against the railing, watching you. His eyes met yours, and for a brief moment, everything around you seemed to blur, the noise of the team fading into the background.

He looked different—older, somehow, more serious. But that same magnetic energy was still there, the pull between you undeniable, even from a distance.

Franco was back in the paddock as a reset driver for Williams and Mercedes in the 2025 season. It was bittersweet seeing him there, a constant reminder of the past and what you had left behind. His presence felt heavy, especially to him when he noticed the subtle moments between you and Max. The way Max’s eyes would linger on you during quick debriefs or the soft smirk on his lips after a race made it clear he was interested. Franco noticed everything, and it was as if the air between you and him thickened each time you were near.

You quickly looked away, your heart pounding in your chest. It had been so long since you’d seen him. You didn’t know what to feel—anger, sadness, or relief. You had moved on—or at least, you convinced yourself you had. But seeing him here, now, was like reopening a wound that hadn’t fully healed.

Later, after the garage had emptied out and the team had retreated to prepare for the race, you found yourself wandering the paddock, lost in thought. You didn’t expect to bump into Franco, but as fate would have it, there he was, standing by the entrance to the hospitality suite, waiting for you.

“Y/N,” he called out, his voice soft but urgent.

You froze, torn between walking away and confronting the emotions you had buried. Slowly, you turned to face him.

“Franco,” you said, your voice steady though your heart was racing.

He stepped closer, his expression unreadable. “I wasn’t expecting to see you here.”

You raised an eyebrow, trying to maintain your composure. “I work here now. This is my job.”

“I know,” he said quietly. “I’ve been following you this season. You’re doing incredible things.”

There was a brief silence, filled with all the words you both wanted to say but couldn’t. Finally, Franco spoke again, his voice laced with regret. “I’ve thought about you a lot. About us.”

You swallowed hard, keeping your emotions in check. “Franco, that part of my life is over. I made my choice.”

“I know you did,” he said, his voice strained. “But it doesn’t change how I feel about you. It never has.”

You shook your head, the familiar ache returning to your chest. “Franco, you can’t just say things like that. You can’t—”

“I still love you,” he interrupted, his eyes burning with intensity. “I never stopped.”

His words hit you like a punch to the gut, and for a moment, you were speechless. You spent months trying to move on, trying to forget him, but hearing him say those words stirred up feelings you thought you’d buried.

“I know I hurt you,” he continued, stepping closer. “And I know it’s too late to fix things. But I had to tell you. I had to try.”

You stared at him, torn between the past and the present. Part of you wanted to run back to him, to fall into his arms and forget everything that had happened. But the stronger part of you knew that things could never go back to the way they were.

“I can’t, Franco,” you whispered, your voice breaking. “I’ve built something here.”

His face fell, and he nodded, as if he had expected that answer. “I understand. I just… I had to see you. To tell you how I feel.”

You nodded, tears stinging your eyes, but you refused to let them fall. “I’m glad you told me. But we’re on different paths now.”

He took a step back, his hands clenched at his sides, and for a moment, you thought he might try to say more. But instead, he just nodded again, resigned. “Take care, Y/N.”

You watched as he turned and walked away, your heart heavy but resolute. You had made your choice, and there was no turning back now.

As you stood there, alone in the paddock, the sounds of the race weekend buzzing around you, you took a deep breath. The pain was still there, but so was the certainty. You had chosen yourself and your future. In this moment, that was enough.

Turning back toward the Red Bull hospitality, you squared your shoulders, ready to face whatever came next. You were here for a reason, and no matter what ghosts from the past lingered, you knew you were exactly where you were meant to be.

The next day after the race, as if pulled by some invisible force, you found yourself near the Williams hospitality and crossed paths with Franco again. His eyes held a certain determination, as if something had been left unsaid. You didn’t plan on stopping, but you did.

“I just need to tell you one last thing,” he said. His voice was soft but strained, like he’d been carrying the weight of these words for too long.

You hesitated, unsure, but standing there, looking at him, you knew you wanted to hear what he wanted to say. You exhaled, already knowing this wasn’t going to be easy.

There was a pause, a moment of silence where the two of you just stood there, the air thick with everything unsaid. Finally, he broke it.

“I see the way Max looks at you,” he began, his gaze flickering to the ground for a moment before meeting yours. There was an edge to his words, the mention of Max hanging between you like a challenge. You met his gaze, unflinching.

“It's..It’s obvious. And I don’t think it’s fair. You won’t give me another chance, but… you’re giving him one?” 

The accusation hung in the air between you, but it wasn’t anger or bitterness that hit you—it was sadness, the echo of what you both once had.

You shook your head slowly, the corners of your lips lifting in a bittersweet smile. “Max trusts me, Franco. You didn’t.” There was another big pause between you two. 

His expression faltered, the words sinking into the space between you. It wasn’t just a statement—it was the truth of why things had fallen apart.

“You know…I’ve moved on,” you said, though the words felt heavy in your chest. “You should too.”

Franco’s jaw tightened, and for a moment, you saw a flash of something—regret, jealousy, maybe both. He took a breath, stepping closer.

He looked at you as if the wind had been knocked out of him. “So it is because of Max?” he asked, his voice tight. “He’s the reason you’re saying this?”

You shook your head, exasperated. “This isn’t about Max. It’s about me. I’ve found my place here, Franco. I’ve built something on my own. I’m happy.”

Franco stepped forward, close enough that you could see the pain in his eyes. “Do you really mean that?”

You hesitated, and for a moment, you felt the urge to reach out to him, to pull him close and tell him that everything would be okay. But you didn’t. Instead, you took a deep breath and stood your ground.

“Yes, I do.”

He stared at you for a long time, his expression shifting from hurt to acceptance. Finally, he nodded, stepping back. “I guess I always knew I’d lost you the moment I walked away.”

There was a pause, and then, almost in a whisper, he added, “I’m sorry, Y/N. For everything.”

You felt the tightness in your chest ease, the weight of the past lifting, even if just a little. “I know,” you replied softly. “But we can’t go back.”

Franco gave you one last look, a look that said everything he couldn’t put into words. You leaned in and kissed his cheek, a gentle goodbye to the memories you shared, and turned to leave.

As you walked out of the paddock, the sense of closure settled over you. It was done. The past no longer had a hold on you. You had said your goodbyes, finally and fully.

Max was waiting outside, leaning casually against his car. When he saw you, he opened the door and gestured for you to get in without saying a word. The moment you sat down, he reached over and took your hand, his thumb brushing gently over your skin.

“Everything okay?” he asked, his voice calm, yet filled with concern.

You nodded, squeezing his hand in return. “Yeah. Everything’s fine now.” And for the first time in a long time, you truly believed it. The weight of the past no longer held you down. You were moving forward, and whatever the future held—whether it was with Max, racing, or something else entirely—you knew you were ready for it.

The ride back to the hotel was quiet, but Max never let go of your hand. He didn’t need to say anything more—his presence was enough. You leaned back in the seat, feeling a sense of peace wash over you for the first time in what felt like forever.

You knew things were going to change. But for now, you allowed yourself to just be in this moment, feeling safe and understood beside him.

The new, the better (abu dhabi grand prix)

The Grand Prix was electric, charged with tension, adrenaline, and the weight of the championship. Max was on the verge of winning his fifth world title, and every single decision you made felt like it could either make or break his season. The entire paddock was watching. The stakes had never been higher (for you(maybe), cause well the 2021 season happened).

As the race unfolded, your nerves buzzed with anticipation. Max had been flawless, pushing the car to its limits, but on the final lap, a risky opportunity presented itself—one that could either win the championship or lose it. You had seconds to decide. Your heart pounded as you called it.

"Box Box, Max. Trust me on this."

There was a brief pause on the radio, but Max’s voice came through steady and confident. “Copy. I trust you.”

And that was it. He trusted you, completely. He always had.

As Max took the gamble and crossed the finish line first, securing his fifth world championship, the entire Red Bull team erupted into cheers. The pit wall exploded in celebration, and you stood there, momentarily frozen, barely able to believe what had just happened. Max had done it. You had done it. Together.

Before you could even process the victory, Max pulled his car into the pit lane, the roar of the crowd filling the air. As he climbed out, he ripped off his helmet and, without a second thought, sprinted toward you. Your breath caught in your throat as he reached you.

His eyes, wild with excitement and joy, locked onto yours, and before you could say anything, Max was pulling you into his arms, kissing you deeply. The world around you fell away—there was no paddock, no crowd, no cameras—just the warmth of his lips on yours, the passion in his embrace, and the weight of the moment between you.

For a split second, time froze. Everything you’d been holding back, all the tension, the unspoken feelings, rushed to the surface. Max kissed you like he’d been waiting forever for this moment, and the way he held you, like you were the only person in the world, left you breathless.

When he finally pulled back, you were both panting, stunned by the intensity of it all. Max’s hand lingered on your waist, his forehead resting against yours as the crowd roared in the background. He grinned, his face flushed from the race and the kiss, and whispered, “I’ve wanted to do that for a long time.”

You could barely process it, but before you could respond, your eyes drifted to the side where Franco stood, watching the entire scene unfold. His face was a storm of emotions—jealousy, anger, heartbreak all at once. He looked away, and for a moment, the past tugged at you. But it wasn’t enough to hold you back anymore.

Later, after the race, you found yourself alone with Max in the team’s motorhome, away from the cameras, the chaos, and the noise. The atmosphere was thick with the unspoken. You sat across from him, the adrenaline still coursing through your veins, but there was also a newfound calm between you two—a sense of inevitability.

“You really didn’t have to kiss me like that,” you teased, trying to lighten the mood. But your voice trembled slightly, betraying just how much the moment had affected you.

Max leaned back, his blue eyes sparkling with mischief and something deeper. “I didn’t have to, but I wanted to. I figured it was the right time.”

You blushed, your heart fluttering as his words sank in. You’d always known Max was bold, but this… this was different. “So… what now? Red Bull doesn’t exactly encourage relationships between team members.”

He smiled, a slow, confident grin that made your heart skip a beat. “Actually, they don’t mind, as long as we don’t let it affect our work. And we work pretty well together, don’t we?”

You met his gaze, feeling a warmth spread through you that had nothing to do with the victory. It was more than that. It was the trust, the bond that had been quietly building between you two for months. “You really think this can work?”

Max leaned forward, his eyes soft but sure. “I think we should give it a shot. See where it goes. No pressure, just you and me.”

You took a deep breath, the weight of the past year lifting slightly from your shoulders. For the first time in a long time, you felt like you had control over your life, over what you wanted. And maybe, just maybe, this was something you were ready to explore.

“Okay,” you said softly, your heart racing with a mix of excitement and nerves. “Let’s see where it goes.”

Winter break and the next season all became a delicate dance between work and something more. Max was still the fierce, competitive driver you admired, but there was a softness to him now, especially when it came to you. At work, you were still the same duo—focused, driven, unstoppable—but away from the track, things were different. The playful banter that had once been strictly professional became more personal. You found yourself opening up to Max in ways you hadn’t with anyone else in a long time, and the connection between you two deepened with each passing day.

Franco remained a constant presence in the paddock as he got a seat for the 2026 season, a reminder of the past you’d left behind. There were moments when his gaze lingered on you and Max, moments when you could see the regret in his eyes. But that chapter of your life had closed, and it was time for something new.

Max didn’t push you for more, but he made it clear he was all in. He was patient, understanding, and above all, he trusted you. It was that trust, more than anything, that made you realise how different this was. Max believed in you, in the decisions you made, both on and off the track. He never questioned you, never made you doubt yourself. And in return, you found yourself falling for him, slowly but surely.

One evening, after a particularly gruelling race weekend, you and Max were sitting in his hotel room, the city lights of whatever country you were in glowing softly through the windows. Max had his arm wrapped around you, and you were leaning into him, both of you exhausted but content.

“You know,” he murmured, his voice low and warm, “I don’t think I’ve ever been happier.”

You looked up at him, surprised by the quiet vulnerability in his voice. “Really? Even after winning five world championships?”

He smiled down at you, his eyes softening. “Yeah, even after that. This—being with you—it feels right.”

Your heart swelled at his words, and you realised in that moment that you felt the same way. It wasn’t just about the thrill of the races or the adrenaline of being part of something bigger than yourself. It was about Max, about the way he made you feel grounded and safe in a world that was constantly in motion.

For the first time in a long time, you were happy. Truly, deeply happy.

And as the season went on, that happiness grew. You and Max navigated the challenges of working together in such a high-stakes environment, but you also grew closer in ways you never imagined. There were quiet moments, stolen glances, and late-night conversations that made you realise how much Max meant to you.

The rest of the paddock eventually got used to the idea of you and Max as a couple, and while there were still whispers and raised eyebrows, it didn’t matter. What mattered was that you had found something real, something worth holding onto.

By the end of the season, you were no longer just Max’s race engineer—you were his partner, in every sense of the word. And as you looked toward the future, you knew that whatever came next, you and Max would face it together, stronger than ever

---The end---

I'am really happy with the outcome! hope you are too.

Once again my request are open for all your request!

-lots of love, Em.