#1 signature (me)

[hinamie]

quick megumi style study

[poorly-drawn-mdzs]

Siffrin plays Disco Elysium AU: Featuring backseat gamer Loop.

[humhowellujah]

i'm drunk off two lavender martinis what the fuck do you MEAN dan and phil went on a step by step recreation of their japan trip as a part of a HONEYMOON episode for their sims. be so fr rn be so serious please. dan howell you have 4 minutes to respond . phil, keep it up babygirl. lavender martini recipe in the tags

[snailfen]

at the very least heres this. go my suitloon qpr

[ksrw2]

Look what I found in my sketchbook

The text on the last one is the title of Perturbator's song "Humans are such easy prey". Such a banger

[cairafea]

i think the fast travel in this game is very cool 👍

[ghostellie]

logansargeant: FRESH for '24 🧊

[lieutenantselnia]

I was looking through my 2D Doof image folder and randomly came across this picture I didn't remember I had saved, please he looks so adorable😭💕

[skitskatdacat63]

2009 Turkish Grand Prix - Jenson Button(ft. Mark Webber & Sebastian Vettel)

[gomzdrawfr]

I'm still finding my way around here but, is there any posts that have information on your OCs backgrounds? I love Raven and Jelly already, but know there's also a couple others you have and would like to know all the things. <3

So far only Raven has a complete (well, 90% complete if we ignore plot holes) lore and background, and I'll keep it that way. I'm still working on Viktor's background but it's probably going to be very short since I want to build them in a less heavy way compared to Raven xD Here's a sneak peek of the art I'm going to use when I eventually finish the draft

For Fish, his lore is also short. A combat medic who makes life-or-death decisions with the flip of a coin and uhhhh ironically, he also thinks about ending his own life aksjaksjdkh. Long story short, he used to have a medic wife, but she died along with their unborn child, leaving him as a man who's a husk of himself. He’s the head of the medbay at his station and was supposed to pass down the role to my friend’s OC, Clover (which he was in relationship with, and had tampered his coin so tha Fish will always land the coin on heads instead of tail. Though eventually Clover moved on to another friend's OC, Fledge -> they have a whole different story and progression which you can check it out in the linked pages). Since Clover was no longer around, Fish just stayed in his position. The only thing I've yet to decide is probably if I want to make Fish related to Jelly, since Fish isn't in the cod universe, so yeah.

Another is B6, again, not much going on beside this post (some stuff is outdated lemme explain in a moment), a minor character mainly serving to explain how Raven erased her past with PMC Cobra. I think additionally he has a spider tattoo on his neck. But if you want me to describe him it's:

Okay, so the deal with B6 and Jelly, so I'm taking Jelly’s weapon-related skills and putting them on B6 (weapon modification and maintenance, these are originally B6's lore anyways). I also decided to remove Jelly’s ex-sniper background. Right now, I’m keeping her skills in cyber warfare, but I haven’t fully decided if I want her to have any major backstory. I had a whole lore behind Jelly, but as time went on I kinda just want her to be a chill OC?? LMAO??? you know just exist and be cute being Ghost's squishy fluffy hair girlfriend, so yeah

I'm sorry these are all messy af i'm an indecisive panda wheeze

[mothbaaalls]

even though it's been sooo long since the first time i heard "louder" and "song i am" they still give me chills... wuooo i love roselia<3

[cairafea]

mirai and shino are best friends, change my mind.

[boysbeloving]

Mile Phakphum Insta update

[sydney-carton-of-sour-milk]

The Many Illustrators of A Tale of Two Cities 7: A. A. Dixon

"'Collins' Clear-Type Press, let me ask you a question.'"

This is a very long post.

This week's edition has, in my research, become quite the edition.

Sadly, this image is the best source for the cover wrapper illustration that I could find.

You are likely familiar with Arthur Augustus Dixon's illustrations for the 1905 Collins Pocket Edition of A Tale of Two Cities. Several of them are very common to find in Internet searches and articles about the book, if not other editions of the book itself.

But the question raised by my research for this week's edition is: Are you familiar with all of them?

Thing is, as the source above states (read the whole article if you have the time, it's very interesting!), Dixon created twelve illustrations for this novel.

And sure enough, this source from the Internet Archive and this source from @oldillustrations (hello!) both have eleven of the same illustrations - with the twelfth presumably being for the wrapper, as seen in this source (previously cited) from the Victorian Web.

Alright, so that's three separate sources, all with (effectively) the same set of elaborate illustrations from 1905. Neat!

...

...but if you start counting...

...you'll notice that this seems...

...like a lot more than twelve!

Basically, there are five illustrations by A. A. Dixon that are completely unaccounted for in any of the three sources previously cited.

For the purposes of this post, the cover wrapper is considered #0 and is not pictured in these banners.

In full-size set of illustrations in this post, this source from Google Books is the source of four of those mystery illustrations:

#3: "'He stared at her with a fearful look.'" #6: "'Drive him fast to his tomb.'" #7: "He said, 'Farewell!'" #12: "'She appeared with folded arms.'" #9 ("'Patriots and friends, we are ready!'") and #11 ("'You are consigned to La Force.'") are sourced from Google Books in the full-size versions in this post simply because the Internet Archive versions of those two illustrations had cropping issues.

To me, this is mystery enough on its own. Why would another version of the book suddenly have more than the originally-stated number of illustrations by this artist? Especially considering that the Google Books source does not have #13 ("''I know you, Evremonde!''") - why would it be missing one of the "main" set?

It gets even more interesting.

As you'll notice in the banner, we're still one off: Keen-eyed observers of the full-size set of illustrations might have already noticed that #14 ("'Carton and the spy returned.'") looks a bit different than the rest of them - a bit like what happened in the previous edition of this series!

That's because that Dixon illustration comes from this completely random source - a post from a blog called the Paperback Palette dating back to 2018 - that I happened across on Google Images of all places while sitting on an airplane trying to set up this post last week!

And to top it all off, that source is missing #6!

At this point, if your first instinct is, reasonably, that perhaps Dixon didn't actually illustrate these extra five and that it was someone imitating him for later editions, then know that that was my instinct too - until I (dare I say it again) checked those signatures!!!

(I edited the colors to prevent flashing.)

All five of those illustrations bear Dixon's signature, so it's safe to assume that they are A. A. Dixon originals - from 1905, even.

Interestingly, #s 1, 10, 13, 15, and 16 don't have signatures! Does this mean anything? Probably not - as an artist myself, I often forget to put my own signature - but still, I can't resist mentioning it!

So the most likely explanation here is simply that the publishing house originally commissioned A. A. Dixon for more than twelve illustrations and then held on to some of them, eventually choosing to publish them in other editions. Still, we can't say for sure.

And as to why some are missing from the more "complete" sets - human error, most likely!

If you scrub through the Google Books source, you'll notice that #s 11 and 12 actually repeat (one even changes color, which I have no explanation for) - it's most likely either that the book was accidentally printed with repeats of #s 11 and 12 where 13 and 14 were supposed to go or that the person scanning this edition made a similar error.

As an aside, it's so interesting that the illustrations are evenly spaced throughout the book - I had not noticed that until now!

And as for the Paperback Palette source, it's most likely that the blogger accidentally skipped over an image while combing through their edition or just glossed over it when posting the batch (I understand that from experience!) We can see this by adding up the letters in some of the illustrations' captions - doing so reveals that the letters are meant to go to P, the sixteenth letter of the alphabet.

Thus, one must be missing! Case closed!

Except... It's actually (going by both the chronology of the book and the order in which this set was found in Google Books) missing the wrong letter! Here, it seems that In the Google Books source, #7 in the full set is given the seventh letter in the alphabet, G - whereas in the Paperback Palette source, "#7" is labeled as the sixth, F:

This implies not only that #6 is absent from the Paperback Palette source but also that there is a missing mystery illustration located between this source's H and K - that is to say, before or after #9!

EXCEPT... For one, this isn't the only inconsistency I've noticed - there are several places where the letters seem shifted in a strange way. I've seen #2 listed as "C" and #9 listed both as "H" and "I2i" (???), just as two examples. (My theory is that the cover wrapper and the frontispiece may be at play here, but who knows?)

More importantly, though, it seems that, for some mysterious reason, all of the sources with relatively consistent use of these letters (i.e. all but the Victorian Web) - even the sources with only eleven interior illustrations - still give #15 in the full set the fifteenth letter, O. Which, of course, may make all of this pretty moot anyway.

Dare I say..."Oh."

Suffice it to say, just as much as major sources like the Internet Archive and Google Books are vital to this sort of research and preservation work, so are smaller websites and bloggers! After all, without the Victorian Web and the Paperback Palette, we as collective netizens likely wouldn't have ever known about the cover wrapper or illustration #14 (not to mention that the versions of the illustrations from the set posted by @oldillustrations have by far the best image quality and standardization that I've found! Please go check them out if you haven't yet!).

As for the reasons behind Collins' Clear-Type Press not publishing all of the illustrations from the beginning (if that's the explanation we're to go with here), I suppose the question I'd like to ask is:

why? why would you put us through this?

& the standard endnote for all posts in this series:

This post is intended to act as the start of a forum on the given illustrator, so if anyone has anything to add - requests to see certain drawings in higher definition (since Tumblr compresses images), corrections to factual errors, sources for better-quality versions of the illustrations, further reading, fun facts, any questions, or just general commentary - simply do so on this post, be it in a comment/tags or the replies!💫

[river-of-wine]

Chapter 1 outfits have a very special place in my heart

[uservalentine]

pookies !!