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cuubism · 9 months ago

Text

Computation

part 7 of Complex Mathematics

(aka Dream vs Technology -- Technology: 1, Dream: 0)

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Wednesday, 3:54am

Hob. what is the wifi password?

3:56am: why are you texting me when I’m in the same house?

3:57am: I did not want to wake you up.

4:00am: ……….

4:01am: Ah.

4:03am: it’s 12345. which is terrible security by the way

4:04am: how do i know this and you don’t? we’re in YOUR flat

4:05am: Computers are your friends, not mine.

4:10am: It does not like the password.

4:12am: alright i’m getting up

Dream creeps back into the living room, holding a cup of tea, as Hob’s tinkering with the router. Turns out it needed to be completely reset before he could reconnect it to Dream’s laptop. Not that this is that hard, but for some reason Hob doesn’t understand, technology is simply out of Dream’s grasp. Head in the clouds, too smart for basic computer skills, etc etc.

“A peace offering,” Dream says, placing the tea on the coffee table. He perches on the couch beside where Hob’s leaning over the router on its spot on the bookshelf.

“I’m not mad at you,” Hob says. He pats the router as its indicator lights finally turn green again. “I will take tea, though.”

“I woke you,” Dream says softly.

“You’ve woken me before, you will again,” Hob says with equanimity. Their sleep schedules are out of alignment, it tends to happen.

It’s the wrong thing to say, though. Dream cringes, hands folding in his lap. “I should be able to handle such things.”

“It’s just the wifi.” Hob finally finishes reconnecting Dream’s laptop and turns properly towards him. Dream still looks guilty about it. Sometimes Hob misses the time before they were dating, when Dream would bristle at him instead of caving. Just because he doesn’t like seeing Dream feel bad.

He takes the cup of tea and places it in Dream’s hands instead, briefly wrapping their hands around each other. “It’s okay,” he repeats. Possibly they should have a longer conversation about it, but Hob’s not emotionally awake enough for it.

Instead, he gets up and heads for the kitchen to put on some coffee. He needs something with more caffeine in it than tea.

“What are you doing?” Dream asks.

“Might as well get something done while my brain is online,” Hob says. He goes to fetch his own laptop from Dream’s bedroom. Lord knows it’ll need to get reconnected to the glitchy wifi again, anyway.

Friday, 2:05pm

Hob.

2:06pm: ?

2:07pm: The wifi is angry again.

2:09pm: did you antagonize it?

2:09pm: hang on did you just wake up now?

2:10pm: I cannot comment.

2:12pm: I assume you have been hard at work in the library since six.

2:14pm: more like hardly working in the library. i did make an app that gives you a gold star every time you do the laundry

2:16pm: Will that assist in your routines?

2:17pm: probably not but it’ll be fun for 5 minutes

2:17pm: wifi password’s still 12345

2:18pm: maybe I should make an app for that instead…

2:20pm: I do not think it would help.

2:30pm: …You are not trying to make said app, are you?

2:34pm: nope just realized I’m late for a class and had to scramble out of there. I’ll be back later can do couples counseling for you and wifi then?

2:35pm: Very well.

For a while after putting down his phone, Dream stares at the wifi router in vexation, as if that will possibly make the angry red lights turn green again. He doesn’t know what he’s done wrong. He knows even less what to do to fix it.

He needs the wifi operational to keep generating these fractals. He supposes he could go to the library and use university wifi, but that requires going out in public, which is preferably avoided, at least while he’s trying to work. So he will have to do something else until Hob gets back from class.

He recalls what Hob had said. That instead of working on his dissertation he had made an entire phone app about laundry. He had said it so casually, like it was a doodle to pass the time. Dream can use apps—barely—but he cannot begin to fathom how he would go about making one. Hob does not understand how even in his procrastination he is exceptional.

Well. This is something that Dream can do. Hob hates doing laundry—hence the app-based reward system—but Dream doesn’t mind. He finds it meditative. He will have to be more precise about fabric care instructions now, as while his own clothes rarely range beyond grey, black, and dark blue, Hob actually wears colors which might bleed into each other.

He puts on his headphones with some music, gathers up the laundry from the bedroom, and goes about his routine.

When Hob gets back, Dream has finished hanging the laundry to dry and returned to his contemplation of the router, this time still with his headphones playing. He’s lost in thought, and doesn’t notice Hob’s come in until his hand lands on Dream’s shoulder. Normally a sudden touch when he’s thinking would make him jump, but he’s become used to Hob.

“Trying to solve your marital problems through telepathy?” Hob asks.

“We were never married,” Dream says. “Indeed we are enemies.”

Hob laughs. He kisses Dream on the cheek, then kneels in front of the router. “You have to stop tormenting my boyfriend,” he tells it. It only blinks back at him innocently.

Hob can be very silly at times. “I do not think arguing with the inanimate object will help,” Dream says.

“You never know.” Hob takes the router down and sets about unplugging all the cables. Dream still doesn’t know what any of them precisely do, nor how wifi works. It may as well be magic.

Hob has it fixed within minutes, of course. Far more effective than Dream’s intense staring. He gets Dream’s laptop reconnected, and Dream is finally able to start generating his fractal. “Thank you,” he says.

“Anything for my love,” says Hob, getting to his feet again. “Guessing you want some time to yourself now to work on this?”

“Yes,” says Dream, with some guilt. Hob has come home to help him only for him to immediately bury himself in his work again. But yes, he does want to make progress on this at last.

“Well, good,” says Hob, and Dream turns to him in surprise. “Because I’m due for a nap.”

Dream still hasn’t formulated a response to this by the time Hob’s disappeared into his bedroom. Strange, that their routines can be so opposite and still meld together so well.

Hob pokes his head back out into the hall. “Did you do the laundry?”

“Yes,” says Dream.

“I could kiss you,” Hob declares, then blows one to him before disappearing back into the bedroom.

Dream presses his hand to his cheek, as if to touch a kiss that had really landed there. Smiles to himself. Then goes back to his fractal.

Monday, 5:02pm

Hob.

5:03pm: Wifi?

5:04pm: …Yes.

Thursday, 9:50pm

…..Hob.

9:50pm: I’m sitting right next to you.

9:51pm: ….

9:51pm: I’m just gonna get you a new router. This thing’s got problems.

9:52pm: I think it is I who has the problems.

9:52pm: That too.

Saturday, 6:00pm

Hob.

6:00pm: Is it broken AGAIN??

6:01pm: No. I got dinner.

6:02pm: Oh!

6:02pm: Fuck I’m starving.

6:03pm: Coming back from class now.

6:03pm: Don’t touch the router it’s in a fragile mental state.

6:04pm: Aren’t we all.

Thursday, 3:50pm

This time, it is the wifi in Hob’s flat that is stymieing Dream. He does not think it is broken. Hob has merely changed the password, as he’s much more diligent about internet security than Dream, and then forgotten to tell Dream what it is. Or, more likely, correctly assumed Dream would have to ask him again anyway.

He briefly contemplates trying to deduce the password, but it is likely an incomprehensible string of characters that Hob would claim is ideal security precisely because of the impossibility of deducing it.

He refuses to text Hob about it again. Hob has a class to teach soon—Dream has his schedule memorized—Dream does not want to distract him. Though speaking of…

3:50pm: You have a class in ten minutes.

3:51pm: FUCK

3:51pm: I got distracted

3:53pm: Now… running

3:54pm: You are not near the building, are you.

3:55pm: NOPE

Dream smiles to himself, thinking of Hob sprinting across campus. It happens often. Hob is good at many things, but time management is not one of them. This is why Dream knows his schedule.

He does feel… a bit silly, though. He should be better at this, should he not? Less bothersome to Hob over small things that he should be able to handle.

Normally he would go back to his work to distract himself from these thoughts, but he still can’t work on his fractals without being able to connect remotely to the university computers, which are more powerful than his own. This is something Hob had also set up for him, because Dream had not been able to make any sense of the instructions he had been given for remote login, and the like.

Sighing, he instead takes his sketchbook out of his bag. It’s been a while since he’s made any time for drawing. But he had started looking at fractals in the first place to better understand patterns in art, to understand resonances between what occurred in nature and what was projected by mathematics. And drawing used to soothe him.

So he starts drawing, sketching the fractal he has been generating—to the extant that he can with the imprecise instrument of his pen. Even in infinite impossible digital form, the branching spirals eventually become too small for him to see, though he knows they continue on in perfect replication forever, smaller and smaller until they disappear into atoms. He cannot recreate that level of detail by hand. But he tries.

By the time he gets another text back from Hob, an hour later, he’s moved to the floor to have more space. He’s found a bigger piece of scrap paper and is drawing the fractal again, in more detail this time, color-coding the different shapes, free-handing where he should probably use a ruler for more precision. He has achieved several more levels of replication than before, but it is still not right. He can’t get it right. If he could only use the stupid computer system he could get it right.

Finally he looks at his phone, several minutes after the text alert pinged.

Thanks love 😘

Unexpectedly, it makes him tear up. Always this happens to him. He does not realize how frustrated he has become with himself until it is too late.

Of course, to only make matters worse, he is still sitting hunched on the floor, pen clasped tight in his hand, teeth clenched so hard it’s hurting his jaw, when Hob comes through the door. He must have texted not far from home.

“Hey, love,” Hob’s already saying as he comes through the door, “meant to stop and grab dinner but I totally forgot— I’m sure I have something here, though— Dream?”

Dream hasn’t moved from the floor, or responded. Hob puts down his bag and comes over to him. He looks down at the fractal, which is still incomplete. “Did you draw that?”

“Obviously,” Dream bites. The pen is still in his hand. He drops it, scraping a hand through his hair. Great. Now he’s snapping at Hob, too.

Hob sits down on the floor beside him. He studies the fractal. Then points to one of the shapes that Dream’s colored in red. “That’s supposed to be purple.”

Dream stares at the fractal. Hob is right, it is meant to be purple. According to the way Dream had color-coded it digitally. He looks at Hob. “How do you know that?”

“I’ve watched you fiddling with it enough. We set it up on your laptop, remember?”

Yes. Dream remembers. He remembers how Hob had helped him.

“Wifi giving you troubles again?” Hob asks, looking from the drawing, to Dream’s laptop, which is sleeping on the couch.

Dream nods, then saws quietly, “Are you not… frustrated with me? Annoyed?”

Hob doesn’t need to ask what he means. “Sometimes,” he says, and Dream can’t help his flinch. “So?”

“So?”

Hob shrugs. “I would have missed that class if you didn’t text me.”

Dream does not understand the relevance.

Hob looks up at him, raising an eyebrow in challenge. “Aren’t you annoyed with me?”

Perhaps he is, at times. Recently, Dream has been too absorbed in his project to feel much about it at all.

“I don’t know,” he says. “It is just how you are.”

Hob seems to think that Dream still doesn’t understand the point he’s making, and perhaps Dream doesn’t. Hob takes his hand. “Look. I’ve no idea why someone as smart as you are is constantly defeated by basic technology, but it doesn’t matter. Always having to be the one to fix the router is a small price to pay for having you in my life.”

Dream’s mouth opens, but no words come out. He… he does not know if anyone has ever put up with him with so little complaint. For truly, it is not only computer troubles. It is all the small things that stack upon each other to make him feel different and difficult.

“I find I do not like…” Dream admits tentatively, “when you must do these things. That I should be able to do.”

“You did the laundry the other day,” Hob says.

Why must he jump topics in this manner? “I do not understand.”

“Well, we don’t actually live together, you know. You have your own laundry. You don’t have to do mine, too.”

“I thought it would help you,” Dream says.

Hob just waits expectantly.

Dream looks down at his lap. “Ah. I… see.” Hob finds him frustrating at times, he had said so, but still wants to help him. He finds Hob’s admittance that Dream is frustrating to be a relief, in its way. He would only feel more on edge if Hob pretended otherwise, surely to snap later when Dream was least expecting it, as so many have done.

“Give me your arm,” Hob says then.

When Dream does, Hob pushes up his sleeve, takes one of the markers from the floor and writes on Dream’s forearm, the wifi password is I love you.

“There,” he says. “Now you won’t forget.”

Dream touches the words with a light fingertip. “This is not good internet security.”

“Oh, so you do listen my ramblings,” Hob says, laughing. Always, Dream thinks. “What, you’re going to throw out my valentine because I cut the heart out a little wonky?”

He makes as if to rub the marker off, and Dream pulls his arm protectively to his chest. Hob’s smile softens. He carefully pulls Dream forward into a hug, Dream’s arm pressed between them. Dream tucks his face into the crook of Hob’s neck. It’s one of his favorite places to hide.

“I’ll help you fix your program after we find some dinner,” Hob tells him, rubbing his back.

“I think I should give up on using computers,” Dream mumbles.

Hob chuckles. “See how you feel about it after I make you some brownies for dessert.”

Dream hums in pleasure at the thought, and Hob kisses the side of his head. And Dream touches, again, the words Hob’s written on his arm, where it’s pressed between them. And allows himself to smile.

Wednesday, 6:03pm

Dream is attempting to cook dinner. Hob doesn’t think it’s going so well. At least not if the blaring fire alarm, which Hob’s just silenced by waving a dish towel at it until the smoke dissipated, is any indication. But it does mean he’s been treated to the sight of Dream with his sleeves rolled up, delicate hands at work—and wearing an actual apron.

Having soothed the alarm, he leans against the counter so he can shamelessly ogle instead of helping.

“What are you even trying to make?” he asks, eyeing the still-smoking oven.

Dream pouts. “Only bread. It should not be so hard.”

“You didn’t wait for me to get home to watch?” He imagines the sight of Dream aggressively kneading the bread dough. It shouldn’t be a turn on, but it kind of is.

“You would make a spectacle of my misery?” Dream says, but there’s a smile tugging at the corner of his lips, like he knows exactly what Hob is thinking about.

“Definitely,” Hob says, and Dream sighs, but turns to take the attempt at bread out of the oven. It’s… pretty blackened, to be honest. “Butter’ll save it, I’m sure!” Hob says cheerfully.

“Nothing will save it,” says Dream, morosely. He pulls off his oven mitt in apparent disgrace, and— Hob catches his arm.

“How has this not faded yet?”

For Hob’s writing saying the wifi password is I love you is still on his forearm.

Dream looks sheepish. “I got it tattooed.”

Hob tilts his head at him, confused. “So you could remember the wifi password?”

“So that I could remember this.” He traces his finger over, I love you.

Hob feels a blush creep across his cheeks. But it’s a pleasant feeling. “This is not even my best handwriting.”

“I know,” says Dream. He does not seem unhappy about it.

Hob takes his arm, touches the words, too. “You could have just gotten this part done.”

“I think,” Dream says slowly, touching the part that says, the wifi password is, “that this is another form of the same.”

And Hob… finds himself tearing up a little. Because it’s true. It’s so silly that Dream, certifiable maths genius, struggles so much with basic computer skills. But Hob will do any silly thing for him, because he loves him.

“Yeah,” he says, taking a shaky breath. “It is.”

“Unfortunately, you can never change the wifi password now,” says Dream, and Hob laughs wetly.

“I really can’t, can I? Terrible security. The things I’ll do for you, darling.”

“Would that include making proper bread?” Dream asks, and Hob nods, patting his arm.

“We’ll fix it, don’t worry.”

Now he’s wondering how he didn’t notice Dream getting a tattoo. Though to be fair, they haven’t seen each other as much in the past two weeks as they usually would, thanks to very inconvenient scheduling. Apparently Dream’s taken advantage of that time to do this.

“Can’t let you out of my sight for a second,” he says, as he fetches a new bread pan from the cupboard. “God knows what you’ll come back with next.”

“Be careful or I will consider that a challenge,” Dream says, and Hob pauses as way too many images flash through his mind. He shakes them off. He’ll never be able to focus on anything like that.

And Dream, the bastard, is smirking.

“Watch that look on your face or you might find that flour you’re holding dumped over your head,” Hob warns, but Dream only looks victorious, and utterly uncaring of the bag of flour he's precariously picked up.

“How will you ogle me kneading the dough that way?”

Hob swipes a dish towel from the counter and throws it at him. Dream yelps and spills the flour, which poofs up in a cloud of white landing all over his black t-shirt.

“Hob,” he complains.

“Serves you right, you dickhead,” Hob says. It only returns the smirk to Dream’s face.

“If you feel that way perhaps I’ll decide I don’t need your supervision,” he says archly.

Hob tears a piece off of Dream’s first attempt at a loaf. Or rather, breaks off a piece, which is hard as stone. He shows it to him as evidence.

Dream snatches it and shoves it into his mouth. Bites down with a crunch so horrifying Hob’s afraid he’s broken a tooth. But Dream persists, chewing it painstakingly and then swallowing, as if by force.

“Taste good?” Hob asks.

“Yes—” Dream starts to insist—then dissolves into a fit of coughing that swiftly turns into giggles. Hob loves it so much when he laughs like that. It’s so rare.

Hob laughs with him. Then frees the crumpled bag of flour from Dream’s grasp and sets it aside, brushes the flour and crumbs from his shirt. Then he takes Dream’s arm and runs his fingertip over the words again, still in awe.

He again finds himself having to clear his throat to avoid tearing up. But he manages, and says, “Let’s get you some proper, not burnt bread, yeah?”

“Please,” says Dream, a tad sheepish. “I am… very hungry.”

Hob kisses his cheek, then goes about solving that problem, too.

#this is so... silly. so sappy #complex mathematics #dreamling #dream of the endless #hob gadling #my writing #proofread this many times so here's hoping it's fine now XD

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biblicallyaccurate4reblogs · 18 days ago

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Lads. Forget star signs. It's florida men now.

~•°✦ℕ𝕖𝕨 𝕋𝕒𝕘 𝔾𝕒𝕞𝕖✦°•~

So apparently, there's a florida man for every birthday, according to a friend of mine, so here's how it's gonna go.

• Google your birthday (day and month) with the term 'florida man'

• Pick out the funniest headline you can find if there's multiple florida men

• Tag at least 5 people once you have your florida man to let them join in the sillies (any tags are cool too :))

Here's mine, and my birthday's the 22nd of April. (I can imagine Colress hitting Ghetsis with a fish, lol /j)

Tags: @katbam, @justanapplenothinghere, @aft-3-r-gl-0-w, @yari-saber, @chaoscupcak333

#tag game #yuri reblogs #florida man

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driftsart · 4 months ago

Note

your designs are pretty similar to lillified's, are they are inspo for you? :0

Yes, they are! :)

I've been asked this a lot before so I thought I'd explain the differences and similarities of their au and mine using mostly the main 3 cons:

1. The designs

There are similarities and differences between her designs and mine, but yes, there's some inspiration.

2. The genders/sexualities

Most of my designs are males, and her's are mostly females. I rarely genderbend characters in my au, which is another difference. Like in her au, I don't really have a lot of straight ships/pairs, most of them are mlm or wlw. My design's pride flags (if they have one) are much different than Lillified's design's flags.

3. Personalities

My design's personalities and her's are much, much different, the personalities are one of the main differences. Most of her characters tend to hate/dislike each other or their company. One big difference is her Megatron's personality and mines. While her's is a moody, emo-like butch (which is a really cool take on Megs), mine's just a big softy lol.

4. Backstories

Backstories are one of the main differences between her's and my au. For example, Megatron's past with Elita One, or her time in the gladiator pits. My Megatron didn't know about Elita until he met Orion, and he was also a terrible gladiator in the arena. Starscream's past with Shockwave is also much different than mine, since my Starscream didn't know about Shockwave until he joined the decepticons.

5. The story

Both stories revolve around the Decepticons, but the story is very different. Her's starts with the Decepticons stranded in space mid war (I think?), while mine starts in the very begining. Both have lots of war scenes but in different ways. While she stated that her au would've been rated for a higher audience, I try to keep mine to where everyone can enjoy it, even if there's a lot of g0re at times. My main characters are Megatron, Optimus, Sentinel, and Hot Rod, while her's are Megatron and Starscream.

6. Ages

While most of her designs tend to be quite young, most of mine are much older, mostly in their 40's-50's, and even 60's. (Megs is 55, Star is 50, and Sounds is 56)

7. Art

Both au's have horror in them, and lots of g0re at times. The art is a bit similar, mostly a bit on the dark side at times (like g0re or broken parts).

Her Starscream does the k!lling, and mine gets k!lled/j lmao 😭😭

We both like MCR too lol ;D

8. Ships

Her main ship is Megastar while mine is Megop. Her's tend to be more wlw while mine tend to be more mlm. We both like the idea of Slipstream x Megaempress though. I tend to ship more characters than she does, some of the ships I have don't work in her au.

9. Anatomy of Cybertronians

Both have similar anatomy, but different ways of "making" a Cybertronian. In my au, they're either made artificially (which most of the lower class is) to create more bots quicker, or by making a spark, where both partners combine a small piece of both sparks to create a new one (it's a bit hard to explain lmao).

Cybertronians in my au tend to have hard bodies but a soft face, although most are also a bit soft where their "organic parts" are, which is mostly on the midsection (yet most have some mechanical parts to protect it I guess?).

There's lots of similarities and differences, I hope this helps a bit! :D

#transformers #au #ask #ask post #some of this art DOES NOT belong to me!

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babydollmarauders · 1 year ago

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MEDIA MANAGEMENT — JACK HUGHES (23-24 SZN PART 5)

au masterlist

notes: do i like this? idk. but it’s out.

y/ndevils00

liked by jackhughes, dawson1417, and 221,691 others

y/ndevils00 ALL HAIL SATAN! i mean— THE DEVILS!!

YOUR NEW JERSEY DEVILS ARE NOW 6-0 IN THE PRESEASON! STILL THE FINAL UNDEFEATED TEAM IN THE PRESEASON!

tonight we played a home game against the dirty dish rags, and WON 5-2!!

the normal roster played tonight, which means prudential center was finally not just a whore house, but a whore HOME 🫶

we kicked off with a power play goal from my sweet blonde swede, Jesper Bratt! with an assist from my personal devil, Jacky!

literally THIRTY-TWO SECONDS later, MY SMUSH GOT HIS FIRST GOAL OF THE PRESEASON! I COULDN’T BE PROUDER OF YOU, MY MUNCHKIN! I KNEW YOU COULD DO IT!

in second period, we got a power play goal from best friend number 1!!! you are a star in every way! shine your light, puppy!!

we also got a power play goal from the light of my life, the love of my heart, my uber hot and a lot less smart, boyfriend; JACK ‘BABYGIRL’ ROWDEN HUGHES!!! SO PROUD OF YOU, YOU SEXY DEVIL, YOU!

and to finish us off, in third period, we got a goal from the one, the only, CAPTAIN SWISS SLUT!! look at you go! sticking your tongue out, one game at a time!

p.s. can you guess who was able to talk her way into being allowed to bring her professional camera and take pics through the camera holes in the glass?

i’ll give you a hint! she’s super hot, super smart, loves nicknames, and has a degree in ‘annoying her boyfriend’!

tagged jesperbratt, lhughes_06, dawson1417, jackhughes, nicohischier

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john.marino97 i’m not featured?

y/ndevils00 do better

john.marino97 but i played good?

y/ndevils00 do. better.

john.marino97 @/dawson1417 translate?

dawson1417 she has my child hostage. i cannot translate.

john.marino97 @/dawson1417 your child?

dawson1417 …i’ve said too much

user74 omg PROFESSIONAL GRADE PHOTOS

jackhughes you are an odd duck, my love

y/ndevils00 why are you talking about trevor on MY post?

jackhughes why would you think i’m calling Z “my love”?

y/ndevils00 idk what y’all are into 🤷‍♀️

lhughes_06 thank you squish! but “munchkin”? you know i’m taller than you, right?

y/ndevils00 only physically

lhughes_06 i think that’s the only way that counts…

y/ndevils00 mentally? i could squash you. but i would never, because you’re my smush and ily

lhughes_06 mhm, i appreciate that

user62 where can i get a captain swiss slut? asking for a friend…

y/ndevils00 mine came from Bern! check there!

dawson1417 i’m a star 😊⭐️

y/ndevils00 YOU’RE A STAR!! AND YOU SHINE THE BRIGHTEST!!

dawson1417 and no do better?

y/ndevils00 no do better!! you did great!

john.marino97 i hate you both

y/ndevils00 @/john.marino97 you love us so much you could die

john.marino97 shut up 😒

jesperbratt i look good! 😄

y/ndevils00 you look like the sweet angel that you are!

nicohischier why do you always get me with my tongue out?

y/ndevils00 i have a sixth sense

nicohischier i thought your sixth sense was finding Jack when he’s on the ipad?

y/ndevils00 i have a seventh sense

nicohischier yeah, okay

user29 THE GOALIE TAPS

dougieham y/n, how do you feel that Jack wore a mouthguard tonight? 🎤

y/ndevils00 I FEEL GREAT! THE SUN IS SHINING, THE BIRDS ARE SINGING, THE FLOWERS ARE BLOOMING 🗣️

jackhughes you said you’d love me even without teeth 🤨

y/ndevils00 i don’t wanna test that theory

trevorzegras hot damn! my man is on fire! GO HUGHESY!

y/ndevils00 i’m gonna fly to anaheim and soak your pillow in vinegar

trevorzegras YOUR man is on fire!

y/ndevils00 that’s what i thought

#media management au!#media management series <3 #jack hughes #jack hughes x reader #jack hughes imagine #jack hughes blurb #jack hughes fic #nj devils #nhl fic #nhl imagine #faithlynn’s writings <3 #faithlynn’s insta edits <3

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sweet-honey-fruit · 6 months ago

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Hello! Hi!

I am here to announce that I will be participating in fics-for-gaza fundraiser by @ficsforgaza

I would like to do my part in helping the cease fire movement, and to provide aid to those in need. Check out their blog for more information, shares and reblogs are greatly appreciated!

★｡･:*・*:･ﾟ★ Rules ★｡･:*・*:･ﾟ★

Make a donation to one of these VETTED fundraisers for Gaza. You can either send me an ask or a private message with proof (a screenshot) of your donation. Proof of donation is required!

For every $1 donated I will write 100 words to a fic of your choice. For every $5 donated I will write 500 words. If $10 is donated, you have the option to add 1k words to a fic of your choice, or to have a 1k word fic personally made for you! If you choose option b, my rules still apply.

Here’s an example if needed: “I have donated [x], here is proof of that! *sends screenshot* I would like to put this towards [work in progress/personalized fic]”

Money DOES NOT go to me, all funds are to go towards a vetted Gaza fundraiser

I mainly write for Genshin Impact and Star Rail, sfw and nsfw. If you’re curious if you’ll be interested in my writing, here are some popular fics of mine:

Teasing Gone Wrong

Going Feral

Kissing Your Best Friend

Happy Valentines Day

When You’re Hurt

Current WIPs:

Argumentative w/ Aventurine, Dr. Ratio, Dan Heng x reader (separate)

Synopsis - Even the most perfect of relationships have their rocky moments, so it was expected that an argument would happen eventually. Although, you underestimated the severity.

Warnings: SFW, hurt/comfort, high tension, yelling, things said thats harsh but has no meaning, happy ending for all

Expected word count: 1k each character

Words Written: 0

Funded Words Written: 500

★｡･:*・*:･ﾟ★

Complex w/ Wriothesely, Childe, Al-Haitham x reader (separate)

Synopsis - You’re caught up in a situationship.

Warnings: NSFW, confusing and convoluted relationships, they love each other but dont wanna admit it, rough sex, aftercare, smut with plot

Expected Word Count: 2k each character

Words Written: 300

Funded Words Written: 0

★｡･:*・*:･ﾟ★

Complex (Star Rail Edition) w/ Jing Yuan, Aventurine, Boothill x reader (separate)

Synopsis - You’re caught up in a situationship, but this time it’s in space.

Warnings: NSFW, complicated relationships, even in this universe they love each other but dont wanna admit it, smut with plot, rough sex, aftercare

Expected Word Count: 2k each character

Words Written: 150

Funded Words Written: 0

★｡･:*・*:･ﾟ★

Harbingers Love w/ all fatui harbingers (minus Pulcinella) x reader x the Tsaritsa

Synopsis - The most needed guide to dating all of the harbingers and their goddess.

Warnings: SFW, Slightly Suggestive, Possessive behavior, stereotypical fatui practices, implied violence (not towards reader)

Expected Word Count: ???

Words Written: 500

Funded Words Written: 0

#free gaza #save gaza #palestine #stand with gaza #ceasefire #sweethoneyfruit talks #genshin men x reader #genshin impact x reader #genshin men #genshin impact #genshin men x reader smut #honkai star rail x reader smut #star rail x reader smut #honkai star rail x reader #star rail x reader #fatui harbingers x reader #fatui harbingers x reader smut

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sleepystarb0y · 9 months ago

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🧸｡𖦹°‧ — starboy's intro

🧸｡𖦹°‧ — my names tripp // starboy ,, big age :: 19 lil age :: 0-5 ,, i use he / they / star / pup / vinyl ,, im trans; bi; demiboy; and demisexual ,, im single ,, I'm chronically ill ,, i have anxiety and depression ,, my dms; submissions; and asks are open

🧸｡𖦹°‧ — agere/petre blog (bear, cow, and puppy regressor)

🧸｡𖦹°‧ — i dont have a cg but i have multiple fictional cgs (list to all of them)

🧸｡𖦹°‧ — my agere playlist

🧸｡𖦹°‧ — little likes

🧸｡𖦹°‧ — main blog @church-of-clowns

🧸｡𖦹°‧ — my sibbys ♡ :: @stormypawz ,, @sleepymoomoo

🧸｡𖦹°‧ — i change dni banners based on my posts aesthetic, most are NOT mine and credit goes to the creators! i have all banners i use tagged under "agere dni banners", most are from @tinyowlet

—MOODBOARD REQUESTS OPEN!!—

i do moodboard requests! when it says open just send me an ask and I'll get to it in due time! please be patient though, as I'm a busy bee <3

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absolutebl · 1 year ago

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This Week In BL - These Are the Days of Our BLs

Aug 2023 Wk 2

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying most.

Ongoing Series - Thai

Laws of Attraction (Sat iQIYI) 5 of 8 - They cute making heart eyes at each other, but could we get back to punching & slutty silk shirts? OMG the poor rich kid & the bodyguard who wants to hug him SO BAD are KILLING me. I did giggle & yell “punchy punchies” during the fight scene before the fire. But Charn is a diamond-encrusted evil-gorgeous gremlin beastie, isn’t he?

Only Friends (Sat YT) ep 1 of 10 - NO SINGING, but also.. wristbands! Sand is great = smart, snappy & over this shit. (Tired Gay 2.0) Neo & Mark are a revelation, where’d that chemistry come from? Force playing a douchenozzle is damn delight. Plus a counter lift in the first ep? Boys, you’re spoiling me. Mew is the least interesting, but Book is still adorable. Ray is the least likable character, but since it’s Khao, he’s the most likable screen presence. In fact, I’m enjoying all the messy messy gays & I know all their types IRL. I wish we had some femme & swish rep tho. Is this Thailand’s Queer as Folk? Seems like. Is it good? Not sure. But it is FUN as hell. Still, I gotta say it… they all dance like straight boys.

Hidden Agenda that isn’t hidden (Sun GMMTV YouTube) ep 5 of 10 - Zo just wants to turtle & avoid but Joke is not gonna allow that. GMMTV keeps having sub issues (usually fixed within a few days).

Low Frequency (Sat iQIYI) ep 6 of 8 - I do like the psychic gay detective trope. It makes this show more interesting and enjoyable. But they solved the mystery awful fast. I guess different drama spins the final 2 eps?

Be My Favorite (Fri YouTube) ep 12fin - It was fine. I was fine with it. A kind of Vice Versa situation. The usual with Jittirain, as it turns out, is pretty simple: one of her main characters is going to be a manipulative liar or extremely unlikeable or both. It got an 8/10 from me, but probably should get a 7/10 just because I’m so exhausted by this. But I have to be fair and judge each BL on its own & not in light of repeat author mistakes. Not much of a trash watch here. Final full review here.

Dinosaur Love (Sun iQIYI) ep 7 of 10 eps - Boyfriend trip together. Terrible overalls. What the fuck? No. Meanwhile, perfect choice for college star. (Could Ton please lead out a new BL? I know I’m 0 for 2 with him but I’m willing to try again if he is.) I actually enjoyed this installment for a change. Perhaps “enjoy” is too strong a word. Not much happened, dog days of BL, perhaps that’s a good thing with Dino?

Be Mine Super Star (Mon Viki) ep 6 of 12 - Mostly I was excited to watch this week because of Ben but there wasn’t much of him. Sadness. OK, I know it has STIFF competition but does this show have the worst music in BL, or is it just me? I still like Big Daddy & Hot Doc as characters but I am despairing over their arc (would we call it an arc?). All in all this week... Whatever.

Wedding Plan (Weds YT & iQIYI) ep 4 of 7 - I am officially being driven to drink. Trash watch is happening!

Ongoing Series - Not Thai

Jun & Jun (Korea Thurs Viki) 4 of 8 - This show makes me laugh so much. It is so damn cute. And there’s so much language play going on. THEN . . . JUST ADD SIMON. I love a good Simon. Who doesn’t love a good Simon? I know SO MANY Simons. Now 3 boys are circling the ingénue (who I suspect is less innocent than he appears). So much delightful competition, postering & flirting. “My Jun,” is he, Simon? You are a precious angular stalk man, aren’t you? Pacing is great with this show. Every week I can’t wait for the next installment, that’s a hallmark of the best KBLs. If the language stuff confused you as much as it did me here is an EXCELLENT post on the subject that will help.

Stay By My Side (Taiwan Fri Gaga) 7 of 10 eps - Sweetest seme. He’s hurt & mad at his boy but still can’t help taking care of him. I do like the courting with snacks & sweet little notes. (It’d work on me.) YAY! Reunion kisses & nuzzles!!! Snuggling!!!! Gah! Taiwan, I love you. These 2 aren’t your best kissers but their cuddling is off the charts. I guess we are just gonna be plotless messy gay bfs for the final 3 eps? That’s cool with me.

Sing My Crush (Korea Weds iQIYI) 3-4 of 8 eps - it’s adorable, they’re adorable, I’m enjoying it a whole lot. It’s like a very soft, low-stakes Addicted.

Love Class Season 2 (Korea Fri Viki) 10 eps - I liked Love Class 1 (more than most on Tumblr) & I normally don’t want 2nd seasons. But this has an entirely new cast (in the “Replay” model). I’m fine with a 2nd season that has little or nothing to do with the first. J-min is an interesting choice of idols but he’s doing an unexpectedly good job. (He is a truly great rapper, by the way.) Trigger warnings out the gate... also this is complicated. Ready? We got 3 queer besties: artist gay Hyun (J-min), shy cafe gay Minwoo (in love with), sunshine gym bunny bi slut Maru (represent, my brother). Then we got Mr Put-upon-TA (+ boy who saw him nekid). And the twist = all black otaku Kim An (used to tutor artist gay in high school = exes ghosting DRAMA). This last reads as a hyung romance. Which you know I love. But it also feels v dark. All of which is to say, I am intrigued but a little nervous over the tone.

My Personal Weatherman AKA Taikan Yoho (Japan Sat Gaga) ep 1 of 8 - Classic JBL is back! This one is My Beautiful Man + Tokyo in April/Oh My Assistant. It’s odd and warped af but I like it. Very much has a the feel of old live action yaoi + VERY D/s. BRING IT JAPAN.

Minato's Laundromat Season 2 AKA Minato Shouji Coin Laundry Season 2 (Japan Thu Gaga) 6 of 12 eps - Shin is my sweet bean sprout and Minato should just boink him. Why all this waffling? I love the doctor. But mostly I’m as frustrated with this show as Shin must be in general. Minato 2- the season of blue balls.

Stay Still (Hong Kong Tues YouTube) 2 of 5 eps - I re-watched the first 2 eps & now find it a bit more comprehensible (yes 2: there is an ep 0). I don’t think we can expect this to end happy for either couple. It’s kinda sticky & grungy (in a way I’ve come to expect from the Philippines, although this is not as cluttered visually nor as brightly colored as the Pinoy stuff). I do kind of like that lived-in feeling, it reminds me of Taiwanese shorts. There is something very honestly queer about the primary leads (tattoo & babyface) in particular the way they dance queer? around each other: verbally, emotionally & physically - laying down breadcrumbs of gay for the other to follow. The secondary couple (reunion, cheating) is very sad. Although I do love a counter lift make-out sesh. (Occasionally Cantonese sounds like Vietnamese to me. Apparently I am not alone in this.)

Gossip - AKA P’ABL is Disappointed

I was gonna put a statement here but I just did it separately, earlier this week, since my ask box was overflowing regarding actor gossip and other stuff.

Meanwhile, Stay With Me ended exactly as expected. Can’t say I didn’t warn ya. You watched this anyway? You got what was coming to you. I am entirely unsympathetic.

Next Week Looks Like This:

Look at that PACKED week. NIIICEEEE.

Starting:

8/18 Dangerous Romance (Thai Fri GMMTC YT) 12 eps - Perth returns to lead out a BL, odds on that ever happening were slim. (Let alone Chimon.) Still here we are. Interesting times. Chimon plays a poor studious kid who hates the school bully but is forced to become his private tutor. Lurv results.

8/19 Love in Translation (Thai Sat One31) 10 eps - Two strangers start working in a cafe together. Looks very pulp. No idea on international distribution.

8/19 I Feel You Linger in the Air (Thai Sat Gaga) 12 eps - The time travel historical romance many of us have been waiting for. Adaption of y-novel by Violet Rain. Heartbroken architect is transported to the 1930s. From the producers of Lovely Writer.

8/20 My Universe series (Thai Sun iQIYI) 24 eps - This is sampler pack BL, 12 pairs, each pair gets 2 eps, not sure on the order they’ll drop. Known couples include EarthBank from Destiny Seeker and KaownahTurbo from Love Stage!!!, fresh faces otherwise. Jane to direct.

Still Coming in August 2023

8/22 Kisseki: Dear to Me formerly known as Miracle (Taiwan Tues ????) 13 eps - From screenwriter Lin Pei Yu (We Best Love, H3: Trapped) features a student doctor forced to take care of a gangster. I love the premise and like the writer, Viki or Gaga will get this one.

8/23 Why R U? (Korean remake iQIYI) is supposed to be out this month, filming started in sept 22. I find everything about this hilarious. I mean if Korea remakes it, we lose all the sexy and then... would we have a story at all? No we would not. Not even for six short eps. It’d be like one of those mesh shopping bags.

8/24 Man Suang (Thailand movie, domestic cinema release) - historical drama about Thai burlesque with KP’s MileApo.

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED)

THIS WEEK’S BEST MOMENTS

Talking grandkids. Made me snicker. (Low Frequency.)

The waist grab that launched a thousand gifs (Laws of Attraction). Okay it was last week but I gotta chronicle it here in the weeklies. For science.

Sing My Crush. They are so damn cute.

Thank you for the counter action GMMTV, please Sirs, may I have another?

Captain snark in the house. Of course they handed the best and most complex pairing to these two. Well done GMMTV. (Only Friends)

I really did not expect J-Min to be this good. (Love Class 2)

(Last week)

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cityofjieun · 5 months ago

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★ . . . . jia in 5-star era

highlights !!

they won a moonman!!!

jieunnie was among the members that had a big shocked reaction.

she, beomgyu, and jeongin took a selfie together (ily 01z).

ji also met megan thee stallion at the award show??

she had gone to the bathroom with one of their staff during the show and ran into her in the bathroom

jia is a huge fan and had to take the opportunity to compliment her performance earlier in the night. the two had a cute little convo and exchanged instas and even took a selfie together. long story short, jia is the first person in skz to follow a non-member.

she didn't get to mention the interaction to any of the members because after she returned from the bathroom, they were announced and everything was kind of a blur after

but imagine everyone's surprise when jia is trending the next morning because meg had posted the selfie on her story and stays have noticed that they are also mutuals now

also she’s so blonde now y'all.

really one of her best colors

we got tiktoks with lsf yunjin, p1h keeho, shinee key, and tbz eric.

the pilot fanmeet.

jia x seungmin x hyunjin cafe hopping rachalog.

they hit up like 4 cafes and spent time eating and chatting at all of them.

hyune brought his sketchbook and minnie brought a book while jia was writing notes for one of their dance practices.

side note: these last couple comebacks jia has really taken to helping lino monitor dance practices and stuff of that nature.

she has gained a lot of confidence in herself as a dancer.

anyways, they took some time to just do their little things independently.

it was giving very much study with me video.

a gift for the stays in school for real.

she also got to guest host on inkigayo.

this is the second time she's guest hosted on a music show and she really needs a full-time slot, someone get on that.

jia’s favorite schedule this era by far was kstar next door

she is an avid watcher of the show and was really upset to not go on last time

10/10 era

mv styling !!

photocards !!

concept a vers, concept b vers and digipack vers.

lines !!

hall of fame 0:00 - 0:20 (original: seungmin) ★ i write my name into the stars right now on gaelleorie nal namgyeo nal jungshimeuro doraga sunlight 0:57 - 1:00 (original: han) ★ ibi tteok beoreojige mandeuneun gwanggyeong legendary 1:12 - 1:16 (original: felix) ★ shaking the industry quaking reality making it iconic 2:24 - 2:29 (original: bangchan) ★ hear the people call my name here i’m on the hall of fame

sclass 0:20 - 0:28 (original: hyunjin) ★ byeollan geottuseongi byeonhameopji beonhwahaneun geori 0:57 - 1:00 (original: seungmin) ★ luxurious like i’m an s-class best of the best on first class 2:47 - 2:48 (original: han) ★ nune ttineun tenshyeon 3:11 - 3:13 (original: felix) ★ bichi beonjyeo deouk binnaneun star

item 0:52 - 0:58 (original: han) ★kkeunimeopshi i make it mine, never die 1:05 - 1:08 (original: han) ★aitemppal? igeon naeppal purop jangchak gadeuk cha 1:46 - 1:50 (original: seungmin) ★ got the best of the best nothing much, i confess 2:22 - 2:28 (original: han) ★ i do things that nobody can do god blessed, i’m the one and only

superbowl 0:37 - 0:40 (original: felix) ★ fresh taste, fresh scent fresh shape, fresh everything 2:23 - 2:29 (original: han) ★ i’ll do it again, just the way you want it i’ll do it again for the days to come 2:33 - 2:35 (original: han) ★ yeah we bring the rain

topline 0:43 - 0:48 (original: seungmin) ★ drawing, i’m moulding, i’m rolling my waves yeah i’m counting wins on the grand line 1:01 - 1:03 (original: felix ) ★ cause we dont give a fuck 1:22 - 1:25 (original: felix) ★ BOM DIGI DIGI BOM BOM BOM BOM 2:13 - 2:18 (original: jeongin) ★ gijuneul olligo mollineun moduga brave but they can’t pass me i’m the red line

dlc 0:00 - 0:11 (original: changbin) ★ we’re only going to dance like crazy It’s just that, I like it la la la 0:54 - 0:56 (original: han) ★sunrise 1:26 - 1:29 (original: felix) ★ amudo moreuge 2:50 - 2:18 (original: jeongin) ★ got me feeling like lalalala got me feeling like lalalala

get lit 0:35 - 0:40 (original: jeongin) ★ geocham soreum dotge tto hal georago saenggiji ilgeori sandeomi oh yeah 1:37 - 1:42 (original: bangchan) ★ I don’t wanna do it, I don’t wanna do it geunyang da naeryeonoko manyang michin deushi nollae 1:56 - 2:00 (original: seungmin) ★ oneul urin bureujua eokkae pyeogo danyeo dangdanghi saramdeul apeseo chumsawido 2:27 - 2:28 (original: han) ★ let's go

collision 0:31 - 0:36 (original: bangchan) ★ romantic haetteon chueok hwesang sogak haneullo heuteojyeo beorin maeyeon gatta 1:04 - 1:14 (original: hyunjin) ★ uri dul bappi chungdo 1:11 - 2:18 (original: hyunjin) ★ yeah chungdol 2:01 - 2:07 (original: seungmin) ★ shigani jina urin mannaseo buseojideora geu heunjeogi on uju jeonchereul maemdoneun i bam

fnf 0:31 - 0:37 (original: jeongin) ★ nal dulleossan fauna and flora meonjiga dwaedo i really want you back 1:26 - 1:28 (original: leeknow) ★ yeah i’ll never be the same 2:09 - 2:17 (original: bangchan) ★ i’m catching up 2:45 - 2:50 (original: felix) ★ dallyeoga jjochaga bulganeunghaed oh

youtiful 2:13 - 2:18 (original: bangchan) ★ “I don’t know if I’m ready to show myself” you worry day and night 2:13 - 2:18 (original: seungmin) ★ cause when you give me a glance i am sure that i see the universe in your yeyes 2:13 - 2:18 (original: jeongin) ★ then that little star was surely going to become the biggest thing 2:13 - 2:18 (original: hyunjin) ★ you are a miracle, miracle you are youtifull

the sound 0:48 - 0:51 (original: jeongin) ★ ttarawara da ttarawara da 1:27 - 1:30 (original: hyunjin/jeongin) ★ oh nothing better yeah nothing matters 2:12 - 2:17 (original: bangchan) ★ deo keuge nopyeo volume up jogeum deo gwitgaeneun hamseongsoriga meolli peojyeo ganda

time out 1:09 - 1:18 (original: han) ★ so come on let’s go tteona da mirugo eodideun gaja yeogiseo meolliro run to (run to) run to (run to) 2:39 - 2:47 (original: bangchan) ★ so come on pack up piryohan geon teong bin meori sallangineun baram ttaragaja we run to (run to) run to (run to)

#☆ . . . jia : 5star #☆ . . . jia : styling #fake kpop addition #fake kpop idol #ficnetfairy #kpop idol oc #fictional kpop idol #skz added member #skz 9th member #skz addition #skz oc #stray kids added member #stray kids addition #kpop oc #kpop addition #fake idol oc #fictional idol community

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targetslovelyworld · 1 month ago

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Stampy’s Lovely World Dashboard Simulator 2: The Squeakquel

( 53 notes )

🍪 randomwordotd Follow

Random word of the day… Oscillation

( 62 notes )

🗾 slippery-fellow Follow

Just got fished out of the lake again

🗾 slippery-fellow

They’re taking me to their fishing boat

🗾 slippery-fellow

Just moved into the fisherman’s house

🗾 slippery-fellow

I live here now 👍

🥧 pumpkinmunchkin Follow

squid no

🗾 slippery-fellow

I’m no longer homeless

#squiddy posts #slippery status updates

( 2 notes )

🎄 hollyjollypolly Follow

Hit The Target will be put on the naughty list for the 6th consecutive year in a row

🏹 freeing-this-world Follow

Not going to happen.

🎄 hollyjollypolly

Santa Claus knows what you did

🏹 freeing-this-world

Every day I fight for a better future, free from the tyranny of that wretched feline. You may laugh now, but the virtuous rise to the top in a crumbling world.

🦫 sillybillybeaver Follow

Looks like someone got coal in their stocking this year

#hit the target moment #lmao

( 572 notes )

🍄 epic-big-c Follow

Grew a mushroom today

💿 giraffeconstructionsite Follow

hell yeah that’s where it’s at

💿 giraffeconstructionsite

can we get a hell yeah from all my fungus mutuals

🦷 toothfairy-official Follow

I want to see the mushroom

🍄 epic-big-c

Tooth fairy how much do you owe in undeclared taxes

🦷 toothfairy-official

Lovely World is a tax haven. I don’t pay anything in taxes, I just do my civic duty collecting teeth!

🐸 angelfrog Follow

Can we get a hell yeah from all my teeth mutuals

💐 rosie833 Follow

your WHAT mutuals

🐸 angelfrog

Hey sometimes it’s nice to yearn for a life you can never have

#i dont have teeth

( 9,482 notes )

🐧 faithle55angel Follow

i love fishing. gotta be one of the activities ever

💐 rosie833 Follow

Fishing is awesome, I caught a seahorse last week

👑 finballs-fabulouskingdom Follow

This post is doing numbers. Follow my blog for more fabulous posts like this one!

🐧 faithle55angel

what

🐧 faithle55angel

who are you

( 131 notes )

✴️ rayman-daily Follow

Rayman

#rayman

( 3 notes )

🍪 randomwordotd Follow

Random word of the day is chocolate chips!

🍪 randomwordotd

Wait that’s two words

🍪 randomwordotd

I’m counting it as one word anyway because this is my blog.

( 79 notes )

🦊 stacy-the-fox Follow

Pumpkin pie fans assemble!!!

🥧 pumpkinmunchkin Follow

you rang?

🦊 stacy-the-fox

We’re on pumpkin pieblr now

🥧 pumpkinmunchkin

apple pie fans will be blocked on sight

🎄 hollyjollypolly Follow

= :-(

🥧 pumpkinmunchkin

wait no im sorry i take it back

#sorry polly

( 101 notes )

🐉 justdragonthings Follow

Anyone else been using pistons a lot lately

#ooc #dans originals

( 0 notes )

✴️ rayman-daily Follow

Rayman

🐸 angelfrog Follow

Craz how did you post this you’ve been asleep all day

✴️ rayman-daily

Did you think I did all my posts manually

🐸 angelfrog

I mean it wouldn’t be unreasonable to assume that

✴️ rayman-daily

Yes it would nobody runs a daily gimmick blog manually they use the queue like any reasonable person would

🍪 randomwordotd Follow

I run mine manually

✴️ rayman-daily

why would you put yourself through that

🍪 randomwordotd

Because its fun!!!

#not random words

( 5 notes )

🚹 staff

Anybody else’s dividers fucked up or just mine

#art credit to idkwhattonameme

( 218 notes )

🧀 cheesydubh Follow

just bought that magic fishing rod from the special mart.

🧀 cheesydubh

finally i can do land fishing.

🗾 slippery-fellow Follow

Dinner’s on you tonight!

🧀 cheesydubh

its just giving me rocks.

#two stars #ash updates

( 7 notes )

💿 giraffeconstructionsite Follow

favorite c418 music disc. no “see results” button. no nuance. pick your favorite

🏹 freeing-this-world Follow

Where’s 11?

💿 giraffeconstructionsite

this guy’s favorite disc is 11 😭😭😭 lmfao edgelord

🍪 randomwordotd Follow

Where’s 11

🧜🏼‍♀️ lovelovepetalz Follow

Where’s Precipice?

🐱 mr-stampy-cat Follow

That’s not C418. Sorry Amy

🥔 bubblingconcoction

Get with the program, Amy.

🦫 sillybillybeaver Follow

You know you could always just try being nicer or more pleasant to be around. That’s always an option. Nothing is stopping you.

🎇 is-william-beaver-dead-yet Follow

Wish he was tbh

💿 giraffeconstructionsite

waking up to the most insane beef ever under my own post is hilarious this isn’t even about the poll anymore

🍪 randomwordotd

Where’s 13

#stampy's lovely world #stampys lovely world #hit the target #slw longbow #fizzy elephant #squid nugget #polly reindeer #william beaver #and others

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wingsoverlagos · 8 months ago

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The Evolving Story of Kim Bennett, Pt. 1: Before Lewisohn

0. Mark Lewisohn’s Star Witness 1. An Introduction and Primer 2. The Evolving Story of Kim Bennett, Pt. 1: Before Lewisohn >You Are Here< 3. The Classic™ Contract Story, and Why Lewisohn Distrusts It 4. The Evolving Story of Kim Bennett, Pt. 2: Tune In 5. Lewisohn’s Other Sources 6. Lewisohn’s Portrayal of Kim Bennett & George Martin

After two posts and as many months of build-up, it’s finally time to look at Kim Bennett’s presence in Beatles history before Mark Lewisohn’s Tune In. As a refresher, Kim Bennett was a music plugger involved in a brief chapter of the Beatles' story, who Lewisohn draws on as a crucial witness to ~debunk the myth~ of how the Beatles’ first landed their recording contract with Parlophone. I’ve previously shown an example of Kim Bennett’s presence in Beatledom here, in an issue of Beatles Book Monthly, just a few pages before the name of a young Mark Lewisohn. I’ve also discussed some of the ways Lewisohn slants a story when he’s set on overturning a classic narrative – you can find that here.

Section 1: Mark Lewisohn on Kim Bennett

Part of the appeal of Mark Lewisohn’s Beatles-signing scoop is Kim Bennett’s oft-stated absence from the Beatles narrative. Lewisohn found and memorialized a man who had been marginalized from the Beatles’ story, a hero integral to their success who was erased from history due to his inconvenience to the legacy of a certain acclaimed producer. Not only has Lewisohn turned a classic narrative upside down, he’s righted the wrong done to Kim Bennett by the powers that be--or so he would have us believe. The importance of Bennett’s testimony and his exclusivity to Tune In is a crucial element of Lewisohn’s myth-building around himself and his work. Let’s take a look at a few examples:

In a 2014 interview with Dierdre Kelly, Lewisohn calls his revised version of the Beatles’ recording contract “probably one of the biggest things in the book.” As for how he came to that version of events, Lewisohn says, “It all fell into place when I met a man called Kim Bennett…without whose incredibly tenacious efforts—and he was never named in any book—we would never have heard of the Beatles. He literally was the story’s hero and he tells us a very different story.” [Emphasis mine]

From Allan Kozinn’s 2013 interview with Lewisohn, we get the following exchange:

Kozinn describes Bennett as “someone who had never been interviewed,” and Lewisohn not only doesn’t correct him, he furthers that idea by saying Bennett “had been trying for years to get people to listen to his story…and nobody wanted to know.”

As a final example, we’ll return to the episode of Nothing Is Real (season 7, ep. 7) that I excerpted in my first post on Bennett.

A partial transcript [emphasis mine]:

“I approached him, and he was so happy that I got in touch with him because he knew the true story of how the Beatles came to be signed to EMI and he knew that it was his efforts that had made the difference, and without him, it wouldn’t have happened. The Beatles possibly may never have happened without Kim Bennett, and he’d been trying to tell people for years, and people didn’t want to know.”

“He was a very frustrated man because no one had ever paid him the attention that he felt was his due.”

“…and if I hadn’t of got to him when we did, we wouldn’t know him, and we would always have that bizarre gap of how they got signed by someone who never met them.”

Again and again, Lewisohn tells us that Kim Bennett had been trying desperately for years to gain recognition for his action, and everyone ignored him--everyone but Mark Lewisohn. This is decidedly untrue. He has been mentioned in multiple Beatles publications by major names in Beatles history, which you can find in Section 3. But first!

Section 2: Biographical & Background Info

Here he is, the man of the hour, Kim Bennett - and I bet you thought that was the Barry Sisters! On the left, we see Kim Bennett's floating head from his days as a singer, and on the right, we see him fraternizing with Russ Conway circa 1967 - Bennett is in profile on the right. I've dug up some biographical information on the enigmatic Kim Bennett, and I wanted to share it here along with a little context about music publishing to make the accounts shared in the next section make mroe sense. If you're confident in your early-1960s music industry knowledge and know who Kim Bennett and Sid Colman are, scroll right along to Section 3.

I've cited Lewisohn a few times in this section when other sources weren't available. Every time I cite him, I put a quarter in the "Risky Citations" jar - once I've filled it a few hundred times, I'll take it to CoinStar and use the money to buy a copy of Fifty Years Adrift.

The Parlophone Contract Story is a story with many bit parts, most of whom won't appear until my next post--there will even be a figure! I'll assume you know the Beatles, Brian Epstein, and George Martin, the man who would become the Beatles' main producer. In the parlance of the times, George Martin was the A&R man (artistes and repertoire) of EMI's Parlophone label. As the A&R man at Parlophone, George M. has the head of the label, with duties including scouting artists, matching his stable of artists with songs, and overseeing the recording process.

Alongside record labels like Parlophone, Columbia, and HMV, EMI had other companies under its corporate umbrella. One of these companies was the music publisher, Ardmore & Beechwood (A&B).

Music publishers manage song copyrights; they make money by marketing and disseminating those songs. In the early 20th century, the big moneymaker for music publishers was sheet music sales. By the 1950s and 60s a sea change was in progress as record sales grew and eventually eclipsed the sale of sheet music. Just as the medium through which songs were sold changed, so did the way in which music publishers sold those songs: originally, song pluggers from publishing companies would pitch their songs to orchestras, brass bands, and dance halls, seeking out groups who performed live music, so that their audiences would go out and buy sheet music of the songs they’d heard (Southall & Perry 2006, p.ix-xii). With the rise of records, song pluggers would pitch their songs directly to A&R men; they would visit the A&R men in their office and sing the songs they had on offer, accompanying themselves on the piano while they did (Martin & Hornsby 1979, p.48). They could then market those records to sell their songs. If a song was recorded by multiple artists, as was often the case, the song publisher benefited regardless of which version of a song played. This set their interests slightly apart from record producers, who only benefited if their version of a song sold.

Let's illustrate with a Lennon-McCartney original: the music publisher for Lennon-McCartney's music, Northern Songs, would profit from both the Rolling Stones version of 'I Wanna Be Your Man' and the Beatles version, but the record companies would only benefit from the version they released - the Stones version meant money in Decca's pocket, while the Beatles version benefited EMI.

(I'm sure their are some additional business/contract complexities that come into play, but I believe the general principle is correct)

EMI Music Publishing would one day be a Big Fucking Deal, but when the Beatles joined in 1962, it didn't exist yet. Publishing was a minor interest for the company, and they had only a small publishing presence in the form of A&B, which opened in 1958 (Martland 1997, p.262). A&B was set up to handle the publishing interests of two American companies, Ardmore Music Corp. and Beechwood Music Corp., both of which were owned by Capitol Records (Cash Box 1958 Jul 26, p.34). Capitol Records had been purchased by EMI in 1955 (Southall 2009, p.25), and A&B was set up a few years later to handle their catalogue in the U.K., while also providing and option to publish through EMI for any interested songwriters. This was done at the behest of EMI Chairman Sir Joseph Lockwood (Southall 2006, p.9-10).

From its genesis, veteran music publisher Sid Colman (1905-65) served as general manager of Ardmore & Beechwood (Cash Box 1958 Jul 26, p.34). He would serve in this role until his untimely death in April 1965 (Cash Box 1965 Apr 24, p.47). You will encounter multiple spellings of his name, but Lewisohn assures us that Sid Colman (rather than Syd Coleman) is correct (2013, p.856). Kim Bennett served as his assistant and music plugger.

Born Thomas Whippey (1931-2004) (Lewisohn 2013), he became a Decca recording artist in 1954 under the name Kim Bennett. He recorded six singles, none of which charted. I haven’t found any of his work online, but for an idea of the type of music he released, here are other versions of two songs he put out: ‘Softly, Softly’ by Ruby Murray and ‘The Kentuckian Song’ by Eddy Arnold. He maintained a day job as an office worker until 1955, then briefly worked as a musician full time. He worked a season at Butlin’s (not the same location as Ringo), played some clubs, and toured with the Ambrose orchestra, but his career as a singer had petered out by late 1956. As Don Wicks puts it “[h]e was a victim of the growing rock and roll industry no longer interested in a soft pleasant vocal style.” (Wicks 1996 pt.1)

He resumed work at a toy warehouse, (Wicks 1996 pt.1) but later took a job in music publishing with B. Feldman & Co. Ltd. (Cash Box 1967 Jul 22 p.65). He began work with Ardmore & Beechwood no sooner than August 1958. He was still with Ardmore & Beechwood as of June 1965 (Cash Box 1965 Jun 5 p.55). By July 1967, he had moved to South Africa, where he ran a newly launched publishing company, Francis Day (S.A.) (Pty), which was established to manage copyrights of B. Feldman & Co. Ltd., Francis Day & Hunter, and Robbins (Cash Box 1967 Jul 22 p.65).

According to Lewisohn, Bennett spent his later years in Shropshire in “quite humble circumstances (Nothing Is Real, Season 7 Ep. 7, 29:30). He was interviewed by Lewisohn on July 27-28, 2003 (Lewisohn 2013 p.869). He died in 2004.

While biographical information on Bennett between 1967 and 2003 is slim (perhaps nonexistent), his role in the Beatles story received several mentions in print in those intervening decades.

Section 3: Kim Bennett in Beatles History

As I highlighted in my first post in this series, Kim Bennett was quoted in Beatles Book Monthly Issue 70, but that isn't his earliest appearance in the Beatles lore - he first appears in an earlier issue of BBM, issue 13, published in Augst 1964, p.22-3. He's mentioned by BBC DJ Ted King in relation to his work plugging 'Love Me Do'.

To summarize: Kim Bennett went to lunch with Ted King and pitched “Love Me Do” to him. King wasn’t fond of the record, but Bennett’s enthusiasm convinced King to play it on “Twelve O’Clock Spin.”

Our next Bennett sighting (and the first to use Bennett as a source) is the aforementioned BBM Issue 70, p.8, published May 1969.

This is part of a piece titled “When did you Switch On?” whose author is unattributed. Whoever they are spoke to Kim Bennett directly. Here’s what we can gather from this piece:

Kim Bennett was Sid Colman’s assistant

Colman “had quite a job to persuade George Martin to see the Beatles”

Bennett, presumably, was in the room when Colman “first heard the Beatles’ tapes”, since Bennett is able to relate what Sid Colman said on the matter

Colman decided to call Martin because he did not have a similar-sounding pop group, while the other EMI A&R men did

Bennett next crops up in several of Bill Harry's books, starting in 1982. Bill Harry is the founder of Mersey Beat and was an art school chum of John and Stu's; he's written a number of reference books about the Beatles, including The Beatles Encyclopedia, The John Lennon Encyclopedia, and The Book of Beatle Lists, among many others. Four of his books mention Bennett. The information in these books seems to be pulled from the two BBM articles highlighted above - with the possible exception of the last one. The books where Bennett is mentioned include:

The Beatles Who’s Who (1982): An encyclopedia of Beatle people. Bennett does not get his own entry, but he is mentioned in the entry on Sid Colman (p.84). Bennett is said to be Colman’s assistant, and his involvement in “Love Me Do” promotions is noted without detail.

The Ultimate Beatles Encyclopedia (1992): Bennett now gets his own entry (p.84-5). Again, this appears to draw from the Beatles Book articles. More detail is included here than in The Beatles Who’s Who. Bennett is mentioned again in Sid Colman’s entry (p.168). There’s a reference to Colman and Bennett liking the demos for “Love of the Loved” and “Hello Little Girl”, which is not mentioned in BBM above. However, these songs were referenced in relation to Sid Colman in The Beatles Who’s Who, so I think Bennett is just lumped in with Colman here.

Also in the Colman entry, Harry points out two conflicting accounts of the promotion of “Love Me Do.” George Martin wrote in his memoir that Ardmore & Beechwood did “virtually nothing” to promote the song, but Ted King, in BBM Issue 13, said it was Kim Bennett who got him to play the song on “Twelve O’Clock Spin.” This apparent contradiction will be discussed in detail when we deal with Tune In’s version of events, but for now, I’ll say this: it can be true that Kim Bennett did his best to promote 'Love Me Do' and acheived limited success while still falling short of the expectations of George Martin (and, crucially, Brian Epstein).

The Encyclopedia of Beatles People (1997): Bennett has a brief entry (p.45) and is mentioned in Sid Colman’s entry (p.92-93.) The Sid Colman entry includes this quote from Sir Joseph Lockwood about the Beatles’ publishing rights “I don’t blame Sid Coleman [sic], because he published the first two songs without a contract. He wasn’t getting any support from either the record producers or the solicitors.” This quote appears in Ray Coleman’s The Man Who Made The Beatles (1989), seemingly from an interview conducted by Coleman while researching that book.

The Ultimate Beatles Encyclopedia (Revised & Updated, 2001): The entry for Kim Bennett includes the entirety of the entry in the 1992 version with an additional two paragraphs (p.135-6). These paragraphs are emotionally charged and add information not available in the two articles from BBM. After detailing Bennett's involvement in 'Love Me Do' promo, Bill Harry writes,

“It’s ironic that the two people who were so enthusiastic about the Beatles and helped to get them with EMI in the first place were to have George Martin shut the door in their face by suggesting to Brian Epstein that he see Dick James about being their publisher. For one thing, it was Coleman [sic] who, after talking to Brian realized that the only A&R man at EMI who hadn’t rejected the Beatles was George Martin. Apparently, Coleman had a hard job persuading Martin to see Epstein. Even then, Martin wasn’t initially impressed by their sound. He only agreed to a test session at EMI’s No. 3 studio four weeks later, then another three months elapsed before the release of their first single. EMI and Martin weren’t even confident enough to give the Beatles a plug rating. Artists such as Cliff Richard received an ‘A’ plug on EMI’s Radio Luxembourg shows. The lowest was ‘B2’. The Beatles weren’t even given this low plug, EMI gave ‘Love Me Do’ a nil rating. “So Bennett had a hard job pushing the record without EMI using their clout. As a result, Epstein refused Ardmore & Beechwood the future Beatles publishing. Had he done so, the Beatles might have retained the rights to their own songs, and Coleman might have received some acknowledgment for having placed the Beatles into his hands in the first place.”

It’s hard to say whether or not additional information from Kim Bennett made it into this article. Much of this could be pulled from other sources and presented through a negative lens stemming from Dick James’ involvement in the Northern Songs debacle. There are, however, two elements here that are consistent with Bennett’s later accounts that might suggest that he spoke with Bill Harry: (1) the phrasing that George Martin “shut the door” in the face of A&B, rather than Brian Epstein actively seeking out a different publisher and going to George for advice, and (2) the blame placed on George Martin for the Beatles low plug rating. Both new elements, and both inconsistent with certain other versions of events.

In Philip Norman's revised Shout! (2003), there is unambiguous evidence of Kim Bennett's participation.

In the original 1981 release, Sid Colman and A&B are mentioned, but not Bennett; in the revised edition, not only is Kim Bennett present, but the information surrounding him is clearly more than the familiar, regurgitated tale found in Beatles Book Monthly.

Norman doesn’t give citations, so I can’t say conclusively how he got this new information. There may be an interview with Kim Bennett published somewhere that I haven’t come across, though I’m inclined to believe either Norman or one of his research assistants spoke to Kim Bennett directly. The phrase “According to Bennett” appears a few times in Shout! (2003), which reads as if the information is coming directly from the horse’s mouth, so to speak.

Since the revised edition was published in the same year as Lewisohn’s interview with Kim Bennett, I considered that Lewisohn might have shared his information with Norman, and Norman may have rushed an edit. I looked for the exact publication date for the revised edition of Shout!—it was weirdly hard to find—and that put to bed any ideas of Norman cribbing off of Lewisohn’s notes: Pan Macmillan Australia gives the release date as January 9, 2003, several months before Lewisohn interviewed Bennett.

The Contract Story, as presented in the revised Shout! starts in the usual way: Brian gets an acetate made from the Beatles’ demo tape, the technician likes it and puts Brian in touch with Sid Colman, who works for A&B upstairs. Colman is interested in publishing the original Lennon-McCartney numbers. Then Kim Bennett enters the picture (Norman 2003, p.164-5):

Bennett likes the disc, too, and suggests they record the Beatles independently in the for-hire studio below their Oxford Street office. Colman takes Bennett’s idea to Len Wood, managing director at EMI, but it goes against protocol, and Wood won’t allow it. Only then does Colman put Brian in touch with George Martin. Colman and Brian have a “gentlemen’s agreement” that A&B will get the Lennon-McCartney publishing rights if they get a contract with George M.

It’s a short passage, but there are already a few problems here. First, the timeline doesn’t make sense. Most early accounts have Brian’s meeting with George M. occurring the day after Sid Colman hears the tapes (see A Cellarful of Noise, The Beatles (1968), and All You Need Is Ears). The largest gap is given by Lewisohn’s Chronicle (p.53-55), in which Epstein is said to have met Colman “around February 8” (a Thursday), with the Epstein-Martin meeting occurring on Tuesday, February 13. The Epstein-Martin meeting date seems to be pulled from George Martin’s date book (he has a meeting with a “Bernard Epstein” on that date), but I’m unsure what brought Lewisohn to the February 8 conclusion. Based on other information in the Chronicle, my best guess is either a meeting between Colman and Martin on February 9th, or a letter sent to Decca by Epstein on February 10th stating he had secured a recording contract. Whether or not he had met with Colman, Epstein certainly hadn’t secured a recording contract on that date – it was purely bluster, a kiss-off to Decca.

Regardless, even if Epstein met Colman on February 8th rather than February 12th, that’s a narrow window of time for Bennett’s story to occur. Rather than trying to place the group with an A&R man at EMI, Colman does nothing until his assistant suggests they record the Beatles themselves. This is unorthodox. A large part of the job of music publishers, as I’ve said above, is to pitch songs to A&R men to get them recorded. In this case, they’d be pitching a group along with the songs, but it seems strange that they wouldn’t try to work their contacts at all before making the jump to DIY. Still, let’s assume that happens. Colman takes the idea to Len Wood. Len Wood’s office at the time was probably at EMI House in Manchester Square, which isn’t far from A&B’s Oxford Street location, so assuming Len Wood had an open schedule, and Colman felt a high enough degree of urgency to immediately take Bennett’s idea to the managing director, I suppose it’s possible that Colman took Bennett’s idea to Wood, was immediately shut down, and then called Epstein back in to set up a meeting with George Martin if we assume Epstein’s first meeting with Colman happened on the 8th rather than the 11th. Still, it seems odd to me that these events wouldn’t turn up in Epstein’s account – getting shut down by the managing director of EMI Records is sort of a big deal, and would add to the drama of the everyone-rejected-them-but-George-Martin-story.

The other big issue here is that this version of events contradicts Bennett’s account from 1969. Rather than simply overhearing Colman’s conversation with Epstein and subsequent persuasion of George Martin, Bennett now has a more active, central role. He’s not driving the story, but he now gives a version of events in which he’s one of the Beatles’ earliest champions. I don’t think it’s unfair to consider that Bennett’s increased involvement in the story might indicate an interest in being more than a footnote in Beatles’ history.

Bennett is mentioned again during the promotions of ‘Love Me Do’ (p.182-3):

Bennett secures some airtime on Two-Way Family Favourites by “repeatedly nagging a radio producer friend.” This is not the same radio show mentioned in Beatles Book Monthly Issue 13 (above), but it’s in keeping with Bennett’s role as a plugger—and that’s where Bennett’s involvement ends in Shout! (2003). There’s one more tantalizing mention of Brian’s “gentlemen’s agreement” with Colman, which he breaks due to his dissatisfaction with A&B, turning to George Martin for publishing advice.

There you have it: Kim Bennett’s evolving story pre-Tune In. It starts as a bit of extra detail that fits inside the greater framework of the Beatles’ Contract Saga, and, after thirty years, morphs into something that contradicts Bennett’s earlier version and the many other accounts of the same events. Things will get even stickier once we get to Tune In. But first...

Section 4: Why Does It Matter?

I can think of three explanations for why Lewisohn pitched Bennett as an unheard witness when he had, in fact, gone on the record before, and none of these explanations helps the credibility of the story.

Explanation 1: Neither Lewisohn nor Bennett knew about Bennett’s previous statements on the matter. This would be extremely damning for Bennett’s reliability, as it would mean he had forgotten both his 1960s statement to Beatles Book Monthly (plausible) as well as the interview that led to the information included in Shout! (concerning). This scenario also requires Lewisohn to be unaware of the above Bennett appearances, which doesn’t reflect well on his abilities as a researcher. If you find someone who you think has never been on record, you might want to at least look him up in the glossary of books by major Beatle authors.

Explanation 2: Bennett knew; Lewisohn didn’t. Perhaps Kim Bennett either neglected to inform Lewisohn of his past interviews, or outright lied to him on the matter. Lewisohn says that Bennett is “known for a dogged persistency” (Lewisohn 2013, p.571), has said that Bennett “just picks something up and he will not let it go,” (Let It Roll 2020, ~25:50), that he is “very insistent about things” and by the time Lewisohn interviewed him, “was a very frustrated man because no one had ever paid him the attention that he felt was his due.” (Nothing Is Real S7Ep7) Could this tenacity and feeling of entitlement to a part of the Beatles’ legacy have led Bennett to present himself as a bigger scoop than he really was? Might he have sold Lewisohn a tale of exclusivity and, perhaps, a version of the Contract Story more salacious and headline-grabbing than the truth?

Again, this explanation also hinges on the idea that Lewisohn was in the dark about Bennett’s prior interview(s), which is a huge oversight, but not as damning as explanation 3.

Explanation 3: Lewisohn knew and lied. Whether Bennett told Lewisohn outright that he had been interviewed in the past or if Lewisohn came upon that information in his research, Lewisohn chose to portray his interview with Bennett as exclusive. Perhaps this was purely to make his “scoop” seem juicier. Perhaps he was reluctant to give Philip Norman credit for finding Bennett first – there seems to be no love lost between Lewisohn and his former employer. Or perhaps Lewisohn knew that Bennett’s prior accounts made the story told in Tune In less credible. The early anecdote related in BBM already conflicted with the revised version in Shout! – if Bennett’s account, as related in Tune In, presented further inconsistencies, it would undermine Lewisohn’s major finding.

I’ll close with a segment from one of the better Lewisohn interviews I’ve heard. It’s from Ken Michaels’ radio show ‘Every Little Thing’, conducted in ~2013, and it’s one of the rare instances where an interviewer gives Lewisohn any pushback or asks follow-up questions regarding some of his more explosive claims. It’s an uncomfortable listen – Ken Michaels even appeared in the comments of this YouTube channel to counter claims that he has beef with Lewisohn– but satisfying to hear some meaningful questions when so many people are content to simply deify Lewisohn. Here's the relevant exchange:

youtube

KM: Aren’t there also problems with certain people that you’ve interviewed that have played some part in Beatle history that want to really elevate their status?

ML: Oh yeah, oh yeah, and it’s up to authors to ensure that they don’t get what they want. And there are unfortunately too many authors who just very happily take the stuff they’re given without challenging it. You’ve got to challenge all these things. And unless something completely fits into the framework of the story, you can’t use it.

Next time, on Days of Our Lies: the Classic Version of the Contract Story, and why Mark Lewisohn is so intent on debunking it. After that, we’ll finally look at the Contract Story as portrayed in Tune In.

Sources:

Cockcroft S, Carty J. 2023 Feb 14 [conducted 2023 Jan]. Nothing Is Real – Season 7 Episode 7 – Mark Lewisohn Returns [podcast, season 7, episode 7]. Nothing Is Real. 1:17:15. Available from: https://open.spotify.com/episode/5mtbNIreAY0Car6VASuZGV?si=b1e322e001a347e3

Coleman R. 1989. The Man Who Made the Beatles: An Intimate Biography of Brian Epstein. New York (NY): McGraw-Hill Publishing Company. 400p. Accessed online 2024 Mar 19. Available from: https://archive.org/details/manwhomadebeatle00cole/mode/2up

Kelly D. 2014 Jul 30. Setting the Record Straight: Interview with Beatles biographer Mark Lewisohn. Critics at Large. Accessed 2024 Mar 4. Available online: https://www.criticsatlarge.ca/2014/07/setting-record-straight-interview-with.html

Kozinn A. 2013 Dec 27. Tune In, and Turn On the Reading Light. ArtsBeat: New York Times Blog [accessed 2024 Feb 6]. Available from: https://archive.nytimes.com/artsbeat.blogs.nytimes.com/2013/12/27/tune-in-and-turn-on-the-reading-light/?_r=0

Lewisohn M. 1992. The Complete Beatles Chronicle. New York(NY): Barnes & Noble Books. 365p. Accessed online 2024 Mar 14. Available from: https://archive.org/details/completebeatlesc0000lewi/mode/2up

Lewisohn M. 2013. 1st U.S. Edition. The Beatles: All These Years Vol. 1: Tune In. New York (NY): Crown Archetype. 932p.

Lichtman I [editor]. 1965 Apr 24. Great Britain. Cash Box XXVI(40); International Section p.45. Accessed online 2024 Mar 18. Available from: https://archive.org/details/cashbox26unse_31/page/44/mode/2up

Lichtman I [editor]. 1965 Jun 5. Great Britain. Cash Box Vol.XXVI(46); International Section p.55. Accessed online 2024 Mar 13. Available from: https://archive.org/details/cashbox26unse_37/mode/2up

Lichtman I [editor]. 1965 Jul 24. Great Britain. Cash Box Vol. XXVI(53); International Section p.53. Accessed online 2024 Mar 13. Available from: https://archive.org/details/cashbox27unse/mode/2up

Lichtman I [editor]. 1967 Jul 22. Overlooking South Africa. Cash Box Vol.XXVIII(52); International Section p.65. Accessed online 2024 Mar 13. Available from: https://archive.org/details/cashbox28unse_50/mode/2up

Martin G, Hornsby J. 1979. All You Need is Ears. New York (NY): St. Martin’s Griffin. 293p.

Martland P. 1997. Since Records Began: EMI: The first 100 years. London: B.T. Batsford Ltd. 359p. Accessed online 2024 Mar 17. Available from: https://archive.org/details/sincerecordsbega0000mart/mode/2up

Michaels K. 2013. Mark Lewisohn interview [radio broadcast episode]. The Beatles – Every Little Thing. Originally aired on XM Radio. 1:53:18. Available from: https://www.youtube.com/watch?v=CjAUtngSoKc

Parnes S [editor]. 1958 Jul 26. Ardmore & Beechwood Open London Office. Cash Box Vol. XIX(45); p.34. Accessed online 2024 Mar 18. Available from: https://archive.org/details/cashbox19unse_43/page/34/mode/2up

Southall B, Perry R. 2006. Northern Songs: The True Story of The Beatles Song Publishing Empire. London: Omnibus Press. 218p. Accessed online 2024 Mar 13. Available from: https://archive.org/details/northernsongstru0000sout/mode/2up

*Wicks D. 1998. Updated 2012. The Ballad Years: From the Bombs to the Beatles: a Directory and Discography of British Popular Music-makers from 1945-1960. Accessed online 2024 Mar. Available from: https://archive.org/details/theballadyears/Book%20Contents/

Wilcox N. 2020 Apr 27. How The Beatles Got Signed [podcast, season 7]. Let It Roll. 57:21. Available from: https://dcs.megaphone.fm/PAN2878353172.mp3?key=5204cb23c38410bae94e208461239e2d&request_event_id=e800ecea-9c5e-40f2-90e3-dad820306501

Images from The Ballad Years and Cash Box 1967 Jul 22

*The Ballad Years by Don Wicks was originally published circa 1998 (by a company called In Tune International, of all things!) There is some great contextual info included at the Internet Archive link; to condense it here, after the original print run of the book, Don Wick continued to update the book, primarily to reflect the death of artists. He distributed these via Microsoft Word Document, and the 2012 version of these documents was uploaded to the Internet Archive. I believe that is the reason for “The Barry Sisters” being plastered across Kim Bennett’s face – the pages including artists’ pictures have very wonky formatting.

#mark lewisohn #the beatles #tune in #kim bennett #sid colman #ardmore & beechwood #it's TOO LONG but what can ya do #bless you if you read this whole thing

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