#...to engage in 'harmful' behaviour...

[uncanny-tranny]

Part of harm reduction is recognizing that abstinence or sobriety, whenever these terms are applicable, is not the inherent goal for so many people. Forcing complete abstinence or sobriety can absolutely be detrimental, which is why we must not idealize either one or force it on people. It should be an option, yes, but that does not mean it is the only option or the only option worth pursuing.

[transmascutena]

Good evening (or morning, depending on your timezone).

Absolutely no hate, but I want to ask how you reconcile your enjoyment of the show with the reality of what Ikuhara has (most likely) done?/gen

I understand Death of the Author, but what drew me to Utena in the first place was its theme of critiquing the patriarchy and calling out abuse, which feels somewhat hypocritical now. I resonate with this show, and many of Ikuhara's other shows, on a personal level, which is why I am especially disappointed with the accusations since I now have to wonder how that reflects onto me as a person...?

Obviously I don't know you personally, but you seem to spend a lot of time and care on your analyses (which are great btw) so have you also struggled with this?

Again, there is like zero judgement when I say this and I'm absolutely not trying to come off as hostile (in case that is how this reads). And, there is no pressure on you to answer this and I'll completely understand if you want to ignore the ask.

Thanks.

hi, i've been thinking about this as well since yesterday, and it is kind of tough to figure out how to feel about. i think it's important to remember that ikuhara did not make revolutionary girl utena alone, for one. he had a whole team of writers and animators and producers and so on, that it would not exist without. obviously ikuhara played a big part in the show's creation, but far from the only one (if it was, i have no doubt it would be very very different), and . idk what my point really is here but i don't think his actions reflect on the show as a whole. it still is what it is, it still says the same important things about our society's systems of abuse that we've always talked about, even if the director didn't understand it or didn't want to understand it or however you want to put it. and by extension i don't think it reflects on to all the people who have enjoyed the show, who have seen their experiences in it, who have learned from it more about how this kind of abuse works and so on. and i think we need to be aware of what has (allegedly, but again, i believe it) happened, but i don't necessarily think we need to write off the show just because he had a hand in making it. because it is just as important as we've always known it to be, you know? though i think there are (as there has always been and there always is in anything) elements of the show to be critical of, and maybe some new things as well in light of this. i'll have to think about it more.

[thornheartfelt]

"Selfshipping is valid, but it's weird when someone acts like they're genuinely in a relationship with a character"

Sorry, I have no idea what you said because I was distracted by my love for my fictional partners

[hiddenintheveil]

.

[iridescentis]

I really want Pearl to team with a group next season. We've seen her in a duo, we've seen her in a duo that turned into a trio and we've seen her alone but we haven't seen her in a group yet and I think that would be really interesting.

I think she really suits duos because it feels like whoever she is with keeps her grounded, and when she's alone, she goes mad because she doesn't have anyone to hold her down. I think it would be really cool to see her in a big group of like 4 or 5 next season and see how she responds to that - is she just as devoted to her allies or does her strength in numbers make it easier to be disloyal?

[groundlicker]

anyone else ever really bothered by people dismissing someone by saying theyre just doing it for attention.

[natsmagi]

FOR REAL I GET SO MAD WHEN I SEE POSTS LIKE "eww why are ntsmg fans such weirdos!! They dont deserve to have natsume/tsumugi as their favs!!" Like first of all we're not hurting anybody pls let us LIVE, second of all Have You Seen the Characters in Question. Like if we're freaks then what does that make THEM!??!? If they were real theyd be the freaks ur complaining abt!!! TL;DR natsumugi loser weirdo freaks canon and im here for it. Also that alice natsume is so CUUUUTE

ITS KIND OF ODD TBH ?? like obviously i get that not everyones going to like the same stuff but like. if you dont like characters being weird, why do You then also like ntmg.......? if its someone who doesnt ship them thats complaining then fine whatever but its so weird to me when people who claim to ship them make these complaints bc its like?? then why do you ship them???? do you Only like the bits where the two of them are being sweet to each other? do you only like their angsty backstory? do you only like the comedic relief? i have a hard time grasping the idea of dedicating yourself to a pair or character without loving (or at the very least tolerating) every aspect of them........ have these people read the stories? or are they being deliberately oblivious? i have no idea

it makes me really sad how people are so afraid of being seen as "weird" though. too often that word comes with negative connotations when that doesnt need to be the case at all, and i wish these people would stop living in fear and surrounding themselves with those who judge people based off how Socially Normal (according to a christian society) they are

also i just get annoyed seeing ntmg get watered down to some idealized couple completely stripped from their complexities to better fit what we're taught is Morally Correct (according to puritanical beliefs) or reduced to a comedic duo SHDKJFHD

[ranger-kellyn]

i said it on my swiftie blog last but fuck it i'll say it here too bc i woke up still annoyed about it:

for a website that does a ton of bitching and moaning about media literacy and and saying all this "you all clearly didn't pay attention in high school english", funny how suddenly none of y'all know what a fucking metaphor is.

of course taylor wasn't literally raised in an asylum! the public eye is the inescapable asylum!

i think about all the genuinely shitty and harmful things i've said and done across all my nearly 30 years. i have said and done some awful shit, because i am an incredibly fallible person who was raised by incredibly fallible parents and relatives, raised in a fallible community (things i literally had ZERO choice in) and surrounded by incredibly fallible friends. i have hung around some horrible people who said and did horrible things.

if i had to learn everything i've learned all while under a microscope from the public-- yeah! i'd go fucking insane! i wouldn't last ten seconds in that!!

and i really reckon you wouldn't, either, because the unfortunately reality is we're all fallible. most of us just have the luxury of being complete nobodies

[dennisboobs]

this is genuinely... so funny to me. like the hilarity of copypasting rational tweets. i'm literally right. it's not even a funny copypasta because it's literally just. objectively correct. it's a criticism of twitter culture and that makes it funny to you because...... god forbid you actually have empathy for other people. caring is for losers if you're on twitter dot com, you have to be snarky and funny at all times.

[troonwolf]

Yeah okay the thing with this is if you’re neutral on endogenics you’re neutral on a cult and I legitimately don’t consider you safe to be around, especially for mentailly ill people who have been harmed by this shit to be around. I also don’t think your judgement or perspective can be trusted.

It’s like being “neutral” to Q-anon or anti-vaxx. You know it’s harmful, you see the harm it does, you’re involved in syscourse so you must see it, but you still insist on being “unaligned”. Yes I consider that a red flag, sorry not sorry.

[xmischiefmaker]

Man, twitter really is the wild west. With utmost grief and dismay did that app thrust upon me the knowledge that those cunts still treat Loki like some poor little trauma baby who can do no wrong. Didn't realise they still had those people in stock

[bionic-penis]

Dawg if I can be pawfectly honest like bare my soul honest um I'm kinda sick of this life like I just want to crawl under ground and decompose there 😁

[ghelgheli]

i would actually like to hear more of your thoughts on whipping girl, whenever you feel ready enough to talk about it. i've only ever heard positive recommendations for it. i was thinking of reading it. i've read one or two introductory 101 texts on transmisogyny as well as some medium/substack posts, and always looking to read more as a tme person. ty!

thanks for asking! I'm gonna try to be concise because I'm stuck on my phone for the month, but here are my thoughts on whipping girl:

serano is at her strongest in the book in three areas: manifestations of transmisogyny in media (e.g. how trans caricatures pervade movies), the history of medical institutions developing a pathology of transsexuality (like the diagnostics of blanchard et al. or how trans people seeking healthcare were and continue to be forced into acting out prescribed expressions and manufacturing memories), and the construction of her own transition narrative (telling the reader what it was like for her to grow up desiring femininity in a way that confused her, the experience of crossdressing, the effects of hrt for her)

whenever she's just sticking to this, I think she effectively communicates a lot that the unaware reader could benefit from—even many trans women/transfems/tma people who are otherwise in tune with the history of medicalized transsexualism and our popular depictions could probably benefit from her own personal narrative, by nature of how variegated our experiences can be.

unfortunately I think the book fails at its primary—stated—goal, which is to theorize about transmisogyny. in the big picture this is a bifurcated failure:

on one branch of her argument, she remains committed to there being something biologically essential/innate about gender. this manifests thru multiple claims: that we have "innate inclinations" toward masculinity/femininity and "subconscious sex" rather than what I believe, which is that the latter are constructed categories imposed on different matrices of behaviour/expression/desire in different cultural contexts; that there is "definitely a biological component to gender" (close paraphrase) after a discussion of how she believes E and T tend to affect people (thus equivocating gender with dominant hormones!); that we have such a thing as "physical sex" which is the composition of our culturally decided "sex characteristics" (don't ask me how the dividing line is drawn) even as she says we should stop using "biological sex" as a term; that there is "no harm" in agreeing that "sex" is largely bimodal with some exceptions; that social constructionism is necessarily erasure of transsexual experiences in early childhood... altogether she is unwilling to relinquish arguments about the partial "innateness" of femininity/masculinity and gender. this is at tension with her admission on several occasions that these are neither culturally/geographically nor temporally stable concepts! but that doesn't seem to be a line she can follow thru on.

on another, intertwining branch, she engages in what I think is a deep and widespread mistake in the theorizing of transmisogyny: reducing it (mechanistically) to what she calls effemimania* or essentially anti-femininity. it is her stated thesis at the start that masculinity is universally preferred to femininity. she doesn't offer a definition of either term until one of the final chapters, where she defines them as the behaviours and expressions associated with a particular gender. but I think this reduction just misunderstands transmisogyny. it is even in tension with an observation she makes early on, that trans women are often punished for their perceived masculinity! but again, this is a thought she seems unable or unwilling to follow thru with.

my problem with the thesis is that masculinity and femininity do not float free of gender—it is not possible to speak of their valuation in the abstract. anyone who grew up as a masculine cis girl and never "grew out" of that "phase" can attest to the violence wrought upon expressions of masculinity from women. and this applies doubly so to the subjects of transmisogyny! not only are we punished for any perceived bleed-through of masculinity from our supposed "underlying male selves", those of us who are willingly masculine and thriving as mascs are punished for our failure to conform to the rules of the normative womanhood that is imposed on us (just as we are punished for any willing femininity as "false" and predatory upon cis womanhood—observe that transmisogyny is reactive degendering in every case!).

on both branches serano makes only perfunctory remarks about the intersections with race, class, and colonialism. "sex" as such was made to only be accessible to the "civilized", most of all the white european! for a racialized person and particularly a Black person navigating gender the waters are just not the same; the signifiers of sex neither available in the same way, nor granted the same medical legitimacy. what is the "physical sex" of someone who is de-sexed altogether? how can gender have a "biologically innate" component when its expressions between the bourgeoisie and the working class are at total odds with one another? this all goes for the masculine/feminine distinctions as well. what sense is there in the claim that we have innately masculine/feminine inclinations when globally (and transmisogyny has been made global!) what is feminine and masculine can be very nearly mirrored? nor is "masculinity is always considered superior to femininity" innocent of obviating race. transmisogynoir adds yet further degendering thru the coercive masculinization of someone as a Black woman—masculinization as punishment, again!

and as a final point, the account fails to be materialist. there is no attempt to place transmisogyny in its role as an instrument of political economy or, as jules gill-peterson might say, as a tool of statecraft. it is just a psychological response to the way the world is, as far as serano has anything to say about it. but how did the world become that way, and why?? serano's solution, the abolition of what she calls gender entitlement, is naive to the fact that gender entitlement is necessary to the maintenance of the capitalist state, which is structured thru patriarchy and built on colonialism. it is not possible to reskin this into something innocuous!

this is why I cannot recommend whipping girl as a work about transmisogyny except at the most shallow level. it could be a helpful critical read, but imo, it is just wrong about transmisogyny.

[apas-95]

one of the more common manifestations of idealism you can run into among 'progressives' is the notion that intentionality matters significantly more than it actually does.

the principal way you'll see it is as a defense of some sort of privilege: that, for example, people the USA who benefit from imperial spoils, in even something as small as availability of bananas, aren't knowingly deciding to engage in the exploitation of latin america - as though this somehow changes the conditions of the workers harvesting said bananas, or the cheap price they sell for in the US as a result. you'll often also see it assumed, when discussing a given social class acting in its class interests, that such a thing must necessarily mean conscious planning and conspiracy. most often, it'll appear in discussions of bigotry.

the notion, that the intent of a bigot is what generates bigotry, is an idealistic, individualistic notion. it discounts the material, structural nature of systems of oppression, and it explicitly follows that, for instance, someone who behaves in a racist way without knowing so somehow isn't being racist - that A Racist is what someone is inside, rather than racism being something they do. this view of oppression as stemming principally from the thoughts in a bigots head rather than the actual circumstances of the oppressed also leads to other wrong conclusions, like the transphobic notion that trans men are victims of misogyny, rather than transphobia; or that transmisogynists who aggress against trans women are 'man-hating'.

in general, this sort of idealism is deployed to defend against some notion of moral culpability, of being a Bad Person, and serves to excuse harmful behaviours.

[wh0reforcoriolanussnow]

Red tipped gloves || Young President!Coriolanus Snow x reader

Summary: The thought of motherhood at such a young age was absolutely terrifying. Though Coriolanus doesn’t seem to understand why.!

Warnings: mention of blood, self harm in the form of picking at nails, toxic Coryo, reader is implied to be young, manipulation, if there's anything else pls lmk

Wc: 811

A/n: I'm so bad with these summaries I can't even.

Divider by @firefly-graphics

A child expecting a child. How messed up was that? You rub the swell of your stomach as you stare at yourself. Youth evident in your still-round cheeks, yet the impending responsibilities cast shadows on the innocence of your features.

Gnawing at your law rips, you smooth down the dress that Coriolanus picked out for you. Dainty, innocent, just like how he liked to dress you up for social events.

Your hands subconsciously move together as you pick at your already picked-at nails. The horrible habit you picked up ever since you got married to Coryo.

Hearing the door suddenly open, you quickly pause your actions, moving your hands behind your back as you turn around to face Coryo.

Noticing your strange behaviour, he pauses to look at you before his eyes move behind you to the reflection of the mirror where you fingers were fidgeting.

Swiftly closing the door, Coriolanus strides purposefully toward you, casting a tall shadow as he towers over. Even in high heels, you find him looming above. “Show me your hands,” he commands, his tone firm and unyielding.

A subtle blend of defiance and confusion colors your expression, causing a faint twitch in your lips. “What?” your voice was too quiet, your tone feigning nervousness. A light gulp accompanies the gentle quiver of your lips.

“I said, show me your hands,” Coriolanus repeats himself, his tone escalating in volume. You release a slow exhale through your nose, carefully extending your hands in front of you. Your eyes, hesitant and uneasy, divert off to the side, catching the subtle nuances of your husband’s frustration as he lets out a sigh.

“I thought you stopped that horrible habit of yours,” he retorted sharply, firmly grabbing your hands as you flinched. A displeased expression crosses his face as he looks down at your fingers—raw and drawing blood—before his gaze shifts to your face, your bottom lip nervously tucked beneath your front teeth.

“I couldn’t help it,” you whisper softly, a hint of shame and embarrassment weaving through your tone, while he exhales deeply through his nose. “I’ll arrange for more gloves to be sent to you before tonight,” he says wearily, gently resting his hands on the curve of your stomach before quietly leaving.

~

Beside Coriolanus, engaged with his fair-weathered friends, you find yourself zoning out, your gaze fixed on the glass of water cradled in your gloved hands. The murmur of conversation fades into the background; you’re simply bored and disinterested in the overly serious discussion.

“Darling,” Coriolanus’ voice, firm yet gentle, pulls your attention as you lift your eyes to find everyone in the group focused on you. “I’m sorry, what was it?” you meekly ask, eliciting light chuckles from the women and amused glances from the men.

Coriolanus holds himself back from rolling his eyes, instead, he takes a large gulp of his posca. “Mrs. Cardew asked you how far along you are,” He smiles down at you, the kind of smile that didn’t quite reach his eyes.

“Oh,” you say softly, meeting Mrs. Cardew’s gaze, “28 weeks.” You smile at the older woman, and a few people in the group react with appreciative sounds. Coriolanus pulls you closer to his side, a possessive grasp signaling to those with wandering eyes who you belong to.

As the night wore on, a queasiness settled in your stomach. Socializing with Coriolanus’ friends became exhausting—forcing smiles, feigning excitement for the baby was draining. Leaning in, you whisper in Coriolanus’ ear, “Can I retire to our room? I don’t feel well.”

“Do you really need to? Right now?” he harshly whispers, and you gulp, hesitantly nodding. He sighs, rolls his eyes, and gets up. “Excuse me, my wife needs to rest,” he says to those around you with a fake smile as you quietly apologised.

Hand in hand, Coriolanus leads you to your shared bedroom, forcefully closing the door behind you. It was abundantly clear that he's upset about your early departure from the party.

“Did you just make up an excuse so you could leave the party? Is that it?” Coryo bitterly accuses you as you take a seat on one of the couches. “What? I didn’t make up an excuse. I’m pregnant for heavens sake, Coryo,” You frown, deeply offended by his accusation.

“Yeah, sure,” He chuckles, crossing his arms. “Why is that so hard to believe,” you scoff, mirroring his crossed arms. "Eleanor is in the exact same state as you, and she seemed perfectly fine," he shrugs, his tone nonchalant, causing your lips to part in disbelief.

“Are you seriously comparing me to Eleanor?” You furrow your eyebrows, a touch of frustration in your voice. Ready to counter his unfair comparison, you point out the facts, “She's considerably older than me, has experienced childbirth before. Naturally, she'd feel fine, Coryo."

Coriolanus mumbles something incoherent under his breath, his attitude towards you causing tears to well up in your eyes. His choice of comparison feels like a pointed jab in the most sensitive spot. When you sniffle, your husband's attention is caught. "Are you crying?" he swiftly retorts, his gaze probing, while you avert your eyes, concealing the probable redness.

A soft laugh escapes him, "Honestly, you can be so childish sometimes. Getting upset over that?" He raises an eyebrow at you—ironically so. His comment serves as a spark igniting a blaze within you. How dare he call you childish when you’ve done nothing but act older than you were.

“I just can’t believe you’re comparing me to Eleanor who’s had children before, unlike me who’s fucking terrified at the thought of being a mother,” you spat, the intensity of your emotions evident in your words. Even from a distance, you notice the shift in Coriolanus' eyes, the once-blue depths now darkening with an unspoken tension.

“As the First Lady you’re expected to give me heirs. Now I need a woman who’s ready to give me children, are you going to be her or not?” His words strike a nerve, and you feel your eyes twitch as a headache begins to form.

"Did you even think about that before marrying me, Coryo?" you challenge, your words causing him to furrow his eyebrows. "Because you damn well know I'm not prepared to be a mother. So, why choose me? You could have selected someone else—someone older, someone genuinely willing to birth your children." The air hangs heavy with the weight of your words, leaving a palpable tension between you and Coriolanus.

Your fingers unconsciously pick at your nails, the once-immaculate white gloves now bear crimson stains at the fingertips. Coriolanus' gaze fixates on your hands, and he snaps, swiftly moving towards you to pry your fingers apart. "Stop doing that!" he commands, his tone sharp.

As he moves in, his face is so close that you can feel his breath gently fanning your features. Undeterred, he continues with a venom-laced voice, "You should be thanking me for choosing you, for pulling your family from debt." His eyes, intense and unyielding, bore into yours.

“I could have married someone else. I had a list I could have chosen from who could’ve helped but no, you had to marry me.” you assert, the weight of your words causing a brief shock to cross Coriolanus' face. It's a rare moment where you've left him momentarily speechless.

Breaking the silence, he mutters, "I'll have the servants bring you some medicine." With one final glance, he withdraws, leaving the room. The atmosphere hangs thick with unspoken tensions, the stained gloves and the lingering words serving as tangible reminders of the strain in your relationship.

[xo-codbby]

thinking about playboy!ghost x manhater!reader 🍒🖤

callsign: cherry. 18+

you loved your team but the truth remained the same, men simply sucked. too many times had you been burnt out, learning constant lessons over and over preferring to know someone properly before you introduced them to your bed. while ghost was just purely physical, just needing release. he didn't want to engage in deep conversation, he swore off of love years ago but there wasn't harm in chasing gratification for his physical needs even if he left a string of broken hearts behind him

ghost is cocky in the fact that he knows he looks good, he knows he has women at his disposable without saying a word. his bed warmed by frequent visitors, many wanting to come back but not getting the chance to. a soft scoff leaving your lips whenever you see a woman hanging onto his arm, practically lapping at his every word. the sight makes you recoil away but it only makes him want to aggravate you that much more

absolutely hating one another when you both first met.

according to him, you were too stuck up. your terrible attitude, your prudish behaviour, little miss know it all. he disliked it all and you had been the same, his arrogant cocky personality paired with his unbearable sarcasm. just another womaniser. you disliked him more than words could explain.

and yet the line between hate and love was a fine line indeed

getting teased around base relentlessly by him

"c'mere cherry, let me show you how to let off some steam-" "fuck right off"

ghost constantly offering you a quick lay whenever the team finished up a particularly stressful mission. gaz and soap chuckling at the snark you gave back, the only one to your defence was price offering a gentle hand and a stern look to ghost who rolled his eyes

but him getting so jealous when you get the attention of another man, when he sees you talking to someone else around the barracks it felt different. it felt intimate, too close for his liking. and with some forceful persuasion from price, he found out the new sergeant had taken a liking to you. and regrettably, you were starting to feel something for him too. he doesn't know why it pisses him off so much but he'll be damned if he doesn't wreak hell on the bastard

his absolute favourite way to piss you off is inviting a woman to his bed, making her scream and moan out his name as loud as he can,

"that's all y'can do f'me? louder doll, lemme hear just how good it feels"

as he's thrusting so deep into her cunt but it doesn't feel the same like it used to. he won't be able to cum until he's imagining your face, imagining the pretty sounds he'd coax from your lips.

how his cock would throb deep into your willing pussy, how he'd rub the tip of aching cock against your entrance relishing in the way you squeezed him so tightly. the very sight almost makes him groan out your name, even the thought of tasting your slick makes him shiver in anticipation.

and of course it's your room beside him, you're subjected to listening this woman's moans and how great he's making her feel. a warm feeling stirring deep between your legs but you refuse to engage in his stupidity cursing at him as you throw yet another book at the wall. the sounds only stir him on, competing with you who could make the loudest sounds.

it's only when price, again, yells out a sharp command from the depths of his room that it's silence once more

the next morning you're woken up by gaz and soap laughing and hooting at him, heading to the kitchen to see his dark brown eyes twinkle as he looks at you. he stands against the counter, a mug of tea in his hands. his balaclava pulled up over his nose while he eyes you up and down stalking your every move

"an' how'd you sleep, cherry?"

his voice is a hoarse rumble from having woken up, his cocky grin as he looks at you over. wondering if you had touched yourself to his sounds he let spill just for you, wondering whether you squeezed your legs tightly or grinded against the pillow for some relief

but your eyes roll and brows furrow, not wanting to entertain his bullshit. only offering a smartass comment as you look back at your phone. the very sight makes him want to pounce on you, to show you what you were missing

but say one day you get your heart broken and the feelings come head to head, piss drunk as you knock thrice on his door watching him open with a disgruntled look on his face

"bloody 'ell, y'gonna bash my door in-"

doesn't even get the words out before you've pulled him to your face and kissing him feverishly, the door slamming shut behind you both. but when you get to the bed, the alcohol and the heightened emotions lull you into a deep sleep as he sighs softly. looking around before setting you down and laying next to you. grumbling softly how you're lucky to be sleeping in his bed

he doesn't even have sex but he swears it's the most intimate he's ever been with someone

so playboy ghost, the man who would pay for ladies ubers so they wouldn't sleep in his personal space, the man who chose to fuck casually with no feeling, the man who swore off love altogether held you captive in his arms snuggling into you.

the very man who broke the vow he made not to ever get entangled with emotions had clung to you like you were his lifeline in a torrential sea and you had escaped his clutches like a thief in the night like he had done so many times to others. and perhaps if he wasn't so heartbroken he might've laughed at the irony of the situation, what comes around goes around