#...but there's something about the way it can be used in a video game

[sharoo]

Self-knowledge as a theme in STP messes me up so bad, bros.

This all starts with how little the Princess can tell you if you ask her about herself. How little you can say about yourself, more often than not. Most of the time Quiet doesn't even know what they look like!

The Narrator makes it a point to make the Princess' cluelessness, her lack of self-knowledge, into deception, but really, both the protagonists don't know themselves. How could they?

The concepts of bounds, of something that isn't you, the distinction of "self" and "other", "you" and "I", the concept of something being not like yourself... this is the first time this deity which is now two has ever experienced it.

The Shifting Mound and the Long Quiet did not exist until the Narrator tore a whole into parts.

Now, this deity in twain has to reorient. It has only begun existing, it's not yet known itself. A toddler has to develop a self-concept, and the concepts of others.

Now imagine, for the first time in your solitary existence, that there is something that you are not. Unknowable, foreign.

What are they like, you think? Are they a friend? Should I get to know them? Are they a foe? I do not know them, I cannot trust them... Or can I?

This brings to mind, of all things, Contrapoints' video on Twilight, where she speaks about the concepts of Union and Division in relation to love. And while she speaks of it in terms of eros, it can apply here just as easily, romantically and platonically.

Love is the union of two beings. We love because something outside of us allows us to be more than ourself. In others, many seek that which they lack. We seek out people so that we may develop through our similarities and contrasts with them, to change an be changed.

We seek out people because there can be no I without a You. To exist in a void is not a fulfilling experience.

We cannot discover ourself if he have nothing that allows us to compare ourself. The mirrors elude us throughout the game, always leading to the princess - she is the only way we may know ourselves, the mirrors tease as they disappear. And at the end of the route, only then, can you see yourself, now that you have a complete knowledge of yourself in a given scenario, with a given persona.

Was the princess someone you decided to trust? Or to betray? Was she a foe? A friend? A nightmare? A victim?

You both try to find out who you are through your relationship.

The princess assumes many faces and attitudes in response to you, you assume voices and attitudes in response to her. You're two batches of clay shaping each other at the same time. It's almost like knowing someone your entire life, seeing them go through different phases as they try to find out their identity in the world, their place. The 5 routes, whatever they be, are your "adolescence".

And growing means you will hurt each other, intentionally or not. There will be fights, disagreements, there will be heartache, and comfort and love.

And everything will pass.

Shifty, before she's complete, before she discovers her godhood, makes this point so clear.

How could she not be kind to you? You are the only thing in this place that is not her. What reason could she have to hate you? To make the only friend she could have into an enemy?

That's why, at the end of every route, all hurts are forgiven. All the heartache is acknowledged, understood, and then she moves on. So that you may continue being together, so that she may see what else you do.

Even godhood can become a phase. The Shifting Mound recognises what you both were, but it need not be you unless you accept it. Because self-knowledge is unending. You are always changing, and you can always change.

You can accept being a god, and that becomes you.

You can reject being a god, and that becomes you.

You are by that point an "adult". The figure trying to dictate who both of you are is gone, and you can decide for yourself.

I think this is partially why I love the Leave with Stranger ending the best of all the endings. You begin it by avoiding knowledge of yourself and of another. The self can only exist as far as it is not like the others.

And you meet the Stranger, this being who knows so little about herself, because she too has been deprived of another. The route is quick. It really cannot amount to much, because if you don't know yourself, it's so hard to build a relationship.

But at the end, they've matured. You gave each other time to become fuller beings. You met this person again and they seem so much happier with themself than they were in youth.

I love how they say "We're just a stranger.", and the voices point out how it needn't be sad that you don't know her, unless you make it out to be. You can get to know them, the real them, and they can do that with you.

The way the Stranger speaks if the position of a God only underlines how much the heart of the Shifting Mound can understand self-knowledge.

They speak of how they feel themself be pulled towards taking the position of godhood, of being everything, yet find it confining. Restricting.

"We want more. We want whatever might be on the other side of this door. Something new, that we'll experience together. With someone who exists outside of us. Someone who can see us in a way we can never see ourself."

Self-knowledge through relationships and reflection on how you impact other people.

[lazycats-stuff]

Hey cats, I was the one who sent you that anon that's alright with me, I don't mind but is an gen z reader yeeted to the dc verse be okay? I could picture Bruce almost growing white hair because of reader who is an epitome of ✨unhealthy coping mechanism✨

Oh yeah, a reader just yeeted in there... Some universe doing some shit and Bruce adopts him... While also losing his mind. I love it. Lets go. It's a bit short, but... I like it.

Summary: (Y/N) is Gen Z. Bruce is loosing his mind.

Warnings: unhealthy coping mechanisms, Gen Z ones at that.

Bruce knew that each generation is different. They have different opinions, don't like to be told what to do exactly, although that's more specific to the newer generations. That is something that Bruce knew all to well. Gen Z wanting to have a balance between work and personal business. Bruce could respect that. But one other thing that shocked Bruce about Gen Z is the fact they have so many unhealthy coping mechanisms.

How would Bruce know?

He has adopted a teen who simply got, according to Jason and other younger heroes, yeeted into their universe. Universe where Justice League and it's heroes are real. And where DC comic universe is real. (Y/N) was forced to explain to the entire Justice League what DC is, what does it contain. And that has only applied to comic books. Then he had to explain cartoons, movies, video games... Absolutely everything.

Bruce found it to be interesting, the entire multiverse essentially, all of them are carefully planned out... Bruce found them to also be a great source of information. What to avoid, what to do... It was an incredible well of information and has decided to investigate this even more.

And while doing so, keep (Y/N) close to make sure that he has the information he needs.

And while (Y/N) is a nice kid, he has some unhealthy... Coping mechanisms as he calls them.

First one being jokes. Humor is something that can help a person if they feel down. Or if they simply want to deflect. And (Y/N)'s sense of humor is rather... Dark, to say the very least. Bruce would more often than not get gray hairs if he heard (Y/N) joking about his will to live being gone. He knows that (Y/N) is not suicidal... Right?

Humor is simply used to deflect... Right?

Bruce didn't quite like how (Y/N) was chronically online. Sure, teens spend time on their phone, but this is borderline an addiction. Bruce has tried to solve the problem with putting restrictions, taking the phone away. Put settings that don't allow (Y/N) to be online from certain times. That was to try to make (Y/N) sleep better, since he's clearly online into the late hours of the night.

Bruce simply wants the only child in the house who is not on patrol to have a normal sleeping schedule. Is that a crazy thing to ask for? It should be a normal thing to ask for, right? Being chronically online is far from good. Far, far, from good.

Also, hyper fixation.

(Y/N) was more invested in fiction rather than reality. Which would be fine. If it didn't interfere with his life. In what way, I might hear you asking? He's been neglecting his hygiene, gets angsty and anxious if he is not near his hyper fixation. Bruce never knew that Gen Z is this... Bruce shouldn't say annoying, but this was getting out of hand. Rather fast.

Bruce had to take action.

Otherwise he would get a lot more grey hairs. Way more. Way more.

" (Y/N), go to sleep. " Bruce pleaded, suited up and ready to go on patrol, however, he can't go, knowing that (Y/N) won't go to sleep. And everyone needs their 7 to 9 hours of sleep. Besides Bruce and the boys that are... On their night job. To put it mildly.

" I'm not tired Bruce. "

A common response in the most recent days from (Y/N) to Bruce.

" I swear to God, I'll sedate you with ketamine if you don't go to sleep. I'll knock you out with it to the point you'll be sleeping for days. " Bruce threatened and then came the infamous two words.

Alright, bet.

Bruce was seeing red at the mere thought of those words. They were both taunting and dismissive. Not something to be saying to an already stressed father anyway. And while Bruce has grown to love (Y/N) as his son, he was going to lose his mind with him.

" Alright, here's a deal. You go to sleep and sleep through the night and I'll take you to see your favorite artist. "

(Y/N) tilted his head, frowning.

" Promise? "

" I promise you. I swear it to you. I'll get you VIP tickets. I'll make sure to take you myself and pull strings. But for the love of God and everything else, go to sleep! "

[scopophobia-polaris]

So, to add on to Navi's post, because her whole read for the original was getting screenshots from the game to debunk what was said, of course....we are now here. I want to tell you that no one here disagreed with your conclusion about Ganondorf being a victim. What we here disagreed with was the method you used to get there. Simplifying Ganondorf down to solely good or solely evil is something this Fandom does all the time with little to no nuance. And even though you have written an eloquent essay, Published even! You twisted or outright made up parts of the game to get to your conclusion. In essay writing, that's called a logical fallacy, and the whole essay either twists what happens in the game or outright gets it wrong.

Now people are probably gonna wonder why I'm treating this like a big deal or why I'm speaking so blunt, because this is by all means very stupid fandom drama.

But I think when you're a college prof and you get an essay published and it's online for people to read everywhere without you, one, not giving the context behind Ganondorf's creation and the coding of his appearance and motivations, two the complexities of a corporate conglomerate in a notoriously socially conservative country taking aesthetics from countries who were historically colonized. And Three, The way that video games are a collaborative effort with usually no singular vision, this is very true at nintendo despite what people may think, and at any moment changes can be made for any reason by team leads or executives that would hinder or even hurt a story. It detrimental to the audience reading it that you do not provide them more of a couple of screenshots

Basically, many things go into a story and now I'm taking this more from a DOYLIST view right here talking about Nintendo. But I'm doing this because you keep trying to say..... well fuck man do I need to pull up more examples? Navi got them all, the whole essay is you trying HEAVILY to imply that Nintendo MEANT to do all of this, as in intentional in the story, idk I feel crazy, words have meaning, specific wording has implication, oh and this dosent even get into how localization can change things 😃😀 wording has meaning and sometimes translators don't have cultural contexxxtttttttt and to not even mention about Nintendo's history or even the short hand that comes from Ganondorf's design and the historical Orientalism behind it feels like a disservice to the paper, but much more qualified people then I have discussed the way Ganondorf is written and probably would love to discuss or link to previous writing again if asked.

And this is a cold take but Nintendo isn’t the place you should be looking to for deep story telling, they will always be a corporate entity first and the bottom line is a general audience, this does not mean JUST KIDS this means to a generalized population. And this is extremely cynical but a lot of people cant even handle the complexity of a female character who is mean, like Midna, do you really think people would handle a Ganondorf like how he is in Tp being portrayed in any form of film language as good????? This game dropped 5 years after 9/11, Nintendo was never gonna lose out in money like that.

And Dude people have given so much shit to HUGE fanartists and comic authors about their work portraying Ganondorf in a sympathetic light, you would of thunk more people would of picked up on Ganondorf's story being written as tragedy if there was something in the game that actually DID that. Maybe they would of written a blog post about how Midna saw Link kill Ganondorf and was ashamed of that or Ganondorf TOTALLY said the history of light and shadow will be written in blood thing before the final battle, you think people would of talked about huh why did Ganondorf say that there or something and maybe went 🤔 instead of it being argued that Tp Ganondorf had the weakest writing of the series until TotK threw a pile of flaming shit at my door with a picture of Ganondorf on it.

Navi also goes in depth on how Hyrule has not exactly stagnated like what was claimed in History of Light and Shadow by using the Goron merchants and Yeto as examples.

Rynling has stated that the cause of the stagnation and decline is due to an ineffectual leader that has "Not allowed its people to be revitalized by change and diversity."

Now I am familiar with the flaws of an undetermined national unity, I am very familiar with the subject, but I’m not going to speak like an authority. Id rather let someone much more qualified make that post and I link back to it, because i know its coming. But Navi said in her post that the idea of what could of happened at Arbiter's Grounds can completely blow over someone's head if they didn't play OoT first, and I think more or less this is accurate, certain things are lost in Wind Waker even with the recaps, but I wanna join in on this in my own way...

Rynling....you may say Hyrule has been on a decline during Tp......you may even think OoT had a more stable Hyrule or some shit.....i THINK YOU FORGOT ABOUT THE PLOT OF OCARINA OF TIME BAYBEEEEEEE

THE SUPPLEMENTAL MATERIAL THAT I CAN PULL UP TO PROVE MY SHIT ABOUT OOT HYRULE BEING DOG SHIT IN COMPARISON TO TP

Like if you're seriously gonna link me and Navi to your essay then I am about to go full BTW it's a Sativa and eat that bitch after midnight cuZ we YELLIN ABOUT OCARINA OF TIME ON THIS POST FOR EVERYONE🌟🌟🌟🌟🌟

All of Ocarina of Time's narrative is haunted by the civil war, the whole reason why Link is being raised in the woods is cuz of the civil war, the Sheikah are implied to have died out during the same conflict, and well its said that Hyrule was unified during it

Civil War yet the translators use unified the country like it WASNT under a sole ruler before? Hello? I need to go back through the Japanese script for the game again to see if i missed something of the game and freak it harder. And do realize the Deku sprout in this screenshot says fierce war but every where else, including the Zelda wiki (not fandom) its CIVIL War.

The Gate to Death mountain and Simultaniously the fence at Zora's river gives us and idea that peace was....tenuous at best downright hostile at worse given relations with the Gerudo

so today we gonna do some fun comparing and contrasting the Gorons and how they are treated in OoT to TP

and we gonna start with his racist ass BHJBHDBHKCJW

I mean, damn remmeber how mad Darunia is at Link for being the supposed royal family messenger? Link Unlocking the door to Darunia's room with Zelda's lullaby, I think it's a little funny that Darunia is hung up , you know, like he knows this is some disrespectful shit

Hey wannna hear some shit? The gates at the edge of death mountain aren't guarded by Gorons and were not built by them you can tell, the only way to visit the mountain is to get permission from the King to go up and not from the people that actually live there

God and like, there is something about the way Darunia locks himself in his room, like he does it to keep the ruby safe from all the other Gorons being so hungry that he's frightened they're gonna eat it, he doesn't know what to do on how to act about the Dodongos that Ganondorf summon on him for not giving over that rock. It qlmost sounds like when Ganondorf came in and Threatened Darunia, and that he (Darunia) sent a message to the royal family asking for help, why else would he be expecting someone to come meet with him?

"If I'm not mistaken, you came out here to eat the red stone too! Well, too bad! It's not here! What? That's not why you're here? You're looking for a "Spiritual Stone?" You must mean that delicious-looking red stone that was once displayed above the city! I was so hungry that I thought it would be OK to just give it one tiny, little lick...so I snuck up there. But it was already gone! I think Big Brother took it away. He always says that everyone is after that red stone! Big Brother has shut himself up in his room saying, "I will wait in here for the Royal Family's messenger!" this is a quote from the Goron that you can find on the middle of the rope bridge thing in Goron city.

Yeah so he sent a letter or something and no one answered yeesh.

contrast this all with TP where OH LOOKS WHO'S GUARDING DEATH MOUNTAIN

so in TP spoilers, this happens

Kakariko is more connected then ever! Renado here is wondering what the hell is going on with their FRIENDS. And yeah the Goron elder Gor Coron is trying to keep the last few people from kakariko left safe, and other Gorons, i mean, theyre keeping a piece of the fused shadow in there. also the way that entry into the temple goes in this game is cute, Darunia was freaking it cuz everyone is starving, but here Link wrestles his way up a mountain to ask the Gron elder whats happening since he was asked to come here by Renado, Gor Coron goes DAMN

unless......?

IDK ITS LIKE? ITS SILLY? Idk Hyrule isnt the best place but why try and act like this doesnt happen during TP?

so where am i getting at with this? the hell was going on back during OoT? If things are so odd and weirdly tense with the gates gaurds and non responses

"As time passed, the Triforce became a legend, and the different people of Hyrule forgot the laws and wisdom that the goddesses had left behind. Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo. It seemed every race of Hyrule was at the other's throat. Only the secluded Kokiri, sheltered by their magical forest and the Great Deku Tree, were spared the destruction of Hyrule's civil wars.

After 50 years of ceaseless combat, there arose a Hylian King of great wisdom, courage and power. Through his brilliant military campaigns and wise diplomacy, he was able to bring the varied people of Hyrule into a tenuous harmony. Treaties of peace were signed, and prosperity once again seemed to bloom in Hyrule. But no sooner had people declared peace in Hyrule than trouble once again stalked the land."

Tenuous Harmony, could you imagine if they dropped a line like this in Creating a champion? The tumblr side of the fandom would go fucking nuts with that info like OHHHHH SHIT WAS GOING ONNNNNN

This was ALL on the offical Nintendo Zelda website back when oot was the big game out, we have this cuz someone saved it to the wayback, THIS SCREENSHOT WAS FROM DECEMBER 14TH 2001, ABOUT A FULL YEAR AND A DAY UNTIL WIND WAKER WAS RELEASED IN JAPAN. THAT'S INSANE RIGHT???? ‼️‼️🔥🔥🔥🔥🔥🔥

And then it all probably got deleted once wind waker became the new thing!!! Or when they wanted to modernize and deleted it!!! THAT SUCKS RIGHT????

And what's worse is that it introduces some new info and also clarifies something. Hey you know when I made that post like damn Darunia racist as hell

"Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo."

NO WHERE IN THE GAME THE LEGEND OF ZELDA OCARINA OF TIME IT SAYS THIS, IT DOES NOT STATE THERE WAS CONFLICT BETWEEN THE GORONS AND GERUDO.....LIKE DIN GET YA KIDS.....IM LOOKING EVERYWHERE FOR SOMETHING I MUST OF MISSED.

But Like oh hey a fucking explanation to why he just fucking says that, I figure it was cuz of Ganondorf trying to almond mom all of them or that he kept talking to the King and well.....Navi already showed the GENERAL reaction to the Gerudo in castle town.

it went from oh hes just racist to dARUNIA AND GANONDORF HAVE HISTORY????

But the interesting one is why did thy Zora "marched on the Hylians."

Like sitting here like, I know a comic made in Germany shouldn't be a be all end all in shit I knew it never was and it would like. If you put this in warrior cats canonicoty categorization would be considered lower down supplementary material dubious canon, but their are things in the comic AND the Himekawa manga that behinds some behind the scenes actions given that LINK'S MOM HAS A MOSTLY CONSISTENT DESIGN WHAT THE HELLLLLLLL. And I always thought the Goron Zora war thing was stupid but Nintendo then had that out on their website, what the hell was going ON.

Because idk i didnt think much of Zora De Bon XVI and the Hyrulien King's relationship but

Now a days the Zelda website is much different and does not have lore pages like this anymore, it's more like a summary of the timeline. But yeah actually Nintendo approved shit, Hylian/Zora war.

Hyrule is progressing, its just going slowly, Hyrule is not AS stifled by its monarchy or a lack of integration during TP because Hyrule IS integrating, is people's are intermingling like is hasn't before during this game.

And this isn't even to get started on the E3 demo of Twilight princess that the trip that Link is supposed to take at the beginning of the game was to be the representative of Ordon at the "Hyrule summit

and Hyrule is described in a VERY specific way

Kingdom of Hyrule and neighboring realms? like theyre all not under the crown? so like???? FUN, that didn't end up making it in the game. the dailouge that is, But the remints is still there in the way the game is made up, like how OoT is built off is civil war bones

actually funny, Navi just got me screenshots of the way the dialouge was changed here

Like stuff clearly changed during the demo and finished game, I should of been touching more on the intricacies of how like shit was just change for no reason sometimes but uh....

But maybe @rawliverandgoronspice would want to one day like about games industry stuff if you ever want to 😭 I know you're super passionate on this and I wish I like even off hand mentioned something about how like TP is also effected by how games are made but I didn't and I'm a fool but games are complicated as hell and that post you made talking a bit about it was fun ya know 👉👈 and the Beta of Tp changes a LOT of stuff, one Rusl really is like a brother to link in the way he messes with him, it actually makes some weird Nintendo licensed shit saying hes like a big brother to Link made WAYYYYY more since with the Beta in mind, but....that also mean they tried to keep the big bro vibes....but then put the dad ones in there too like.....uh...did..someone not change his summary anywhere?

that was my big thing i wanted to talk about, navi's already touched on everything else i just think the parallels here between the Goron quest between OoT and TP changes in such a nice way.

And like this doesn't get into other shit about TP, like if we wanna deep dive into shit ya don't gotta do it by twisting the story, like I was going and talking to @blackautmedia to ask with some help when it came to like.......god idk what i even said anymore i was going a mile a minute. He wants to write his own thing on Twilight princess so im not gonna step on his toes but he has recommended Arabs and Muslims in the Media: Race and Representation after 9/11 by Evelyn Alsultany, the link I provided here is too her website and her page on the book this link here is from her own site that has a pdf of a part American Quarterly with a paper by the same name.

Anyways i wanna reflex for a moment cuz ive been up for hours finishing this because my brain wont stop unless i do. But the thing that by all means started this, was not your reblog linking me and Navi to your essay, or that there is 2 versions i found out where the paper published one had a lot more context to why you wrote your tumblr post the way you did, Navi helped me get the parts that were cut, please realize removing these does not remove the sentiment from the essay, its baked in.

fanfic, its a popular Fan interpretation that there was fighting between the Gerudo and Hylians after Ganondorf was caught trying to take the triforce, but this is not stated to of happened in the lore itself or even has evidence to back it up other then the Implications of Arbiter's grounds theory

UGHHHH AND THIS AGAIN "Twilight Princess Delivers a subtle yet poignant protest against neoliberal discourses of empire reflected in the rhetoric of heroism inform the geopolitical movements of Japan throught the twentieth century"

WHAT ARE YOU FUCKING TALKING ABOUT......

i dont mean this in a stupid ass way, im saying where the hell was about the protest thing, wait i really shouldt take from the published one cuz you actually dumbed down the line for tumblr

anyways again, where, Navi made it clear enough with her own post that, no, the way that Ganondorf is animated has no sympathy for him until the light is literally leaving him. Hell Twilight princess inst very kind to the gerudo either given that the only thing said about them is that they were thieves and nothing more. Like somehow OoT is more empathetic to the Gerudo, it doesn't just call them thieves, it aint great its not even good its just a bad portrayal of a people, and yet somehow OoT is willing to show the Gerudo in a neutral light at points then TP ever did.

but the reason i decided to just throw down a post is cuz i was pissed that you went after Ezlo for reblogging ME and NAVI's posts and purposefully misunderstood their fuckin wind waker post about ZELDA YOUTUBERS

dude you had them getting genuinely harassed by people with 0 reading comprehension that thinks a snarky reply to a tumblr post means its 100% correct. Webbed. Site.

anyways, I hope people don't take this as a right or wrong way to interpret a piece of work, as stated before, I read your essay, navi read your essay, you changed parts of Twilight Princess to get to the conclusion of you paper...And im gonna be real but it's kinda crazy that you're using post colonial melancholia for this when it's got some.....well something like idk i need someone to do a full ass review because there are point where i gently raise an eyebrow im gonna be real. but also like

like how do you read his book and then miss out on this, one of your whole big aruments is that hyrule is stagnate and not multi cultural and i had to grab screenshots and Navi had to get shit from the game.

like damn, do yall ever uh feel a strange sadness when dusk falls? i do. Idk this is one of the first and last times Nintendo ever delt with Ganondorf with some form a sympathy for him, cuz we got the dragon explosion in totk its like oh he's turbo evil now and he exploded you exploded him and yet the Gerudo probably still gotta pay for his shit from a billion years ago anyways idk idk idk pot shots at totk again.

I know you dug around a little for that post, and I understand from the numerous people that dmed me about that, you probably went on making an essay on their post so you could sound smart again.

And to be clear, I was told to drop some shit i was about to say about you because no one wants to start fandom drama, neither do I truly and any jab on the post itself would just be rude. people change and some people only learn to shut the hell up, so we'll keep it at that. I just hope you really don't truly recognize some of these people you started shit with.

So yeah tldr, uh.....idk, im going in for an autism screening in a month

also me watching the ending to windwaker cuz i wanted to say something about stong endings TP fans im sorry But Wind waker's ending hits no matter what best sequal to OoT thats isnt Majora's mask

The History of Light and Shadow

At the end of Twilight Princess, Ganondorf delivers one of his most memorable lines, “The history of light and shadow will be written in blood.” He is not wrong. As the player has witnessed over the course of Link’s adventure, Hyrule is haunted by ruins and ghost towns, a mere shadow of what it once was. The landscape is filled with numerous sites of past violence and empty spaces visibly marked by decay and wasted potential.

When Zelda tells Link and Midna that “these dark times are the result of our deeds,” she is referring to specific historical acts of imperialistic aggression. Hyrule established hegemony over its outlying territories by crushing the rebellions against its advances, but the kingdom has suffered from cultural stagnation as a result. Without the dynamic diversity symbolized by Ganondorf, Hyrule finds itself in economic and political decline, isolated from any contact with the world beyond its shrinking borders.

As a representative of a marginalized group of people who have been attacked and driven from their homes, Ganondorf is a tangible manifestation of the horrors of imperialism. He must be defeated, but doing so does not address the underlying problems that have resulted in Hyrule’s decline. I therefore want to argue that Twilight Princess uses Ganondorf to deliver a subtle yet poignant protest against the discourses of empire reflected by the dualistic “light and shadow” rhetoric of heroism that has resulted in tragedy and regret.

Keep reading

[acciotaitlynn]

Xavier following you around begging for forgiveness, interfering with your dates, etc after you break up with him because he chose mc to save instead of you but he regrets it now plzzzzzz? 🥺

Hiii! ˶ᵔ ᵕ ᵔ˶ I hope it's okay that this is spicy! Xavikitty's got me really worked up 😩💦 This healed something in me fr. Thank you for requesting!

→ xavier༝you ꒰sylus is your bestie꒱

→ 18+, unprotected sex, vsex, marking/claiming, fingering, masturbation, oral;꒰fem!receiving꒱ angst, overstim, angel/baby/good girl used, ⋆˙⟡ reader is not mc from lads

→ wc: 9k

It plays on an endless loop in Xavier’s head—he remembers pushing you into harm's way to protect her. He shuts his eyes, steeling himself as the memory flares up like a haunting specter, nausea twisting at its force.

How can he possibly make you understand? After countless lifetimes dedicated to protecting Mai, it’s become instinctual, as natural as breathing. He’s devoted himself to placing her life above all else, including his own, to the point where it requires no conscious thought. His body moves according to her needs, like weary clay molded to her unyielding will.

Typically, keeping her safe fills him with immense pride and joy. She’s the center of his existence—the one thing he’s never once regretted dedicating himself to.

He’s unsure when that began to change. Perhaps it was the first moment he laid eyes on you. He remembers it vividly… 

You stood beside Mai, the woman he’s always considered the most beautiful soul in the world, yet all he could see was you. A soft, surprised inhale escaped him as he caught your radiant gaze. Then his eyes wandered over your form, drawn to the uniform that hugged your curves in all the right places—curves that stirred a long-buried ache in him, a longing he’d almost forgotten existed.

Captain Jenna assigned you to the Unicorns team, instructing them to show you the ropes during your first few months. Much to Mai's dismay, Xavier took a shine to you. You both hit it off instantly, diving into animated discussions about books, video games, and anime that last for hours. 

Xavier changes around you. It's a stark contrast from his usual aloof demeanor; he becomes like an overeager puppy, radiating a cheerful, youthful energy that draws you in. You make him feel alive, his soul buzzing with excitement whenever you're around.

Then there's Mai. The lingering touches and flirtations between her and Xavier are familiar yet futile. He feels something for her—his body still heats up when she’s near, and the butterflies flutter in his stomach whenever she hugs him. But you? You make his heart race to the point where he can't think straight. You ignite a spark in him that he’s hesitant to acknowledge, filling him with light and hope. 

With Mai, it’s different. While she makes him happy, the constant chase for something unachievable cloaks their moments in a bittersweet melancholy, even during the brightest times. A nagging question lingers in his mind—is he starting to care for you so deeply that it’s overshadowing his feelings for her? Is that even possible?

Mai has consumed his thoughts and desires for as long as he can remember. He struggles to disentangle himself from her, even against his will. But ever since that first mission together, you’ve carved a place in his psyche that’s too significant to ignore. 

Unbeknownst to him, his changes around you are glaringly obvious. And you can't help but smirk at how annoyed it makes Mai. She does her best to keep you away from him, often splitting up during missions to maintain her hold. She sits closer to Xavier, throwing you daggers with her glares, her flirtations with him seemingly growing bolder by the day. 

Currently, her arm is draped over his shoulders as she whispers into his ear. As your eyes meet Xavier’s, warmth blooms in his gaze, only to falter when you quickly look away.

It’s only been three days since he pushed you in front of that wanderer without a second thought, pulling Mai away as though her safety was paramount. Mai executed her plan with precision, positioning herself between you and the threat when Xavier was distracted to force a choice upon him. It was meant to convey that he ultimately belongs to her.

You've asked him to avoid speaking to you unless it’s work-related, and even then, you prefer silence. His gentle voice feels like a sharp knife cutting deep into your resolve. Just one more month, and you can escape this toxic duo for good.

Watching Mai cling to him is torture—some sort of cruel cosmic punishment for an unknown transgression. Every place her hands linger is a spot you crave for yourself. Your desire for Xavier has burned since the moment you laid eyes on him. It’s evident he shares that longing, how his gaze roams over you when he thinks you’re not looking, and how he blushes fiercely at the simplest of touches.

You just don’t understand it. You know their heartbreaking history; Sylus filled you in. Giving up on something you've worked so hard for is a monumental challenge. Still, they don’t joke and laugh like you do. His eyes don’t light up for her the way they do for you; that deep cerulean gaze doesn’t trace her form with the same heat anymore. He no longer seeks her out or reciprocates her touches. In fact, he’d likely forget her entirely if she weren’t always throwing herself at him. 

So, why doesn’t he draw a line? Why won’t he create the boundary he so obviously needs? It’s maddening. 

You wish for the patrol minutes to fly by so you can escape, grab a few drinks, and retreat to the safety of binge-watching anime, where you can finally process your feelings. 

Your friend’s ringtone cuts through your frustration as Mai nuzzles into Xavier, earning a grimace from him as he pulls back slightly. The deep voice on the other end of your phone call soothes your irritation like crisp, smoky whiskey. 

“Sylus,” you breathe, relief washing over you at the welcome distraction. You hadn’t realized how much you needed it until now.

“You sound upset, sweetie. Is a certain naughty kitten causing you some frustration again?” he teases, referring to the skank currently toeing Xavier’s thigh. You glance around, taking in the scene around you, and it only intensifies your disgust. It's a crowded street, and she just pops her boot off and goes for it.

“It would be great if you could come take her away. for like, ever,” you mumble grumpily.

"But then you might miss me," he drawls, a hint of mischief in his voice.

"That's why video chat exists," you reply, rolling your eyes.

Mai knows exactly who’s on the other end of that line, but her confidence in your friendship with Sylus keeps her at ease. She knows you don’t stand in the way of her claim on him. Instead, she leans closer to Xavier, her fingers tracing lazy shapes along his arm, a suggestive grin plastered on her face. 

Yet it’s a futile effort. Xavier is hanging on your every word, his focus unwavering. His remains unreadable as you assure Sylus you'll arrive soon.

Finally, the clock strikes midnight. Unfortunately, you’ve ridden here with Mai, as your car is in the shop. You contemplate how to ask for a lift, but before you can gather the courage, Xavier swiftly breaks free from Mai’s grasp and gently guides you toward his car.

Your brow furrows in confusion. “Xavier!” Mai's voice drips with irritation as she tries to pull him back.

He dodges her intervention, a determined look in his eyes. “Don’t you need a ride?” he asks, keeping his gaze steady on you.

Mai’s stunned expression is almost comical, but Xavier doesn’t give her the satisfaction of a response. He’s not about to subject you to another awkward ride with her, especially when he can’t shake the unsettled feeling that gnaws at him at the thought of you having dinner with Sylus. How easily you seemed to relax upon receiving his call is driving Xavier mad. 

As Mai seethes next to her bike, Xavier’s focus remains ahead, his expression calm, but his grip on the steering wheel is white-knuckled. You angle toward the window, crossing your arms and letting the scenery blur past. Irritation bubbles just beneath the surface, and you can’t help but murmur, “Escaping your master’s leash. Impressive.” 

He glances at you, a sad smile tugging at the corners of his mouth, but then he turns his gaze back to the road, leaving the tension hanging in the air between you.

Sylus is waiting when you pull up, propped casually against the bar’s porch, with a cigarette in hand and a knowing glint in his eyes as he watches you arrive. Xavier seems poised to say something, but you hop out of the car before he can get the words out, striding straight past Sylus and tossing a casual “What’s up?” over your shoulder.

You miss the way Sylus shoots a glance at Xavier—a look that says, “You better behave.” He has no grudge against the hunter; Mai chose Sylus, so what was there for him to resent? That was until Xavier started hurting you.

“I seriously don’t understand what you see in her,” you mutter as Sylus takes a seat, prompting a chuckle from him and a playful ruffle of your hair.

“I find it all part of her charm,” he shoots back with a grin.

With an exasperated sigh, you focus on getting drunk enough to forget Xavier. That task feels daunting until Sylus volunteers for karaoke, his performance drowning out your worries. When he flops back down at the table, he wears a broad grin, eyes sparkling.

“Good, right?” he asks, confidence overflowing, and it takes all your restraint not to tease him.

He’s sensitive about his singing. So, you lean in with your best serious face. “So good, Sy. You’ve gotten even better!”

His ego balloons as he settles back into the booth, nodding appreciatively as he says, “Truly.”

Carmine eyes brightened by the drinks, his flushed face scans the room, and you can’t help but feel a twinge of annoyance at how effortlessly beautiful he looks when he lets loose. Just once, you wish he’d look bad, allowing you to be the cute one in the friendship.

Noticing your irritated appraisal, Sylus chuckles, his arm draping over the booth. He shoots you a mock, severe look. “Better not let your hunter catch you looking at me like that, sweetie. Or Mai, for that matter.”

You snort, rolling your eyes. “Your head is getting bigger. Seriously, it might be wider than your shoulders by now.”

But his smile vanishes, replaced by concern as he studies you. “How are you holding up?”

Your gentle smile reflects your appreciation for his genuine concern. Sylus can be a pain, but he also knows how to be a great friend. “I’m okay, I guess. If your girl gets any more hands-on, though…” You narrow your eyes at him like it’s his fault. “Doesn’t it bother you that she’s all over him lately?”

He shrugs nonchalantly, tossing back a shot. “Sweetie, look at me, then at him—what’s there to worry about?”

Your scoff drips with sarcasm, enough to irk him. He raises an eyebrow and playfully kicks your ankle, smirking as you wince and curse loudly enough to catch others' attention. But soon, his worry returns, his voice softening as he tries to comfort you. “You know their history, dove. Surely, you can see that letting her go will be nearly impossible for him. I warned you about this.”

He did warn you, and you didn’t listen. Now you wish you had. You gave him a tender smile and a reassuring pat on his hand, murmuring, “I know. I just need time to accept it.”

Mission accomplished—both you and Sylus are sufficiently drunk as you head out, making plans for him to drop you off at your place. You’re busy teasing Mephisto, who’s perched on Sylus’s shoulder. His irritated nip catches your attention, and you notice Xavier’s car is still parked outside. 

Xavier knows you can see him, but you turn away, hopping on Sylus’s bike as he takes off. Guilt and irritation bubble within him as he hits the dashboard, cursing softly while watching you disappear into the distance.

When did he start hating Sylus for being near you rather than for being near Mai? As he contemplates, he realizes their relationship hasn’t bothered him lately. He’s certain he heard them banging last night from his apartment, and he couldn’t have cared less. All that consumed his mind was how to show you how sorry he is. 

After a while, his imagination ran wild, turning Mai’s cries of pleasure into thoughts of you, your sweet voice calling out in ecstasy.  His desire grew painfully as he imagined you beneath him, gripping himself tightly as he came hard enough to see stars, all while dealing with the guilt of betraying your trust.

Earlier, words had failed him, bound tight by guilt and nerves. He doesn’t know how to make you understand, but he has to try; the thought of seeing you in pain any longer is unbearable. The need to wrap you in his arms and kiss away that adorable frown grows stronger daily.

The hope of taking you home and getting a chance to try again disappears with your retreating silhouette. He groans in frustration, his head hitting the steering wheel as exhaustion trickles over him.

He’s an absolute mess. He can’t eat or sleep—two of his favorite things. Even meat doesn’t hold appeal right now. He’s miserable. 

Helplessly, he follows you and Sylus, watching your figures from his car as you sit in front of the TV.  Eventually, though, he leaves, knowing knocking on your door in the middle of the night to fall on his knees and apologize isn’t a realistic option unless he wants you to see just how much he’s falling apart over this.

At some point, you fall asleep, and Sylus covers you up before heading out. Both you and Xavier hope for relief in your dreams, but instead, your dreams are haunted by each other’s presence.

Mai has taken the day off to accompany Sylus on a business deal, and as much as you hate to admit it, you miss her. It would have been nice if Sylus had taken you along instead, leaving her here to make Xavier as miserable as you are.

Once upon a time, the thought of being alone with him on a mission filled you with excitement, practically keeping you awake the night before from sheer nerves. Now, you do your best to ignore him, walking just out of reach.

He kicks a rock, a quiet sigh escaping his lips. “We should head back soon; it’s getting late. We can look for the protocore again tomorrow.”

Guilt bubbles up in you at the melancholy lacing his voice. You nod and gesture toward a nearby Wanderer, saying, “Let’s take that one down and head out.”

The two of you fight seamlessly, your movements flowing together in a rhythm more exquisite than what he shares with Mai—something that seems to stun him every time. Without realizing it, he’s started gravitating toward you during battles, often having to forcibly pull himself back to her side.

A fresh pang of guilt gnaws at him, a feeling of drifting further away from what he’s always believed to be his purpose in life. He feels so lost, and there’s only one direction he longs to run in.

When did you become his guiding star?

The trip home is the most awkward car ride you’ve ever endured, the air thick with unease. You let out a long sigh, adjusting your seat as you turn up the volume on Mozart's Symphony No. 41, the "Jupiter" movement, hoping the music can cut through the oppressive silence. The soothing notes help ease Xavier's anxiety a bit, which in turn allows you to relax as the tension around you fades—if only slightly.

But as he parks in front of your place and kills the engine, the uncomfortable atmosphere returns with full force. Every part of you longs to bolt inside, terrified of the conversation that looms ahead. You know what’s coming. He’ll look at you with those beautiful, earnest eyes and say he’s sorry, genuinely believing it, but that apology will only sharpen the pain. If he genuinely cared, he wouldn’t have put you in harm’s way. If you mattered to him, he would have shown it when it counted.

You look away, remaining still in a silent invitation for him to speak.

His soft voice slices through the tension, murmuring, “I’m so sorry.”

Another wave of silence washes over you, anger surging beneath the surface—a force that takes all your strength to suppress. You shake your head in disbelief, your nails digging into your palms as you seek relief from the emotional turmoil. Pain to drown out the pain.

He notices, gently taking your hand, unfurling your fingers, and placing them back in your lap. Your body responds to his touch, a raw ache begging for more, while a part of you screams in frustration. Shooting him a glare, you cross your arms tightly, fighting against the tears welling up.

“Don’t touch me, Xavier.” Your voice is low and firm—an order that conflicts with the desperate plea of your heart, urging you to draw him closer.

His face falls, shoulders slumping as his hand drops to his lap. “Okay,” he whispers, the hurt in his voice cracking your heart a little more. You reach for him, then quickly pull back.

Searching your face, he pleads, “May I have a moment to explain? I know it won’t help, but—”

You grab your bag, cutting him off. “No need; Sylus took care of it. You chase her across the cosmos, hopelessly in love with someone who doesn’t deserve you. I'm caught up. Thank you for the apology, though. Really,” you say softly, closing the door behind you. As you walk away, you can almost feel the weight of his regret lingering in the air.

A date at Meow’s Cafe, surrounded by adorable miniature cats, should be a delightful experience. Yet today, it feels heavy with the weight of Xavier’s absence. It’s your first time here without him, and everything is off; the playful mews of the kitties have lost their charm, grating on your nerves instead, while the usually vibrant atmosphere feels dull and lifeless.

The man sitting across from you is undeniably attractive, with dark, wavy hair, a chiseled jawline, and a smile that promises excitement and chaos. You can’t help but appreciate the way his fingers linger a moment too long on your skin or the longing glint in his eyes. Yet, the ache of Xavier’s absence lingers, casting a shadow over your attempts to enjoy the moment.

Excusing yourself to the restroom, you scrub your hands, your thoughts lingering on thoughts of him. Just as you’re about to shake the memories away, his soft voice—almost a whisper—brushes against your ear. “Does he play as well as me?”

You can almost feel the tension radiating from him, the palpable mix of frustration and jealousy. Xavier’s emotions swirl around him, creating a glow that’s impossible to ignore. Watching you with someone else, someone who seems to draw you in far too easily, has shattered something within him. 

As you turn, you’re startled to find him standing there, his presence commanding and intense. His cheeks are flushed, his breaths quickening, and his hooded blue eyes betray a storm of feelings: anger, grief, desire, and a potent possessiveness that sends a thrilling shiver down your spine.

You fight to maintain your composure, voice steady as you ask, “What are you doing here?” Tara set this date up for you just yesterday, assuring you that it would help you forget about Xavier. Clearly, that wasn’t going to happen.

He closes the distance between you in a heartbeat, his lips grazing your cheek as he pushes you gently against the wall. For a moment, his tender touch makes you forget all about the boundaries you've set.

“What are you—”

He cups your cheek, kissing you so softly it nearly steals your breath away. “There aren’t words to express how sorry I am,” he murmurs, his forehead resting against yours, thumb brushing away your unshed tears as you stand frozen, torn between pushing him away and kissing him again.

You allow his lips to skim your neck, cursing your body’s betrayal when you feel an intense warmth spread through you at just the brush of his breath on your skin. 

“If I could do it over, I wouldn’t make the same choice,” he confesses, his eyes lifting to meet yours with sincerity. The truth in his words shakes him to his core—given another chance, he would choose you without hesitation.

Reality crashes over you, jarring you from his spell. You pull away, a sad, pitying look crossing your face. “Yes, you really would,” you reply quietly, determination solidifying your resolve as you stride out of the cafe with your date in tow.

Your date's name is Ash, but it feels irrelevant; he’s merely a means to an end, a warm body to help work out your frustrations. A pretty placeholder whose touch you imagine belongs to Xavier—a delicious fantasy until you accidentally murmur Xavier’s name, and the atmosphere grows awkward. 

Left alone, forced to find release on your own. Visions of Xavier’s cock filling you up while his beautiful gaze locks with yours consume your mind. You’re a mess of whimpers, chanting his name in a prayer that fills the stillness of your room as you ride an orgasm so powerful it borders on pain. Despite its overwhelming intensity, it does nothing to ease the ache that demands you give in to him, insisting on your claim in every way possible.

It disgusts you how you can still want someone who causes you so much pain, someone who can never care for you like you care for him. 

Your phone pings, lighting up with a message—from Xavier. He hasn’t texted you since that fateful mission, and you kick yourself at the happiness the sudden communication brings you.

“I can’t stop thinking about you.”

Next, a video comes through, sending your phone flying across the carpet as a shriek leaves you. Your hand claps over your mouth in shock, and you immediately rush to retrieve it, relentless desire flooding you at the image on the screen.

Xavier reclines on a sofa with his legs spread wide, his black button-up open to show off his lean, sculpted form. He frees his cock—so hard it looks painful. He must be super sensitive because the moment his hand wraps around himself, he lets out a needy little whimper that curls your toes.

You wish more than anything to take him in your mouth, to taste the pretty beads of precum that make his movements slick and sloppy.

Your stunned murmur of, “W-what is happening…” sounds so horrified and horny that it's comical.

Your fingers move almost of their own accord, slipping deep inside you to match his rhythm. You prop your phone up so your free hand can trail over your body, pinching and rolling your nipples as your breath quickens alongside his. You hate yourself for every touch, but you can’t stop. Your attention latches onto him and nothing else, unable to look away, even if what’s about to happen ends up ruining you. 

His grip firms instantly as if aware of your reaction, and he strokes himself faster. His head kicks back, his eyes slam shut, and a low groan escapes him. “I’m picturing myself inside you,” he admits, “Imagining laying claim to every inch of your body and soul.”

His gaze pierces through the camera, earnest and pleading, his blue eyes shining with unfathomable need.

“You think I wouldn’t make a different choice if given the chance, but you’re wrong. Besides fucking you, regret is a constant on my mind, relentlessly replaying as I watch myself make the stupidest choice of my life.��� He lays his head back again, keeping his eyes on the camera as he languidly strokes himself, continuing, “Centuries of longing for and chasing after Mai, of dedicating my very existence to her, and then you come along and turn my entire world upside down with just a smile. You make me want to give up everything I believe in to be with you.”

His words trail off as his movements become frantic. With an incoherent mumble, he says, “I bet you’re so tight… so warm. Are you wet for me, angel? I hope so… W-will you cum with me?” The plea in his voice is unmistakable.

You whimper, nodding frantically, your pussy squeezing your fingers as his filthy words spur you on.

Your gaze flits over his body, unable to settle as your pleasure builds. He’s so pretty—his face flushed, sweat beading on his skin, his cerulean eyes burning bright. A whiny, needy repetition of your name leaves his lips as cum covers his hand and stomach, sending you hurtling into your own release.

Shame fills you when the pleasure subsides. His face moves closer to the camera, and he softly murmurs, “I really miss you,” effectively ripping your heart out and stomping on it before the video cuts off, an unsettling silence filling the air. You want to scream and cry, and most frustratingly, you want a second round with the most significant thing ever filmed.

A sudden realization hits you, and you groan, stuffing your face into a pillow with a muted scream. Work tomorrow is going to be so awkward.

Thank the gods your car is finally back from the shop. An immense sense of relief washes over you, knowing you won’t have to endure another ride with Xavier after what happened last night—or, possibly even worse, with Mai.

However, that relief quickly evaporates as you arrive at work and see Xavier striding toward you. He boldly brushes your hair back and leans in close, whispering, “Did you enjoy yourself last night? I know I did,” his smile warm and inviting.

He takes your chin and tilts your face, his voice soft as he confesses, “I’ve never felt so good. Not even at the thought of Mai.” You squeak in surprise, instinctively pulling away.

Xavier has decided he’s done fighting his feelings for you. The hesitation about the changes this could bring to his life—and the guilt that comes with it—is gone. He wants you more than anything, and now he’s determined to show you just how much.

As you walk side by side on patrol, his soft voice fills the air with light-hearted musings and playful teasing, yet you constantly remind yourself why you must keep your distance.

Meanwhile, Mai glares daggers from behind, trying desperately to distract Xavier at every opportunity. She attempts to hold his hand at one point, batting her lashes with a cute little pout. But he quickly pulls away, brushes your arm tenderly, and continues walking by your side. 

A warmth spreads in your heart, and you can’t help but worry about how easily he’s breaking down the walls you’ve built around yourself.

Mai’s cheerful voice grates on Xavier’s nerves as he struggles to finish his paperwork for the day. The office is empty now, and he’s itching to leave, his mind consumed with thoughts of seeing you.

Mai pulls up a chair, pretending to help him, but her true intentions are clear when she rests her hand on his thigh, continuing to write as if it’s the most natural thing. Her fingers begin their creeping ascent, and Xavier’s heart races. His body locks up, and anxiety rises as the ability to breathe leaves him. 

Mai has always been flirty, something he used to find endearing, even if it was just a ruse to keep him coming back for more. But this was more than suggestive flirtation. When she presses her lips to his for the first time, she sighs as if kissing him brings her true joy.

How many times has he longed for this? Centuries of wishing for this moment—and he feels nothing at all. 

Xavier pulls back with a pained expression, searching her beautiful eyes. He makes no move to stop her, testing how he truly feels. After so much effort and heartbreak over wanting, no, needing this and Mai, he has to be sure before giving it all up.

Her fingers trail delicately over his abs and chest. He lets her kiss him again; this time, Xavier kisses back, trying to coax out some emotion other than this empty void. Kisses trail his skin as she frees his cock, only to pull back in disbelief when she feels his lack of arousal.

He watches her with detachment as she strokes him, pouting when he remains limp in her hand. Gently stopping her as she moves to take him into her mouth, he says, “I can’t do this anymore,” his voice soft but resolute, as a weight lifts from his shoulders.

Mai narrows her eyes, her mask slipping momentarily as she murmurs, “Xavier, you don’t truly want her. You’re just so pent up after all these years that anyone will do,” her veil of teasing returns as she leans closer, urging, “Let me help. This is what you’ve always wanted, right?” 

She frees her breasts from her tank top, squeezing and tugging enticingly. This isn’t the girl he fell in love with—the gentle, kind soul that captured his heart so long ago. Over her lifetimes, she’s become cold and cruel, the alluring brightness in her eyes dimming with time. Xavier realizes he’s been chasing someone who no longer exists, a profound grief washing over him.

Taking out his phone, he finds a picture of you and shows it to Mai as she scowls. Pushing her hand away, he murmurs, “You have no idea what I want. Watch.”

Gazing at your smiling face on the screen, he begins stroking his cock, becoming painfully hard within moments, lust shadowing his features. Mai’s eyes burn with genuine desire and jealousy, but he feels nothing for her.

Tucking himself back into his boxers and fixing his pants, he asks, “Did you throw yourself in front of that Wanderer to lure me into saving you?” This question has nagged him whenever the scene replays in his mind. 

He’s almost certain Mai wasn’t near you when he began the battle, only to find her next to you when the Wanderer attacked. The chaos made it difficult for him to be sure.

The answer becomes clear when Mai clears her throat, quickly glancing away. Nervousness plays on her features as Xavier takes on a chilling demeanor, standing and collecting his paperwork with meticulous movements. Any remaining connection to her ignites and burns away as he regards her coldly, fighting hard to maintain his composure. 

“I’ll be requesting a transfer for both her and myself. In the meantime, don’t even look in her direction,” Xavier says, his calm tone carrying an underlying warning: there will be consequences if she crosses the boundary he’s setting. Adjusting her top, shame, and embarrassment on her features, Mai watches as Xavier turns and walks away. 

Your phone pings as you slip into an oversized T-shirt, and the screen lights up with a message from Sylus: “Looks like you won the game, dove. My money was on you all along,” complete with a celebratory champagne bottle emoji.

What the heck is that supposed to mean? 

You’re about to hit the call button to get an explanation when a knock at the door reveals a rain-soaked Xavier. His eyes light with relief upon seeing you. You let him in, grabbing a towel and doing your best to help him dry off, earning a gentle smile as you fluff his hair. 

“Are you okay?” you ask, pulling away and searching his face.

His fingers brush your cheek tenderly as he nods and says, “If I were to ask you to leave Linkon with me, what would you say?”

Your eyes widen as you sputter, “Um, I—like for the day?” 

He gives you a rare, genuine smile, then chuckles as he replies, “No. Like forever. Together.” He kisses you tenderly and nuzzles your nose. “We can start over somewhere new,” he whispers earnestly.

You want to believe such a thing is possible, but doubt lingers, pulling you away from his embrace. “Xavier… you don’t mean that. Mai—” 

“Is no longer part of my life,” he finishes. Gripping you by the waist and drawing you closer, he tilts your head to meet his gaze.“I don’t care how long it takes to prove it to you. I’m a very patient man,” he murmurs.

“How exactly do you plan to prove it to me?” you ask, your voice low and sensual, surprising even yourself.

You adore the way Xavier’s eyes heat up when he hears it. He hums softly, his lips brushing your ear while one arm holds you close, his fingers tracing down your arm to entwine with yours. When he kisses you this time, your body aches to melt against his, but you stand your ground, determined to make him fight for it. His tongue gently explores your mouth, groaning as he tastes you fully, cupping your cheek and deepening the kiss.

He pulls back and studies you, his thumb grazing your lips, admiring how they glisten as he spreads the moisture around. “So pretty…” he murmurs, his mouth skimming the soft skin under your ear, teeth grazing lightly, sending shivers through your body.

His brows scrunch in a pout as he reaches for your hands that hang limply at your sides, “Why won’t you touch me?” he asks, hurt evident in his tone.

“I’m not sure you deserve it yet,” you mumble, crossing your arms and turning away.

“I see,” he says with a hint of amusement.

Slowly, his touch travels under your shirt, teasing your nipple with light sweeps of his thumb. His mouth and hands explore every inch of your skin he can reach, worshiping you so delicately it takes your breath away. 

“Xavier?”

“Hmm?”

“I want to see you,” you admit, nervousness spilling into your voice.

Xavier’s throat bobs as he nods, his eyes never leaving yours as he sheds his clothing. At first, he’s hesitant, afraid you may not like what you see.

It’s a silly fear since he’s the most perfect thing you’ve ever seen. Lean and slender, his body is honed by centuries of combat, the faint scars on his pale skin testifying to trials overcome. Your hungry eyes catch on his cock, so long and pretty that you moan quietly, just thinking about how good it would feel to take it.

The look of pure longing on your face instantly eases Xavier’s insecurities. His thumb sweeps over his cock, gathering beads of precum before he holds it to your mouth, a plea evident in his eyes. You want to remain strong, but the desire to taste him overpowers you. You suck it clean, your eyes fluttering shut with a sigh. His cock twitches eagerly as a strangled “fuckk, angel” escapes him, his thumb pumping deeply into your mouth as he bites his puffy lip. 

“May I see you too?” he asks quietly, fingers tracing the hem of your shirt. You nod and let him pull it off, fighting the urge to cover yourself as your nipples perk in the chilly air. The way his gaze travels your body is so sensual and awe-filled that it’s almost devastating.

His hands tangle in your hair as he tilts your head, his kiss far more profound than any before. He presses you against the wall, trailing kisses down your stomach and along your inner thighs before pulling your shorts down. A groan escapes him when he sees your bare pussy. 

Instantly, he thumbs open your folds, dragging long, languid fingers through your heat before holding his hand up for you to see. “So wet,” he murmurs, rubbing it around and watching it stick to his fingers. “Is this all for me? he asks, wonder filling his voice. 

You nod, whimpering pitifully as he licks them clean, his eyes shutting in ecstasy at your taste. A desperate curse leaves him as he commands,  “Spread your legs then; I can’t let any go to waste.” You do as he says, whimpering again as his fingers trace delicate circles over your clit. “You’ve done so well for me, angel… practically dripping. You’ll feel amazing like this.” Then his tongue is deep in your cunt, eagerly lapping up your arousal with a deep groan against your skin that shocks your entire system. 

Your fingers tangle in his hair without hesitation, holding his face firmly in place as you grind against it. His straight nose brushes your clit with every turn of your hips, sending waves of pleasure through you. He kneels before you, and his gaze is unwavering as he slips a finger inside you, his lips and teeth teasing your slick, warm skin. Xavier loves how puffy your clit gets under his mouth and how sensitive you are to even the slightest of his touches.

He yearns to be closer to you, to be enveloped in your warmth and your scent as you cum in his mouth. Guiding you to the couch, he lies down and motions for you to come closer. “Use my face,” he commands softly, his voice laden with desire as he finishes. “I want to enjoy my meal.”

He eases you over him, his mouth inhaling you eagerly. Growing frustrated that you won’t put all your weight on him, he pushes you down so your pussy lands flush on his face. “Good girl,” he mumbles against you, urging your hips along. At first, you’re concerned about his ability to breathe, but the worry quickly vanishes as he teases your nipples and plays with your ass.

He whimpers as your fingers finally begin to trace his skin, his hips making needy pumps into the air, desperately seeking friction. Your touches are so tender, your gaze full of adoration, and a giddy smile spreads across your face at the sight of his slick-covered features.

You run your hands lovingly through his hair, the look on your face causing him to fall apart. He lets out a strangled cry that vibrates through your pussy as his cum covers his stomach. He sucks your clit harder, fingers pumping into you rapidly as you ride his face.

“Yes, yes, yess!” you shout, hand gripping his hair tightly while the other reaches around to play in his essence, coating his sensitive, twitching cock as he whimpers quietly. You can’t find it in yourself to feel ashamed as you turn into an absolute slut above him. It’s just so deliciously indecent. 

He’s so sticky from his release, shimmering with sweat and the faint glow of his evol. His face and ears are flushed, your essence covering his mouth and chin. He gazes up at you with so much desire as you bring your soaked fingers to your mouth, tasting them slowly.

The moment he feels your tight walls flutter around his fingers at his taste, he replaces them with his tongue, devouring every bit of your cunt. Even after he cleans all your cum, he refuses to stop. He pulls you tighter against him, forcing your hips to move until you whine and tremble uncontrollably above him.

“T-too much, Xavier, pleasee,” you mumble desperately, tugging at his hair. He chuckles softly and sits up, letting you rest. You settle on his lap as he leans back against the sofa, giving you a gentle smile, his lips still wet and shiny. Your touch is uninhibited now, free from hesitation as your fingers map his skin. 

He’s so responsive. Just the gentlest of touches elicit the most adorable, most sensual sounds. Your fingers ghost over a perked nipple, earning a strangled groan in return. His head kicks, and his hands form tight fists as he tries to show restraint.

You meet his eyes, your voice soft as you ask, ‘Xavier… have you ever felt truly cared for and cherished before?” 

You want to cry and rage when he blushes and turns away, whispering “no” as pain briefly crosses his features. 

Cupping his face, you kiss him tenderly, savoring the taste of yourself on his lips. “I promise, you’ll never have to spend another day without knowing how loved you are,” you vow earnestly.

His eyes widen in surprise as he silently mouths the word “love,” as if trying to see how it feels on his tongue. “No one’s ever said that word to me before,” he admits quietly.

You smile gently, meeting his gaze. “Well, try saying it out loud next time. You need to get used to it.” Your lips find his again, gentle and searching, conveying all the emotions too scary to put into words just yet. You bite and suck at his neck, teasing relentlessly when his body betrays how good it feels. 

You work a faint mark on his collarbone, admiring it with a brush of your fingers as you quietly ask, “Are you really all mine?” Your awe-filled gaze meets his. He pulls you close, cupping the nape of your neck and murmuring, “Yes,” against your lips. A smile lights up your face, mirrored by his beaming expression as he witnesses your joy.

“You are the most beautiful thing I’ve ever seen,” he says earnestly, brushing your hair over your shoulder.

You roll your eyes with a teasing grin and mumble, “Don’t push it,” before silencing his words by pressing your tongue into his mouth. He pulls away after a moment, biting his lip as he forces himself to be gentle, playing with your breasts. Little tugs and pinches over one nipple while the other hand traces your curves.

It’s not nearly enough.

“I won’t break, Xavier. You need to do it harder,” you plead, frustration filling your voice.  Your plea is soon replaced with a surprised, strangled cry when he murmurs, “Yes, mam,” and stuffs his mouth full, biting and sucking roughly.

His touch turns rougher, too. His fingers squeeze your ass so hard they’ll surely leave marks, complimenting the bruise blooming on the swell of your breast. 

“All mine,” he says, meeting your eyes with a teasing, confident smile as he echoes your earlier sentiment. You squeak in surprise as he grabs your thighs and presses down, sliding you along his cock, using your pussy to smear his cum around, soaking your heat and thighs in slickness.

You take over, hips moving faster, desperately seeking more of the pleasure he’s bringing you. 

“You’re so soft and warm…” you murmur dreamily, ruining him when you finish with a whimper of, “Gonna feel so good filling me up,” before burying your face in his neck as you move against him.

“Can I put it in? Please?” he begs, lifting your ass just enough to rub circles with his leaking tip at your entrance. He’s trembling, holding back the urge to fuck you roughly. Instead of answering, you lower yourself onto him, wincing as his cock stretches you open. 

He can’t take his eyes away from where you join, watching you drip down his length as he delicately rubs your clit, his eyebrows scrunched up in an adorable expression of concentration. 

“Does it hurt?’ he asks, noticing your quiet gasp of pain as you take him halfway. You nod, whimpering slightly. He leans up to kiss you, pressing down on your bottom lip and tilting your chin to meet your blissed-out gaze. “You’re still so tight, angel. I’ll open you up better next time, I promise.” He nuzzles your nose, trying to distract you from the pain as he pushes in deeper.“Can you take it for me? I-i’m almost there,” he says, his eyes trickling back down to where you suck him in.

Pleasure begins to mix seamlessly with the pain, and you don’t bother to respond, your eyes rolling back as a sigh of ecstasy leaves you. Xavier takes that as a yes and gently presses you down until he bottoms out. Desire begins to overwhelm his features as he watches your essence mix with his at the base of his cock.

He searches your eyes, kissing you softly and murmuring, “How does it feel?” 

“Honestly? Nothing has ever felt so good. So full…” you mumble, starting a slow, torturous cycle of movements. You pull him out to the tip before letting him fill you up again, over and over, until the moment comes when he finally allows himself to let go. He presses you flush against him and pushes deep inside you, setting his own much more intense pace. He spanks your ass with an adorable smile, his blue eyes shining with joy. 

You eagerly match his movements, chanting, “Harder, Xavier! Harder!” You squeal happily when he flips you onto your back, throwing your legs above your head and fucking you so much harder. A mirthful smile appears on his face as his cock pierces deep inside you, forcing out a raw, strangled cry of pleasure. Pleasure builds and crashes in an instant, your pussy gripping and pulsing so tightly around him that he can barely breathe.

“That’s it, baby, cum all over me,” he praises, stroking your clit in time with his thrusts. His pace quickens, helping you ride your release. Sloppy sounds fill the air as you spill over him, spurring him on. He grips your hips tight to keep you from sliding as he fucks into you relentlessly.

“Such a good girl. You can give me another one, can’t you?” he murmurs, his weight pressing down on you, pushing his cock even deeper than before. The soft, pale hair trailing from his pelvis rubs your clit just right. His moves are deliberate, urging you to come again with a sharp cry as tears fill your eyes and your body starts to tremble. 

He kisses your cheek, his movements never slowing. “So perfect for me… Just one more, angel,” he whispers, making pointed thrusts into your g-spot over and over and over until you spill all over him again. 

He can’t seem to stop. Every orgasm he pulls from you only makes him more desperate and needy. “So fucking wet… you have no idea how good you feel,” he mumbles incoherently, burying his face in your neck and bringing you to release again just from the feeling of his warm mouth on your skin and his filthy words. 

“T-too much, Xavier, I can’t! Please!” You’re sobbing and overstimulated—a sensitive, weak mess. 

“Shh. It’s okay… It’ll be over soon. You want to show me how much you love me, right?” His tone is teasing, but the sincerity in his eyes tells you your answer means a lot to him. 

Tears fall harder as he kisses you, and you manage to choke out a strangled “yes.” 

“I know you do,” he says tenderly. His tongue pries open your mouth and softly commands, “Swallow,” as he spits into it. 

Blushing deeply,  you follow his instructions, moaning in ecstasy at the taste, which earns a pleased hum from him. He tugs on your bottom lip, admiring your blissful expression and the tears tracing your cheeks. His praises continue, bringing you closer and closer to the edge again. 

“Such a pretty little angel, following my instructions so well.” Another orgasm approaches alarmingly fast, feeling almost too powerful, and you wonder if your body can withstand it. Xavier seems to read your mind because he mumbles, “You can,” before fucking you even harder. 

You squirt so much that it pulls out a strangled, “Fuck, yes. You’re doing so fucking well…” from him as his cock squelches around inside you. “I–i can’t hold out much longer. You… you feel too good,” he admits softly against your lips.

 “Please, Xavier... Please cum for me, i–i’ll do anything,” you plead, needing to feel claimed by him more than you can express. Wrapping your legs around his waist, you murmur, “Do you want to finish inside?” pulling him as close as you can. 

He whimpers at your words, cradling your head against his chest as his cock continues to fuck into you mercilessly. The moment his hips stutter and he sinks into you with one last, deep thrust, his cum spills inside of you, and he captures your lips in the most tender kiss you’ve ever felt. Despite reaching his climax, he doesn’t stop. His cock pistons into you with renewed force.

With fierce determination, he pulls one final orgasm from you, his movements gradually slowing as you ride through it. As soon as he pulls back and looks at your ruined form beneath him, lust clouds his features, and his cock hardens again. Anxiety hits you over the state of your more-than-abused pussy, and you whine, “Noo, Xavier—just let me take care of you for a little while. ’m too sensitive.” 

He chuckles, scooping you up in his arms and resting back on the couch. You try to fight the arousal his hardened length pressing against your ass brings. He meets your gaze, kissing you softly and holding you close as your heartbeats grow steady. He peppers your face with gentle, searching kisses. 

“Earlier, I asked you how you felt about leaving Linkon with me,” he says, tucking hair behind your ear as nervousness plays on his face. 

“Mhmm; the forever trip,” you murmur dreamily. 

He smiles softly, meeting your gaze, and asks, “So, what’s your answer?” 

You nuzzle his nose and answer earnestly, “I’ll follow you anywhere, Xavier. Just lead the way.”

A month later, you wake up before dawn to find Sylus’s face just inches from yours, a wry grin on his lips as he glances at Xavier sleeping beside you. “I took your key away specifically to prevent this kind of thing,” you hiss, careful not to wake Xavier as you untangle yourself from his limbs and quietly climb out of bed.

You gently brush his hair back, marveling at how his smile lingers even in sleep now. The melancholy that once plagued him for centuries has vanished, replaced by a serenity brought by your affection. He often tells you that you make him feel truly happy and free for the first time in his life. 

After pulling on a robe, you follow Sylus to the kitchen, halting in your tracks when you see a brand-new laptop on the counter. “Sy, what did you do?” you ask hesitantly, eyeing the device with suspicion. He rolls his eyes and motions toward it.

“What does it look like, sweetie?” he retorts, as if that clears everything up.

“Why did you buy me a laptop, Sylus? You know I don’t like gifts…” you start, but he quickly interrupts.

“Well, you should have thought about that when you decided to move several hours away from me,” he replies. You can sense he’s happy for you and Xavier, but there’s a hint of struggle with this change in your relationship.

Drawing him close, you pinch his cheeks, enjoying the irritated glare he gives you. “You’re my best friend, Sylus. I’m not just going to up and leave you after all these years,” you assure him, giving his nose a gentle boop before turning away.

He chuckles, relaxing a fraction as he ruffles your hair and then refocuses on the task at hand. “I bought you the best one on the market. They assured me it has an excellent camera—I need to ensure that my pretty face comes through crystal clear during our video chats,” he says with a teasing grin.

“Ah, I almost forgot,” he adds, casually pulling a new, shiny smartphone from his pocket and handing it to you. “Both this and the laptop come with a tracking system that alerts me immediately if anything seems off,” he assures you, gently grasping your chin to meet your gaze. “Never hesitate to reach out for my help or just for company. I’m here for you, no matter how far away you are. Got it, dove?”

You want to tease him for being so serious, but his sincerity makes it difficult. It’s a rare and precious thing from him. With a gentle smile and tears welling up in your eyes, you pull him in for a tight hug. He freezes for a moment in surprise, but then his arms wrap around you, a smile spreading across his face as he swings you around.

When your feet settle back on the floor, the sadness has melted from his features. “The laptop has top-notch sound specs, too, so I can still sing to you when you’re feeling down,” he reassures you. It takes considerable effort to suppress the grimace that threatens to break your mask of enthusiasm.

Sylus lets out a low, knowing chuckle, easily seeing through you. “Hopefully, you’ll be able to fake that better over video,” he muses.

You grin and look around your empty home, excitement coursing through you. The transfer request with the Hunter’s Association went through almost immediately, and Xavier found a charming cottage with a small farm, plenty of bookshelves, and just enough room for the two of you. Sylus can’t help but smile at your evident joy. “Today’s the big day,” he teases.

You nod, your grin widening as he raises an eyebrow and offers a suggestive head toss. “You should wake your precious hunter now. You’ve got a lot to do,” he says.

Giggling, you pull him down to plant a kiss on his cheek, earning a blush that makes you laugh even harder. Then, you dash off to wake Xavier.

[katerinaaqu]

What's your opinion on how Telemachus was handled in Epic (so far) ? I'm curious 😀.

And what is different from his Odyssey portrayal ? Not counting the fanart that infantilizes him, I'm strictly talking about the musical itself.

Hahahaha you guys definitely wanna put me against a wall one of these days! XD But I absolutely LOVE this question! Hahaha okay here goes;

Absolutely I wasn't gonna talk about the fanart and all that is part of the designing process and arguably that is part of every person to do. They could easily choose the depiction more Odyssey-accurate and still use the musical sound so yes you do well to mention it because yes I myself wouldn't touch the design part in this ask

Anyways long story short; I don't like it.

Storywise it is overly-simplified and shows only one portion of his possible emotions; the one that tries to connect with his father. That part is genuine and I see where the portrayal such as the song "Legendary" came from. Arguably Homer himself also touches the subject of glory through one's deeds and I see where the musical came from when Telemachus says what he says but the song was too bbbly, too naive portrayal of Telemachus and in a way completely disregarded the true depth of sadness and depression in Telemachus.

In the Odyssey Telemachus never connected to his father because his father was never there. To the point where he was even doubting whether he was his son or not. He basically says that "everyone calls me that but how can I know? The dude was never there. Possibly never will be here again". His whole energy was the total opposite than Epic.

Epic portrays Telemachus in a manner that reminds me of Disney's Little Mermaid in "Part of your world"; a bubbly teenager who dreams to start his life or to be making a legendary name for himself like his father and in childish naive energy says "bring me all these monsters to fight them!" while in his childish naive nature was also making him afraid or worried to face the bullying of the suitors (the way the suitors were portrayed as if Jorge wanted to make them EVEN MORE evil also had me cringe like Antinous calling Penelope "tramp". Antinous called Penelope more or less "divious" because of her scheme against them but that was all. In here they are competing for her hand while calling her names without reason? Yeah right....). He seemed like the average teenager that needs the adult to get him to realize video games is not the life and that he needs to do something about his future! Does he also seem low-key sad? Yes. But just like Ariel in the Disney movie was pictured as a dreamer that wanted escape from his confided situation through bubbly and childish dreams.

Odyssey Telemachus was both emotionally and psychologically exhausted; his mother was taken down by grief and endless waiting and had confided herself in her chambers, trying her best to avoid the suitors that were at her home for FOUR YEARS, constantly crying at this point. Telemachus also saw his grandfather lose his mind in sorrow and his grandmother melting away by desperation and sadness and dying or potentially killing herself by it. The last thing he wanted was "to be legendary". In fact Telemachus gave me the exact opposite energy than a dreamer. He was very down to earth and his main goal was to get out of this nasty situation, trying to grow as a person to set himself free from this torment. He had so much in his plate that the last thing he wanted was to dream. In fact he gave me the impression of a person with no more the luxury of dreaming. He almost seemed crushed to the point of breaking himself almost like every other member of his family. (He gives me the impression of a person that after spent years of trying and fulflling their dreams now they are forced to work in a work they hate for survival and think that "dreams are for fools. No luxury for them!")

Like I said Menelaus described Telemachus as a spitting image of his father including his eyes, which is something I find the most important. Menelaus compared Telemachus's gaze to Odysseus; a man that fought a war with him! A man exhausted by the evil he saw and caused. Telemachus's profound grief was so intense that his look was equivalent to a man Menelaus fought a war with! He was the opposite of what we see in Epic! In fact we know that Telemachus was also very much silent and tried to keep a low profile so he didn't need to face the humiliation of the men that were literally plundering his wealth and harassing his mother and himself. The last thing he had in his mind would be to "be legendary". He was also plundered by the fact that not only was he doubting that Odysseus was his father per se but also he was in doubt that this Odysseus that everyone named his father would be alive or dead. He didn't know that. He was actually almost certain that Odysseus was dead but that part in the back of his head was not yet leaving him in peace which is why he needed Athena's guidance

Which brings me to the next part; Athena In Epic Athena appears to...give Telemachus the boost to fist-fight the suitors for some reason and mind you he still gets his ass handed at him! It made it seem as Telemachus's only problem was that he didn't have the guts or skills to fight the suitors and Athena gave him a solution! (potentially a message to stand up against bullies for teenagers? Perhaps but still I felt it massively undermined Telemachis's situation in the book) As I have answered to another person around here, Telemachus's problem was that the suitors claimed the law of hospitality and named themselves ODYSSEUS'S guests. Telemachus could not yet take over as king and he had no power to send them away. Plus he was plundered by doubt about his own inheritence. What Athena did was not to make Telemachus a fighter for he already was (we see how well he stands against them at the side of his father in the Odyssey) she came to encourage him to find out on his own.

Arguably the trip of Telemachus was a mirror counterpart of Odysseus's but instead of a trip that makes you lost like Odysseus was lost, it was a trip for self-discovery. Mind you, both the trip of Odysseus and the trip of Telemachus are cognitive trips; both characters learn in them and come in contact with places. Psychologically the trip allows Telemachus to escape this boarderline toxic grief in his home and explore the world. Also find out on his own information about his father. Now, arguably he never really finds out about his father's whereabouts for certain apart from Menelaus's vision but there is something he definitely gets out of his trip that is not talked about enough;

He finds out he REALLY is the son of his father and he gets information about what kind of man he was!

He hears from friends that fought with him how similar he looks to him; not just from his closed and secluded environment but of people outside his circle and his known people that he looks like him and they also give him information about him. No more the random comments the suitors he hated say or his sad mother who could either idealize his father to escape her grief or the loyal slave Euryclea who adored the family naturally like a mother; now it was also friends and known people of Odysseus that speak about him Telemachus is double-checking his information! Thus coming home much more confident on his inheritence and his own destiny and duty

Arguably the Odyssey is as much Telemachus's story as it is Odysseus's. Telemachus was in one way a spectrum of Odysseus; fighting a different type of war; losing himself in a different type of sadness. His story was a story of coming of age not a story of a goddess that teaches him how to stand up against bullies. Telemachus already does that in the Odyssey by calling the council. Arguably he was alays standing against the suitors but his position did not allow him to do something drastic! I think just like many things Epic missed this by a mile; reducing Telemachus's profound grief, sadness and uncertainty to an average teenage escapism story rather than the fact that Telemachus had no luxury or energy for escapism, Athena's advice for self-discovery to the average "raise your fists and fight your bullies" story ignoring the deep cultural details that led Telemachus to that tight spot in the first place and of course it completely abandoned the importance of Telemachus's trip which could be a subject of a movie on its own! (Quite frankly Telemacheia covers more chapters in the Odyssey than Odysseus's own flashback! It covers 5 rhapsodies of the Odyssey while Odysseus's story covers 3-4)

I hope this answers some questions! I will be happy to elaborate more.

[who-is-page]

Wag Those Tail Feathers: The Wonders of Alterhuman Courtship

Author: Page Type: Essay Words: 1,065 Summary: Page's perspective on alterhuman courtship, as an individual who has been both on the receiving and giving ends of it.

[Part of the Sol System’s Alterhuman Writing Project for 2024. If you don’t want to see these posts, block the tag #inkedclaws]

As a polyamorous alterhuman, I’ve had the wonderful experience of being in relationships with people who have a variety of different courtship instincts— sometimes even all at the same time! Including my own instincts, it’s led up to some interesting realizations about the variety and diversity of expressions of love, and how wonderful it can be to be loved by an alterhuman (and to be an alterhuman in love, too).

My personal experiences, notably, revolve specifically around being nonhuman and this applies to a majority of my partners as well, which influences the flavor of this discussion. It’s been a wonder to be the target of a feathery mating dance, to be wooed with draconic jewelry and treasures, or to have my partner jump out with a meal, as proud as could be at displaying their hunting skills for a mate. It’s not necessarily just a nonhuman thing, either, of course; my orthohuman partner exhibits some similar sort of feelings and actions, too! Something which comes across especially strong in his hunt-and-gather supply-hoarding behavior in video games. But there’s something so especially intimate about having your alterhuman partner court you in a way unique to their species identity. It’s a beyond flattering form of trust, love, and affection.

And as an alterhuman who has targeted my partners, alterhuman and orthohuman alike, with my own affections, it’s also uniquely affirming to have your partners engage with your varieties of courtship for your species. There’s something incredibly special to have them try to learn your rituals and woo you in turn, even if they don’t have the same instincts driving them. It’s love with intention, a conscious effort to learn a language that’s typically foreign to them or which they might otherwise never come across on such a personal level. It may not always be perfectly executed, but the intentions behind them make them perfect regardless.

I’m someone who’s fully public about my alterhumanity. I don’t hide that I’m a dog and (luckily) no one especially seems to care in the day-to-day when I’m meeting up with strangers and acquantinces. But it’s become an important part of my dating life that potential partners need to not only be aware of my alterhumanity and accept it, but they also need to interact with it. You could argue that my spouse set the bar high for any potential future partners with how he took to my canine-ness and plurality like a fish to water, but I’m of the opinion that it’s something that should be the norm, not something so utterly unexpected by many.

Being able to engage in alterhuman courtship with your partner, as serious or as silly as it may fundamentally end up being, shouldn’t be something that you feel is utterly unreachable, that you yearn for but never feel like you’ll be able to reach. Alterhuman courtship is a wonderous experience; something that I think it’s not only important for alterhuman folks to be able to freely do with those they love most, but also to be on the receiving end of, too. It can be easy to default to the status quo in relationships, because of the societal pressure around us. Normativity around romance, sex, and even platonic affections is something that is constantly at play in the backgrounds of our culture and which embeds itself into our conciousnesses in unexpected and often invisible ways; and it’s difficult to dissect these without exposing ourselves to what some might list as “weird” or “unusual” urges and behaviors. But we can’t unpack the shame or embarrassment that might be holding us back from engaging with these urges unless we actually let ourselves acknowledge the collective, confusing feelings abound within them. We shouldn’t allow ourselves to shrug our shoulders and simply say, “I suppose I’ll never find someone who can accept me as my [species] and all that entails,” or to just resign ourselves to having to hide a part of ourselves away forever to maintain relationships.

We should toss these types of negative feelings aside and embrace our alterhuman courtship urges in earnest: that sometimes we’re not fully human, or we’re human a little to the right, and that inevitably makes romance, sex, and platonic interactions a little different for us than it might look for standard folks as displayed on a big screen. It’s not a failure on our part, and it’s not something that needs to be squirreled away due to internalized respectability politics. We can love ourselves and find love in others, for and by being ourselves. We can experience unique forms of love and adore those factors in others. This is, to me, a part of the territory that comes with being alterhuman or knowing alterhumans. It’s a part of what makes life wonderous.

In my partnerships, I love getting to bring my partners gifts. I love to bring them tiny treasures, small things from my system’s hoard, to pebble at them almost like a penguin would (sometimes including a silly little dance, of love!) It goes beyond standard gift-giving in the way that most of the people I’ve met would think of it, where presents that large are often reserved for special occasions like holidays and birthday. But it’s something I do year-round, to show my partners that they’re always on my mind, and that what is mine is their’s, too. I do the same thing with food; while normally incredibly food protective, both due to species identity and past food insecurities, I make the effort to share my favorite foods with my partners for the same fundamental reasons. To share my food, my bed, my life— and to have my partners recognize that as not just general displays of love, but as specifically displays of love intertwined with what I am, is something which displays a deep level of understanding and acceptance for my species. It’s something I’m grateful for beyond words, but it’s also something that I don’t want us as a community to accept as unheard of, or as just a one-off, lucky occurrence. Love like this is achievable and rewarding, both as a recipient of such alterhuman affections and as the giver. And we all deserve to experience it, in whatever form of love that we feel most comfortable with. Don’t tell yourself otherwise; don’t settle for less just because you feel like you have no other choice.

[anim-ttrpgs]

More rambling On the subject of TTRPGs as a disrespected artform.

There’s a bunch of reasons for this disrespect being present that I could get into but I’m going to focus on the most relevant one to this topic: TTRPGs are helpless.

To explain what I mean I’m going to make a comparison to video games, or at least action-adventure type video games. Those have a lot of similarity to “trad” and “neo-trad” TTRPGs, which are nominally the most popular style of TTRPG (even though it seems like half the player base would rather be playing something else but again another tangent). Both of these are usually about protagonists using abilities to avoid or defeat adversaries and avoid traps and progress through a series of hazardous areas.

Video games are not helpless. They can assert themselves on the player. When you lose in a video game and you’re like “Aw no way, I didn’t want that to happen!” The video game can say “No, Mario fell in the pit, Master Chief got blown up by a grenade, Pac-man got caught by a ghost, you lose. According to the rules of the game, you have to try again from a checkpoint.” And you have to do it. The game forces you to start over.

In a TTRPG, if your guy gets killed and you object to that, the TTRPG can at most offer a weak textual protest as you or the game master flips the die over to a more favorable number.

Of course plenty of video games have cheat codes, hacks, mods, etc. that can remove that power from the video game to force you to follow the rules of the game, but not everyone has the knowledge or skills to use those, whereas everyone can flip a die over or just lie about the number. Plus, doing this is looked upon less favorably in the culture of video games than in the culture of ttrpgs. I mean, it’s in the name. “Cheat” codes. You’re cheating.

If somebody brags about how they beat Elden Ring with no deaths but then you mention that you hacked the game to give your character infinite HP, people will go “hey wait a minute,” but if you brag about how your character was so badass when they defeated a hundred cultists at once in D&D5e, because the DM kept saying the cultists missed every time the rules say they should’ve hit and you kept saying your character hits every time the rules say their attack should miss, nobody bats an eye. It’s even more accepted and expected that a DMPC will materialize out of thin air to kill everything every time the party picks a fight they can’t win.

Ultimately, a lot of the urge to cheat like this I think comes from the fact that people are introduced to neo-trad TTRPGs like D&D5e through critical role and also its playerbase’s general fixation on pre-planned plots and heavily scripted scenes that rely on characters never dying(which was not invented by critical role but was heavily bolstered by them). The only way that these goals can be achieved is by cheating, since D&D5e really doesn’t support that kind of thing, so they get into a habit of cheating. They get into the mindset that the rules don’t matter and can only get in the way of their intended gameplay. Which is of course because their intended gameplay is not something D&D5e was made for.

Then gradually they trickle into other games besides D&D5e, and assume that those games’ rules don’t matter either, completely deflecting and disregarding the experience that the designer intended players to have with their art. Or worse, they become TTRPG designers themselves, and write their own rules based on the assumption that the rules don’t matter which not only results in shitty gameplay experiences for people who are trying to follow these thoughtlessly-written rules, but also further reinforces the infectious idea that TTRPG rules don’t matter. But dude. TTRPGs aren’t anything *but* rules. The rules text is the whole game. Saying the rules don’t matter is like saying the paint on the canvas doesn’t matter! Yes! It matters because those colors of paint in those places placed there intentionally by the artists are what makes it a painting and make up the whole experience of experiencing the painting!

So we have a huge demographic in the TTRPG fanbase that thinks that the very artform itself is, at best, valueless and at worst actively bad!

Reading comprehension check!

Things I did not say in this post:

“We need to expel any particular demographic and never let them play.” (But maybe if they don’t like our artform, they should try to find one more suited to their needs instead of twisting another artform into something else.)

“You’re never allowed to adjust or homebrew a rule to fit the intentional gameplay experience you’re going for.” (But if you find yourself doing this all the time, either before you have even played the game normally, or constantly on the fly in most or all sessions, maybe you need to find a different game altogether.)

Exerpt from Eureka: Investigative Urban Fantasy. (with art by @theblackwarden )

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[gerardpilled]

What do you about the fascism themes of that video? I feel a little surprised. Didn’t expect Mcr to do that? War in black parade always seemed like an obstacle in the story and not an actual sub-plot.

I think war has always been an element of the black parade, and regardless of how well it comes through in the narrative the intended purpose was definitely meant to be anti war. It’s an album made during the Bush administration and the invasion of Iraq. War was more relevant then than it is now. Now I personally don’t consider it to be radical in any sense and I think it gets too wrapped up in the narrative concept to be an effective critique of war in any legitimate meaningful way. Mama is definitely the most explicit about the war message. Now I don’t say any of that as criticism. I think it’s fine to approach art the way they do, I think the issue can come from people treating something like the black parade as their introduction and end point to all anti war art. It’s like equivalent to using the Hunger Games as legitimate political commentary. Like there’s nothing wrong with the Hunger Games but maybe people need to expand their political commentary pass the age of 15

[dianxiacantastemolecules]

<<Wrote a little something for my best friend @toomuchheart-cas who was having a hard time with 911 8×6. It's my first piece of any fan writing, so be kind 😭😭. >>

.

.

.

.

.

.

"Tommy broke up with me"

At the bottom of the last sip of the beer that Buck took like five minutes to finish, he finally starts to speak. 

Eddie's internal monologue was halfway between surprised and confused, sparing a minute to decide how to react in words. 

"By the look on your face, this one seems more permanent" He said, remembering the last time Buck told him that Tommy ditched him. He somehow can't remember much of the details of this relationship past that night. 

"Yeah, yeah. It probably is." 

Buck's never looked so despondent after a failed relationship before. It nearly feels like physical pain.

"Do you want to talk about it?"

"No."

"Okay."

Eddie sipped his remaining beer, realising it's been a long time he had this one. It's a brand Buck loves and he used to stock it up on his grocery runs every once in a while. His fridge only has bare minimums now, with a six month old ice cream in the freezer he can't throw away. The hot priest really clocked him alright.

Buck hands him another bottle, putting him out of  his trans. 

"You wanna play video games?" The question brings back a memory threatening to tear him up, but he can take it if it means sailing buck through a bad day. When he looks at Buck though, he seems to be reminiscing the same thing. 

"Yeah, sure. Please."

It's half past twelve when Buck starts to yawn, and Eddie takes the remote controls away despite his reluctance, whining like a child followed by some A+ puppy dog eyes. He's not sure if he picked it up from Chris, or vice versa. 

"You know that doesn't work for Chris, and it's not gonna work for you either. You need to sleep, Buck. Your eyes are swollen enough as it is."

"Okayyy, fiiiine. I'll leave in a minute."

Eddie doesn't want him to go. He realises in the minute when Buck gets up to leave towards the door that he's missed Buck. With his head a little lighter of the guilt of hurting his child, he's able to see the retreating figure of buck more clearly. God, it has been six months and he can't remember the last he spent so much time with Buck. He was so consumed with the Christopher shaped hole in his heart, he could barely notice anything else. 

"Buck, wait, you can stay over tonight. You're drunk, and it's late, and, well I would prefer not having to rush to your rescue at 2 in the night." He knows he's rambling, knows that Buck isn't really drunk enough given he could manage to play a game. 

But Buck does not make any comments. Maybe he needs this as well. 

He walks back to the bedroom to collect the 'buck' pillows from the closet (Christopher named them, specifically demanded to buy those after the shooting as he told Eddie how uncomfortably Buck used to sleep on the couch in those days.) 

Eddie stops him in the way, takes the pillows from his hands and keeps them back on his bed. He's almost on auto pilot doing this, with no idea what to say. 

"Eddie, it's fine. I can sleep on the couch. It's basically my fortress of solitude. Pretty sure it has a curve shaped by my butt."

"Not for six months, it has not."

Eddie does not know where that came from. Suddenly, the air is too thick, almost hard to breathe in. Buck looks back at him with a pain in his eyes that almost remind him of the Tsunami. 

"I'm sorry. This is not the time. We will talk about it later. After the breakup has left your system." 

"I'm sorry, Eddie. I-"

"I know. We will talk. Later. You can sleep in my bed today, before Christopher wakes up with his spidey senses in Texas asking me why I made his buck sleep on the shitty couch"

Buck smiles despite himself. 

Eddie goes to refresh, changing into pajamas at last. Buck will use the gold material that is Eddie in undies later to its full potential. He gives Buck his own pair of nightwear, which he realises he left there long back. They both get into bed at last. Buck notices two photos on the bedstand.

One with Shannon Eddie and Christopher at the beach. 

One with him, Eddie and Chris in front of a Christmas tree. 

............................

It's 3 AM at night, and Buck isn't asleep. His brain is at a high drive, piling up with every small shit it can think of. And on the top of the pile is a newfounded guilt of abandoning Eddie and Christopher. And what for? 

Eddie isn't asleep either. Truth be told, he barely sleeps these days, but it's not the usual -missinghisbeautifulchild- hours yet. Tonight he's plagued by different thoughts, trying to decide if he should acknowledge the almost evident radiative thinking of Buck just besides him. And then he hears a few muffled cries. 

That gets him into motion. 

He taps on bucks shoulder, the same shoulder he's held so many times over all the years they've known each other. 

"Buck, hey," He tries to turn him to face towards himself.

"Ahh, sorry did I wake you up? I'm fine, I'm fine. Just not able to sleep." Buck says without turning.

"You don't have to pretend with me, Buck." There's an echo from three years back in Eddie's voice, one that seems to reach through to Buck. He's shaking a little now with his sobs, but still would not turn back. 

Eddie decides to take matters into his own hands. He used to be a problem solver long back, almost another lifetime. There's not a lot of things he can fix anymore. But he knows how much it matters to be there for the people you love. The tiny patch of odd colour on his bedroom wall would tell you more. 

He crosses the distance, and holds Buck from behind. His chin is a solid weight on Buck's shoulder. There's an almost tortuous moment of silence filled with only breathing sounds. 

"You can cry. It's okay. I know everything else is not. But it will be. And even if it isn't okay right now, I am here. I will always be here. We are your home Buck, we will always be." 

Eddie's voice is humming slowly through Buck's skin. He turns over and suddenly Eddie is being engulfed in six feet of the giant called Buck, who starts to weep in his arms. 

Eddie strokes his hair slowly, murmuring sweet nothings. There are tear tracks drying on his own face he fails to notice. He's so pissed at Tommy. He doesn't even care what happened. He will take care of that tomorrow. But right now, he needs to comfort Buck.

With his heartbroken best friend in his arms, Eddie has a peaceful sleep for the first time in months, or even years. He can't really tell. 

..............................

Buck wakes up with his feet tangled between Eddie's, Eddie's arm on his waist and their faces far too close than he can remember. He's vaguely aware that he should be panicking, should be embarrassed about something. But he's not. Buck stares at his best friend's face, notices it closely after a long time. He's disoriented from the lack of the moustache but starts to notice the dark circles, the almost evident lack of care and so, so much fatigue on his face. But still beautiful. Still Eddie. A word that should surprise Buck, but it doesn't. 

He feels well rested, he feels at home. He's known this has been his home for a long time now. But something feels different.

He does not feel empty like he was almost twelve hours ago. He's aware that he hadn't fallen in love with Tommy yet, but it was hurting so bad just now. It doesn't hurt anymore. All the abandonment issues that came crashing down on him suddenly take a back seat. He looks at this man, who's carved out a chunk of his space, his life, his home just for Buck. He dare say his heart too, in the form of a will four years back. Buck doesn't think too hard on the why of it, couldn't even begin to wrap his head around that. He's never been brave enough. 

But today, with the warmth of Eddie all over him, Buck knows why it does not hurt. Someone settled into this space in his life, his heart as well, long before Tommy came. Someone has been loving him long before he even realised he could be loved. 

Eddie's had his back for seven years. Buck realises now, he also holds his heart. 

[divineerdrick]

Homestuck: Beyond Canon Upd8 for November 11, 2024

*flops*

Don't mind me.

Just gonna lie here while I do the Homestuck liveblog thing.

I am going to give a heads up. If my next migraine treatment brings me a bit more back in line, I'll be doing VLogs again. I have a bigger video project planned, but it's not Homestuck related. I'll be posting the updates here though, so you'll still know when I blog an upd8. Then you'll all get to see my haggard and aged face.

We begin with the monthly news upd8 from James. Except no! It is in fact an upd8 from Miles! James fades into the background, and apparently Miles will be our flattering correspondent from now on.

It looks like Miles is putting potential spoilers in the news post, so I might have to be careful in the future. Of course these might be jokes. We'll have to see.

Work continues on the planned [S] page and more Beyond Canon merch. We won't be getting an upd8 for December, but they will be running the Patreon. The next upd8 looks like it might be as late as February.

That's all unfortunate. But I fully support if the team wants to take a well earned holiday.

Upd8

Tavvy has decided to join Yiffy on an adventure. This can't possibly end well. His attempts at being her lackey have so far landed him mostly in trouble. And there's a heap of trouble brewing on the soon to be battlefield.

Yeah that's not happening.

Heh! Harry brought the trail mix.

Oh wow. And oh no!

OH NO!!!

That can't possibly count as Heroic though. Getting sniped while performing a purely tactical role is not a hero's end. Still, Rose is probably glad the kids aren't seeing that.

And button.

Interesting view to cut to.

Again, I don't think this will count as Heroic for anyone. But a lot of people are about to die. And let's not forget, none of the trolls currently outside for the Plot Point are God Tiers. This is bad. This is really bad. This is the kind of moment that calls for an extreme, deus ex machina, like the Plot Point has the potential for.

But we're not getting to see it yet.

Edit: @vriedi reminded me that Meenah is a God Tier. Though this does make me wonder, what happens when a dead God Tier dies?

Orange curtains.

Okay! Legitimately fantastic Psyche Out. They actually got me pretty good there.

Okay, we have a new troll it I think.

gavageCunctation is messaging Vrissy. Though that doesn't necessarily tell us much, except that a new player may have entered the drama.

And they're "negging" Vrissy. So this troll clearly sees themselves as a "player" too.

We've got a "game" that's about to be played. A game being run by a TC. Now Gamzee is dead, but that doesn't mean he didn't setup something before Vriska killed him. Still, it's likely these are two completely new troll kids.

We've got a new AA too. So we might be seeing more troll descendants. After all, they used cloning to kick things off. This troll is typing in purple, but blood typing may not be universal anymore. I do find it interesting that we're continuing the nucleotide pairs though. They could have gone for a different motif. Maybe they're trying to symbolize that these are potential paradox clones for a new session?

AA is apparently our chronic auspistice for this group. And potentially our Seer, though we've had fake-outs on that before.

And our actual cliffhanger ending is this new GC's computer exploding.

So yeah. Something has to happen for a lot of our beloved characters to not bite it. I'm also curious how Rose's vision of future events can come true if Jane has unleashed her weapon. But I mentioned last time that Rose is playing a dangerous game here. I don't think any of our God Tiers are in trouble, and I'm pretty sure the Plot Point is fine.

I'm wondering if this is how Calliope ends up sacrificing themself, if Rose was even correct there. Either way, this a dark ending for the year on a community that's already seen some dark endings.

*Returns to flop*

[icybluepenguin]

A question to think about: what do you think fanart/fiction is taking away from the original material? Audience? Profit? Integrity? This was the prevailing view of fanwork in the early 2000s when I joined fandom, I'm familiar with it.

Most people will not engage with a fandom if they don't love the source material. They're the audience, they're buying it. And fanworks cannot change the original. The original is always there, the same as it was when it was created. If someone wants to avoid fanwork interpretations, they absolutely can. Fanwork is optional. It cannot ruin or degrade the original.

There will always be people who think Art can only be made by Certain People Only for Approved Reasons. But that is not how art or how humans work.

Humans can and will make art out of anything all the time. We make art to communicate and connect, yes, but also to make ourselves HAPPY. We've been doing it for as long as we've existed. It might be what makes us human. One of my favorite examples is Line Rider music videos. People spend hundreds of hours making custom levels for a 00's-era stick figure web game to play music and they're beautiful and fun. They are art.

Humans will make art from anything. Because we love to make art. It is part of us.

This obsession with originality, of art only "counting" when it is "100 percent yours" (as if that is even possible,) is quite new. For most of history, the way to get your audience engaged, whether that was in a book, a tavern ballad, or a story around a campfire, was to use characters people were already familiar with. Fanwork is just engaging with art the same way our ancestors did for thousands of years. It's engaging with art in a very HUMAN way. It is engaging with something you love. It IS transformative.

We unlearn to be ashamed of our art, to think that Art must be done by Certain People. We teach ourselves to be shameless with our art, to be proud of it, to find the joy in it no matter what. It is a process, a radical one.

Make art. Make bad art. Have fun. Be human.

My last reblog on fanfiction left such a bad taste in my mouth, I had to remove my own fic from my pinned commebt.

Idk how people just live shamelessly with their "art" and their "writing", and then even post it for others to see. I feel endlessly guilty for even attempting to do violate someone else's concepts & characters with for my own "artistic expression".

Is all art just guilt manifested? I wonder. Maybe it's just one of the forms it can take? Maybe that's just my brand: feeling indisputably guilty for putting more of rotten me into this world.

@allymcfee is trying to keep me on track and motivate me to draw more. I struggle. I struggle a lot with that. I struggle a lot with accepting others might enjoy what I do, no matter how much I despise my "art" and myself for even doing it.

There's such a deep divide between my joy of creating things and how I actually feel about everything I do. Or how I was taught to feel about it.

Idk. It's just a lot. I literally got a headache.

[random-autie-fangirl]

The holy quartet of video game narrators which are actually living beings (...and also kinda suck)

[lunarharp]

played dragon age 2...just simple scribbles

[uncanny-tranny]

Hey, you're being lied to about what fitness constitutes. If you can't work in an hour-long crossfit slog, but you can work in a five-minute walk, then that is still fitness. If you can't use your legs but you can do arm circles every now and again, that is still fitness. If you're moving around at work, that's still fitness. It can be intentional or incidental, but here's the best part: your body doesn't care if you're dedicating specific work-out times. It doesn't care if the "only" fitness it gets is your nine to five on your feet. It doesn't care, fitness is fitness is fitness. Some of us do it differently, but the end result is more or less similar.

If you can do any type of fitness safely, your body isn't going to care if you're doing it like an Olympic athlete or if you're just a casual.

[elftwink]

sometimes i think when minecraft youtubers are making scripts for videos about balancing minecraft or overpowered mechanics, a little pop-up should appear that says "WAIT! are you accounting for the fact that most players don't even go to the End in their worlds?" & if not they should have to rewrite the script