#.......okay. and why exactly should I care it's not their story lmao
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bit fruity
#havent mentioned it at all but I love their rivalry and I love boar#idk I feel like the writing in the first book kinda did her dirty#her death (and her sister's ngl) felt like....it wasnt for their character it was just karmic retribution for their shitty parents#like hahah đ«”đ they put so much pressure on the idea of carrying the family legacy and now they have no heirs to take that spot â#.......okay. and why exactly should I care it's not their story lmao#boar's family explains why she acts the way she does. but we dont even get to see her behavior bc she dies in like two seconds :/#she needs to live to the end of this book esp since rabbit's gonna die
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Hiii! I read your works alot because it's one of the active twst writers I see (I'm a dead writer myself LMAO)
Savanaclaw, riddle and Azul with a reader who's cheery and often bouncing with optimism that always has the mind boggling stories to tell. What do you mean that they literally man handed a lion because it won't stop messing around? What do you mean they were in a pit full of scorpions because they accidentally rolled down a hill? What do you mean they literally escaped a real decapitation (hinting towards Riddle LMAO) because he put one spoon full of herbs instead of a teaspoon? Likeâ they could go on forever! And the thing is, they have evidence of it.
Thank youuu đ«¶đ«¶đ«¶đ«¶
A/N: Thank u so much I've been trying to stay on top of writing but it can get so hard!! But I really do try to keep this fandom alive w some goodies, anyways I'll stop yapping heres
Savanaclaw, Azul, and Riddle with a cheery, adventurous Reader!
Leona:
He didn't exactly always question your storytelling before he got to get to know you as he would rather spend time sleeping. But it seemed like literally everyone was captivated by your latest entertaining experience.
As you guys' relationship grew, it got to the point where he couldn't ignore you dropping an insane piece of lore about yourself.
"Yeah, I was accidentally poisoned before-"
"What did you just say-"
"It's okay though, the gnome did apologize and I got my stomach pumped but everything is all good!"
He makes sure to keep an eye out on you, and honestly your stories are the main thing that keep him awake during the day especially because they're real. And although it may seem he's nonchalant when you message him about where you're at, Leona always makes sure to respond as he does care.
Jack:
As your first friend at NRC and protector kinda, he would get paranoid when you would sometimes disappear. However at first Jack believed you were an independent person, and wasn't up to any nefarious activity.
Until you came back with a gorgon head in a brown sack where he was studying in the autobiography section in the library talking about that you accidentally defeated it.
He screamed in terror upon seeing the thing, causing for him to be shushed completely by offended students. But he could not care less due to the sliced head within the sack, however he quickly took you both outside and you being you didn't exactly see the problem in this situation.
Once you where in an open area near NRC's well he began to question you.
"Why-? A-And how? Why are you like this, do you know how much danger you were in?!"
"To answer all your questions in order, 1. I got lost and she had a huge problem with me, 2. I got scared and ran with my eyes closed with the sword and BOOM, just clean off, and yes I know I was in a lot of danger and I'm very sorry for not responding to your calls."
He was way too scared for both you and himself to respond and learned his lesson to keep an eye on you more.
Ruggie:
Ruggie always told you that he was a "see it to believe it" type person and he was never really believing your wild tales you would tell even if you came back with a little souvenir. He always just assumed you were pulling his leg for a bit.
Until he texted you one day over Magicam, since it was a slow day at the Savannaclaw dorm. Only for you to reply with a video, making him click on it not knowing what he should expect.
Queue you to being in an extremely angry dragon's mouth,
"Hey Ruuggieee! I'll get back to you later since I'm in a pickle right now, but I promise I'll call you when I'm done!"
He nearly passed out upon the sight because what in all of the sevens' names doing inside of that deadly beast. The beast man ended up walking to Ignihyde to possibly get Idia to track your location based on your I.P address, only for his phone to ring just as he was about to blab about what happened.
It was you!
He quickly picked up his phone to hear your excited voice blaring on the phone, "I told you I would call you back! Anyways, come over to my house I have something to show you."
You ended up bringing home a dragon's tooth and treasure and while Ruggie was overjoyed, he reprimanded you for being irresponsible.
But he wouldn't mind it too much if you brought back goodies like this just make sure to let him know so he could tag along.
Azul:
You were running late to a meeting about mending a contract between students he scammed. Since you know him quite well and is a good friend of his, the students thought your kind hearted nature could persuade him out of binding them to the Monstro Lounge for an entire semester.
He written in a small font on the contract that if you were over 15 minutes late, you would be unable to host this meeting and the deal would be off completely. The white haired boy glanced at the clock as the time ticked and he would have his own free work force.
Until you had to come 30 seconds from it being called off completely out of breath.
"Sorry Azul! But I got you a little present from the desert," you said dropping down in your seat and digging through this brown sack.
The ancient golden scarab of the Hot Sands.
"Is that-"
"The golden scarab included with the jewel eyes? Yup and I did it all by myself!" You said, extremely proud of yourself.
"Do you understand the value of what you have in your hand? And what were you doing all the way out there by yourself I just talked to you a day ago and that is damn near a 5 day journey?"
"I did this since I did the calculations and about an 1/4 of the wages that the students owe you is in the value of this jewel bug here. So if I split the riches with you, will you let them go?"
You did all of this for some measly students you knew in passing? How could you jeopardize yourself like that?
But he at the same time, respected you greatly and for your trouble and kind heart.
However, he told you to not go anywhere without telling him.
And no of course it's not because he cares about you and was scared once you told him where you went...of course not...
Riddle:
Is the first person who noticed you were gone because he likes to keep tabs on his friends. He didn't know what to expect but the red head just believed you were busy.
So, Riddle decided to shoot you a text as everyone was hanging out in the Heartslabyul dorm and he really wanted to see you.
'Good afternoon, Y/N please feel free to stop by the Heartslabyul dorm. Your company is very appreciated :)'
You quickly texted back, 'Hey Riddle! I'm gonna swing by with a surprise ;D'
He smiled at his phone, unknowing as to what you were going to bring by. Thinking you might bring by muffins or a sweet treat as such.
Not the sword of Excalibur.
You opened the door, bursting in loudly with the enormous sword slung on your back as Grim carried two sacks of gold. Everyone was completely flabbergasted, as the sword had been known to be a mythological thing not yet proven like the fountain of youth.
But there it was on your back as you grinned.
Turned out you picked up your first job at an exploration company and they sent you on a death wish mission to get this damn sword. And in contrary to what everyone believed would be the outcome, you succeeded and retrieved the artifact.
Unfortunately for you, you ended up being scolded for about two hours straight for being completely irresponsible by Riddle with some chime ins from your friends.
He admired your intense tenacity and bravery, but Riddle was super worried about you whenever you take on a quest. He forced you to have a partner whenever you go on missions and call him every time you reached an important point to make sure you were alive and safe.
"So... you really do care about me-"
"By the great seven- YES ESPECIALLY WHEN YOU COULD'VE GOTTEN KILLED IN THAT DAMN ENCHANTED FOREST-"
#twisted wonderland#twisted wonderland x reader#disney twisted wonderland#twst#twst x reader#twisted wonderland headcanons#twisted wonderland imagines#vil schoenheit#disney#disney twisted wonderland x reader#twst leona kingscholar#twst leona#leona kingscholar x reader#leona kingscholar#leona x reader#leona twst#leona twisted wonderland#twst ruggie#ruggie bucchi x reader#ruggie x reader#ruggie#ruggie bucchi#riddle rosehearts x reader#riddle rosehearts#twst riddle rosehearts#azul x reader#azul ashengrotto x reader#jack howl x reader#twst jack howl#azul ashengrotto
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Okay I'm on my 5th rewatch of Dead Boy Detectives and I have to know if anyone else finds it funny (and a little bit maddening) that in episode 6 when Monty needs help finding his fake ghost friend Gladys it's CHARLES who dismisses him immediately?
Like... they go so far as to make a point of showing us multiple reactions to his dismissal. First Crystal, who has no reason to believe the boys will turn down Monty's case due to Edwin's assumed crush and Charles' people-pleasing nature. She agrees to the case quickly because it's the perfect distraction for the boys and will buy her time to get her powers back... but then, to her shock, Charles turns down the case!! Charles who is all about gentleness and "Bedside manner," who cares deeply about being a "Good guy" and about being liked, the guy plagued with worry about how he is perceived by others and who never wants to disappoint anyone, the guy who is suuuuuper sentimental, protective, has a strong sense of justice, and is notably dedicated to protecting his friends and helping the people he cares about at quite literally any cost.
Even Monty is surprised, too!! It's clear that Monty anticipates Edwin's lingering guilt and old-fashioned sensibilities regarding decorum and conflict avoidance to be enough motivation for him to take on the case, that Edwin would agree just to avoid adding any more animosity or awkward tension to an already delicate situation. Monty had to know, going in, that he really only had to get through to Charles (who he admittedly had neglected in the past and been cold to in previous interactions due to his crush on Edwin). Considering Charles' easy-going nature, this should have been quite easy as Edwin is a much harder person to win over, whereas Charles is quick to see the good in others!! That's why he compliments Charles (despite the sentiment being disingenuous) and contrives a story that, knowing what we all know about the boys by this point, should have struck an emotional chord for Charles especially... BUT IT DOESN'T which is like... very weird!!! It's normal for Edwin to act logically, to put facts over feelings, to "play hardball" as Charles puts it in episode 1. But Charles is emotional, he's compassionate, he's impulsive more times than not, so this is notably weird behavior for Charles!!
BUT THEN it gets even better because Charles is immediately like, "Edwin, you know what I'm saying, right?" He throws the ball to Edwin, expecting Edwin to agree with him - a reasonable expectation as, again, Edwin is the logical one - but then Edwin doesn't agree, he sides with the girls instead and takes on the case for, what we can only assume is an unknown/indiscernible reason to Charles. (Remember, Charles has no clue that Edwin already turned Monty down, and we know he thinks that Edwin has a little crush on Monty at this point as well!!) Charles doesn't push the issue, but it's clear he's not particularly happy... it's hard to nail down what exactly he's feeling (we can't read his mind) but he's clearly feeling some type of way. You can tell by his silence, by the tense, tight-jaw frown and his eyes wandering to the floor that he must have been expecting a different outcome. It felt like he asked Edwin in a way that felt more like he was testing something, like he was hoping for a certain outcome...but WHY???
Well, let's acknowledge the context in which this strange interaction happens. In the same episode we see Charles:
Note how weird/off everyone is behaving specifically after Edwin is awkward with Monty on the roof.
Checking Edwin out, up and down, after Niko tells him he looks good (This is an irrefutable conclusion as he openly comments on Edwin's change of clothes later, so like... he noticed lmao)
Acting colder than he previously has to Monty by the time they get to the tall forest, despite the possibility that Monty may have lost his friend who comforted him after his own near-death experience. (This happens after Edwin agrees to take on the case, btw. Even when Crystal points out that there's an issue between Monty and Edwin, Charles makes no move to inquire, to "fix" it, or to be especially gentle as he normally might.)
Boldly and instinctively reach for Edwin's hand while making pointed, emotional eye contact as a "last act" during their near "death" experience.
And that's not even everything!!! So like... yeah, sure, it could be nothing. It could mean nothing. Allll of this could just be coincidental. Maybe Charles was being logical and responsible for once, maybe he really did just feel like they were already too busy to take on an extra case.
OR, more likely in my personal opinion, HE WAS JEALOUS AS FUCK!!! We know, based on their interaction at the end of the episode, that Charles has always had at least some idea that Edwin is not straight. We know that everyone is convinced Edwin has a crush on Monty. We know that Charles, after meeting Monty for the first time, has an expression of disdain on his face while watching Monty and Edwin interact (when Monty is showing Edwin his astrology chart). We even know that, following this interaction, Charles is frazzled/irritated when he fails to get Edwin's attention away from Monty's astrology book (clearly upset that Edwin's attention is occupied elsewhere and suddenly eager to remind Edwin that the goal is to leave Port Townsend with haste). Monty aside, we're not even getting into the protective and emotional response Charles has at the mere mention of the damn Cat King...
SOOOO TLDR; I've watched this show every day, and the more I watch it the less I can be convinced that Charles is not jealous AF and stupidly, deeply in love with Edwin...even if he isn't aware of it yet. I have no idea why so many people think Charles has 0 romantic interest in Edwin and that he "turned Edwin down completely" on the stairs to hell... because that's simply just not what happened lmao. Seeing the word "queerbait" being attached to these two is giving me whiplash... like that's just not what's happening here. That's not the proper interpretation of the nature of their relationship. I don't think there is any possibility, not a chance in hell, that Charles will not reciprocate Edwin's romantic feelings because he quite literally already does and just doesn't know it yet. There's no other way to interpret the acting choices made (which are brilliant) and the writing choices (which are also brilliant).
Anyway, hopefully that made sense. I just needed to share because I am gnawing at the bars of my enclosure going absolutely batshit over this show! đ
#dead boy detectives#edwin payne#charles rowland#payneland#dbda#the dead boy detectives#I need this show renewed yesterday I am losing my shit lmao#crystal palace#niko sasaki#monty the crow#monty finch
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Saved By The Gang | RDR2 x Reader
In which your SO saves you from your kidnappers! This was a request from AO3 :) Characters: Arthur, Hosea, Dutch, Sean, Charles GN!Reader Warnings for each story: Arthur: Graphic depictions of violence, cannibalism, and dismemberment Hosea: Graphic depictions of violence and human trafficking Dutch: Graphic depictions of violence, Dutch being himself Sean: Depictions of violence, use of strong language Charles: Graphic depictions of violence. Implied SA Notes: I kinda ended up writing these more from the characters POVs, so I hope thatâs okay. I apologize for any errors of if my writing is bad. Iâve been struggling with insomnia so I'm not thinking great rn. I looked at this so much I kinda hate it lmao so Iâm just gonna raw dog my mistakes :â) AO3 Link Arthur: Arthur had been gone for awhile doing the craziest things. He didnât mean to be away from camp for so long, it just kinda happens. He decided to stop in Van Horn to finish up some quick business when he noticed your horse. Was it really-? Arthurâs eyes narrowed as he studied the markings on the horseâs coat. That definitely was your horse but you werenât the one in the saddle. âHey there partner.â Arthur made quick work crossing the road with long purposeful strides. âWhereâd you get that there horse?â
The rider looked a bit flustered. âIsnâtâe a beaut? I found it just due south of Roanoke Valley all alone. Rider abandoned it so I thought I outta take âem in and give âem some good old lovinâ.â âRoanoke Valley you say?â He scoffed. What the hell would you be doing up there? âWell, I know the owner of this fine horse and they wouldnât just go off and leave like that. Where exactly did you find it?â âListen Mister, I donât want any trouble.â Agitation arose in the rider causing Arthur to throw his hands up in surrender. âNo trouble here. I couldnât care less about the horse. I just wanna make sure my friend is okay.â After careful consideration the stranger finally shrugged. âI found it drinking at the Kamassa river Northwest of Annesburg.â âThank ya kindly.â Arthur tipped his head graciously. He hadnât been up in that area before but the stories he heard werenât great. This undoubtedly meant trouble. Arthur hardly mounted his horse before a bit of gossip reached his ears. âAnother wagon disappeared near the mines. This time three women went missing.â âItâs gotta be that Murfree Brood. I heard they eat anyone they capture. Incestuous cannibals the lot of âem. Doubt weâll ever see those poor women again.â âShit!â A growl ripped from Arthurâs throat. His heels dug into his horseâs sides and he slapped the reigns. What if that were you? Kidnapped with those women? He needed to find you and fast. âCâmon Y/N. You better not be dead.â His heart pounded in his chest, wind whipping past as he cut off other riders on the trail in haste. He didnât mean to be gone for so long⊠Away from YOU for so long⊠He always thought you understood it. His need to be everywhere and anywhere. And you did⊠You do⊠Yet, somehow, regret was eating at him like a deranged wolf. Snapping at the back of his mind, replaying memories upon memories of him returning to your arms after being away for ages. Arthur took for granted that youâd always be there when he gets back. He shouldnât have left you as much as he does. He should have asked you to come with him. If you had business up in this region he could have been there to protect you. That horse is your world, he knows that. Maybe thatâs why his mind was racing with so many regrets and thoughts.  That horse is your everything, if you werenât on that horse you were probably seriously injured⊠or worse. That realization put a lot into perspective. It was always âWhat if I never return to Y/N?â and never âWhat if Y/N never returns to me?â âCâmon Morgan. Keep it together.â He had to shake these stormy thoughts away. Was it possible that heâd find you alright? Maybe a mild injury? Absolutely. But fuck, if it didnât give him so much anxiety. Upon reaching the approximate area Arthur slowed his horse using gentle praises. âEasy now.â He reached out to pet it appreciatively, allowing his body filled with tension to drop down. Blue green eyes squinted while searching for clues or any sign of his beloved. Luckily Arthur picked up a few things while bounty hunting and it only took him ten or so minutes to find footprints he thinks matches yours. While following them he started noting how far apart your steps were. You were running. âRunning from what?â âChrist.â Arthurâs nose wrinkled just as the wind carried over the scent of rotting flesh. Sure enough there was a dead fellow not far from your tracks. The bullet casings surrounding the corps were definitely from your gun. Was this one of the cannibals? Arthur moved the body, flipping it over using his foot. He looked malnourished and white as paper. Even his clothes were rags. Arthur wasnât really sure exactly what a cannibal looked like but if he had to take a guess, a cannibal would look like this feller right here. âFuck, Y/N. Whatâave you gotten yourself into?â Those sinking thoughts were back, dragging him into a pit of despair. Would he find your half eaten corpse somewhere in the woods? Are you still alive? Were you scared? Youâre a shit significant other, Morgan. Thatâs what he told himself over and over again, shifting trough the bramble. What kind of man doesnât know what his lover is up to? If he wasnât so far up the ass of being âArthur Morgan the big bad Outlawâ he would know. Regret. Regret for not holding you in his arms every night. For not returning to you more often. He should have had more time with you. Shouldâve spent every waking moment with you. How could he be so dense? This life was dangerous! He always stressed that to everyone who would listen. So why didnât he spend all of his free time with you? None of you knew when your last breath would be taken, how could he waste so much precious life away from you? That fear only grew when those scared eyes focused on the disturbing image of human arms sewn together into some kind of hanging tree ornament. A gloved hand covered his mouth to suppress a gag. Gore wasnât something that usually affected Arthur, but the thought that this could be you made him feel ill. At least he knew he was going in the right direction. It wasnât long before he stumbled upon a couple of the Brood. He couldnât hear the exact words being said because his ears immediately attuned to your cries of pain. Creeping closer in the grass, hand on his holster, Arthur grit his teeth at the scene playing out before him. Never in his life had he felt so much white hot rage. One of the sick fucks held you by the hair while another tried to pin you down. âWeâre just gonna cut yer leg off!â He laughed. âWhatâre ya cryinâ for?â âNo!â You screamed, desperately trying to fight against them. For three nights you watched in horror as the others captured were slaughtered, tortured, and eaten. Carved like Thanksgiving turkeys. For three whole nights you couldnât sleep, drink, or eat because you were so terrified of these monsters. They saw how scared you were and they loved it. Milking every second of it. Because of your exhausted state fighting against them was grueling. âYou killed our brother, itâs only fair.â A scream ripped through you just as your flesh tore against the blunt blade of a rusty sickle. âGet away!â Everyone froze, heads snapping towards the all too familiar voice. âArthur?â âY/N.â Arthur caught your gaze, a look of relief washing over him. Youâre alive! âHey! Who do you think you are coming hea-â The Brood member pulling your hair didnât have enough time to finish his sentence before his head was blown off with a crackling BANG! Silence rang out after the loud pop from Arthurâs gun, then the mans body dropped. âYou shot my brother!â âAnd Iâll shoot you too if you donât get the fuck outta here!â With a click of his cattleman revolver, the last man scrambled up to run. âToo slow.â A dirty finger squeezed the trigger and down he fell. You simply stared as everything unfolded before you, your cries not subsiding but becoming much quieter. After all your pain and torment⊠All those people gutted like human sacrifices⊠Arthur killed your captors so easily. âY/N.â His voice was gentle as he knelt beside you. Finally you shattered. Sobbing violently as soon as his arms enveloped you securely. You wanted to say his name. To tell him everything that had happened but couldnât manage anything past blubbering incoherently. Never had Arthur felt so much heartbreak. Not from any loss or any breakup he had experienced so far. Youâre one of the strongest people he knew. Seeing you look so small and afraid was devastating. Especially because this should have never happened to begin with. âI know.â Was all he could say. âShhh, I know. Youâre okay.â While embracing you with one arm he peered over to inspect your thigh. âI know darlinâ, I donât wanna let you go but I need to stop the bleeding.â He quickly hushed the whimper that passed your lips upon feeling his body shift away. Arthurâs fingers trembled, fumbling with his bandanna. Christ, this affected him more than he ever couldâve imagine. It took a minute but finally he managed to tie it above your wound to limit your bloodflow before immediately picking you up. Arthur made sure you could hide your face in his chest so you didnât have to look at any of the hanging dismemberments on your way out. âGod Y/N.â His arms around you were tight. âItâs okay. Iâll protect you. Itâs okay now.â He tried to console you. To console himself. Hell, if he were in your shoes this would be more traumatizing for him than the Colm OâDriscolle ordeal. He could only imagine how you feel. Arthur couldnât even bring himself to sit you on his horse yet. The moment you were in fresh woods he dropped to his knees and held you. Rocking you, kissing your hair and breathing in your scent. Sweet nothings fell from his lips in soft shaky whispers. Pads of calloused thumbs wiping away every tear from your cheeks. All you could do was cry and cling to him. All he could do was hold you as if it were for the last time. And it almost was. The last time. âHowâd you find me?â After what seemed like hours of you two embracing each other, Arthur finally helped you onto his horse and you were on your way back to camp. âSaw some feller in Van Horn ridinâ your horse. Complete coincidence.â Arthur could feel how tense that statement made you so he added quickly, âDonât worry. Iâll get your horse back. I just wanted to make sure you were safe first.â âThank you, Arthur. For everything.â âI know how much you love that horse, itâs nothinâ.â âNo, I mean⊠Thank you for always being there when I need you.â Silence washed over the both of you. Arthur didnât know how to respond. âIâm sorry darlinâ.â You could feel him arm gently tighten around you in a loose hug. âI couldâve lost you tonight. I got to thinkinâ and⊠I know I havenât been the best to you. I always prioritize everyone else. It shouldnât be like that.â âOh Arthur-â âIâm serious. Iâve lost Mary and Eliza. Most of my friends are long cold in their graves. I donât know nothinâ about gods or divine intervention. Donât know if something led me to you or not this time aroundâŠ.. I guess I was always feelinâ sorry for you because youâre datinâ a walkinâ target. Thought some space between us might do us some good in case I die. Never did I once consider life without you.â Arthur let out a hollow laugh which lacked any mirth or warmth. âWhat a fool Iâve been. I ainât never learn my lesson. Tonight showed me that, thatâs for damn sure. I dunno what you were doinâ out here but for now on if I leave camp Iâm not going anywhere without you.â An exhausted smile reached your lips. âGood. My handsome man, itâs always been you and me. You just had to ask.â âYou and me, huh? I like the sound of that.â You fell asleep in Arthurâs arms long before you reached camp. Arthur held you when you arrived, petting your hair as Ms. Grimshaw stitched up your leg. Arthur was needy after your attack. He never let you out of his sight and would always insist on holding you. Especially during nightmares that plagued you for months after the accident. Arthur stayed up singing to you and rocking you for many many long nights. And, of course, he got your horse back! How he did it or by what means, you didnât care to ask. Slowly life returned to normal and the incident was long behind you both. Arthur kept his promise to take you everywhere until the very end. ___ Hosea: Five minutes. He took his eyes off of you for FIVE minutes so he could speak to the owner of a fence in San Denis while you waited for him outside, and you were gone. âY/N?â He called out in confusion, scanning the sidewalks and streets for any sign of you. At first heâs annoyed. Did you wander off without saying anything? Hosea waved over the nearest group of men lingering nearby. âGood day. You wouldnât happen to have seen my associate hanging around out here, would you? They seemed to have disappeared.â One of the men nodded. âOh yeah, some nasty business I tell ya.â Well shit. âNasty?â Hosea cocked his head, resting his hand over his holstered gun. âHow so?â âThese crazies came and bonked them over the head, saying they owed money or somthinâ. Decided to mind my own business because theyâre all brandishing guns.â âMoney, huh? What way did they go?â âThat way.â He pointed Eastward. âTowards the docks.â Tipping his hat, Hosea made his way down the sidewalk. He looked both ways before crossing the road, grabbing onto the trolley as it passes, riding the step until he reached the docks. The sun was setting but he knew your form like the back of his hand. It wouldnât be too hard to spot you against the fire of the sky. However, you nor the supposed men were anywhere in sight. âExcuse me.â He flagged down a sailor and asked him if heâs seen you. He had not. Neither had the other five people he asked. Hosea knew this wasnât good. The trail ran cold, leaving him hopeless.  There was nothing he could do but return to Shady Belle with a heavy heart. As your husband he was always supposed to protect you. Never in a million years did he think youâd be snatched away right under his nose. Mounting Silver Dollar, Hosea struggled to hold his tears at bay. The city was starting to suffocate him and he needed to leave in order to breathe and think. The weight of the world was finally settling into his old bones on the ride back. The horror the gang had experienced the last few months was devastating. The Blackwater incident aside â Arthurâs escape from Colm, Seanâs death, little Jackâs kidnappingâŠ. Dutch wasnât listening to reason anymore. The gang was in shambles and now⊠He let out a defeated sob, hanging over his horse for privacy. What was he supposed to do without you? Youâre all he has left. His entire world. What if he wouldnât be able to find you? It all happened so quickly. To think only an hour ago you were fixing his shirt collar, hanging on his arm with a smile on your face and now POOF! Gone. This was the last drop in the bucket for Hosea. Suddenly he couldnât stop his tears no matter how hard he tried. He was tired. So god damn tired. Silver Dollar slowed to a stop just off the road. If anyone who passed-by peered close enough through the darkness they could make out the silhouette of a broken man with his head in his hands. He kicked himself for stalling your rescue. Precious time finding you, wasted. By the time he made it back to camp it was late into the night. Dragging himself up the stairs of Shady Belle he knocked on the door to Dutchâs room. Candlelight could be seen flickering through the crack of the doorway leading to Hosea believe he must still be awake. Silence. He knocked again, this time Hosea could hear the bed squeak. âYou better have a good reason to disturb me.â Those words flew sharply through the cold humid air. âDutchâŠâ Hosea would have cursed himself for sounding so⊠weak. Calling out his friendâs name with a wavering voice. It was noticeable enough to immediately draw Dutchâs attention. The bed squeaked under Dutchâs weight then heavy footsteps led to the door. Hosea kept his gaze down, watching Dutchâs shadow as he moved until the door creaked open and the faint candlelight illuminated Hosea in contrast against the inky hallway. âHosea- What happened?â âY/N⊠I donât know, it all happened so fast.â Wrapping an arm around Hosea, Dutch led him inside, guiding him to sit. âWhat happened to Y/N?â âI was looking for a buyer for the bonds we have left, asked them to wait outside because I was just going to be a moment. I stepped out and Y/N was gone. Apparently a group of men took them towards the docks. I tried not to arouse suspicion, I-⊠Maybe I shouldâve gotten there faster, I donât knowâŠâ He shook his head as if to clear it. âY/N wasnât there. I may have been too late.â âSomeone just took them? In broad daylight?â âJust like that.â Hosea snapped his fingers. âSomethinâ aint right.â Rubbing his chin quizzically, Dutch began pacing the room. âY/N isnât stupid, they wouldâve screamed or something. You really didnât hear anything?â He paused to watch Hosea shake his head. âAre you thinking what Iâm thinking?â Staring down at his hands, Hosea slowly uncurled his fingers, watching the light dance over his palms. âIt was a setup.â âIt was a setup.â His friend repeated. âBut by who?â âCould be Milton.â âI donât think so. Heâs a thorn in our side. If it were Milton he wouldâve showed up in our camp already. Waving Y/N around like a prize.â âThatâs very trueâŠâ Hosea only looked up when he heard Dutch abruptly halt. âIt canât beâŠ.â âWhat?â âPerhaps⊠Bronte had a hand in this? I donât think weâve done anything to cross him but heâs the only man in the city who could kidnap anyone in broad daylight and not a soul would tell.â He could feel the relief wash through him, the possibility bringing him a weird sense of comfort. He hoped it was Bronte. That would mean youâre probably safe and sound somewhere just like Jack was. âWeâll get Y/N back, Hosea. Let me pull some strings. Weâll find them.â The strings were pulled quite quickly as Hosea found himself waiting outside yet another fabulous party for Arthur to return. âIt wasnât Bronte.â His heart sank. âIt wasnât? Are you sure?â âPretty sure.â Arthur leaned against the residential fence while lighting a cigarette. He was gussied up to fit the mood. âAsked around ânâ nobody had a clue what I was sayinâ. I did, however, get this.â Held out between two fingers was a business card. Interested, Hosea accepted it. âExotic Imports and⊠Impurities?â âHuman trafficking. They apparently have these masquerade parties where rich folk can bid on people anonymously. I think thatâs where Y/N is.â God⊠Was Saint Denis truly such a shit hole? He knew this place was low, but a human trafficking ring? âAre you sure?â Arthur met Hoseaâs gaze with the most sincere look he could muster. âHosea-â âI know you wouldnât lie to me dear boy.â âI heard someone mentioning thereâll be an auction there this Friday. They mentioned someone who sounds pretty darn close to Y/Nâs description in the lineup. Iâll scope the place out, maybe we can rescue Y/N sooner than that. And if notâŠâ Hosea tucked the card into his pocket. âI guess weâre attending the masquerade.â Arthur knows how much you and Hosea are sweet on each other. How hard it was for Hosea after Bessieâs passing and how you brought life back into him. Arthur would do anything for you. So when he had to scope out where the auction will take place he took the job very seriously. He wanted to get you out as soon as possible if you were really there. The place was heavily armed, much to his dismay. An open window was easy enough to sneak into but getting you out was near impossible. He couldn't even find you. However, in a back room Arthur discovered a pile of discarded clothing. A shoe caught his eye, one he knew you wore often. Before he was able to grab it Arthur had to leave as the area filled with guards. âY/N is in there alright. Too busy for me to get âem.â He reported back upon his return to camp. Thatâs how Hosea, Dutch, Arthur, Bill, Micah, and Charles found themselves attending one of the most unnerving âpartiesâ in San Denis on a muggy Friday evening. They looked expensive, dressed down to the newest shoes on the market. Each donning their own masquerade mask. The building looked beautiful. Expensive. Guest flooded the entrance. âGuns arenât allowed at this event.â A doorman held his hands out while the gang handed over their weapons. They werenât worried. If everything was going according to plan John and Javier should already be inside posing as security. Upon entering the mansion, the gang mingled and sweet-talked everyone they could. Trying to get information, word of your safety, anything. One by one they slipped out of the room to John or Javier who gave their guns back to them before joining the guests in the auction room. The auction room was massive, theatrical even. Women in glorious gowns, men whoâs suits cost more than a house, they all gathered with glasses filled with alcohol of their choosing. Chatting and laughing as if theyâre about to watch a play. Hoseaâs stomach churned. The curtains opened to reveal the first person to be auctioned. It was a young girl trembling and sobbing. He gripped the armrest of his seat, knuckles turning white. One by one these people were being bid on. â7,000 dollars. Do I hear 7,000 dollars? 7,500. 8,000 to the man in white!â All of this stress made him want to down glass after glass of alcohol. If he didnât need to be clear headed he wouldâve. âNext up, folks, is person number 9.â You were shoved onstage. Even though your face was covered he recognized you immediately. Almost a week ago you were idly waiting outside, gazing down at your clothing trying to fix a button when you were struck from behind. Blurry vision greeted you after, god only knows how long you were unconscious. Blinking it away you tried to move but to no avail. Hands and feet bound, you were left alone in a cold room. Little light trickled into your cell. You could hear the cries and pleas of other people who were presumably prisoners too. Every time you tried to snap at or fight against the guards they beat you. They fed you just enough food and water to keep you barely alive. It was hell. Every night you prayed someone would find you. Anyone! Hosea, Arthur- were they looking for you? It had been so longâŠ. âGet up.â You snapped awake with a groan as you were kicked. The guard pulled you up, dragging you to get washed and dressed. Stumbling into a back room after being shoved, you blinked at all the faces staring back at you. These were the people you heard crying at night. âWhatâs happening?â You whispered. Only one woman was brave enough to speak up. Her low voice shook with emotion. âTheyâre selling us.â âWhat!?â âBe quiet or Iâll make you quiet!â A guard snarled at you, causing you to shy away. For hours you listened silently to the auction from backstage. Was this really happening? It felt so surreal. Fear filled you as the line moved forward until you were next. A bag was forced onto your head so you couldnât see. Fingers dug into your arms, you could feel yourself being dragged onto the stage, causing you to stumble. âNext up, folks, is person number 9.â Your breath hitched painfully. Heart racing loudly. This is it. You were about to be sold as person number 9. Bracing yourself for the bidding a loud boom crackled beside you, so loud it made your ears ring. Your head snapped in the direction it came from. Not being able to see anything, panic arose within you as the screams and sounds of running reached you. The crowd was fleeing for their lives! Gunshots popped off in the surrounding area. You ducked down in case any bullets flew your way. âY/N!â âH-Hosea?â The bag was lifted off your head, beaming lights above glared into your eyes causing you to squint. Hoseaâs face slowly came into view. He wrapped his arms around you, throwing you over his shoulder. âIâd love to have a romantic reunion with you, my dove, but Iâm afraid weâre in the midst of a shootout.â âI can see that.â You groaned, hanging onto him. For an older man he sure did carry you with ease while shooting his way out with the gang backing him up on either side. âHosea, letâs go!â Dutch shot the guard who blocked off the door. Hosea had to pass you to Arthur, who barreled through a cloud of bullets with you safely tucked in his arms. He was able to reach the rendezvous carriage, placing you inside before anyone else could enter. Hosea slid in and gathered you in his arms. âDrive, damn it!â He called out, causing the carriage to lurch violently before moving. âOh Y/N. Oh my little dove.â He carefully looked you over as tears filled your eyes. You were shaking, veins pumping with adrenaline. Your rescue happened so quickly it made your head dizzy. Hoseaâs hands were gentle as he touched you in case anything hurt or scared you in your shaken state. He examined every inch. Face was pensive, while taking in every mark and bruise on your delicate skin. âAre you seriously hurt anywhere?â âNo.â You whispered, pressing against your husband for comfort. He gladly held you, kissing your lips over and over again. âIâm sorry it took me so long my love. I shouldnât have let you out of my sight.â Hosea rest his head atop yours and rubbed circles on your back soothingly. âLetâs get you back to camp and fed.â âThank you.â You nuzzled him, breathing in his comforting scent. âI knew youâd come for me. I missed you.â âI missed you too.â The rest of the ride was quiet. When the carriage parked outside of Shady Belle, Hosea scooped you up immediately. You gasped as the whole gang rushed  over to greet you. âY/Nâs back!â Abigail announced. âOh Y/N, Iâm so glad youâre safe!â Mary-Beth gushed with relief. Even Pearson was there to see you. âWelcome home Y/N. Camp ainât the same without ya.â âThank you everyone.â You let out a watery laugh, heart filled with love. You were so appreciated amongst this group and it showed. Hosea brought you inside, cleaning you carefully. He asked if anything hurt or if anyone touched you and you responded with yes or no. He clothed you in his own clothes, hoping his scent would bring comfort. A warm bowl of stew was pushed into your hands. Hosea held you while you ate and snuggled you up until you went to bed. He played with your hair all night, unable to sleep after losing you. ___ Dutch: Dutch doesnât notice youâre gone until the ransom note arrives. â$3,000 in exchange for your lover?â He scoffed. âWho does he think he is? Weâll light his ass up.â The page was quickly crumpled in his hand. Dutch felt a deadly fury rise in him so great his own blood ran colder than the Upper Montana river. Colm O'Driscoll wonât get away with it this time. Not after what heâs done to Dutchâs past lover and to Arthur. âDutch, I think we should be cool about this one. He already captured me to draw you in for the Pinkertons. Heâs probably not done tryânna cut his deal with âem. If we ride in hot-â âNot now, Arthur. A few Pinkertons we can handle. This is Y/N weâre talking about, for Christâs sake.â He scoffed, face snarling up in anger. âY/N would have come for you, dear boy, had we known you were taken. Y/N would have come for you.â Arthur heaved out a sigh. He still wasnât fully well after the green gang shot him up. âI know, Dutch. I love Y/N just as much as anyone. We ainât ever leave one of us behind. I just think⊠If they want to draw us in theyâll treat Y/N right. If itâs a trap itâll make more sense for us to come in quiet and get Y/N outta there safely.â âWe donât have time!â Dutch grabbed his gun, much to Arthur and Hoseaâs exasperation. âDutch, I know you love Y/N, but I think Arthur may be right.â âWhoâs side are you on, Hosea? If that were you we would already be on the road.â He waved his gun around before holstering it. The air in camp was tense. Dutch seemed⊠Unsettled. Unpredictable. His eyes were crazy. Love made him crazy. âWhoâs with me? John, Micah, Bill?â John and Arthur exchanged looked while Bill jumped up eagerly. Micah seemed interested but didnât bother grabbing anything extra like the others. âIâm cominâ with you.â Arthurâs shoulders fell. He followed Dutch through camp up to The Count which Dutch mounted with ease. âNo, dear boy. You rest. Watch the camp with Hosea, we should be back before dawn.â âAlright, if you say so. Be careful out there Dutch. Things are getting nasty. Bring Y/N home.â âOh, I intend to.â With the rescue party ready Dutch rode out with his boys. âIf you see an OâDriscoll, shoot. If you see a Pinkerton, shoot. We leave no one alive. Not even the women. If Colm wants to play, weâll play. By our rules.â John moved up beside Dutch, calling out over the whistling wind. âAre you sure about this Dutch? What if Y/N gets hurt?â âY/N isnât getting hurt.â The words were spoken as if Johnâs idea was ludicrous. âNow you boys know how I feel about Y/N. And I-⊠Well, call me foolish, but Iâll never let any man, beast, or tycoon lay a finger on the love of my life. The moment we slaughter his sons heâll know we mean business. Colm is many things, but stupid he is not. He knows hurting Y/N would give us cause to burn his world down piece by piece and I donât think he could take the heat.â âAs is your right, Dutch.â Micah spoke up. âThe O'Driscolls should know by now youâre a kind and just man. Iâm sure they understand the reckoning hurting their assets would bring.â Feeding into Dutchâs anger pleased the gang leader. âThatâs what I thought.â He agreed. The rest of the ride was tense with anticipation. John knew there was nothing he could say. He just hoped youâd survive all of this. Dutch was getting sloppy and with you involved⊠He would slaughter the whole world if he had to. âWeâre here.â Dutch announced. Night had long fallen by the time they reached the OâDriscoll hideout. âLetâs make a little noise. Micah-â Riding closer to the compound, Micah lit a stick of dynamite, throwing it over the fence. Dutch watched with great pleasure as the OâDriscoll boys caught in the blast began to scream. âLetâs show them you donât fuck with Dutch van der Linde.â The guns came out. Time slowed down, men began to rush at them. The Count reared, spooked by the sudden barrage of bullets. Dutch shot every single OâDriscoll effortlessly, one by one. You were beginning to think Dutch wasnât coming. Why would he after Arthur outed Colmâs setup a week ago? They had kicked your face in until your mouth filled with blood and your nose cracked in three different places. Breathing was hard with your damaged ribs. The OâDriscollâs wasted no time in beating you to a bloody pulp before tying you up. The way you were tied was ridiculous. Your hands and feet were tied separately then were tied together to ensure you wouldnât be able to move an inch. You guessed Arthurâs escape was a sore spot. You struggled and fought until the ropes dug angry marks, rubbing the skin away. In all honestly you usually would have half a mind to spit at or curse any OâDriscoll out, however this seemed different. It was grim, very grim. You remember how scary it was watching Arthur collapse off his horse barely alive and wondered â would you make it? Surely they wonât let an escape happen again... Dutch would probably move camp, you thought. And if you could survive⊠I donât know, a week longer, heâll come and get you. These were the thoughts running through your head while you tried to plan your survival. âItâll be torture, but I can last that longâ, you reassured yourself. It didnât work. Colm killed Dutchâs girl way back, whatâs stopping him from doing it again? You knew the man had a nasty streak to him. And Dutch⊠well... killing you sure would make Dutch slip up enough to get caught. That bastard Colm just wanted to see him hang. Many many thoughts occupied your mind as you dozed off. Aches and pains were screaming at you so being unconscious was probably best. At the brink of sleep you were jolted wide awake by a loud explosion. You froze, halting your breath, straining your ears to listen. Silence. Whatâs going on? BANG BANG BANG! Dutch- It had to be him! Your face lit up with hope, eyes fixated on the door. Any minute now... The OâDriscollâs screamed, cursed, and cried out. âGet âem!â âDonât let them inside!â âWe gotta hold this for Colm!â Despite anticipating its happening you still flinched back when the door was kicked in. âY/N.â Dutch sighed out of relief. Kneeling down he cut you loose, brushing the hair from your face. You both were quiet. Just taking each other in. You because you had missed him, and him because he was stunned by how badly you were beaten. âThose animals. Weâll make âem pay.â Dutchâs words were said more to himself than to you. âIâm alright, I can walk, I think-â Helping you up, Dutchâs eyes filled with sadness when he noticed you wincing. He could hear your chest heave with pain and it was grading against his eardrums. âIâll carry you. Just hang on, we havenât cleared them all yet.â Scooping you into his chest, your arms were granted purchase around his neck. Dutch was stronger than he looked. He held onto you with one arm wrapped tightly to secure you while shooting any man who ran this way with the other. âBastards! Theyâre everywhere! John, Micah, letâs go!â âYou get Y/N?â John asked after shooting three more men. There were so many OâDriscolls they couldnât even take their eyes off them to check on you. âYeah. Letâs get outta here.â Micah covered Dutchâs right while John covered his left and back. They shot the best they could until finally they were free of the building. Dutch placed you on The Count, climbing behind you. The others quickly mounted seeing as there was no way theyâd win this gun battle if they stayed. âShit! Incoming!â Bill cried out, alerting everyone to the drove of Pinkerton galloping straight towards the gangâs direction. âGod dammit!â Jerking the reigns, Dutch kicked his horse into action. âThis way, câmon! Letâs lose them through the trees. We gotta hope we can outrun them.â There you were, rocketing towards salvation on a white horse. Pinkertons and OâDriscolls crashing down around you like violent ocean waves. There was so much noise to the point where your ears rang in an effort to tune it all out. Breath didnât leave your body. Time slowed. You watched in horror. Every bullet shot by John seemed to take ages before knocking down its opponent. Bill was screaming yet not a word of it reached you. You could feel Dutchâs arm wrap tighter and tighter around your waist. Suddenly youâre soaring through the air, hair flying back against the dusty breeze. This was it. The moment of truth. The Countâs feet touched down  after leaping over a fence and suddenly time returned to normal and everything sped up in your race for life. Your heart thuds erratically, clammy hands clinging to the saddle for dear life. âDuck!â Dutch ordered and you immediately lowered your head before a low hanging branch creamed you. You stayed low Dutchâs body now covering you protectively. You couldnât see and had no idea what was going on. Your own breathing was so loud at this point it took you awhile to register â the shooting had stopped. There was no more screaming, no more calling out or angry orders being shouted. Only the sound of four horses huffing and puffing and your own shaky breaths filled the air. âMy love⊠Are you alright?â Dutch lifted himself off of you, his horse slowing to rest. âIâŠ. I think so.â You gazed down at your hands and arms before looking at Dutch with wide traumatized eyes. âOh, my little bird. Iâm so sorry they hurt you. I came as soon as I could. Theyâll pay for this.â Something sinister swirled behind his eyes but his fingers were gentle against your skin while caressing your face. âCome now, letâs get you cleaned up and to bed. You need rest.â Dutch kissed your shoulder. âIâm so glad youâre here now. So glad.â ___ Sean: Sean thought you were mad at him. Avoiding him for some awful comment he made because he, yet again, went too far. It hurt his feelings but he decided youâd probably come back when you were ready to see him again. âSean, have you seen Y/N?â Mary-Beth asked. âI havenât seen Y/N since yesterday morning.â Seanâs heart fell to the pit of his stomach. You werenât the type to leave camp often or without someone accompanying you. âChrist, I havenât. Whereâd you last see them?â âOver by Kieran. I already asked him and he said Y/N helped with the horses then wandered off.â âAnâ no one saw them come back?â He began power walking through camp, searching the area for you. âHas anyone seen Y/N?â Tilly and Uncle shook their heads, John just gave a shrug. âThat isnât weird to any of yous?â His voice was raised enough to get the attention of Arthur who had just rode in. âWhatâs goinâ on now?â âY/N is fucking missing and no one said a damn word about it.â âAlright, alright calm down. Iâm sure we can find them, where were they last?â âOh I donât know English, lemme just take this crystal ball out of my ass-â Sean rolled his eyes while grabbing his gun. âWeâre gonna have to track them down. Think you can do that?â âWellâŠâ Arthur wipes the sweat from his brow. âCharles taught me a few things.â He paused, gently catching Seanâs shoulder. âI know youâre upset but I need you to keep your head. Iâm sure wherever Y/N is theyâre okay. Weâll get them back safe.â âSpeak for yourself, I always keep my wits.â âThat right there is what Iâm worried about.â Arthur huffed while mounting his horse. Sean was silently grateful for Arthurâs words though heâd never admit it. There was a storm churning inside of him. An ocean of guilt rocking his consciousness. If only he respected your boundaries and didnât make that joke maybe you wouldnât have gone missing. âWeâll bring Y/N back safe.â He repeated to himself, climbing onto his saddle. Arthur gave him an affirmative nod. They rode around the outskirts of Clemens Point looking for any sign of you. Sean felt like throwing up the whole entire time. Suspense was killing him. âOver here!â Air left his lungs in relief as soon as Arthurâs voice broke through the thick air. Walking his horse over, that relief was short lived. âFuck.â Sean hissed. Arthur held a ripped piece of fabric clearly bloodied. The fabric was from something you wore often making it was unmistakable. âLooks like three riders were here. âDunno who they could be, butâŠâ Morgan hesitated, knowing Sean probably shouldnât hear the next part. âThere was quite the struggle.â The Irishman cursed, kicking at a nearby stone, sending it throttling into the trees. âIâll kill every last one of âem! I swear it.â The Van der Linde boys followed the hoof prints best they could, using other clues to figure out what way your kidnappers may have turned when the trail disappeared. With each passing minute Seanâs knuckles turned more and more white around his reigns. âI shouldnât have said anything. This is my fault.â His feelings were so big inside of him they spilled out of his lips like a broken dam. âIâm a right bastard.â âYou two have a fight?â âSort of⊠We was fuckinâ around and Y/N got sick of me and asked me to stop teasing them but they look so cute when theyâre angry I just- I donât know.â He hung his head. Arthur studied him silently as they rode. âWell⊠Sounds about right for you two. Iâm sure Y/N wouldnât blame you.â âMaybe not, English, but I blame myself. I just hope theyâre okay.â They didnât talk any more after that unless to comment on the path changing. A few hours away from camp they came across smoke indicating a fire, right in the general direction of your kidnappers. âMust be them.â Sean was ready to charge in, but Arthurâs hand shot out across Seanâs chest, stopping him in his tracks. âWe should get to higher ground first, see what weâre dealing with.â âAre you crazy? Y/N could be there!â âThatâs exactly why we canât rush in like fools! What happened to keepinâ your wits? Do you want Y/N getting shot?â Seanâs mouth opened and closed, words getting choked up in his throat. The thought of you getting shot was about to bring tears to his eyes. Shoulders slumping forward, he sucked in a shuddering breath. âLetâs go look up that hill.â âThatâs better.â Arthur snapped his kicked his feet, leading his horse higher with Sean close behind. Sean wasnât playing around now. Knowing you might be close and that you were probably hurt- It took everything in him to quench ranging fire burning within. He whipped out his binoculars, setting eyes on the men surrounding the campfire. âStupid Lemoyne fucks.â âDo you see Y/N?â Arthur asked. Sean moved his binoculars with his turning head. âIâve got eyes on them. Theyâre tied to a wagon just outside of where theyâre sitting.â He bit his lip while taking in your sorry form. You were filthy, bloodied, and your face was swollen. They clearly didnât treat you kindly. âLetâs kill those fucks, Morgan. My baby needs me.â Without another word Sean tucked the binoculars away, charging full force down the hill, cattleman revolver in hand. He managed to shoot one guy in the throat, ducking on his horse to avoid the flying bullets. His horse galloped straight for you, stopping just shy with the intention of creating a barrier between you and the shootout. Arthur did most of the shooting while Sean nearly flung himself off his horse to cut you free. âOh my baby! What did those bastards do to you?â He gently cleaned your face with his handkerchief, ignoring all the gory sounds echoing from behind. Sean didnât even notice when everything became silent. You had his full undivided attention. âSean!â You wept, wrapping your arms around his neck to bury your face into his chest. âIâm sorry baby. I shouldâve never let you out of my sight. Iâve got you, my rose. Iâm here now.â He kissed your hair, rubbing your back. âDid they hurt you real bad?â Tears now stung his eyes when you nodded. It was difficult seeing you this way. He loves you more than anything else in the world, seeing his partner so beaten and broken- âShhhh. Weâll make it better.â Sean attempted to calm his tears, crying silently while burying his face in your hair. His chest was warm and welcoming after what youâve endured. Even though every bone in your body ached all you wanted to do was hug him and you were grateful he didnât pull away immediately and put you on a horse. âI love you. So much. I was so scared.â You whimpered. âI know, I know Iâm so sorry Y/N. About everything. I shouldâve never pushed your buttons. I thought you ran away.â âWhat?â You pulled away in confusion, studying his face. âSean⊠You think Iâm upset about that?â It was cute seeing Sean feel guilty over a minor playful argument, something you both have often, and you couldnât help but to giggle. âDonât be silly.â You reached up, wiping away his tears. Confused, Sean gently caught your hand, pressing kisses to your palm while examining the bruising on your skin. âI guess thatâs who I am when Iâm with you, Y/N. A silly man. Câmon now.â Carefully you were scooped up into a loving embrace. Sean placed a peck on your lips. He was afraid of hurting you further so he treated you as though you were made of glass. Once you were in his saddle he pulled himself up behind you. âLetâs get you to camp, baby. Iâll make you feel better there.â âThank you.â You pressed your back against him in relief. Exhaustion flooded your still trembling body. You never had any doubt Sean would come for you but the experience of the Lemoyne Raiders kicking your face in was rather traumatic. âGlad to see youâre okay L/N.â Arthur shot you a little smile. âSean here was real riled up about your disappearance. Nearly bit my head off.â A faint smile crossed your lips. You winced as your skin pulled on a bruise. âThank you for coming too, Arthur. If you werenât here I donât think he would have been able to rescue me.â âOh not this again!â Sean groaned. His arm was wrapped loosely around you and he still pressed an odd kiss to your hair here or there. âI would've done just fine!â âYou shot one bullet!â Arthur pointed out with a laugh. âThen you flung yourself over your lover like some actor in one of those dramas. If I werenât here you and Y/N would be riddled with holes by now.â âI love you Arthur Morgan, but shut up. I killed that fellow with one shot! ONE!â âWhat was stopping you from killing the rest of âem?â âY/N needed me!â âSee if I didnât come-â âShut up Morgan!â Listening to their familiar arguments was the best welcome home you couldâve ever wished for. Your eyes fell shut as you listened and soon the pain shooting through you and the exhaustion of being awake and afraid all night  started catching up. Slowly your body fell limp against Seanâs chest. You were only faintly aware of his arm tightening around you, keeping you safely on the horse. It was pitch black when you came to. Fear shot you awake, your eyes scanning the darkness. âSean?â You could hear an exhausted exhale to your right, a hand reached out from the black to gently pet your hair. âIâm here baby.â There was some fumbling then a match lit, illuminating your lover who had fallen asleep sitting next to you. Sean lit a lantern and thatâs when you noticed you were laying in Arthurâs cot. âWe thought it best to give you some privacy until youâre in tip top shape. Said I wasnât allowed to sleep with you in it though.â Sean leaned forward, pressing a kiss to your forehead. âIâm just glad to have you back. Get some rest, no one will hurt you now. Iâm here.â Relaxing again your fingers laced with Seanâs as you settled back in to sleep. ____ Charles: Charles usually minded his own business whenever you fucked off outta camp for a few days. You had been running with the gang far longer than he has and everyone knew you to be quite capable. God only knows what youâre up to half the time. Similar to Arthur, youâd go off and do your own thing then return with money or a fresh kill and a story of your adventures. Charles likes that about you. He admires your independence and how you have so much strength. When you didnât show up to camp for a week he didnât think anything of it. You were probably off climbing waterfalls or helping strangers. The gang carried on as normal unless Dutch wanted to offload a job onto you, then heâd ask around. âCharles.â Dutch called him over with a waggle of his finger. He already heard him calling your name and asking the ladies if theyâve seen you so Charles had an inkling as to what this was about. âCan you go find Y/N? I donât care what it takes, just get their ass over here. We have money to make.â Charles didnât mind being asked. Any reason to get some peace and quiet and reunite with you was a good reason in his eyes. The problem was, you were flightly, and your tracks were old. It has rained twice since you left camp. Charles followed your prints the best he could. Up into Strawberry, then to Mt.Shann where he took a break to enjoy the view and watch the birds. Charles smiled a little when he saw you had set camp there at one point. It was a beautiful place to stay, he would have done the same. He then doubled back to Owanjila lake where you had your second camp. He wondered what you were doing in the area, having absolutely no clue. He did, however, chuckle to himself when he found one of your gloves that you must have dropped. âOh, Y/N.â The words slipping from his lips were fond and warm. He scooped the glove up deciding to store it in Taimaâs saddle bag then he carried on his way. Charles began to get confused when your trail led straight back to Valentine. So⊠you were close to camp and didnât stop by to rest your horse or grab supplies? Thatâs very unlike you. These tracks were fresher, not more than a few days old if even. Your lover became frustrated when entering town as the hoof prints belonging to your horse became lost in the bustle of main street and Charles couldnât pick them up again. âExcuse me. Have you seen-â He began stopping residence of Valentine, asking of your whereabouts. You had been seen at the arms store and according to the man at the front desk of the Saints Hotel you stopped by for a wash only a day before. Well⊠If you were here yesterday youâll probably be back at camp soon. After thanking the clerk, Charles returned to Horseshoe Overlook to inform Dutch youâd be back soon. The next day Charles awoke early. âMr. Smith, can you please go into town and get us some supplies? Normally L/N does it but they ainât back yet. Ms. Grimshaw ainât too pleased.â He was attempting to enjoy his early morning coffee when Karen approached him. âSure.â He set his cup down, accepting the list. âDid Pearson add what he needed?â âHe only asked for corn.â He raised a brow in amusement, sharing a knowing look with Karen. âI understand.â Tucking it away safely Charles finished his coffee, throwing the rest out, then made his way to Taima. Your whereabouts weighed heavily on his mind during his ride into Valentine. âI miss Y/Nâ, he thought to himself âI hope they return soonâ. Camp just wasnât the same without you. He liked the gang alright but he liked you more. Valentine was a breath of fresh air after Blackwater. Quite literally. Charles took deep breaths, breathing in the crisp mountain air before entering town. Taima was soon hitched outside the general store where Charles leisurely strolled in. He walked around, footsteps echoing in the empty room as he gazed at the shelves. The clerk wasnât there. âHello?â He called out. Soon, sound of a door being swung open and rushed footsteps up the stairs filled the silence from what he assumed must have been the store room. âIâll be right with you.â You were bound painfully tight. Ropes dug into your skin until your wrists bled. Tied to a chair and gagged. It had all happened so fast. Days ago you were going about business as usual. You stocked your ammo; took a nice long bath; and followed a dog around you wanted to pet before returning to camp, and of course, to the arms of Charles. What can you say? You love dogs and this one was particularly funny. You had grinned to yourself, studying the animal as you followed it out back. You didnât expect to look up and be met with the stares of men who were clearly in the middle of an illegal operation. âShit!â Your hand flew to your holster then froze as you heard a click and felt the barrel of a gun pressed to the back of your head. Your hands slowly rose as you tried to eye whoever was behind you. âWell well well, look what we have here, fellers.â âReal unfortunate, ainât it?â You narrowed your eyes but kept silent. OâDriscolls by the looks of âem. âHeyâŠâ A tall one began circling you, looking you over as if you were bait. âI remember you. You run with the Van der Linde boys, donâtcha?â This wasnât good. âI think youâve mistaken, mister.â âNo⊠No I recognize you alright.â He stopped in front of you, leaning so close you had to recoil when the stench of his foul breath hit your face. âThis isnât your lucky day-â Before you could react he drew his elbow back and punched you so hard you nearly flew to the ground. Quiet laughs rang out among the group. Pain overcame you when one grabbed you by the hair, literally dragging you into the basement of their operation where you were hastily tied up and beaten several times among other unsavory happenings. For days you starved. Your face swollen beyond recognition. Only did the grocer show you any compassion. Feeding you water while muttering little âIâm so sorry, I wish we could let you goâs. He was a nervous man⊠A sweaty man. Hell youâd be nervous too if a gaggle of insane Irishmen took over the basement of your shop. You appreciated his little kindness but the weight of the situation was never lost on you. You needed to get out and soon, or else theyâll kill you. You thought of Charles and your beloved friends Arthur, Mary-Beth, and Lenny. Were they looking for you? Did they ever realize you disappeared? Today repeated the last two. The second the OâDriscolls noticed you were conscious their abuse started again up until mid morning when they left to take care of some business. The clerk made his way into the basement, removing your gag so he could give you water. âIâm sorry but you have to understand. If I let you go theyâll kill me.â You were too tired to argue with your heavily bruised jaw, sipping at the cool liquid. Suddenly a sound met your ears. Old floorboards overhead creaked with heavy footsteps. âOh goddammit.â Cloth was shoved into your mouth once more, immediately drying your tongue. âH-Hold on. Stray here..â You glared at the clerk. Where the hell were you gonna go all tied up like this? The sweaty man dabbed his forehead with a handkerchief, opening the door that divided you from the outside world. âHello?â A voice called out, rushing the clerk who felt so overwhelmed and frenzied with stress that he accidentally left the door open. âIâll be right with you.â Staying coherent is a struggle for you at this point. Listening to light footsteps run up the stairs you let your head hang limp against your shoulder. âWhat can I help you with?â âJust here to resupply. Do you happen to have⊠uh⊠a bushel of corn?â âCorn? Yeah, we got it.â Wait⊠was that? CHARLES! Energy rocketed through your veins with the hope of rescue. Charles was here! Gazing around frantically you searched for something, ANYTHING. The only thing close by was a broom. Hopping your chair over to it depleted you immediately, every bruise and broken rib screaming out. But you had to do this. You had to get Charlesâ attention. It was so much work just to get close enough to tip the broom over. CLINK! Your head snapped towards the stairs with anticipation. Charles read the list over again. âActually a bushel of apples too.â CLINK! He glanced down at the stairs then at the clerk who laughed nervously. âHaha donât mind that. Just some junk.â Charles hummed, grabbing a few cans off the shelf. âIâll take these as well.â âIs that all for you?â Your heart squeezed in your chest. It didnât work. âCharles! Charles Iâm right here!â You so badly wanted to scream. No words left your muffled mouth beyond your hearing. There had to be a way to get his attention. Nothing else was close enough to you and you didnât have the strength to move yourself and the chair any further. The only thing you could do was throw yourself to the ground as hard as you could and hope for the best. BANG! This time Charles froze. His eyes napped towards the basement then back at the grocer.  A terrified look flashed over the manâs face. Thatâs suspicious... Oh- âJust some junk, huh?â âYes sir.â In once swift movement Charles pulled out his gun, cocking the hammer. âThen you wouldnât mind showing me whatâs down there, right?â âH-Hey listen! I donât want any trouble.â âNo trouble here. If thereâs nothing down there then Iâll pay and leave.â âItâs just junk mister! Honest!â âThen it should be okay if I take a look at this âjunkâ.â The clerk folded under pressure. âThey said they were gonna kill me if anyone found out!â âThen get out of here and hope they donât find you.â Charles didnât know who âtheyâ were but he had a pretty good idea about what was going on.  He watched as the grocer fled before cautiously making his way down the stairs, cattleman revolver still drawn. Charles was stunned. All breath left his body in disbelief the second you two made eye-contact. âY/N!â He hurdled himself towards you, picking the chair up to sit you upright before removing the gag. âWhat did they do to you?â Swift work was made of your binds and soon you were pulled into the comfort of his chest. Giving a whimper of pain you couldnât help but to cry tears of relief. âCharles!â Your voice cracked. You almost thought it wouldnât work and he would leave without you. Charles rubbed your back, pulling away to assess your injuries. âY/NâŠâŠ I-.â He didnât know what to say.  So many emotions hit him in waves, washing over him strongly which inevitably flashed across his face. Anger at the people who hurt his beloved. Guilt for not tracking you any further. Resentment towards himself for not considering you might be missing or in trouble. Sadness. So much sadness. He had never seen you this badly beaten and it disturbed him. Quickly he tried to hide his thoughts. You were so small and frail in his arms, crying uncontrollably now. Charles could imagine by your current state that it must have been a horrible ordeal. âIâve got you. Can you walk?â All you could do was cling to Charles while shaking your head. You felt the weight of his coat drape around your shoulder before feeling yourself being scooped up. âYou found me.â Charles winced at how weak your voice sounded. Placing a gentle kiss on your forehead he shushes you. âSave your energy my love. Youâve been through a lot. Let me take care of you.â Itâs the least he can do after failing you so badly. As he carried you up the stairs Charles make eye-contact with Sheriff Malloy who bowed his head slightly out of respect â serving as a silent apology. âWeâll hang whoever did this.â He promised.  Deputies flooded the store actively as he spoke. "When we find âem, youâll be the first to know.â âThank you.â Those words meant nothing to Charles. The Valentine law was useless and it showed. All he could do now was shield you from curious onlookers while mounting Taima with you securely in his arms. âAre you in any pain?â He whispered, making his horse walk so the ride wouldnât jostle you too much. âYeah.â Charles had to lean down to catch your quiet words. âTry to rest against me. Iâll get some morphine from the Reverend. Just hang in there. Iâm sorry, I know it hurts.â He was trying desperately to find the right words to say. Anything that might help you or ease your suffering. Anything that might relieve his guilt. Grasping at words floating around his mind yet none could be combined into something coherent. They rode on in silence. âMister Strauss, Reverend. We need medicine.â Most of the gang couldnât see what was going on, Charles had you tucked protectively against him for privacy. He knew you probably didnât want everyone ogling at you. The air of the situation was enough for everyone to gain understanding and many sprang into action. âHow bad is it?â Strauss asked. âI think their ribs are broken, maybe sprained jaw. Definitely a sprained ankle.â âBring Y/N over here.â Arthur called, leading Charles to his cot. âProbably better than the ground. Shouldnât be movinâ much with cracked ribs.â Your eyes fluttered open the second you were placed in the comfort of Arthurâs bed. Charles immediately helped you take medicine to ease your suffering. âDo you need anything my love?â His voice was gentle as if speaking to a spooked animal. Large calloused fingers brushed the hair from your face. âFood⊠WaterâŠâ Arthur gently squeezed Charlesâ shoulder, earning a grateful look from his friend. âLet me.â Your love settled into a chair beside you, still playing with locks of your hair. âYouâre so brave Y/N. And so incredibly smart. Iâm so happy youâre safe now. I-⊠Iâll never let this happen to you again.â He watched you struggle to stay conscious. Maybe the food will have to wait. Slumping forward, he places a feather light kiss upon your lips. âIâm coming with you everywhere for now on.â He knew you couldnât hear him but it eased his soul just saying those words out loud.
#rdr2#rdr2 x reader#Arthur Morgan x Reader#Dutch van der linde x reader#Hosea Matthews x reader#sean macguire x reader#Charles Smith x reader#RDR2 Reader Insert#Arthur Morgan#dutch van der linde#hosea matthews#sean macguire#Charles Smith#my writing#request
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One Last Lesson
Pairing: Spencer Reid x Reader
Word Count: 3.8k
Warnings: okay so there's some switching on both sides but mostly dom!Spence, oral (f receiving), age gap (reader is over 21), teasing, pet names, marking a lot, p in v sex, praise/minor body worship, yk I love some dirty talk so- that's there, multiple orgasms, riding, marking- I hope I got everything??
Genre: Just fluff, Just smut
Summary: It's been a year, Spencer is yours, but it seems someone just won't back off at the alumni gala
A/N: I wasn't planning on a Pt. 3 for this yall it was a duology lmao- I saw the demand but I had nowhere to take it; so you can thank @shan-yee because their comment inspired the continuation of this saga :)
***
Spencer walks over to you and places his hands on either side of the counter you're sitting on. You're spending the night at his place and right now he's cooking dinner.
"You know, it's been almost a year now." He says kissing your neck.
"Since what exactly?" You ask him.
"Since you graduated is what I meant, but also since we made it official technically." Spencer squeezes your hand and then grabs a spatula from a drawer and walks back over to the stove.
"Oh yeah, we're a few months off from it I suppose." You hum.
"The alumni gala is this weekend. Do you- plan on going?"
"It's this weekend? Really? I didn't even realize."
"Oh." He says, his back is facing you but you're positive he's leading up to something and that answer didn't give him the lead up he was hoping for.
"Why are you asking?" You smile.
"Well I was thinking that if you were planning to go we could go together. I mean I'll be there regardless but like- it'd be nice to go as a couple. If you wanted to do that." He shrugs.
"Do you want me there Spence?" You ask.
"Of course I do. I always want you by my side."
"Then I'll go. We'll go. As a couple."
"You're sure?"
"Why wouldn't I be?" You frown. Spencer turns around to look at you.
"Well you know, I don't want you to be uncomfortable if people say-"
"IÂ don't give a fuck what anyone might have to say. I like you Spencer, I like being with you. Nobody's random opinion is gonna make me stop feeling that way." You shrug. Spencer's eyes soften, adoration shining in them.
"Okay." He smiles.
"Oh, but when we go we should change the timeline a little." You say.
"What do you mean?"
"Instead of telling them we've been together almost a year, tell them it's only been a couple of months." You shrug.
"So if we've only been together a couple of months what's like- the rest of our story?"
"Well we can say we ran into each other at a bar a few months ago, got talking, and realized we had a lot in common- decided to see where things go and it's been great so far."
"Okay." He nods.
"I know you don't particularly like lying but it's for you. I don't want anyone doubting the ethics of our relationship and calling into question your job. So stick to that story and try not to oversell it with details. The more complex the harder it is to keep things straight."
"Well, what if they ask for details?"
"I can't imagine we'll spend a lot of time apart at the gala so chances are I'll be there to handle that for you but if you find yourself alone and they ask you something you don't want to risk complicating- just tell them 'things are still new and you don't wanna risk jinxing anything' and then find a way to change the subject to literally anything else."
"Things are still new and I don't wanna risk jinxing it- okay sure. You're a- good liar."
"I've thought about it before, in case anyone started asking questions- at least for the next few years. After a while, no one will care but you know, for now. I don't want you to lose your job or anything because of me." You shrug. Spencer walks over to you and tilts your head up to look at him. He kisses you sweetly and quickly.
"That's sweet of you to be that concerned about it but you shouldn't stress too much about my job." Spencer says.
"I know, I know, but I care about you, Spence. Of course, I'll worry about that sort of thing."
"You're so cute." He chuckles, returning to the stove to finish cooking dinner.
"Yeah, I know." You say jokingly, making him laugh harder. A few minutes later, dinner is finished and you move from your spot on the counter to the living room to eat and watch TV with him.
~*~*~
When the day of the gala comes around that weekend, you spend more time getting ready than you usually would. Your dress is a gold floor-length number with no sleeves and a dangerously high slit. You pair it with black lace gloves just because you can and your makeup is killer if you do say so yourself. Not that you have to, Spencer's reaction when he comes to pick you up is more than enough confirmation that you look drop dead.
"Woah." He breathes out, his eyes wide.
"Hello to you too Spence." You chuckle stepping into the hall and locking your apartment door.
"I- hey. You look stunning baby."
"Thanks, you don't look too bad yourself love." You wink at him as you loop your arm through his. He's wearing a black dress shirt with gold detailing which you didn't know he was planning on wearing when you picked your dress but how convenient that you match. You notice he's forgone a tie and left the top couple of buttons undone and part of you wants to skip the gala altogether, but you got all pretty so to the gala you will go.
By the time you arrive, it seems the event is already in full swing, the hall is full of familiar and unfamiliar faces between faculty, alumni, and current students- who apparently are welcome and encouraged to attend these things. In fact, you're barely there for 10 minutes before some of your former classmates get a hold of you and drag you away from Spencer. So much for being together most of the night. It's fine, you remind yourself, he's a big boy, plus he's got his script. You focus on the conversation you're part of, a few guys and girls from your department are playing catch up, everyone sharing the most important news from their lives post graduation.Â
You find yourself in several more of those kinds of conversations with various groups of people over the next hour or so. Side effect of being half part of so many social groups during college you suppose. Every once in a while you steal glances at Spencer, who mostly seems to be enjoying himself with his colleagues. You know Spencer was expecting this night to be a sort of debut for your relationship at his job so you wanted to be with him most of the night but maybe this is fine, him with his people and you catching up with friendly acquaintances you haven't seen in a while.
Just as you're settling with that idea you catch Professor Greene beelining towards Spencer and you can't help the internal eye roll when she walks up to him with a megawatt smile. You split your attention between the conversation you're currently part of and Spencer's interaction with Professor Greene. With things official between you and Spencer, you're much less worried about her honestly but you watch Spencer for signs of discomfort so you can rescue him if needed. You haven't heard much of her from Spencer since your little stunt last year with the hickeys so you're surprised to see her so friendly with Spencer. When you catch her place a hand on Spencer's arm and he awkwardly breaks the contact you decide to step in.
"I am- so sorry to cut this conversation short, I just- it looks like I need to rescue my date from a conversation he absolutely does not want to be part of but I will find you again to finish this before the night ends okay?" You tell Jordan, a friend of yours who you had classes with literally every semester of university.
"Girl don't even worry about it go save your man." He chuckles waving you off.
"Thank you babes, if I don't catch you again tonight, I'll just text you." You rush out before making your way over to Spencer and Professor Greene. You keep your pace light so as to not look vexed but you reach them rather quickly.
"Spencer! There you are! I've been looking for you." You smile, placing your hands on his arm gently. He relaxes with you at his side, matching your smile with one of his own. You turn to Professor Greene, still tucked against Spencer's side. "You're Professor Greene, right? I'm y/n." You stick an arm out to shake her hand and she takes it albeit a little hesitantly.
"Have we met before?" She asks with a curious frown.
"Not formally." You smile.
"I'm- gonna grab a drink. Y/n, do you want anything?" Spencer asks.
"I'll have a mojito if they can make one. If not then I'll just grab champagne from one of the trays floating around the room." You tell him.
"Professor Greene? Would you- like anything?"
"No thanks, Spencer." She says with a tight smile.
"Okay well you two wait here, I'll be back in a sec." He says jogging off. You can't help but smile as you watch him go.
"He's so sweet." You say before you can stop yourself.
"Oh that's cute." Professor Greene says.
"Sorry?" You turn to her.
"Are you one of Spencer's students?"
"No, I've graduated. Almost a year ago now. Why do you ask?"
"Well, it's just- perhaps I'm assuming but it seems like you have a bit of a crush on him." She says and you can't help the surprised chuckle you let out.
"Excuse me?" You ask with a smile.
"I'm not judging or anything. It's cute and totally not unusual! That's why I asked if you were one of his students, I mean- not that anything would come of it but having a crush on your professor and all is pretty common despite the- taboo around it. I one hundred percent get it." She explains.
"Oh, do you? You get it? See- the thing I get is that you have a bit of a crush on that professor but I'm fucking that professor so I'm not sure you one hundred percent get it seeing as we are not in the same boat." You say, your tone deceptively cheery.
"Excuse me?" She blinks at you incredulously.
"I'm not daft Professor Greene and neither is Spencer- it's quite obvious you fancy him which is totally not unusual and not that anything would come of it but I one hundred percent get it. See you don't need to placate to me because I'm the person he came here with. I'm the person he'll be leaving with." You say. Professor Greene's eyes narrow for a moment before widening.
"Wait no you have definitely been a student of his, I remember you. A plucky thing- sat in the front row."
"Surprised I left an impression." You cross your arms.
"Spencer always seemed particularly concerned with you."
"I was his best student." You shrug.
"Oh I'm sure you were. Extra credit will do that." She scoffs.
"I didn't need to suck his dick to be the best in his class I'm just that good. We only started seeing each other a couple of months ago not that it'd really make a difference he still wasn't interested in you at any point. You'd think by now you'd get the hint." You say and she levels you with another glare.
"Did you know they make flavored mojitos? The guy at the bar asked me what flavor you wanted. You didn't mention a flavor but I know you like passionfruit so I hope that's okay." Spencer's arrival doesn't break the tension between you and Professor Greene but you shoot him a sweet smile as you take the drink from him.
"Passionfruit's perfect baby, thank you." You tell him. "I was just telling Professor Greene here about how we got together."
"Yeah, Spencer, I didn't know you had a girlfriend!" Professor Greene says with a smile that's too wide to be genuine.
"Oh! Well, yeah things are still pretty new, I haven't made it a point to go around announcing it. Plus it's not like we're close or anything." Spencer shrugs and puts an arm around you casually, pulling you closer to him.
"Well yeah I know I know it's just- well that's kind of a big deal, isn't it? A girlfriend. You've got a bit of a bachelor reputation you know." She says and you let out a sharp disbelieving laugh.
"Do I? That's news to me." Spencer looks at you with a chuckle.
"Oh you know what I mean Spence."
"Not really but I guess it doesn't matter. I'm pretty private about these things, even though I'm obsessed with her."
"Aw you're so cute." You gush with a hand on his chest.
"Well you do make quite an interesting pair. If you'll excuse me, I see Darla and I've been trying to track her down all night so I'll leave you to each other." Professor Greene dismisses herself and rushes off to start another conversation elsewhere.
"'I didn't need to suck his dick to the best in his class'? Are you insane?" Spencer turns to face you with an incredulous smile on his face.
"To be fair it didn't start there!" You say.
"Oh yeah? Give me the breakdown."
"You left and she made a snide comment about me having a crush on my professor that 'wouldn't go anywhere', I got a little snippy with her and then she implied the only reason I was one of your favorite students is because you were screwing me but like I'm smart I don't need to fuck you for an A I already had one before you even touched me so- I was basically just telling her that."
"When you say a little snippy-"
"I honestly don't think you want to know." You shake your head.
"What did you say to her?"
"TLDR, I told her she has a crush on you and I am fucking you so we're not really in the same boat which was- probably escalating but she started it by trying to patronize me." You shrug and Spencer sighs though you can see his shoulders shake in silent laughter.
"You are-" he stops to laugh again. "Incredible."
"Thank you baby." You smile.
"Honestly that was very uncomfortable but I will admit there was something... captivating about that battle of wits you had going on." His head dips to press a kiss to your neck.
"Captivating huh." You hum.
"Yeah, you're hot when you get all territorial." He smiles down at you.
"You're saying that now because this time I didn't take it out on you." You chuckle.
"I mean, I certainly wouldn't have been against walking in tonight covered in hickeys like last time." He mutters.
"Naughty boy. Keep that up and we'll have to leave early you know." You muse.
"I mean I've spoken to everyone here I need to talk to." Spencer's hand slides down over your ass for a moment.
"So worked up so quickly."
"Come on princess, let's get out of here. I owe you one hell of a thank you for dealing with Professor Greene." Spencer mutters in your ear trying to sway you.
"If we're going to leave early, you'd better make it worthwhile professor." You tell him pulling him through the party towards the exit. He stops you just outside the hall to pull you into a kiss.
"Don't I always?" He winks at you and takes the lead then, walking you to his car and helping you into the passenger side. Once he pulls out of the parking lot, you put a hand dangerously high on his leg, rubbing up and down his thigh 'absentmindedly', watching the way his fingers grip the steering wheel tighter with each passing moment. At red lights, you lean over to kiss and nip at different spots on his neck, you didn't mark him up before going out but there's no reason you can't do it now. By the time you're back at Spencer's apartment, you can tell your teasing did exactly what you wanted when he rushes you through the lobby and into the elevator. He hardly lets the elevator doors close before he corners you against one of the walls. Spencer kisses you, rough and hot, his hands gripping your upper arms.
"You'll be the death of me one of these days." He breathes out. The elevator doors open then and you drag your fingertips up his thigh with a dangerous smirk before getting off. You can hear him let out a harsh breath before he follows you to the door. Spencer unlocks the door and lets you in, barely shutting the door before he pulls you against him in another searing kiss. One of your hands tangles in Spencer's hair tugging lightly which he rewards with a grunt and a nip at your lip. Eventually, you pull away from him, grabbing his chin a bit to tilt his head out of the way of his neck.
"Hm- they're not great but- by the end of the night I'll mark you up so well it'll be like a signed my name on you." You hum kissing him again.
"Whatever you want princess. Tonight's about thanking you, any particular way you want me to show my gratitude? Because personally, I'd like to peel this dress off of you and bury my tongue between your folds." Spencer mutters, trailing soft kisses across your neck and shoulders.
"That- that sounds like a great way to start." You say.
"Perfect." Spencer pulls you down the hall into his bedroom. His hands drag down your arms, pushing the sleeves off and subsequently dropping your dress to the ground. He lets one hand grab onto yours to help you step out of the dress and immediately drops to his knees in front of you. Spencer pulls one of your legs onto his shoulders, grips the back of your thighs tightly, and buries his head between them. You jolt forward as his tongue swipes through your folds, catching your clit and you tangle your fingers in his hair to steady yourself.
"Oh god." You gasp as Spencer pushes his tongue inside you, thrusting in and out, caressing your walls all while moaning at the taste of you and the feeling of you pulling his hair. Spencer can feel your legs start to shake and tightens his hold on your thighs when he drags his tongue up to focus on your clit. "Fuck!" You squeak, actually squeak, when Spencer flicks at the bundle of nerves with practiced precision that has you trembling in his hands.Â
"Spence." You moan his name in warning, your orgasm building quickly. He increases the pressure slightly, just enough to push you over the edge with a cry, your fingers tightening in his hair, holding him against you as you ride out your orgasm against his mouth. As the aftershocks of your release ease, Spencer eagerly laps up the juices flowing from you, his nose brushing your clit with each draw of his tongue. You gasp when Spencer hooks his arm under your leg still draped over his shoulder and presses his hand at the small of your back as he wraps his lips around your clit and sucks harshly on the little button. You jerk against his ministrations but his hold is steady- even as he releases your other leg to bury two fingers between your walls. He pumps the digits quickly and you can feel another orgasm building.
"Holy- shit that feels good." You whimper and you feel Spencer smile around your clit for a moment before he continues to suck on it feverishly. Spencer pulls your second orgasm from you so quickly that you don't even realize how close it is until you're screaming from the force of it. Spencer works you through it, his fingers slowing but not stopping until your walls ease up against them. He gazes up at you as he licks his fingers clean before kissing just below your belly button. He kisses his way up your body, hands trailing over your skin until he's at his full height.
"One hell of a thank you baby." You say breathlessly. Spencer laughs and leans down to kiss you, cupping your face with his clean hand. You use the time to pull his shirt free and undo the buttons, then focus on his pants, tugging off the belt and shoving the slacks down his legs. You let Spencer walk you back towards the bed and lay back when your legs hit the edge of it. You watch as Spencer finishes undressing himself and crawls over you.
"I'm not done thanking you yet princess." Spencer says kissing your neck. He lines himself up with your entrance and sinks in with one thrust. He groans against your skin at the feeling of your wet heat engulfing him. "If I believed in heaven this would be it." He breathes out and you giggle a bit. That is until Spencer cocks his hips back and rocks them into you pulling a moan from your lips effectively ending your giggle fit. Spencer sets a dangerous rhythm of sharp, deep thrusts that have your back arching off the bed.
"So good- Spence, feel so good inside me baby." You moan, your nails marking angry red lines down his back as he takes you.
"I know princess- fuck I know." He grunts reveling in the sting of your fingers clawing at him. Spencer can feel his balls tightening as you drip down his shaft and he leans back to toy with your swollen clit. The sudden extra stimulation has whines and mewls falling freely from you as your third orgasm rushes you. The feel of your walls spasming around him sends Spencer into a frenzy, his thrusts becoming erratic as he chases his own release. Your mind clears just in time to catch the signs of his impending orgasm and you muster enough strength to flip Spencer onto his back. He blinks at you in shock but only for a moment as you start riding him and his face scrunches up in pleasure. Spencer throws his head back and you lean forward to darken the hickeys you left earlier and add more as promised. He lets out a string of curses and grips the sheets so tightly you think he might tear them as you bounce up and down his length. When you feel his muscles clench beneath your hands you sit up, examining the marks now covering his neck. You're more than satisfied with them. You thread your fingers into Spencer's hair and tug, forcing him to look at you.
"I wanna watch your face when I make you cum Spence. Don't look away." You tell him sharply. Spencer tries to nod but your hand in his hair stops him.
"O-Okay. F-fuck, whatever you want- please just let me cum." He begs.
"Go ahead baby." You tell him and that's all it takes for him to let go, hot ropes painting your inner walls.
"I was supposed to be expressing gratitude here." Spencer says after a few moments of silence, when his breathing is settled.
"I feel plenty thanked don't worry love. It's way more fun having you beg me to cum anyway." You say turning your head where you lay just enough to kiss his chest. Spencer lets out a small disbelieving chuckle and you can feel him shake his head as his hand strokes down your back.
"I love you." He says.
"I love you too." You say with a smile. How lucky you are, to have your crush work out so perfectly. Although if you ask Spencer who the lucky one is he'll surely say it's him. Luck is the only explanation for him to now have the object of his desires for months in his arms like this every night. Thank goodness you called him out that day in his office, or he'd have never gotten this far.
***
Part 2
Tagged Users: @regulus-black-223048, @perkypink19-blog, @p0ssywhippedcream
#criminal minds#criminal minds fanfiction#spencer reid#spencer reid fluff#spencer reid x reader#spencer reid smut
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no pressure ofc but may i request a jax x reader where the reader is basically a ball jointed doll with some of the parts made of a soft playdoh material that can be shaped? i have no idea if that makes sense lmao. if not feel free to just do a normal bjd! as for story specifics ive been on a hurt/comfort kick tonight so maybe reader has joint pain or smth?
feel free to put your own spin on things! ive loved basically everything ive seen of yours in the jax x reader tag so im sure itll be great.
OKAY I WENT A BIT OVERBOARD AND I ACTUALLY HAD TO CUT IT SHORT DUE TO GOING TO A PARTY. I LOVED WRITING THIS STORY AND IM MORE THAN WILLING TO DO A PART 2 TO END IT A BIT MORE SATIFINGLY
HOPE YOU ENJOY, ANON!!!!
Jax x Doll! Reader
You were tossing and turning in your bed. No matter how you lay, your joint always managed to get caught on your sheets or blankets. It doesn't seem bad, in theory, but it was terribly painful. You finally settle in a spot, sighing happily.Â
âSH(boing)T!â you yelp, jerking so hard you nearly fall out of bed. Your knee had pinched the blanket. You throw the sheets off, tears of anger (and probably pain) pricking the corners of your eyes. You swing your legs off the side of the bed, deciding to go for a mid-sleep walk. Youâd say midnight, but there isnât exactly a night here.
Trudging from your room, you walk up the halls. Your joints, your annoying burdens, click with each step. You feel a pang of jealousy; the others in the circus didnât have any problems with their new bodies. If you really had to be a doll, why couldnât have you been a plush one, like Ragatha? Instead, youâre stuck with stupid ball joints and silicone. It sucks.
As you pass by his room, you find youâre not alone in your restlessness. The sound is faint, but you can hear the floor creaking in Jaxâs room. You pause outside his door, wondering what he could possibly be up to.Â
The creaking passes from left to right as if he was simply walking back and forth in his room. As if he was pacing. You frown, debating whether or not you should knock. Maybe something was bothering him?
You shake your head, turning away. Jax wouldnât talk to you, what are you thinking? Youâd ask him if hes okay and heâd gaslight you into thinking heâd been asleep, into thinking youâd interrupted his night. He wasnât the kind of guy to admit to his problems, not the type to care about yours.
You start up the hall once more, mind settling on the digital lake. At very least you could relax to the Lake_Ambiance.mp3 and watch the digital water move.
Crack
You let out a sharp yell, falling to the ground. Your knee had locked up, twisting at just the right angle the joint wouldnât move anymore. God, it felt just like a sprained ankle. You hiss, gripping your knee in your hands. The tears really do come now, rolling down your cheeks in an oddly realistic fashion for this digital realm. Well, at least your night couldnât get any worse.
âWhat, you forgot how to walk or something?â Dear god, it got worse. You glance behind you, the familiar smug grin staring you in the face. Jaxâs confidence falters, very plainly, when he sees your tears. He raised a brow, âOh, come on, you just fell. Are the waterworks really necessary?â
You try to stretch your knee out, yelping when it doesnât budge, âItâs not just a fall you ignorant little- AUGH!â you give up trying to move your leg, resolving to simply lean back, giving yourself room to breathe.
Jax trots over, bending down and inspecting your knee, âHowâd you manage this?â he reaches out and your stomach drops, âNo, donât!â He freezes, the surprise plain on his face, âWhy not? I can snap it back into place easy as-â
âYou stupid rabbit, it hurts!â you practically wail. He sits back, âDonât be stupid, (Y/N), weâre digital now. Canât get hurt. Canât die.â
You turn your face away from him, growling slightly, âClearly, Iâm different. Not like youâd care, right? Too busy shoving your head up your own a(honk).â Jax doesnât react to this, much to your surprise. Instead, he silently stands up, walking up the hall, one hand on his hip.
âWait, where are you going? Jax?â you regret what you said immediately, you really didnât want to be alone with this right now. âYou wonât let me help you, Iâm going to find Caine.â
âYouâre⊠huh?â you blink, confused. Jax shrugs, âIf it hurts that bad, why would I leave you like that?â You arenât sure whether or not he really was going to find Caine, but with the lack of arrogance about him, you decide to trust him, âAlright⊠thank you.â
He doesnât respond, merely gives a dorky salute as he rounds the corner. As the minutes pass, you begin to wonder whether or not you should have believed him. Just as you were about to give up hope, Caine appeared at the end of the hall, flanked by Jax.
âOh, dear, oh dear! Would you look at that!â Caineâs annoying grandeur made your head hurt, but you couldnât have been more relieved. With a simple snap of his fingers, your leg righted itself without pain. âNow then, anything else I can do for you, my dear (Y/N)?â the eccentric ringleader asked. You shake your head, a relieved sigh escaping from your chest.
âExcellent! Well, off to bed with you!â he zipped back into the air, âI was busy, after all.â Caine darted away, leaving you alone with Jax once more. He seemed off, not grinning as he usually did. Youâre not sure what to say, until-
âAre you okay now?â he asks, looking anywhere but your face. âUm⊠yeah, now I am,â you start to sit up, and Jax rushes to your side, grabbing your hand and practically lifting you to your feet himself. âAre⊠you okay?â you ask, âyouâre acting way different.â
Jax finally looks at you, âWhy wouldnât you tell anyone you were in pain? Are you really that thick? Any of us wouldâve helped you! Any of us would be there for you!â he snapped, seemingly angry youâd hidden this.
âI⊠I didnât want to burden anyoneâŠâ you admit, a bit shocked. âBurden us? Are you kidding?â his voice grew louder, making you wince, âyou think your health is a burden? You moron, youâre-â he stopped suddenly, noticing your expression.
âI-Iâm sorry⊠I-IâŠâ He sighed, interrupting your shaky apology, âNext time, come to me. Okay? I donât want to see you get hurt. (Y/N)...â he hesitated, âI just⊠I really care about you. Please, donât hesitate to tell me youâre in pain.â He gathered himself, then placed a quick kiss on your forehead before darting into his room with a final, âNight.â
#the amazing digital circus#tadc#jax#jax x reader#tadc jax#tadc jax x reader#tadc x reader#the amazing digital circus jax
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I just ADORE the idea of potter sibs learning lessons from their namesakes and being nothing like them :)
James being calm and studious and kinder than his namesakes
Albus learning how NOT to handle very specific social situations from his namesakes
And Lily is just like "FUCK them kids lmao"
YESSSSS literally.
james is more popular than his namesakes were (i like to think james and sirius were just impervious to popularity&they just gave 0 fucks, although sirius was default popular because of his surname and his attractiveness) because hes more welcoming and less of a dick and a nepobaby, but heâs emotionally distant with his peers and finds it hard to open up to others because heâs always a little suspicious of people (unlike james sr, who was an open book). he plays quidditch because he knows he should and it makes his mum happy and its kinda fun and hes kinda good but hes not that passionate about it. he gets amazing grades because hes studies a lot and not because hes a natural genius (unlike sirius, who didnt have to study hard for anything to pass comfortably). james a perfectionist, by-the-book person who struggles to think outside of the box, unlike his grandfather whos genius lied in nothing else.
albus reminds me more of his namesakes than the other two potter siblings, but he probably would appreciate the comparison the least. heâs quiet and lonesome and angsty with a âno one will understand meâ mindset, but severely attaches himself to the people he loves, and carries them with him throughout his life without ever moving on (all exactly like severus). hes cunning and always ready to martyr himself (both dumbledore and severus), but hes way more audacious and simple. he has a â1 + 1 = 2 end of storyâ mind that he got from his parents that completely goes against severus and dumbledoreâ long game of chess. albus does not care for such BS, hes still got that gryffindor dawg in him. he will go against every expectation set out for him on purpose (unlike dumbledore and snape, who will use their reputation to their advantage). also, albus is happy lmfao. its why he commits his life to himself and not to others like his namesakes did. he wants simple things like nicely-cooked dinners, warm houses, and to get married young and start a family. kind of like his dad and grandmother.
and lilyyyyy. she is all over the place. she is the quidditch star, the loud one in class, the person who fakes her report cards so her mum doesnt freak out at her. shes not studious like her grandmother, she attracts people to her and selects the greatest pick out of the litter for friends, and shes got a lot of friends (unlike lily evans, whoâs love is so concentrated and loyal to very few, and luna who was socially repellent). she travels everywhere because shes a glutton for experiences, she doesnt plan ahead, shes will never be tied downâ not even by true love and the prospect of staying with them forever. shes open like luna but her mind is more of a straight arrow than lunaâs genius. lily grows up and never has any kids, not because she hates children but because she just never particularly wanted to. she never grew out of being reckless and impatient and impulsive, and she had always known that those traits would not be compatible with raising a child and she was okay with that (unlike lily evans who had always wanted to be a mother, and had dedicated herself to her baby).
#asp kind of like his namesakes a little bit#except hes not a LOSER like them đ (he is a loser)#didnt mean to yap about them but what elsw do i do on thia acc besides that#harry potter#hp#hpcc#cursed child#albus severus potter#scorpius malfoy#james sirius potter#scorbus#<- bcuz thats who albus marries obvi#lily luna potter#marauders#marauders era#sirius black#james potter#lily evans#lily potter#luna lovegood#severus snape#albus dumbledore#ginny weasley#lilysander#jily#ask#anon#rewriting
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https://www.tumblr.com/theobsessedcookiefan/758178391877910528/im-not-deadd-so-i-was-thinking-about-how-would?source=share
Now I can't stop imagining a story/possible story series if you like this idea enough....a human iseaked into the cookie world and the begining is like...y/n wakes up from gingerbrave and the others waking them up and they are like 'ok....this human is ours now' then...onward to hilarious eating scenarios where....well I can already imagine:
Cookie: gingerbrave! Gingerbrave! We have good news and bad news...
Gingerbrave: what's the good news?
Cookie: the human we just adopted and decided to take care of isn't trying to eat anyone that's alive.
Gingerbrave: that's good...I'm glad they have morals. Wait, what's the bad news?
Cookie: they keep trying to eat random items instead.
*off in the distance.*
Herb: STOP TRYING TO EAT THE TREES!!!
Y/n: *just chewing on the tree...*
Herb: GINGERBRAVE! Y/N IS DOING THAT THING AGAIN!!!
(Bonus if you want: I also can't help but imagine whenever they go adventuring or something....gingerbrave has to put y/n on a harness child leash in order to hold them back from trying to eat random stuff...like if you want a funny scenario:
Gingerbrave, talking to a fellow cookie: yes, y/n is a sweetheart and really loves talking to cookies but it's true they have a bad habit of, hold on one second. *they turn to y/n and yank on the leash* y/n no! No eating the dirt! *turns back to the cookie* so as I was saying-)
YOU HAVE NO IDEA HOW MUCH I LAUGHED WHILE READING THAT LMAO.
So yes, I'll do it because guess what? Cookie run hiperfixation came back like William Afton. I gotchu bro
This'll be kind of interactive btw.
âââââââââàłáŠ đș áŠàłâââââââââ
êŹ êŻêêêêêȘê ê
êČêȘêêŻ
âââââââââàłáŠ đș áŠàłâââââââââ
Okay, let's make a quick recap, you remember installing a silly game of cookies out of boredom and getting totally obsessed with it, it's okay, it's fine, it's not that big of a deal, younger you was obsessed with Minecraft after all, but back with the cookie game, maybe playing it on the bus stop wasn't your best idea, considering it made you get hit by it, okay that was definitely stupid of you, your parents always told you to pay attention to your surroundings when going out, you should've learnt that from all the pokemon go incidents. But focusing on the present; if this was the paradise your grandma told so much about then you should give her extra points, it was really pretty, a forest, blue skies with some clouds and green grass that looked exactly like those in movies, it was too perfect! But in the second glance, why were you slightly bigger than the trees? More importantly.. Why the trees looked so good?.. Was this the vegan's heaven? Or was this hell where you were forced to become vegan? Either way the trees were small, the bigger ones reached your forehead.
Keeping that in mind you sat down, thinking about the whole thing that was happening, were you really dead? If so then what were you supposed to do now? Then a sound broke your train of thoughts, voices? Wait.. You knew those voices. "Wait a damn second-" You thought, peeking through the leaves of the trees, taking advantage of the fact that you were sitting and they could cover you a bit, and what you saw made you speechless, why the heck were Gingerbrave, Strawberry Cookie and Wizard Cookie right in the path front of you?!
âââââââââàłáŠ đș áŠàłâââââââââ
What will you do?
âââââââââàłáŠ đș áŠàłâââââââââ
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Film Making? In My BL? - The Sign ep01 Edition
So, if we're doing this we're doing this, so buckle in baby.
I'm gonna focus how the opening scene below, uses two narrative devices and one film technique to build out the scene as a whole: in media res, misdirection, and the long take.
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Okay so to begin, we have to start at the beginning, or well, the middle lmao
In Media Res
I saw a post in the tag that said something to the effect of how The Sign starting with no context and providing no information at the beginning was strange, with the implication it was bad writing. I disagree, fundamentally, because The Sign is using a very common literary device called 'In Media Res'. And in my opinion, uses this device very well.
If you're familiar with basic storytelling terms I ain't telling you anything new, but for folks who may not know, in media res is a latin term that means "in the midst of things" and lots of stories - both prose, comics, and film - use this device.
The most famous is The Iliad by Homer, which if you've ever read - and you should it's glorious also it'll give some context to Song of Achilles - you know it drops you full-on no context into the middle of things. The beginning will differ in verbiage depending on the translation you pick up, this free version starts with:
THE CONTENTION OF ACHILLES AND AGAMEMNON. In the war of Troy, the Greeks having sacked some of the neighboring towns, and taken from thence two beautiful captives, Chryseis and Briseis, allotted the first to Agamemnon, and the last to Achilles.
Right off the bat the story drops four character names and the setting with no real context. Who are all these people? Why is there a war? Well, keep reading to find out! It also starts the story with an action aka an argument - nay A CONTENTION!! Achilles and Agamemnon are such bratty bitches lol
Other (more mainstream) examples include:
The Dark Knight
Lost
28 Days Later
Mission Impossible (pick one)
Fight Club
Full Metal Alchemist (both)
MDZS
Inception
And, The Sign.
"In contrast to linear storytelling, which starts at the beginning and moves sequentially, in medias res is a nonlinear approach that can make stories more dynamic and immersive.
It's a technique that challenges the audience to make sense of the narrative puzzle, often revealing essential information about the characters and their motivations gradually." (source)
What's described above is exactly how The Sign, starts it's story, in the middle of things, specifically to create a puzzle for the audience to figure out gradually. If you watch the above scene, what's happening?
We get a (well done) overshot of an island (establishing setting), we see a group of soldiers (establishing the characters we'll be following) we see them doing military things (okay these are their skills, and they're on some sort of mission), their drone spots a group of people inside and a character says the dialogue "Listen up, you only have 15 minutes" (this establishes stakes, okay there's a time limit to this mission) "Team A will rescue the hostage" (okay now we know what the mission is and informs these characters are on a rescue mission).
Who is speaking here? We don't know yet, but a safe assertion would be this character, since they are the first character who speaks on screen, will be important.
And we'd be right because it's Phaya speaking, one of our main protagonists as well soon find out.
All this happens within the first minute; the show provides an interesting set-up. It deals out information in tidbits - setting, characters we'll be following, situation set-up, stakes - but not enough information for the audience not to ask questions.
I want to iterate that at this point, the goal isn't to "care" about the characters yet, so much as create an intriguing set-up based in action that will showcase various information about the tone, setting, and skills of the piece that will engage the audience. To make the audience ask questions, to engage with them.
When you open up on MDZS the protagonist, Wei Wuxian is dead and we have no context for this. Everyone is just in the middle of celebrating his death and we, the readers, do not care that he's dead or why he died. The story could have started in a more linear way, with him arriving at Cloud Recesses arguably the beginning of his journey, but would that have been as interesting? As engaging?
I like how this article breaks down the why of starting your story in media res is a powerful and often used device:
This is what The Sign is doing in this opening part. Starting the action of the series off with action and creating that immediate engagement. The scene also ends with a plot twist which connects to that final point about information control.
This isn't a technique I've seen often used in BL because BL is a sub-genre of romance and most romances are told in chronological order, rather than non-linearly - there are, of course non-linear romances, but most mainstream romances, and by extension most BL aren't told in this way - BL shows don't often have actual physical action. A majority, especially in Thailand, are grounded, closer to slice-of-life, coming-of-age, and comedy dramas - though we are starting to see a change in that trend.
So starting in the middle of things, like chepa the middle of what? Two dudes walking~ to Engineering class?
The goal of this opening scene is to pull in the audience, make them wonder and ask questions: "who are these characters? will they rescue the hostages? who are the bad guys? who is this character who's having visions?" and so on and so forth. It's a way to engage in the audience without having to slow down the narrative with a ton of exposition, or build up stakes slowly, rather it grabs the audience immediately and sets them in the middle of the tension asking them to engage with what's happening.
The Long Take
You've probably heard about "the long take" but to break it down, a long take is one continuous take without any edits/cuts. The film 1917 was famously filmed to "look" like one long take. One of the most cited and well known long takes is from Children of Men by Alfonso CuarĂłn:
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Now if you watch this movie you can tell why there isn't a lot of BL long takes because, god damn, they built a new type of car just to get that one scene. [read here for more on long takes]
So, The Sign. It's long take starts at about 2:08, following Phaya - again, we the audience don't know this is Phaya BUT since the camera is spending specific time with him we assume he is An Important Character and he is! Set up and payoff! Funny how that works - and ends at around 4:27.
[Sidenote I love that the take ends, not with a cut but a transition. Which I'll cover in another post but in the land of Thai BLs which favor cuts so damn much transitions were so refreshing to see]
During this long take, we establish that these characters are competent at what they do. We understand that they're military trained, in both hand-to-hand combat and firearms. We also get these two mid-close ups, which signifies these will be Important Characters:
And they are, the first shot is of Phaya, Khem and Thongthai and the second is Tharn and Yai.
This also sets-up the character dynamics; Yai and Tharn are already close and know each other so they are drawn to each other while on the mission, while Khem and Thongthai have a pre-established relationship but are still supporting behind Phaya.
This type of shot also allows for the audience to better see and follow the fighting that's happening on screen. Filming fight scenes are their own beast, and while there's no one school of thought on how a film scene "should" be filmed, there are techniques that that place some fight scenes above others.
The first video showcases some techniques on how to film a fight scene, while the second one at the 8min mark talks about the long take in John Woo's classic action film Hard Boiled.
This long take in Hard Boiled really showcases why long takes are so powerful in filming a fight scene specifically. They pull the audience further into the action and create a palpable energy that just works better than a scene with lots of quick cuts.
There's a reason one of the biggest criticisms of Mortal Kombat (2021) was that all the fights were edited to pieces while John Wick (2014) was a refreshing jolt to the industry.
youtube
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The Sign takes a page out of John Woo's book, and places the characters, and the physicality of the scene front and center, pulling the audience along with the camera in one long shot.
Long takes are hard, I can't really emphasize this enough, if you watched that video on Children of Men you can see all the intricate work that went into scenes that amounted to maybe 5mins of actual film time. Likewise this long take in The Sign is only about 2mins of actual time in the show BUT it's effective, it's engaging, its ambitious.
Which is why, I gotta give The Sign it's roses because of that ambition. Long takes are a lot of hard work, time, effort, blocking, rehearsals, on top of incorporating the fight chorography that's a lot and it looks good.
Now is this the best~~~ long take I've ever seen? lol no god but it's well done and ambitious especially for the sub-genre of BL.
Misdirection
Misdirection has more in common with in media res than the long take as it's a literary device and not a filming technique.
From Gotham Writers:
"In fiction misdirection can be either external or internal. That is, the author can be using the story as a frame to misdirect the reader, or a character in the story may be misdirecting one or more of the other characters. Or, of course, both." (source)
Misdirection is often used in thrillers or mystery narratives, Hitchcock used misdirection a lot in his films.
In Psycho the audience is lured to believe that Marion, the character the film opens with, builds up, and essentially sets up as our protagonist, is in fact our protagonist. She's not, she's murdered and her sister, Lila, is the actual protagonist of the movie. Sorry if this is a spoiler for an almost 70 year old film lmao
Misdirection is often used to set-up plot twists down the line. A good misdirection will leave clues for the audience when they watch back and go, "oh! I can't believe I missed that!"
In film The Sixth Sense is a good example of this, where the plot twist at the end doesn't weaken the film once you know it but rather, it enhances the film itself on a rewatch. Another good example of misdirection in film are both Knives Out and Glass Onion, where Rian Johnson will set up a non-linear story and then slowly unravel the information for the audience.
Take the scene where Marta, in Knives Out, finds Fran's body and hears Fran say "it was you" at least to audience ears. Then stands up looming above Fran's body. The scene cuts, and the audience is led to believe Marta has let Fran die to protect herself (since we the audience also have been led to believe Fran is dead) only to find out later that Marta didn't let Fran die, she is alive, and she knew Ransom was the killer.
The Sign uses misdirection in a much more simple way. It sets up an expectation: Phaya is going to die, upping the stakes from "must save hostages" to "must save a comrade" aka the character we, the audience, have been following for the last 11 minutes. It sets two characters, Chart and Phaya, as opposing against each other, for reasons we don't know - is Chart one of the villains? Why is he trying to kill Phaya? etc - and the audience is led to believe this is a life or death situation.
Then, plot twist. The reveal happens that this was all a training exercise, and there was never any "real" danger whilst also keeping the audience on their toes. And like in The Iliad, now we have context for the mission, and then the story is able to step back and explain.
It's not like, the best~~~ use of misdirection but there was a purpose to it. It sets up an expectation, and subverts that expectation of the audience - but in a good way not a Game of Thrones way. While also pulling the audience into the show by starting in the middle of the action rather than slowing down the story with exposition or giving their hand away to much that this was a training exercise.
If you knew it was a training exercise, suddenly the stakes feel less intense because none of the characters are in any real danger, but not knowing that, withholding that information until it's relevant, ups the stakes of the scene.
The opening scene of The Sign imparts a lot of information without using a lot of dialogue and I find that impressive. We learn which characters will be relevant to the story - Phaya, Tharn, Yai, Khem, Thongthai and now we know, Chart is also important - that they are skilled combat fighters, knowledgeable in firearms, there's a fantasy element to the story via Tharn's visions, they're on an island which the setting for right now, and the tone and aesthetic of the show itself.
It's actually a fun scene to rewatch again with more context because I appreciated it even more. Which is just good film making.
I didn't talk much about the camera work - needless to say it's notable and fun - but maybe I'll save that for the next post. What other shows or scenes would be fun to breakdown? Drop me a line but heads up I don't actually watch a ton of shows so idk if I've seen xyz show lmao
Later chepies âïžâïž
Other posts in the series:
Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI
[like these posts? drop me a couple pennies on ko-fi]
#the sign#the sign the series#idol factory#phayatharn#chaos pikachu metas#chaos film metas#idk what to tag this as anymore rip#these posts are so looooooooong#brain is a fried egg someone pass the soy sauce#Youtube#pikachu's bl film series
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Hey babes! First of all, let me just say that I ADORE your writing <3333 I can tell you have a lot of passion for what you do!
If itâs alright with you, Iâd like to request a BlitzĂž x fem! reader story. Preferably how he navigates a shy, sweet imp. I was thinking that they could have been childhood friends or something like that. Whatever you decide to do Iâll read (and love) it <3333
Thank you so much!!
aahww thank you sm lovebugđ„čđ I appreciate the kindness !
also,, really hope I got your request right?? I lowkey wasnât exactly sure on what you wanted LMAO but I hope you like it regardless <3
Blitzo x fem! imp reader | navigate
The sound of your breath in a humid environment was all you could really focus on. Or, more so, trying to control it.
Blitzo insisted taking you on some stupid 'adventure', âif thats what he called itâ and of course, it turned into a mission.
Why the hell wouldn't it! You didn't expect much less from him.
You particularly didn't care much for his mission work. Sure, okay, it seemed kinda cool sometimes- - but the,, almost double-dying part, was intimidating as fuck.
Keeping all your limbs attached to your body was really your biggest goal living down in Hell. It was easy enough to end up getting stabbed, maybe break a horn or two, or even end up in a shitty situation with some demon lords that rule rings trying to chase you down. Especially as an imp!
Maybe it was because you actually valued your death-life, and Blitz,, .. just didnt? But, regardless, you didn't wanna be here, doing this today.
A heavy hand rests on your shoulder abruptly, causing a small flinch to react from your figure.
Blitz leans in close, a crazy little smirky smile on his face. If the space between you got any smaller, you thought your oxygen levels would've been completely cut.
He managed to drag you into some hide out, a gun in his hand, army crawl position beside you in a long vent you two crawled inside of together. Shoulders harshly bumping against each other's to prover just how little space there actually was inside.
It was hot in here, and he was hotter, which only added to the uneasiness you felt in your chest.
"Don't tell me you're bitchin' out on me, y/n." He whispers to you, eyes focusing on your nerves. Blitz knew you better than just about anyone. And to be fair, he should. You two have been friends since childhood, so nothing goes unseen around him.
Your frown lightens, vision trailing to look back at him. "Nooo? I'm totally fine," you flash a cheesy smile back.
Blitzo's eyes roll, "Yea- ok, I'm teaching you combat, whether you like it or not, bitch. If youre gonna be working with us, you can't just sit around at the desk looking all cute and shit, everyday." He reminds you, "I need you to learn how to be more assertive!"
He thought you were cute? Ayee, score for you.
Your lips curl into a smirk over at him.
"As cute as I am, I can still be assertive." Now it was your turn to remind him.
It didnt look like he believed that statement. Actually, you knew he didnt.
"What happens when some dick fucker tries being an asshole to you? Pulls out a gun? One day I'm not gonna be able to get there quick enough to save your sorry ass." He frowns, some annoyance clear in his tone.
Your eyes widen, and your lips sound a gasp as you face him. "Oh my god- - is that the sound of you caring about someone other than yourself~?" You tease sarcastically, eyelids lowering casually again. Blitz turns away with a scoff.
"I didn't know that was even possible," you add onto the teasing, obviously getting some sort of rise out of him.
"Listen!" He narrows his vision. "Oka- you know damn well that Iâ"
His words get cut off. The sound of a door opening, and footsteps entering the room catch both of your attentions. You flinch when the door slams shut behind the figure. It was a short demon. Big horns, and an even bigger snout. He sort of looked like a dead pig. You cringe.
"Oh, fuck." Blitz smirks, raising up his gun. "This is too easy. You comin' or what?" His shoulder nudges yours. You give a dull look in reply. "Do I have a choice?"
"No, you don't." He smirks over his shoulder at you.
You follow close behind his army crawl towards the end of the vent. It wasn't far away at all, just totally felt uncomfortable being on your hands and knees in such a small space for so long.
Blitz quickly kicks out the vent door, and jumps down to the floor with his gun tightly in hand. Your eyes watch his figure as he lands perfectly in the room, alerting the demon who was on Blitz' kill list.
Damn.
It was kind of crazy how good his combat is. You know he has a lot of practice- - which does make you slightly worry from time to time about just how much trouble this job really gets him into. (And how much more it'll get you into if he continues to drag you along for the ride.)
With a small push, you slip yourself out of the vent, and land on two feet with a practiced swiftness. You've gotten enough rehearsal time to do small, crafty things, but you weren't perfect- - nothing like how Blitz was, anyway.
But at least you still looked good doing it.
The listed demon looks quickly between the both of you, Blitz ready with a crazed grin on his face while holding the gun, and you, with your knife strapped to your side, looking nothing as intimidating.
"Y/N! Grab him!" Blitz commands from you.
You hesitate for a second, "Blitz, do we really havâ"
"Cmon!" Blitz tosses his head back and groans, quickly rebounding and aiming the gun to the guys head before he got any bright ideas. "Lets dance, bitch!"
The demon, though all three of you were trapped in a very small room, does his absolute best to dodge each and every bullet. For a porky lookin dude, he was quick on his hooves. He managed to miss most if not all, bullets aimed his way.
You lunge forward, and tackle him to the ground like a tiger pouncing its prey. Blitz cheers you on, fist pumped up in the air as he watches with excitement down at you. "Thats what im talkin about, y/n! Now tie his ass up, we gotta use him as bait for the rest of them."
"The rest of them?" You glare in question.
His hand tosses you down a rope, which you had no idea where he kept it hidden all this time, but look up to Blitz anyway, as you struggled a little, straddling to keep the demon down beneath you.
Your hands desperately grab the rope, and you begin tying. Blitz insisted no helping, as this was his way of teaching you proper ways to hustle- - but you'd gladly accept it if he offered any.
First, you wrap up the struggling mans hands, then, you move down to his kicking feet. He managed to give your shoulder a good hit with his foot, but that only resulted in Blitz raising his own foot, and forcefully bringing the tip of his boot into the guys side. The demon lets out a groan.
"Damn, what the hell, asshole." You glare down at the demon who only glares back up at you through his groans. Your hands take the bandana from around his neck, and retie it around his mouth to prevent any sounds coming out of him.
"Great, now lets get the fuck out of here!" Blitz grins, picking up the hostage and throwing him over his shoulder with a small struggle. You follow along close behind, eyes checking both sides of you with some slight paranoia. It already came to the point in the day where you were very much over this job. Why the fuck couldn't you guys have just stayed in the circus business?
"Y/N! Take out those assholes up on the catwalks!" Blitz points to a few more demons that were going to be next on your list for the day.
While the two of you ran for the far exit, your eyes follow up to where Blitz was looking.
You spot them. "Got it!" Your voice beams, and pulling out your gun, you aim for the straps that kept the walk attached to the ceiling. One shot, you took the one side of the catwalks down, which results in the demons falling and tumbling down to the floor of the warehouse.
"Fuck yeah!" Blitz laughs as he uses the tied hostage as a punching bag for other demons that try to stop the two of you. He swings the hostage demon around, using him as his own personal weapon, causing some slight laughter out of you, to which both you and blitz were surprised about.
The demons you caused to fall, start charging your way. With a quick thought, you take out the knife strapped to your side, and get ready to use it. Blitz grins over at you. "Remember to aim for the neck!" He calls out from ahead of you.
Your smile brightens at the teamwork you both have. "Thanks!"
A hand reaches for you, but with a stealthy slide to the side, you duck under the arms and push the torso of a demon down to the ground.
This was getting . . oddly easy.
You hop over the demon on the floor, and smile brightly over at Blitz.
With you catching up to his side, your lips stretch into a grin as you open the door to the warehouse for him. âDid you see?â Your question was almost eager sounding. Breaking out of the shyness of the situation, youâve actually gained a bit more combat knowledge.
Blitz grins over at you, throwing the hostage to the ground as the both of you make it out, and find a safer area to catch your breaths.
âHell yeah bitch!â Blitz looked so happy, giddy, even. It was so freaking cute.
âI knew teaching you my way would pay off.â He crosses his arms, a soft smirk on his face.
Your face flushed lightly, the shyness beginning to take over just a bit. Your shoulders shrug upward, and the smile on your face was light. âThanks,â
âIâm proud of you.â Blitzâs voice is quieter than his usual loud and obnoxious form, but you still catch it. Your eyes widen a bit, and staring at him in a small shock is all you could do for a second. âReally?â
Blitz looks flustered, so you decide to let any teasing go. It wasnât often he would give real compliments. Even if he did know you long enough, to.
âOf course, fuck face.â He replies, rolling his eyes with a smile still stuck to his face.
You bump his shoulder, grinning just a little harder than before. âLearned from the best.â
______________________
really sorry its not my best work,, just allot goin on in life rn but I still hope you liked it anyway ! <3
#helluva boss blitz#blitzo#blitzĂž#helluva boss#helluva boss x reader#blitz x reader#blitzo x reader
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Reading SVSSS: Chapter 16
For those who don't know, I am reading SVSSS for the first time and sharing my thoughts!
If you have not read it, there will be spoilers! Consider this a warning.
Also- if you want to follow along, I am aiming to post updates daily. You can find all the posts in the tag bloopitynoot reads SVSSS. You can also check out the intro post for context on my read.
Hello! Another day, another chapter!
I really don't have much to ramble about today, but I am back on my tea. This is a new one from the ren faire this year- vanilla chai with sugar and milk. The cup is from the same ren faire (but purchased last year).
let's go let's let's go- I am already impatient to get into this chapter.
Last chapter we ended on a cliffhanger with Luo Binghe totally unconscious- we start this chapter with Shen QIngqiu ready to rescue his man and escape!
It's really so upsetting that he is going back to trash (two bar) spiritually energy in this body when he was so used to his mushroom Unlimited Power p65
RIP Luo Binghe's skull LOL he is really being tossed around like a rag doll. SQQ needs to be more careful. p66
MXTX said forget the only one bed trope, I raise you -> There Was Only One Coffin p67
Fuck. This is actually so scary 10/10 I would pee myself if a little skeletal arm was worming it's way into the coffin I was temporarily occupying (really anything in this book's reality would make me die of fright. as an aside I was talking to my partner about this while watching MDZS donghua yesterday, in the world of cultivators I would be a dumpling stall owner. I could never with the sword training and literal corpses). pp67-68
I CANT 'extenuating circumstances'. SQQ definitely: I just HAD to kiss his cute little forehead to save our lives. p68
i'm crying LOL "a person's abdomen is supposed to be the softest spot on their body, but Luo Binghe's was uncomfortably hard against Shen Qingqiu's stomach. The farther down he pulled him, the more he was sure that Luo Binghe had an eight-pack. Was that a rock slab down there?" p70
this keeps getting worse LMAO
OOOOO Meng Mo is back! Is it weird that I kind of love this guy? He has such a cool power and is a bit of a dick, but in the best and worst of ways. Him and Airplane give similar energy and I am not mad about it. p72
oh gosh! LBH is either "fatally ill" or "close to death" p72
wait- adding to the above point. he could also be mentally very unwell :( poor buddy -> it's likely this option. p72
so even though SQQ is processing nothing , I think SQQ admitting (not naming the feeling but admitting) that he is feeling a mess of emotions about Luo Binghe is a big step for him! p73
Meng Mo seems to have a lot of feelings about LBH. I am not sure if it's just pride or what but whatever it is he is correct here, "The way this elder sees it, he (LBH) should either kill you (SQQ) or do you!" p74
PLEASE OH NO
I AM WHEEZING
+1000 Protagonist Satisfaction Points for touching LBH's "Heavenly Pillar" p76
IM DYING OH NO
WHY IS THIS EVEN A THOUGHT IF HE THINKS HE'S STRAIGHT "He couldn't exactly help Luo Binghe jerk off under these circumstances, right?!" p76 But like if not these circumstances he is cool with doing it in other circumstances???????????
oh no! SQQ blocking the blades with his bare hand for LBH p79
Dang. the Old Palace Master has been through some shit. p80
Are we getting more of Shen jiu's story??? We have Qiu Haitang here too! p81 (just as an aside because my notes did not revisit this, we do not get more of his story just weird little hints. That I hope Shang Qinghua clears up later). p81
What a terrible combo. Old Palace master is just butthurt Luo Binghe doesn't want him as a teacher or to marry his daughter and Qiu Haitang seems to be just a vile woman with a grudge against SQQ for some reason. pp82-83
Okay but as horrible as OPM is, that cultivation he's doing with his voice is kind of cool. p85
Wait. Did the Old Palace Master have a thing for Su Xiyan? This is so fucking weird for LBH and he's not even conscious pp86-87
reading further the above point got so much worse omg :(((((((((((( I'm so upset for Su Xiyun. p87
It got even worse with the implications of what it meant for Luo Binghe in that sect. That terrible terrible man deserved that horrifying death. Fuck that guy! pp 89-90
OMG SQQ, basically half dead carrying LBH, barely got away from the death flower room, and here we have Tianglang-jun back on his bullshit. p94
SQQ is in such a bad state :o pp94-95
Is this another dime??? Our demon blood piggy bank for SQQ is now at $0.40 p97
YAY! Luo Binghe is awake! (is he going to be okay mentally though??)p 99
Why is Luo Binghe so mad? Like this man just nearly died trying to get you the fuck out of there p100
Fucking finally okay, it got better LBH is realizing what SQQ did while he was unconscious pp102-103
I'm glad they cleared that up (even though there was the other added miscommunication about LBH thinking SQQ was crying when he was actually just in a fuck ton of pain). p104
I am actually so glad that the discussion was interrupted before LBH found out about the dick touching being real LOL p108
MORE DEMON BLOOD. -> SQQ's dime bank is at $0.50
How many times does this man get kidnapped?
We really ended with him being kidnapped again and with Luo Binghe being conned by his own dad. That was so rough. -500 dignity points (not really but it sure feels like it)
#bloopitynoot reads svsss#svsss spoilers#mxtx svsss#svsss#scum villian self saving system#scum villain#if i had a dime for everytime SQQ drank demon blood I would have 5
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jealousy jealousy
â my first little work in another language (i try :,) )
ships: carlando; loscar
tags: little drama, jealousy, happy end
read:
"i have new gossip)"
LN
"Oscar said they would break up with Logan because Logan is jealous of me lmao)"
LN
"god, youâre so lucky that you got me, Carlos."
LN
"you're great at eliminating the hardships of choice in my life, darling"
LN
"does Oscar give rise to jealousy?"
CS
"and I hope we're not talking about that McLaren video right now?"
CS
"exactly))) think about it: what kind of insecure idiot to be jealous of such a thing?"
LN
"although... yes, maybe Sargent has something to worry about)"
LN
"and what should he be worried about?"
CS
"you know, Oscar and I spend time together⊠all the time."
LN
"sometimes it seems to me that even more than them"
LN
"do Logan and Oscar live together, theyâre not?"
CS
"outside of race weekends"
CS
"what makes you think that? I've never heard of it. Isn't Logan living in America now?"
LN
"he and Oscar have been living in the UK for the second year. before that, both lived somewhere else, maybe in America."
CS
"iâm afraid to ask, and how did you know that?"
LN
"I talked to Oscar recently in the paddock. and I read a couple of clippings from his interview."
CS
"and you spend so much time with him that you don't even know if he lives with Logan?"
CS
"it's strange that Oscar told you about their breakup, but didn't tell you about living together."
CS
"he said. in other words"
LN
"and I see his emotions, his irritation during the conversation. so something is definitely wrong."
LN
"wellâŠ"
CS
"and what did Oscar actually say?"
CS
"I'm telling you, Logan didn't like his answer to the question about the best teammate. Well, obviously, Oscar would have called me, why this stupid american drama?"
LN
"he would have named you because there are cameramen and people from McLaren sitting next to you, cabrĂłn, make no mistake"
CS
"it doesn't affect the fact that I'm a cool friend and teammate in any way"
LN
"you should watch a few interviews with your teammate. he never calls you a friend when he talks with people unrelated to McLaren. I saw a clip from the show where Oscar lists close friends in the paddock, and there are at least two people in front of you, buddy."
CS
"you're kind of tense."
LN
"you're being disgusting, Lando."
CS
"you are deliberately provoking Oscar, thereby trying to hurt Logan and somehow interfere in their relationship. and this is not the first time. So with Alex and Russell, isn't that right?"
CS
"who am I provoking, darling? I don't care any of the listed ones at all. and Oscar could easily name his greatest american boy if he wanted to. I just asked a question that will be interesting to the audience. It's a damn show, who's offended by the show?"
LN
"we've known each other for so many years, and you've just started to get stressed out by my behavior. before that, what? oh, right, you could easily get distracted by a pretty face and close your eyes to everything"
LN
"but now there's a other pretty face, isn't there?"
LN
"what are you talking about?"
CS
"don't turn this on me, Lando. you literally feel proud and enjoy when you find out from somewhere or you can figure out that everything is bad between these two. Is that what friends do?"
CS
"you're also trying to get me emotional with your stories about how often you and Oscar are together. do you lack attention so much that you are ready to forcibly demand it from others and extract it from me in such a barbaric way?"
CS
"of course, as always, I am the most terrible. bravo, Carlos, what else could a loving and caring guy say"
LN
"I told you the truth. I want you to stop acting like a total bitch and leave them."
CS
"one more word in that tone, and you don't have to write to me anymore, okay?"
LN
"since I'm acting like a total bitch, you can go to anyone you don't think is like that. to Oscar, Logan, or at least to your perfect Leclerc, dude. idfcâ
LN
"what does Charles have to do with it?"
CS
"I don't even know. google it, man»
LN
"maybe I really miss your attention so much, since I'm looking for it in others? It's worth thinking about, Carlos. I hope you will have time for this while you spend days and nights with your wonderful teammate."
LN
"Oh, I'm sorry, I thought I was dating an adult who can: a) to distinguish between working and personal relationships; b) to entertain himself while I am doing work and all this nonsense with contracts. It turned out I was wrong."
CS
"then you definitely need someone like Oscar. to sit in different rooms, remember each other once a day and admire another person. and what am I, I'm just a kid who wants attention from his boyfriend. of course, it's just terrible, Carlos!"
LN
"why are you so aggressive about our friendship with Charles? are you really that jealous? how can you, it's just a show, Lando))â
CS
"fuck you"
LN
"you say that adults should not demand attention by "barbaric" ways. but can adults afford deprive their partner so easily? You've been ignoring my messages for days. Didn't you have a single second in three days to say, "I'm fine, baby, don't worry," like it used to be? You don't notice me in the paddock anymore. damn, it really seems to me that you communicate with the same Oscar more often than with me. am I no longer worthy of this attention? Do I need to curry favor and beg?"
LN
"although it's unlikely to help. you never forget to tell me about Charles. you have fucking time to discuss your "divorce" with the whole press, Carlos. and how much time do you spend with him? you are together in the paddock, at shows, in clubs after the race. oh yes, Logan can sleep well, Oscar and I will never get to that level!"
LN
"I literally can't be with someone for as long like I would to be with you. God, I think about how cool it was with you at every show. it will never compare to Piastri. I was happy then because I didn't have to draw out praise, compliments, or any other attention. like now"
LN
"and I've already developed a real paranoia. when I received a message from you, I began to be afraid to enter our fucking chat. because I constantly think that I will see from you "we need to break up" or "I'm better off with Charles." fuck, I'm already dreaming about this story. and you would have known if you had picked up the phone when I called you. but you were at the club, judging by the stories of Charles' friends."
LN
"sometimes I'm so afraid of your betrayal that I'm ready to leave you, because it wouldn't hurt so much."
LN
"Lando, this is such a stupid thing."
CS
"I've never thought in my life that I want to cheat on you or break up"
CS
"including when we started communicating with Charles"
CS
"if that doesn't calm you down, then I'll remind you that he has a relationship. he hardly needs me."
CS
"I had no idea he was dating anyone, mate."
LN
"come on, Lando. you spend so much time with Max, didn't he tell you?"
CS
«âŠÂ»
LN
"and that's not the main thing you should have heard."
CS
"I said I don't want to break up with you, baby."
CS
"that week, my phone fell out from the second floor and died. I asked Oscar to give you this, by the way, since you had a meeting in the near future. so all the questions are for him."
CS
"and I'm not ignoring you in the paddock. We're just talking as a group. I'm talking to everyone."
CS
"baby, are you here?"
CS
"yes."
LN
"what are you thinking about?"
CS
"about you calling me a bitch"
LN
"it's not the first time."
CS
"this is the first time you've said it seriously and aggressively, not as a flirtation or a joke."
LN
"I'm sorry about that."
CS
"I was wrong, Lando. I love you. It won't happen again, baby"
CS
"I'm sorry for being so persistent. and with Oscar, this situation... you're right, sometimes I'm terrible because I feel lonely. but I love you too."
LN
"I'm sorry that lately I haven't been able to spend as much time together as we both would like. but that doesn't mean I've forgotten about you or stopped loving you. I just want to wait for the summer break and take you to Spain, to my parents."
CS
"I know. I want it too"
LN
"and one more thing... I also think about you during the ferrari show. In your case, I really wanted to finish all this as soon as possible so that I could take you to a hotel room... but let's leave that out."
CS
"why don't you come now? I don't think anyone from the team will mind one former pilot in their lair."
LN
"will you give me 20 minutes?"
CS
"I'll give you more if you don't stay late."
LN
"el pequeño diablo"
CS
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Episode 7, here goes nothing
You are literally too perfect for this show sir
Why does Alastor have more screentime in Charlie's room than her literal girlfriend
WHY DO THEY LITERALLY SHARE A BED BEFORE WE SEE CHARLIE AND VAGGIE DO
He's so fucking happy listening to her trauma dump I hate him /pos
Oh yeah the whole "angels can be killed" was a plot point wasn't it lol
Damn Charlie why so bitter about Vaggie being an angel. Like I understand being upset she kept such a big secret from you but it's not like she didn't have her reasons? Vaggie probably just figured it'd be safest to pretend to be a demon since she couldn't return to Heaven
"Come now Alastor she's much too young for you" S T O P
OH SHIT actual verbal confirmation Alastor's ace?? I was NOT expecting that
Cannibal Town is lovely design-wise but the characters dressed in red on a background is getting hard to look at
Rosie's design is pretty nice too, her design isn't too overly complicated
Carmilla: *makes it clear she doesn't want to help Vaggie fight angels* Also Carmilla: *immediately starts teaching Vaggie how to fight angels* Make it make sense ma'am
"It's not like you've ever failed to inspire before" Al I don't think Charlie's managed to inspire anyone once but okay
Susan.
I also just realized, wouldn't you think Vaggie would know something about how to kill an angel since she is one? Or at the very least know their weak points?
Oh okay so Vaggie didn't even know she herself could be harmed, fair enough I suppose
Wait so the angels' main weakness is their own weapons? And no one has figured this out until just now???
Carmilla's design looks way better with her hair down imo
It is honestly a crime Vaggie has such little screentime as she does, because the more I see of her the more I like her. It's also so frustrating Charlie basically just cut her off the second she found out she was an angel when her whole goal is redeeming people?? Charlie why are you fine with every other character calling you a bitch and Alastor literally owning peoples' souls but completely shun your own girlfriend because she (understandably imo) kept a secret from you??
And even after Charlie shunned her Vaggie is STILL 100% dedicated to supporting her cause and is willing to fight to keep her safe. Vaggie you deserve so much better
Aw Al giving Charlie his mic is sweet, what can I say. Characters trusting another character with a prized possession of theirs gets me
Hmmmm Al and Rosie's duet sounds a little sus. Sounds like Al wants to shape Charlie into something specific. Maybe in order to take over Hell or something??
Charlie why you making that face about your girlfriend's wings, what are you thinking about
Also really kinda wish these two actually sat down and had a talk together, but we already know this show has zero down time, so onto the finale I guess. So, so much of this show's pacing could be fixed if these characters just sat down and talked to each other. Charlie specifically should be spending more time with all the characters she claims to care about, but I'd be willing to bet money she's not Viv's favorite character lmao
I feel like this show was really scared it wasn't going to get another season, so they just crammed as much stuff as they could into 8 episodes. Which, now that it's been renewed for another season, what exactly are they planning on doing going forward? Ease up on the lightning-fast pacing or just keep the same momentum? If it gets more than two seasons I honestly have no clue what they're going to do story-wise because pretty much everything is being wrapped up neatly. Ah well, I guess time can only tell
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Tea emoji skybound?
Okay so I am behind at the moment and also, I want to do a full readthrough of the first year of the TF ongoing all in one go before the year is out and write an Actual Long Post, so I will not get too in the weeds here about specifics.
But I really, really like Skybound so far- the main TF comic at least. It is first and foremost just an astonishingly well crafted comic, from the art to the lettering to the writing. It works serially, it works visually, it works as a comic, in a way that is honestly not that common for many US comics right now. (I have been reading some Al Ewing stuff recently, his Marvel work, and I would compare Skybound's ability to make a serial narrative still feel satisfyingly complete in individual issues to the work Ewing did on stuff like Immortal Hulk. If that means anything to anyone.) Johnson knows his shit. He is writing COMICS, and his understanding of the medium is clear in every panel. (I cannot BELIEVE this is his first ongoing. Fucking hell.)
I also think it actually does something new with G1 reimaginings, which justifies yet another one of those existing. Sunbow is not, in the West anyway, a very widely mined part of the fiction for later stuff. Almost all the stuff we get tends to veer far, far closer to vaguely G1 Marvel influences. Johnson is taking those 'sounds good on paper, woefully underdeveloped in the cartoon because 80s Toy Ad' concepts and fleshing them out amazingly well. He goes completely seriously in on making that canon into a space opera that takes itself seriously, and he has enough earnestness that against all odds, it works. The earnestness is very important. It is not a comic going 'haha Isn't This Silly' at itself, which almost any writer trying to do this would do I think.
Oh, and it really makes the Cybertronian-Human dynamic compelling. If you want a work that shows why, exactly, the humans add something important to TF, I think Skybound is the comic that does that. It's got THEMES. It's got PATHOS. It's got CARLY, who I think is REALLY NEAT.
...I do not particularly care for Void Rivals, however. It is a very, very mid comic, though largely readable. It largely exists to me in terms of 'OK, it brought xyz lore concept in this month, good to know!' and not much more, alas. I don't hate Kirkman's work overall, but honestly. The comparison to Johnson almost feels unfair; there's just not that same wild creative ENERGY anywhere. It is a comic that exists to create splashpages in which you go. I Know That Guy! And I can't say I care much.
I have thus far not touched the GI Joe stuff. I should really do that, but. God. I'm just not that interested. LMAO.
Final thought: which is kind of ironic, because if I put this comic in conversation with any other TF work? It would be TF vs GI Joe (Scioli/Barber). It has that same deliberate engagement with the specific genre context the 80s stuff exists in, the sense of creating nostalgia for a version of the franchise that never actually existed, the granular love of and obsession with specifically comics that means so much of how the story is told really could not be in another medium and stay the same. Which is high praise, because I think TFvsGIJ is, in fact, the best TF comic ever written, hah.
#ask meme#seriously PLEASE give skybound a shot#it's not a comic i have the same Kind of fannishness about as idw1 per se#but it is REALLY REALLY good
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I think I have finally managed to put together one of the biggest issues with NFCV: it's pretentiously intellectualist and snob.
the whole tone is grimdark serious, with the exception of some crass jokes.
the world is divided into "cultured" people (the vampires) and "ignorant" people (the humans).
In general, there is little love for humanity as a whole in a show inspired by a series where the strength of humanity is the core of it.
Vampires Are Better Than You because they don't lose their culture (read: human culture that gets lost through the ages. It's not even their culture lmao)
CHURCH BAD not because they have a massive amount of power easily abusable, but because they're ignorant and believe in stupid supernatural God stuff that stifles the Real Science.
Dracula's best redeeming quality is not being a family man. It's being a Man of Scienceâą, with a Castle of Scienceâą instead of an eldritch location for a home. It's why Lisa went to him to learn, and why Isaac thinks he should serve and protect him. It's also the main reason Alucard expresses sorrow at the idea of having to kill his father: not emotional attachment, but disappointment that the CHURCH BAD had to make him use his genius for evil.
In S2, few characters focus on the sheer evil of wanting to destroy mankind for the sins of few. Much more focus is put on how stupid and insane and irrational and shortsighted Dracula is for not thinking ahead. His downfall is caused by him not being smart enough to care about the state of the council and Carmilla's real intentions.
When Dracula mocks Lisa and says that she only "wants to daub chicken blood on peasants", she herself scoffs at the idea of being seen as a witch - she's a doctor, thank you, she's superior to the ignorant masses.
Her last words are not "Alucard, don't harm humans because their life is already hard enough/those who hate humans walk down the path of their own destruction". It's "Dracula, don't harm humans because you're better than them". Not compassion: superiority.
Most of the dialogue is just talking about stuff for the sake of talking, with the pretense of being Deep and Nuanced. When you break it down, however, very little of it is actually deep ("My devotion has been a matter of interrogation for some years, and the reparation of my heart is far away")
The Speakers are portrayed as inferior unless they can do magic. Their oral and nomad culture is scoffed on, Sypha herself decides that it's actually stupid, and Alucard goes so far as insult her entire heritage when he's stuck in the castle ("one day I will go back to live with my flea-bitten family in a cart, which makes me better than everyone")
Alucard (who, as a reminder, is a "biracial" prince who identifies more with the "elite" species) also keeps insulting the Belmont clan in a way that implies that they do "stupid", gross magic stuff and that's what makes them worthy of mockery ("I imagine one sacrifices a chicken, and divines the location of the book you want from the intestines")
Isaac is portrayed as an introspective, intellectual man, which makes his misanthropy and pettiness okay. He never fully realizes that people deserve to live, he only decides that he deserves to live, that he wants to do something constructive with his life, which would be nice if he also remembered that he has gallons of blood on his hands. The story gives him everything he wants on a silver platter, and portrays him as Cool and Intelligent and Deep.
Hector is portrayed as a stupid manchild for his affinity for animals, despite S2 showing him as being the only one willing to do something to unite the council. The story frequently and harshly punishes him for being too "trusting", and not for his callous culling plan - he never grows up morally, but his Big Redeeming Moment is becoming as underhanded as those who hurt him.
In fact, S3's major moral is exactly "you're a fool if you see good in people": Alucard gets nearly killed for growing attached to the Japanese not-twins, Hector is humiliated for believing Lenore cared about him, and Trevor literally says this to a heartbroken Sypha (and you're supposed to feel sorry for Isaac when the guards don't let him and his demons through). S4 has a happier tone, but it does little to go against this moral.
It really is the embodiment of r/im14andthisisdeep.
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So i've never been fond of the "urgh I'm a bi woman who loves girls but I'm stuck with this crusty guy đ" thing because i view it as juvenile and disrespectful to the person you have chosen to be in a relationship with but I've mostly only seen it online.
But I went to the club with some girls this past weekend and one of the women in our group not only brought her bf out with us but then hit on me right in front of him and did the whole bit about "omg you're so much hotter than my man, if I was singly rn, can't believe I'm stuck with this dude." We were standing about 2 feet away from him.
Girl if you hate him that much, why are you dating him and why did you bring him
This isn't really related to anything specific you've posted I just wanted to rant about it. I'm also a bi woman in a straight relationship and it dropped my jaw to think of behaving so contemptuously to my partner. Like she treated being attracted to me as a big joke/not real and not like she just offered to cheat on her bf while he stood a few feet away
the curse of bi women dating extremely crusty worthless failmales deserves a dissertation honestly ....
basically bi women are socialized not to pursue relationships with women seriously and i will explain how i could have become this woman if it wasn't for finding radblr
and this isn't to excuse this behavior exactly (not that i actually care if a bi woman puts down her shitty bf and knows she's out of his league bc in my experience these dudes think they're god's gift to women) bc it's disrespectful to other ssa women
and it's like okay every stereotype of the cheating bi woman who always gravitates to a man bc that's the only "real" relationship to her (and this btw does absolutely help to explain why bi women have the highest rates of IPV) is because of socialization
i was fascinated with lesbian relationships from a young age, i was a tomboy, i gravitated towards stories where women and girls fell in love with each other, i made OCs in lesbian relationships. i was aware that people could be gay, although in live-action media i had never seen lesbians, only gay men. i didn't know anyone who was gay or bi.
it genuinely did not occur to me that being with another girl was something that could happen to me in real life. idk how to explain this disconnect, bc i absolutely thought about kissing my female friends and what it would be like, but as far as i knew i was the only person who felt that way in real life.
meanwhile, boys actually did like me, did pursue me, and i accepted thinking i would eventually "get" what having a boyfriend was about, and this should probably help illustrate why i questioned my sexuality for so long (i was never boy crazy, always uncomfortable if a boy liked me, and the thought of dick was not appealing to me lmao) but i was in love with the same boy my entire childhood who treated me like shit (a pattern later but anyway) and if i were five years younger i'd be all in on the split attraction model but bullet dodged, i am just bi and i like being bi now
in many cases having a boyfriend is just something that happens to girls, and it becomes a habit that you can't break. it didn't happen to me, but i watched so many amazing girls twist themselves into knots for complete losers, because they couldn't be single, they didn't know how.
and all these girls know is the male gaze. the kind of bisexual men want women to be. and there's no incentive to take your attraction to women seriously because no one else does, because you're supposed to be with a man anyway, but you might resent it. i think that woman is probably filled with resentment.
i was in college and i found radblr and i found women who wanted to be with women and i realized it was real and that there might be women who wouldn't feel disgusted if they knew i wanted them. but a lot of bi women never have that moment, they only explore their sexuality through content made for men and through some greasy boyfriend
so anyway she sounds like she sucks but also i feel like bi women are uniquely punished for perpetuating the patriarchy in a way that, say, straight women are not
#answered#did this warrant my little soapbox speech? prolly not#but this perception of bisexuality specifically gives fuel to abusers and so i have to do my disclaimer yknow
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