#-but most of this stuff helps a bit

[joethehoeee]

You know what came today? My CONCEPT ART BOOK from trollhunters.

Did I spend way too much money? Yes.

Was it worth it? Absolutely.

I am gonna show some things that I really liked ofc starting with Strickler and Barbara just bc but I will talk about the others soon.

Sooo as for Strickler:

MY GOD WHAT?! I mean it has his basics but the first compared to the final is a bit weird?

His hair looks so goofy and his arms are so long but he also looks more... harmless?

In his final concept he looks so dark almost intimidating, like an actual villian and in his older one he looks more grumpy and ... rough?

Still like it tho, It could've been a different troll but it dosen't fit his character.

And I think you can see in the Stalkling concept much more similaritys to Strickler than in the show. His cape and the thing around his neck.

He is 100% part stalking and noone can proof me otherwise.

And I just liked those-

He is so awkward and I love it.

But this is the first and only time that we see Strickler this happy... Like okay it's just a concept but it's cute-

ANYWAYS..

Barb:

I actually like all of them but our original one is the best.

I really like the one with the ponytail on the left but it dosen't give much Barb vibes.

but HOLY SHIT!

THIS RIGHT HERE IS EVERYTHING.

Both of those hairstyles are perfect.

I am gonna pay the person who draws her with both of those hairstyles.

MY GIRL IS PERFECT IN EVERY WAY.

If anyone has to add anything then I am happy to hear it! :D

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[hattiestgal]

If you don't mind my asking, how do you go about drawing fat? :3

JUST THE EXCUSE I WAS LOOKING FOR

So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-

For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:

But also a fat one too!

And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)

THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.

THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!

THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot

THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!

A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!

Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this

Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.

This is demonstrated really well on the arms especially-

Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not

These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!

Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!

And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.

This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[cable-salamdr]

Did you know Cole asking “are you departed?” to Wu’s spirit thing and Wu not answering was actually my roman empire of s2p2 (or at least one of the many)

[aroaceleovaldez]

i think the thing i'm most disappointed about with riordanverse fandom now versus like 2014 is not only has the fandom not gotten any less racist or queerphobic or ableist (in fact in some regards its gotten worse!) but now it's just boring too. like there's no fandom infrastructure anymore - the community these days is almost entirely source material-driven - and you deviate from canon even slightly people get weird about it. whatever happened to the post-HoO fanon boom. the fandom needs to get weirder again. and self-sufficient. and less offensive.

[genericpuff]

Hello! I'm someone with autism (and I'm suspecting ADHD too) who's planning multiple projects. Do you have any advice when it comes to overthinking a lot about decisions on a project? Be it the first step, planning, questioning if you're moving too fast, etc?

ouuuu I think the biggest thing I struggle with personally is just like... the overbearing weight of expectation that isn't necessarily even there. Like, expectation to do everything right all the time, to never make mistakes, to never fall through on promises, to never break any 'rules' (real or imaginary) and most of all, for everything I do to matter in some big, recognizable, memorable way - but the steps to that goal aren't defined, I just know what the goal looks like, with no clear path as to how to get there, and so it often results in me aiming at my own "best guess" and then beating myself up for not hitting the target LOL which is completely unfair to myself and my own work!

What I try to regularly remind myself of is that I am one person, who is only capable of what one person should reasonably be able to accomplish on their own, no matter how much my auDHD tries to convince me otherwise that I "should" be able to handle more than what's reasonable. And in that same sense, there isn't any more pressure on me to put out something perfect than there would be on any other person. I am not Atlas carrying the fate of the greatest work known to mankind on my shoulders - I'm a chronically online dweeb making stuff that's interesting to themselves and sharing it in the hopes that even just one other person will like it too. That isn't a diss on myself, that's me embracing what I am so that I can keep doing it better and more confidently each time.

Though I don't know if this exactly applies to you, I'm gonna say it just in case: I know when it comes to balancing multiple projects, it can be hard not to go "oh well I SHOULD be working on xyz!" but at the end of the day, you're not a failure for preferring to work on something else or needing space from projects that used to thrill you and have now become monotonous. In fact, it turns out that's how it is for most neurotypical people too! I know they make a lot of shit look easy, but even they have shit they loathe doing - they just don't have to deal with the unique hurdles of being neurodivergent.

Always remember to set boundaries with yourself and your work. Remember, just because you're really excited to work on something, doesn't mean you have to work on it all the time. I've learned to appreciate those moments when I'm stuck doing my day job and I'm excited to get home and work on my passion project, because it means I can actually look forward to it and it'll feel all the more rewarding when I finally get to do it! Pushing yourself too hard to fulfill that excitement all at once right off the bat often just means you're gonna spend it all way too quick, and that won't feel good because then you'll be left wondering where all the love went.

Set little goals for yourself. Stuff that's manageable and achievable within a reasonable amount of time. I know we tend to dive into thinking huge right off the bat, because that's what's exciting to us, but when it comes time to actually do the work, those smaller goals can keep us moving forward far better than the big, far off, ambiguous goal hiding somewhere off in the horizon. While it's good to plan ahead, not setting smaller milestones for yourself can burn you out faster because it's really hard to work towards an "end goal" that might be too far away for us to even conceptualize. The small goals allow us to reward ourselves along the way, and they do ultimately still build up to the bigger picture in the end, even if it feels like we're "not doing much". It can be anything like "get to this chapter that I can finish in the next few weeks" or "fully write out this scene that's been living in my head rent-free".

As for the overthinking... yeah, I wish I had some magic solution to that, but it's really just about learning what you enjoy doing vs. what you don't, so that you can have confidence in knowing when your creative decisions suit the project you're working on. This is something that gets better with practice and experience, but I feel like it's better tackled by reminding yourself that any project, no matter the outcome of how popular it gets or whether or not it "takes off", is an opportunity to learn and grow. Treat every project as a learning experience and you'll hopefully find the process itself more enjoyable, which will subsequently buff up your confidence. It's all a process of honing in on what works for you, what you excel at, and what you enjoy doing; while learning what doesn't work for you, what you could improve at, and what you don't enjoy doing.

Finding a writing buddy or someone who's willing to read your work and give you feedback is super helpful for this, too, because sometimes it takes another perspective to help us navigate the fog of indecision and find a solution.

And again, remember - you are one person, and you are under no obligation for any of your projects to be some perfect, infallible holy grail. You will write stuff that you will inevitably look back on with disgust and cringe. You will create projects that you will eventually outgrow or move on from. That does not invalidate the time and effort you put into those projects - it's proof of experience and growth. Embrace the growing pains, find peace in the process in whatever way you can.

It's not a question of right or wrong - it's asking yourself what feels true to you and your voice, and finding out along the way.

[kazkat-draws-the-days]

Wander practice with little bit of wandering eye, as a treat ^_^

And also with little bits, awesome, and the little black cube (my beloved)

And here's the full sheet!

[avephelis]

every time someone mischaracterises jay ferin as the therapist friend a fairy loses its wings btw. put some respect on her emotionally-constipated ass.

[felassan]

.

[stuck-in-jelly]

Having lots of thoughts about Corvus and the fact that this is the first time we’ve seen him on a promotional poster AND that he has been regaining lost screen-time from season 4 and 5

Corvus has the least stake in the game as far as interpersonal relationships goes he is pretty separated from most of everyone.

Soren’s dad tortured and imprisoned Rayla’s dad and kidnapped Zym, Rayla’s dad killed Ezran’s and Callum’s dad, Zym’s dad killed Aanya’s, Ezran’s, and Callum’s moms in a 3 for one meal, Callum’s and Ezran’s dad lead the mission where Aanya’s mothers were killed, Ezran’s and Callum’s dad killed Zym’s dad, Callum is dating the daughter of his father’s murderer, and it just keeps getting more complicated from there.

But Corvus?

We dont even really know anything about him. He grew up in the woods on the borderlands, he was in the military at a young age and was even considered a veteran at 20 years old, he’s smart, strong, quick on his feet, he’s a bit awkward socially at times, he’s worked espionage, and he’s a really good baker.

But we know next nothing of his personal life, we dont even know if he has parents or any family to speak of aside from Amaya and Gren who have known him the longest. Its implied he met Soren and Claudia in passing in the past but thats as close as it gets.

Corvus is so widely detached from the chaos of everything going on with all the other characters whose past and connections are all so complicated

And now we get a poster where Corvus is quite literally breaking through the title, his weapon pushes past everything as he stares steadily ahead with a clear mind

Corvus is the key to helping break the cycle

[driftingballoons]

For the art requests: A Pokemon Mystery Dungeon team comprised of a Banette, Phantump, and Drifloon struggling to read a map?

(I was possessed by the idea of a trio team made up by these three spookies who have a neat possible dynamic when you look at their 'Dex entries, and I'd love to see your take on them in your style!)

Ooh this is such a good combo! All fantastic ghosts with that loose relationship to children falling to some misfortune

Team leader Phantump seems pretty confident, but hard to trust a pokemon’s sense of direction when their claim to fame is “child who got lost in the forest and died”

[asthecrowrambles]

moving out of my parent's house tomorrow! excited and scared ^^

[rearranging-deck-chairs]

if 9&10 were "dont wander off", and 11&12 were "the doctor lies", 13s rule #1 is "dont question me"

"have we not had a good time together" shes pointing yaz to the rule that yaz very well knows is there: we can travel if you dont ask me any difficult questions. yaz knows this is the rule - "because you ask too many questions", "this team structure isnt flat" - but she also was the one to invite the doctor into her home so im pretty sure she also knows shes not gonna kicked out that easily. she has some leeway. which she has been using between revolution and flux, which is why the doctor reminds her of the rules

i dont think she'd kick her out though. she wouldnt. i think it's just that the more you break the rule, the more unpleasant she becomes to be around, and eventually youre gonna walk out on your own. she doesnt want you to, she'd rather you stay and dont ask questions. but if youre gonna try to ask questions anyway, i think thats whats gonna happen

and yaz must think so too. because she does back off. because she doesnt want that to happen either. and it does anyway

[thereareeyesinsidethetrees]

have you ever wanted to write paranoid ford

here’s some aspects of our paranoia (and paranoid thinking as a result) that you can use to make him a tad more accurate. of course this doesn’t speak for everyone- but it’s stuff that could help if you have no idea where to start

-if the character’s shower has a curtain, checking both sides before even daring to turn it on. yes, both sides. yes, you do look both up and down. yes, this is an important step that must be repeated every single time to avoid death (in the character’s mind, anyhow)

-on that note, having a bunch of little rules that only apply to them. don’t go in this one room or you die. don’t walk around past x time or you die. be exceedingly careful when opening x kind of door or you die. must sleep with x thing or you die. things like that

-long walks into buildings, especially in open areas. quicken your step, lest someone follow behind. you think they’ll kill you if they catch up. quick quick quick, little rabbit, quick quick quick

-cars. cars driving by (‘what if they shoot me?’), someone sitting in a parked car (‘they’re waiting to run me over’), cars cars cars cars cars

-leaving house. leads you to open spaces, many opportunities to die

-darkness. you cannot see what is coming to kill you

-thinking that there is ALWAYS something coming to kill you

-startling whenever someone pulls out a sharp object near you. they may be cooking. they may just have turned slightly too much towards you when pulling out scissors to open a package. either way, regardless of who it was, regardless of how much you trust them, you fully thought you were about to be gutted like a fish for a moment there

-always keeping your curtains drawn, your blinds closed (‘so they can’t see me’)

-hatred of being looked at (‘why? are you going to do something? if you hadn’t noticed me, there would have been zero chance of you killing me. now it’s gone up slightly’)

-anxiety. always imagining worst case scenario

-flinching when going down hallways and such too fast (‘what if there’s something waiting to kill me around the corner or a fucking spike or something is going to spear me through the skull if i go too fast’)

-*notices one tiny blemish on food* ‘this is going to kill me. i am not eating this. i will die’

-trying to appease invisible forces in order to convince them not to kill you. may include talking to nothing

-if you have objects with eyes or eye-like features in your house, turning them completely away from you when doing something you deem personal and/or important

-going to bed? keep all hands and feet within the ride at all times. you’re sure you’ll die otherwise

-staying in a hotel? you might find yourself focusing on the faint lights of the clock or alarm. you might find yourself focusing on them because you’re sure they’re going to kill you

-‘it’s not paranoia if something’s really out to get you’ and you’re damn sure there is (if only you had concrete evidence so people would believe you…)

-everything is a gamble with staying alive. this thing might lead to your death. this thing makes you fear dying. this thing makes you feel like you have one strike left before you meet your end

-for no reason at all, going to bed and thinking ‘i hope they kill me while i’m asleep so i don’t have to be awake for my death that is surely coming tonight’

-goes without saying, but suspicious of everyone. very hard to get you to trust that someone has your best interests in mind (for example: paranoid ford trusting stan and stan alone to help him, being terrified of anyone else)

-delusions. example from us: actively shutting off your train of thought anytime someone gets too close cause you’re sure they can hear your thoughts and you don’t want them to see anything that could put you in danger (you also just don’t want them to look at those in general)

[s0ckh3adstudios]

A comic in which Mo and Sheriff Fireheart lie to themselves.

Posting the rest of the comic in a reblog gimme a minute!! There's a lot!!