#*priorities what are those*

[incomingalbatross]

Don't quite know how to put this but there are certain story beats that, in order for me to actually like/admire the story, specifically have to be accomplished without being a big deal.

Like, does your story present ordinary, mundane, even ridiculous people as possessing worth and dignity? Cool. Does it pat itself on the back about doing that? Unfortunately, that has circled back around to patronizing.

Does your character make the lives of bit characters and nameless bystanders a priority, even when it distracts them from Important Plot Things? Nice! Does your character make a big production of/express a lot of angst about doing that? This only barely edges out "leaving them to die" in terms of my respect for said character.

Ordinary people are just as valuable and important as Our Heroes. But the narrative should have enough conviction about that to take it for granted, and let the audience catch up if need be. A Hero should definitely take it for granted, unless they're still in the process of becoming heroic.

Otherwise, I'm left with the sneaking suspicion that the writers don't really see this themselves.

[serpentface]

This was going to be a panel of a little comic but I got too invested in drawing minute background details so, here.

[hellyrossum]

thinking about milchick's hesitation to call off the glasgow block. either he really didn't believe irving had it in him to commit until the last second, or... he was almost more afraid of the consequences of helly returning and the innies having the truth confirmed than the consequences of helena eagan being drowned on his watch. seth what is up with you.

[purplecelestial-buddy]

There's many little details in Harusono's works that tend to take space in my mind (like the background gag of the boys piling up bottles) but one of them is this picture:

There's cake, there's a ton of people and there's someone being thrown???

Idk I just think that they Kagiuras are probably great pary guests.

Full panel for more context:

[huginsmemory]

Reading journal 3 again is a reminder that... Well Ford is kinda an asshole towards Fiddleford. It's not just Stan. Like he's so focused on himself and his project and his ambition that anyone/thing else blurs out (him disregarding Fiddleford's nervousness around the gremloblin because he wants to sketch it, and when it goes sideways, him talking about the safety of the project parts BEFORE how Fiddleford was doing in his journal, multiple times. Priorities much?) and he's demeaning towards Fiddleford's own project (which ends up being wayyyy more important then Ford's discoveries)... Like damn Fiddleford, u left ur wife and young son for this guy?

[symbologic]

Will Zoro leave Luffy after they achieve their dreams? Not likely

Saying Zoro's gonna voluntarily leave Luffy at the end of OP so he can "live his own life" (i.e. get married, open a dojo, hang out in bars) is so wild to me. That's like saying Luffy's gonna give up adventuring so he can sit around and gorge himself on meat

First of all, it ignores that Zoro genuinely enjoys traveling with Luffy. Luffy (who's always getting into trouble) gives Zoro the chance to be his best self. And Zoro (who very much wants to be his best self) will always seize that chance with both hands

Second, both characters are like...the poster children of wanting to have their cake and eat it too. If you're Luffy or Zoro, you rarely need to make either/or choices. That's what makes them unique. It's why they've both got conqueror's haki! Basically: If Zoro wants to drink until he blacks out? If he wants to nap all day? Hell, if he wants to get lost in a paper bag?? He is like a big cat. He will do what he wants, wherever he is. He doesn't need to leave Luffy to get those things LOL

Third, Luffy's made it clear the Pirate King needs no less than the Greatest Swordsman by his side. Why would that suddenly stop once they've both achieved their dreams? Is Luffy going to quit being Pirate King? Why would he? Luffy wants to be the most free in the world, so he can live the life he wants...with the people he wants to live it with

In other words, Luffy isn't letting Zoro go without a fight — not unless Luffy genuinely feels he's no longer the type of man Zoro would want to travel with. And wouldn't that be the worst ending for both of them?

[muninnhuginn]

Ngl definitely thinking back to the cartoon-making chapter now we know that Twilight doesn't realise studying/pursuit of knowledge can be fun. No wonder the cartoon he made sucked. He was approaching it purely from the educational angle with zero idea of the entertainment aspect that makes edutainment programming effective.

It's not that he was really bad at writing the fun parts. He plain didn't realise there were meant to be any in the first place for it to work.

Copying the aesthetics with no understanding of what was underneath.

[sophfandoms53]

Absolutely hysterical to me that Striker can afford a whole statue of himself with a you know what but he cannot upgrade past a flip phone, and then he proceeds to do this-

amazing, i love him sm

[thegooblet]

sorry i just support all of kaboodles wrongs and wrongs

[statementlou]

https://www.tumblr.com/louisupdates/754934426217152513/goodbye-faith-in-the-future-world-tour-272024?source=share

did he or did he not lose fans then?

I will answer this because this anon actually brings a concrete question to the table rather than just "hurhur but you're a larrie??" (tell me you can't actually refute any of our points…). Anyway this post shows the decrease in Louis instagram followers between the screenshots taken directly after the release of Faith in the Future in Nov '22, when he changed his bio to promote that album and the tour tickets, and now, when he changed it again to mention the current release. But I'm putting that response under a cut because I'm tired of the actual POINT of all this nonsense getting lost in a sea of made up things people insist are important:

There is no rational argument you can make to say that Louis has less fans now than he did 2, 4, or 6 years ago. You don't need a spreadsheet of details you need to USE YOUR EYES! He has gone from filling theaters to filling arenas and stadiums. His second album made a higher chart position than his first album. His festival has doubled in size EVERY year of its existence. And for that matter: his insta post engagement numbers remain about the same (despite the fact that older posts should have way MORE likes due to having been there longer, even aside from follower counts.) SO WHO FUCKING CARES ABOUT HIS INSTA FOLLOWER NUMBER???? Serious question: what does the word "fans" mean if these things aren't what matters? ALL of this quibbling about what he should do to make things better and people can't even see that THINGS AREN'T BAD.

Anyway to address the specific question- (con't......)

NO- HE DID NOT LOSE FANS. HE LOST SOME INSTA FOLLOWERS. THESE ARE NOT THE SAME THING. As I said above, literally what does it mean to lose fans if that number change coincides with him having higher sales, more audience members, and higher engagement than ever before? Whatever he lost ISN'T FANS. I wouldn't be surprised if a significant factor was something like a bot purge, but also yes: I'm sure a lot of casuals followed him around the time of his big album release and later unfollowed him. That's extremely normal because that's how casual engagement works, and why the definition of fan really matters. Louis and his team understand this and have referenced it repeatedly, talking about how lucky he is to have *us* specifically, to have the kind of dedicated fanbase he has, to have the KIND of fans he does who will allow him to do what HE wants. @dogsliampaynedoesntinstagram named the issue of depth vs breadth with regard to fans a long time ago, and pointed out why having DEPTH is so much more important. It's like this- artists who are on top 40 radio have more numbers on things like insta follows, and for a time on sales and tickets. But those aren't FANS- they're people with a casual interest. And as soon as that person isn't being forced in their ears 10x a day, those people lose interest and stop supporting them, stop buying stuff and unfollow, and those artists end up doing the 'opener on the jingle ball' circuit rather than their own tours. One Direction as a whole, and Louis maybe most of all or near to at this point, have something MUCH MORE VALUABLE than that- DEPTH FANS. Louis has fans who will support him even if he takes years to release music, or stops parading around with a pretend girlfriend to stay in the headlines at least once a month, or completely changes his image and genre, and that is UNHEARD OF. It's ASTONISHING and worth SO MUCH MORE. And they get that! THAT is why he always bragging about us, why industry people he works with are always so agog about us, why he will do anything for US- not for randos. He is also growing his breadth- and it's OBVIOUSLY WORKING whatever his follower counts are, but that is always going to be secondary to doing things for THE FANDOM because that is his sustainable business model. That is what keeps him onstage and reaching number one. And not coincidentally, the things they do are also working to grow that- much more valuable- commodity. So the fact that that's exactly what these chuckleheads complain about- that he does things that are just fandom facing or serving rather than everything being aimed at recruiting casual fans- does nothing but betray how completely they, unlike Louis and his team, misunderstand the actual drivers of his (actual, existing, happening) success. Luckily for Louis, he and his team rely on their own data harvesting (they do a LOT of it) and growth metrics (they're off the charts) rather than the smug assumptions of random (mostly quite new to this) fans and the few bitter people leading the complaining about everything Louis does.

[cool-now-destroy-it]

Lads, ladies and absolutely everything in between, gather round, gather close!

For I must confess my most grievous apologies to the world. How utterly selfish of me, a mere shadow of existence, to dare to draw breath in a society so deeply, so profoundly inconvenienced by the likes of me. You see, being trans? Why, it’s hardly an ordeal at all!

Of course, it does not weigh on me, not in the slightest. It’s not as if my identity is treated like a stain to be scrubbed out or a weed to be plucked from the pristine garden of humanity.

Oh, no, no, no, far be it from me to suggest such a thing.

How terrifying it must be for you, oh brave protectors of the binary! To see me breathing, walking, persisting. An abomination in your orderly little world of pink and blue. I can only imagine the unbearable agony of your fear. You must lie awake at night, staring at your pristine ceilings, haunted by the specter of my pronouns.

I couldn’t possibly comprehend how terribly frightened you all must be of us. Truly, I am sorry to have unsettled you with my mere existence. What a burden it must be to see us, to hear us, to know we walk among you! The audacity! I shudder to think of the terror you feel when we, oh, I don’t know, ask to be called by our names or request not to be killed. Such radical demands, no wonder you’re all quaking in your boots!

Our pain, our suffering, our daily torment? A mere trifle! It’s not as though I wake every morning to find the weight of my identity pressing against my chest. It's not like its a scream buried so deep in my chest that I can feel it scraping my ribs every time I breathe. It’s not like we carry this anguish around like a warm, familiar blanket, clinging to it, wrapping ourselves in it, because at least it stays with us, at least it doesn’t turn away.

But please, tell me more about your suffering. Tell me how hard it is for you to live in a world where people like me exist. Tell me how we threaten your values, your traditions, your fragile sense of reality. Tell me how inconvenient it is to acknowledge that we are human, that we are here, that we are not going anywhere.

Let me assure you, with all the venom we can muster, we will not stop fighting and we will not stop living, no matter how much it offends you.

Because heres the thing: your fear, your hatred, your desperate, grasping need to erase us? It is nothing. It is hollow. It is the pathetic whimper of a world that knows it is dying.

And I, for one, plan to dance on its grave.

[chirpsythismorning]

[creekfiend]

And so what about when the dog is absolutely certain, and very proud of themselves, that they only bark or snap at people who deserve it? The kind who, if they find themselves feeling like snapping at you, conclude that it's because *you* are a Bad Person, because they *know,* and would *never* snap at someone Good?

I mean... yes. most people are this way and that is why it is important to reflect and examine your behavior when interacting with people and modify it when you find that it does not match your values

[benkyoutobentou]

12 Books for 2024 (Japanese Edition)

You may have seen my post about the twelve books I read in 2023 (here), and I thought it would be fun to follow it up with a little tbr for 2024! Ideally, I'd like to read more than twelve books in 2024, but twelve is enough for now since I've got some series on this list that I'd like to either make some serious progress in or finish up completely. This list is in no particular order!

地球星人 - 村田沙耶香: I read コンビニ人間 by Murata a few years back and loved it, and this one has been high up on my tbr for a long time now. With how many people say they're completely traumatized by it, it sounds like the perfect book for me. The only reason I haven't read this yet is because I've hyped it up so much for myself.

生命式 - 村田沙耶香: A short story collection by Murata? Sign me up ten times over. This one sounds weird and gruesome and right up my alley.

本を守ろうとする猫の話 - 夏川草介: Another cat book, who can blame me? This was also touted as being perfect for book lovers, and I haven't heard a bad review yet.

吾輩は猫である - 夏目漱石: Keeping with the cat theme, this one I actually have planned in tandem with a challenge I have to read twelve big ass classics throughout the year. Between the sheer size of this and the fact that the text is so densely packed in, this book kinda scares me. I'm planning to read it in December of next year so that I have as much time as possible to prepare haha.

世界から猫が消えたなら - 川村元気: Last cat book, I promise, but I had to keep them all together (it's actually not about cats, though). I've had this one for a long time and just picked it up on a whim. I've heard a bit of mixed reviews, but the premise sounds interesting enough, and it seems to be pretty popular.

博士の愛した数式 - 小川洋子: This was one of the first books I bought in Japanese, so it's high time that I get it off my tbr. I've seen so many people love this, in and out of the language learning community. This author also has a bunch of other popular works, so I'd really like to jump into her books and experience the hype for myself.

告白 ‐ 湊かなえ: I've seen a bit of buzz about this book in the language learning community, but what really convinced me on it was seeing people outside of language learners also enjoying it. It sounds dark and mildly depressing, and I'm hoping that it'll have some interesting commentary as well.

独り舞 - 李琴峰: Somehow, I haven't read any queer literary fiction in Japanese yet, despite it being my favorite genre, so I'm so excited to jump into this one. For the life of me I can't remember where I heard about this, but I think it'll be one of my first reads in 2024.

デゥラララ！！- 成田良悟: I used to be obsessed with the anime adaptation in middle school but never revisited the series out of fear that it wouldn't stand the test of time. After seeing a fellow language learner gush about the series, I decided to give it a shot, managed to find it at a local used bookstore, and snatched up the first volume. Don't let me down, nostalgia!

憎らしい彼 - 凪良ゆう: This is the second book in the 美しい彼 series, and even though I'd like to read the third one next year as well, I'm just combining them. Seeing this series next to series like No. 6 and キノの旅 I'm really grateful to have a trilogy on my tbr haha.

No. 6 - あさのあつこ: Saying that I would like to finish this series next year is a bit of a stretch, seeing as I have eight of ten volumes left, but I'd like to put a serious dent in it to be sure.

キノの旅 - 時雨沢恵一: This series is more of a read as I please type series for me, since there's not really any overarching plot. I'm also not racing to make progress, since there are over twenty volumes (and still going). I'm savoring this series and I'm okay with that.

[undead-cypress]

When everyone was saying Will was a p3mc clone I was like lmao no you unenlightened masses Will is an Ai Wonder Egg Priority clone. Their eyes are even in the same spot. Ai got isekaied, transitioned, and a tan after running around in the desert for a week.

But now that I've played enough to confirm my suspicions

[major spoilers]

WILL IS A SERPH CLONE. They never got over having to make DDS2 without Godai. Hythlodeus V crashing the funeral Jenna Angel style wasn't just coincidentally similar it was an active call back. Sanctist church outfits lookin like Karma Temple outfits and hexagon skill attainment menu and transforming into big monsters and I'm sitting with my head in my hands. The QDS remake I asked for is MRF. Rip out your heart. Break giant eggs. Gender isn't real. Schrodinger is here. Become non-binary

I. I have to make the video essay about QDS at this point. I need people to understand. QDS 3-5 is probably never getting officially translated but MRF is so clearly echoing the same character journeys. GRIUS. IS LUPA