#*gets tackled*

[mr-stottlemonk]

stottlemeyer's chest and tiddies ✨️🙇

thats it. thats the post.

[superbfirnacho]

Mario movie but peach is a freak and just kinda chills w/ bowser.

bowser has no idea WTF to do cause he wasn’t expecting this but he’s still down bad.

[delicatechildwitch]

They were always softies. I like Rise Raph, but even angry Raphs are secret softies. Have you seen 03 with the blind old lady and kid? Or 12 with his pet turtles (I think)? Raph is my favorite in all iterations because he just cares so much and it (usually) shows as anger, hiding all of the soft stuff. And I just eat that up. The hiding of all your soft emotions under something else.

Sassiest of turtles is crazy 😭😭😭

[o0kawaii0o]

Back again with the Loof

[alicenpai]

princess tutu: die jahreszeiten 🌸

kind of a companion piece to my 2022 ptutu drawing | it's on inprnt

this print was at anime north; next con is otakuthon!

oops so my hand slipped and i made another princess tutu drawing. i admittedly don't watch that much anime so my catalogue of work is gonna be the same 5 animes LMAO. what can i say, i love "dark" fairy tales, and i've been really enjoying the more fine art approach to a lot of my drawings as of late (and the watercolour brush i've been using has been so perfect for that...!)

as my first princess tutu drawing is now 2 years old, there are some areas i've grown to have ... qualms with... although both drawings as a whole are pretty much exactly what i envisioned, and that's always satisfying!

both of these were drawn in roughly a week's time (yes really...) for con crunch period (and i went back to this drawing after the con to touch up some areas that were a bit rough!). i wanted a different approach to this new pt drawing, with the focus on the line work, rather than on colours and lighting in the 2022 drawing.

this drawing had 2 goals: to continue the style i adopted in my witch hat atelier "lantern bearers" drawing (which i promise i'll post in full soon as soon as all of the zine artists get their go-ahead to post their pieces!), and to emulate the art nouveau movement's heavy emphasis on line work, albeit not a 1:1 style replication of course.

the seasons also aren't a 1:1 representation, as i didn't necessarily pick flowers or colours that are most strongly associated with the season (e.g. summer being a dark tone is a bold choice?). but it's kinda whatever, as i said before i drew this in a week, there may be more appropriate flowers with better meanings. i couldn't spend too too much time drafting and researching.

FLOWER SYMBOLISM:

- spring: apple blossoms, tulips - the apple blossom is a quintessential spring flower, and thus symbolize the arrival of spring. spring is a season of change, which ahiru/princess tutu is a force of, instigating change in her friends and unravelling the story around her. the flowers below her are tulips, and there are many meanings to tulips depending on the colour, due to their ubiquitous nature. i narrowed on one, and intended for them to symbolize happiness. princess tutu's pose is one in which that is open, inviting, and warm - reflecting her nurturing nature in the series, and her willingness to help others achieve happiness.

- summer: deadly nightshade flower, yellow rose - i chose for rue/princess kraehe to symbolize a fiery summer's night instead of the typical dazzling heat of a summer's day, a rather bold and unusual choice. the warmth of sunshine didn't quite fit, as the character is quite dramatic and passionate, with her intentions often hidden in shadow. next, the deadly nightshade - atropa belladonna - has a lot of mythological associations, a lot to do with poisoning, as the flower is toxic. the flowers bloom at night (another reason why i picked a nighttime backdrop for "summer") and also outwardly match rue's dark design scheme, as the cherry on top. yellow roses, at the bottom of her frame, are the archetypal flower depicting jealousy (as with many yellow flowers are), and at one point in the story, rue only wished for her own happiness at the misfortune of others.

- autumn: douglas fir needles, orange calla lily - autumn is another season of change - although much more tumultuous, as this season is traditionally taken to prepare for a long winter ahead - fitting for fakir as the role of the storyteller. the douglas fir is not a flower of course, but is a tree - with many different parts of this tree offering many benefits in advance of the winter season. i wanted the versatile nature of the douglas fir to reflect on fakir's dependable personality. next up, the calla lily is a flower with a dual meaning - on one hand you have life, on the other you have death. a storyteller quite literally can grant both at the tip of their fingers.

- winter: birch tree, snowdrop - winter is a rather still and unchanging season, a lull in the passage of time. this symbolizes mytho's passive nature at the start of the series, especially with his doleful pose here, as if almost in hibernation. to contrast, mytho is perched on the branches of a birch tree, which means new beginnings and renewal - as mytho is one of the characters that undergo the most change throughout the series (i'd argue the most?), regaining pieces of his heart. under mytho's frame is the snowdrop flower - and if you've read my witch hat atelier: seasons piece symbolisms, one of the snowdrop's meanings is rebirth, with connotations to the bible, bringing hope, when all had forsaken eve. the snowdrop is one of the first flowers to bloom even when the snow has not yet fully melted, further echoing mytho as an analogy for rebirth.

[plainclothesdisaster]

Dp x dc prompt where there’s a new assassin in Gotham. The police aren’t investigating because, well, there’s nothing to investigate. To an outside observer the deaths all look normal and unconnected— a heart attack, a car crash, a fire. But Batman notices the pattern. Carmine Falcone’s enemies are falling off the map one by one. And no one but the victim is ever hurt in any of these “accidents.”

They codename their assassin “Ghost” since they never leave any sign of entry to the crime scene, and never leave any DNA. They take out their targets in impossible situations, among crowds in broad daylight or deep in underground bunkers. Nowhere is safe and the bats do not know how to stop them.

Danny’s being controlled. Blackmail, or perhaps something more magical. Now he’s the most effective weapon Falcone has ever had. The killing is too easy for him— humans are so fragile after all. Figuring out how to escape is harder.

It’s only when Gotham’s caped crusader starts poking around that Danny has hope for a way out. He starts to leave clues at the crime scenes— subtle enough to escape Falcone’s suspicion, but plain to see for the world’s greatest detective.

Now he just has to hope that Batman puts the pieces together before Falcone turns his crosshairs on the Gotham vigilantes themselves.

[benevolenterrancy]

~loathing, unadulterated loathing~

[cubbyhole-for-flea-bee]

(Not) an approved use of the Power Of Friendship

[gomzdrawfr]

beach episode

[teaboot]

Do you think that cis men feel the same way as trans men do? Like with how men get treated by society as being inherently evil and as predators?

I think maybe both cis and trans men experience these issues but it's easier for a trans guy to point it out because he gets to see people so quickly turn on him for being a man while transitioning

oh yeah definitely

I find "meninists" fucking obnoxious, especially as any of their VALID concerns fall under the bracket of feminism, but there does exist a presence of radfems and terfs that are scarily eager to lash out at anything resembling masculine that. Definitely needs to be addressed somehow

Like. There's a mile of middle ground between "Um yeah women have problems, whatever, but what about ME and MY FEELINGS 😢" and "I am genuinely trying my best to be thoughtful and considerate of others, and everything I do is being met with bad-faith interpretations and dismissal"

And I think the best advice I have for anyone else getting bogged down by this is that. like.

If someone is determined to see the worst in you, nothing you can do to prove otherwise will be enough. You will never change that person's mind. They don't want you to change their mind. So like... just focus on you, and keep doing your best, and learn, and know that people determined to find something nasty don't really have an issue with YOU- they have their own experiences and traumas coloring their worldview.

Someone who is determined to see you as a monster will only ever see a monster. So it's better to ask yourself, "would a monster do what I'm doing?". If the answer is yes, take steps to change that. If the answer is no, then it's not about you, and you can give yourself permission to move on.

So... yeah, I imagine cis men probably do feel the way I feel about this sorta thing sometimes.

Except, like. After a lifetime being a girl, living as a girl, fighting for equality as the only girl in a lot of men's spaces, being a feminist girl and an Eldest Daughter girl and calling out the bullshit only to later realize I'm not a girl... and that Im actually mostly a dude, still a feminist... at least when people call me a mysoginist, I know they're talking out their ass

I can kinda see where young men encounter their very first radfems calling themselves feminists and immediately become radicalized right-wing conservatives cause like. If I as a teen thought feminism meant Radfems and Terfs, I'd probably start running too

It's all just so exhausting

Any one group being wholesale grouped as "100% helpless gentle victim" or "100% selfish malevolent monster" is doomed, imo

(Now watch the notes blow up with "this is just 'not all men' rhetoric, lol)

But anyways I hate nuance I hate interpretation I hate implication and symbolism and context and I wish everything in the world was simpler so we could all blow a collective joint together and invent some new soups

[longelk]

some more Inscryptions drawn as Flight Risings :)

part 1

[luxaofhesperides]

Danny accidentally appearing out of Duke's shadow. And doing it purposely every time after that. ; requested by @kyrianclawraith! (deviated from your original prompt a bit, sorry! the ghostlights brainworms got away from me)

Traveling through shadows has become second nature for Duke after using them so extensively over the years. He even uses them as a civilian, hopping between shadows when he’s running late to class so he doesn’t have to stress out over traffic. 

Not even Batman’s scoldings can stop him from making it on time to his classes. Risks need to be taken for the sake of his education!

The shadows are comforting. They hide him from sight, get him to where he needs to go, and gives him the alone time he needs when he’s been around people for too long and desperately needs some quiet to recharge. Duke would say that he’s well versed in the shadows at this point, no longer stumbling out into the light.

Even with all his practice and confidence, he still can’t prepare himself for tripping over someone in the shadows while he’s trying to escape some of The Riddler’s goons. 

They both go tumbling out of the shadows, landing in a corner hidden by storage shelves. The poor tripping hazard of a person is under him, groaning lightly as he reaches up to press a hand to the back of his head, where he hit the concrete floor. 

“Oh, shit,” Duke whispers, “I’m so sorry. What are you doing here? How are you here?”

“I was hiding,” the guy hisses back at him. “I wanted to get out of the rain and dozed off and when I woke up, guns were being shot! I was up in the rafters, so excuse me for thinking no one would find me up there!”

Another gunshot rings out, alarmingly close to where they are.

Duke curses under his breath, then picks up the guy and hauls him over his shoulder. “Time to go!” And then he’s disappearing into the shadows again, following the line of them outside the warehouse and down the street. 

As soon as they’re safely away from the goons, Duke steps out of the shadows and carefully sets the civilian back onto his feet.

“So sorry about that,” he says, “But I need to get back and deal with them. Stay safe!”

He’s gone before the civilian can say anything else, and though it’s embarrassing that he tripped over someone while shadow hopping, at least it ended relatively well. It’s not like it’ll happen again.

Duke, sweet, naive Duke, doesn’t think much of the civilian again. He’s a busy guy with a busy life! Lots of things to do! Lots of embarrassing moments to keep secret from the other Bats! No one has mentioned it at all, so he thinks he’s safe from being teased about it.

That is, up until he’s training with Dick and a hand pops up out of his shadow.

“Um,” Dick says, backflipping away from Duke’s punch. He lowers his escrima sticks and squints at the space behind Duke. “Are you… trying something new with your powers?”

“...No? I’m not using my powers right now.”

Dick looks more and more alarmed. He won’t look away from the space behind Duke, and it’s making him nervous. He doesn't want to look, but he knows he has to. 

Steeling himself, Duke takes a deep breath, then turns slightly to see what’s behind him.

Nothing. 

His gaze goes down, and he sees a pale hand sticking out of his shadow, moving back and forth. It then comes out some more, up to the elbow, and the hand pats the ground Duke’s shadow lays on, a stiff mat perfect for sparring.

Behind him, Dick turns on his escrima sticks, the electricity crackling through the air.

The hand disappears for a moment. 

Then two hands appear and grab the ground, hauling up a body from Duke’s shadow.

Duke is very well versed in shadows. He travels through them almost daily. He thinks he would know if there was some strange netherworld hidden in the shadows where other beings could pop out of shadows like portals. This is alarming, to say the least.

“Don’t move, Duke,” Dick warns, creeping closer, ready to attack.

A head pops out of his shadow. Whatever it is glows and their white hair moves softly as if underwater. They’re facing away from him, so he can’t see their face, but he can see the black, skin-tight suit their wearing as they float up from his shadow, no longer needing their hands to pull themself out. 

“Huh,” they say, looking up at the ceiling.

Dick grabs Duke’s arm and pulls him back, shielding him with his body. “Who are you?” he demands, voice cold. 

The creature/person startles and whips around to stare at them with wide green eyes. His gaze darts down to the electrified escrima sticks, then back up again, visibly nervous.

“Um, hi! Sorry, I didn’t know anyone would be here. Wherever this is.”

“How did you get here?”

“I was practicing a new portalling method. I found a ghost to teach me how to move through shadows, since my usual portals are very bright and noticeable. Not great when you’re trying to be stealthy! I did not mean to end up here.”

Duke stares at him. “You came out of my shadow.”

“Sorry,” the guy repeats. Then he squints at Duke. “Hey, didn’t you save me the other day? From the warehouse?”

It’s been a while since Duke’s saved anyone from a warehouse. Criminals and goons have moved on to condemned apartment complexes and the back rooms of bars. The only person he’s saved is the tripping hazard…

“Man, what is up with you and getting caught in my shadows?”

“This is your fault!” the guy insists. “I associate shadows too strongly with you! That’s why I’m here! Probably. I don’t actually know how this works.”

“You don’t know how it works but you did it anyways.”

“It sounds bad when you say it like that.” The guy floats down to the ground and offers Duke a hand. “I’m Phantom, by the way! Figured I should introduce myself because this will happen again.”

Duke considers introducing himself as the Signal, but Danny is looking directly at his bare face, so it’s lost cause. Talk about an unexpected security breach. “Duke. You looked a little different when we first met.”

“Yeah, that was my human form. This is my ghost form.” A watch on his wrist, some clunky looking thing that looks like it came from the early 2000s, beeps and Phantom frowns at it. “Shoot, I need to go. I’ll see you later!” And he dives right back into Duke’s shadow, disappearing.

Duke blinks at the empty space where Phantom used to be, still reeling from the shock of it. He’s so busy processing the last few minutes that he doesn’t hear the escrima sticks turn off until Dick is dropping a heavy arm around his shoulders, holding him in place. There’s a smile on his face, but it’s not happy; it’s a warning that he’s at his limit and is barely hanging on to niceties.

“So,” he says as Duke cringes, “Looks like we need to have a talk about the things you’ve been hiding from us, Duke.”

He can’t do anything but resign himself to his fate.

After that conversation, he’s instructed to let them know when Phantom pops up. Which is fine until he realizes that Phantom really did mean it when he said that it’ll happen again. 

Phantom pops up constantly. Most of the time, Duke is lucky enough to be at home, or in the Manor, or in the Batcave away from the public where no one will freak out about a glowing boy popping out of his shadow. Sometimes, he’s in the middle of the street as a civilian and has to sprint away, ducking into the first empty alley he can find in order to climb up onto the rooftop where no one will see him.

It’s stressful and confusing and he wishes he could be more upset about it, but Phantom is fun. He’s funny and charming and tells the craziest stories about ghost fights that Duke can’t help but hang onto every word.

He dutifully updates his Phantom Log, noting each time he’s portaled through Duke’s shadow, any information he’s revealed, and an injury count after Duke noticed a concerning pattern of Phantom often showing up after he’s been in a fight.

Duke begins to get a feel for when Phantom is about to show up. A shiver runs down his spine and his awareness of the shadows around him grows. Sometimes, he could swear he could feel something tear apart in his shadow. He feels it then, a tear that stitches itself up almost instantly, a ripple in the shadow, before that familiar hand pops up again and Duke grabs hold of it to haul Phantom out into his bedroom. 

He is, once again injured. There’s a large gash running down the length of his other arm, bleeding a toxic, glowing green. 

“Dude,” Duke says, unable to keep the judgment out of his voice.

“You should see the other guy,” Phantom snorts. “I slammed him through five streets, then ripped his limbs off.

“Dude…”

“Just to be clear, they weren’t his real limbs. He has a robot suit he uses like a body because he’s like a tiny little bean.”

“Yeah, I don’t know how to take that. Anyways, have you still not figured out how to open portals that aren’t connected to my shadow?”

Phantom shrugs. “Nope. And I’m not really trying to figure it out. I like hanging out with you. Plus, it’s nice to see a friendly face after a fight.”

“Can’t you like, go home and have your family take care of you first.”

“Uh, better not,” Phantom laughs nervously. “They’d probably kill me for real if they saw me like this.”

Duke quietly notes to himself to add that statement to the Alarming Things Phantom Says list. 

“Does it… bother you? Me always coming to you?” There’s a smallness to his voice, a fragility that makes Duke want to beat himself up for making Phantom feel like that.

“No! No, I just wanted to make sure I wasn’t keeping you from anyone else.”

Phantom brightens. “Oh! Well, no need to worry about that. No one’s worried, back home. They know I disappear sometimes.”

…Another concerning thing. Duke is considering bribing Phantom into staying in Gotham forever, living in his shadow, just so he can take care of him. Just to be sure Phantom’s safe. “Is there anything I can do for you?” he asks, eyes flickering down to Phantom’s bleeding wound.

Phantom futilely tries to hide the wound with a hand. The green blood leaks out from between his fingers, and he applies more pressure to the wound with a faint wince. “Nope! All good here. I’ll heal in no time, honest.”

“Then, do you want to just hang out? I really don’t know why you’d chose to keep coming to me.”

“You’re good company, dude. Very chill. Very fun. And you’re a hero! That’s so cool. Why wouldn’t I keep coming back?”

Duke shrugs, not sure how to put his insecurities into words. He’s already starting to get the Bat-specific inability to communicate emotions, which is definitely a problem. He’ll need to spend time with other people to be normal again. 

As if sensing that Duke’s mood is falling, Phantom launches into another tale, complaining about people who bother him, teachers who are terrible at teaching, having snark-fights with the embodiment of Time itself, and so on. He always has the craziest stories, and he tells them so casually that Duke has to second guess himself, wondering if he’s overreacting when he’s shocked by what Phantom tells him. 

He starts telling his own stories as well, mostly fun civilian interactions he’s had since they last spoke, villain fights, the ever changing theories on the ‘Who is Batman Sleeping With Now?’ shared document all the other Bats have. By the time an hour passes, Phantom’s arm is fully healed and he’s flying in lazy circles above Duke.

His watch beeps again in the middle of him recounting the insane drama happening at his school. Phantom sighs and sinks back to the floor, hovering just above Duke’s shadow.

“Thanks for letting me stay,” he says, voice warm.

Duke shrugs. “You’re good company. I like when you visit.”

A slow, soft smile spreads across Phantom’s cheeks, making him glow even brighter. “Sweet talker,” he accuses fondly, then flies in for a quick, tight hug. He pulls back before Duke can reciprocate, and salutes him with a cheeky, “See you soon!” and is gone, flying into Duke’s shadow before he can respond.

Shaking his head fondly, Duke falls back against his bed.

Despite how unconventional their friendship is, he is glad Phantom keeps coming back. He hopes he’ll get to see Phantom’s human form again.

…And get more used to the horror movie scene that is Phantom clawing his way out of his shadow. No matter how many times he sees it, the sight still makes him jump.

Not that he’s ever going to admit that.

If Phantom thinks he’s cool, he’s going to do whatever he can to keep that impression from changing. It’s only reasonable, really.

(“Shut up, Dick,” he says later when he recounts this encounter with Phantom. Dick just keeps laughing, endlessly amused that Duke got ‘jumpscared into a crush’ as he phrased it. That’s definitely not what happened.

Next time, he’s definitely convincing Phantom to scare Dick with him. 

Revenge will be his.) . . .

[send me ghostlights prompts! one day left before they close on 11/17]

[raycatzdraws]

A Linked Universe meets The Dark Crystal AU! I don't even remember what started it at this point. I remembered that the Dark Crystal and Age of Resistance are things I like, blinked, and woke up three days later with an AU and a bunch of art.

The designs and the story are a wip and for fun so expect a lot of variation! (I have a few different beginnings, ideas for different designs, etc)! :D

In addition to #linked universe I'll be using the tags #the dark crystal lu au and #courage of the dark crystal!

[fivveweeks]

they ask rika what babygirl means later

[asurrogateblog]

"the average beatle can survive ten stab wounds" factoid is actually just statistical error. the average beatle can survive no stab wounds. Harrison Georg, who was stabbed 40 times after shouting "hare krishna" at a home intruder and leaping onto his back, is an outlier and should not have been counted

[devotivesugarrush]

Just in time for june, with young Patrochilles, getting to enjoy nature while looking for a place to fish🐟

little close ups :)