#(would recommend to anyone reading this)

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[mumblingsage]

Product Recommendation: Surviving the Respiratory Crud Edition

Various unpleasant viruses and stuff are going around, and I think I got the mild version - it's not COVID and in my case didn't even include a fever, just a ton of congestion and a nagging cough. It's been a week and I'm on the recovery upswing but still not there yet. The good news is I can forget, for hours at a time, that I'm ill, thanks to taking these products on the scheduled doses. And Robitussin wasn't lying when they said their raspberry is 'better tasting': it still tastes like cold medicine, but is strikingly palatable and minimally cloying (identical taste in both this and the longer-lasting nighttime formula). I can also attest it got me through my bought of COVID last year.

The Throat Coat sweet ginger fennel, meanwhile, is like candy. Naturally mentholated candy, which might feel a bit weird but in a very good way when it's simultaneous numbing your throat and cold-steaming open your sinuses (that's how it feels to me, anyway). Throat Coat does a tea that I'm enjoying, too, which doesn't taste like medicine at all but just a soothing, not-too-sweet but not-at-all-bitter herbal tea.

Anyway, this is a recommendation if you have the time and means to stock up before the crud gets you, and because it was a nice surprise to find cold medicine that's not only quickly effective but also tastes fine.

[ria-starstruck]

and also "putting everyone in a simulation will make it all ok 👍" and also "let's park next to this random system's sun" and also "we can't live on our own planet because of our own folly" and so on

[bogkeep]

mannnnnn now that i've actually started medical transition it seems that i will, hopefully, someday, get through to the other side of the limbo tunnel and can hopefully explore more permanent masculine attire. which is as exciting as it is daunting. like, i'm under no illusions that there's a tangible cutoff point where i will Suddenly be out of the limbo state (though top surgery will certainly help if i can get it), and there's no one thing holding me back from exploring this space *now*, but it's. Difficult ,

the List of challenges i must navigate:

- men's fashion is on a surface level very sad and boring and i crave whimsy :( i know knowledge and experience will help but it's like playing on hard mode compared to being a Weird Girl (tm). i am currently gnc against my will and i desire to be gnc Intentionally and on my own terms

- hashtag short king problems. masculine attire was never made with me in mind. almost every time i observe an aspirational example of Men's Fashion it's on a tall lanky guy and that will never be me and that's okay but throw me a bone pleas

- the Autism Sensibilities. collars too close to the neck depletes me of HP. wearing accessories for too long depletes me of mana. if a button up is made of a slightly too stiff material it will give me rashes. i cannot wear binders because i value my ability to breathe comfortably. i can only do so many layers at once before i hit a game over screen. i MUST be comforble

- the restrictions of my circumstances, such as the safety rules of the watchmaker workshop or the mercy of scandinavian weather gods

i'm sure i will figure things out with time. i'm going to need patience. i'm probably going to have to learn how to tailor trousers. i will need to Observe how others dress. but it's so much!! ahh!!!!

[twinliches]

I haven't heared the door knobs and fascism thing before, can you elaborate?

gladly! i was referencing one of the aphorisms by Theodor W. Adorno, Do Not Knock, one of my favourite philosophical texts, certainly top 5.

I would summarise it for you, but it's quite a short text and i am not embarrassing myself by trying to summarise Adorno, so I have transcribed it for you under the cut:

60. Do Not Knock

Technology is making gestures precise and brutal, and with them men. It expels from movements all hesitation, deliberation, civility. It subjects them to the implacable, as it were ahistorical demands of objects, Thus the ability is lost, for example, to close a door quietly and discreetly, yet firmly. Those of cars and refrigerators have to be slammed, others have the tendency to snap shut by themselves, imposing on those entering the bad manners of not looking behind them, not shielding the interior of the house which receives them. The new human type cannot be properly understood without awareness of what the is continuously exposed to from the world of things about him, even in his most secret innervations.

What does it mean for the subject that there are no more casements windows to open, but only sliding frames to shove, not gentle latches but turnable handles, no forecourt, no doorstep before the street, no wall around the garden? And which diver is not tempted, merely but the power of his engine, to wipe out the vermin of the street pedestrians, children and cyclists? The movements machines demand of their users already have the violent, hard-hitting, unresting jerkiness of Fascist maltreatment.

Not least to blame for the withering of experience is the fact that things, under the law of pure functionality, assume a form that limits contact with them to mere operation, and tolerates no surplus, either in freedom of conduct or in autonomy of things, which would survive as the core of experience, because it is not consumed by the moment of action.

[nieves-de-sugui]

A Quick History of BL

As someone who wrote a thesis on this very subject a few years ago, here is the short version of how BL has evolved throughout the years. For the new comers ❤ 

a minute of silence for the original form of this post that tumblr decied to not save right after I saved it

I am going to go with a chronological approach. Unfortunately, I cannot put everything in one post so if there’s any questions about this or that aspect of the history of BL that you want to know and it’s not talked about here, you are welcome to ask me directly :)

Context and influences - Japan in the 60′s

Before the US forced Japan to open its borders to the outside world in the 1800s, homosexual practices were common place between budist monks, samurais and kabuki actors. During the Edo period (1600s to 1800s) there was a very rich amount of poetry, art, books (such as Nanshoku Okagami (The Great Mirror of Male Love) by Ihara Saikaku) and codes of conduct about how to have a good master/aprentice relationship, kinda like the greeks if you know what I mean. However, with the arrival of western influences, in order to become a more “civilized” country, it was all put in the closet. 

Yet, in the 60′s Japan started to pick it up again through literature about young androginous beautiful boys (aka bishounen). On one hand, in 1961, the novel Koibitotachi no Mori (A Lover’s Forest) by Mari Mori was published. It tells the story of a young and beautiful 19 year old worker and a half french half japanese aristocrat, and their tragic romance. On the other hand, Taruho Inagaki wrote Shounen ai no Bigaku (The esthetics of boy-love), an essay on aesthetic eroticism (of which he wrote a lot of). All this was know as Tanbi (lit. aesthetic) literature. It generally refered to literature with implied homosexuality and homoeroticism such as works by Oscar Wilde, Jean Cocteau, etc. And of course, Mori and Inagaki. 

In chinese tanbi is read as danmei (term used to refer to BL novels in china today, ie: The Untamed it’s all connected friends).

From the birth of Shonen Ai  to Yaoi - 70′s to the late 80′s

Around the beginning of the 70′s, shoujo was being revolutionized by the Year 24 Group, a generation of women manga authors (mangaka) who started to explore new themes. Among them, their interest in tanbi gave birth to a new subgenre: Shounen ai. 

Their most known manga were:

Kaze to Ki no Uta (The Ballad of the Wind and Trees) by Keiko Takemiya, and Toma no Shinzo (The Heart of Thomas) by Moto Hagio

Their stories are characterized by having suffering eurpoean bishounen in boarding schools, living an idealized perfect love (meaning passionate) that, despite the tragic end of one of them, lives forever in the other. 

As this genre starts getting popular, more and more fans of these stories start making their own self published manga, aka doujinshi, of the genre. It is around this time that the term Yaoi is coined. Meaning “YAma nashi, Ochi nashi, Imi nashi” (no climax, no fall, no meaning). Basically PWP fanfiction, for the most part. Doujinshis could be considered an equivalent of fanfiction in manga form.  It is also here that the term Fujoshi (aka Rotten Girl, for liking rotten things) starts being used to refer to women readers of yaoi. 

With this rise in popularity come the start of the commercialization of the genre. Which meant the publication of magazines dedicated solely to yaoi/shonen ai/BL. The most popular yaoi manga magazine at the time was June. The common trait of their stories being the therapeutic power of the love between the mains. The traumatized character would heal throught this newfound love.

Most of the stories at this time happened in the West (Europe or the States) as the exploration of these dark themes intertwined with homosexual romance and homoeroticism still feel safer to explore as a foreign concept. One example would be Banana Fish (1985).

Commercialization and Yaoi Ronso -  90′s 

As more publishing houses pick the genre up, the term Boys Love is used to include every type of manga about homosexuality made for women. 

The increasing amount of BL series sees a changes in its themes: 

the start of the “gay for you” trope where one mantains their heterosexuality despite being in a homsexual relationship, 

the uke/seme dynamic (mirroring hetero realtionships) also relating to physical appearence (one being more feminine, the other being more masculine), 

the use of rape as an act love (sexual violence has always been present but here it becomes a staple),

anal sex as the only type of sex, 

older and more masculine men start to appear 

they now happen in Japan

Good examples of the presence of these themes in manga are Gravitation (1996) or Yatteranneeze (1995).

However in 1992, Masaki Sato (a gay activist/drag queen) wrote a letter in a small scale feminist magazine attacking yaoi and pointing out how it “represented a kind of misappropriation or distortion of gay life that impacted negatively upon Japanese gay men”. The female readers of yaoi responded, defending the genre as a means to escape gender roles and explore sexual themes that was never meant to represent the realities of gay men. This is know as the Yaoi Ronso (Yaoi Debates).

The debate ended with both sides understanding more of each other, with mangakas starting to include queer views in their works. It also started the academic reasearch of BL. 

Yet, it is a debate that has been restarted more than once, as it is still relevant despite the evolution of the genre.

more on this on another post

Globalization and coining of BL - 2000′s 

By the beginning of the 2000s BL is being sold all over the world (like all manga), and has become a stable industry. We could say it has finally become it’s own genre. 

Some of the most well known manga series, to us (in the west), of the time are:

Junjou Romantica 2002 Koi Suru Boukun 2004 Love Pistols 2004 Haru wo Daiteita 1999

all of these have anime adaptations for the curious ones

We also start seeing short anime adaptations or special episodes of the most popular series, with questionable themes, such as: adoptive father x adoptive son  (Papa to Kiss in the Dark 2005), father x son’s friend (Kirepapa 2008), etc... 

However the themes remain more or less the same. Junjou Romantica’s love story starts with a non-con sex scene by the older one (masc, seme) to the younger one (more feminine, uke) addressed years later in the manga btw. Koi Suru Boukun’s love story is triggered by aphrodisiacs and rape. They’re still very present in the stories but slowly going away. A mangaka that represents this era could be Natsume Isaku (Candy Color Paradox 2010).

Change is slow in Japan. Even though the voices of LGBT+ people started to be taken into account in the genre it is not until later that we see it reflect in the mangas themselves. However, we can already see the start of this in Doukyusei (Classmates) (2006) by Asumiko Nakamura. Also Kinou Nani Tabeta? (2007) which is actually part of a more mature genre: Seinen.

It is my personal (subjective) theory that the BL of this era was the one that got popular outside of Japan, which is why we see lots of references to the themes, tropes and dynamics of this time in today’s BL series. 

The LGBTzation of BL and the rise of webtoons - 2010′s to 2020′s

Slowly but surely LGBT characters and themes enter the scene of BL. Existing simultaneously with the previous tropes and themes, we start seeing a shift in these stories. We now see:

characters that identify as gay or some type of queer

discussions about homophobia

more mature themes about life and romance

At the same time as we get the usual love stories with the usual themes, a new trend starts to take over. And we get simultaneously, cute, sometimes questionable but light love stories:

Love Stage 2010 Ashita wa Docchi da! 2011 Kieta Hatsukoi 2019

More profound stories and darker or more complex themes:

Blue Sky Complex 2013  Saezuru Tori wa Habatakanai 2011 (mafias) Given 2013 (suicide) Hidamari ga Kikoeru 2013 (deafness)

And others that adress the queer experience in a more mature way (which might actually fall into the Seinen genre)

Itoshi no Nekokke 2010 (slice of life, queer characters) Smells like Green Spirit 2011 (two ways to deal with a homphobic society) Strange 2014 (relationships between men) Shimanami Tasogare 2015 (an LGBT group helps a closeted gay) Old Fashioned Cupcake 2019 (you know this one 😉) Bokura no Micro na Shuumatsu 2020 (the end of the world)

As queer stories are explored, BL mangakas and mangakas from other genres start to consider more stories about queer people such as the Josei Genderless Danshi ni Aisaretemasu (My Androgynous Boyfriend) (2018) by Tamekou, or the Shoujo Goukon ni Itarra Onna ga Inakatta Hanashi (The story of when I went to a mixer and there were no women) (2021) by Nana Aokawa. 

Still, we can see two realities live side by side. Doukyuusei gets adapted into an impactful animated movie in 2016, meanwhile Banana Fish gets an anime adaptation that keeps the homoeroticism but not the homosexuality.  

For those who might be interested. Here are some of the authors that represent the first half of this era, where they start to include newer points of view:

Scarlet Beriko, HAYAKAWA Nojiko, KURAHASHI Tomo, OGERETSU Tanaka, Harada, KII Kanna (Stranger by the Sea), etc...

And authors that while keeping classical themes break the stereotypes in a subtle manner:

CTK, ZAKK, Jyanome, Cocomi, Hidebu Takahashi, SUZUMARU Minta, etc...

Mangakas also no longer stick to one genre only. They explore whichever of them they want, from BL to Seinen to others. 

ie: Tamekou, 

or Asumiko Nakamura

The curious case of Webtoons

With the digitalization of mangas, throught Renta and Lehzin, it has become easier (and more expensive) to access these stories. Korea makes and appearence with their webtoons. Through the lack of piracy protections and the majority of them being digital, manhwa (korean webtoons) sees a rise in popularity. Through the digital medium the influencee can be the influencer.

However, like many other East Asian countries they have consumed BL, without hearing about the conversations about BL. So they end up mantaining the older themes and stereotypes that newer BL is trying to leave behind. Therefore, we end up with a mix of old and new, ie:

Killing Stalking 2016 Cherry Blossoms After Winter 2017 Painter of The Night 2019

Additionally, it is also thanks to the easy access to internet that Omegaverse, with its higher dramatic stakes (that parallel hetero dynamics), enters the mangasphere in 2016. It has grown in popularity ever since.

With the Thai BL Boom of 2020, Japan rediscovers its own BL market and starts investing in it more. Which is why we get live action adaptations of BL manga that was popular years ago (Candy Color Paradox was a manga from 2010), the more recent ones (The End of the World With You) or new anime adaptations (Saezuru Tori wa Habatakanai in 2020). 

more on this in my japanese live action BL post

What has it become now? is it BL? ML? or Seinen? Or is it all just gay manga?

It is clear that Shoujo manga (with BL, Josei and Seinen) is exploring queer themes such as gender and sexuality more and more. Japan is interested in this conversation, not only in manga (Genderless fashion). Which brings up the current question in BL studies: Does it make sense to keep these categories?

As a response to BL, ML (Male Love), which is made by gay men for gay men, started happening (around the 70s too). And Bara (gay manga porn) in response to Yaoi. However both gay men and women read BL and ML. We also see other themes being explored through BL, such as friendship (in BL Metamorphose), food (in Kinou Nani Tabeta), male relationships of all kinds (in Strange), and different queer views on life and its challenges (in Shimanami Tasogare). More and more what is LGBT and what is BL is merging, the line is blurred. 

Conclusion

BL has been in my life for longer than it hasn't. It is through shoujo and BL that I have come to understand people and romance.

It is flawed, like everything else this life, but it's flourishing in many ways.

The genre feels old and new at the same time. 

We can still find shounen ai/tanbi elements in more modern manga (All About J). Or the gay for you in a new light (Itoshi no Nekkoke). Or more educational manga on queer issues (My Brother’s Husband by Gengoroh Tagame). BL has around 50 years of existence but it is also being born anew in Thailand and Korea. 

BL manga will continue to evolve in acordance to Japanese tastes, as it is still a local market. Hopefully the korean webtoons that get popular will be the more daring ones in their themes. Who knows where it will go from here? The only thing we know for sure is that it will continue to change. Isn't it exciting?

A post on the evolution of live action BL in Japan is coming, to complement this post.  As well as a more detailed explanation of the Yaoi Debates and gay manga.

[lactoseintolerentswag]

when they've got interpreting spiderman noir under a specific cultural lens at the function [picture of me going insane]

I cant help myself.. what can i say. And since you've mentioned some research going on behind the scenes.. do you have any fun interpretations? Or even anything fun about the 1800s!

OH HI

Hm. I don't have anything as fun as historical dancing, but I suppose this does give me the excuse (thabk u) to blab about Noir's childishness.

(wow putting this under the cut bc it got longer than I thought it would LMAO)

I think what a lot of people (including Noir's contemporary writers and yes even the spiderverse interpretation) fall for when trying to read Noir's character is the imitation of his idea of what an adult is, that he hides behind. Like Noir's persona is incredibly exaggerated. He's playing pretend. Look here, he's practicing.

A lot of his persona as Noir is imitation! Imitation of his uncle, of Urich, of the violence he's been exposed to. He's running around in his uncle's old uniform. Fundamentally misunderstanding WHY his uncle had been ashamed of it and his role in the war.

And then he goes ahead and steals Urich's alias because it sounds Cool (which is such a teenage thing to do jesus christ).

But like that imitation of The Adult isn't something that's limited to that exaggerated persona that Noir encapsulates. Peter himself is trying So Hard to be grown up and tough and responsible that it loops back around to him being a brat who would try the three guys in a trench coat trick. He even gets beat up for it when trying to defend his aunt. And I mean I've posted about him being a brat.

About how he looks at Urich as a Prime Example of what a strong and knowledgeable adult is (which is part of why he reacts so volatile in response to Urich showing he's not exactly as morally righteous as himself, he's wounded and let down). Whiskey? Whiskey sounds like someone Mature and Cool would drink, I'll have it too. And then proceeds to throw his drink at Osborn and laugh about it. The illusion was broken for me then.

But well it's not broken for everyone. I mean like obviously I poked at the contemporary writers, but I'm more talking about the other characters in the narrative. Mainly Urich and Felicia.

Urich taking Peter under his wing isn't entirely under the motivation to nurture Peter. I think it Becomes that, but he's really envious of that kid. He wants to see him lose that hope that he once had (ruh roh the opposite thing happened, being around the kid made YOU more hopeful Ben. Guess you gotta be good. Hope you don't die now).

Urich really is exposing him to an extremely harsh reality, and taking him places where adults are typically only allowed. He's letting Peter get a glimpse into what it's like, which will eventually enable Noir's tool of violence. All these tests will accumulate into what Peter thinks someone powerful and strong can be and do.

Then his problematic relationship with Felicia (writers I'm malleting you for this). He's clinging to her adulthood and the safety she represents, and he's young but she sees some adult strength in him. I mean she trusts him with the blackmail Urich gave her, which she really. Shouldn't, even if that's what Urich wanted.

Anyway, strength is something she's been consistently drawn to her in her partners. Strength to feel as her own. Even if it's to hers and others' detriment. There's also a part of Peter that's drawn to Felicia because Urich was. He's still honing in the good parts of Urich he wants to be.

I think the one person in the narrative who doesn't fall for it? Is Aunt May. You could argue it's just her being naturally motherly, but for someone who was about to be eaten alive she's pretty frank with Noir. I think she can see that that violence and exaggerated grittiness comes from someone inexperienced and young. Even if she can't consciously recognize the similarities between Noir's persona and Peter's protectiveness of her. I don't think she wants to see that. I actually have a short comic script about that, but it probably will never see the light of day.

Ugh he's like a cat puffing up to scare away a predator. It's fake!!!!! It's all fake!!!!!! He gets intimidated by JJ, he never ties his shoes, gets powers and then immediately guns to beat the shit out of Osborn, sings about the sandman when he's getting his face bashed in, crawls to Felicia all pathetic and sad, and he made a costume to run over roofs at night in.

And it's funny how he's forcing himself to grow up, but also really sad because all the things he's being exposed to is already forcing him to grow up. He's witnessing things no kid should ever see or experience.

Then there's the time period to consider. The aftermath of WWI, being in the midst of the Great Depression, and WWII just around the corner. He's faced incredible hardship and is going to continue to face so much hardship, and he's going to mature faster than he ever should have. It should have made him crash and burn Hard when he became an adult, and to me he still does because I'm ignoring everyone after ewaof LMAO.

As for my research on the 1800s NY that's for my own spider iteration run I'm working on, so not too related to Noir until I reach the 30's :3

Hope that was satisfying!!

[kabutoden]

bug trolls… i am interested in kankri vantas. if that isn’t too much trouble. your buggy guys are so silly and interesting and i am a fan

here is kankri and his baby brother…. they don’t get along!! i wish they did though id love to see these two go on an adventure together where they look out each other. since kankri is a beforus troll and a vegan, his shell is pretty thin because he’s not getting enough iron. on the other hand, karkat’s shell is heavier then it should be due to stress. thanks for the RQ!! im soooo glad ppl like my sillies :D

[bl-bracket]

Anyways I know we settled that Pit Babe is the most unhinged BL today, but I can't close the book on talking about unhinged shows without talking about what is probably the most insane show of them all (at least in the ql-adjacent world)

like the first couple episodes is like "oooo spooky museum, cursed artifacts, bit of monster of the week but like with cursed items, is Dome Katha's reincarnated brother?" and then the last episode is "Katha has become the new Christian God. the moon has literally exploded and is going to end the world. Dome is actually one of the 4 horseman of the apocalypse and shot down from the sky to take over a normal guy named Dome's life. Dome isn't Katha's brother, that's Chan, another horseman of the apocalypse, who is from a different universe and also looks the same as Dome because all celestial creatures look like Dome because God made them all look like that across universes and God is Katha but not really. Dome and Chan were both from different universes (there's currently 3) but were all mixed around because Death (who also looks like Dome) killed his God and destroyed his universe so he's been hopping around trying to find a new God also he's possessed the body of Adam (like from the Bible) who had become a mannequin." and they made that jump in like 10 episodes

Truly one of the most unhinged pieces of television ever made I wish they made Katha and Dome kiss so I could include them in this bracket.

[definitelynotshouting]

Thoughts on the Grian Rescue Squad's preferred pajamas?

(Or something equally light-hearted and silly? there is Drama in Youtube comments that I really should be trying to avoid instead of arguing with people but it's hard when trolls are pretending to be white knights and ... yeah. Light-hearted/silly headcanons about the Rescue Squad would be good. XD)

A few silly pajama headcanons for you coming right up!!!❤️❤️❤️❤️❤️❤️❤️❤️

First of all im gonna be so fr here i think Scar sleeps in a victorian-era nightshirt. Cap and all. Like one of these things:

but a bit more colourful and stylish 😂😂😂😂 the nightcap is why his hair always looks a little silly first thing in the morning

Mumbo, i think, tends to sleep in longjohns-- big fan of the image of him dressed from head to toe in plaid tbh, or a silly pattern like hearts or clouds or sheep. I think his pajamas are full of whimsy<3

Xisuma has currently been sleeping in his armor with the helmet on not necessarily bc thats his norm but bc hes so tired he just keeps conking out where he is before he can changed 😭😭😭😭 when he does properly climb into bed though i think hes more of a simple boxers guy

Tango i think tends to wear a flowy robe that looks INCREDIBLY expensive and a little scarily like his dungeon master robes (theyre actually the same thing he was literally in his pajamas 24/7 in that hole) but underneath those he strikes me as a boxers guy too, just with a different taste in patterns

Pearl sleeps fully in the nude and thats the entire reason why theres a curtain separating her bed from the rest of the Rescue Squads' 🫡🫡🫡👍👍👍

[aeon-uriel]

married at first meeting (not that other trope) might be No Way for others but not zolu. they just genuinely go husbands? yea sure, captain. simple. yes im very right. no not taking any other questions

[kaitcreates]

Forever cursed with the knowledge I could’ve enjoyed TID so much more if I hadn’t read TDA first.

[natsmagi]

who wanna join my totally unbiased and bares no ulterior motive book club

[pinknoze]

I don’t rlly know how I fit into the wider otherkin/therian/alterhuman community and tbh my first thought is that mayb I don’t fit in? (Help??)

I remember when I first started hearing abt otherkin on tumblr wayyyy back in like 2015 or so, and I was one of the people who thought it was like.. offensive to the trans community?? Which is obviously bs! I’ve grown to be very pro do whatever you want as long as you’re not hurting anyone, and after reading a lot of therian posts I’m starting to get a better understanding of how and why someone would identify as an animal or other nonhuman entity.

But I don’t think I do. I very very very strongly identify with puppies, but I wouldn’t say I am one, I’d say I like pretending to be one! And I always have! For over 20 years now actually! But there’s a distinction between that and what a lot of other people describe.

In my mind I can still be part of the broader alterhuman community. I relate to the ways alterhumans act n feel even tho I am not exactly the same, and I like being in this space because of that!! It’s like, getting on all fours and playing with a bunch of bio dogs!!

I think people like me should have a place in this community, but idk how actual alterhumans would feel about that, especially in an online space where people tend to become more polarized n strict about what they believe is the objective true correct thing rather than allowing for variation in the human (and nonhuman :3) experience.

But also maybe this is invalidating for true alterhumans! Maybe they do want a space for just beings who are explicitly other than human, and as a queer person and someone who identified as a woman for most of my life, I get that.

If I were to fit myself into the community, I think I would use the label otherkin? Correct me if I’m wrong, but the word kin means related, so in this context I think it does work for me. Dog-kin = dog-related.

Oh also!! To me this is all inherently related to autism (assessment results pending but after the THREE HOUR INTERVIEW that was the assessment and finally getting to read Unmasking Autism by Devon Price I am feeling pretty confident) in a way that I could speak on but I won’t in this post because it’s too long already!!

Anyways… I guess I want to hear from other folks in the community. Does what I’m saying make any sense?

[bogkeep]

for my fellow fans of longform video essays about media you may or may not be familiar with. i just watched laura crone's new video that's four and a half hours long and it's mostly about a book + tv series called the magicians, but ALSO the advertising/recommendation culture around books, and i really enjoyed it. i think i especially enjoyed it because i have been craving some Deep Thinks about like, what people criticize about booktok but without making it "it's uhhhh it's bad to only read bad books!" and i found this video both refreshing and insightful. i will give a CW for mentions of That One Wizard School Series, including in the title. just so you don't get jumpscared

[cookidoughlilac]

This might be an incredibly specific ask, and I may be asking in the wrong places, however..

Are there any good wlw novels set in fantasy/history, with the same writing style and vibe as danmei novels such as TGCF, MDZS, Ballad of Sword and Wine etc?

Any fictional setting will do, I'm just putting feelers out there since it's been a long time since I've found a book series I've truly fallen in love with :(