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tellthemeerkatsitsfine · 9 months ago

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I listened to Elis James and John Robins on the Comedian’s Comedian podcast, as I somewhat recently passed the point in their radio show when they recorded it. It was a really good episode, even by the standards of that podcast, which are high. Very little messing around with basic explanations of stuff that we could find on their Wikipedia pages anyway, they jump straight in with analysis.

I cut out a few clips as I was listening. I meant to write a paragraph or so about each of them. I am coming back here after finishing the post to say I ended up writing a lot more than that. This one gets out of hand. It mainly stays on the topic of the podcast episode and the radio show, occasionally veers off into some personal stories of my own, makes tenuous connections between the two. That's what's below the cut that I'm adding because not everyone needs to be subjected to that.

I particularly liked this one, from the very beginning:

First of all, Elis James definitely has met another person who will start a radio episode by sighing and just saying whatever's actually in their mind instead of trying for slick broadcasting. Elis knows him very well, the mother of his children is frequently recording lines to put in that other broadcaster's shows. However, there is the key difference that Daniel Kitson's doing that on an obscure radio station (well, two obscure radio stations as he used to do Triple R in Melbourne, but hasn't for a long time, so I mainly mean Resonance FM in London) that doesn't pay him any money, while John Robins is doing it on a commercial radio station that was presumably a significant source of his income and is definitely the main source of his career success. It's definitely more a risk to try in that context.

Anyway, I'd like to put the above clip next to this one:

I'm now three years into following this radio show/listening to various podcasts and other things they've done alongside it, trying to go mostly in chronological order, and I would say they do this in one form or another approximately every six months. Just explicitly state the status dynamic between them, which is that Elis is more successful but John is funnier, this creates a couple of sources of mild tension that can be funny to listen to and give them something to play into as a double act, but it also balances out enough so their entire relationship isn't going to implode like Jon Richardson and Russell Howard. It's always a bit weird when they actually say that out loud, comedians aren't really supposed to tell us what level of status they've decided to assign themselves/each other for any given moment.

Elis James frequently says John Robins is a better comedian than him, which also a bit weird because it's the sort of thing you'd say as a joke, but he never sounds like he's joking, and it's... I mean, I was going to say it's objectively true, I guess it can't be given how subjective comedy is, but it is pretty clear cut. And it seems to genuinely not bother Elis James, which I used to think was odd, but I guess it makes sense. I've been teammates with people whom I know are better athletes than me, and we can still be friends, and if anyone asks who's better I can be honest about that. It sure would make that easier if I also somehow won more medals than they did (to continue the somewhat stretched analogy of Elis James having more TV work so that balances the scales), though sports tend to be more of a meritocracy than arts so that doesn't really happen.

There's also truth in the thing John said about how one of them has to come up with content for the radio show - they're on the same official footing, co-hosts rather than calling anyone a sidekick or whatever, but the vast majority of the funniest stuff gets said by John, and more than that, John drives most of the discussions. He usually comes in with more features and stuff prepared, he establishes a lot of the running jokes and keeps them going, he's the one who will lead most of their offshoots into weird little sketches and characters. His timing is incredible sometimes, every once in a while he'll have an episode where he's got Lee Mack levels of being able to jump on everything that gets said almost immediately and be funny every time. He seems like he can decide, pretty much based on how he's feeling at the moment but possibly also based on a sense for how much potential something has, whether to wrap up a thread in one incisive sentence or to draw it out. And it's almost always John making that decision (if it isn't the producer telling them to get on with it, that is, but it's rarely Elis' decision). Sometimes I can hear John work out the comedic potential in something they're talking about before Elis does, and Elis will start to move on but John will bring it back and guide him toward it, and eventually manage to push Elis into whatever joke John had figure out would be funny but only if Elis said it.

Having said that, and this is a tangent but discussing whether Elis James is funny just made me think of it, I've been wanting to give him credit for something. At some episode sometime in 2016, Elis James was telling a story about someone he admired, and the story was about something fairly serious, and at the end of it, John asked "Is he a laugh?", which was quite a funny thing to say in the context, it's annoying me that I can't remember the exact story but it was something like that. And it was funny to hear John be so efficiently dismissive of the sort of weird story. But later in the episode, John told one of his stories about one of those vaguely depressing things he does, like obsessively do his taxes four months in advance or drink rum alone at 2 AM and get sad while watching Queen documentaries - one of those types of stories - and at the end of it, Elis asked "Are you a laugh?" And after that, for several months, Elis James brought that back the exactly perfect number of times. I don't know how he did it, how he got it so perfect every time. He didn't drop it for long enough for regular listeners to forget that he'd made this a running joke, so it would lose its power as a callback. But he didn't say it often enough for it to start to get overused and less funny (not that those guys would ever try to milk more from one bit than it should be expected to bear... but of course we're all on email). There is such a small sweet spot, such little room for error in the frequency with which you can bring back a joke and not fall into either of those traps, and he got it perfect every time. Every time he'd said it, I'd have a moment of surprise because he'd left it just barely past the point at which it had been long enough since I'd heard it for it to get really funny again, and every time, I'd take a moment to admire his timing. He kept it going for quite a while, occasionally responding to John's depressing anecdotes from his own life with "Are you a laugh?" So, well done to Elis James, he can be funny too. Also, I mean, obviously he is regularly quite funny on the radio show, just not as funny as John Robins. It's fine, most people aren't as funny as John Robins. I'm not as good at underhook setups as my friend I hung out with the other night, but it's fine, we manage to get on with our lives.

Anyway, that was only very tenuously related to the topic of this post, let me see if I can find my way back. John Robins and Elis James having an odd balance of tensions created by John being funnier but Elis being more successful. I'm not sure that's as true now as it was in early 2014 to early 2017, which covers the period of radio episodes I've heard so far. At that time, Elis had recently had major roles in two sitcoms (Crims and Josh). He'd had one Welsh-language stand-up special released on the BBC and I think was working on recording another one. He'd done some panel show spots, more than John I think. I think he's started on his BBC television travel show with Miles Jupp. He'd gone to Europe to do TV and radio things about the Welsh football team. John Robins, meanwhile, had released the audio from a couple of his stand-up shows himself on Bandcamp, had been on Mock the Week twice and one of those times was a fucking disaster, a couple appearances on As Yet Untitled, and I think he occasionally got on things like The News Quiz but less often than Elis James did. I think he had a pretty good stand-up career going by then, but it hadn't really translated to other stuff. And John complained at times that he didn't get as many reviews and publicity as his stand-up profile deserved, though it's hard to tell if that's true or just his bias. He had a job for a while doing TV warm-up gigs, but then he got fired for what sounds like a combination of drinking too much and being too harsh for the "keep it light" atmosphere. The disparity between his profile and Elis' was probably for two main reasons: 1) Elis has the significant USP of being one of the only comedians who's fluent in the Welsh language so that gets him some stuff, and 2) the reasons outlined in that second audio clip about John having pissed everyone off.

I think their positions are different these days, though. I'm into the March 2017 episodes right now, in a few months John Robins is going to win a Perrier Award, so he can't keep complaining about not having a significant enough stand-up profile after that. That turned into a Netflix special, a significantly bigger deal than Elis' Welsh-language BBC iPlayer special. And then in 2018 he hosts a panel show, which I have downloaded but haven't watched yet, I'll wait until I get there chronologically. To be honest I'm slightly dreading getting there because I have a feeling it might be terrible. I don't think it was hugely successful because I'd never heard of it before I started looking up John Robins things this year, and I went really deep down the panel show rabbit hole in the last few years, I watched some quite obscure ones but never came across this. It also only lasted one season. But still, he hosted a panel show on Dave. That's a TV career.

And now, obviously, he's on Taskmaster. And seems to be playing large rooms in his latest stand-up tour. A tour that I'd assumed would get filmed for another TV special, though he's mentioned recently that he's planning to put it on Bandcamp like his earlier shows, and I do appreciate him keeping it real for us despite now being a Taskmaster star with a huge tour (as much as this shouldn't make sense because there can be visual humour in stand-up, I tend to prefer audio-only stand-up that's usually closer to how it actually sounded in the room, over filmed versions that get more edits). On the other hand, Elis had a TV series about Welsh comedy a few years ago. A podcast with some football players. I've just looked it up and apparently he hosts a football-based TV show on Sky, so that's nice. But the gap in TV-based success has probably closed.

But that discussion they had in that second audio clip - about John Robins not getting stuff because he's (rightly and justifiably) reaping the consequences of being a dick with a substance abuse problem, and Elis James valiantly taking on the role of Robins Apologist - that really nails, for me, what I enjoy so much about their dynamic. I think that my favourite dynamic. I fucking love anywhere where two people get that one going. That dynamic that's summed up by this post htat I remember from ages ago and have somehow just managed to find because Tumblr's terrible search function decided to work for me today:

It was about a year ago that I had the extremely clever idea of adding that Taskmaster screenshot to that other person's text post, but I maintain that it's hilarious. Guy Montgomery and David Correos were so much fun because of this. At the time, I considered instead using a screenshot from Taskmaster UK season 5, with the speech bubble pointing at Mark Watson looking at Nish Kumar. There are so many example of two people whose comedy show interactions have been hilarious because they're based on one person making terrible decisions and the other person looking at them like "I'd follow him to hell and back but I wish he'd just stop going there." And not always a him, it doesn't have to be a him! Danielle Ward and Margaret Cabourn-Smith had some good "I'd follow her to hell and back but I wish she'd just stop going there" energy on Do the Right Thing (with Danielle Ward, of course, in the Correos/Kumar/Robins position).

I'm sure I realized until right now, as I write this, how much this might be my favourite dynamic in comedy because it also characterizes my favourite relationships in my own life. And I am genuinely not sure whether that's a me thing or whether most people can slot most of their relationships into one where someone's the David and someone's the Guy, in terms of who keeps driving things to hell and who follows out of loyalty but also apologizes. When I was in high school, and also for most of my twenties, my nickname among my friends was "loose cannon" because when they were trying to be careful and diplomatic in the political battles within the increasingly high levels that we reached in the sporting world, I was the person who once yelled at my coach in a hallway because I was so angry at the way he treated the athletes, and had a letter in my coaching file by age 22 that accused me of not caring about common courtesy. A letter from a coach who refused to work with me anymore because I was insufficiently courteous, so my best friend had to liaise with him on everything while asking me to please not upset more people and further alienate our team. And I have wonderful friends who tell other people that I don't hate them, really, I just seem standoffish because I'm shy, and later on they tell me that I really need to work on my poker face/ability to be around people I hate without making it incredibly obvious that I hate them. In addition to being genuinely shy. When we tried to get someone from my team elected to the provincial board, we knew from the beginning that 1) I would do all the actual work for both the election campaign and, if successful, the role itself, because I know and care the most about the issues and am good at admin stuff, and 2) I could not be the candidate because I hate most people and everyone I hate knows I hate them because I have no diplomacy skills.

Though I do also have one friend who coaches a team in another city and he knows he can call me pretty much any time and ask me for pretty much any favour and I will do it, and I will edit his emails and do his research for him to help him fight his stupid pointless battles and to try to keep him on top of things even though he can't keep track of anything and keeps making wild badly planned decisions, and people ask me why I don't just let him fail and walk away, and I say I know he seems like a brash asshole with no ability to think ahead, but he's a really good guy, really, once you get to know him. It's got back to me that most people in our sports community assume I am or was sleeping with him, as that seems like the only explanation for why I would stick by a guy who's clearly an idiot. The truth is much weirder, he was my university teammate in 2013 and one time he was in my corner when I had a panic attack in the middle of a match at the university national championships, and he saved me and got me through it and I managed to go back and win, and that's why I had to do things like sleep on a hotel room floor for a week in Atlantic City because he'd talked me into going on a provincial team trip where he hadn't booked enough rooms (or planned anything), because he'd earned my eternal loyalty. Oh God, I just remembered how during that trip he stopped to gamble in front of children, and I ended up yelling at him in the middle of the street in Atlantic City, "You know, I argue with people about you!" And he said, "What people?" And I said "People who think you're not responsible enough to run a provincial team trip! Which is everyone! I get into big arguments with them and you make it hard when you do shit like this!" But a few years later he was the first person I called when our mutual friend died because I realized in that moment, that's the person I trust most in the world.

Anyway. What was I talking about? Elis James and John Robins. I think I was talking about Elis James and John Robins. Okay, turns out listening to people talk about the friendships that you base on blind loyalty and apologism brought some stuff up for me. I think I have, in recent weeks, at times blamed my overly emotional posting - my posts that start out as comedy analysis but then go into oversharing about my person life - on the fact that I'm going through some emotionally difficult stuff as I'm trying to avoid drinking. But that's not the case here, I think I was always going to go on that tangent. I haven't seen my friend from out of town in a while, I'm a bit worried about him. I think he might be ruining his own life again. Something was going to connect to that. Rhod Gilbert reminds me of him.

Anyway. Anyway. Elis James and John Robins. Solid double act dynamic. Weird balance of status and tensions, enjoyable running thread of loyalty and apologism. Amazingly, I'm not done, here's another clip I cut out of that ComCom interview:

This is the second time I've heard John Robins tell this story, and I had the same reaction as the first time, which was: Oh my God oh my God oh my God, how were you ever able to sleep again? The horrible sharp pain of this story keeps me awake at night, just imagining what it would be like if that happened to me, and it didn't even happen to me. How could you ever sleep if it did? John Robins frequently tells stories from what he calls the "shame well", those things that happen where you obsess over how you did something wrong and regret it. John is constantly making jokes (or just statements) about how he lives a life mired in shame and regret. But still, I don't see how he can just casually throw this one out there like it's just another shame well story. It's so much worse. It's the worst one I've heard. I would hide under my bed for the rest of my life.

John Robins went on Adam Buxton's podcast in 2016, I have listened to that episode and it's not great. You want to talk about dynamics created by a differential in status - I think that one went way too far, to the point where nothing could really happen. There was this huge discrepancy of John Robins meeting his hero, which will often make someone sort of adorably giddy but not in this case, he just seemed a bit out of it and subdued. While on the other side, Adam Buxton appeared to have no idea who John Robins was, so not much discussion got generated. It wasn't a complete disaster, but I could understand why John didn't plug that one on his radio show, despite plugging most of his podcast appearances.

Anyway though, if I can manage to get past the sheer horror of the first part of that clip, the second part was sort of nicely validating. Because I am slightly weary of how much my trip down the Elis and John rabbit hole has got quite intense quite quickly, even by my standards of comedy obsession, and possibly taken a turn for the parasocial. I mean, I am currently writing a multi-page post about an interview they gave and it includes several paragraphs about my own life that are only tenuously related, in a way that I can say "Look I do the same thing as these guys I've never met."

The intensity of that has definitely been accelerated by the fact that I happened to, by a genuine coincidence, get into this show at the same time as I decided to try to slow down and/or stop drinking, and God, a lot of the ways in which John Robins talks about alcohol and anxiety resonates. And yep, I'd feel weird admitting it because I know it's sort of inherently creepy to say "they feel like my friends" about some people you've never met, but since John Robins said it first I think I can admit those headphones do make a difference. Might be another reason why I prefer the Bandcamp comedy to a Netflix special.

They touch on this throughout the ComCom interview - not so much in the clips I cut out but throughout the whole thing, it really is worth a listen if you're interested in this - the way their radio show gets so many letters from people who thank them for talking so honestly about mental health issues, people who say they've dealt with their own difficult shit and find this radio show has helped. Probably lots of shows get similar letters, but I think it's safe to say this one gets more than most. The Bugle used to read out their correspondence and Andy Zaltzman wasn't getting people every day saying "Thank you for making me feel less alone in my depression."

They really are good at that, at hitting the exact right balance of honest without being overbearing about it. For a show that spends so much time talking about symptoms of mental health problems, they almost never use the words "mental health". They never sit down and say "let's have a talk about what it's like to live with anxiety." They just describe their week, in more honest detail than you would normally hear on commercial radio. And leave in the parts where they panic about every decision they've ever made and get drunk alone in the middle of the night and cry because they think they've done everything wrong. And by "they", I mostly mean John.

I do like their word, "darkness". I didn't realize, when I first watched The Darkness of Robins in 2022 (a show John first performed in 2017, won a large award for it, released as a Netflix special in 2018, but I watched it in 2022), that that title's been around for ages. Elis James made a joke in an early radio episode, from 2014, about how someday, John should do a show called The Darkness of Robins, where he just lays bare all his anxieties, all his weird toxic quirks and control freak tendencies and oceans of shame and regret and various addictions/self-medication and cynicism and bitterness and anger and deep self-loathing. Elis said this as a joke, the joke being that you can't just put all that in a comedy show. But they kept the joke going for years. John did the Richard Herring podcast, in which he talked a bit about some of the more difficult mental health struggles he's had, and when he plugged it on the radio show, instead of saying "I talk about some of my more difficult mental health struggles", he said, "There's a fair bit of the darkness of Robins in it." And then he started casually referencing it on the show, describing a night when he might have drank too much and had a panic attack with a causal and sort of joke-y "I got overcome by the darkness for a little while." And then they started describing those emails from listeners who say it resonated with "[Person] has emailed in to say they've been afflicted by a touch of the darkness, sorry to hear that." And I just love that word. It's used with enough genuineness to make it clear that they're not making fun of mental health problems, they really do have them and it does feel dark. But also with enough irony - obviously there is irony in using a term as grandiose as "The Darkness of Robins" to describe panicking at 3 AM about something bad you said in school - to make it feel like it's not an after school special. I also like that they found a way to let that word mean no one has to name a diagnosis, to narrow their issue down to a loaded term like "I suffer from clinical depression", when not everyone who has that is diagnosed, not everyone is comfortable naming it, not everyone finds it easy to separate their symptoms into clear-cut causes. They can just use a shorthand like "the darkness".

It has been good, to have this radio show for the last couple of months that have brought some darkness into particularly sharp focus, as I decided to quickly remove the maladaptive self-medication. I've tried to stop writing about it so often the way I did earlier in the year, but as a little update on how that's going, still bad. Not enjoying it. Getting mildly parasocial about some guys on the radio might not be hugely healthy, but it's a healthier coping mechanism than whiskey, I guess. I'd really like some whiskey. Anyway I'm fine.

I do think that's why I find that Adam and Joe story so incredibly painful, though. I get paranoid about whether I get too parasocial about the comedians I like, I try really hard to be self-aware about it and be super clear that I know what I'm getting is a curated public persona and I do not actually know these people, and I am mortified at the thought of being one of those fans who thinks they actually are my friends and therefore they should know something about me. No one should know me. I hang out on Tumblr because it's the one social media platform where I know no famous people are searching their own name or anything, everyone's just an anonymous nerd. The thought of anyone knowing me makes me want to hide under my bed for the rest of my life. Though having said that, John Robins and Elis James are always very nice about people who write in with darkness emails.

Amazingly, I'm still not done this post:

Throwing this in just to say, once again, that I'm sorry for having also thought this but in my defense it's not just me. I am truly sorry that when I first heard John Robins got sober, my first thought was... but he's still going to be bitter and angry and annoying and plagued by regret and self-loathing, right? Because that's kind of the cornerstone of his comedy and is what I love so much about it. I mean obviously I want him to be happy, but could he release a couple more stand-up hours first?

I feel genuinely guilty for having thought that, especially because I do hold the sort of political belief that it's bullshit to say one must suffer to make great art, van Gogh did his best work once his mental illness was being treated, and all that. I do believe it applies to more contemporary things too. Jason Isbell made his best music after getting sober. I think James Acaster's best stand-up show might be his current ones, and it's a "let me tell you how therapy has made me healthier" show. But John Robins did base a lot of his comedy on being bitter and angry and annoying and plagued by regret and self-loathing. That's sort of my favourite thing about it.

I felt slightly better when I re-listened to his 2014 show (recorded in 2015) This Tornado Loves You, and was reminded that he admitted that himself:

That's John Robins talking about how his comedy has suffered because he's too happy in his relationship with Sara Pascoe, a relationship that has ended a 20-year search for happiness. And it goes with the clip I posted before that from the ComCom episode, of Elis James saying it's nice that John's relationship with Sara Pascoe recently ended, because it's given the quality of his comedy a real boost. And maybe they should just ruin John's life regularly to keep it that way. So it's not just me who had that horrible thought.

I'm feeling the need to clarify, once again, that of course I don't genuinely think that's a good thing. Obviously it's good that he got sober, for his sake but also, reports suggest his latest show Howl is excellent. I think Howl was written partly while he was drinking and partly while he wasn't, but performed after he'd quit, and the fact that it's done so well suggests that people can, in fact, make their best stuff after getting their shit together (I haven't actually heard the show, he's said he'll release it on Bandcamp sometime soon-ish, probably). And even if his comedy did get worse, which it clearly hasn't, it would still be best that he quit drinking because suffering wouldn't be worth great art, even if it were required for it. That's how it works. Drinking is bad for you. I definitely don't want to drink any whiskey right now. It's fine.

But. But. I recently re-listened to John Robins' episode of Isy Suttie's podcast, The Things We Do For Love. This is a rare instance that I've heard of a comedian being genuinely drunk while recording something. It's happened before that comedians will claim to be a bit loose and tipsy, but not usually so drunk that they're slurring their words. John Robins on Isy Suttie's podcast was slurring his words. He kept losing track of the question and interrupting at inappropriate moments. It's one of those things that makes me say "Oh, yeah, you really needed to quit drinking. This really was affecting your career, that's just a guy who showed up to work too drunk to effectively do his job."

But it was really funny. It made me laugh so many times. At one point he gets furious because Isy Suttie asked him whether he knows how to drive a car. Later on he threatens to murder her and Elis for their sitcom money, which would have been an okay joke but tbere was a bit of a sense of line crossing when he also threatened their child. (Fun side note that has nothing to do with John being drunk: at one point Isy tells a story about her ex-boyfriend, John Robins asks what the ex's name is but she refuses to say, which is weird because I know. It's weird that I know something about Isy Suttie that John Robins didn't, at least on that day.) It's a mess. It's hilarious. I feel vaguely guilty for finding that so funny, the same way I do about the episodes of No More Jockeys where Mark Watson gets properly drunk - that guy's probably got a problem too, I probably shouldn't laugh at it so much, but I also find those the funniest episodes. I have the say, the episode of Adam Buxton's podcast where John Robins was sort of awkwardly reserved would probably have been funnier if John had gotten drunk before it.

My best defense for that is I would not want John Robins to actually be drunk when he performs stand-up, or certainly when he writes it. Being drunk made him funnier on a podcast interview where he's supposed to tell off-the-cuff stories, because off-the-cuff stories get better when someone's filter has been broken down. But also, in his actual stand-up, or even his actual radio broadcasting, John Robins is doing a thousand little things at once to make what he's saying funnier. He's the master of the well-timed pause and the carefully chosen word. None of that would be any good drunk. So I maintain that you don't need to suffer addiction to make great art. It might help a bit to make funny tangents on an interview podcast, but not the actual substance. Also, however funny I found it, I don't think he was proud of that one. On the radio show, John plugged his appearance on Isy Suttie's podcast before he did it, but not one word about it on the radio after it had been recorded, even though most of those things he'll plug both before and once they're released. Though in a later episode of her podcast, Isy mentioned that the first guest she'd had on was a very drunk John Robins, who called her the next day desperately asking her to cut out the sexually explicit story he'd told using an old girlfriend's real name.

And she did cut it out, it's not in the podcast, as it shouldn't be, because it's not responsible to tell sexually explicit stories in something that's being recorded and will be published, if the audience knows the real name of the person you're talking about. Having said that, I've finally reached the point in the radio show where John's doing WIPs of The Darkness of Robins, where he does just that about Sara Pascoe, and I'm having a bit of trouble morally justifying how much I like the show in spite of that. I think I'll re-watch that show tomorrow, for the first time in nearly a year and a half. I'll see how that goes. I remember it as being very, very good. But also, in the last few weeks, I've had three different people watch it because of my posts about John Robins, and all of them came back to me to point out that the stories about Sara Pascoe are pretty inappropriate to tell on stage. I'm still holding out hope that I'll hear him clarify on the radio show that he did run that stuff by her before saying it publicly, or at least before recording it for Netflix.

Anyway, this post got a bit out of hand. I've tried for the last couple of weeks to slow down on my posting about the Elis/John radio show, and the posting about my personal life, but I seemed to have built up a lot to say and put it all in this one. I'm doing fine.

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ruby-red-inky-blue · 2 years ago

Text

random notes on naddpod c1 ep 46-69

another confused jumble of personal highlighs, shared here in lieu of chewing my very indifferent friends’ ears off irl. For whom it may concern.

spoiler warning! you will get no context but still

Okay they’re in the feywild and somehow the players manage to get even hornier. I guess I’m impressed?

That libertarian fairy tho. Why are little pixie jerks with trash politics always so funny

(Emily catches on to their opponent being a woman because Murph made a point of referring to the knight with they/them pronouns) “Interesting. My subtle sexism gave me away. I’m a bad guy.”

This lady spent a year with her frozen children in a chest in her living room?! Okay. Sure. Uh huh. Cool story bro 😬

Five Guys Burgers and... Flies

Ngl a little shocked at how decent Murph’s elf voice is

“I know a game! It’s called ‘don’t stab me!’ I give the gnome a knife.” “He magically produces some bread, spreads some butter on it, and casts produce flame. Look! Magical toast!” “NOBODY EAT THAT!!”

“You two haven’t seen each other in a while, and the kids are indisposed, so -“ “Okay. Jesus Christ. I was down for kind of a spicy joke there, but let’s not… the kids aren’t indisposed because they went bowling with their aunt, the kids are frozen with a curse.”

Murph, as a gnome, but barely keeping it together: “In actual recorded episodes, have you guys met any gnomes that are murderers? Really, did they murder someone? Like… what did they do and then what did you do to them…?”

"There's a war coming, and everyone needs to fight. Even old men who don't know how." First of all, this is a banger of a line

but also my degree has officially ruined me for stories because I was immediately and ominously reminded of the last months of WWII on the Axis side what with all the apocalypse rhetoric and poorly armed children and old men sent out to probably die in war. like this is 100 percent unintentional and I realise that but my reaction to this line was "holy shit" and then immediately "... has Alanis also gone fascist"

Murph usually: Oh you want something? You want something to help you out here? Okay how are you gonna pay for that? What are you gonna give up to get that? Murph with Emily: Oh you got attached to your purely decorative fictional earrings? … I would never take those away from you keep them :) have a magical gun on the house :)

“Cool it with the fucking drugs!” “Hardwon, you’re one to talk!!”

Love it when Murph sets up a high DC on something and they get it and all immediately vigorously come for his ass, there is truly nothing funnier than people pretending to take something so personally

Murph keeps saying “she shakes her head yes” which is either an established bit of world building or an odd Murphism they’ve all collectively decided to accept? Both are very endearing but also I was so confused the first five times he did it

Local catholic desperately trying to get his friends to have the biblically correct response to angels (fear)

“Twenty-three damage with an axe???!” in the squeakiest voice possible, and then in the same voice: “What lands first, his body or his head?” “His head!!!!”

Finally someone makes the “Janie’s got a gun” joke, I have no idea why but I’ve waited this entire fight for someone to do that! Thank you Caldwell!

“Can I do a dog whistle?” “You’re gonna say something racist and see if they follow it?”

“Brothers! The Goddess has blessed us! There is milk in this casket!”

Also somehow every joke gets 100 percent funnier once it has managed to break the DM

“I summon Pellor’s four Lieutenants, the Beach Boys.”

Pawpaw as the BOB's legal council is the gift that keeps on giving. I don't even remember how it started but every time Jake goes "a brilliant legal mind" in that reverent voice I lose my shit. Also I adore how at the beginning it was all 'oh it's funny because Hardwon thinks this possum is actually good at law stuff and meanwhile Pawpaw can't fucking read' and now Pawpaw is just. legitimately functioning as their lawyer.

“Balnor, what’s your favourite food?” *audible fuckfuckfuckfuck silence from Murph* “…Chicken.”

So anticlimactic. Holy shit. Murph literally rigging the game so none of the others would give it away only to have that immediately blow up in his face

“Oh, the Goblinity!”

Hardwon getting really into "Chasing Cars"

Murph's cultural knowledge is such a fucking enigma to me every time I'm like "oh that guy wouldn't know anything ab-" and then he just. knows the first song on Snow Patrol's "Eyes Open" off the top of his head. I spent a whole vacation listening exclusively to that CD as a teen and I had to look it up. He was right. He wasn’t even the one who started the Snow Patrol bit.

Anyway thank you everyone that song will be permanently stuck in my head for the next five to eight business days

“You deserve a little emo phase”

“Pawpaw is giving you a pedicure. Meanwhile the king is suffocating in the bag.” “Oh shit!”

“So one thing you know about me is that everything I love dies so, stay away, haha!”

“I have enough queens.”

There have been a bunch of uncomfortable descriptors in this campaign but “like an exotic sunkissed lover” is definitely the worst one so far. Murph. Sir. No.

Just Murph's weak "okay..." as Emily decides to sniff the two Hardwons' necks to suss out the doppelganger

The verve of Murph’s Moonshine impression compared to his barely-there attempt to do a Jake voice for Hardwon

That one incredibly dumb dude in Shadowfell. Oh my GOD. Like in so many stories there is a “dumb” character, you know, one who will be described with the one brain cell meme but this dude. This dude literally only has the one brain cell. Just enough to be standing, breathing and talking at the same time. Fucking incredible. Murph continues to be way too good at making characters so deeply pathetic

“Go drink too much cough syrup!” “I can’t!” “Why?” “‘cause it tastes bad, man!”

Brennan’s and Murph’s genuine excitement to reverse their usual dynamic veering off into “we’re 69-ing now but he’s been going at me for a long time and I haven’t given him anything.” in less than thirty seconds

Seriously tho you can hear both Brennan and Murph buzzing with delight at a frequency that could shatter glass

“Brennan, you can say ‘my’. You’re playing, dude, you can say ‘my’.” “My hand, me, I’m playing, I’m a person! I’m only one person!” “You’re playing!” “You’re doing it!”

“What about Melv? Remember Melv? He’s dead.”

Brennan has so much knowledge of like historical customs and everyday items and their names and uses but rarely uses it, and meanwhile Murph is trying his damndest to sprinkle stuff in for medieval flavour but has a shaky grasp on what these things actually ARE. Case in point, Brennan immediately knowing how to explain a wimple vs. Murph claiming the peasant was wearing “suspenders over a dirty tunic”. Suspenders?? My guy. What are they holding up? The hem of the tunic? Tunics go OVER the leg garment how would this work. Are you using this as a fancy word for shirt. Also suspenders weren’t a thing until the 19th century. Not saying you can’t mix and match cowboy and medieval peasant aesthetic but it’s gotta logistically work, Murph! It's gotta make sense!

“You hear a woman screaming-“ “No, Murph, we were going shopping 😩” “You never let us do anything fun!”

Brennan’s little love language of absorbing every last bit of his friends’ worlds’ lore like a sponge so he can weave his narrative and/or character into the world like a perfect medieval tapestry!!!!

Every time Emily goes out of her way to back up her every move with rules as written not for the DM but for some idiot in the audience, my heart breaks a bit. Back the fuck off indeed.

That said, Brennan being extra meticulous about HIS finite resources is hilarious and good

“I would say he didn’t have to worry about it but then he was doing sixty points of damage per attack so he does have to worry about it I decided”

#wherewasbalnor

"It's a... I don't want to use the word 'wimple' again"

"Deadeye and Hardwon, you guys just hear this cacophony of idiocy..."

"So my little sister in there and slim with the gift of Pellor, they good at staying on task?" "Um...."

A Kiwi dwarf, fantastic choice. No notes.

“We can crawl through the small false wall?” English is so broken

Pawpaw as Deadeye’s literal right hand! Delightful. Murph’s D20 TA energy come to life in the coolest way

“You bloodsucking bourgeoise pig, you keep your dirty fangs off my sister!”

“You’re the best part of me” Brennan 😭 Emily 😭 brb dissolving into a puddle on the floor for a second

He’s back in the Crick UGH 💔 ah fuck Brennan and Murph tag-teaming on the heartbreak never fails to get me

It's so fascinating how much they play to each other's strengths whenever they're really going for the jugular: on D20, Brennan will hit Murph with just the most quietly awful version of "here's your character's worst (perceived) failure you can never fully make right, and you're faced with an opportunity to try but we both know you won't take it" (cf. Kug's interactions with David or "you can go to the castle where the dogs are or you can go back to your frog pond"), and in return Murph took Deadeye back to the home that was forever lost to him and that he'd missed so much and let him become everything he ever wanted to be. Forgiven despite his shortcomings. They're beating each other at their own game, Murph's stories are so much about consequences and guilt and responsibility and Brennan's are so much about hope and grace and second chances, and that is so present in the stories they tell for each other?? I am upset this is beautiful

The Wimple Warriors

So Murph knew enough about Snow Patrol to not only sing the refrain of You’re All I Have but to know where it was on the album… but not enough to remember the title of Chasing Cars?? How are you the way that you are

JV!! God that *was* a beautiful scene though, such immediate quiet kindness, what a way to go <3

“I went to the Red Fenn and all I got was unceremoniously murdered.”

“He’s saying yes too much, we’re making some kind of mistake…”

Moonshine: "The rapport spores got hacked, everyone! Don't say anything you wouldn't tell the world right now!" Emily, not five minutes before this, on a very popular podcast: "Out of character, [unlike Moonshine] I got some very recently, but..."

The fact that this moment got no audible reaction and is as easily removable as an audio clip can get (no crosstalk, a brief pause before and after it, no impact on what was said afterwards) but it's still left in is so funny knowing who does the editing

Murph introducing a skeletal kitty for thinly veiled emotional manipulation purposes

*delivers upsetting news to Moonshine* "Would it make you feel better if you borrowed my cat?" "...Moonshine bursts into tears."

"Pawpaw looks hurt and betrayed for a second, like he's gonna turn away, but then he can't help it." "Should we go, too, or do you think she needs a familiar touch tonight? Something only Pawpaw can give..." I reiterate, funniest. self-insert. character. ever. Also as ever excellent punnage from Caldwell.

“You are a freak but you’re pretending not to be, which makes you the most boring kind of person.”

“Pawpaw is the only one who has complete plot armour. I will kick him from time to time, but I won’t kill him.” It's so unlike Murph to declare plot armour on anyone, and also so like him to have it be Pawpaw.

Hardwon and Moonshine's relationship, regardless of where it's going, is just lovely. Zero judgement, no expectations, just so much affection and support. They're so corny (affectionate)

#shoutout to brennan for joining in the tradition of making his character a little bit gross #petition for murph to stop making 'conventionally attractive' every npcs defining characteristic #literally my only gripe but it *bothers* me #looking at his own pcs in particular i DO NOT understand how he of all people keeps doing that!#my man you are so creative you do not need this #i promise you i will be as or actually much more invested in all of these people if they didn't come out of an underwear catalogue #carrie watches #(listen i have no tags for podcasts so)#naddpod c1 #naddpod #brian murphy #emily axford #caldwell tanner #jake hurwitz #brennan lee mulligan #long post

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because-its-eurovision · 11 months ago

Note

[kicks down your door] I HEARD YOUR ANXIETY WAS TALKIN SHIT AND IM HERE TO THROW HANDS WITH IT

okay first off, I know how you feel, and you know that I know cus you've seen me have anxiety episodes with these similar feelings of not being good enough or being unimportant or unwanted during out shared time in BC fandom. so I would like to start just by squeezing your hand and reminding you that you're not alone or the only one to occasionally feel this way, your feelings are valid and you're allowed to feel them, even tho they're not based on anything rational and you don't deserve to feel like that, because you are important and valued by the people around you.

you don't owe a participation fee to be part of a fandom. not in money, not by dedicating a certain number of hours, not by creating a specific amount of content, not by reaching some threshold of followers to be considered popular enough to participate. if you like the thing, you qualify. that's all there is. also, fandom is not a limited space with a numbered seats where one person's involvement is somehow taking room from anybody else. fandom is a universe that expands infinitely as more and more people join. it's impossible to take up space that you wouldn't deserve, because there is always more room for everybody to join.

furthermore, I may not be in the Käärijä fandom but I've been lucky to share fandom(s) with you in the past, and I've seen the way you contribute. you have always been one of the nicest, most welcoming, supportive people around, you're so willing to answer everyone's questions and welcome them into your space, and I don't think you even realize how important it is to have people like that in fandoms. the love and kindness and encouragement you show to others has not gone unnoticed, and that is also a way of contributing, and something I've seen you do so much for as long as I've known you. I mean, where in the hell else am I supposed to throw my dumb ESC questions at? people are scary, so I need someone nice and easy to approach. I need you. so your claim about how you don't do your part is, with all due love and respect, complete bullshit anyway <3 you do more than enough, you just don't see it yourself.

last but not least, Käärijä gigs may be queer safe spaces, but they're not queer exclusive. in fact, very few, if any, queer spaces in the world are ever exclusive - even pride parades, drag shows or gay bars aren't, straight cis people who have the basic decency and respect towards the culture are welcomed to those too. so for a music show by an artist that, afaik, isn't even openly queer himself? you're absolutely 100% allowed to go and enjoy your time. it is your space just as much as everyone else's.

you're a fucking gift and the Käärijä fandom is fucking blessed to have you. I'm aggressively kissing your forehead and I hope you can make it and have fun at the cruise. you deserve it. 🖤

Coming from you, this means so much 🥺 and you just reached out to be nice and give encouraging words?? 😭🖤 You're the person I looked up to the most when BCtumblr was in its most active phase, and still do, because you always have your way with words and take time to be wise and insightful and kind to everyone passing by despite battling your own anxiety demons, and I know you have it so much worse than I do which again makes me feel guilty for complaining and extremely grateful for you being so supportive.

I'm just so tired of feeling ashamed of myself and like I'm never good enough, and the constant voice in my head telling that I should be funnier and nicer and braver and prettier and more outgoing and spontaneous, and you telling me that I'm kind and friendly is so nice but strange because I do not see that side in myself at all, and I maybe feel like being welcoming or answering asks isn't tangible enough?? Like you know as opposed to producing content, because I can't draw or write fics or make tiktok edits or memes or be the first to post or comment something, and while I do know it's not demanded and nobody gives a rat's ass about what I do or don't do or post, I kind of feel responsible to pay back to the fandom(s) that have given me so much. I believe that the feeling of never doing or being enough or the pressure of being constantly present isn't a fandom-specific problem but a part of everyday life now, for me at least, but in fandom spaces, bubbles, it is somehow more concentrated.

I'm also feeling constantly guilty about being white and cis and straight and healthy because there are so many around me that are not and a having hard times because of that, and I try to do my best for making the world a better place and be a good ally and a decent person, but I'm just one guy and I'm exhausted, and even right now there are multiple anon asks in my box calling me out and saying I'm disgusting because I'm not saying what they want to hear and posting the kind of content they'd like to see from me, and. it's just too much. i'm so tired of being alive sometimes.

Thank you for being in my life, Abby. Ily 🖤

#asks

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oursamuraifreund · 3 years ago

Text

So I was fucking around on incorrect quote generator and here is my harvest. I also may have fudged that names in a few places, but shhh it's funnier this way trust me

Demon: Hey, I took your soul last month and-

Jigen: No returns.

Demon: *sobbing* But it's making me sad...

----------------------------------------------------

Lupin: I would do anything for money.

*later*

Lupin, covered in blood: THE STATEMENT STILL STANDS!

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Fujiko: I don't follow the rules. I follow dogs on social media.

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Lupin: Welcome to my very first vlog, in which I try different hair products!

Lupin: *sprays hairspray in their mouth*

Lupin: Well, right off the bat I can tell you this one is not very good.

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Fujiko: Maybe the true treasure was friendship all along. But I hope not, because I can’t spend friendship on new clothes

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Goemon: If karma doesn't hit you, I will.

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Jigen: *points at Goemon* A human turtleneck, *points at Fujiko* a narcissistic monster, *points at Lupin* and literally the dumbest person I’ve ever met.

Lupin: And who am I? Describe me now.

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Goemon: I'm going to ask you to be respectful.

Lupin: I will politely decline.

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Lupin: FIGHT ME, YOU NERD ASS SLUT!

Goemon: At least try to sound slightly more sophisticated when you threaten someone.

Lupin: Oh, I'm sorry. I should ask; dost thou want to engage in a duel, my good bitch?

Goemon: Somehow that's worse.

----------------------------------------------------

Lupin: Hey, you want a tarot reading?

Goemon: Those are Pokemon cards.

Lupin: You got a magikarp.

Goemon: ...

Lupin: It means 'fuck you'.

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Goemon: *raises eyebrows*

Lupin: Put those back down!

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Lupin: *running towards Goemon with open arms*

Goemon: *moves out of the way*

Lupin: Hey, why'd you move?!

Goemon: I thought you were going to attack me.

Lupin: I was going to hug you!

Goemon: Why would you hug me?

Lupin: WHY WOULD I ATTACK YOU!?

----------------------------------------------------

Goemon: I did it! I memorized everything in the book! I'm gonna ace this test!

Jigen: Ok, Goemon, I'll give you one more question before you go. What ended in 1918?

Goemon: 1917.

Jigen: ...You're ready.

----------------------------------------------------

Jigen: Where are you going?

Lupin: To either get ice cream or commit a felony. I'll decide on the way.

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Goemon: Lupin, this morning, I called you abhorrent and reprehensible, and I’d like to withdraw that statement-

Lupin: Aww, thanks-

Goemon: But I can't. Those are the 2 words that best describe you.

----------------------------------------------------

Goemon: We've got to find a way to cut down our expenses. What can we live without?

Jigen: Lupin, probably.

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Lupin: So I can either do something dumb that could very well get me injured or I can listen to Jigen and not do the thing,

Lupin: Well there’s a clear right answer here.

Lupin: *proceeds to throw five packs of mentos into a barrel full of diet coke*

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Fujiko: It's not our fault!

Lupin: Yeah, but... Come on, the least we can do it talk to them.

Fujiko: No, the least we could do is nothing!

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Lupin: Know why I called you in here?

Jigen: Because I accidentally sent you a dick pic.

Lupin: *Stops pouring two glasses of wine.* Accidentally?

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Jigen: I’m telling you, my team is competent.

Lupin, rushing in: Jigen! Fujiko tried to make pasta in the coffee pot and now it's broken!

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Jigen: Do you take constructive criticism?

Fujiko: No, only cash or credit.

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Lupin: Bottling up negative emotions is bad for your health, so you shouldn't do it.

Goemon: I know, that's why I bottle up all my emotions, both positive and negative, so it cancels out.

Lupin: Th-that's not how that works-

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Fujiko: I can’t believe all these people are wearing black. black is supposed to be my thing, they’re all just posers.

Jigen: Fujiko, for the last time, we’re at a funeral.

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Fujiko: You’re giving me a sticker?

Lupin: Not just a sticker. That is a sticker of a kitty saying “me-wow!”

Fujiko: I’m not a preschooler.

Lupin: Fine, I’ll take it back-

Fujiko: I earned this, back off!

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Lupin: Forgive me Father, for I have sinny-sin-sinned.

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Fujiko: *closes a cabinet*

*a crash is heard behind the cabinet door*

Lupin: What was that?

Fujiko: The sound of someone else's problem.

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Lupin: This date is boring!

Goemon: This isn't a date. I said I was going to the store.

Lupin: Then why did you invite me?

Goemon: I didn't, I specifically said "don't come with me" then you said " fuck you Goemon I'll do whatever I want!

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Jigen: You’ve got to learn to love yourself.

Goemon: But don't you hate yourself.

Jigen: Yeah, but this is about you. Stay focused.

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Lupin: Ayo, what the FUCK is this?!?

Fujiko, sitting down, surrounded by corpses: I won Mafia, that’s what.

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Lupin: And I’d love to be sorry for that, but we all know I’ve done much, much worse.

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Fujiko: This is a very powerful artifact. You’d be messing with some forces we don’t fully understand.

Lupin: That sounds like a dare to me.

Fujiko: Oh my god.

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Jigen: Valentines Day? I'm ready. *Sprays an entire can of AXE body spray on themselves*

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Jigen: Have I ever told you that you cook well?

Fujiko: Awww, no, you haven't!

Jigen: So why do you keep cooking?

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Lupin: You are, of course, wondering why it is I have brought you here tonight.

Jigen: Actually, Lupin, after all these years, I just sort of go with it.

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Fujiko: What? I'm not aggressive!

Jigen: Last Tuesday, you wacked me with a pair of crocs and stole my chocolate chips?

Fujiko: Survival of the fittest, bitch.

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Goemon: Lupin won’t wake up, what do I do?

Jigen: Did you try kicking them?

Goemon: Yes.

Jigen: I’m out of ideas.

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Jigen: So… I’ve seen you’ve been spending a lot of time with Fujiko recently.

Lupin: No, Jigen, it's not what it looks like, I swear.

Jigen: Oh really? So no reason for me to be jealous?

Lupin: No! You’re the only one for me.

Jigen: Is that so?

Lupin: I promise! Fujiko and I are just dating, okay? They’re my partner.

Jigen: So there are no best-friends-feelings involved?

Lupin: You are still my one and only best friend! They’re just the love of my life, nothing more!

Jigen: But I’m still the platonic love of your life, right?

Lupin: Of course bro!

Jigen: Bro...

Fujiko: What the-

----------------------------------------------------

Bonus Jigoe!

Lupin: Ooh, somebody has a crush

Jigen: Pfft, I don’t have a crush on Goemon I just think they’re cool, it’s not like I stay up at night thinking about them.

*Later that night*

Jigen, very much awake: Uh oh.

----------------------------------------------------

Jigen, looking through their clothes: Has anyone seen my top?

Lupin: Goemon's in the kitchen.

#lupin iii #inncorrect quotes #incorrect lupin iii quotes #long post #jigoe #mine

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wingsyliveblogs · 2 years ago

Text

And that concludes Episode 12!

Wow. A lot of stuff happened in this one.

Amity was there! Amity’s siblings were there! Luz learned a spell! Luz now knows how to learn more spells!

I think I’ll probably need a bit of time to process all of this, but I really enjoyed how the episode balanced Luz’s two emotional arcs (trying to get closer to Amity, trying to learn from Eda) and managed to tie everything together at both Luz’s lowest point and her following triumph. It was really good.

(cut for length)

Some vague disconnected thoughts:

I feel as though every episode that Amity is in recontextualises my perception of her role in the opening and ending. Seeing her in the school scene from the ending this time, my thoughts immediately went to the book club she and Luz are planning to set up now. Up until this point, I always felt she was just kind of... there in that shot. Now, there’s a whole different meaning to it!

Naturally, she’s just watching Luz pass by with a neutral expression because she’s not yet willing to be open about their shared interest in Azura... but it’s still there.

Another thing the credits did was remind me that the last scene was just Alex Hirsch talking to himself, which definitely makes it funnier.

While the track that Luz is going to be in at Hexside remains a mystery, I must say that if there’s anything I took away from this episode, it’s that she looks good in red.

I love how naturally Luz and Amity’s relationship is developing. They’ve only recently become proper friends, but they mean a lot to each other already, and it’s really nice to see. I’m definitely looking forward to seeing how their dynamic develops from here...

That said, I must admit that part of me keeps asking, “but what about Amity’s other key friendship?” every time Luz and Amity are being cute and bonding in an episode that Willow and Gus are absent in. I imagine that Luz isn’t going to stand for her friends not getting along with one another for very long, so I’m confident that this issue will be addressed in time. But this thought has been constantly there in the back of my mind since episodes 3 and 6 established this particular source of unresolved tension, so I can’t pretend that I’m not thinking about it.

Honestly, though, I’m starting to anticipate the comedic potential of either Willow or Amity realising that Luz has somehow become best buds with both of them separately, while they’ve still got all that unresolved angst with each other going on. It’s an impressive move on Luz’s part, to be sure!

Okay I’ve mostly just been rambling about Amity this whole time. Time to address some other characters!

It’s interesting that Eda’s curse didn’t come up at all in this episode. I assume she must have found some way of managing it, even without the elixir? I can’t imagine that she would take Luz to a remote location alone if there were the possibility of her becoming a danger to Luz while they were there.

While neither Eda nor King’s emotional issues came to the forefront in this episode, I like that we know them well enough by now to recognise that they’re there.

Eda’s doing her best to teach Luz, but she can’t always be sure of what she’s doing. It’s clear that she’s disappointed when Luz leaves at the beginning of the episode. It’s clear that she’s anxious for Luz to trust in her teaching methods, and that she’s hurt when Luz doesn’t. There was also a very understated arc of Amity and her siblings doubting Eda at first and then later coming to realise that Eda has actually been cool the whole time, which was fun.

King’s motivation for bringing his minions to life was to have living recruits to order around, but I suspect that he also may just have wanted some company. He was most likely feeling pretty lonely without the others around, even if he didn’t say it in so many words. At least he came to appreciate the one person who was there for him when he needed it most... even if the appreciation lasted for all of five seconds.

Huh. I guess I had more to say about this episode than I realised. Nice!

Also, this literally just occurred to me, but this episode served as a continuation of Luz’s journey in learning how to take things slow and be patient.

Back in Episode 4, Luz’s impatience did aid her in learning her first spell, but it had the unfortunate side effect of putting Eda in danger at the same time. Since that particular aspect of what happened wasn’t directly addressed in the episode itself, I wondered at the time if perhaps Luz’s impatience wasn’t truly considered a problem anymore...

...but I’m starting to pick up on the fact that this show doesn’t always address every issue that every character has in a single episode. Sometimes, a character saying or doing something that isn’t addressed immediately is setting stuff up for later. In this case, the payoff was in this episode, where Luz pushing to learn a new spell immediately did cause her a lot of trouble that she couldn’t get out of without trying something different, so she had to take her time and find her new spell in a more natural way.

It’s a really strong, subtle way of building the story and the characters, and it makes me feel as if anything that happens might turn out to be meaningful, even if I don’t realise it yet.

man this show is good

Whoops, it’s gotten a bit late. I’m not sure if I’ll be able to answer asks tonight, but I’ll get to them as soon as I can!

Until then, thanks for reading, everyone!

#wingsy liveblogs #wingsy watches owl house #owls ep 12 #also Luz learning an ice spell while Amity learns a fire spell...#the more I think about Luz's second spell being an ice spell the more I love everything about it #it's such an unusual and interesting choice! and it's so distinctly different from the light spell but also has plenty of things in common #it still requires certain resources to cast but it works in a completely different way and it's just really cool???

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makeste · 4 years ago

Text

BnHA Chapter 304: The Council of OFA

Previously on BnHA: Hawks and Best Jeanist were all, “what up Todofam, we are here to apply for the positions of ‘son #4’ and ‘weird uncle’, respectively,” and then proceeded to insert themselves into the family drama without waiting for an answer. Hawks briefed Endeavor on the nation’s current status of “totally fucked”, promised to help him sort that out, and then asked him about OFA. Endeavor was all, “oh do you mean One For All, the mysterious thing that my intern Deku was apparently being targeted for?” and then we cut away, presumably before Endeavor could clarify that it never occurred to him to follow up on that, and Hawks was all “no of course not, why would it occur to anyone other than me to follow up on any of this super weird and ominously important shit.” Anyway so meanwhile Bakugou was all “LET ME SCREAM AT DEKU UNTIL HE WAKES UP” and the other kids were all “NO”, and then the chapter ended with All Might being all “I wonder what the vestige!me is currently chatting with Deku about.”

Today on BnHA: Deku drops in on the Vestiges, who are all “sup Deku, how do you like our fancy chairs.” OFA II and III are all “if you need us we’ll just be standing here silently in the corner pretending to be invisible and sparking endless discourse with our mere existence.” OFA IV is all “and now I will explain to you in a very convoluted way that you being quirkless was actually a good thing, since it means that you are probably not going to suddenly drop dead at the age of twenty. But also you’re probably going to be the last user of OFA for that very same reason.” Deku is all “that is wild. I’m just gonna stand here and stare at my hand.” Nana is all “so now that that’s settled could you please do me a small favor and kill my grandson for me”, because having just one topic to discourse about this week WASN’T ENOUGH, apparently. Thanks so much Horikoshi.

(ETA: okay so just a note before I start, this week’s RHA translation was a huge mess, so I followed up this chapter by reading a couple of other translations. the main one I’m using for reference is the one by @hanashimas, whose weekly posts I highly recommend. anyway so you’ll see a couple of ETAs in this post in places where the initial translation was off.)

how many layers of bandages did they wrap this poor kid’s fucking hand in omg

jesus Deku. are you holding onto a bouquet of flowers under that thing?? or a tennis racket??

omg yes, finally

is he reading these names off a teleprompter lol. and if so, what has Jeanist ever done to slight you, Deku? “god bless Kacchan and Aizawa-sensei and Todoroki-kun and everyone else in the whole wide world... except for Best Jeanist. fuck that guy.” actually this joke would be funnier if half of tumblr didn’t legit feel that way lol but anyway

OH MY GOD

I NEED TO HAVE A TALK TOO. ABOUT, OH, EVERYTHING

I got immediate KHR vibes from ALL OF THIS. this is seriously such a Vongola aesthetic. “let’s use the luxuriously cushioned chairs with the seat backs that are ten feet high, and arrange all of the handsome ghost people in a big circle” like come on

that said there are also some slight LoTR vibes as well. “bring forth the ring, Deku”

I like how Six is sitting there with his feet drawn up all casual, but with his arms inexplicably sticking STRAIGHT OUT IN FRONT OF HIM and dangling over his knees like he’s doing some sort of zombie walk

apparently the Fourth wasn’t a big fan of shoes huh

interesting that All Might is the only one who’s still faint/indistinct, and and that Two and Three are fully visible

(ETA: the rest of my speculation about Two and Three has been moved into a separate post, the better to focus on the shit that’s actually happening in this chapter lol.)

and lastly, interesting that all of them are talking now, except for All Might (and I guess the Second and Third as well). to the best of my knowledge Deku hasn’t unlocked the Sixth’s quirk yet, so I guess the quirks don’t really have anything to do with it

oh and it looks like Deku’s mouth is still covered. I guess that’s convenient for the vestiges since we all know it’s hard to stop Deku once he gets going. but on the other hand it’s very inconvenient for people like me who wanted to see some interaction. alas

so First says that OFA’s power has grown a lot in the last four months (i.e. since Deku unlocked Blackwhip), and now the vestiges can communicate with each other as well as Deku

so even when Deku’s not around they can all just chill with each other. this is such a weird thing to me lol. like it’s cool, don’t get me wrong, but it’s also strange as hell to know that you’ve got eight other people hanging out in your head spying on everything you do and having conversations with each other about it. it would be like if Dark Shadow had someone to hang out with other than Tokoyami. good thing you weren’t triplets, Tokoyami

First says that it’s become easier for the vestiges to interact with Deku ever since TomurAFO barged into the OFA Domain back at Jakku. huh

(ETA: apparently this is because AFO forcibly pulled out OFA’s power when he was trying to steal the quirk, so I guess that makes sense.)

okay thank you Banjou for addressing this concern which I initially brought up as a joke, but which was apparently real enough for you to reassure Deku about

“don’t worry, even though we’re awake and hanging out inside of you at all times, we’re definitely not secretly watching and making fun of every single thing you do” hmmmmm

(ETA: “not that you could do anything about it even if we were, since you’re probably going to be the last OFA holder ever!” I don’t trust anything this asshole says lmao.)

OH SHIT??

YESSS DEKU now you can hold them accountable for all of their bullshit! because I do not doubt that there will be bullshit lol but let’s see how that goes

oh damn

well okay then. you didn’t have to stand up and walk over to him and loom all threateningly like that but okay sir

this guy has kind of a Kimimaro vibe to him. remember? that bone-growing guy from Naruto? except I’m pretty sure he had eyebrows. and wasn’t twenty feet tall. speaking of which, that explains the chairs

why are you wearing only 3/5ths of a shirt

lol what

someone’s gonna have to explain this to me. is he just redundant or something lol, or is he strangely poetical or what

(ETA: apparently HE’S MAKING A PUN omg. I immediately gained +10 love for him lol. also it flows a lot better in Japanese. this is one of the things Caleb is usually good at, so we’ll see what he does with the wordplay.)

omg the hermit theory is true!!

“I’M NOT WEIRD, IT’S SOCIETY WHICH IS WEIRD.” lol whatever you say buddy. also love how Banjou tried to give him a big hearty slap on the back but Hermit Boy was not having it lmao

IS HE TRYING TO CAPTURE HIM WITH BLACKWHIP

AND ACTUALLY, NO, SIR, AS A MATTER OF FACT, WE ARE NOT AWARE. SO SPILL!!

?!!?

okay my first response was LOL ARE YOU SERIOUS, THAT’S THE BIG SECRET!? -- and then it hit me what the significance of “died from old age... AT AGE FORTY” meant. at which point it was like “!!!!!” and then “OH, SHIT”

(ETA: there’s also an Iida joke here somewhere but I’m just too tired to make it.)

oh my god oh my god

did he somehow get a copy of the coroner’s report or something? like how does he even know that he died from “old age” as opposed to any number of other natural causes? ??

but anyway. so this is the quirk singularity coming into play then I guess. but then how come All Might is still alive and ticking?

(ETA: so this is one example of where this week’s translation is a mess lol. apparently the Fourth explains here that he didn’t know what the fuck he died from until All Might researched it. and it turns out there actually was an autopsy lol so there you go.)

so Fourth says he held OFA for eighteen years, and since he knew he would never be strong enough to defeat AFO on his own he basically just spent all his time punching rocks in the woods and training to power the quirk up

oh shit

is he implying that his body literally fell apart?? like that’s how he got the scars on his face? -- IS THAT WHAT KEEPS HAPPENING TO TOMURA, THEN. oh shit

DUDE

so you’re telling me that this quirk actively shortens the lifespan of anyone who uses it?? and my little boy here has had it now for a year already?? fuck me, I have immediately have a TON of thoughts about all this but let me save it until he’s done with his explanation

THANK YOU, DEKU

right?? how come All Might didn’t die then. even after he got injured. please don’t tell me he actually is dying still and is just being slow about it because I SWEAR TO GOD

what does this mean??

so what you’re trying to say is you all have NO FUCKING IDEA how long Deku’s gonna be able to hold this quirk before he SUDDENLY DROPS DEAD?! five generations ago this dude was able to hold it for eighteen years, and then four generations later All Might was able to hold it for thirty-odd years or so, and now Deku has it and you all have no clue which way it’s gonna go? actually this makes it sound like it really wasn’t OFA that killed the Fourth at all and you guys are just really bad at forming hypotheses. but since you’re making a big plot point out of it I guess it must be true

and don’t think I didn’t notice the part where you said you didn’t have OFA very long and then “died while fighting”, Firsto. I want to hear more about that. specifically who you passed the quirk onto before your death

and yes, if we are agreeing that OFA was the cause of the Fourth’s death, then the conclusion on this next page is the natural one to draw

so that’s a bit of a relief then, because Deku is quirkless too. so it means he won’t be able to hold OFA forever (and will probably have to find another quirkless person to pass it on to), but at least he won’t be randomly dying out of the blue next Tuesday or something

oh my god now he’s talking about OFA and AFO and user consciousnesses and all sorts of good theory stuff but it’s so much exposition. you’re really gonna make me read all this lol

wait what. why would All Might being quirkless have anything to do with the presence of his vestige in OFA Outer Space Party Land

but Deku is also quirkless and he’s clearly visible and chatting with you guys. so what gives. like how much of this is verified fact and how much of it is you guys just shrugging and making stuff up lol

SERIOUSLY, GUYS

BUT DEKU IS ALSO -- you know what, never mind sob. none of this shit makes any sense but whatever

(ETA: seriously, this all seems like an awful lot of speculation on their part. for Deku’s sake I sure hope they’re right.)

FSSKDJFLSKLKJLKJL ALL MIGHT IS FIFTY-FIVE?!

lol that’s a full ten years past my closest estimate, wow. but this pretty much confirms his age now at last! or at least confirms it within a couple of years, because we know All Might and Nana met when he was in middle school, and he presumably had the quirk by the time he took the U.A. entrance exam. so yeah. gonna go with fifty-five

so they think that because All Might was quirkless, OFA was better able to adapt to his body and became his true quirk, as opposed to being an extra quirk that stacked on top of the one he already had and overwhelmed him. ties in back to the whole “AFO used to bend people to his will by forcing quirks on them” thing, as well as the “Noumus are all mindless because of the strain of having multiple quirks”

Two and Three are really ruining the serious vibe of this scene here lol

they look like they’re doing the counting for hide and seek

and is this Deku talking now? I was about to get mad at First for implying that quirkless people are somehow freaks, as opposed to “normal” people jdslk

so in other words, don’t go giving it to your best friend all casually for shits and giggles, Deku. even if it would make a really cool climax for a movie. well shit. maybe that’s why they were so quick to nope back into Deku’s body afterward

so First says that because quirkless people are becoming rarer and rarer, the fact that All Might just happened to stumble upon Deku is “nothing short of a miracle.” which, yeah, that was definitely a stroke of luck there. being quirkless saved his life. but being quirkless is also part of why he was chosen in the first place, and we’ve always known that much

“in other words, kiddo...”

looks like there was some hurried clone stamp usage going on here lol. but props to RHA as always for putting this scan out so fast, especially given how exposition-heavy this week’s chapter has been

“anyways, that was the main topic” ARE YOU SERIOUS. there are like ten other topics imma need you all to get to here, people

(ETA: seems like this is a mistranslation; the line should actually read something more along the lines of “and now for the main topic.”)

FFFFFFFFF

“ENJOY YOUR CLIFFHANGER THIS WEEK.” dskfalkjlkjwlgkjl you really went and dumped this discourse on us yet again. fucking...

(ETA: forgot to mention, but as several people mentioned, this seems to be another mistranslation -- rather than asking Deku to kill Tomura as though it’s doing her a personal favor, Nana is asking “will you be able to do it.” in other words more of an “are you capable of doing it” type of thing. which is a very reasonable question to ask given that Deku is, well, Deku.)

anyways, and the answer is obviously going to be “no” of course. this isn’t going to end any differently than when the previous Avatars all told Aang to kill Ozai. but I guess it means we’re in for a fun conversation next week

so Nana looks pretty grim here though (nothing at all like the person who once taught All Might the importance of saving people with a smile), and I’m wondering if this means she believes that her grandson is already beyond saving. as in killing him would be a mercy, as opposed to him continuing to live with AFO bending his mind and body to his will. except if that is the case, I think she’s underestimating Tomura’s own will. and definitely underestimating Deku’s will to save

and also, just... I’m so fucking sick of AFO screwing the Shimura family over, honestly. this is exactly what he wanted. well fuck you, guy. you don’t get to have what you want. go out there and save Tomura, Deku. for his sake and for Nana’s. give them some hope. do your thing, boy. can’t wait for your big speech all about it next chapter lol

#bnha 304 #midoriya izuku #all might #ofa prime #ofa iv #idk what his name is I forgot it already lol #the actual forty-year-old man #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #ofa the first

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feelingofcontent · 3 years ago

Text

DNP Rewatch: Internet Support Group 9

Date video was published: 03/16/2017 (X)

DNP Main Channel Rewatch: 337

Internet Support Group time! The last one had been back in August 2016, so sticking with his pattern of approximately every 6 months.

0:00 - the first curly-haired ISG! and this is the same white shirt as from the last one

0:14 - “distract myself from my internal free fall” I do think Dan was struggling a bit with what kind of content he wanted to make at this point

0:35 - no alcohol in this one! after the last one had the most out of all of them

0:48 - “out with crying for help with the relatable sad jokes” ...um. still not sure we’re there

1:03 - “let’s get wet” ...sure 😳

1:15 - ah yes. that theme. yikes.

1:52 - he really is starting off with some wholesome and encouraging messaging

2:14 - the annotation here is a funny (at least at this point before things got even scarier)

2:22 - wtf. Dan is just disappointed

2:32 - and now he is horrified. glad he chose to blur that picture 😱

2:55 - don’t think he’s every read a spam email in one of these for a joke before

3:21 - that is commitment for your sister

3:31 - Dan does talk pretty fast when he gets going on something. DNP have both always tried to have captions available, which is great

3:56 - I knew that “same” was coming

4:29 - that is an intense email.

4:46 - “parents are just people that had sex” ...I mean yeah

5:05 - “and actors” there is a personal one to Dan

5:25 - YOI reference and also a terrible pun

5:49 - yeah that would be highly embarrassing. also this is a great Dan face

6:05 - Dan commenting on how bad his own accent attempt was 😂

6:41 - little Winnie the Pooh reference and editing insert there

6:50 - oooo, I don’t know about this...even if the guy does have a crush, following is not okay. although the song thing is also a weird idea

7:17 - “an experienced boy like yourself”...“you can interpret that in a bunch of different ways, and frankly, all of them would be true” um...that was somehow vague and a lot of information at once

7:25 - dating for three years at age 14?!

8:08 - yeah this is just...a thing about being young

8:29 - “nooooo” to that greeting

8:35 - yikers. noooooooooo...

8:59 - Dan just making it worse somehow

9:13 - NO THANKS. very creepy

9:39 - I mean...yeah that’s bad. not sure about asking Dan for a name idea though

9:49 - I feel like he cut off a sentence after “deserve” there for some reason

10:00 - so as in “time to survive another” Day

10:27 - his hands literally take up that entire laptop keyboard

10:31 - sending that in morse code so it actually gets looked at...creative

10:53 - yep, Dan using “creative” in this situation too. and of course after this video he got a lot more...

11:11 - “this does reflect the world that we live in” yikes indeed

11:27 - so much rhyming, lol

11:47 - wtf did he say that he had to edit over?! (oh, he told someone on Twitter that he accidentally said “description”)

This ISG is just okay. I thought the last few were a bit funnier and had better questions and advice too.

#dan and phil #dnp #dnpRewatch #daniel howell #danisnotonfire #dan howell #daniel howell videos #Internet Support Group 9

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scuttling · 3 years ago

Text

Newbie

Fandom: Criminal Minds Pairing: Aaron Hotchner/Latina OFC Sophie Cortes Word Count: 3,786 Tags: SFW, Pre-relationship, Self-confidence issues, Canon-typical violence Summary: On Sophie’s first day at the BAU, she gets nervous. On Sophie’s second day at the BAU, they get a case. Collection: Sophie Cortes timeline, 0-6 Months at the BAU (See Masterlist for reading order) Link to A03 or read below! On Sophie’s first day at the BAU, she’s a little bit nervous—change your outfit three times, run your Keurig with no cup underneath, hair up? hair down? hair up? nervous—so she takes a deep, steadying breath before pushing open the glass double doors that lead to the bullpen.

She took cues about attire from other people she saw the day of her interview, so today she is wearing a simple black and white dress with pumps and gold jewelry, and she feels she fits in, but she gets more than a few curious looks when she enters.

Her instructions are to report to Agent Hotchner’s office first thing, but she is stopped on her way there by a tall, handsome, impeccably dressed man with a frankly gorgeous smile. He’s Black, with a shaved head and a great voice, and suddenly she doesn’t mind the interference.

“Hi, I’m Derek Morgan. You’re Sophia Cortes, right? Hotch mentioned you were starting today.” She smiles warmly.

“Yes, pleasure to meet you. You can call me Sophie,” she says, reaching out a hand for a shake. “Agent Hotchner told me you’re from Chicago, and so am I. Please say you aren’t a White Sox fan.” His smile becomes even brighter, if possible. She might be halfway in love with him already.

“God, no. If you want to watch good baseball, it’s the Cubs all the way.” She laughs lightly, happy to have a little rapport with a new colleague so soon.

“I’m glad to hear it.”

“I’m glad there’s a little more color in the office now,” he jokes, and she understands where he’s coming from completely. It’s bad enough to be the only woman in the room, sometimes, but when she’s also the only person of color, she feels… inadequate, somehow. Like she has to work twice as hard to be seen, even though she literally stands out among her peers.

A blonde woman with a fair complexion and pretty, almost doll-like facial features steps up behind him, and he looks over, introduces her.

“Sophie Cortes, this is Jennifer Jareau, our Communications Director.”

“Everyone calls me JJ,” she says with a smile and a handshake.

“Nice to meet you. If you’re the Communications Director, you’ve got the toughest job in the unit, then.” JJ looks surprised, then nods her head.

“Absolutely, but don’t tell them that. They’d never believe you,” she says with a playful shove of Derek’s shoulder. “Don’t let being a profiler go to your head like this guy.”

“Who, me? I’m as down to earth as the next devastatingly handsome guy.”

“Yeah, right,” a voice says from her right, and Sophie turns to see a woman approaching them with pale skin and dark hair, bangs, a kind smile. “We love you and all, but you’re a little cocky.”

“Is it being cocky when I’m that good, though?” he asks with a wink, and Sophie already feels more at ease just hearing them talk with each other. She can get acclimated to anything when the environment is right. “This is my partner, Emily Prentiss. Prentiss, this is Sophie Cortes. The new newbie.” She sets down her bag, heads over to shake hands.

“Nice to meet you, Sophie. Love the dress.” Sophie thanks her for the compliment. “I appreciate you taking the newbie title from me; fair warning, you’ll probably be here for five years before they stop calling you that.”

“Ah, I’ve been called worse, I’ll take it.” She glances around their workspace, looks up to Derek. “Is my partner here? Dr. Reid, right?”

“Oh, he texted, said his train is running late,” JJ explains. “He’s really excited to meet you, though, so don’t mind if he’s a little… overwhelming, when he does get here.”

“You’ll fall in love with the kid, everyone does,” Derek explains, and it makes her heart feel warm. This is definitely a team she wants to be a part of. “But he can be intense.”

“I appreciate the heads up.” Before she can say any more, Agent Hotchner descends the stairs, heads toward them.

“Good morning. I can see the team has taken the liberty of introducing themselves.”

“Hello again, Agent Hotchner.” Sophie shakes his hand, and he smiles softly.

“Hotch, please. You can put your things in that desk and I’ll give you a tour, if you’d like.”

“Sure, sounds great.” The team shares a brief look, but she doesn’t know them well enough to comment, just stows her belongings and follows the unit chief. “The team was very welcoming. They seem really tight knit,” she comments as they leave the bullpen, and he looks at her, nods.

“When you spend as much time together as we do, traveling as we do, it’s inevitable. Was it not that way in Intelligence?”

“You couldn’t get those people to sit down to dinner together, let alone tease one another. They’d probably bite each other’s heads off.” They worked well together, but in private the environment could be pretty toxic. She knows Unit Chief Roberts wouldn’t have put up with it if the team didn’t get such good results.

“I can see how this environment might seem a little strange, then,” he says, opening the door for her. They take the elevator.

“Strange, but good. It reminds me of when I was a cop, and I’ve missed that kind of camaraderie.”

“Well I’m glad you felt welcomed. We really are happy to have you.” They approach a closed door which he raps on lightly; the woman who answers has a bright smile and an even brighter outfit, lime green and navy blue, with matching accessories, including green glasses. She makes Sophie feel very… plain.

“Oh, hi!” the woman says, and her grin gets bigger. “Wow, you’re beautiful.” Sophie laughs, a little taken aback, and Hotch sighs lightly like he’s used to the odd behavior. It’s all very endearing.

“This is Penelope Garcia, our technical analyst. Garcia, this is Sophia Cortes, our new profiler.” She reaches out a hand.

“It’s nice to meet you. You can call me Sophie, or Cortes, whichever you prefer. And you’re beautiful, too. I love your style.”

“Thank you; I can tell we’re going to be fast friends. You’ll have me on speed dial,” she says, walking to her desk and jotting something down on a pink Post-It. “If you need something researched, narrowed down, blown up, compared, etc, I’m your girl.” She hands her the note—her direct line—and smiles. “I’m sure you have much more to see, but don’t be a stranger!”

Something tells Sophie she won’t be.

He shows her all around the office—copiers, the breakroom, supply closets, restrooms—and they end up in the briefing room, the last two to walk in.

“You remember Gideon,” Hotch says, and the man nods a greeting. Still as personable as ever, she thinks. “And this is your partner, Dr. Spencer Reid.” She’s not surprised by his age—she read some articles about him once she had his name, knows they call him ‘boy genius’ quite literally—but she is a little thrown by his nervous smile, his dark eyes, his untidy flop of brown hair. Derek wasn’t kidding when he called him kid; he looks like he belongs at an after school chess club meeting, or something.

He’s adorable. Like a puppy. She immediately wants to keep him. She smiles wide.

“Sophia Cortes, but you can call me Sophie, if you like.” He stands, and they shake hands. “It’s a pleasure to meet you, I’ve heard all about you.”

“It’s nice to meet you, too. I hear you’re from Chicago. Did you know Chicago is home to 2,716,450 residents living in over 100 neighborhoods?” She smiles wider.

“Yeah, with 600 parks, 500 playgrounds, 29 beaches, and 26 miles of open lakefront. It’s beautiful. Have you been?”

“We worked a case there, once. I didn’t get to see any parks or beaches.” He makes a frowning kind of face and she laughs softly, takes the seat Hotch offers her.

“Well you’re young, there’s time.”

“Now that we’re all caught up on introductions, we can get started,” Hotch states, and Sophie’s first morning meeting begins.

It’s a little boring, as far as first days go, but she doesn’t mind. She has access to her computer, gets it set up the way she wants, finds out from the team where all the best places are nearby for coffee or drinks or lunch. She meets with the section chief for introductions, goes over some policies with Hotch—who, she was right, is definitely funnier and more thoughtful than he must let on. He probably feels like he has to act a certain way, because he’s the boss, but she likes pulling the human out of him, makes it a personal mission going forward to make him smile.

He’s too handsome not to smile. On Sophie’s second day at the BAU, they get a case.

“I usually like to let new profilers get acclimated to the team before going into the field,” Hotch tells her as they board the plane, “but it didn’t make sense to keep you in Quantico. Are you sure you’re up for it?”

“Of course. That’s why I’m here, I want to help.” She stows her bag overhead. “I’ll observe, give my input when I have it, follow everyone’s lead.”

“Sounds good. You know you can come to any of us if you have questions.”

“I know. Thank you.”

They do a deeper debrief on the plane—three women have been murdered, all in their mid 30’s, athletic and blonde, last seen dropping their children off at school—and Sophie is tasked with going to the most recent crime scene with Hotch and Prentiss.

“What can you tell about him so far?” Hotch asks her while the detective on the case speaks with Prentiss about some details of the scene. She glances around the room, takes it all in.

“Well, there’s blood everywhere. Serious overkill each time. He either knew the victims, or has a deep-seated hatred for a woman they remind him of; my money is on is the latter.” She looks through the kitchen, at the bloody footprints that lead to the back door. “Tracked blood all through the house, left the back door open. He’s disorganized. He may have seen them at the school and planned to follow them home, but he didn’t do any pre-surveillance on them. Something about these women triggers him and he acts within the hour.”

“Would you call it a crime of passion, then?” She looks over, curious, then realizes he’s testing her.

“No. A crime of passion indicates some level of culpability by the victim. Provocation. These women are just in the wrong place at the wrong time with the wrong face.” He nods, satisfied with her answer.

“So how do we think he’s finding the victims?”

“He could have a child under his care who goes to that school, or he could live near the school, work there. He could work the night shift somewhere else and pass the school on his way home. I think it’s too early to narrow that down.”

“Any idea what weapon he used?”

“We would have to really examine the cast off to be certain, but my guess would be… a hammer, or some other small, blunt tool. This wasn’t done by a baseball bat or a shovel or something larger. We can also get an estimated height and weight of the unsub if we chart the area void of blood here,” she adds, pointing to a bare spot on the wall with blood droplets above and around it. “I’m guessing we’ll send the photos to Garcia for analysis.”

“That’s right. I agree with your assessment,” he begins, but she senses hesitation.

“But?” He looks over at her, thoughtful.

“We’re missing something.”

“We are, or I am?” she asks for clarification, and he smiles just slightly.

“We are.” She takes that as a good sign, walks another loop around the room for something they would have overlooked, and she brightens when she thinks she’s discovered it.

“Her purse is still here, cash, credit cards. Her jewelry was still on her body when she was found. But does it look to you like something’s missing from the entryway table?” She points to it, and it’s very ordinary: a calendar, a bowl for change, hooks for keys, a couple of photographs—with a notable blank space in the middle. “Maybe a photo?”

“We should ask the husband if he knows what was there. Good work,” he tells her, and he heads off in the direction of the husband; she follows close behind.

Back at the precinct, the team fills each other in on what they’ve learned.

“So our unsub killed each of these women with a ball-peen hammer, striking 8-10 times. Blood spatter analysis puts him at about 5’11”, 6’0” tall, around 275 pounds. The photo taken from the third victim’s house was of the victim and her 7-year-old son Josh; similar photos were taken from the other two homes—photos of mother and son.” Prentiss tacks copies of the three missing photos to the board.

“Sounds like maybe the woman they remind him of is his mother,” Reid states.

“That’s what we’re going with. We’re still not sure how he finds his victims, though,” Prentiss mentions, and Sophie takes a breath, hesitates.

“Do you have something?” Morgan asks and she shrugs, unsure.

“Maybe? One of the theories we threw out there was that he works overnight and drives past the school on his way home from work, when the kids are being dropped off. If he killed them with a ball-peen hammer, maybe we should look for machine shops in the area with overnight shifts? Those are typically used in metalworking, not construction.” She feels like all eyes are on her, and it makes her nervous. “That could be completely irrelevant, it’s just a thought.”

“It’s a good thought; I’ll have Garcia pull us a list, we can split up and pass around the description, see if our guy is a metal worker. Good call, newbie.” Morgan leaves to take the call, and JJ leans over with a smile.

“Don’t second guess yourself. You’re doing great so far. Theories are important, even if they’re wrong.” Sophie returns the expression, nods.

“Thanks. I’ve just gotta get used to the collaborative environment; haven’t been in one of those in a while.”

“You’d never know it. You’re fitting right in.” She takes it as a compliment, is happy to be of some use to the investigation and not just getting in the way.

The rest of the day is pretty quiet; they test out a few other possible theories, deliver the profile to the late shift, plan to hit the school early in the morning to look for potential suspects and to pass around the description to see if anyone meets it who works there, or lives nearby.

She goes to the school with Reid and JJ, speaks to teachers, janitorial staff, but none of them know a man like the one they’re looking for. She meets up with the others, who were speaking to parents, after about an hour of questioning, but they also come up blank.

“We’ve still got your machine shop theory,” Reid says as they drive back to the precinct. “The others should be done with those soon, so there’s still a chance we can find this guy today.” JJ’s phone rings, and she answers on the car bluetooth.

“JJ, there’s been another attack,” Prentiss says. “1419 5th Street—you guys are closer. Can you head over?”

“We’re on the way,” JJ answers, turning right, and Reid looks thoughtful.

“An attack? She’s not dead?”

“No. Not yet, at least. She’s being rushed to the hospital; her husband was home, caught the attacker in the middle of it all.”

“Did he get a good look at the unsub?” JJ asks.

“He’s with a sketch artist now. Hotch wants you to circulate the sketch ASAP; we think we may have a hit at one of the metal shops, if you can send it to me, too.”

“You got it.” She ends the call, looks at Sophie through the rearview mirror. “Drinks are on you tonight, newbie,” she says playfully, and Sophie can’t help but laugh. She had been so intimidated by the thought of joining the BAU, and she’s glad to see she’s useful, can actually help make a difference. It’s a feeling she won’t forget for a while.

Later that night, when they plan to try to catch the unsub before he leaves for work, she deflates, a little.

Hotch, Morgan, Prentiss, and Reid are going to breach the unsub’s house while JJ covers the front door and Sophie covers the back. She had assumed she would get to be part of the team going in, with her tactical background, and immediately thinks the worst, that they’re happy to have her brain, but that her body is a hindrance. Too short, too weak… it’s how she’s been treated her whole life, and she hates to think that she’s being dismissed here so soon for the same reasons. She tries not to let it show, but she dwells on it, a little, lets it get her down even though she knows she shouldn’t.

She snaps out of it when there’s movement on the back porch, a hulking, shadowy figure in the darkness.

“I’ve got him coming out of the back,” she whispers into her comms, and she draws her gun and points it at the unsub. “Stop, FBI!” The guy turns to face her—he fits the sketch to a tee, a real mountain of a man as the blood spatter analysis suggested—takes one good look, and goes running in the other direction.

Alright, so, he’s clearly not impressed. She can work with that.

“He’s running, I’m in pursuit.” She holsters her weapon and her boots pound the grass as she books it his way. The good thing about being so much smaller than him is that she’s much faster, catches up to him fairly easily, and again, she shouts for him to stop, which, of course, he doesn’t.

Her first thought is that she’s got to get this guy on the ground no matter what—this isn’t a shoplifter or something, he’s wanted for murdering three women and attempting to murder a fourth, so a little force is okay if necessary, and judging by his build, it’s going to be necessary.

Her second thought is, if I can’t catch him, I don’t deserve to be here. And that’s the one that makes the decision for her.

She leaps onto his back, grabs fistfuls of his shirt, and shakes him forward, backward, forward again, trying to throw off his balance. When he starts to wobble, she slides down his back, hooking a leg around one of his and driving her knee into the bend of his; he goes down, face first, and she reaches behind her for her cuffs, slaps them on his wrists before he has a chance to turn or stand. “Jason Farber, you’re under arrest for three counts of murder and one count of attempted murder.”

“Attempted murder?” he asks, turning his face so he can speak more easily. He seems pretty calm for a runner, maybe just resigned to his fate, and she leans over so she can see him better. He’s breathing fine, uninjured, and just looks pissed. “You mean that overbearing bitch isn’t dead?”

“Yep, sorry to be the one to tell you, Jason, but she’s alive and kicking.” She continues to read him his rights, and is just pulling him to his feet when Morgan and Hotch skid to a stop behind her; if they look surprised… who is she kidding? They look surprised as fuck.

“Damn, Cortes. This guy’s like three of you,” Morgan marvels as she walks him back toward the cars so he can be tossed into the back of a black and white. “Did you make him an offer he couldn’t refuse?” She scoffs at that, and even the unsub snorts in amusement.

“She tackled me. Wasn’t counting on that.”

“I don’t think anybody was,” she admits, getting him into a cop car and shutting the door. She joins the rest of the team, gets a high-five from JJ.

“Hey, score one for the ladies. We never get to do any tackling.”

“She did better than I would have,” Reid admits without shame, and she laughs.

“It’s all in the legs. I lift chains at the gym.” He gives her a look like he’s got no idea what she’s talking about, which almost makes her laugh again. “You do pull-ups, but with chains around your legs.” She demonstrates, squatting and gesturing to her legs like she’s wrapping something around them.

“Okay, you’re the real deal, newbie,” Morgan says when she stands up fully. “Remind me not to run from you unless I want a face full of dirt.” The group breaks apart after that, but Hotch lingers, gives her a meaningful look when she makes eye contact.

“I bet that felt good.” She leans against the side of the SUV, feels a deep conversation coming on.

“It did. I’m stronger than I look, and sometimes it’s fun to be underestimated, but other times it gets really annoying.”

“I can imagine,” he says, nodding, and he mimics her posture. “I just want to make sure you know you don’t have anything to prove. I hired you for a reason.”

“I know. But I don’t like being a one-trick pony, and I’m definitely not waiting around for one of you guys when an unsub is on the move.”

“And I wouldn't expect you to. As for the ‘one-trick pony’ thing, that’s not how I see you at all. You’re extremely well-rounded, and that’s why I wanted you.” His eyes are kind, but penetrating, and she dips her head, nods.

“And that’s why I don’t want to disappoint you.”

“After what you’ve shown me the last two days, I don’t think that’s possible, but I want you to know you can come to me when something’s bothering you. That’s why I’m here.”

“I know. I won’t forget it,” she assures, and he stands fully, cocks an eyebrow in her direction.

“I heard drinks are on you tonight,” he says with a straight face, and she laughs lightly.

“I guess we better get going before they run up the tab, then.”

They walk in companionable silence back to the SUV.

#aaron hotchner fanfic #aaron hotchner #aaron hotchner x original female character #criminal minds fanfic #latina original female character #hotch x original female character #criminal minds #aaron hotchner x reader #aaron hotchner x female reader #hotch x female reader #hotch x reader

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koalatydm · 3 years ago

Text

Hot Brown Morning Potion Podcast Episode 5 - The Deluxe Elf Interview with Devon Giehl and Iain Hendry

Transcription Part 1 of 2 (includes Wonderstorm questions and Kuno's questions)

[Transcriber's Notes: This took me SO LONG to transcribe, like multiple hours and I'm only halfway done... But I will make it through at least this one episode because I want fellow Moonfam enthusiasts to have a text source, not to mention make it easier for deaf/HoH people to follow along. I guess I'll tag @kuno-chan since she said it was OK at the beginning of the podcast, sorry if I'm bothering you!]

KUNO: Hi guys, so I have a personal request for this particular podcast episode if you guys could tweet, post, both at least one piece of information that you learned from this particular episode, that you love, that inspired you, that you thought was cute, whatever. Like, I really—one thing that really tends to happen is that people listen to the podcast and they kinda just go about their day. We don’t actually see the information circulate through the community, which we really try to have creative questions—questions that are fun and explore the characters in different situations. And it would just be really, really cool—it would mean a lot to me to see this actually circulate through the community, actually circulate through the fandom, and see, you know, it would be awesome to see it be inspired—to inspire fan works, fan fiction, fan art, especially fan art. I just—we talked like a solid hour at least—really like a solid hour about Runaan, Rayla, Ethari, that family, um, and Moonshadow elves a lot. We talked a lot about that. And I think this is information that a lot of people really wanted, even if it’s in largely headcanon form. But Devon and Iain were so gracious and we talked so much about that family, and including Ruthari, and of course some Rayllum in there. So if you guys could live tweet, or even just one tweet, at least one tweet. Tag us, tag me, tag Hailey, tag @HotPotion, even if you send it directly to me on Tumblr, that’d be awesome and we’d retweet, reblog all your stuff. It would be good for the podcast and I just really want to see this information circulate through the fandom, so at least one tweet. Alright, um, let’s get to the episode though. Thanks! Hope to see you guys on social media about this.

—————

KUNO: Alright, hey everyone, this is the Hot Brown Morning Potion Podcasts with your hosts Tamika and Hailey, and we are here with Devon Giehl and Iain Hendry, two writers on The Dragon Prince at Wonderstorm, and Devon being actually the recently announced lead writer at Wonderstorm, so say hi everyone!

DEVON: Hi!

IAIN: Hi, this is Iain…

DEVON: Hi, I’m Devon… (laughs)

KUNO: And so we have a ton of stuff to get through today, um, a lot of questions, so—but we’re going to ask Iain and Devon a little bit about themselves first, since I think—I’m not sure if this is the first interview they’ve really had, personally, so uh, Hailey do you want to start—head that?

HAILEY: Um, yeah, sure. Uh, could you tell us about your roles at Wonderstorm?

IAIN: Uh, sure, uh—I’m also a writer at—official title “Senior Writer” at Wonderstorm. I was one of the writing team on the show, not quite as early as Devon, who was basically employee 1 after the founders but um, I joined sort of, end of 2016 when season 1 writing was really starting to get rolling, and was you know part of the process all the way through all the seasons. Uh, and since this—it’s such a small start up company, all the writers take a bunch of other, like, production roles on the show. Like, throughout all three seasons we’ve done, like, continuity notes work, we’ve given feedback on like every step of the production process. And then the other kind of side things we have, like you know, very top secret game that we’re making in here. And like, kind of straddle the line between the show writing and the game so that that’s all kind of on point and feels like it’s in the same universe with the same characters as The Dragon Prince, but ah, can’t say too much about that just yet.

DEVON: Iain does a lot of—a lot of secret work (laughs). Um, yeah as for me, I’m also a writer on The Dragon Prince and my—I was a Senior Writer until very recently, and now I’ve been made into a Lead Writer, which means I just get to flex a lot. Um, but I started in, I think the very, very end of 2015 when Wonderstorm was first getting off the ground as like a tiny, tiny startup. And we were basically four people in a room about, I don’t know, like 20 ft by 10 ft. It was really, really awful—

IAIN: Really smelly.

DEVON: Really smelly, really tiny, like only a skylight for a window, it was great. And I—so I was involved in like the earliest of brainstorming for the show. I helped sort of like put together a lot of the pitch deck when we you know took it around to studios and like, I named like most of the characters—is like my most self-indulgent claim on the show cause I got to do a lot of really silly stuff. Um, but yeah, and then I like help out on a million other fronts at Wonderstorm too because we’re a small company and—yeah, the funny thing about the—the small tasks we have, like you mentioned continuity checks. Um, we often had to make sure that Callum’s backpack and book and Rayla’s bindings were always correct, and that was kind of, the funniest and most intense, like, stage of production ever. Cause you would, you know, watch one shot and then the next shot would come up and Callum’s backpack would have disappeared. So we had to be like, “OK, let’s give Callum backpack back on.”

IAIN: Yeah, and it’s not just for accuracy, but like, the way fandoms operate, like, we just knew if Rayla’s binding reappeared sometime, it wouldn’t be viewed as an error. People would be like “WHAT DID THE KING GET UNKILLED WHAT HAPPENED OVER HERE”.

DEVON: No it was just the—

KUNO: Oh, yeah.

IAIN: Woo!

DEVON: —continuity’s way harder than anyone thinks it is (laughs). It’s a lot.

KUNO: Oh bless you guys for knowing that though cause we—we totally would. Like, think, there was a point I remember saying that they changed Viren’s eye color because they didn’t want too much continuity with Rayla’s eye color and I feel like we were really that close to having a ‘Viren is Rayla’s real father’ issue. We really were. Somebody had to have thought about that issue (laughs).

DEVON: I actually think there is—there’s still at least one shot in the show where Viren has the wrong eye color and if you can find it, congratulations (laughter in background). That’s where we missed—missed it. So it’s in there somewhere.

KUNO: Xadia CSI (IAIN laughs). So you two are married, um, can you tell us what it’s like being married writing partners?

IAIN: You wanna go?

DEVON: Um, yeah, I mean it’s—we actually knew each other professionally before we dated, so it wasn’t like we—it’s sort of like, it was easy for us to—to remain work partners because that was how we existed in the first place. Like I met Iain when I interviewed him for a job and I—he was great (IAIN laughs), he was fun, he was all right.

IAIN: Apparently I passed.

DEVON: But um, so yeah we had a professional relationship before we had a dating—‘dating’ relationship. Um, so it’s strange because a lot of people will say like, “Oh, that’s probably terrible. You probably, like, become absolutely sick of each other” but somehow we’ve managed to—to have like, two relationship patterns where when we’re at work and we’re working on writing stuff we have this very professional thing going on and then at home, we’re just married idiots and we have a lot of fun. So like, I don’t know, I’m never tired of you, personally.

IAIN: No, (DEVON laughs) yeah I mean when we’re writing it’s generally like, Devon’s the one on the keys uh, you know, putting the words in and so on, and it will kind of bounce back and forth between like, I’ll have the idea for the—how the scene should flow and I’ll kinda narrate bits and then we’ll go back and smooth things over. But I mean, I could imagine that with some people it would get tense, but I think Devon and I, we’re just absolutely the most comfortable with each other and neither of us takes it personally when it’s like, “that line that you pitched isn’t working” or “this joke could be funnier”, anything like that.

DEVON: It’s usually Iain who’s—cause I usually type cause I type really too fast.

IAIN: She’s really too proud of her typing (laughs).

DEVON: I type super fast, it’s my only real talent, but—like I’ll just sort of go off on some sort of like incredibly unnecessary, long description of something and Iain will sort of let me get about like four or five lines into this unnecessary nonsense and he’ll just sort start going like, “OK so like, do we really—do we need that? I mean, you know, could we sort of parse this down a little, a little less, a little less”. And then I, just like, “Ugh, fine” (laughs).

IAIN: But um, every word she writes is great.

DEVON: Mmm (skeptically)

IAIN: It’s perfect.

DEVON: Completely not true. Also in our scripts I think like—

KUNO: Aw.

DEVON: —in terms of the way that we work professionally, I think like a lot of my strengths are in—in really almost self indulgent levels of drama and he can kind of pull me back from being too indulgent on those fronts. And then I think that Iain is objectively absurdly funny and so when you kind of look at our episodes usually everything that’s pretty funny and lighthearted and like the sense of levity often comes from you and then if there’s anything that just feels really painfully sad it’s probably me?

IAIN: I’m the funny one.

DEVON: (laughs) It’s true.

KUNO: Aw, I feel such a connection to you Devon, because I’m actually, episode 3 was actually one of my favorite ones because I love all that like domestic stuff. I love just kind of like—oh, I don’t know what you call the trope, like a safe house trope where you go somewhere, you’re still kind of in the adventure but we’re in a space right now, a narrative space where people are safe, if that makes any sense. Like you—if you’ve ever seen How To Train Your Dragon, like (T/N I don’t know what was said here, sorry!), the base is the safe place, that kind of thing. So, I totally get that, I actually see—episode 3 was one of my favorites outside of pretty much every episode where Rayllum was a thing. (laughter from multiple people)

HAILEY: The whole season basically (laughs).

KUNO: Pretty much the whole season, um. I think there was one more question about two.

HAILEY: Yeah sooo.

KUNO: Before we get to the elves.

HAILEY: Yeah, definitely. Uh so it was mentioned that you’re now lead writer, Devon, and can you tell a little bit more about what that entails if you can, and how that’s been going?

DEVON: Yeah, I mean… I actually don’t know what I can say about it, um… I think it—it means that uh, for future Dragon Prince stuff I’ll sort of like take a bit more of an active role in leading the—the development and the storylines and things like that. It also means that from a company perspective um I’ve been kind of involved in some other side stuff that Wonderstorm is quietly looking into developing and um I help a lot with other IPs that we would love to make a real thing someday and that’s kind of all I can say about it I think or I’ll get in trouble.

HAILEY: All right, that’s great, that’s good to know, thank you.

KUNO: The Dragon Prince 2 (laughter from multiple people). I’m totally joking everyone that’s not a thing so don’t take that for—

HAILEY: Wow.

KUNO: I’m joking.

IAIN: Two dragons.

DEVON: The Dragon 2 Prince.

KUNO: Yeah. OK also if there’s anything that you guys say that you want redacted this is probably not going up for another week because I have to get our reaction episode out. So anything you guys think about that you’re like, “Maybe I shouldn’t have said that” just message us and we’ll redact that. Yeah, cause we know that—

HAILEY: Or just say it. Just tell us, like, what’s—

DEVON: Hopefully we have some self-control but—

KUNO: Okay, so we are going to get really indulgent here and I think this is going to be really in Devon’s wheelhouse. We have a lot of questions and a bunch of the scenarios so try to get through as much of it as possible. Um so the first question is can you tell us more about the Silvergrove? What is the government system like in Silvergrove? Who runs it? If you could tell us that is that the only—at least like the leadership role? Um, is that the only Moonshadow elf village? And also do they actually get any real daylight because I noticed when the illusion thing happened it just got shady and I’m like, “They might be taking this Moonshadow thing too far”. Like the elves—do they really like that much? So like tell us about the Silvergrove and where Rayla grew up.

IAIN: So I guess it’s probably worth just starting off with a kind of blanket like, ‘if it hasn’t been in the show, we can’t say it’s 100% fact. A lot of this is just gonna be what kind of we thought, rough shape of things happen in our heads—‘

KUNO: Yeah, absolutely.

IAIN: —going into the writing and so on. So you know, don’t come after me with any, uh, fandom lawyers, anyone. But um yeah, I guess like it’s sort of—it’s most useful for us to think about it in comparison to how the Sunfire elves, like clearly they have very structured society. They have a queen, obviously, and they have large cities and so on whereas we think Moonshadow elves live in, as you saw, much smaller communities. And I think the Silvergrove is not the only one of those, it might be one of the better known ones where clearly the best assassins come from. But uh, I think are other ones out there, um, and maybe even Moonshadow elf people do not know where all the other ones are. Obviously the Silvergrove is hidden and maybe they don’t even have access to all the other ones. So I think there’s a sort of community run vibe to things. I think you know when they decided to—to ghost Rayla, and before that Rayla’s parents, I think that was probably a ‘let’s all come to a consensus before we make a decision about something like this’. I think, Devon, if you want to talk about the kind of like sunlight vibes things, because that was a big part of your driving force behind how this episode looked and felt.

DEVON: Um… well… first, I will say that it was potentially from the top down a complicated visual decision to have episode 3 take place in a Moonshadow elf shady forest grove and also the kingdom of sunlight.

IAIN: Yup.

DEVON: It created a couple production problems in terms of like the way we wanted the Silvergrove to look was very like evening themed and cool colors and you know shaded. And I had this really sort of self indulgent thing where I really wanted it to be as close to night time as possible and yet the story line in Lux Aurea was clearly taking place in the middle of the day. So we came to this sort of compromise that you know it is technically daytime through the whole day and there is enough tree cover that it’s already pretty shadowy but also I think there is some magic at play that’s sort of like generally um shrouds the whole thing in more of like a night time vibe. And my inspiration for that was I’m a big World of Warcraft player, or was I don’t super play a ton anymore but I really loved Ashenvale and some of the night elf regions and they had that similar thing that no matter what time of day it was it always felt like at least dusk or like this sort of like ever—ever shaded feeling. And I indulgently kind of wanted that to be where Rayla came from. So that’s what that’s about.

IAIN: Yeah and I think they’re magical beings. They don’t need vitamin D from the sunlight or anything like that. They’re totally fine if they just get moonlight every so often.

DEVON: But yeah, don’t write a script that has, you know, moon themed place and sun themed place at the same time. It was a… questionable choice (laughs). But I think it turned out—

KUNO: Yeah, ‘cause I was wondering—I was wondering—I was like “Okay” because a lot of the stuff you run through—you run the okay, if I were to write a fanfiction how do I use this. So it’s like, do they just never like—if they like—if Callum were to say live in the Silvergrove would he just have to get used to the fact that like it’s just never totally bright daylight or unless you leave the Silvergrove in the forest, uh, and like—that type of—is that what’s kind of like going on, they just like their shade?

DEVON: I think they like their shade. It’s like Scotland in the winter.

IAIN: Oh yeah, except we all get miserable by around about February when we haven’t seen sunlight in several months. But um yeah, I think it’s kind of like yeah, a combination of ‘oooh, magic’ and also just extremely, like, thick tree cover in the deepest parts of the forest. But I don’t think you have to travel too far. But uh, I think there’s a reason why everyone in that town was a Moonshadow elf and there were no Sunfire elves or random humans just like, chilling and living there. I think only the most goth of kids would be able to live in the Silvergrove without going a little bit mad.

DEVON: I mean you only have to go as far as the adoraburr field which clearly still gets a significant amount of daylight.

IAIN: Yeah.

KUNO: And you said there’s not really like a leader. They do as a community, but is there anyone that like makes decisions, like is there anybody that like if they were to go to somebody, like if they have like village leadership decisions. And obviously, um, blanket statement that all this we assume is kind a little bit of headcanon so it doesn’t have to be like for gospel, but you know for purposes of writing stuff.

DEVON: Um the way I thought about it—well, to back up a tiny bit, there was actually a version of the story where there might have—this was super, super early on, we were thinking about how the story might play out and we talked about there being potentially another Moonshadow elf leader type character that they would meet who, you know, was the one who ultimately called for the Ghosting decision. But that didn’t really fit the sort of, like, very personal nature of the story we wanted to play out with Rayla specifically. Um but thinking about that and the way that we were, you know, trying to shape it—I would imagine that like the assassins are sort of like a specific group that live in the Silvergrove which is otherwise—it’s not all assassins, like, not everybody there is an assassin. And I think that means that like you know Runaan was the leader of the assassins so he might consult with the leader of the blacksmiths who may be someone over Ethari but maybe it’s him now who might consult with the other general leaders—I don’t know. Like I think it’s more of a counsel of different groups than one single authority. It just seems like that would be a better fit for Moonshadow elves than the sort of like very, very strong-army, structured, high-and-mighty feeling that the Sunfire elves have, so, does that make sense?

KUNO: That totally makes sense, a little bit like an oligarchy, I think I had the idea that like they sound like they like a counsel. Like it sounds like a elven conciliatory.

DEVON: Yeah I think like someone might say, like obviously something horrible has happened and Rayla is exactly the person we thought she was. I’m calling for a—a ghost vote. And then you know—

IAIN: With a cooler name than that.

DEVON: No I think it’s canonically, I’m sorry—

IAIN: Ghost vote?

DEVON: The canon is “ghost vote” now.

IAIN: Okay.

DEVON: But yeah, they would all sort of like weight in kind of like a town hall scenario about of like why this is obviously the correct call and they would all sort of like have to come to some sort of agreement about what to do versus the Sunfire queen just being like “mph, time for the light, light decides!”

IAIN: Yeah.

KUNO: Okay um the next question being almost a little on that, does Ethari regret, um, what does he—does Ethari regret doing the banishing spell now that he knows the truth about Rayla?

DEVON: Oh absolutely 100%. But I don’t think he would have the power to—to reverse it. Like I think he could do a quick charm to help reverse it in the moment just to speak with her but ultimately it would take a lot for him to undo it and I’m not—we haven’t talked about what he’ll get up to in the meantime, but I don’t know he would be able to pursue it so directly—I’d have to talk about it, I think it would be an interesting side thought to think about how he might pursue redeeming her in the eyes of her people knowing what he knows, but—

IAIN: Yeah I think given that we said it would take everyone to do it collectively and make an agreed decision it would similarly everyone would have to understand the truth and go back on it and ‘oh I saw her one time and she said she didn’t do anything wrong probably isn’t enough to overturn that. But yeah I think he probably felt some regret even at the moment, but you know he’s in some of the worst grief of his entire life and he’s not going to make perfect rational decisions. And I’ve seen you know some people were slightly upset that he got so angry with Rayla in the moment of seeing her but I think like when you first see the person that you’ve tried to convince yourself sort of took the most important person in your life away from you, you’re gonna feel a big mess of feelings and it will bring up some grief that maybe you thought you were just—just starting to get over, so ah. Yeah I think hopefully he can turn that around in the years to come but they’ve all had a rough time. They’re at war. It sucks (DEVON laughs). Don’t go to war, kids.

KUNO: Hailey did you want to ask the next one or did you want me to?

HAILEY: Sure I can ask it. Could you—so I mean—you mentioned a stuff—a couple things about their government system and whatnot, but is there anything else you could tell us about Moonshadow culture, like what their day to day is like, and what it means to be a Moonshadow elf?

DEVON: Um I do think that a lot of the fandom I’ve been pleased to see has picked up on this sort of idea of a fairly rigid culture and you know there’s a lot of importance placed on things like honor, loyalty, and the ability to commit to things. And um I think that could come off as pretty strict but I actually think it comes from the place of valuing a close knit community. And I think, like, to the idea that we said like they probably have some kind of counsel instead of some single authority kind of ruler. It’s—I think their day to day would be very much going about their business in ways that support each other you know? Like does that make sense? It’s—you go to the blacksmith and he does work for you and it’s friendly and conversational but it’s productive—it’s all very for the good of the community.

IAIN: Yeah I think early on in season 1 even Rayla says that you know they’re not really meant to show their feelings. So I think everyone kind of commits to doing their task for the good of the village and doesn’t gripe about their day to day until something bad happens as the entire series to this point has been driven by. But um yeah I think they uh—they’re just committed to having a good, small, close knit village life and all supporting each other the best they can. And then occasionally the dragon queen tells you to go kill someone and that’s your job so you better go do that without complaining about it.

DEVON: I think we use the words “reclusive yet intimate” in the article we put up about the two moon creatures, the moonstrider and the shadowpaw. And I liked that a lot because I think they’re reclusive in the sense that they’re a little bit shut off from the wider world and they’re um isolationist in their preservation of their own culture but they are very close to each other and that is something that they hold at such an—like a preciousness level but it’s also a bit extreme, like if you betray that in any capacity like obviously they take that very seriously. And so it’s a double edged sword if you will, to have a community that supportive and that close but also your ability to perform all of yourself for the good of that community can be your undoing so—

KUNO: No I actually kinda get that um ‘cause I’m Pacific Islander so I think we’d call that what you’d call a collectivist society where it’s like the needs of the group supercede needs of the individual so I kinda like I—it’s not the extreme I think that they are because they’re very like reclusive but um I kinda live like that in a little bit of way. It’s what I grew up with. So I actually totally get that which might be why I like that so much (multiple people laugh). Um so the next question would be how does the banishing spell work that, um, that was used on Rayla politically and magically? I think we’ve talked a little bit about politically already but magically is—I’m assuming it’s a collective decision or does each person, like, opt in? Like could Ethari have opted out of doing it or did we—did they all have to agree?

DEVON: I think everybody have to agree?

KUNO: And how is it broken?

DEVON: I don’t think you can opt out?

IAIN: Um I think ‘how is it broken’ is something we definitely want to save for—for the future uh we really hope that Rayla manages to undo that. In terms of I think that it’s just culturally ingrained that you wouldn’t opt out. Um I think they would probably just argue forever until they manage to come to an agreement. So I—yeah I don’t think there’s you know half the elves in that village who are seeing Rayla and were like “Oh hey Rayla how’s it going?” I think uh they all came to the collective decision. That’s kind of the political angle. Um sorry, what was the other part? Magically how it works?

KUNO: Yeah? How would you do it?

IAIN: I—again, you know if it’s not in the show it’s not canon, but I sort of inspired by how the entrance spell works where they do a dance and there’s a ritual and I imagine it’s kind of similar. Like I think there’s a lot of that kind of like ritualistic style of magic and it’s kind of like what you see when they put the flowers out onto the water as well. There’s you know a collective dance probably involving a lot more people, a lot more cool intricate runes that happen only with a much more somber mood than the fun, happy times of Callum and Rayla dancing around in the forest. Um so yeah it’s probably—I would imagine it’s probably tied to some whatever the saddest phase of the moon is and that’s when they all get together and really somberly and really sadly uh commit to never seeing this person again. At least that’s the part of the plan. An interesting question that I think could be something that fanfiction writers such as yourself could get into is has any one of these ever been broken before or have they all been pretty sure that they would never need to go back on it? Is that going to be something that Rayla is going to figure out for the first time ever or is there a precedent for this happening. And we don’t have an answer right now but I think that would be a cool story to think about and write.

DEVON: Oh man I love the saddest phase of the moon idea. Imagine if they do it at the new moon because it’s like the moon’s face is hidden forever. Whoo.

IAIN: Whoo.

DEVON: Sad.

KUNO: Maybe we’re birthing things while we’re doing this interview. I actually think it would be like Callum does the Historia Viventum thing and it would be so—cause now I’m just imagining this whole village doing this sad dance which is the Banish Rayla dance essentially. And like that would be so sad for Rayla to witness that just for the drama of seeing her entire village decide to just not see her ever again. And that’s like wow, I’m so sad now.

DEVON: I love sadness.

IAIN: Yeah Callum just crushing a series of Moon Opals to show such a clip show of all of Rayla’s saddest history moments (laughs).

DEVON: Oh god.

IAIN: That’d be great.

DEVON: Thanks Callum.

KUNO: Thanks Callum. Um, she’d love him anyway. But um okay so some of my favorite stuff, what was it like for Rayla when her parents had to leave her to live with Runaan and Ethari and what was that transition like for them all? How old was like Rayla too?

DEVON: This was one that we’ve had a couple different ideas about so this is another one that’s like heavy not quite canon bubble. Like if we actually end up doing a story that involves some of these details it’s likely to change and be slightly different but the versions that I’ve liked have involved her being pretty young. And because honor is such a you know key part of Moonshadow culture I think like overall it was something that she felt you know sad about because she knew that she wasn’t going to be directly seeing her parents very often anymore. And—but it was uh such a huge honor that she felt you know pride in what her parents were being selected to go do. You know, act as Dragonguard and serve as these sort of like honorific, um, warriors that left the collective of the Silvergrove to go represent Moonshadow elves in the service of the Dragon Queen. And I think she had—she grew up being told what an honor that was and how much pride she should have in her parents because that is such a special thing. And then I think like it speaks a lot to how proud she was when she believed that they ran away and abandoned that duty because you know, how could they? If that was their reason for leaving her when she was a child and then they ran away from that job, like, how important could it have really been? And then you know, I’m sure that makes her feel very, very small. It made her feel so hurt that she told Callum at first that they were dead so she took it pretty hard.

KUNO: Yeah.

DEVON: But I think the other thing about it that we’ve sort of kicked around is that like, Runaan and Ethari were Rayla’s parents’ close friends and I think she was familiar with them enough that she didn’t feel like she was being you know left with two strangers. It’s sort of just like, you’re going to be under the care of people who are already very, very close to you and care about you quite a bit.

IAIN: Yeah I think with like Moonshadow elves in general the thing I think about a lot is like the good and evil that comes from suppressing your true emotions to show a different face to the world and I think we see a lot of that in Rayla. Like I think she probably committed pretty hard to Ghosting her parents because she had this like big mess of like sadness that she’d left but at least the soft landing of Runaan and Ethari to live with and so on. But believing like this sadness is worth it because they’re doing something so noble and then the betrayal of that—it just came out in kind of a messy like toxic way, right, where now she’s committed to becoming an assassin at a really young age in a way Ethari doesn’t agree with and so on. But I mean on the other side I think having a strong handle on your emotions is often one of Rayla’s strengths right? Like we saw in episode 5 of this season after she’s going through a whole lot of stuff, both her family situation and this new development with Callum, she’s just able to like operate as a cool badass extremely cool assassin without letting any of that affect her. But you know I think there’s balance in how you handle your feelings and how you externalize them in a good way that people can learn from, but sometimes you gotta—you gotta work (laughs).

KUNO: That makes sense. Oh well yeah I always had this personal headcanon which I kind of like incorporated into my fanfictions where she felt abandoned by her parents so in a way it’s kinda like slightly—kinda like that except it was all those feelings that have been repressed from years and years basically came out when she felt like—like the abandonment came to like the head when she felt like they had left because they had ran away—they kind of like ran away like from her.

DEVON: Oh yeah, absolutely.

KUNO: In a way—their duty to—

DEVON: I think that validates the suppressed feeling, you know.

KUNO: Yeah, since their duty to the Dragonguard was in it’s own way more important and that’s something that was like okay because it was an honor but since they ran away it’s like obviously it was more important in a terrible way, if that makes any sense?

IAIN: Yeah I mean I think it’s like she did her best and she’s trying to be a grown up but it’s hard at a young age to accept that you know there are meant to be higher callings than a bond between parents and children, right? Like that’s hard for her to grasp and she probably didn’t express that openly ever really. But I think it really did help that she had two genuine loving father figures ready to accept her with open arms even if one of them did train her to become the best assassin of her generation, which again I wouldn’t advise to—to most parents out there.

DEVON: I do think like even that was considered, you know, honorable. It was you know, you’re going to—not only are you going to get to live with Runaan and Ethari, like Runaan is the leader of the assassins, or at least maybe at that point in time he wasn’t the leader but he was very up and coming. I don’t know, it could be either or, but that I think was probably something that she fully embraced and fully wanted, like you know, ‘this is my purpose in life, this is my calling, my parents have gone off to do their calling and it’s a great honor for them, and this is my path and what I’m going to do with myself’. And that didn’t end up being true but it was probably a comfort to her at the time.

IAIN: Yeah.

KUNO: That makes a lot of sense. Moving on, okay, this, we’re getting real indulgent now—do you know what Ethari and Runaan’s wedding was like and what are Moonshadow elf weddings are like in general?

DEVON: Um, I have a, so a lot of the dancing stuff is because I have an enormous soft spot for tropes involving cute dances, like, just a huge, huge soft spot. And the thing that comes to mind is, if you’ve seen the movie Prince of Egypt, which is such a weird reference—

KUNO: Yeah, I love that.

DEVON: —the scene where he and the girl, I forget her name, they do the thing—

KUNO: Tzipporah.

DEVON: —with the ribbon and they do the cute little dance with the ribbon. For some reason that’s what I think of when I imagine what a moment in their wedding would look like would be a dance with a ribbon that they sort of use to—you know, Moonshadow elves love ribbons, I guess, but this is a good ribbon! It’s a love ribbon. But anyway, that’s just my idea. I love that specific—that song that, “Through Heaven’s Eyes”, it’s during that sequence but that—

KUNO: Yeah.

DEVON: —would be my go-to inspiration for like, it’s like that and then you know, everybody dances with them because Moonshadow elves like to dance.

IAIN: Yeah, I kind of like the idea of the—there’s a lot of these symbols that are sometimes extremely sinister. I mean I think Ethari even kinda calls this out when he shoots the—the Shadowhawk arrow to inform the queen that her son is in fact alive. But like, Moonshadow elves believe that death and life are not good and evil, they’re mirrors of each other and an important part of the cycle. And you know, the moon has cycles and that’s an important part. So I think thinking about all the rituals and stuff that they have, which initially you’re introduced to as ‘let’s go murder someone party’, like if that was—there was a kind of inverse to that that was a big part of their wedding ceremony I think that would make a lot of sense to Moonshadow elves because this is two people binding their lives together forever. Binding for a shared purpose in a good way and not the grim ‘let’s go kill Prince Ezran’ kind of way.

KUNO: Yeah. Cause naturally this is involving like several ships so I’m like, I had to ask that. And on the piggyback of that, as detailed as possible, can you describe courtship customs for Moonshadow elves?

DEVON: Oh man.

KUNO: I mean like dating—dating customs, like a headcanon even if it’s just headcanons.

IAIN: Devon is deep in thought (laughs).

DEVON: I’ve never—like for some reason the—the headcanons that I’ve thought about are more specific to like, Runaan and Ethari than I’ve really sort of like branched out into thinking about how Moonshadow elves do this in general. So I imagine there’s intended—there’s some formality to it, I would imagine, in that like, because they’re so, you know, purposeful and thoughtful with how they express their feelings if at all, I think it would be, you know, exchange of gifts like small favors and making your purpose known in a way that starts small but has purpose. So I think like, there’s versions where Ethari would put extra detail into the work he was doing for Runaan which you know, could be perceived as a sign of affection or Runaan was coming to Ethari asking him to work on his weapons or metalcraft stuff a little bit more than was necessary and—stuff like that, where it’s a bit stiff and difficult but I think like once—once there is clear reciprocation I think there can be more of an open discussion about it, does that make sense? But I think Runaan probably struggled with this a whole lot, like, ‘cause he’s—did I, it might have been you who I responded to on Twitter but someone asked me something along these lines and I think Runaan had a really hard time even with this first sort of like simple offerings of affection because that’s just him. Like he sort of takes that aspect to an extreme. Like he has a hard time being like “here is the way I wish to express myself in a soft way and not with a—a sharp object. So I think Ethari had an easier time because he’s just more naturally soft (laughs).

IAIN: Yeah I sometimes think that Runaan is the most Moonshadow elf of all Moonshadow elves, but like, you know, it’s—

KUNO: I was gonna say that.

IAIN: Yeah, um, you know when they have such a hard time showing their feelings and they sometimes feel like they’re not supposed to and so on, and so Runaan is trying to pick up on the tiniest possible hints through professional exchanges and so on. And I think when it’s actually time to confess that there’s a feeling there you would, I think especially Runaan would have to be 100% sure and then do it entirely in private, the most private situation possible where there could be no possible spies who could see this if it was going to go wrong because that would just be the end of his entire life, obviously.

DEVON: Yeah he would bind himself to his own death (laughs).

IAIN: Yeah, that’s it. Gonna assassinate myself because I confessed love and it didn’t get reciprocated. That’s that.

DEVON: It’s over.

IAIN: So yeah, lot of—lots of awkward advances where they’re trying—trying to have the escape hatch of “Oh I didn’t really try to suggest that I liked you, this was just me asking you for a professional favor by let’s never speak again”.

DEVON: And then he comes back the next day (DEVON and IAIN laugh).

KUNO: Oh my goodness. Uh I felt—I—I kinda like headcanoning now that Ethari tells Rayla all this “how I met, you know, your surrogate dad” kind of stuff. Like, and that’s how she—she’s like, this is how you do love apparently.

DEVON: I do think that like, yeah, he had a much easier time and probably picked up on stuff. And to me there’s a side of Ethari that you don’t really get to see in the episode because he’s very sad. I think he’s a—he does have a playful side and I like to imagine that while Runaan was doing his, like, really just not-the-best attempts to display affection early on, like Ethari would pick up on them but not necessarily give the full signal back. And he played a little bit oblivious but he absolutely was—he’s just more emotionally in tune. So I think, “Oh hey, you’re back again, wow. I thought I did fantastic work on your blades last time. I cannot believe they’re already dull!” Like and he just sort of like, he knows—he knows there’s something there.

IAIN: I think like this kind of gets echoed in Rayla, like where Callum in an effort to pick her up and be honest about how he feels that she’s just an incredible person. Like to her that’s like, ‘person being entirely open with their feelings in a positive way? That’s a love connection!’ And then it goes wrong for one entire episode and then it turns out that Callum was also not fully aware of how he was feeling and so on. But I think like, yeah, I think that’s why she was like immediately “Wow, this is clearly meant to be romantic and this is—this is going exactly the way I want!” and then it didn’t. But then it did! So we’re all happy.

DEVON: Aww.

KUNO: I am! I’m certainly happy. Um—uh let’s see—the next one is—okay. What was Rayla like as a child growing up in a household she did—household? Um, she mentioned going to school and we’d love to know how baby Rayla fared as a student and just a child growing up in the Silvergrove and what that experience is like for a Moonshadow elf child?

DEVON: You want—you want me to do this one?

IAIN: Go for it.

DEVON: Yeah, um, I think Rayla was feisty (laughs) in a word. I think she—for some reason there’s a scene in the beginning of Korra where she’s already mastered like, three elements and she like comes out punching. I kind of think about that when I think about baby Rayla. She knows she’s—there’s that end credit scene where she’s got the two sticks and she’s posing with them and Runaan’s sort of lifting one of them up and I’m thinking like, okay so sheg’s like, from a tiny, tiny age thinking like, “I’m gonna be the coolest assassin the Moonshadow elves have ever seen!” and she’s like rambunctious about that almost, because you know, as a child you don’t really understand what the ramifications of that are but it’s considered like a highly, highly valued, honored position and so she’s obviously like, “Yeah I’m gonna do that and I’m going to be the best at it and there will never be any complications whatsoever!” In terms of Moonshadow elf childhood, I think with the way that I would think about it is—we talked about the sort of community aspect. I imagine Moonshadow elves have pretty, like, what’s the word, like, a lot of general education, sort of, like, “this is what weaponsmithing is like and this is gardening and raising crops and things to provide for the community” and so I think they would have a lot of ‘school’ that covers a lot of just like, life basics because you are expect to find a place that contributes to the collective whole. Does that like—?

IAIN: Yeah, I think like it’s also lucky for Rayla that a big part of Moonshadow elf culture is what we would call PE. Like I think she excelled at striving to be an assassin warrior and so on. Especially like, she’s trying to live up to her parents who at first were honored Dragonguard and you know, Runaan as well. I think in terms of like, more academic stuff like if there was Moonshadow elf history lessons and “let’s go out and understand the, you know, ecology of the Moonshadow forest” and stuff I think she was probably a bit kinda like, rambunctious and not super paying attention and running off and not really giving it her all and so on. Um, you kind of get that impression from early on where she knows what Primal sources are and she’ll explain that to Callum but like, when she’s talking about ‘how do you do that Moonshadow form thing’ she’s like “I don’t know, it just feels right”. Like I think that’s—she did everything very intuitively and focused on the things she cared about and understood and kinda did what she—did what she could on the other subjects, I guess, but didn’t care as much.

DEVON: Yeah I feel like if you imagine the kid that is going to grow up to be an artist is doing doodles on their math homework and just sort of like doing the math homework but—but you know, clearly the effort is being placed elsewhere. I think it’s that but she was excelling at PE and assassin training and therefore fell very, very easily into her supposed path.

KUNO: The—this isn’t on the thing, but did—did she ever—did she ever really have any friends? ‘Cause she doesn’t really mention—ever mention friends. I—maybe that has to do with the whole assassin thing where if she wasn’t learning being at school she would probably doing assassin stuff with Runaan or assassin training stuff—I guess not really assassinating. But um did she have really friends growing up?

IAIN: I think if she had friends they were not super close. And I think she valued her alone time. There’s a sweet moment early in—well end of season 1 where she like tries to cheer up Ezran by saying that fitting in is overated and I think she felt that a little bit. Um and you know I think there’s some amount of when you’re being trained in the art of an assassin like you’re probably somewhat taught to—to keep people at arm’s length a little bit, right? And I think she—she took that to heart. So I think that’s a big part of why when she was first traveling with Callum and Ezran there wasn’t that much trust between then and it was kinda like, it was Ezran honestly that bridged the gap being most empathetic number 1 child. And yeah, I think having a close friend is relatively new to her.

KUNO: Makes sense. Like just few, not the many. Um okay then next question before we get to Hailey’s batch of them are um, what are Runaan’s feelings toward Rayla as of right now and everything that’s happened since season 1? I understand he’s in a coin, he’s in a finacial crisis, he’s probably not thinking about it too hard—

DEVON: Oh my god (laughs).

KUNO: But you know, like he’s gotta be—you know he’s not doing anything right now, I’m assuming, so like what would be his feelings about her at the moment?

DEVON: I mean he’s got a lot of time to think, wherever he is. I think like—I got into this a little bit on Twitter in a self-indulgent rant at one point where I think he went through a lot very quietly during the first few episodes of the show where he very, very much wanted Rayla to succeed, even if he wasn’t necessarily like being the dad on the sideline of the soccer game, like, cheering for her. But he thought this was her moment, this was her time to prove that she really was more dedicated to you know, her cause and her people than her parents were because they had, you know, been the subject of such shame. And then ah, everything goes the way it does, I think he has a brief crisis of, “Is this my fault? Did I fail to train her well enough? Like, was Ethari right?” Because he always thought she had, you know, a softer heart. And I think like those are the types of things that he’s still stewing on, um like did—”did he overstep? Was it something—was he so eager to give her the opportunity to prove herself that he, you know, ultimately put her in a position where she could not succeed?” I think like, the other thing that I mentioned on Twitter was I think he took her off the mission both because he very, very much wanted to give himself and the others a chance to complete the mission even if it meant their deaths. But it also meant that Rayla had the chance to survive even if it was potentially going to be misinterpreted and she’d get slapped with the Ghosting, I think he believed that her alive was better than everybody being dead. So I think like, he’s got a lot—a lot to work through and I think like—I think he feels guilty. I think there’s the smallest part of him that he has the—again, a lot of time to potentially stew on and reflect on is he does feel like he put her in a position that was, you know, not fully taking into account the type of person she was and more projecting onto her the type of person he wanted her to be and gift he wanted to give her of redeeming herself in the eyes of her people for her parents. And I think he’s gonna have to work through that. Poor dude.

KUNO: That’s so sadly heartfelt. That’s so sadly heartfelt. Here I am thinking that he’d be, like, maybe a little angry with her, ‘cause obvious reason, but now it’s like, oh he feels guilty. Like, “Oh, okay, let’s just slap the angst on, okay”.

DEVON: I mean, I think like—

KUNO: Yeah, mm-hm.

DEVON: Sure he’d have some anger, like, “Awgh, I gave her everything. I gave her the exact opportunity she needed”. But I think like the guilt and the reflection leads to the “Maybe I—maybe it was me who stepped too far here”.

IAIN: Yeah, I mean another part of it is like, we don’t know what it’s like being trapped in the hell coin dimension, right?

DEVON: Oh I do. I—I mean—

IAIN: Oh you do?

DEVON: It sucks.

IAIN: Oh it sucks?

DEVON: When it happens to me on the reg (IAIN laughs).

IAIN: But you know, does it feel like an eternity is passing? Does it feel like no time has passed? Is he in eternal pain? Because if it’s like real bad—

KUNO: Oh my god.

IAIN: —in there I can imagine that like yeah there’s definitely some of those kind of anger feelings that you don’t want to feel in but you do sometimes, right? Like it’s like, if he has a snap moment of “I wouldn’t be in here if she hadn’t gone off and disobeyed our orders and, like, lied to me and so on”. So if he ever comes out uh don’t know what side of the emotional coin he’s gonna land on.

DEVON: Ohhh, please leave.

KUNO: Oh my god.

DEVON: Get out, oof, ouch.

IAIN: Finger guns.

DEVON: I do think like that sort of complex—

KUNO: It sounds—

DEVON: —emotion is just, I don’t want to give any time to that pun, we’re moving on. Like that sort of complexity of emotion and relationships is something that I really like in the show overall. Like you said earlier, you saw some people that were a little bit upset that Ethari was so willing to lash out at Rayla at first and I think like to me that was always part of the big, big thematic of the show, which is this sort of endless cycle of people being willing to hurt each other and not forgive each other and not, you know, accept that you can choose peace. It’s, you know, it’s—Runaan having that impulse to anger is a very natural thing and it doesn’t—I don’t think it necessarily makes him a bad person for feeling that. And I don’t necessarily think that Ethari having his moments of grief lead him to actions that are ultimately like, regretful, like I don’t think he would want that to define him in the long run. Like those are very human things but those are the things as we acknowledge them and as are—so long as we are capable of recognizing how flawed we are and how violent and…

KUNO: Messy.

DEVON: Messy! Thank you, that’s like, I was going to say like churning, messy is good. Like messy emotions can be and how they can like, dictate the way we treat each other, um, but forgiveness and patience and acceptance are ultimately just so much more powerful than those negative perpetuating lashing outs. That was an inelegant way of ending that screed, but yes.

KUNO: I actually really love that um ‘cause I from the beginning I’ve loved their father-daughter relationship so I love how complicated it is, ‘cause the truth is you know every parent-child relationship is a little complicated, except theirs is a little more complicated with assassination going on in the works, the family trade. So I love that it is this complicated ‘cause I know I remember in the beginning where people were like you know—you know she does have a dad. And it’s like I know she has a biological dad but until I am told otherwise that’s her father. I don’t care and I love their relationship so I love that that really reflects that. Another—the next question out of me before we get to, um, Hailey’s, which are all about different elves, is um, course I have to ask, my policy is one Rayllum question per interview. Um what are Runaan’s feelings—whah, no, whoop, how would Ruthari and Runaan react to Rayla’s relationship with Callum considering he’s not only a human but a human prince? ‘Cause as far as we know Runaan really hates, um, humans and I’d love to see that story later, both individually and as a couple. Because as far as I know, Ethari probably doesn’t know that their in a relationship unless he sensed it?

DEVON: Oh man, I—I think you should take this one, but I do want to say that I saw one comment on Tumblr at one point where someone said that they wished that Ethari had said something to Callum along the lines of like, “Take care of her”. And I want to travel back in time and pretend that was in the script ‘cause I think that would have been really, really nice. And I do think like, he picked up on the fact that Callum was important to her even if it—he didn’t necessarily read it as romantic right off the bat. I think he mostly was like, “Oh this guy is kind of like a cute—he’s a human but he’s, you know, a friend to someone I care about and that in and of itself is valuable and there’s something there”. So I think—pretend that was in the script. I wish I had thought about something like that but—

KUNO: I will (DEVON laughs).

IAIN: Yeah.

KUNO: That’s canon as far—as far as I’m concerned that’s canon.

IAIN: I think uh it would be best for everyone involved if they found out together, uh, because I think Runaan’s impulse would not be good immediately. I think like, when you spend so much time as an assassin and you drill into your head that the people that you’re meant to kill are not people, they’re the enemy right? Like I think that’s—sometimes that’s a thing he turns on to do the job and so on, but I do think that’s gonna bleed into his personality and it’s—you know, especially given his extremely recent history he’s not got the best feelings about humans. So I think it would inspire an immediate negative reaction in him that would not be pleasant for Callum and Rayla, but I think Ethari just has a much softer heart and that is where Rayla kind of got that side from. So I mean I’m not going to say that he would immediately—you know, they’ve been at war for hundreds and hundreds of years with humans and they’ve been told all through their history that humans committed the original sin of dark magic, et cetera et cetera, but like, I think it would take not that much time of seeing Rayla and Callum together for Ethari to see that there’s something there and then I think Ethari would have the ability to ah, to talk Runaan down pretty quick. But I also think that like, Runaan might not even show any of this, there might just be a kind of seething resentment that he’s not really talking about inside. Um unless it was like on the battlefield or something and he was like, “That’s a prince that I’m meant to kill” or something like that. But overall I think Ethari would sense that Runaan was not like—was not taking this well and they would be able to talk it through. At least that’s my gut.

DEVON: No, that sounds right (DEVON and IAIN laugh).

KUNO: I feel like poor Callum is just always on the edge of “Am I going to die tonight?” while he’s there, “Is this gonna be it?” Just gonna be like, “Oops sorry I had an accident—hey I had an accident in the middle of the night, you know, just a knife to the throat, that’s all”.

IAIN: I mean, he’s doing pretty well, like he said as they were about to meet Ethari and Rayla was like, “Remember Runaan?” He was like “Oh yeah, that guy who tried to kill me as soon as he met me? Cool guy”. Callum’s doing pretty well on the acceptance front these days.

DEVON: I do—

KUNO: Yeah.

DEVON: I do want to say that I think Ethari and Callum would get along really well because I think they both have sort of like a soft hearted friendliness to them that they would have a fun rapport. And that’s the sort of like “Trees to meet you” line is definitely supposed to be like—they’d you know, crack some goofy back and forths and I think that would soften Runaan too because he couldn’t ever hate someone that Ethari liked.

IAIN: Yeah, I think it’s a weird—

KUNO: Aww.

IAIN: —reversal where like Callum’s the one doing the dad jokes and Ethari’s like humoring them and Runaan’s like, “I don’t understand. Trees do not meet.”

DEVON: “Please stop saying ‘trees to meet you’.”

KUNO: Aw it never gets old. I love that. Um alright, Hailey, take it away. Your turn.

#The Dragon Prince #Hot Brown Morning Potion Podcast #HBMP Podcast #TDP #Ruthari #Moonfam #HBMP Podcast transcription #TDP interview transcription #my posts

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taetaesource · 4 years ago

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Acting with Kim Seon Ho

I might come up with a full fic of the drama.

You started out as a idol trainee but never debuted but became an actress instead. Although you are not very young, korean age 29 and Seon Ho is 35. You didn’t star in many dramas and was not as popular as names like suzy and park shin hye. In this sense, you are alot like Kim Seon Ho before he hit it big with Start Up.

You did not grow up in korea and speak better in english than korean. You’re friends with the korean-american celeb community like BM, Jessi, Eric. Your best friend is Blackpink’s Rose because you guys met during trainee days as a music school and later reconnected at a private Tiffany&Co event.

You are under Starship ent which is a fairly big company with actors like Lee dongwook so your skills isn’t too far off and in general you land in scripts and channels that are not too bad.

You got an offer from the writer who wrote Crash Landing On You and upon reading script and much discussion with the company, you decided to take this up.

You learn that the production team is trying their best to get Kim Seon Ho to be the male lead and you felt honoured and at the same time pressured. You really wished to have him as your partner in this drama because you knew that he was talented, but you also wanted to keep your hopes low because you knew that he was booked left right centre and he has many scripts and projects flooding in.

The storyline of the drama was also one reason why you kept your hopes low.

The drama centers around the female (which is your role) whose husband requested for a divorce as he fell in love with a co-worker who is a headstrong career woman. The female lead tries to salvage her marriage by entering into the company that her husband and his mistress works in and struggles her way into the workforce after being a housewife for 10 years.

The truth is, you were deliberating very hard as to whether this role was suitable for you as it is quite a leap from the usual roles and it might change the image that you have in the public eyes. For the male lead, this change is an even bigger risk and now that Seon ho is getting more popular, you were pretty sure there’s 60% chance he would reject the offer so as to keep his image.

But the script was interesting as it portrayed third party and affairs in a different light and the characters were complex so this would take your acting skills to a new level. With that, you decided to take on the challenge despite the risk that you might not be offered dramas in future that were of younger romantic comedy genre since you will be remembered as an actress that played mum and divorcee.

To your surprise, Seon ho took on the role as well. And the reason you heard of is that he felt that the script is compelling and he wanted to challenge himself in a new role.

The other female actress who will play the role of the third party is Son Na eun of Apink and you thought that she was a good fit for the role too.

The day of drama reading, Seon ho was the last to arrive and he was so apologetic about it. He was polite and greeted everybody with his big dimple smile. It was his first time meeting you and Naeun so the 3 of you were quite awkward and unfamiliar.

When filming officially started, you were so busy preparing and translating your lines and practicing them that you felt very pressured. As the drama was produced by the team behind the hit success Crash Landing and also featuring the current hot actor Kim seon ho, it was also highly anticipated and everyone was looking forward to the drama to air.

The filming process was also tiring as the tone of the drama is quite serious and sad compared to a light-hearted love drama or comedy. But to your surprise the filming was quite enjoyable mainly because seon ho is very easy to work with and also very professional.

Even though he must have been very tired as the shoot is often in between his other projects like 2 Days 1 Night and his other pictorials and advertisement shoots, he rarely screws up his part and came prepared with his lines so there won’t many retakes. He is also very bubbly and cheerful, making the filming atmosphere livelier and friendlier.

The chemistry between you and him hit off better than expected as well. You enjoyed his sometimes awkward jokes, you could follow up with this ad-libs and both of you saw eye-to-eye when it comes to how the both of you should act certain scenes to bring out certain message or emotions.

You usually speak to your staff and manager in english which would leave the total korean boy seon ho in awe. And you always joke that the hardest part about this drama is that you have to pretend that you dont understand english as you are supposed to play the role of a clueless housewife who became an intern in a top company. And Naeun who doesn’t understand english has to play the role of your manager who is capable and good at presentations and reports in english.

When the drama air, the public had good response and the chemistry between you and seon ho became recognised just as how people were speculating that Hyun Bin and Son Ye jin are definitely dating.

The both of you were not at the dating stage yet because seon ho is so busy. And his personality is so friendly that he usually maintain a very amicable relationship with everybody so you established that the both of you are just very good colleagues that managed to become friends outside of work.

To your surprise, seon ho called you one day - “chae young ahhh” he repeated and emphasized “chae young” a few times which was not your real name but the name of your character in the drama so you kind of had the sense to reply “oh yeobo”, which absolutely pleased him. Turns out it was a call from seon ho while filming 2 days 1 night. He was on a mission and he had to prove that he wasn’t lying when he said on the show that the both of you had good chemistry so choosing you to call to help him in the mission is the best person. You had to make a guess of the option his group chose in order for them to pass and be given lunch. The way you answered the call has already made a great impression to the team and the 2d1n members were all impressed by the chemistry you had with seon ho. You also passed the game round and they were saying that you should drop by the show as a guest as the next week, they will have to bring a female guest who are also their good friend to help them in the episode.

Your company is rather particular about their artistes appearing on variety shows and it’s only after they screened the other female guests and realised that the rest are mostly comedians, that they allowed you to be on the show and the instruction was that you have to maintain your image.

It was easy as the members and everyone in the team treated you like a princess in comparison to the 2 female comedians so as to make the show funnier. And seon ho especially took care of you as well even outside of the filming.

He introduced you to the actor yeon jung hoon who was on the show and in between breaks you were able to consult him about some concerns that you have, especially since you are juggling 2 dramas.

Towards the halfway mark of the drama filming with seon ho, you were offered another drama, a love story drama with a younger actor this time Seo Kang Joon. As the new drama is a typical courtship and love story drama, you were afraid that the way you act might not be able to draw a difference that well that the audience will be able to see the shadow of the divorced wife character that you are playing in the other drama.

Jung hoon adviced that every role will have some kind of resemblance because it all came from you. It’s impossible to always present a totally original and fresh character without some resemblance here and there. But maybe if we see the resemblance as the actor’s style and essence, then you wouldnt feel so pressured to draw the distinction between all the roles that you act in.

This scene was aired on 2d1n and it helped the public to see your professionalism and seriousness that you have towards acting.

You also helped the team by giving a call to Blackpink’s Rose. Rose answered the call with “heyyy what’s up” which excited the members even more as they didn’t expect the both of you to use english as main form of communication.

You were also good friends with Park Yuna who got famous from her role in Sky Castle and she also played the role of Bo young who is your sister in the drama with seon ho. Yuna was also an idol trainee previously which is why the both of you clicked so fast.

The drama with Seo Kang Joon was a success too but of course both dramas did not do as well as Start-Up and Crash Landing but in your terms it was successful as people were talking about it and it was the more popular dramas among the rest that were airing as well.

The chemistry between you and seon ho stood out even more as nobody really talked about seo kang joon and you having chemistry in that way.

Very quickly, you were offered a movie role and the male lead they were offering it to kim seon ho again. This time, the storyline was less sad as it was about a man and woman who took a break from their current life and went to Jeju island as an escape, met and fell in love there. Seon ho’s character broke up with his long-term girlfriend while your character left her job after being there for 8 years. And the both of you met in Jeju.

Many people were speculating if the both of you were dating, especially since dispatch released pictures of the both of you coming out of a convenience store together on your off days. And when your agency checked with you, you said no because technically seon ho has never officially asked you out. But somehow you felt a little bitter when you heard from your management that seon ho’s side has also denied the dating rumours.

But netizens were quite supportive especially because the pictures taken were candid shots of how the both of you played with each other. Seon ho offered to hold your plastic bag but you lifted it like how you would lift dumbbells to joke with him that you didnt need his help and he was laughing so hard. Most comments that people have after seeing the pictures is that the both of you are so cute and pure.

But because the pictures were exposed by dispatch, it made you and seon ho a little uncomfortable in front of public setting. Like the both of you had to attend the movie premiere and it was awkward to be standing together in front of the reporters and cameras as the both of you know that everyone in the room has seen the pictures and may or may not ask about your relationship status. You are not sure if it’s even more uncomfortable if they dont talk about the white elephant in the room. But the both of you were obviously less chummy that day, keeping a distance and avoiding eye contact as much as possible. Which led to people speculating that the rumours has caused you guys to break up.

But you were still in contact with each other in private, just that you two did not meet in person since then. It was after few months that the both of you met again and it was at drama awards. It felt less uncomfortable and awkward maybe because the both of you were more overwhelmed by the excitement of seeing each other again after so long that you two didn’t really care whether people will ask if you guys are dating again.

Another heart fluttering moment was when the mc asked if any of you felt something for the other person that you were acting alongside with, and the both of you raised your hands shyly and blushed when you both realised that both of you raised your hands.

When seon ho went on stage to claim the best actor award, you stood up and clap proudly. And the mc jokingly asked since the both of you raised your hands just now, are you guys dating for real already? Seon ho laughed this time and said “don’t worry i will let you guys know if there’s good news” making everyone excited with his ambiguous answer and you could only laugh and facepalm in embarassment.

Eventually, dispatch released articles of insider saying that 2 actors who have acted together recently in drama and movie are dating and it pointed to you and seon ho again.

You talked to your agency, wondering if the best way is to deny it again because you know that couples that admit their relationship usually end up breaking up. And couples who stay together usually become less active or don’t have many projects up ahead. Plus seon ho’s career is at his peak now, he wouldn’t want to risk anything and he might not even have the time to keep this relationship going.

But your management got the news that seon ho’s side is okay to admit to it if you are okay with it and that shocked you. You didn’t expect him to want to keep this relationship more than his career. But to seon ho, he doesn’t see how his career will go down just because of this. And his fame was a sudden one, he was never famous before that and he was okay with it.

Your management was also quite relaxed about this. It seems that you are the only one thinking too much into this. Eventually you realised that it was all in your head.

The next day all the news outlet were reporting - “BREAKING: Actor Kim Seon Ho and Y/N is in a relationship”.

#kim seon ho #kim seon ho imagines #kim seon ho fanfic #han ji pyeong #kim seonho

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harrowharkboygf · 4 years ago

Text

Game Night

a short post-season 5 oneshot. read on ao3

——

Catra liked to think of herself as a dedicated person. There were a lot of things she still hated about herself—the therapist Perfuma had recommended to her had said during their first session that it would take time to fully forgive herself, to get out of the “self-destructive mindset” she had spent so long embracing. But she at least prided herself on her resolve, her resilience, her determination.

However, it turned out that in terms of determination, she was nothing compared to the princesses’ crazed desire to hold as many social events as physically possible.

At first, during the initial celebration at Brightmoon and the stream of Thank You For Saving The World, Princesses! parties that were thrown in their honor as they traveled across Etheria to help with rebuilding efforts, Catra thought that this was just because of the circumstances. Everyone was clearly thrilled to be alive and happy that the princesses were back to being heroes, and they wanted to commemorate the occasion with festivities.

(It was still weird to think of herself like that. As a member of the Princess Alliance. Would it ever get less strange?)

But then Catra learned that the princesses were just like that. There were endless game nights and iceball tournaments and flower crown-making circles and picnics and trips around Etheria just for the purpose of seeing the sights. Late night planning meetings that turned into sleepovers, and visits to their allies under the guise of “checking in” that held no tactical purpose in the end.

This was so foreign, so beyond her reality; she had grown up in the Horde, where her idea of free time was just more training. Her only celebrations came in the form of stolen moments with Adora and extra ration bars, which she hoarded like it was water in the Crimson Wastes.

But despite how skeptical she acted, deep down Catra loved it, even the flower crowns. She discovered that she was very good at iceball—so good that she and Adora were banned from playing against each other on the grounds of being too competitive. (Thankfully, Glimmer and Frosta were equally worthy opponents.) Spinnerella and Netossa were more than happy to teach her all their tricks; Catra found the couple oddly comforting, a nice, stable, older presence that she’d never had before.

But above all, Catra loved the quiet moments the most. Late sleepovers with the Best Friend Squad (her attempts to change the name to something more badass, like the Kickass Comrades, had been shot down) had, much to her surprise, become one of her favorite things. The old Catra would have scoffed seeing her now, eating sweets and giggling late into the night, but she didn’t care. Arrow Boy and Sparkles had actually become her friends, dignity be damned.

And of course, there was Adora. Beautiful, amazing, wonderful Adora, with her sparkling blue eyes and soft lips and strong arms that always ended up wrapped around Catra. She could hardly believe it was real, that Adora loved her. She wondered if she would ever be able to wake up and not stare in disbelief at the sight of Adora lying next to her, staring at her with soft, loving eyes. If one day she would stop fearing that all of it was a dream.

“Hey, lovebirds!” Glimmer shouted. “Quit being gross and get over here so you can finish helping us!”

They had spent the last two weeks in what had formerly been known as the Fright Zone, and what was soon to become Scorpia’s kingdom. The still-newly-minted princess had decided to use it as a refuge for former Horde soldiers who were looking to turn over a new leaf. “After all,” Scorpia had said, “if Catra and Adora and I all changed, everyone else can, too.”

But unsurprisingly, the place was still, as Catra put it, full of shit. So the Princess Alliance decided to clean it up and redecorate.

“You said we could take a water break!” protested Adora.

“Yeah,” said Catra, smirking. “We’re so thirsty.” She blinked innocently up at Glimmer from her perch on Adora’s lap, one arm slung around her shoulders and the other hand playing with her blonde hair.

Mermista, who was carrying a stack of boxes nearby, rolled her eyes. “Yeah you are,” she muttered. Behind her, Sea Hawk gave them a thumbs up.

Glimmer put her hands on her hips, shaking her head. “I said you could take a water break when Adora tried to lift a literal tank without shifting into She-Ra. But that was twenty minutes ago! Let’s go, you two. Chop chop.”

Adora’s gaze was fixed on Catra, a soft smile sliding across her lips. “Just a minute,” she told Glimmer, not breaking eye contact with Catra. Gently, she tipped her head upwards and kissed her. Catra let herself dissolve into the kiss, closing her eyes and exhaling.

They pulled apart only to press their foreheads together. “I think we’re annoying,” Adora stage-whispered.

Catra barely kept herself from giggling. (Giggling. What the fuck, honestly.) “You think?” she asked.

She heard Glimmer say, “Bow! Come help me!” Then she felt hands wrap around her as Bow and Glimmer bodily lifted her up off of Adora’s lap. She hissed in fake-annoyance, squirming in their grip.

“Don’t pretend you two are much better!” she shrieked as they deposited her onto a pile of stacked bedrolls. “I saw you feeding Sparkles at breakfast!”

Frosta scoffed as she used her ice powers to hang a lantern. “I get it, you’re all gross! When can we be done? I’m bored!”

Scorpia delicately set a plant down on a nearby windowsill, mindful of her claws. “Soon! Thank you so much for your help, guys. The place looks great.” Everyone beamed, pausing to look around and admire their handiwork.

It did look great. The walls had been painted a lighter color, and the hallways were now well-lit, filled with softer, more pleasant decor. The clanging of machinery still echoed, but gone was the smoke and pollution; Entrapta had spent a long time working on a more clean form of energy, one that was better for magic and the planet and whatever.

Speaking of the pig-tailed princess—“Where’s Entrapta?” asked Catra. “She didn’t want to come and invent some bot to help us?”

Perfuma adjusted her girlfriend’s placement of the potted plant, trying to give it as much sunlight as possible. “She’s very busy with all her new ethical science projects now—”

“Semi-ethical,” corrected Bow, rubbing the back of his neck.

“—But she was invited to our celebration tomorrow night! Hopefully we will see her then.”

“Another party? It never ends, does it?” Catra said to Adora, who had come back to stand at her side.

Perfuma clasped her hands together. “Oh, this one will just be a small get-together. We’ll throw a big party once all of Scorpia’s citizens move in, but this is just for us princesses!”

“And Bow and Catra and Sea Hawk,” Mermista reminded her.

Perfuma shrugged. “Honorary princesses!”

Adora cleared her throat. “Alright, team, let’s get these last few things in place. We can pick up the little bit that’s left tomorrow morning. I think it’s bedtime.”

——

“And then I said, “Uh, your ship’s on fire!’”

The room burst in laughter. Catra wiped a tear from her eye as she cackled—there was something about Mermista’s deadpan delivery that made all her stories way funnier than anyone else’s. “And did you ever run into that pirate again?” she asked.

Sea Hawk spread his arms grandly. “Why, of course! He approached us a short time later to tell us how our genius and fighting prowess inspired him, and how he had decided to become an artist and build statues in our honor. To this day, his children sing our praises around campfires.”

At the same time, Mermista shook her head and said, “Nope. Never saw him again.”

This unleashed another wave of giggles. Still snickering, Catra leaned forward in her seat and took a cookie off the plate on the table in front of her. As she did so, Frosta opened her mouth wide and pointed wordlessly at it. Catra rolled her eyes and tossed a cookie at her. She caught it in her mouth and gave a muffled cheer as she chewed.

Bow rubbed his hands together. “Okay, guys, let’s get started.” He gestured at the table in front of them, which would soon be the center of Scorpia’s strategy room. Tonight, however, it was covered with a big game board and several playing pieces, dice, and stacks of cards. “Here’s how we play—”

“We’re here!”

Entrapta practically bounced into the room, Emily close at her side, beeping cheerfully. Wrong Hordak followed close behind them, smiling his typical sheepish smile and holding a tray crammed with an almost-impossible amount of tiny pink cupcakes.

Adora stood up to greet them. “Hey, guys! Welcome to…”

Her voice trailed off abruptly as the last guest entered. Catra felt her heart begin to pound; she stood up too, curling her claws into fists. Melog, who had been sleeping next to the sofa the Best Friend Squad was sharing, sprang to its feet, hissing. The rest of the group froze, exchanging shocked glances.

Hordak (the real one) stood in the doorway, somehow managing to look both awkward and stern. “Hello,” he said shortly, his deep voice echoing slightly.

When no one answered for a long, tension-filled minute, Entrapta looked rapidly between the group and Hordak, her eyes wide with confusion. “Sorry we’re late,” she said tentatively. “Did I…did I bring too many people?”

Mermista buried her head in her hands and let out a muffled scream. Sea Hawk patted her arm sympathetically.

Catra struggled to choose between saying What is he doing here and Absolutely fucking not and just straight-up attacking him. Judging by her facial expression, across the table Frosta was thinking along the same lines.

Entrapta twirled one of her ponytails around her nervously, her smile slowing sliding off her face the longer the silence dragged on. Next to her, Wrong Hordak shifted from foot to foot. “Uh…”

Perfuma hastily jumped up, a fake smile plastered on her face. “We’re so glad you could come!” she chirped, flinging her arms around her.

Wrong Hordak joined the hug. “I have missed you, brothers!” he told them tearfully.

At Perfuma’s pointed look, Scorpia and Frosta made space for the newcomers, bringing over more chairs.

“Will you be joining us, Hordak?” Catra asked icily, sneering at him.

“Be nice,” Bow whispered to her.

“She has a point,” Glimmer whispered back.

Hordak glared right back at her. “Entrapta invited me. Am I not welcome here?”

Adora managed to pick her jaw up off the floor. “Uhhh…no, um, take a seat. Bow was just about to tell us how this game works.” She sat down, pulling Catra down with her.

Bow started to explain, occasionally being interrupted by Frosta, Perfuma, and Sea Hawk, who all had their own opinions on how the rules should be interpreted. Meanwhile, Catra hissed quietly, “Are we seriously just going to play a board game with Hordak of all people?”

“He’s changed, I guess,” Adora murmured back.

On her other side, Glimmer rolled her eyes. “Allegedly.”

After the war had ended, the Rebellion didn’t really know what to do with Hordak. Sure, he had saved Entrapta and turned against Horde Prime, but they weren’t just going to let him sit back on his throne. Originally Catra had been in favor of dumping his ass in the Crimson Wastes, but Huntara was having none of it.

So eventually the princesses settled on letting him live in Dryl with Entrapta, as long as he swore never to hold any political power or territory for the rest of his life. An oath they would make sure he held, with magic to ensure it, if necessary.

“I don’t trust him,” Catra murmured.

Adora placed a comforting hand on her thigh. “Me neither, but Entrapta trusts him. And whatever makes her happy, we’ll support.”

They watched Hordak sneer as Perfuma tried to offer him some fruit juice. She frowned back at his rude behavior, huffing in that trying-to-be-dignified-yet-offended way of hers. Frosta looked like she wanted to stick his head in an ice block. Meanwhile, Entrapta was in full science mode, spilling out a detailed lecture about dice and probability.

“Even if the thing that makes her happy is Hordak?” grimaced Glimmer.

Adora sighed, rubbed her forehead. “Even so,” she said glumly.

Bow clapped his hands, signaling the end of his rules explanation. “Okay, does everyone get it?”

“Yes,” said Catra.

“Totally,” said Glimmer.

“Yeah…” said Adora.

Bow gave them a look that suggested he knew they hadn’t been listening at all. “Okay, let’s get started!”

Thankfully, Catra was able to figure it out as she went. The game was fairly simple: the players had to try to be the first one to make it around a map of Etheria, while fighting mythical monsters and challenges along the way. She leaned forward, smirking, her competitive nature taking over. “You’re all going down,” she said, making a show of cracking her knuckles.

Glimmer scooped up the dice and began to shake them. “As if!”

Scorpia laughed and shook her head. “No, guys, Perfuma is the champion at this game. She’s beaten me every time, she’s that amazing.”

The flower princess blushed a deep crimson. “Oh, Scorpia!” she trilled. “You are amazing too!”

Catra watched this play out fondly. Despite her and Scorpia’s…rocky history, she was genuinely sorry for all the pain she’d caused her. Although Scorpia had said she forgave her, there was a while after the war where things had been awkward, uncomfortable. She was happy to see that the former Force Captain had found someone who could make her happier than Catra ever could.

Hordak made a strangled noise in the back of his throat. It took her a minute to realize that he was laughing. “This is a childish competition,” he announced, sounding annoyed.

Mermista rested her chin on her palm. “You’re just mad that you couldn’t conquer Etheria and now you can’t win this board game.”

Hordak stiffened. “How dare—”

“Okay!” Bow interceded, his voice hinging on hysteria. “Glimmer will start!”

They went around in a circle, their game pieces slowly advancing with each roll of the dice. Catra was not thrilled when Glimmer rolled four tens in a row and she kept only rolling ones and twos. Thankfully, she was able to get Sparkles back when she pulled a Brightmoon-themed card and “teleported” her to the little red and yellow spot on the board that was supposed to represent the Crimson Wastes.

Scorpia was, unsurprisingly, the best sport about this. While everyone else soon succumbed to playfully cursing each other out as they scrambled to keep their game piece ahead of the group, Scorpia was the one congratulating everyone even when they fucked her over.

Even Perfuma huffed when Frosta got her stuck in the “Northern Reach”. “This is a betrayal,” she sniffed dramatically, crossing her arms. “I will never, ever forgive you.” A moment later, she cracked a smile and winked at the younger girl to let her know she was joking.

Wrong Hordak landed on a “Magic Zone” square and whipped out a card. “Do not worry, sister! This piece of paper says the Sorcerers’ Guild has granted me the power of…time travel! I will reverse your plight!” he declared. He reached down and daintily picked up Perfuma’s piece so he could place it back on the path.

Perfuma giggled. “My hero!”

“That was supposed to be used for your piece,” Entrapta pointed out, fidgeting with a small gear as she waited for her turn.

Adora shrugged. “Eh, let him do what he wants,” she said. She leaned back and not-so-casually draped her arm over Catra’s shoulders. She leaned into her girlfriend’s touch happily.

Entrapta pulled out the recorder she clearly kept with her at all times. “Observation number two hundred and fifty-three: when playing games, rules are to be broken at the player’s convenience.”

“Now you’ve got the spirit!” chuckled Sea Hawk, who was currently attempting to steal alien chips off of Mermista’s plate. Every time she caught him, he gave her the most lovestruck eyes he could pull off until she let her snag a chip.

Wrong Hordak handed the dice to Actual Hordak. “Your turn, brother!”

Hordak took the dice emotionlessly and rolled it. A five. He moved his game piece to the appropriate square.

“You landed on a runestone!” Perfuma cheered. “That means you get to move ahead five spaces!”

Hordak frowned down at the tiny drawing. “This pathetic image looks nothing like the real Black Garnet. It fails to capture the strength, the raw power that eminented from my runestone. How comical.”

“Your runestone?” Catra repeated, raising one eyebrow. “It’s not yours anymore, Hordak.”

He glowered at her. “In a better life, it was.”

Glimmer narrowed her eyes. “Are you saying that—”

Entrapta scooped up the dice. “My turn!” she chirped.

Adora hastily stood up, gripping both Glimmer and Catra’s arms tightly. “We are going to get more fruit juice!” she said. “Bow, will you come with us?”

His grin was particularly strained. “Of course!”

They both looked at Glimmer. “Fiiiine,” she sighed, before transporting the Best Friend Squad to the nearby kitchen.

Once there, Adora immediately turned to Catra and Glimmer. Melog slunk in after them, not wanted to be separated from its owner.

“He’s a terrible person!” protested Catra, already knowing what she was going to say. “I want him out of here.”

“Everyone did terrible things while they were in the Horde,” Bow reminded her gently as he poured more fruit juice into cups. Including you was the unspoken meaning behind that sentence. She looked down at the ground.

“But,” Bow said, handing her a cup, “what matters is that they’ve changed.”

Glimmer took the juice pitcher out of his hands, kissing his cheek. “I agree with Catra,” she told him as she poured. “Hordak might have said he was sorry, but he doesn’t act like it.”

“ And ,” added Catra, emboldened by someone siding with her, “he’s just straight up gross. How someone could possibly find that greasy-haired stick-up-his-ass attractive is just absolutely beyond me—”

“I know! He’s all—” Glimmer deepened her voice, hunched her shoulders. “—‘Pathetic princesses! You know nothing of true power! I am Hordak, Prince of Evil! Mwahahaha!’”

Catra laughed so hard she choked, and almost fell over.

Even Bow, who was rooting through the cabinets looking for more napkins, chuckled. “That’s cute,” he told her.

She winked at him. “ I’m cute.”

“You are.” He pulled her into a hug from behind, pressing his lips to the side of her head.

Adora took Catra’s hand. “Just please try to refrain from killing him for tonight,” she asked. “Afterwards, you and Glimmer and Mermista can start an I Hate Hordak club if you want.”

Catra tugged playfully on her ponytail. “Don’t tempt me. I will run that club.”

Her girlfriend poked her cheek in return before helping Glimmer and Bow stack the cups of fruit juice onto a tray. Catra grabbed another bag of alien chips, just in case.

“Alright,” said Adora, carefully balancing the heavily-stacked tray and ignoring everyone else eying her worriedly. “Ready?”

Bow winced as the tray wobbled dangerously when she took a step. “Adora, do you need—”

“I got it!”

Glimmer shook her head. “Maybe we’d better walk back to the strategy room. I don’t know if those cups can survive a teleportation trip.”

“We’ll be fine!” Adora assured her, and then promptly tripped, sending the tray flying.

——

“I’m really proud of you,” Adora told her as they waved goodbye to the group. They all had to return to their own kingdoms; it still wasn’t stable to be gone for too long.

Catra looked up at her. “Oh yeah?”

“Yeah, you—” She was cut off by a yell of frustration coming from the direction of the skiff waiting to take their friends back to Dryl.

The two of them watched Wrong Hordak and Entrapta attempt to bodily lift Emily onto the skiff, which was hovering a few feet above the ground. The bot was nothing more than deadweight, beeping irritably.

“Her programming is due for an update soon,” Entrapta explained. “Sometimes she gets sulky like this.”

“She doesn’t wanna say goodbye to her friends,” Frosta said. She seemed particularly pouty herself. She had become particularly clingy after the war ended, and probably wasn’t happy about having to go back to her own kingdom alone after spending so much time with everyone.

Catra could relate.

“We’ll see everyone again soon,” Glimmer reminded her, putting a comforting hand on her shoulder. “We’re throwing a celebration once Perfuma and Scorpia get everyone settled here, remember?”

“Yeah,” said Frosta, sticking out her lip grumpily.

Wrong Hordak shrieked as one of Emily’s appendages kicked him in the face. He dropped her with a thud.

“Emily!” scolded Entrapta. “Not nice!” Scorpia and Perfuma moved to help them, which definitely made things more successful. Meanwhile, Hordak watched the whole scene unfold from inside the skiff, not bothering to offer his help.

“As I was saying,” Adora said, still chuckling, “I’m really proud of you, Catra. I—I know it can be hard to keep your anger in check when you’re dealing with…”

“With the former dictator of our childhood?” she finished. “I know.”

“You’ve come a long way.”

Catra laced their fingers together, leaned against her shoulder. “So have you.”

Mermista called Frosta over to their skiff, where Sea Hawk was helping her load up their bags. The game night victor gave Glimmer a hug, then Bow, Adora, and, to her surprise, Catra. “See you later, Horde Scum,” Frosta said, parroting her mentor.

Catra grinned back at her. “See you later, princess.”

From the skiff, Mermista tossed a wadded-up piece of paper to Catra. “I look forward to it!” she shouted as Sea Hawk helped Frosta into the skiff.

“Me too!” Catra shouted back.

Adora looked curiously at the paper ball. “What’s that?”

Catra handed it to her without saying a word, smirking. Adora unfolded it, revealing a flyer.

The I HATE HORDAK Club

Calling all Etherians!

Do YOU hate the former Horde Lord?

Do YOU fantasize about ruining his day?

If so, this is the place for you!!!

Meetings will be held at Brightmoon Castle. Any questions, please see Catra or Princess Mermista.

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jontheredrc · 3 years ago

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I’m really sorry that every time I learn about a plot or setting element in Yu-Gi-Oh, my mind’s first instinct is to immediately think of Gradius-themed cards. You folks are probably getting sick of it, but it makes getting into this series that much funnier to me. I glanced off the anime as a kid, but now I’m back, revisiting the plot, playing Duel Links, and occasionally going on wiki rabbit hole-style excursions where I read about a bunch of cards. But, like, I have questions, questions that I don’t know if I ever would’ve asked if Gradius weren’t here.

For one, I’m amazed that the Gradius cards are here as fully functional pieces within the series lore. One thing I’m getting a lot as I revisit YGO is that the cards a given character uses tend to reflect their personalities. Hell, sometimes they’re more than that--I’m still in the process of revisiting the series after watching bits and pieces of the anime as a kid, but I remember something being up between Yugi and Dark Magician (I got lots of vague memories of Yugi as the Dark Magician or at least wearing his getup).

But I also vaguely remember that Pegasus guy going on an expedition to Egypt and finding stone tablets with the power of monsters sealed inside, and I guess those spirits are mixed up in the card game somehow? But it’s right about here where my brain starts pounding the table and chanting “GRADIUS GRADIUS GRADIUS”.

You can’t handwave them away as some crossover not meant to be taken seriously, not when Duke Devlin and Lorenzo both use them. But they seem to also follow the rules because Devlin and Lorenzo are both serious gamers (outside the context of Duel Monsters, I mean). What’s more, Devlin uses Gradius much the way you play the actual game Gradius--he starts out with a weak ship, and quickly stacks spells onto it as powerups to use it as an adaptable and formidable attacker! He’s even got 50 LP when he summons Gradius, so he’s basically in a position where one hit from anything will end him, just like your ship in Gradius dies in one hit to anything, but at that point, I might be overthinking it...

But what if I’m not? What if these silly cards based on the arcade space shoot-’em-up are also part of the whole “manifestations of ancient or otherworldly spirits who gravitate to those with like personalities” vibe I’m reading from Yu-Gi-Oh? Because they really seem like they are! The Gradius is a lone ship, and Duke Devlin seems like kind of a loner at first. And if I’m understanding things correctly, it’s absolutely possible that the soul of some loner (human or otherwise) could somehow be tied to this card. Even though it’s got a photo of this branded on it:

But then does Gradius’ Option have a Duel Monster Spirit too? If so, these are obviously new cards, unless the ancient Egyptians played Gradius too (which might be the simpler explanation at this point even when you account for all the Easter Island statues in Gradius). How does this happen? How do these cards exist and tie into the lore? Is this just the end result of a weeaboo-equivalent spirit who’s really into human culture? Because that seems to also be a distinct possibility within the setting!

And forget being tied to a crossover cameo card--Gradius’ Option can only be summoned when you have a Gradius on the field, and it gets destroyed if that Gradius ever leaves the field. How does being a monster that’s literally unusable without another very specific monster’s presence affect that spirit? Does the card work that way because of the spirits that surround the cards, and a connection they may have had? Do the monster’s appearance and mechanics come first, and then a wandering soul comes by and goes “that’s a mood” and now they are one?

Or are the Gradius cards exempt from the supernatural rules of the setting? In which case they’re just...lifeless cards with no spirits? For one, that's way less fun--especially the parts about how Duke uses Gradius. But then how does that even work? I mean, I trust that the latest dueling technology must let lifeless cards function just fine in duels even if spirits are involved, because Lorenzo does pretty well against Jaden’s HEROes for awhile, and they have spirits. But how might that make the spirits feel? If there are monsters that are not part of the magic, what is it like to battle one?

Okay, some of those questions probably do have answers if I’ll just be patient and continue to traipse through the series and its lore. But every time I do get an answer, I just know the first thing I’m gonna think is, “But how does this connect to Gradius?”

#yugioh #gradius #ygo #also in the process of writing this i might change my au #if lyla brangwyn is even vaguely sensitive to duel spirits then she'll probably gravitate not to gradius #but to gradius' option #then she makes a new friend and basically becomes their option #she makes their deck and the duo duel together as one #as in they literally share the deck and make all the decisions together

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purplesauris · 4 years ago

Text

Now Comes The Tide

Din is very unused to being around someone who's mastered the Force, and who seems intent on bothering him with it constantly. Said Jedi seems wholly unaware.

I am out of CONTROL and no one can stop me

Read it on AO3 here!

The first time that Din had felt the power that radiated off of Luke he'd been overwhelmed. It was such a foreign concept to him, for someone to feel, for all intents and purposes, like he was everywhere. The worst part was that Luke didn't even seem to realize the way Din shivered whenever Luke used the Force, the way he felt each grip of his armor as he was sent flying back like the gentlest of caresses. Din had no clue if he was supposed to feel this way, to feel so intimately the pull of Luke's power, but it left his nerves frazzled when the onslaught of Luke's attention never stopped.

It was worse when Din took his armor off- there was no protective layer between him and the outside world, and every time Luke walked past him or reached out Din's toes curled in his boots. The same feeling didn't apply to having seen Ahsoka or Grogu use the Force- it seemed inherently tied to Luke somehow, as if the way Luke manipulated the Force resounded so deeply within Din that he couldn't keep his thoughts straight. It was very rapidly becoming a problem, one that Din didn't know how to solve without breaking down and shouting at Luke to keep his hands to himself.

So he'd taken his supply run a week early, if only to hide away in his ship where the only pressure around him was the constant ebb and flow of recycled air filling the cabin. There was only one other person he knew who knew even a smidgeon about Jedi aside from Ahsoka herself, and Din did not fancy tracking her down to ask stupid questions that she would only smirk at, the same way she had when Din had asked about Grogu so long ago. So he went to the next best source- a bounty hunter who had captured Luke no less than two times, and was grinning, smug as can be when Din came trudging into his base on Tatooine.

"Mand'alor."

"Fett." Din looked around the room he'd descended into, taking in the blaster marks on the wall that showed him obvious signs of a recent fight. "Redecorating?"

"Adds a certain charm." Din snorts, as if that's what you'd call it, and Boba’s voice is amused, that same grin on his face. “You’re a week early.”

“We were running low.”

“On patience?” Din tenses, trying to hide the way his fingers twitch, but Boba is observant and he only chuckles. “What did your Jetii do now?”

Din glances at Fennec, perched on the arm of Boba’s throne, the woman’s eyebrows going up for a moment before she sighs, rolling her eyes. She rises from her spot, taking her rifle with her as she disappears somewhere deeper within the facility to give them privacy. “What do you know about him and his… powers?”

“Not much.” Boba leans back in his chair, fingers tapping against the arm in a slow, steady drumming that puts Din on edge. “He’s strong, a skilled fighter.”

“I know that. What I don’t know is-” Din cuts himself off, gritting his teeth, and Boba tilts his head. “I don’t know why I’m- reacting.”

“And you came here... To ask me?” Boba talks slowly, as if parsing out why Din would want to come here in the first place. Boba scrutinizes him with new eyes, tilting his head in such a distinctly familiar way that Din feels like he could be looking in a mirror. “You don’t react to Grogu, do you?”

“No. Not- this way.” Boba laughs then, shaking his head and covering his face with a gloved hand. Din feels as if the laughter is directly aimed at him, more than at the situation, and Din clenches his hands into fists. "I didn't come to-"

"I know why you came, Mand'alor, but I don't have answers. You'll have to ask Skywalker." Boba rises from his throne at last, broad form filling the room as he steps heavily down off of the dais. "Has he told you anything about being force sensitive?"

"I'm not force sensitive." Din shoots back, frowning when Boba inclines his head, brows raising. It only serves to fuel Boba's amusement, and he sighs heavily, clapping Din on the back.

"Go home, Mand'alor. Secretive as he may be, you've got the last Jetii wrapped around your pinky finger. Use that." Boba's expression has turned serious, and Din scowls within his helmet. "Make sure you get supplies though, or he'll think you were running away."

"Fuck off, Fett." Boba's booming laughter follows Din all the way back to the Razor Crest. Boba is right, though, of course he is, and Din really did mean for it to be a supply run, so he works through it like he always does. He hunts Luke's tea down, finds something that looks fluffy and soft for Grogu to play with, and takes a few bounties just to work his frustration out.

So what if they come back a bit more bruised than usual? So what if Din is a bit more silent when he drops them off and collects his credits? Cara and Karga know better than to comment on his foul mood, the former instead taking him out to the lava flats and affectionately beating the shit out of him. Din hasn't had a hand to hand fight without Luke's powers getting in the way in so long that fighting Cara now seems slow- predictable. Cara seems surprised by his newfound skill, but still manages to toss him like a sack of grain, Din hitting the ground and staying there, laughing like a fool. Cara collapses on the ground next to him, bumping her shoulder against his pauldron. Her chest rises with her own uneven breaths, broken by her laughs, and she's still chuckling when she talks.

"Remember Sorgan?"

"Mhmm."

"That widow was super, super into you."

"She was nice." Din agrees, Cara snorting next to him and continuing her thought.

"Why does everyone you meet fall in love with you? Is it the fact that you can fight?"

"You in love with me, Dune?"

"Very funny, Mando." Din snickers quietly, turning his head when he feels Cara shift next to him. He finds her watching him, eyes narrowed, and Din sits up, suddenly feeling vulnerable laying on the ground the way he is. Cara doesn't move, watching him as a smile grows over her face. "Have you ever fallen in love? Before Skywalker?"

"If I say yes, will you believe me?"

"Not a bit." Din bobs his head in a nod, as if that makes sense, and Cara sits up, smile fading into something softer. "He's good for you. You laugh more than you used to."

“Maybe you’re just funnier.” Cara laughs, but Din can’t deny that he feels… Happier. With Grogu and Luke he feels like he has a purpose, like he’s more than a faceless bounty hunter scraping by. He has a home, a clan to go back to, and that thought sobers him. He’s never dreaded being away from Luke, enjoyed being able to go out and get what they didn’t have, but he misses him. It’s an itch he can’t scratch, the lonely ache in his chest when he’s gone, but it makes going home, seeing the look on Luke’s face that much sweeter. Which he should be doing, he realizes. “I’ve gotta go.”

“Yeah, me too. Duty calls.” Cara rises to her feet first, holding out a hand and hoisting Din to his feet. Din tightens his grip on her hand, standing there for a moment. Cara grips his hand tighter in response, smiling and letting him go when his grip loosens. She shoos him off in the direction of the port while she heads the opposite way, and Din’s trip back home is spent in quiet contemplation.

He still has no idea what is going on with him, with Luke’s power, but there aren’t any other options other than talking to him about it. It shouldn’t seem like such a daunting task, but how do you tell the man you’re very much in love with that his powers do weird things to you without ruining the relationship? Din supposes he could just be straight forward about it, like he is everything else, but his cheeks burn already just thinking of the admission. Din will just have to buck up and face that conversation when the time comes, because the planet they call home is rapidly approaching, and soon Din is too busy with landing the ship and unloading to think much more about it.

Luke is waiting for him at the edge of the city, Grogu balanced on his shoulder, little hands in his hair as Luke floats rocks in a circle above his head. Din’s heart goes fuzzy at the sight, and the closer he gets the more the feeling of Luke washes over him. It’s a pleasant, buzzing warmth under his skin, one that Din didn’t realize he’d missed, and he adjusts the heavy pack against his back.

“Did you see me come in?”

“Sensed you. Everything go okay?” Din hums noncommittally, closing his eyes when Luke reaches out to cup the back of his neck, drawing him in and pressing his forehead to the cool metal of Din’s helmet. This close with Luke’s fingers on the back of his neck, twitching in time with the rocks orbiting them, Din feels an echo of what Luke must feel all the time. An unearthly, groaning abyss of something around him, permeating the air in layers that never quite let up. Din steps back, Luke’s hand falling away, and he can breathe again, eyes opening in time to see a curious expression flit over Luke’s face.

“Hungry?” Din asks, desperately wanting to shatter the fragile thing lingering in the air.

“For your cooking? I think I could settle.” Luke grins, wincing when Grogu pulls his hair, gurgling happily and reaching for his father. Din chucks him gently under the chin, voice fond.

“Yeah kid, me too. Let’s go home.”

-*-

Din really, really doesn't know how to start this particular conversation. Grogu is down for the night, snoring loud enough to wake the dead, and Din has finally let himself somewhat relax. He’s got Luke up on the counter, or rather, Luke had seated himself on the counter while Din cleaned up, and Din hadn’t let him down since. Din leans into the fingers in his hair, eyes closed as Luke trails kisses over his cheekbones, the bridge of his nose, his forehead. The feeling of Luke’s hands or lips on his face is a novelty he still hasn’t gotten over, and Din can tell he’s grinning when Luke bumps their foreheads together.

“You’re thinking.” Luke prods, Din leaning harder into his touches. “Have been since you got home.”

“Your jetii mind powers tell you that?” Luke snorts, pressing a soft kiss to Din’s mouth before cupping his cheeks, thumbs pressing lightly under his chin to tip Din’s head back. Din blinks his eyes open, locking eyes with Luke, who wears a soft frown on his face.

“They don’t have to. What’s eating you, Din?”

“Nothing.” Din’s stomach twists uneasily at the sad twitch of Luke’s lips, but he leans forward, kissing him without thinking and smiling when Luke softens under his hands, a hand sliding into Din's hair to hold him close. Din doesn’t pull away to talk, letting his lips brush against Luke’s with every word. “I have… to figure out how to say it.”

He expects Luke to protest, or argue, but Luke hums against his lips and smiles. “Okay.” Din makes a noise, a question, and Luke’s smile grows wider. “We’re adults, Din, I can wait until you’re ready to talk. For now, how about we spar?”

“It’s pitch dark outside.”

“That’s never stopped us before.” Luke points out, and well… He does have a point. Anticipation curls in Din’s gut at the thought, and he takes a step back, letting Luke slide off the counter, straightening his clothes and brushing a hand through his hair to let it fall back over his forehead. Din grabs his helmet on the way to the door, slipping it on and swallowing so his ears will pop as the pressure regulates. He allows himself a moment to pop in and check on Grogu, but he’s sleeping away, clutching the new toy that Din had brought back with him.

Din shivers when cold, firm pressure curls around him, and he stalks outside where Luke waits just inside the treeline, wagging his fingers mockingly and grinning when Din draws his blade. He’s used to the intense, fevered glow of the darksaber by now, and the green glow from Luke’s saber is a welcome sight, even muted by his visor. Din walks in a slow, even circle around Luke, watching and waiting for the telltale roll of Luke’s wrist right before he gets serious. He watches, and he waits, shivering when the feeling of Luke’s power swells, latching onto him with singular focus as Luke lunges for where he’s about to take a step.

Din is expecting that, though, darksaber already in place to intercept the blow, and Luke’s eyes flicking up to his as sparks rain from their blades. Din pushes back, shoves into Luke’s space and pushes him onto the defensive. It’s probably a mistake to do so so soon after their match has begun, but Din is fueled by the fire that rages through him when Luke fights, eyes flicking back and forth, tracking Luke’s movements as their sabers meet over and over again in showers of sparks that sizzle against his chest piece.

Luke pushes harder now, using his powers to throw Din off balance, to test his limits of what he can fight against while trying to gain the upper hand at the same time. Din’s hands are steady around the hilt of his saber even when the rest of him shivers and twitches with each brush of Luke’s power. It’s easy for Din to lose himself in the feelings of fighting, the shuffling of his feet and the way his heart pounds in his chest as he leans back, narrowly avoiding a lightsaber to the side of the head.

“Watch it.” He barks, glaring when Luke grins sheepishly and adjusts his angle. His helmet can take as much as his armor can, but his neck is semi exposed and Din doesn’t want to lose his head.

“You can stop, if you want.” Din growls at that, because that isn’t what he meant, but the firm hand of Luke’s power clamps down on him, dragging him forward as Din brings his sword up, letting it hiss and spit against Luke’s shield as Luke’s hand brushes over his hip. The touch is quick, fleeting and gone, but Luke’s handprint lingers like a brand, and when Din tries to take a step back, jerking against Luke’s influence his power surges up around Din, raking over his skin in fluid waves of ecstasy. A gasp escapes him before he can help it, loud and raw, and Luke’s lightsaber dies out abruptly. A hand wraps around Din’s, thumb finding the button on the hilt and retracting the blade of the darksaber as Din’s head empties out. “Din-”

Another wave of feeling cascades over Din then and he takes a step back, sweeping Luke’s legs out from under him in one smooth movement. Luke goes down with a shout and Din is on top of him before he can move. His beskar digs unforgivingly into the soft parts of Luke’s body but Luke doesn’t seem to care, struggling against him, fingers digging into the padding of Din’s hips. Din presses down, trying to pin his hands, but Luke’s legs come up behind him, hips shoving up and throwing Din off balance. Din topples forward, hands slapping the dirt on either side of Luke’s head as Luke’s arms wrap around him, rolling them over and over until Din’s head is spinning and Luke’s got his back pressed into the dirt.

Din struggles against Luke’s hold, knowing that they’re just about as easily matched as they can be, but phantom hands clamp down on his ribs, keeping him in place as Luke moves, shoving Din’s legs apart in favor of fitting himself between them. Luke stares, blue eyes wide and dark in the low light filtering through the trees, and Din’s back arches uselessly off the ground when Luke’s power flushes through him, heat pooling between his legs and lips parting as he chokes on a keening cry of Luke’s name. The lock on Din’s helmet pops hard enough for Din to feel it, and Din rips it off himself, pulling in huge, gulping breaths of air as Luke leans over him.

Din hardly has a chance to breathe between the onslaught of phantom touches tracing every inch of him and Luke kissing him senseless, but he doesn’t care. He buries a gloved hand into Luke’s hair and twists the strands between his fingers, lapping into his mouth and groaning when Luke presses his hips forward. “Luke-”

“That’s what you were thinking about.” Luke breathes, pulling back just enough to look at the way Din’s cheeks flush.

“It’s not-”

“Don’t lie, Din, it doesn’t feel nearly as nice as this does.” Luke rolls his hips forward, drawing another gasp from Din’s lips and grinning when Din presses his thighs tight to Luke’s sides. “Is that why you left early?”

“Yes- no- you won’t stop touching me.”

“And that’s a bad thing?” Luke tilts his head, considering, but Din’s hand drops to grab weakly at his hip, tugging him forward, and Luke rolls his hips again, giving Din just an instant of friction.

“I can- can feel whenever you- do your magic thing. It's distracting." Luke huffs out a laugh, and the reprimand that it isn’t magic is on the tip of his tongue, Din can tell, but Luke tilts his head suddenly. His brow furrows just a bit, determined, and Din’s hips buck up off of the forest floor when concentrated feeling brushes over his cock. Din's breath goes funny almost immediately, odd, hiccupy gasps, and his fingers dig into Luke's hip. “Luke-”

“So sensitive.” The Jedi purrs, leaning down and kissing along the edge of his jaw. Din arches his neck, whimpering, and Luke latches on, sucking soft marks into the sweat lined skin Din bears for him. “Should have told me about this before, Din. What fun we could have had.”

“Telling you now-” Din’s thigh jerks, and Luke laughs huskily as Din’s breath chokes off in his throat, whole body going taut as he comes. Din can feel Luke smiling against the column of his throat, but whatever control Luke is exerting only gets worse, dragging along the sensitive bud until Din is writhing, trying to both get away from the sensation and chase it. “I need- I-”

“I’ve got you. Tell me what you want, Din, I’ll give it to you.” Din brings both hands up to grab at Luke’s hair, dragging him into a wet, messy kiss that he can only half focus on. He doesn’t know how to articulate what he wants past the hot, insistent ache between his thighs, but Luke has never truly needed words when Din wants something bad enough. Luke groans against his lips, kissing him hard before pulling back, pressing their foreheads together in an effort to get Din to concentrate. Brown eyes so dark they look black bore into blue, and Luke’s eyelids flutter before he looks back down at Din. “You’re sure?”

Din nods frantically, tilting his head to nip at Luke’s lower lip, and Luke snatches at Din’s hip just to have something to hold on to. The first phantom press of Luke’s power against Din’s hole has Din groaning, and when Luke allows that feeling to press in, to slowly and surely spread him wide Din’s head falls back against the ground with a thud. His whole body quakes under Luke’s, hips rolling down uselessly into the sensation of Luke using his powers for something decidedly inappropriate. Luke pauses, breath shuddering from his throat, and Din moans, muffled when Luke kisses him, trapping the sound between the two of them as Luke’s hand draws back, the phantom feeling drawing back as well.

It makes Din whine, being empty, but then Luke is pressing back in, deeper and more insistent and Din sees stars. Heat rockets through him with each shove of Luke’s power opening him up and keeping him full, and Din loses track of time completely. It’s a feeling he’s never had before, being so completely full yet knowing that Luke isn’t moving a muscle. It’s too hot for him to feel any kind of shame, and he groans when Luke pops the button to his fly, tugging the zipper down and shoving his hand past the layers of his clothes. “Luke-”

“I can only focus on one- fuck you’re wet-” Din laughs breathlessly at the first slick slide of Luke’s thumb against his cock, the laugh petering off when Luke’s power surges, pressing up harder into him and making him clench down. Din bites down on his lower lip to try and dampen the noise, not wanting to be loud, but Luke’s free hand comes up, thumb snagging his lip from between his teeth. “Don’t hide- don’t-”

Din moans out loud, unable to help himself, and Luke’s thumb slips into his mouth, pressing against his tongue and dragging over his teeth. Din tries to wrap his lips around the appendage and suck but Luke presses his thumb in, Din choking softly until he lets his jaw go slack. Luke eases his thumb back, letting Din flick the tip of his tongue over the pad of his thumb while moaning lewdly. It’s shockingly loud in Din’s ears, his cheeks heating in embarrassment, but Luke moans right along with him, shaking in between his legs and other thumb speeding up on his cock. Din whines, trying to warn him, but Luke’s only focus is on him, on the wet warmth of him and keeping his power firmly filling Din up. Din’s body can’t tell whether the sensation is warm or cold, but it doesn't seem to matter much when Luke rubs a tight circle on his cock, thumb applying firm, steady pressure that sends Din careening over the edge for the second time in the span of only a few minutes.

“Good?” Luke whispers, hand stilling once Din whines at the overstimulation. Din nods, but his skin is still crawling with need and he only has one thought in mind.

“Want you in me.” Luke swears under his breath, a rather colorful word that makes Din wheeze out a laugh. Luke draws both his hands off of Din to wrestle with his clothes, unlatching Din’s thigh plates and yanking his pants down his hips. Din helps as much as he can, shoving his boots off and letting them fall somewhere in the dirt behind them and then twisting so Luke can yank his pants down off his legs, tossed to the ground somewhere near them. Luke hurries to get the fly of his own pants undone, but he doesn’t have to remove anything, just pulling his cock out and groaning at the first touch.

Din goes up on an elbow, watching with heavy lidded eyes as Luke strokes himself a few times, smearing the precum that gathers at the tip. Din lets his legs fall open wider, other hand sliding down to spread his lips, and Luke’s eyes flick down to watch with interest. “You’re gorgeous.”

Din scoffs, but his chest is warm with affection and he smiles when Luke shuffles forward, kissing him sweetly. Luke’s hands pet over his hips as he lifts him to settle easier in his lap, thighs tucking under Din to support him. It’s a bit weird to have all the rest of his armor on still, but he’s sufficiently distracted when Luke grinds his hips forward, slipping through the slick that’s made a mess of his thighs. “Oh.” Din gasps out when Luke angles his hips, pressing in slowly yet steadily. The phantom fucking that Din experienced earlier was definitely cold, because the hard, insistent filling of Luke’s cock burns in the best way. “Oh- LukeLukeLuke-”

Din’s hips lift of their own accord, easing the angle, and he’s so sinfully wet that Luke slides in faster than he means to, pressing to the hilt and voice cracking on a moan. Din shakes, clenching down on the length of him, and Luke pitches forward, forehead pressing into Din’s collarbone as his hips snap forward, forcing a loud, breathy noise from Din’s throat. Luke braces one hand next to Din’s ribs while the other grabs at his hip, steadying him as he breathes in slowly through his nose, letting it out through his mouth moments later. “You’re tight, I-”

Luke’s words strangle in his throat when Din purposefully squeezes down around him, hips rutting forward messily. Luke is gorgeous and amazing like this, eyes firmly shut and jaw clenched in concentration as a moan falls from his lips, and Din can't help but stare. "You can move." Din teases, smirking when Luke peeks an eye open to glare down at him. "Really, I won't bre- ah-k!"

Din nearly eats his own words right there when Luke pulls back, slamming his hips home and grinding hard against him. Din tightens around him in response and Luke groans, hand sliding down over Din's thigh to hitch his leg higher. It changes the angle just enough to skate over that delightful little spot inside of him, and Din sighs Luke's name. Done with the teasing, Luke finds his rhythm easily, thrusting into Din in long, even strokes, pressing deep enough each time that Din's thighs quiver around him.

Din feels hazy in a way he hasn't in a while, unable to think of anything other than the way that Luke feels in him, feels between his thighs, pressed so deep inside of him that he sees white. Din can feel when Luke loses his careful focus, rhythm going wonky and fingers twitching uselessly against Din's thigh. While he's still working toward Din's own pleasure his is rapidly approaching, and Din's heart swells at the careful attention Luke pays him. Here he is, having come twice already, and Luke is still trying to make him go again. Luke's eyes snap to his, half wild when Din very firmly thinks of what he wants, and Luke's nodding his head without really seeing, hands moving to grab at Din's ribs and haul him up. Din sits up, carefully shuffling his thighs and settling heavily in Luke's lap. The new position presses Luke deeper inside him still, making his toes curl, and he moans when Luke's hands grab at his ass, blunt fingernails digging in. Din grips Luke's shoulders as he lifts his hips, dropping them down as Luke thrusts up, carving hard into him and fucking him open. Din presses their foreheads together, panting and occasionally trying to kiss him before their rhythm forces him to pull back again.

"So good for me, fuck I love you-" Din grins then, tightening when he drops down and basking in the needy whine that drifts from Luke's lips. "So much- love you so much-"

"Come, Cyar'ika." Din whispers, listening as Luke whimpers, nodding jerkily as he fucks up desperately, groaning and hands sliding down a bit on Din's ass to spread him wider. Luke doesn't last after that command, eyelids fluttering shut as he presses up, hips stuttering and grinding up in small, tight thrusts as warmth paints Din's insides. Din's eyes roll back in his head at the feeling and he sags heavily in Luke's lap, keeping him pressed deep as he slots their lips together.

It takes Luke a few seconds to catch on, one arm shifting to lock around Din's hip and hold him still while his hips roll up, fucking his own mess into Din and chasing the last dregs of his release. Luke's other hand slips between them, wrist cramping as he traps Din's cock between two knuckles, letting Din grind up into his hand and whine against his lips. His movements are lazy the entire time, placated, and Luke takes his time tasting the moans that Din lets free while working himself between Luke's fingers. His third orgasm is nowhere near as all enveloping as his first two, just a hazy warmth that bleeds through him and makes him throb around Luke, finally settling as Luke pulls his hand back to hug him close to his chest.

The beskar makes it a bit odd to press closer, an unnecessary barrier, but Luke acts as if it isn't there at all, hands wandering over Din's back plate and occasionally brushing a clump of grass from his cloak. Luke eventually just tucks his face into Din's neck, seemingly dozing with Din in his lap. Din has almost drifted off himself, warm and happy when Luke speaks, voice groggy. "How long?"

"How long what?"

"Have you felt me manipulating the force?"

Din hums, shrugging and leaning his head against Luke's. "Couldn't pinpoint an exact day. After we kissed the first time. Every time after that."

"So when we spar you…"

"Most of the time. Sometimes I can drown it out, like I would an injury."

Luke scoffs, but it's playful, and Din shivers when Luke's fingers trace idle patterns over the small of his back, just under the edge of his back plate. "Thanks Din, so glad to know it's an injury."

"You try being hard all the time." Is all he says back, Luke laughing and conceding the point. "I was afraid of what it means. It- doesn't happen with anyone else."

"Good." Luke says, a note of possessiveness coloring the edge of his voice. "You're sensitive to those you care about. If that person just so happens to be a force user it- creates a unique kind of feedback loop."

"You knew this would happen?"

"Nu uh. Read about it once, in an old text. We aren't supposed to have attachments, so it never seemed prudent. I couldn't be sure you even knew what was happening half the time we talked without me actually speaking."

"That isn't part of the force that's just…"

"You being sensitive." Luke kisses Din's neck gently, breath warm across Din's skin. "It's different with us. You aren't just guessing- you know, even if your waking brain doesn't. You used it earlier, to tell me what you wanted."

Din's cheeks flush at the memory, but Luke is entirely earnest, sitting back to look Din over carefully. He must like what he sees because the blonde man grins, Din's cheeks flushing darker as his face pulls into something resembling embarrassment. Hiding his expression is something Din is woefully bad at, and he knows every twitch of his face betrays him, how he's feeling. Luke's hands smooth over his hips, thumbs pressing into the line of his hip bones, and Din turns to frown at him, brows twitching upward.

"Don't tell me you want to go again." He deadpans, Luke's lips quirking in a small, teasing smile.

"Mm, tempting, but I was more thinking of going to take a shower." Luke's thumbs don't stop their slow, even press and Din shivers, shoving lightly at Luke's chest and lifting himself up out of Luke's lap. He's expecting the mess that standing will make, but Luke's fingers shift and Din gasps as cool pressure fills him up, fingers digging into Luke's shoulders. Luke's hands slip down to cup the sides of his thighs and he leans forward, placing a soft kiss on the skin below Din's belly button.

"Luke." Din's voice is sharp, a warning more than anything, and Luke hums, placing one last soft kiss before rising to his feet as well. Din doesn't particularly want to get redressed, but he is not walking his bare ass into the house in fear that Grogu is awake, so he shoves his legs back through his pants, leaving them unbuttoned. Luke has his boots and thigh plates in hand already while Din pads over to where his helmet was discarded, scooping it up and tucking it under his arm. Luke holds out his free hand, wagging his fingers until Din rolls his eyes and takes his hand, allowing himself to be led inside to their now shared room. Luke drops off Din's stuff and turns to strip him of the rest of his armor. "I can undress myself."

"What am I supposed to do then?"

"Undress yourself." Luke scoffs at the idea, waving his hand, and Din rolls his eyes again. Once his armor is off Din drags Luke to the refresher, stripping himself out of his clothes while the water heats. Din is standing there, arms crossed over his chest, watching Luke undress when he sees Luke's fingers move, just a small crooking of his fingers. Din shudders, hand shooting out to grip the edge of the sink as the pressure inside him fades, and Din's cheeks heat at the way come drips onto his thighs. Din stands resolutely by the sink even when Luke slips into the shower, willing the strength back into his knees and only moving when he's sure he isn't going to fall over.

"Coming?" Luke calls, peeking his head out of the shower and snickering at the glare Din levels his way.

"You're an ass." Luke hums, cheeky grin on his face, and he holds a hand out, allowing Din to clutch onto it as he takes a step over the edge of the tub. Luke turns them immediately so Din can be under the warm water, regardless of the way he shivers, skin already wet. Din tips his head back, letting the water slick his hair back and paste it to his temples.

Despite Luke's teasing and general cheekiness his movements are tender as he helps Din wash up, occasionally leaving light, chaste kisses on the slope of his shoulders just to have an excuse to be close. Din basks in the attention afforded to him, and he's all too happy to do the same, hands mapping over the scars lining Luke's body and working soap through his hair. Luke's hair is longer, finer than his, and while Din's hair stands up with no prompting Luke's falls around him in loose waves, curling at the nape of his neck.

By the time that they finally make it out of the shower Din is half asleep on his feet, shuffling along behind Luke back to the bedroom. He can still hear Grogu snoring away on the other side of the house, so he doesn't feel bad when he collapses onto the bed, letting Luke manhandle him until the both of them fit nicely under the covers.

"So," Luke begins as Din is just beginning to drift off again. "Is this an every time thing?"

"Go to sleep, Luke."

"I'm just asking!" Luke says defensively, laughing when Din digs his fingers into Luke's ribs to make him squirm. "Fine fine, but you have to tell me in the morning."

-*-

Din is pleasantly sore when he wakes up the next morning, just a faint ache between his legs that he enjoys more than he should. The sun hasn’t risen yet, light barely straining to lighten the sky, but Din feels too awake to go back to bed. Instead he goes up on an elbow, glancing down at Luke’s sleeping form. He sleeps spread out, much like a star, wholly unused to sharing a bed with anyone and taking up as much space and blanket as he can. Din on the other hand, is used to sleeping in tight quarters, and it’s all too easy to tuck himself in the space that Luke does leave for him. Which seems to be growing with every night they spend tangled together.

Luke’s face is young, devoid of the usual calculating look or serene expression he wears at all times if he can help it. He’s so wildly expressive when he wants to be, quick to frown or grin and make a joke, but Din feels… Emptiness sometimes. Like the feelings that Luke wears are more like a shield, rather than actually being his. Din doesn’t know much about Luke’s training as a Jedi, and is still learning about his past, but Luke had mentioned more than once that Jedi weren’t supposed to have attachments. That they made them weak, susceptible to the dark side that Luke always seemed so serious about. But here now, Din doesn’t feel weak.

Din finds himself touching Luke, gentle and easy, tracing along the scars on his chest and dipping down to follow their jagged, racing edges with his lips. One scar drifts under his nipple, so close that Din can’t help the way he detours to flick his tongue over the bud, smiling when Luke shifts, chest rising with quicker breaths. Din doesn’t stay there long, not quite wanting Luke to wake up and say something that he thinks is funny so early in the morning. He just wants to touch him, to let his hands drift, fingers trailing the bumps of his ribs that become apparent when Luke breathes in. Din sits up further now, moving slowly so as not to disturb Luke too much, and he skims his hand over the plane of his chest, up toward his shoulders and down one arm, over his bicep and finally stopping to cup his forearm.

Luke’s arms are impressive, corded with muscle but not enormous like Boba- There’s an inherent delicacy in Luke’s form that betrays the strength hidden there, and Din enjoys it immensely. He knows that Luke leans into the look, in letting people underestimate him the same way that Din’s armor and presence demand more. Din places his hand on Luke’s stomach, watching the way that Luke twitches when Din drags his fingers over the lean muscle.

“You’re affectionate.” Din hums when Luke speaks, voice groggy and eyes still closed. Din doesn’t bother stopping even knowing that Luke is awake, but now that he is awake Din’s hand drifts lower. Luke makes a soft noise at the soft brush of Din’s knuckles against the insides of his thighs, Din nudging his legs a bit further apart. Luke shuffles his legs at Din’s insistence, and Din presses his thumb into the crease of Luke’s thigh and hip, huffing a laugh at the way that Luke’s hips shift. He does it again and sees Luke’s stomach clench, flexing as his breathing goes funny. “Din, you know what that does to me.”

“Mhmm.” Din slips in between Luke’s legs easily while he’s distracted, bringing his other hand up to apply equal pressure to the other side too. Luke’s back arches weakly off the bed at the odd, wobbly feeling that Din made him describe the first time he touched him this way, and Din uses his elbows to keep Luke’s knees from digging into his sides. “We have time before Grogu wakes up.”

“Insatiable.” Din laughs at the way Luke’s voice rasps from him, and Din drops a hand to boldly take Luke in hand, watching the way Luke’s lashes flutter as his hips roll upward. “You’re very far away, Din.”

“Right where I want to be.” Luke’s breath hitches when Din shuffles himself down, left hand smoothing over Luke’s thigh, circling under to tuck his leg up and out. Luke plants his heel in the bed, adjusting himself as Din hums and dips to kiss the soft skin of his inner thigh. Luke croons at the affection, the sound dissolving into a whine when Din nips lightly and then sucks, coaxing a mark to the forefront. Din settles himself down on his front, propped up on his elbows and breath ghosting over the soft curve of Luke’s cock. “You had a question last night.”

“Hmm?” Luke murmurs, hardly seeming to pay attention. Din leans down to lap at the base of Luke’s cock, lips curling in a smile against the soft flesh when Luke gasps.

“Your question, Luke.”

“Ah, shit, umm- what we did last night, with the- ah- force-” Din trails his lips up, letting Luke feel the warmth of his mouth so close while Luke tries desperately to form a coherent thought. Luke seems on the verge of being able to say something when Din takes the head into his mouth, sucking lightly and a hand shooting out to grab at Luke’s thigh, forcing him back into the bed as Luke whines. “You- are impossible-”

Din watches as Luke goes up on his hands, one hand reaching down and fingers threading in Din’s hair. Din hums, bobbing his head in appreciation as Luke’s fingers tighten in his hair. Din looks up as he hollows his cheeks, taking Luke deeper and raising a brow. He lets his thoughts, normally so guarded, flow from him now, and Luke groans, whole body shuddering. Luke’s power rushes up his spine, pooling at the back of his neck and sinking into the base of his skull, vision going dark as Din closes his eyes, swallowing Luke down in earnest.

I want it to be every time. I thought you were uncomfortable around my use of the force, but this whole time- this whole time you liked it.

Luke’s voice is clearer than Din has ever heard it, and Din feels the first cold drag of Luke’s attention against his ass and thighs, raking over his skin. Din can’t do what Luke does, but he tries to show him, to share with him the way that Luke’s powers feel. He thinks about last night, when Luke had grabbed him and overwhelmed him so thoroughly so quickly, and Luke twitches in his mouth, hand tugging on his hair. Din rises with the insistent pull at his scalp, allowing Luke to guide him up and then back down, and Luke huffs out little noises above him, soft and needy in the still of the morning. Din gives him everything he can, thinking about the first time that Luke’s power had excited him, had left him aching and confused and lusting in a way that he was wholly unfamiliar with.

The times in between, when Din was left taking cold shower after shower, trying so desperately to garner back some kind of control until the next echo of Luke’s power sent him reeling again. The warm buzzing that hid under his skin, reaching a crescendo whenever Luke touched him with those strong, talented hands of his.

It never seemed to stop either- Din’s lust was an all consuming thing, a constant want that burrowed in his skin, lit him up from the inside. Din’s mind comes back to him slowly as the pressure at the base of his skull lessens, and he blinks back tears as Luke grinds up into his mouth. He isn’t sure how long he’s been like this, letting Luke see everything while using his mouth, but he can feel his hair sticking to his temples and his jaw has only just begun to ache.

“I didn’t know-” The sound of Luke’s voice, real and rough sends a shock of arousal through Din, and he pulls back, swirling his tongue around the head while Luke tries to speak. It gives him a break, but most importantly it draws the softest moans from Luke, and if Din’s mouth weren’t so preoccupied he’d smile. Instead he sucks particularly hard, chuckling as Luke’s thighs bracket around his head, Din’s hand coming up to keep Luke from squeezing too hard. “Didn’t know it was that way for you.”

Din pops off of Luke’s cock suddenly, surging up onto his knees and crowding into his space to kiss him. His lips are wet and he doesn’t doubt that he tastes like Luke, but Luke throws an arm around his neck and hugs him close, lapping into his mouth as Din wraps a hand around him, creating a tight fist that Luke bucks up into. “It isn’t just the force thing.” Din says, bumping their noses together as he pulls back.

“No?” Din wants him to know, needs him to know, love burning in his chest in time with the pounding of his heart.

Din laughs, bright and stupid and happy, and his wrist twists, drawing a keen from Luke as his hips stutter. “You’re too cocky to pretend you aren’t attractive, Luke.”

“Rude-”

“Stop talking.” Luke scoffs in offense, but Din stops touching him in favor of shoving him onto his back, Luke offering no resistance. Din trails kisses down Luke’s body, occasionally stopping to nip at a spot that makes Luke whimper softly before moving on. Din settles himself back down between Luke’s thighs, and he admires the healthy flush of Luke’s cock, the way it curves proudly up against his stomach. He doesn’t think he’ll ever get used to the sight of Luke spread out like a banquet before him, chest rising and falling and lined with sweat, hair a mess. Luke throbs once Din gets his mouth on him again, and Din can tell he’s close. It seems cruel to keep him in so much suspense, so Din takes him down to the root, swallowing around him and lifting just a bit when Luke’s hips shove upward.

He doesn’t mean to draw back, to make Luke whine, and he soothes hands over Luke’s hips, rubbing at the sensitive junction of his legs in apology. It only takes him a moment to adjust to the weight of Luke on his tongue again, and he allows Luke to fuck up into his mouth, to chase his own pleasure as his hand comes back to grab at his hair. He holds on like without the feeling of Din’s hair in his hands he’ll float away entirely, and Din finds the small tugs whenever Luke presses up just right too attractive to tell him to stop.

Din feels that rush of power push into the base of his skull again, hard and quick, and Din’s hands clench, fingers digging in hard to the meat of Luke’s thighs at the first rush of Luke’s orgasm. He feels, tastes and experiences Luke’s release: his own body sings with it, thighs shaking in tandem with the way that Luke’s do as Din swallows down around him. Din draws back enough to lap at the sensitive spot just under the head of Luke’s cock, groaning at the small taste that he gets in reward as Luke basks in the aftershocks. Din pulls back when he’s able, panting raggedly and wiping at his mouth with the back of his hand. His thighs are still shaking, Luke’s pleasure floating through him in lazy waves, and he slips up to lay along the length of Luke’s body, arm around his waist and head pillowed on his shoulder.

He knows that Luke has regained most of his sense when a kiss is pressed into his hair. “That was new.” Din observes, feeling Luke’s laugh echo through his ribcage from where their bodies are pressed together.

“Like it?”

“It was okay.” A rush of affection makes his stomach flop pleasantly when Luke hums, obviously amused but too sleepy to laugh. Luke turns to face Din, resting on his side and skimming his hand up and down Din’s side. The attention is nice, the simple touch warming him, and when Din deigns to open his eyes the sun has finally begun to peak over the horizon, bathing the room in swathes of oranges and yellows. “Just enough time.”

“We have more.” Luke muses, hand sliding down and catching behind Din’s knee. He stops, letting the offer hang in the air, and Din shifts forward, lifting his thigh in answer. Luke maneuvers himself closer, hooking Din’s thigh up and over his hip and dipping his hand lower. It’s a bit of an odd angle to work at, but Luke adjusts easily, hoisting Din up the bed a bit and grinning at the way Din draws in a sharp breath at the manhandling. He chokes on his breath completely at the first brush of Luke’s fingers against him, teasing over the sensitive edges of him before finally, blissfully moving more centrally. The first pass of Luke’s fingers tugs him open, and Din can hear the wet sound that Luke’s fingers make on the second pass, smearing the slick that’s collected in the time that Din was otherwise occupied. “Never get tired of this.” Luke breathes, humming when Din presses his hands to Luke’s chest to anchor himself.

“Sap.” Din murmurs, voice soft. Luke grins, bumping their foreheads together and watching, enraptured at the way Din’s eyebrows pinch at the first press of Luke’s fingers into him. It’s a bit of a stretch to take two at first, even with as desperately as Din wants this, but he hitches his thigh a bit higher, opening himself more as Luke rubs against his walls, crooking his fingers in a come hither motion that has Din’s fingers curling uselessly against his chest. Din’s brain goes fuzzy as Luke thrusts his fingers slowly, curled just enough that every time he pulls back he rubs just right, dragging over the little bump that makes Din’s thighs shake. He hadn’t even thought about himself when he’d woken up this morning- Luke had given him so much last night, had accepted and loved him more than he could ever ask for, but here, pressed chest to chest, breath mingling, Din has never felt more appreciated.

“Can I show you something?” Luke’s voice is soft, hesitant, but Din nods immediately, scratching lightly at Luke’s chest and gasping when Luke presses his fingers up deep, stilling. Din whines, clenching around his fingers, and he’s so distracted by the feeling that he doesn’t register Luke’s power latching onto him again. Din feels a dizzying sense of vertigo, and then he’s sucked somewhere into a memory, an image that’s firmly burned into Din’s mind just as much as it is Luke’s.

It’s the first time they were together, after Din had confessed, when neither of them were sure of each other or what to do. Din remembers the night as being hard and fast, something passionate, and it is, but the way Luke’s hands had held his hips as Din sat astride him, Din’s hands splayed low on Luke’s stomach to brace himself as their hips rocked together… That was love. Luke held him so gently, guided his hips when he lost his rhythm and never asked for more than Din was willing to give. Luke had paid such close attention to him then, always had, and his hands had scorched over Din's skin with each hesitant, shaking touch. Looking at it now Din doesn’t know how he ever thought that this could be fleeting, the all consuming magnetism that drew them together time and time again.

Luke draws him back out of the memory slowly, easing him back to the present, and Din snakes one hand up to cup Luke’s cheek, drawing him in for a shuddering kiss. His hips rock forward against Luke, egging him on, and Luke gives him what he asks for. Luke's touch is gentle, not wanting to hurt him, and Luke curls his fingers again and presses up against his g-spot, rubbing even as Din’s thighs begin to tremble and jerk with each sensation. He’s up on a razor wire and he doesn’t know how long he can last before it snaps, breaths coming faster and faster until Luke presses just right, flicking his tongue against Din’s and sending Din spiraling Din keens into Luke’s mouth, thighs numb, and Luke grins, working him over until he’s sobbing against Luke’s mouth.

“Luke please-”

“You’re okay, Din, breathe.” Din can’t, he can’t even think past Luke’s fingers still buried deep, and Luke groans, rolling Din onto his back and slipping from his arms. Din feels so empty that he clenches weakly, chest rising and falling as he pants, trying to suck in a proper breath. Din doesn’t care if his mind is wide open or if Luke can see the desperate, pained way he’s hanging right on the edge, he wants so badly that Luke being away from him makes him whimper. Din opens his eyes, staring up at the ceiling and trying to get his eyes to focus so he can see where Luke has gone, but then Luke’s fingers are sliding back into him at a new angle and Luke’s clever, wonderful, hot mouth is on his cock, tongue flicking just right- so right-

Din’s hands fly down to grab fistfuls of Luke’s hair as his back arches, and Luke’s mouth and fingers finally snap that wire inside of him. Din chokes on a cry of Luke’s name as he shakes apart underneath him, grinding down against Luke’s lips and gasping when Luke sucks very pointedly. Warmth rushes through him, making his muscles go loose and warm, and he slumps back into the bed, fingers trembling in Luke’s hair every time that Luke’s tongue slides against him in broad, slow licks. Luke is very, very patient, and he doesn't move from between Din’s thighs until Din lets go of his hair, content to use his mouth until Din is ready to be done. Din shifts his hips, wordlessly asking Luke to pull his fingers out, and Luke does so slowly.

“Okay?”

“We’re doing that again.” Din croaks out, Luke laughing and shuffling to sit between Din’s legs. Din traps him between his thighs, not letting him move, but Luke isn’t planning on going anywhere, blue eyes dark with lust as he slips his fingers into his mouth, sucking the mess from them as Din groans at the sight.

“You only have to ask.”

“Why is this the first time I got your mouth?”

“Wasn’t sure if you were comfortable with it.” Luke says, but there’s something different about him, a sort of confidence that wasn’t there before. “You showed me- a lot, when you were distracted earlier. What you liked, what you thought about when you were- frustrated.”

Both Din and Luke know that isn’t the word either of them would use, but it makes affection bubble in Din’s chest all the same. He reaches out for Luke, pulling until Luke’s weight rests fully on top of him before he kisses him, muttering against his lips. “Make note for next time.”

“Next time?"

"You could use more practice with your mouth." Luke pauses, pulling back to look him over, and a tender yet smarmy grin colors his face, eyes bright.

"I think I can manage that."

#dinluke #din djarin #luke skywalker #trans din djarin #force sensitive din djarin #major sluttiness #nsft #it's basically all smut lets be real #Im

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sketch--booked · 4 years ago

Text

It's 6am, I just woke up from another dream--

--about Echo returning.

And it's another island adventure dream but FAR MORE OOOHHH OKAY THAN OWWIE OH NO. It had the same energy as Nya trying to figure out who Samurai X was. And Echo was not a villain this time.

Actually the dream had the S14 guy as the villain, the one with the mask, spoilers.

It started with a fight between masked man, who's name I neglect to remember, and the ninja. They barely even get a chance to fight him before someone in a hodded cape swoops in and kicks him clean off his thone/podeum. They guy lands poorly and his leg gets messed up but continues fighting while the ninja just s t a r e at them.

The ninja only make a real reaction when they see the mystery man use the element of wind, and they're all utterly bewildered.

The mystery man can't hold them all off and is knocked far into the forest, presumably dead considering how far he went, and the rest of the ninja are separated into groups (Kai and Cole, Nya and Zane, Jay and Lloyd with Wu and Misako).

It followed Kai and Cole mostly, just discussing the possibility of two elemental masters of wind (they recalled Krux and Acronix) and that this guy could be dangerous. While they're talking, they bump into the motionless body of that cloaked person and Kai literally nearly pukes. Cole manages to get close to the guy and with prompting from Kai, pulls back the hood to see, not a man, but a nindroid! And a nindroid that looked eerily like Zane.

That's when it cut to Lloyd and Jay, they're talking with Wu and Misako about the mystery man, and this is where Wu info dumps that, after an elemental master passes without any heirs, the elements will take an unknown amount of time to present itself in a new host. It depends on that persons destiny and whether or not they're fit to use it and yada yada.

Lloyd understands that this would mean morro would no longer be the elemental master of wind, since after the DotD, he legit died and is gone for good. Which resulted in the element passing on. Wu comments that this is the fastest he'd seen an element passing on and presenting itself, and says that whoever this person is, must have been picked for a very good reason.

Jay then starts making a ridiculous list of people that he thinks could be the new master of wind, despite Wu telling him the probability of Jay knowing this master, is near impossible (Jay gets a kick outta this r e a l soon).

Then we hop back to Cole and Kai, who are freaking out over the rusty version of their friend who somehow has elemental powers too??

Kai says they should leave him here, saying it could be an evil nindroid, since they were also based off of Zane's prints. Cole argues and says they should take him back for questioning, and that Cole would be very happy to carry him.

While they're arguing, the fake Zane starts to wake up, and in a comedic way, screams at Cole and Kai, who in turn also start screaming. The mystery nindroid awkwardly chuckles and remarks that this was not particularly how he wanted to introduce himself, but anything works...

Kai and Cole begin questioning him and he answers their questions, starting with his name, telling them his name was Zane, but upon seeing their reactions, he says they can call him Echo.

Echo tells them they need to get into shelter, since at night, the island becomes unbearable and deadly. Kai and Cole reluctantly follow, continuing to ask questions while the three of them walk away, Echo limping from his earlier fight.

"Why are you on a random island?" Kai asked

"My raft washed up in a lightning storm." Echo replied.

"So did Julien build you too?" Cole continued.

"Yes, I would reluctantly say he is, in essence, my Father"

"Reluctantly?"

Echo did not answer.

Cole broke the silence "Where did you come from?"

"There is a lighthouse, in the-"

"-middle of the ocean between ninjago and the dark islands. You were there?" Kai interrupts.

"You know of the lighthouse? You were there?" Echo wondered "How come you did not know of my presence?"

"Your father never said anything, neither did Zane." Cole answered his question, giving the earth ninja even more of his own.

"Oh, no. My brother would not know of me, I was built in the lighthouse, not--wherever he was built" Echo confirmed "How did you get past the leviathan?"

"Zane swam to the chains and broke them with those star thingys" kai shivered, recalling those star shaped demons--

"Oh, you mean the Starteeth!" Echo begins laughing lightly "You know, one time, a bunch of them washed up and ate through the window in the basement. The basement was flodded and made me all rusty. I couldn't move for a week!" He walked slightly ahead while laughing hard.

He suddenly stopped laughing and looked serious "Looking back on it now, it was probably not funny."

Kai and Cole shared a look before Cole jumped up, realising something, and whispered close to Kai.

"Hold on a second, we completely forgot about his powers!"

"Oohhh, you're right! Hold on, I'll ask 'em."

Cole was going to pull him back to explain how shouldn't just--ask--but Kai had already begun running to catch up.

"So how did you end up an elemental master?"

"An ele-mento-who-what?" Echo fumbled his words.

"An elemental master? Y'know, with the crazy wind powers."

Cole was ready to punch Kai out, the man couldn't be subtle to save his life, which it just might right now.

"Oh! Honestly, Red, I have no idea." Echo had called Kai, Red, as the other two masters had not given their names. "I just remember the lighthouse getting nearly blown into the sea after weeks of strong winds. I had not realised the strong winds were the cause of my emotions. It was--new and scary. Gizmo was there to help me."

"The little cleaning robot? You brought that little guy with you too?" Cole caught up with Kai and the second wind master.

"Of course, he is my only friend! I would not abandon him the way I was. That is too cruel of a punishment for any being, organic or metallic." Echo yelled, a breeze shook the trees. Cole stayed quiet, but silently apologised to the nindroid.

Their questions were ended as they came across a half-cave-half-hut-like shelter. Where the settled and only prayed for their respective brothers.

There was a lot more small talk in the dream but I cut it down to the funnier and more important parts.

The next bits of the dream is fuzzy, but I know it revolves around the ninja reuniting and accepting the mystery person into their group while they defeat the evil and escape the island.

Kai and Cole agree to Echo's pleas to not tell Zane for the time being, as he doesn't want Zane to see his brother for the first time looking like--how he looks.

Each of them get some interactions with Echo, with his identity hidden, remaining mute as to not throw them off with his voice. He even has an interaction with Zane where Zane politely asks Echo not to keep staring at him, as he's been doing that since they came together. Zane pegs his curiosity to "he's never seen a nindroid before" and Echo confirms that for him. (unknowing the truuuuth aaaaa)

I'll write Jay's interaction with Echo another time maybe, and how he figures it out, since hoooo boy it hurt. Echo didn't remember Skybound so Jay's just mentally torturing himself for the rest of the journey.

The ninja that find out its Echo is Nya, Jay, Cole and Kai.

I'm gonna jump to the end, because my dream also jumped to the end? Rip. But the end what what gave me the Nya and new Samurai X vibes, but less fighting and more chill chat.

He was on a real boat. Not a makeshift raft constructed out of his father's old bed, table, chairs and shelves, not pushed forward by his newly explained "elemental powers". A real boat, one that would take him away from tiny islands that kept him prisoner, away from the existential dread of loneliness. He'd be free. Free from fearing his last day would be solitary and sad. In one day alone, he'd made a literal boat load of friends. They wouldn't abandon him, not as his father once did.

He was happy, he felt really, truly happy. But he didn't smile. Yes he had friends, but what he wanted more than anything else, was his brother. He was right here on the boat, but Echo's own worries about how his brother would perceive him, how his brother would react to seeing him in such a state (Upon first meeting too! Talk about first impressions), persuaded him to otherwise say nothing.

Deep down, Echo knew he had nothing to fear, he'd heard stories from his father, before he'd locked him away, about Zane and about what it was like--just the two of them. Happy. And from what Echo had seen, Zane was more that strong. Not just physically, nindroid and all, but mentally and emotionally. Echo only wished he had that confidence, the ability to say nothing but be so loud at the same time.

It would make talking to him a lot easier, if he had to say so himself.

Echo, however, had his thoughts interrupted by the sound of footsteps he hadn't even registered, and a soft, yet firm, hand on his shoulder. He tensed just slightly, preparing himself to pull his hood down further.

"It's nice, is it not?" That voice, it was Echo's voice. No, Echo had his voice. His brother was standing right next to him. So close and yet so far, just one swipe of his hood would bring them together, finally. But he resigned himself to simply nod in response. He hadn't come this far to give up now.

A comfortable silence covered the two like a thin layer of snow, fitting considering who was standing next to him. It would almost make him laugh.

"You fought well, out there," Zane started, Echo had thought he was done and nodded again, a small smile forming on his face. Zane may not have known who he was complimenting, but Echo took every moment of it with pride. But then his world span at Zane's continuation.

"For a nindroid."

Zane looked down with a small smirk. Like he'd told the best joke in history. Echo tightened his grip on the wooden railing of the bounty, crushing the paint under his permanently short nails. Zane must've noticed, but didn't say anything. Either in respect for his privacy or because he wanted to hear the confession himself.

In Echo's mind, he was obviously panicking. He didn't want his brother, someone who he'd heard stories from his father, the bot he was built off of, his singular role-model, to find out who he was, like this?

Despite the fear in his ticking heart, he did something probably really stupid and something that would likely result in his downfall. He thanked him.

"Thank you... How- how did you know?" Though, he lowered the pitch oh his voice. It would not be difficult for Zane, or anyone really, to rase the pitch and find out who he was, it still calmed him down just a bit.

"A nindroid knows a nindroid. A brother knows a brother."

Oh I'm f*ucked...

There was only panic, in his systems. The ticking of his clockwork had never sounded louder in his ears. It'd drowned out the sounds of water, the automatic breathing he for some reason had, the cracking of wood underneath his palms was the only sign that ticking was not the lone sound in the world.

He fell out of his anxious trance when the hand left his shoulder and those footsteps came back. No. They were moving away. Echo looked back, moving his fingers to clutch his hood tight against the unintentional winds that now followed him and his emotions. He could see Zane walking towards the steps of the bounty, but halted at the top of them, his hand instead lazily laying on the banister.

"Don't worry, I won't tell them-" He called, just loud enough for Echo to hear over the breeze.

-about what? That he knows who I am? That he'd practically lied to them? That he knew everything all along, because of course he knew, this was Zane, how could he not know, he-

"-Cryptor."

Echo ceased all thoughts from his head. Cryptor? What was that? Was that some kind of fruit? Or a vegetable?

Echo turned his body in the direction of his brother to ask him or at least say goodbye, but he was gone. He'd walked off and down the stairs. Leaving behind not so much as a sheet of frost.

The clockwork child stayed standing there, pure surprise, fear, relief, confusion--actually a lof of emotions he didn't know how to process--flooding his brain. If it weren't for the distant voice of Nya yelling about the sudden gusts of wind changing their direction, he would likely not have moved from that position until they landed.

Cryptor. He thought, it must be a nickname. There was no way he couldn't have figured out Echo was his sibling. He'd said, "a brother knows a brother", they didn't have any other siblings. Right? No. It was just them, just the two of them. The only two nindroids in Ninjago.

His father had said so himself. Although, his father had also buried him under scrap metal and kept him hidden from his family.

Anything could be truth now.

Although Zane had left, and there was no one to hear him, he still felt it necessary to acknowledge what happened. Quietly and sadly, he spoke with a smile.

"Good guess, brother."

SO Uhh I'm gonna assume this was because i watched DotD last night,,, and so both Cryptor, and Morro were on my brain hense wind and Cryptor calling Zane "brother", but I always have Echo on the brain man,,, so uhh. Echo for the new master of wind? Anyone? I think it's cute,,,

I probably missed something, other than writing Jay and Echo's interaction, Jay was so sad throughout the rest of the dream, man. And Echo didn't even know why, it was heartbreaking---but it was also a dream and like all my dreams, they never get made into real things.

But I did like the Zane and Echo bit at the end though. There was a second ending, but it relied on the reveal of echo to the audience at the e n d of the dream. Zane still says Cryptor and Echo turns with the camera getting close to him. And as he turns his head to the camera, you see its Echo and then he says "good guess, brother" BUT NGL I THINK IT HURS MORE WHEN WE KNOW FROM THE BEGINNING SOOO.

My dreams are whack dudes,,,

Also this took nearly 3 hours to write its actually 8:50 now Soooo ilya

#ninjago #ninjago zane #zane julien #ninjago echo zane #echo zane #s14 spoilers #Probably?#I means some folks don't know it's a jungle adventure so #Yeah sure S14 spoilers #ninjago cole #ninjago kai #They were in there for a bit so I'll tag em #sketch has a dream

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