#(some of them in s1. the others in s2 and basically all actually in s3 (referencing certain things that very few people know lol Explore tagged Tumblr posts

[s-ccaam-era-crepe]

oh btw questions are open for the bap crew families <33

[danandfuckingjonlmao]

something that has bothered me about tua seasons 2-4 is the inconsistency of the relationships between the siblings.

starting with klaus, in season 1 ben and diego were his people. ben and klaus were always shown together in the flashbacks to them as kids and obviously every second of the show because klaus was the only one who could see him. but like… they were CLOSE. SO FUCKING CLOSE. they were the most SIBLINGS of all the siblings.

that continued into season 2. ben was randomly a bit colder towards klaus but they were still so fucking close.

and then ben left, and klaus for the first time was alone without his person. everyone else lost a brother when they were 17, except klaus. so he had to grieve ben for the first time. that didn’t happen, though. there were many nods to them being close, and then of course steve blackman pulled a steve blackman which means weird unnecessary incest implications, but it wasn’t clear just how close klaus and brellie ben were even though it had to be hard to be around someone who looked like ben and was kind of ben but also wasn’t ben.

and with diego, it also seemed like he and klaus were incredibly close. diego older-brothered klaus constantly s1 and they gave off the impression that they ran into each other a lot in the city during the years since leaving the academy.

then they completely disregarded it for the rest of the seasons. in s2 and s3 there a few interactions that could lend credence to this but for the most part it seemed like they threw it out the window.

allison and klaus had no clear relationship in season 1. they had some incredibly minor sibling interactions but nothing that indicated they were anywhere near as close as they imply in season 4. season 2 they were close and then season 3 not a lot of interaction. but s4 makes it seem like they have always been incredibly close which doesn’t make sense!!

five and viktor have a relatively consistent friendship, although s4 doesn’t really give viktor any relationship development with his siblings. same with five, if anything he just gets his relationships destroyed but that’s a different post!!

allison and viktor also are pretty consistently close. the implication is that they weren’t as kids but that they really try to be as adults, and i do like their relationship overall.

luther and allison nasty ew kill it with fire. like i thought we established in s2 that incest is weird actually and that we weren’t doing that and then season 3 came along and whatever whatever shut up.

diego and luther’s relationship is fun. they go from adversaries to himbo besties and it’s relatively consistent.

luther and viktor have similar growth. luther goes from piece of shit basically causing the apocalypse s1 because of how shitty he was to viktor towards really wanting to make things right and being the big brother he always should have been. they didn’t really have a relationship s4 but WHATEVER.

i feel like five and luther were together a lot the first two seasons and that very much changed. i’m not even that upset as i think five having character arcs with each sibling is good since he missed so many years with them (other than him and viktor they were always close and should have remained that way).

i think allison and diego and viktor and diego having relationship development would have been cool. in the comics viktor and diego have a band so we know they’re friends. and in the show allison and diego don’t have too many interactions but the ones they do have are SOOOO SIBLING and i adore that.

ben and viktor have some closeness s3-4 (and the end of s2) but it’s not really something we see, more so we’re just told. and then random flashback to them hanging out as kids before the mission which was confusing.

i think five and klaus were done the dirtiest with the relationship inconsistency. i understand wanting different characters to have arcs with different people, but when you sacrifice the established relationships and basically put your characters on shuffle then you also sacrifice character consistency, development, growth, etc.

i think a big problem is how many characters they brought on last season. there wasn’t time for consistent relationships among the brellies when they had to use a shit ton of time building new characters and relationships (and immediately killing them all off which was A Choice).

anyway just wanted to write out thoughts about this. would love to know other people’s thoughts (or headcanons about the siblings).

[late-draft]

Hello, Dema here!

First off—I have fallen desperately in love with your artworks. You have a very particular style, strong and fluid all the same, and I can't help but admire the way you draw and how you approach character design.

And talking about character design...

I saw your post about Zuko's bold design in S1 when compared to what we got in S3 and—as much as I love S3-Zuko—I completely agree with you. Something I've always loved about Zuko in S1 is just how striking he was, how much of a presence he had, even when he was being tossed around by a twelve-year-old. That being said, I love Zuko, I love him in armor and pointy shoes and with a ponytail, and I loved your alternative design for him.

What do you think about his S2 character design? How does it flow with the story beats and his overall character arc? Much has been said about the Hair-Growth-Means-Character-Growth (and I find it interesting, also, that he cut his hair again before joining the Gaang), but I'd like to know your opinion on how that translates to character design and how the decisions made in the show could be either good or bad in that regard.

Sorry about the long ask! I've just been thinking about this a lot, lately, and would like to know what you think. Hope you have a good day ❤️

AAAA Dema hii!!! I'm so happy I got a message from you, I didn't expect it!!

I'm super glad to hear, I'll wear it as a badge of honour and I must tell you that I also love your art, you wonderfully do volume and the shading done through a contrast of sharp and soft areas! Super solid anatomy too and I'd be lying if I said I didn't look up to your art!

Yess the character designs in the show actually are rather strong, I like a good balance between memorable and functional. Zuko is just *chef kiss* but, considering just how many appearance changes he goes through, some are bound to be weaker than the starting one. That said, I'm gonna go through a few of his S2 looks and make this reply long, ha!

The starting one when he ends up huddling with uncle Iroh with other poor refugees, fits extremely well for the narrative at the moment. It's actually one of my least liked looks for him, and that's great!! It's precisely how it should be, because he's also arguably at one of his two lowest moral points in the story - he basically lost almost all hope, no clear goal, nothing to fight for, he's desperate precisely because of the lack of orientation and thus his morals degrade and sink veeery low. He gets on my nerves so goddamn much in this period LMAO I want to beat him up, he looks like a recovering drug addict... annoying, entitled whiny jerk stealing food and anything shiny for his uncle, but even then he just does not cross the moral event horizon. Excellent characterization. He just looks atrocious and it's great because it fits this low point.

Next he gets the standard boyish square of a hair, no notes here...

But theeeen, he arrives at one of my favourite looks of his, and it's not just because the clothes fit him very nicely (I've seen fandom say they look too big for him which, maybe?? But it doesn't look like he's swimming in them to me) And a thing I've noticed which, maybe it was just an accident on design part but I'm not sure considering they colour coded the entire cave scene; in this part his clothes match the shape of Katara's, first one in bottom then the one in top. The collar is the same haf-circle design but I don't know, maybe there was a limited pool of clothes designs guide which they cycled through. Or, he really is meant to come close but miss Katara by a beat, like sine and cosine chasing each other.

But besides this outfit fitting the inconspicuous Earth Kingdom customer service persona, it also (perhaps inadvertently) does this VERY cool thing:

It makes his shape look closed off and guarded, supposedly non-threatening. It's most visible in his fight against Jet, whose shape is open and goes in many directions like an aggressive star. But then look at what Zuko's shape does:

When he attacks, it opens up to reveal the hidden aspect, again the aggressive star shape shows up! The same thing happens in "Zuko alone" episode but I think it's most clearly visible in this fight against Jet because here he has a direct contrast and comparing with Jet. I think this is an example where the outfit, whose similar design exists irl, overlaps with a great visual metaphor and enhances the narrative at that moment in story. He's still that combative firebender but he has to keep that aspect concealed most of the time. Plus it just looks badass as hell!!

Animators really knocked it out of the park with many frames. I think Jun was too early and missed his better hairstyle, but Katara was just in time.

I agree it's super funny how his hair in the Beach is awfully long, covers his face to an uncomfortable degree and then he apparently shortens it before joining the Gaang, insane behaviour Truly an "I'm so angry and depressed I won't show my face nor be capable of seeing anything because there's nothing nice to see in my life" look...

I guess all his appearances in S2 cover his mental states, but only one of them is extremely Extra (the tea server, doesn't even take the apron off and goes to fight) and I don't see any spot where a similar tier design could be shoved in, narratively speaking. So all in all, S2 did as much as S2 could have. More tea server arc please though, the Guru episode really feels like it skipped 800 km of plot and everything that happened in it is so crammed and pretty sus in terms of character behaviour.

[bemusedlybespectacled]

Question: I enjoyed s1 OF OFMD, but for various reasons I never actually got around to watching s2 (pick up most of the plot from tumblr tho). What exactly went wrong in s2 that got so many people upset?

Oh, boy. Very long rant incoming.

So, for context, S2 had a significantly smaller budget, which necessitated moving the filming location to union-unfriendly New Zealand, reducing the number of actors/number of appearances of established actors, and cutting down the number of episodes from 10 to 8. In a show where each episode is only about half an hour long, that last one alone was enough to seriously hamper any character development or plot. I am very comfortable putting the vast majority of the blame on HBO because of these financial decisions.

The short version is that Jenkins et. al. needed to address and build on the problems left hanging in S1 while also getting the characters to the end of their character trajectories in case there was no S3 while also leaving room for additional episodes in case there was a S3, in a grand total of four hours, and failed.

The long version is that there were a bunch of what I'd consider small problems in isolation that came together and exploded in the S2 finale.

The reduced cast necessitated breaking up the crew (ex: having Swede marry Jackie and stay on land with her, so they don't need to pay Nat Faxon for all eight episodes) and not spending as much time on their relationships as S1 did.

The reduced time meant that the entire season was rushed (in contrast to S1, which takes place over at least several weeks if not months, most of S2 takes place in roughly five days), leading both to a lot of telling rather than showing (because they don't have time to show you), including vital character and relationship development.

This includes:

Having the Kraken half of the crew beat Ed to death after months of being abused by him – abuse that is clearly shown to have given them PTSD and a well-justified fear and hatred of him – only for them to be okay with him two in-universe days later;

On that note, having Stede dismiss the crew's concerns about Ed because he loves him and also we only have three more episodes left to fit in everything so we need to get over it really fast, even though Stede is supposed to be well-meaning and caring (even if he's not good at it all the time);

Resolving the issue of Stede abandoning Ed in one day, then having them "go slowly" in their relationship for two days and then have some spur-of-the-moment sex, and then the next afternoon have them break up over their diverging career aspirations, and then the day after that resolve that problem and retire on land while the rest of the crew sails off into the sunset;

Stede becoming a fantastic pirate captain over the course of one day, becoming wildly popular in the piracy world two days later, and then deciding the day after that to never be a captain again because he is retiring with Ed;

Having Ed and Stede decide to retire together as what is implied to be the end point of their relationship arc, when none of Stede's issues from S1, like his poor self-esteem, have been so much as mentioned by anyone, implying that he's either magically gotten over them or they don't matter all that much, actually, even though they were the catalyst for basically everything he did in S1;

Ed having two separate character crises – "I am an unlovable person" and "I want to do something with my life other than piracy" – not spending a lot of time on either one, having moments that clearly indicate he is still working on both problems and they have not been resolved, and then apparently having them both be resolved in the final episode despite nothing occurring to actually make that happen, and in regards to the latter, despite the story actively undermining it by repeatedly showing he can't do anything other than piracy;

Related to the above, Ed ending the series as allegedly being loved by the crew as a family (thus solving Crisis #1) despite this never actually being shown, demonstrated, or even fucking alluded to onscreen. If anything, it shows the exact opposite.

This last point is especially galling to me because of what is probably the most divisive issue in the fandom right now: killing off Izzy Hands after giving him seven episodes of character development.

The show begins with the Kraken crew clearly trying to use the skills they learned as part of Stede's crew to cope with their incredibly shitty situation and care for each other, which includes Izzy. Izzy, on his end, tries to protect the crew and speak up for them, which results in him being repeatedly hurt (both implicitly, as Ed at one point says "that's another toe" in response to Izzy advocating for the crew and we later see he's missing more than one toe already, and explicitly, as Ed shoots him in the fucking leg in front of the crew when he stands up for them).

This camaraderie is shown again and again and again. Frenchie, Jim, and Archie take care of Izzy while his leg is infected, at risk to their own lives. Izzy's misery over losing his leg is what unites the PTSD-ridden Kraken crew and the well-meaning-but-ignorant-of-PTSD marooned crew, who are initially at odds, to make him a new prosthetic leg. Izzy gives Lucius advice about forgiving Ed. Izzy is introduced to drag and opens up enough to sing at a crew party, and the whole crew is having fun together while Ed and Stede are in their cabin having sex for the first time. Izzy gives Stede pirate captain lessons and bonds with him when Ed leaves him. Izzy provokes the season's villain into focusing on him and then gives a big speech about how piracy is about belonging to something, giving the rest of the crew time to try to escape.

Recall that Season 1 had some pretty well-established universe rules, one of which was that it runs on Muppet physics/magical realism. People can jump off yardarms, hit the side on the way down, and be perfectly fine. People can get stabbed in the liver and it's totally okay because it's probably not that important, and even can stay pinned to a mast all night that way with only mild discomfort. Buttons can talk to birds and see long distances without a spyglass and put hexes on people. Good people can be hurt (Stede is stabbed repeatedly), bad people can die (the Badmintons, Geraldo), but no one we care about is ever killed.

This is repeated in Season 2: Ed is beaten into a coma with a cannonball and wakes up like Sleeping Beauty after a spirit journey, with no injuries to his face or body. Buttons turns into a seagull after spending an episode doing a magic ritual and is never seen again (because they couldn't keep paying Ewen Bremner due to the budget cuts). Jackie microdoses her husbands with poison to build up their immunity, so that she can later pull a Dread Pirate Westley and poison the British with shared drinks.

So: in the finale, the villain of the season is taken hostage by the pirates (for reasons? unclear how that fits in the plan), happens to have a gun on him (no one checked??), shoots Izzy on the right side and then leaves with no repercussions. The entire crew stands around silently doing nothing while Ed cries over Izzy and tells him that he's his only family.

And Izzy fucking Hands, the guy who just spent eight episodes bonding with and protecting everyone, uses his last words to reassure Ed that him becoming Blackbeard/the Kraken was Izzy's fault and that the crew is Ed's family and they all love him. No one else says anything to Izzy or tries to comfort him or help him in any way.

I repeat: in a show predicated on the idea that bullies and bigots die stupid deaths while queer people and POC are basically magic, a show that was praised for being kind to queer people by not making them worry about their faves suffering or dying, a show founded on the strength of the relationships between the characters, the guy who went through a season-long arc of learning to embrace his pirate found family and his own queerness is shot for stupid reasons on the side we're told isn't important and dies while everyone just stands there. His last words are about the whole crew loving Ed when the only person that the whole crew has loved all season is him.

Anyway, never mind all that, let's cut to Lucius and Pete getting married and Stede and Ed retiring!

Complicating all this is that people who liked Izzy (or even said anything insufficiently mean about Izzy) were harassed for months in between seasons with insults, slurs, and actual fucking death threats. Izzy's growth was kind of a vindication for liking him: it meant that, despite all the harassment, we were right to like him and care about him as a character. Even people who didn't like him initially started to like him during Season 2.

And then he dies, and now there's a bunch of people saying that Izzy fans are big whiny babies who can't handle fictional death, and actually his death was so meaningful and beautiful and the only logical end to his arc, and it can't be bad writing because people die in real life all the time, and also he admitted he fed Ed's darkness so actually he was a terrible person all along anyway and they were right to hate him (and his fans)!

So, yeah, there are a lot of reasons why it's so hated, and I'm probably only addressing the problems of the pro-Izzy people (from what I can tell, BlackBonnet shippers who don't like Izzy think Ed and Stede's relationship is fine and dandy, but I'm sure that there are other criticisms they have that I have not addressed). I'm not even addressing the issues with Jim and Oluwande's relationship this season (and whooo boy are there issues).

It wasn't a universally bad season. There were episodes I really loved and still do. But the finale was a train wreck, and because it was a train wreck, a lot of people are looking back at what happened before the wreck and realizing that, oh, the train lost its brakes and steering because of the budget cuts and the engineers kept throwing fuel in the engine to make it go faster, and huh, now that I think of it, that part earlier in the trip was really wobbly but I didn't pay much attention to it at the time because I was sure the engineers had everything covered.

[mia-maybank]

My predictions for heartbreak high season 3

-A backstory on Ant's homelife and how the map affected it -it feels like they built it up all s1 then s2 Ant was drunk or high 90% of his screentime so it feels like he was substance abusing to escape his family issues? Idk but I'm praying they give us this type of storyline in s3.

-Malakai realising he was infact just running from his problems so he comes back -he needs to address everything properly and finally have some happiness because the poor guy has been dragged through the mud in the previous seasons.

-Miss Obah helping Spider with his mother and Woodsy helping Ant with his homelife -Miss Obah makes it pretty clear she doesn't like Spider and it seems like Woodsy just sees Ant as a class clown so I think it would be interesting for them to both realise they are actually just struggling kids with shitty parents.

-Quinni and Sasha becoming close friends & Sasha redemption arc -with Sasha being vice captain they will be working together a lot, which will be interesting with them being exes. It would also be a good chance for Quinni to help Sasha realise her opinions or the way she goes about expressing her opinions is toxic and help her change for the better.

-Miss Obah talking Spider through a panic attack -because lets be real Spider bottles all his emotions and vulnerability up so it's bound to come crashing down at somepoint, plus it would be a good way to make Miss Obah realise that Spider's just hurt rather than the complete dickhead she thinks he is. It would also probably be the first time Spider has an adult figure look out and care for him and that would be good for him.

-Cash forcing Darren to sit down and communicate properly -because I love Darren but they definitely don't know what healthy communication is and to be endgame (which if they aren't I will personally riot) they both need to sit down and fully figure their shit out.

-Missy and Ant friendship -with Missy dating Spider and Ant being Spider's bestfriend it's kind of a given and she would be a healthy person to give advice to Ant.

-Missy, Spider and Ant having that dynamic where Ant is basically Missy and Spider's child -because Spider already has such a soft spot for him and I can just see them both giving him advice together and looking after him, especially if Ant gets a storyline about his parents being neglectful.

-Lots of Ant and Spider friendship screentime -in the first two seasons they are practically attached at the hip so the writers better keep it that way for my sanity.

-Malakai's reaction to Missy dating Spider as well as Spider apologising to Malakai if (when) he comes back and Malakai being shook by the fact that Spider's actually changed - it would be a good way to show Spider's really trying to change plus I feel like Malakai's reaction to Missy and Spider being together would be so funny.

-A scene where Malakai is hurt because he thinks Amerie just ignored his letter and Amerie is like "what letter?" -the writers have literally set this up by burning the letter and I'm now terrified.

-Dusty coming back to Hartley -they could so easily make up a reason for Dusty to come back and I think it would be interesting to see how he fits back in now Spider is growing to be a better person.

-Ant finding out Harper made the map too and being upset about it since it literally outed him and Spider going full protective best friend mode -the fact that everybody still fully blames Amerie just doesn't sit right with me and with Ant probably being the most affected by the map (considering his Christian parents) and with him falling for Harper he would definitely feel the most betrayed.

-Ant coming out to Spider properly or having a conversation with him about his sexuality -I think the writers just completely forgot that Ant is canonically not straight and it would be nice for it to be acknowledged, even in a small way.

-Cash self harm storyline and the others finding out the meaning of his name -This was set up with the writers revealing the meaning of his name at the end of s2 so it makes sense.

-Spider having less trust in teachers after Voss, leading to Woodsy and Miss Obah finding out Voss slapped Spider -because he literally slapped a child surely the wiriters won't forget about it and just move on??

-Ant breaking down sobbing in Spider's arms or vice versa -they are each others first point of comfort so it makes sense they will lean on eachother throughout their family issues. Plus I could so imagine a scene of Spider just completely breaking down in Ant and Missy's arms because he seriously does just bottle everything up until he explodes.

[steddieunderdogfics]

This week’s writer spotlight feature is:  @wynnyfryd! Wynnyfryd has 34 fics in the Stranger Things fandom and all of them are in the Steddie tag!

i don’t know, you figure it out

Plot Holes

biting you biting you biting you- oh! kissing you!

Satanic Ritual: DO NOT WATCH!!

She's got some of the FUNNIEST writing in this fandom, and it's very snappy too like. She's an editing demon for sure, she can take a concept that I'd think would take paragraphs to explain and find the right words to make it hit just as hard with like, two sentences. I also really really love how descriptive her metaphors are, really visceral sometimes, and she's really good at writing realistic life events but still making them fun to read about even when it's about like, devastating shit. The sex she writes is also intense as hell! -- @griefabyss69

Below the cut, @wynnyfryd answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

I am but a humble bisexual — I see two beautiful brown-eyed men makin’ beautiful brown eyes at each other, I go a little insane for two years. It is what it is.

What’s your favorite trope to READ?

late-night moments of quiet hopeful hesitant intimacy over a shared joint or cigarette. Thin wisp of smoke between them, stars dancing in their eyes. Yeah. YEAHHHHHHH 

What’s your favorite trope to WRITE?

This isn’t really a trope so much as a dynamic, but I love a good dipshit 4 dingus dialogue-heavy scene. Don’t get me wrong, I think Eddie and Steve can both be very smart and knowledgeable in their areas of interest/expertise, but these are two young dudes with no access to the internet. I love letting them be confidently incorrect dumbasses. Just ‘yes and’-ing each other’s stupidity while an exasperated third character begs for mercy.

What’s your favorite Steddie fic?

Well, this question is impossible and furthermore rude. This question came into my home and didn’t take its muddy boots off. This question never mailed me a thank you letter for my lovely wedding gift. That blender was expensive; the absolute nerve. No but seriously, I think The Lathe by palmviolet is going to stay with me forever.

Is there a trope you’re excited to explore in a future work but haven’t yet?

I’m a big fan of doing canon divergence from different jumping off points — the beauty of having characters live in the same small town their whole lives is that you get so many great opportunities for these “what if our paths crossed sooner” moments.  I have some very loose notes for a S3 fic where Eddie is the movie theater employee who finds Steve and Robin in the bathroom after they escape the Russians, and I also have an old WIP set between S1 and S2 where lifeguard Steve rescues Eddie and then spends the summer teaching him how to swim. Would love to revisit those after I finish the trailer park AU (which I will be referring to as TPAU because my fingers are tired and because ‘toilet paper au’ makes me laugh.)

What is your writing process like?

Uhhhhh. 😂 I mean, for TPAU, basically just insert the scene from Dune 2 of Paul’s first sandworm ride: I’m shaking I’m sweating there is sand in my nostrils and I am surely about to die— oh wait, maybe I’ve actually got this? Am I actually doing it? Oh shit, look at me go!   For one-shots I like to use a more structured outline and bracket method. I start by dividing my doc into numbered scenes, with each scene getting a notes section and a prose section, like this:

This format gives me a lot of freedom to switch up the order of scenes and to move between scenes so I avoid writer’s block. I can also jump ahead to scenes I really want to write without making a mess of my outline. Once I have something written in the prose section of each scene, I go back and work on replacing each bracket with prose until there are no brackets left. Lastly, I create a new blank doc and copy the prose over in order so I can read the full fic and work on edits from there.  

Do you have any writing quirks?

I have been known to abuse a semicolon. And an em dash. And a conjunction at the start of a sentence. Yes, I do have ADHD.   I’m also a lyricist, so I feel like my prose tends to stray into poetry territory pretty often.

Do you prefer posting when you’ve finished writing or on a schedule?

When I’m finished! Which is probably why I tend to stick to one-shots; I get impatient and want to post stuff the second it’s ready.

Which fic are you most proud of?

‘i don’t know, you figure it out’ for SURE. I’ve never written a fic this long or stuck to a writing project this consistently in my life. Like ever. The last time I even came close was my first NaNoWriMo when I was 16, which was, uh… years ago, plural, and I’ll leave it at that. 😂

How did you get the idea for i don’t know, you figure it out?

“There’s a dead rat on his doorstep.” That’s it. That first sentence/scene popped into my head while I was bored at work, and then I started thinking, “hey, you know what? I don’t know that anyone’s ever done a fic where Max and Steve trade places for S4; that might be fun.”  And then NaNoWriMo was coming up, so I thought it would be cool to try live posting a fully improvised fic every day for a month to see how many words I could write. And then this tragic wet cat version of Steve Harrington grabbed me by the throat and took over my whole life.

When writing Satanic Ritual: DO NOT WATCH!!, what was something you didn’t expect?

How SAPPY these two got!! My god, boys, I’m trying to write smut over here, stop having a beautiful existential crisis! (I blame Briston Maroney for that though lol, I think I listened to ‘Body’ like 1400 times that month.)

What inspired Satanic Ritual: DO NOT WATCH!!?

@inklessletter posted this totally gorgeous art of Steve and Eddie recording themselves kissing, and I promptly lost my mind.  

What was your favorite part to write from biting you biting you biting you- oh! kissing you!?

This exchange: Steve: “What? I’m just asking!” Robin: “You’re being embarrassing!” Steve: “No, you’re just embarrassed. There’s a difference.” Like it’s just so them lmao

How do/did you feel writing i don’t know, you figure it out?

You know when you set out on a long hike in the summer and three hours later your calves are screaming and you’re covered in sweat and your sunburn’s starting to itch and this one horse fly won’t fuck off and your cell phone doesn’t even get service out here so literally WHY DID YOU DO THIS TO YOURSELF, and then you climb that last hill and look out on the most beautiful landscape you’ve ever seen in your silly little life? Basically that.

What was the most difficult part of writing Plot Holes?

Ooh, that one was fun! The only real difficulty was trying to keep it to a microfic because the concept could definitely be fleshed out to a full story — @griefabyss69 and I were joking around about “what if someone did ‘plot hole’ for the @steddiemicrofic prompt fill?” and then that fic just fell out of my head in about 15 minutes. 

Do you have a favorite scene and/or line from any of your fics?

For sure! I’m currently super proud of the graveyard scene in the most recent update of TPAU — I don’t write true horror often, but I love horror so it was really fun to give it a try! Favorite line from any fic is probably this reference to ‘You’re Divine’ in my fic Monsoon Season because I love uncomfortably-aroused prude Eddie, and his internal monologue cracks me up every time I think about it: Freddie Monsoon’s debut novel is called The Fourth Chime, and it is, as far as Eddie can tell, the first installment in a series of unapologetically filthy fuck fests about a man whose lover gets flung into an alternate dimension during an apocalyptic event and miraculously returns as some sort of… sexy bat-boy with a fucking horse dong and a bite kink. Critics are calling it “the most romantic novel of the last decade.” It’s me; I’m Critics.

Do you have any upcoming projects or fics you’d like to share/promote?

My main project right now is finishing TPAU if it kills me, but beyond that, I have a few one-shots for @subeddieweek in the works, including a collab with @griefabyss69 that I’m so so SO excited to share. It’s hot, it’s funny, I can’t wait for y’all to read it. 

Outside of these questions, Is there anything YOU would like to add?

First of all, as @wormdebut would say: I think you’re pretty. Thank you so much for all your hard work! I love this blog, and I love answering questions <3 Secondly: - Preheat your oven to 400 degrees. - Toss cubed sweet potatoes and parsnips, sliced sweet onion, and fresh garlic in a mix of olive oil, salt, pepper, and rosemary, and then spread in a single layer on a foil-lined baking sheet.  - Bake for ~40-45 minutes. (Potatoes and parsnips should be soft without being mushy when you poke them with a fork.) - Prep your sauce: I made a dijon drizzle situation by mixing olive oil mayo, a dash of dijon mustard, lemon juice, salt, pepper, garlic powder, and a splash of water, but you could also add a little dab of hot sauce, bbq sauce, or different mustards. Basically just grab like four condiments out of your fridge and play around with the flavors you like until you make a mix that’s thin enough to pour. - Drizzle roasted veggies with sauce. - Enjoy a very tasty side dish (or do what I did and eat the whole sheet as a meal like some sort of parsnip goblin because you were too lazy to make the main dish after chopping all those veggies) okay thank you love you byeeeee

Thank you to our author, @wynnyfryd, and our nominator, @griefabyss69! See more of Wynnyfryd's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[cerastes]

Are there any notable supporters you reccomend? I kinda ignore the class except for gnosis (and I do use scene and deep color in IS a bit) and I wonder if I'm actually sleeping on some fun units.

YOU CAME TO THE RIGHT NEIGHBORHOOD, MOTHER FUCKER, I LOVE SUPPORTERS.

Suzuran - 6* Decel Binder. The moral of Arknights is that children make excellent soldiers, and Suzuran proves this. Her two Talents are really good, as she serves as an incredibly potent SP accelerator for Supporters (+0.4 extra SP per second, so Supporters will charge 40% faster, herself included), and all enemies suffering from Slow (the actual status effect Slow, not the movement speed reduction effects one can find on Manticore or Chung the Hung, for example) in her range are also inflicted with 20% Fragile (so, they take 20% extra Phys, Arts and True damage from all sources). It doesn't have to be Slow inflicted by her, any Slow will do, so Angelina's S2 machinegun Slow will render an enemy vulnerable to an ass kicking quite effectively, as will Podenco's S2, and any source of Slow additional to Suzuran herself. S2 gives her an extra target on every attack, 2 extra targets with Masteries, alongside a minor Attack buff and, more importantly, infinite duration, meaning she can control more enemies at once and better prevent Slow Dilution (what I call when you Slow an enemy, then the next enemy passes them, making them the next target, and so on, diluting damage and clustering them; this isn't necessarily bad but it can be undesired depending on you strategy). Her spotlight stealer, however, is her S3, which expands her range, provides strong passive healing (so unhealables can be healed), doubles her Fragile Talent (40%), and Slows everything in range. Gnosis Fragile is bigger (50%) but he only maintains it in comparatively shorter bursts, Suzuran's S3 last 35 whopping seconds, and enemies that are Slow-immune are far fewer than Freeze-immune. This section is particularly big because, yeah, Suzuran just really does that much, she combos VERY well with other Supporters, can be slotted in any team, and just generally works, I'm not even a Suzuran fan, she's just that jacked.

Podenco - 4* Decel Binder, real name GODenco, also slots easily into any team, can switch to healing on her S1, or provide bursts of Silence, AoE Arts damage and Slow on good upkeep with her S2. She also provides a minor passive buff to other Supporters. If you need to Silence things, you think of the best Silencer, Lappland, but sometimes you need to Silence a LOT of things, enough that Lapp might get overwhelmed, well, that's when you use GODenco S2 and suddenly that entire cluster of 8 exploding spiders won't go boom no more. She's really good for Slow Dilution because of her single target into AoE skill, so she combos really good with AoE hitters like Artillerymen, Fortresses, Chain Casters, Qiu Bai S2, etc.

Shamare - 5* Hexer, a good execution support, as she applies 30% Fragile to enemies in range under 40% HP. Her main hat trick, however, is her S2, her signature Cursed Doll. At S2M3, the Cursed Doll, which you deploy on the field and it affects its tile and the 8 surrounding tiles, will provide an absolutely ungodly debuff of -50% ATK and DEF to all enemies in said range. One of the rare ATK% debuffs in the game, and in my opinion the best, it'll make even Gopnik hit like a wet noodle. What's more, since it's not an active skill, the moment you drop your Cursed Doll, Shamare will immediately begin charging the next one! With a charge of 30 and a doll timer of 15 seconds, her true charge time is 15 seconds. Basically, you can cycle 15 seconds of regular enemy stats and 15 seconds of halved enemy stats. This is legitimately insane. Since Shamare's stats are also unimportant, you can just leave her at E2Lv1 (unless you want her Module, which imo is not worth the lv2+ and I'd only get the lv1 if you really like her) so she can be a cheap and powerful investment.

U-Official - NUMERO UNO CAMPEAO DA PENTA

Quercus - 5* Abjurer. I'll keep it simple here: Her healing with Module is bonkers, and she provides Shelter (damage reduction%) to units in range above 70% HP, 60% with Module Lv3. S1 is her permanent Healer mode, toggable on a long cooldown, while S2 is her burst healing window skill, notable in that it provides SP to healed units throughout its duration. Quercus is sleeped upon, she's a REALLY strong Supporter that provides SP, healing and bulk.

Orchid - 3* Decel Binder. I include her here if you want to play Integrated Strategies, because she's always a good free pick there. She's the Slower that Slows.

Roberta - 4* Artificer. I include her here because my stream audience will disembowel me and chain my flayed corpse outside the Museum of Modern Arts if I don't, she's my meme unit. THOUGH, her Shield-providing, DEF enhancing tools can come in handy.

Valarqvin - 5* Ritualist. The IS4 free unit. Significantly stronger in IS4 due to built-in Necrosis Damage on autoattacks, but even outside of IS4, she can be useful for bursting or key enemy elimination with S2, as Necrosis is a strong effect with a built in, decaying ATK% debuff (again, rare) and unmitigated DoT (total of 12000 damage over 15 seconds, 800 dmg per second). Nothing so far in the game resists this, so go ham.

Angelina - 6* Decel Binder. Angelina's whole thing is that she's not a standout unit in any regard, but she can support practically every team, can so strong sustained damage and Slow against single targets with S2, strong multitarget Slow and reduced Weight for Shifting with S3, and passively increases party ASPD and gives them passive healing (works on unhealables). Angelina is kind of like a crowbar or a length of rope in that she's as useful as you can be creative with her, never as a stand out, but as a good brick in the overall house.

Ling - Limited 6* Summoner. Kind of an obligatory mention, but basically, God Mode. One of the gamebreakers, as she can produce 4-Block replenishable immensely powerful summons with multitarget equal to block, Arts damage, and damaging auras. Yeah. Even without that monster of an S3, she can sub Burst Damage and crowd control really well with S2. Her applications are insane, she's so strong that we can be here all day, so we won't do that, she's a very well documented unit.

Skadi the Corrupting Heart - Limited 6* Bard. Again, another well documented unit, but she can basically E3 your units with the sheer stat heft she provides through her S2 buff, can deploy an extension to this range with her Seaborn Summon, and if you really want to go ham, she can enter Microwave Mode with S3 so True Damage cook the shit out of anything, in addition to providing a really big Attack bonus to units in range while at it. Well documented unit so I'll keep it brief but yeah, godlike unit.

There's a few more, like Proviso and Scene, but that's enough for now. "Your forgot to mention--" I didn't forget, you do it.

I hope this helps, anon!

[yukipri]

Ngl this is sorta making me queasy with excitement/nervousness...

Especially coming right on the tail of:

So even though I will likely be a clown (again) this time tomorrow, here's what I wrote out in the twitter thread above:

Please @/starwars Obi-Wan Kenobi Season 2, this time with Ewan McGregor and Temuera Morrison as co-stars. There's closure now with Obi-Wan & Vader. Next, closure between the Jedi & the clones on Order 66, represented by the 2 we saw experience it first: Obi-Wan and Commander Cody

I know in the latest Obi-Wan comic, Obi-Wan basically goes "I miss Cody to this day, even though he tried to kill me. Ah well." And it just K*LLS me that that's it. Obi-Wan (and most the Jedi) have no clue that the clones were victims too.

Y'all are inserting Order 66 scenes in almost every show, so you can do it one more time, this time in an attempt to understand and gain closure. And this is a story that is genuinely best told through Obi-Wan and Cody. Palpatine sent the Order to Cody, first and most directly.

This is a story that doesn't need to mess with characters like Luke or Leia, who we know we'll see again. Cody is MIA as of TBB S2. Obi-Wan now also has some time after season 1, where we know he can't really be messing with Vader. This story can fit in well.

(heck, you can even insert more Clone Wars flashbacks, including young Ahsoka, you saw how much we all loved that in the Ahsoka show!) This show would let you share more about other clones and Jedi as well. Depending on how TBB S3 ends, we can have some connections there too.

PLUS! Temuera Morrison seems eager for a role. I'd love to see him again as Boba in TBOBF S2 (and have a whole 'nother pitch there), but Cody is a character that Tem personally originated in ROTS. He also had fantastic chemistry with Ewan as Jango!

So I'd love to see them share a screen again. (plus, age-wise, he's kinda closer to double-speed aged Cody than Boba?)

I could go on forever but…yes, please this.

(also can I help write it?😂😭🙏)

~~End Thread

But yeah, I know better than to get my hopes up, and I have been a clown about this many times before (including but not limited for the actual Obi-Wan S1 lmao).

So here I am with my clown mask ready: 🤡🤡🤡🤡🤡

(Edit: added this in the tags but:

It does occur to me that another very possible route they could take an Obi-Wan Kenobi season 2 is doing something with Quinlan, since they left that very obvious thread open in S1.

BUT I would still prefer Cody & clones centric😭🙏)

[starbylers]

Mike’s lack of personal journey in a Mlvn reading of the show: why so many people complain about Mike’s character

Something just occurred to me…I actually would challenge any Mlvn to tell me about a character motivation/internal conflict of Mike’s that does not revolve around El. What struggles does Mike as a person deal with throughout the series? When trying to build an effective, realistic, well-rounded character you can’t have their biggest fear be ‘loosing this particular person’ as Mlvns love to claim is Mike’s. As a writer you have to understand your character’s deepest desires and what drives them at their core, they cannot be purely motivated by an external force. A character such as that will feel hollow, boring and difficult to connect with. This is basic character development stuff.

Examples (simplified to get the point across):

For the whole show, El struggles with finding her place in a world where she feels fundamentally different

For most of the show, Will struggles with his sexuality and feeling like a ‘mistake’

Dustin in s2 deals with his self-esteem and understanding that he is good enough even if he doesn’t have a girl’s approval

Lucas in s4 wrestles with a desire to be popular and to ‘fit in’ which we see him overcome

Max in s4 deals with depression and the process of wishing to no longer be here to realising she actually wants to live

But…what about Mike? A brief Mlvn interpretation of everything he does through the show and why he does it:

S1: he saves and looks after El because he fell in love with her. He also looks for his friend Will.

S2: he is heartbroken because El is not with him anymore, and then madly in love again once she’s back.

S3: he has ups and downs with El because teen relationships are just like that, and then they get back together because they’re truly in love. He’s also too in love with his girlfriend to care about his old interests.

S4: he fights with El because all couples fight, and then rescues her from Nina while taking friendly advice from Will. Finally he confesses his love, which he didn’t do before because he’s terrified to lose her oh and he’s not good at feelings (but they won’t digger any deeper into that last one 🤐).

Like…yeah they acknowledge Mike also helps with the supernatural stuff, he’s smart and observant. He generally takes charge of the group and looks out for his friends, and (at least in earlier seasons) he’s the leader. But those are character traits. Everyone has them. (Max is sarcastic and kinda scary when she needs to be, Dustin can be cocky but is highly intelligent, Lucas is very headstrong and follows his own judgement, Will is sensitive and empathetic). I’m talking about character conflicts/journeys. Can they tell us what journey Mike has gone on as his own person???

And this, this is why lots and lots of people complain that Mike’s character revolves around El (especially since they started dating). This is why people say Mike is the Duffer’s self-insert and is just meant to be a blank slate relatable character. This is why Mlvns characterise him as El’s obsessed loser boyfriend. Because if you view the show through a Mlvn lens then yeah, Mike looks utterly two-dimensional with no drive other than screeching El El El when she’s in danger (sorry it had to be said).

The problem is when you try to dig into what Mike’s deeper motivations could possibly be, it gets very bad for Mlvn very fast:

‘Mike is scared to lose El because he’s worried she won’t need him’

Let’s detach El from that and figure out the root of this problem, what is really going on with Mike here (we already know but just for the sake of my point), because he is a character in his own right and this was a large focus of his story last season.

What do we know? Mike expressed feelings of worthlessness (‘I’m just some random nerd...’) and feelings of inferiority (…‘who got lucky superman landed on his doorstep’) in his relationship. He acknowledges that his and El’s relationship was fundamentally built on her just needing someone. Also, throughout the series we see Mike has a strong desire to help and serve and save those close to him, it’s who he is.

Mike is so clearly driven by a need to feel needed and fears being an unimportant nobody. He doesn’t think he’s special or useful next to El and it hurts him, his self-esteem is very, very low. But Mlvns never acknowledge that, because that would require admitting that a) Will’s words in the van showed he recognises & loves the Mike as the brave and inspiring leader he wants to be, and in doing so soothed Mike’s personal insecurities (because those do exist, and the talk wasn’t just ‘relationship advice’) and b) Mlvn’s relationship makes Mike feel shitty.

Another example:

Common Mlvn interpretation: ‘Mike was spending all his time with El in s3 because he’s in love with her and he is growing out of childish games’

What do we know? (1) Mike didn’t truly loose interest in DnD, he just neglected his interests when he got into a relationship, super healthy (2) He tries to act cool around El (‘Sorry that made me sound like a 7 year old’ / feigning disinterest in Dustin’s inventions) (3) When arguing with Will, Mike frames him getting a girlfriend as being the inevitable progression of life, the opposing choice from ‘sitting in his basement playing games’…but then he joins Hellfire in s4…as soon as El leaves. He didn’t truly believe anything he was saying to Will, he just can’t juggle being himself and having a gf simultaneously 😬.

Mike’s internal conflict here is clearly feeling like he has to grow up, and has to suppress his true identity in the name of achieving that. (And this continues somewhat into s4 with the fake, not-at-all-his-style Cali outfit in El’s fav colours). But again, understanding that requires understanding that Mlvn as a couple is not a safe space for Mike to be himself, and what Mlvns characterise as a normal teenage ups and downs is actually indicative of an unhealthy relationship.

Basically what I’m saying is it makes so, so much sense why Mike is one of the most disliked characters among the GA (aside from like the actual villains) and why he always ends up on those stupid lists. People are sick of him existing just to be El’s love interest. And that is not true in the slightest, but when you aren’t looking deeper than Mlvn…yeah it does look pretty bad, and I understand where they’re coming from. And as much as we say El is the one who Mlvns are obsessed with making everything about her boyfriend, the real victim of this treatment from them is Mike. Even his heart-to-hearts with Will are actually Mike thinking about El, apparently.

This is another reason why I’m so sure about Byler because Mike is essentially the original main character (aside from El I guess). I’m sorry but there’s no way he is the only one the writers managed to mess up this badly when they are capable of adding deeper personal development to characters who are much less central to the story. Even Finn himself said we’ve not been as personal with Mike recently but s5 will remedy that and people will be happy with his journey. The day Mlvns and GA are forced to look deeper at Mike’s personal internal conflict outside of how it relates to El is the day I will know peace 🙏🏽

[chirpsythismorning]

Fun fact: the shot of Mike stepping off the cliff in s1 was likely a visual parallel to Sarah jumping off the stairs in this shot from Labyrinth (1986).

For those that haven't read this theory, please do because I didn’t make these observations myself and the original post goes a lot deeper into the details from Labyrinth, which in some ways align a little too conveniently with the narrative we’re seeing unravel on the show with Mike over the seasons.

For some basic context, in s4, we even get a reference to M.C. Escher’s Relativity hanging on the wall in Mike’s room, which is also on the wall of Sarah’s bedroom, along with that work being what inspired the scene in Labyrinth. 

This next part has actually been talked about before quite a bit in the fandom, even outside of tumblr, so it’s not exactly some breakthrough as a concept on its own.

Every season, in the first scene (re)introducing the main characters, Mike is running late in some capacity. In 1x01 it’s around 3 minutes, in 2x01 it’s around 6 minutes, in 3x01 it’s around 8 minutes, and in 4x01 it’s around 13 minutes. 

So technically not the literal season opener, as that’s usually reserved to a flashback at some different location, but obviously still within those first 15 minutes, following directly after the opener…

And since we already have an idea of what the opening of s5 is going to be, what do we think the scene directly after it is going to be? You know, in the scene that Mike has been consistently running late in, for four seasons now?

Speaking of 15 minutes, I think that if they were to keep this trend going for the final season (the full circle-ness of it all is honestly too epic to pass up), it’s likely that this final time it will happen around the 15 minute mark of 5x01, as that would make the build up for it each season pretty consistent.

And not only that, but it would also literally be a callback to what Karen says to Mike that first time he’s late in s1: 

And here’s my other favorite line from one of these scenes, in the context of this theory, because it literally acknowledges this concept directly and with this air of foreshadowing I cannot stress enough:

Interestingly, another detail that ties all these ‘Mike being late’ scenes together, is stairs.

In s1 he’s running up the stairs to convince his mom to let them keep playing.

In s2 he’s rushing down the stairs trying to avoid Nancy’s wrath.

In s3 he’s awkwardly bumping into strangers going down the escalator in Starcourt Mall.

And in s4 he’s hurrying down the stairs on his way to school.

The whole point of Labyrinth is that it’s an allegory for growing up, with Sarah going from dressing up as a princess to reenact one of her favorite fairytales after being chastised by her step-mom for not going on more dates like girls her age, to Sarah rejecting her childhood and it leading to an unfortunate series of events, forcing her to face reality and take responsibility of her own life.

Does this sound like anyone we know?

Mike, who starts the show in s1 playing DND animatedly with his friends before being interrupted by his mom to end the campaign despite protests, to his mom in s2 punishing his bad behavior by having him get rid of some of his favorite toys, to him in s3 insisting that they’re 'not kids anymore' and that it was inevitable for them to stop playing games and grow up and get girlfriends, to him now in s4 reverting back to this earlier version of himself, sporting the Hellfire shirt proudly, to then reverting back to pretending when showing up at the airport with Argyle calling his outfit a shitty knock off (aka calling Mike a shitty knock-off), and without the story ever acknowledging why those shifts happened in the first place, and with one season left?

Hint? Forced conformity. That’s what’s killing the kids. That’s the real monster.

They literally told us already that out of all the monster we've seen in the show, this is what is worse than all of that. Meaning that what is about to go down, most likely topping everything we've seen up to this point, is likely going to involve forced conformity.

I also think it’s interesting that the scene in Labyrinth happened during the climax of the film, because arguably if you were to watch Stranger Things in its entirety, from s1-5, the beginning of s5 is going to feel very much like the climax to the overall story. 

Things are going to be happening fast. The stakes are insane because they need to top everything that they’ve done up to this point. Something’s gotta give. And Mike is just not looking safe out here guys.

I could go on and on about all the hints that Mike is danger, but I’ll just share my favorites. 

How am I gonna survive a whole week without you guys? Mike says, at the tail end of his opening scene in s4, and with s5 set to start at the end of said week.

Mike sitting in front of an antique funeral home fan in the s4 promotional pictures of the party in the Creel attic.

Nancy saying she saw Mike die in the vision Vecna showed her, with the early stages of said vision coming true as season 4 nears its end.

Mike getting hit in the head with an arrow front and center by Suzie’s brother, in a sequence that was loaded with foreshadowing for the end of s4 (and beginning of s5?).

Watch out dominos. Your dominos are gonna fall. Argyle says, with Mike equally in the frame behind him.

Without heart, we’d all fall apart. Will says, after telling Mike he’s the heart.

A Karen lookalike standing in front of the missing person's board at the end of s4.

Mike’s very first line in the show (also the literal first line in the show) being A shadow grows on the wall behind you, swallowing you into the darkness. It is almost here…

So maybe, theoretically speaking, what we could get by that 15 minute mark going into s5, is Mike running late one last time, and it potentially being a callback to that cliff scene ie. Labyrinth.

Another scene that I think might've been foreshadowing what is currently going down, is Max and Mike both getting knocked out by Billy at the end of s3. Max goes down first and Mike follows right after, though Max is the first to come to and help them both up.

We know Max is unlikely to be separated from the rest of the characters the whole season, that’s just not feasible. She'll at least be on-screen despite maybe not being back with the others right away, even if it’s just a cryptic cliffhanger at the end of 5x01, followed by her returning more consistently on screen after that leading up to her rescue. With the way things ended in s4 though, we need to know where she’s at and get to finding her. Which is why I think at most it will be a 1-2 episode arc.

So maybe, this moment from s3 was a hint about Max and Mike’s impending doom at the hands of Vecna, as a result of not only their emotional states, but also their bonds with El, and them then being isolated for a short time (presumed dead), only to find their way back?

It’s also worth noting Mike was the only person to witness any of Max’s symptoms from the curse prior to her finding out about it, with the camera focusing on him beside her and looking at her worriedly as her nose bled. We don’t know who Vecna’s fourth victim was going to be, because Max threw herself in as bait, but could it have originally been Mike?

I know a lot of people don't like the Mike getting Vecna'd theories or Mike is depressed takes and so if you find yourself in that position, feel free to subtweet away or whatever you need to cope with my nonsense.

I'm not a big Mike is suicidal truther or anything even, nor do I think it makes sense for him to get Vecna'd in the traditional sense like how it happened with the others in s4 because the gates are open. But Vecna still hasn’t carried out his entire plan, a plan that includes Mike dying. And the imagery surrounding it all leading up to this is compelling regardless.

If one shot at the end of s3, with Max sitting in Billy's room while Hopper was in the background saying and yeah sometimes it's painful and sometimes it's sad was enough to hint at her whole depression arc in s4, then Mike being focused on for multiple shots while Hopper was in the background saying But, lately, I guess I've been feeling... distant from you. Like you're pulling away from me or something.-- And I guess, if I'm being really honest, that's what scares me. I don't want things to change, with Mike looking longingly at the Byers house, cutting to Will looking out the car window crying, then cutting back to Mike walking into his mom's arms with a dead stare on his face, has gotta be enough to justify dude going through some shit, which coincidentally matches up with everything talked about here.

Turns out getting to Mike, now that was the key…

Maybe the first episode of s5 is about Mike ending up wherever Max is, somewhere caught in between, and them ‘crawling’ back ie. The Crawl.

Definitely might add some context to that funkopop shot-listing video Ross posted, followed by one other photo a few days later with the caption being that they finished shot-listing for 5x01-5x02. Meaning the initial video posted was likely from 5x01...

[thekatebridgerton]

I know they're going to change Sophie I just hope they don't change everything about her. If they want to make her queer that's cool. But I will be mad if they decide they go the Strong Female Not Like The Other Girls path. That's not Sophie. This girl punched her abuser because she got sick of her mistreating her daughter.

I understand and I'm sure they won't change her personality that much, Sophie is such a resilient and kind character.

honestly don't want to get into this conversation other than to say that there is something about losing the trust of the audience and never getting it back that Bridgerton needs to work on. With time and a lot of space, I've come to understand that what was done to Michael obliterated the trust that both sides of the discourse had towards the showrunners. Which could have been avoided if there was some sort of build up towards the reveal of Michaela being a woman, maybe John could have talked about his female cousin, or maybe we could have seen some mention of a female Stirling in previous seasons.

The thing about Penelope as a love interest, is that there was a lot of build up there to position her as a love interest. Simon was introduced directly as the main romanceable character of S1 and Kate's appearance, was foreshadowed all the way to the end of s1, to the point where her appearance in s2 was expected and welcome. The show has worked to establish a void that needed to be filled in the lives of Anthony, Colin and Benedict that foreshadowed the appearance and personality of their love interest in the course of 3 seasons.

Francesca, had none of that. Furthermore the appearance of her future love interest, without any foreshadowing or previous build up, obliterated the trust the audience had in the show, when it came to future love interests. Springing a jack in the box love interest 'surprise' is only good if the surprise is something the receiver was actually looking forward to, because you let off a hint here and there. This surprise had about the same effect as a surprise marriage proposal from a person you're not sure you want to spend the rest of your life with (No shade to Penelope tho).

I keep hearing things like 'will Sophie be changed to Cressida?' or 'Will Sophie even be a woman?' and a lot of other things that basically boil down to the same question 'What will happen to Sophie? because the showrunners just proved we can't trust them anymore' and my honest reply is that, like all of you, I don't know either. There is a lot of uncertainty, that has been growing and growing ever since the show started changing major plotlines in s2, and culminated with that sucker punch to viewers trust in s3. You all have a right to be worried, I am too, for all we know Sophie could be changed into Cressida, Sienna or Theo, they could bring in Hunter Schafer to play Sophie just as they could Brandy Norwood, Manny Hacinto or Camilla Cabello. The possibilities are endless, some people will like it some will not, the common denominator is that those endless possibilities were created by breaking the viewer trust in the show's capabilities of making a book accurate adaptation. Some of you are okay with that some of you are not.

Either way, whatever they do will be what Nextflix and the Bridgerton showrunners want, depending on a multitude of factors (timing, money, covid, many script rewrites, money, which executive got dismissed and which got hired in the HR department, did I mention money), factors that, as has been proven time and time again, have nothing to do with the viewer wishes.

So if you're one of those viewers who has seen the stars align and with your wishes and the wishes of the showrunners powers that be, congratulations.... you've hit the jackpot, and all future Bridgerton seasons will be exactly as you want them to be. Oh.. do I hear a smidge of uncertainty from you too, dear viewer who was completely satisfied last season and got everything they wanted?. What do you mean you also don't trust the show to deliver on what they promised in s4? I'm sorry I can't help you, must be some sort of fluke in the matrix.

As for the rest of us, who have gone trough our share of highs and lows, and especially to the Benophie nation, all I can say is to stay strong and hope that good things will happen in the s4 production. We got 2 years, Sophie may not be what we all expect, but we will love her anyway, or at the very least, we will support whoever the show casts as Sophie.

And that's the tea

[bbittenapples]

Predictions/Things I’d like to happen in S4 of TUA

• In every season, there’s a main villain, such as the apocalypse in S1, the Commission in S2, and the Sparrows in S3. It’s kinda obvious that Reggie is the villain in this upcoming season, but I’m curious if Abigail(Reginald’s wife) will be a big deal. Like, will she be as bad as Reggie or a sweeter version?

• Like I said above, there are different villains, but there are also different locations. The Academy in S1, Elliott’s house in S2, and Hotel Obsidian in S3. My guess is that the main location will be an apartment. Like, I know that sounds basic and obvious, but in every season, the main location is always a homelike place. (Mansion, House, Hotel, Apartment?) It doesn’t seem super far off, and it could maybe be one of the Brellies apartment.

• Their powers!!!!! I’m so curious about their powers and stuff. So, at the end of S4, we see that the universe is reset(I think???) and so are their bodies. They have no tattoos, powers, and Luther’s body isn’t that of an ape anymore. I think that they’ll maybe find their powers somehow. Maybe there will be a fight, or Reginald has their powers with him? Idrk.

• Ever since I first watched the show, I’ve been super curious about the 43 children with powers. Like, we’ve seen 14 of them (The Umbrellas and Sparrows) but that still leaves 29 of them. It’d be so cool if they involved them. Like, maybe they get important in the timeline bc the Hargreeves seek them out for help? We don’t know if other super powered people are there, but it’d be really interesting if there was.

• I’ve seen a fee people on here say that there is a 6 year time jump in S4, and if it is true, how will they explain what happened to everyone? Will Luther be looking for Sloane all the time? How has he adapted to have a regular body? Diego and Lila’s kid will be born and 6 years old and they’ll be together(I hope, I love them so much). Allison has Ray and Claire, but how will she react to this? We know that she was an actor/celebrity, so maybe she’ll be in the spotlight. I have ZERO clue what Klaus will be doing. He’s so unpredictable, he started a CULT in S2, for gods sake. I’m genuine curious what Five will be doing bc he’s an actual genius. I feel like he’ll have gone to some bigwig college and will be actually successful in life. I’ve seen some sources say that the Ben we saw at the end of S3 was Sparrow Ben, and I love that idea. Sparrow Ben is such an asshole, but he’s so hilarious I can’t be mad at him. I feel like he’ll try and live a normal life, but it’d be hard since well…he’s Ben. I NEED Viktor to lead a nice life, poor boy. I think everyone collectively agrees that we need Viktor to play violin this season without blowing the moon up.

• That paragraph was… a lot, but here’s the final one. It is official that S4 will have only 6 episodes, which is so sad, but that just means that things will happen quicker. I really hope that we’ll have longer episodes. Regularly, the TUA episodes are 40-45 minutes long, but I’d love if we could get episodes that are an hour or more long.

[the-solar-system52]

Earthspark S3 synopsis spoilers!!

Rotten Tomatoes leaked the titles and synopsizes for episodes 2-7 of Season 3 and I have opinions.

First of all, I JINXED IT??? Yesterday I was literally writing a post complaining about how little info we got about S3 compared to the other seasons before their release. I was nearly done it but got lazy and I saved it as a draft to finish later, cue 1 AM at night when I decide to check again Rotten Tomatoes for any updates, AND THERE WERE NEW EPISODES?? I just manifested them into existence with the power of hyperfixation I guess. So, you're welcome guys. (Although it is pretty cool that I discovered it myself because that usually doesn't happen to me since I don't use Reddit or Discord, it also signifies that the mainstream Transformers fandom doesn't really seem to care about Earthspark that much anymore considering the fact they aren't interested on reporting on new leaks. And that sucks, but I can't exactly blame them.)

But also you're not welcome because wtf are these synopsizes. I'm trying my best to be positive and stuff, and I know we should probably wait for the episodes to come out before we judge too hard, but these descriptions are definitely raising some red flags. There only seems to be 7 episodes which is very disappointing and doesn't seem like enough time to wrap up all the plot points from S2, plus the new S3 plot points they are introducing. Not to mention that there seems to be one or two filler episodes, which doesn't seem like a lot for most shows but it matters when you have such limited time. Filler can be good when it is well-written, helps develop the characters, and doesn't take time away from the rest of the plot. S1 filler was enjoyable because it had these qualities, but S2 filler however....... I don't think so. Not only is the writing just plain bad, but the writers almost seem adverse to developing their characters because they don't want to break their 'good guys good/bad guys bad' formula and need everything to reset to the status quo by the end of the episode, rendering the filler basically pointless. (See, the end of Togetherness) So not only is the filler getting in the way of the plot, but I'm not entirely sure it'll even be enjoyable.

I don't know if we are going to be getting more episodes after this. Some say we are going to get more batches, some say we are going to get longer specials instead, and some say Earthspark is cancelled and won't be getting any continuation. I think we probably will get some sort of finale, but either way, now is not the time for the writers to start messing around. There are plenty plot points from S2 that need to be wrapped up (The Decepticons, Terrantronus, The Chaos Terrans, The Quintessions) and yet they are already adding some more plot points for S3. The descriptions don't really mention any of the S2 plot points, and obviously we should wait till the episodes actually release to see if they do, but I'm still a bit skeptical. But these S3 plot points do seem interesting so lets talk about them.

IZZY'S EVIL?? Or a shapeshifter Quintession thing?? I'm gonna be real I did not see that coming and I don't really know how to feel. It's more interesting than her just being a designated crush character but I'm still just not really invested enough in her and Robby's relationship to care. I wonder if she's actually a shapeshifting Quintession or just a human working for the Quintession's? (I'm sorta hoping for the first thing tbh since we don't need more human screentime) I also wonder if she'll just be pure evil or if she'll be redeemed by the power of straight people or something. Imagine if some random girl gets redeemed but not any of the Decepticons, that'd be really funny.

There's this new plot point called 'The Hate Plague' which seems to be some sort of disease that drives bots into a rage. It pops up after EP4, right after The Autobot Ship (probably containing Prowl) crash lands. My guess is that the disease stems from Prowl's ship, and also probably has something to do with the Quintession's big plan. That either means the ship had a Quintession stowaway or some other substance that the Quintession's planted there that somehow caused the disease. There is also the possibility that it has something to do with The Chaos Energy from the Chaos Terrans since they are associated with rage?? But we'll have to see. I think the plot will follow The Autobots slowly being taken over by the disease, making them dangerous to the Maltos, leaving them all by themself to find someway to reverse it's affects and bring them back while also fighting the enemy that wants to take Robby and Mo's power for their own- wait a sec HAVEN'T WE DONE THIS BEFORE?? Isn't just the GHOST mind control all over again??? Sure, the Hate Plague makes them more enraged whilst the Mind Control made them emotionless, but it will still lead to them fighting against the Maltos right? It just feels way too similar. And the lines "she (Twitch) realizes she may be the only one who can help" and "Prowl recruits Thrash and Robby to investigate the source of the mysterious Hate Plague" sort of implies The Terran's can't be infected? Which seems worse since it means the Terrans won't benefit by whatever potential character development the Hate Plague could bring. But I don't want to jump to conclusions. I think it would be more interesting if the 'Hate Plague' didn't just make the bots mindless enraged savages, but instead actually make them more hateful. The plague clouds their view and makes them see the negative in everything, but they still retain their cognitive abilities, specifically the ability to talk. This could lead to interesting character dynamics being challenged since everyone would be arguing with each other and their previously-hidden opinions would come to light. This would still install conflict in the Autobot base but it wouldn't make them just mindless enemies and could actually lead to really interesting dialogue and situations. Think of The Spell of Shattered Sight from Once Upon a Time. It would put the Autobots out of commission and they wouldn't be able to help the Terrans but it wouldn't lead to them mindlessly attacking them without a reason, so it wouldn't be too similar to the GHOST mind control. But I'm not sure if they'll go for this angle since the S2 writers don't seem to be a fan of 'complicated characters' and exposing some of the flaws of the Autobots via The Hate Plague would destroy their 'good guys good/bad guys bad' narrative. It's easier to just turn The Autobots into mindless monsters to fight the Terrans for awhile. It'll also probably lead to some "i know your still in there 🥺" fights, which may be good character development if they are written well but they will probably end up being really corny. Like I said, we've done this all before.

No mention of The Chaos Terrans guys. I'm not doing well. We don't have the synposis for EP1 which would be the one they are most likely to be mentioned in, but the fact that they are not even alluded to in the other descriptions has me worried. I don't care if they stay pure evil, I also don't care if they speedrun a poorly written redemption arc, I JUST WANT THEM TO BE ALIVE 😭😭 (istfg if they try to redeem Starscream after what he did......)

The episode I'm most excited for is probably EP4. The plot of going into the Decepticon base and "friendships being tested" might mean we'll be getting some character development between The Autobots and/or The Decepticons? I have a soft spot for snow day episodes, so I'll probably enjoy EP 5 as well. The description of EP6 sort of made it seem like they would go on a full on investigation, so I think it would be funny if it was styled like a Noir Dectective film lmao (idk Prowl's character that well, is that something he would do?)

Either way, I will stay cautiously optimistic and be on the lookout for anymore leaks!

[vidavalor]

Hey! Sorry if I'm missing something, but I've had the phrase "unexpected quarter" rolling around in my head for a while and I was thinking about "quarter" as a term for "shelter" or "mercy," and how Aziraphale wasn't at all expecting to be out here giving Gabriel shelter and mercy, but he is, and wondering whether that could be foreshadowing - maybe Gabriel will wind up returning the favor somehow. Do you think there's anything to that, or do you think I'm looking at the wrong definition of the word?

Hi @chaoticlivi! Hot chocolate for your Gabriel-themed Ask. *adds marshmallows* 💕 You and me are on the same page with this one and I'll add to your thoughts. (*does happy dance over other people looking at the words* lol)

Quarter is actually the word that The Voice of God uses as an example in Her opening monologue to teach us to do exactly what you're doing-- to look for multiple definitions of words being used. You're doing exactly what the show is suggesting we do, imo.

When The Voice of God opens up the series, She first discusses theories on when the universe was created, which is both for language benefit and also just to help establish that the Earth is only a little over 6,000 years old in the GO universe. When She gets to the bit about the almost-correct theory, She says that it was off by "almost a quarter of an hour," right? Within the same monologue, She then later reads from the horoscope about help coming from "an unexpected quarter." We now have, in a monologue full of language instruction, the same word used twice, in two different ways, and there are a lot of other examples of things like this. It foreshadows that we will see this a lot and tells us to be on the lookout for it.

I wrote a thing about other ways quarter has been used and about how it's pointing towards Gabriel that I'll link down below if you want to check it out but I want to add this into your thoughts because I totally think that Gabriel will be lending shelter and understanding in S3 to Aziraphale.

If Crowley can walk into Heaven and still open up highly classified files and if, as we've seen in the story, he and Aziraphale discovered long ago that angels can do what the demons can and that that the fallen angels still have their old powers and Heaven is lying to them, then they are now, as of the end of S2, in a position to tell other angels and demons this. Crowley already basically told Muriel when he opened the file in front of them. This would then mean that Ol' Purple Eyes is still, in terms of power, The Supreme Archangel of Heaven. Overthrow The Metatron and the being with the most individual power is Gabriel (who also, honestly, seems like a being about ready to democratize the fuck out of that situation lol.)

In 1.01, The Voice of God re-introduces us to Crowley & Aziraphale together with a four-sentence intro to the park scene that is full of language details, some of which have actually gotten more meaning since S2. Just like how Crowley's joke in the scene of "not delivered-delivered-- just handed it over" about delivering Adam got even funnier after S2 gave us Bildad the Shuite, there are a couple of things in God's monologue in the same scene that make more sense after S2 and much of it has multiple meanings that worked before S2 and still work after it. The first sentence has a line that is very relevant to S1 and overall but has another, new layer after S2, and which goes with our ideas for S3:

"Everyone knows that the best place for a clandestine meeting in London is-- and always has been-- St. James' Park."

One of the many meanings of clandestine in the sentence is what you get when you break the word up: clan destined. A clan isn't just an extended family-- though, it can be-- but it can also just describe a group of people with specific things in common. One definition of park is also just an area devoted to a specific purpose (like an industrial park.) With that in mind, a line that sets up understanding of plot in S1 is also then prophetic for the end of the series as well because the best place for a clan destined meeting in London is-- and always has been-- St. James Park and, well...

[apatheticlexicographer]

i'm about to get mauled ALIVE for saying this but here goes:

i think m'leven's relationship should be based on a mutually requited crush. both the implications it would have on their personal development as characters and the message it would send to the audience would be substantially more impactful, healthy, and progressive than if they only dated out of obligation. in fact, the thematic message of their relationship SIMPLY DOESN'T MAKE SENSE without a foundation of genuine romantic attraction.

still with me??? okay, good.

when shows deal with romance they tend to fall into the categories of either having pretty much every character shipped with every other character at some point, or of having the endgame ships be the most obviously pushed from the start. byler has definitely been built up from the start, but the majority of the show's audience didn't consider it as an option for canon until s4, when they started making it blatant. hell, a lot of people didn't even realize WILL was queer until s3 (again, when the show started to place heavy emphasis on it), and even then a lot of people thought he might be ace rather than gay.

mike and el, on the other hand, were practically the show's flagship couple for the first 2 seasons at least. it wasn't until s3 that their popularity started to dip and their relationship began to receive a lot more criticism. which makes sense, considering they hadn't actually been IN said relationship in the previous seasons. they had a couple of romantic interactions, sure, but we didn't see how they would interact *as a couple*. people obviously couldn't predict how their dynamic would actually pan out!!! that isn't to say that the negative aspects of their relationship were a bait-and switch, though: red flags were visible since at least s2, but they were far from being the focal point and a lot of shippers interpreted them as being cute (like el's jealousy over max).

having a show acknowledge the fact that the first person you get a crush on (because correct me if i'm wrong, but i'm pretty sure they're canonically each other's first crush???) isn't necessarily your ~soulmate~ is a great thing. even better when they go a step further, and play with the concept!!! the text of stranger things doesn't actually push m'leven as a paragon of romantic love. if you listen to what the other characters say about their (romantic) relationship, their opinions are entirely neutral/negative???

lucas teases mike about his crush in s1, but calls him hopeless in s3. hopper is out of line with how agressively he acts about their relationship, but the resolution of that character arc for him is about him acknowledging that he's been overbearing and accepting that he needs to let el grow up, and NOT some hammy realization that "what they have is true love, i was wrong to interfere!!!" max thinks their clinginess is sweet at first in s3, but she isn't very close with either of them. once she and el start to bond AND SHE LEARNS THAT EL HAS NO EXPERIENCE WITH ROMANTIC ATTRACTION OUTSIDE OF MIKE she encourages el to assert her own self-worth and dump him. [which... actually mirrors the progression of opinions in a lot of audience members??? 🤔🤔]

and those are just a few examples!!! i won't go on an exhaustive list, because honestly we'd be here all day.

furthermore, m'leven's steady downward trajectory is not the only instance of the show basically dunking on the trite expectation that a character's first love interest is automatically their happily-ever-after, AND the recurring motif that any relationships a character explores before their endgame ship are wrong because the alternate love interest is Bad.

dustin has his first crush (onscreen, anyway) on max in s2, but ends the season happy despite his sadness over rejection and later gets together with a girl who's basically his perfect match. in s3, robin confides to steve about how she was so far gone for tammy that she would cry into her pillow. in s4 she's able to laugh over just how bad her singing is without denying it, and is tentatively flirting with vickie. joyce was genuinely really happy with bob, but after having time to heal from the tragedy of what happened to him she's ready to move on with hopper.

again, not an exhaustive list. why??? because outside of m'leven, the only relationships where the characters ARE each other's first love interest are: lumax, whose entire arc together is about growing up as a couple (you know, the exact arc m'leven shippers pin on mike and el, as if it would make sense for 2 couples to have the same format and message...); stancy, which is only one prong of Love Triangle Hell and the controversy around it speaks for itself; and TED AND KAREN. WHO ARE POINTED OUT EXPLICITLY BY THE TEXT OF THE SHOW IN S1 NO LESS, TO BE AN EXAMPLE OF A WORST TIMELINE FUTURE THAT CHARACTERS DO NOT WANT TO REPEAT.

but if you're reading this, you already know all of that.

the point i'm trying to make is that stranger things shows a consistent palette of themes across all the relationships it portrays. i've obviously been going over the romantic ones, but this applies at least as much to the plationic bonds as well. those themes are of GROWING AND MATURING, of SHIFTING DYNAMICS, and of BECOMING SECURE IN YOUR PERSONAL INDEPENDENCE.

i'm sorry but to present a pair of characters with apparent mutual feelings; to elaborate on how dysfunctional their relationship is; and to ultimately reveal to the audience that actually they were both just confused, they never had feelings for one another in the first place and that's why their relationship didn't work out; sends an extremely mediocre message, to put it nicely. all the characters learn from that lived experience is "don't date people you don't have feelings for, and if you were unsure about how real those feelings were... get good???" meanwhile, all the audience learns from that VIEWED experience is "if the relationship doesn't work, it's because the people involved don't like each other enough." if byler goes on to be canon and is immediately much healthier, that only enforces that shitty message. in that situation the only reason THEIR relationship works while mike and el's didn't is that they actually have feelings for one another!!!

from a show which has explored complex arcs and messages with *LITERALLY EVERY OTHER RELATIONSHIP* they touch on, this would be beyond disappointing. particularly as the central message for the arc of 2 of the mainest main characters in the whole show!!!

on the other hand, to present a pair of young characters at the start of the show and flag them as having an obvious mutual crush; to allow them to explore that crush as a serious prospect; to have them realize that their relationship is dysfunctional; and to have them move on as friends; sends???

a great???

fucking???

message???

they both get to progress and move on as more enriched people than they would have been without their time in a relationship, and that is fucking wonderful.

el has a deeper understanding of romantic interactions based on actual lived experience and not just TV shows. she's able to develop into her fledgeling sense of identity more securely with the knowledge that relationships can change, and that's okay. not everything has to be forever.

mike understands how to process and manage his own feelings much better, and is equipped with a firsthand understanding of how a relationship can become emotionally dysfunctional without proper communication, making him ready to enter a new, healthier relationship. he has displayed the same overprotective behaviours towards will as he has to el, but he's begun to learn how to manage them so that he doesn't stifle his partner. after previously failing to communicate his feelings to both el and will in s3 when he fought with them, he's been making a deliberate point of doing so in s4. this didn't work with el when he tried to open up about his own experience with bullying, but it DID work with will when he admitted to his failings in balancing relationships.

are either of them finished in their personal arcs??? no, of course not!!! they're not even fifteen!!! but they have both grown as people, not in spite of their romantic relationship, but BECAUSE of it. you don't change as you grow up, so much as you start to understand yourself better. but self-discovery and subsequent self-acceptance CANNOT come without self-explaration.

it's okay to try things out, and it's okay if they don't end up being right for you.

meanwhile, the broader message about relationships that this imparts on the audience is an extremely important one. one which gets overlooked continually by storytellers in every industry. one which the show itself has brushed on, but not explored in depth.

one which fandom, in particular, likes to ignore.

ATTRACTION ≠ COMPATIBILITY

(...and that's okay!!!)

[queen-mabs-revenge]

lmao socialist brain on main as per ushe but i genuinely cannot see how s3 can be anything else but both aziraphale and crowley having some kind of revolutionary allegory arc?

like as of right now they've done the 'stop the height of destruction and roll things back to the status quo' bit in s1 and then all of s2 is an object lesson on why that's only a temporary thing and will always be a temporary thing as long as the ruling system as it is stays in place, bc complete and utter destruction is baked into the fucking thing.

it's almost like a metaphor for....no i shant say it.

i shall. it's capitalism lmao.

crowley rn having a 'ok fuck that. fuck them. let's just live off the grid babey!' mindset and aziraphale, as per my favorite gomens post of all time socdem through to the tips of his angelic wispy hair going off to reform the two party system...

basically i need them both to fail miserably at trying to effect their chosen tracks both bc they're trying alone but also bc neither actually could be successful, essentially be forced into becoming thee most unlikely and unhinged militant union leaders in the eternity of the universe by getting the rank-and-file populations of heaven, hell, and earth to unite together, go on some kind of metaphysical general strike, overturn the system of accumulating power and souls for the supernatural bosses, and build a system of everyone having real agency and operation of their own lives, destinies and wills.

and what if the trade unionists ✊✊✊ relearned through the struggle how to communicate, trust and rely on each other🤝🤗 and kissed at the dawn of a new system of existence they helped build 🌍✨ where they're finally truly safe to choose each other?💗💋💖

hahaha.......unless??? 😳🙈😳