#(rob is still serving)

[ofhouseusher]

i. am. full. of. rage.

i can’t believe they cut the scene where Rhaenys and Meleys were supposed to be lying shattered on the ground—one of the few moments this season with real emotional punch. seriously, who wouldn’t prefer this over a bunch of goofy ass meetings and hallucinations?

each chance they had to eat on this show they left food on the plate

[fullscoreshenanigans]

(Chapter 22 Bonus Scene | Mystic Code Book Chapter 1 Q&A)

Thinking about how the photo Ray took of Isabella burned up with plant no.3, so the only pictures the children possibly have of her in the human world are mugshots stored in headquarters' database that might have been updated every year on her birthday.

How surreal it is to see her like that, grappling with memories of the complicated woman they knew—the good and the bad—and the young girl staring back at them who resolutely held her head up high to prove she had what it took to survive in a demon's world, knowing all the unspoken pain behind her eyes.

Yvette's portraits of her quickly become their preferred visual references.

[thegreatsharkleve]

Experimenting with facial bones by making Hika look very normal and well adjusted

[causenessus]

Ness did you know this exist

NO but omg THANK U FOR TELLING ME IT EXISTS !! just one more thing to add to my list of things to buy when i get rich </3

[nest-being]

love seeing my mum becoming anti-police right before my eyes. nothing will radicalise you like experiencing two murders and seeing the police do fuck all about it

[okurrroye]

Sooo instead of having Jonah be with who he actually belongs and should be in love with and clearly backed up by Chava’s speech of what it means to truly love someone (and it’s exactly what he did) they really forced this random and pointless ass relationship with Clara instead..?? Yeah ok

[cathymee]

promised myself that i'm gonna fix up my notes from last sy so i can share it with upcoming humss students but i also keep going 'but what's the point'

[jesusinstilettos]

I’m about to save you thousands of dollars in therapy by teaching you what I learned paying thousands of dollars for therapy:

It may sound woo woo but it’s an important skill capitalism and hyper individualism have robbed us of as human beings.

Learn to process your emotions. It will improve your mental health and quality of life. Emotions serve a biological purpose, they aren’t just things that happen for no reason.

1. Pause and notice you’re having a big feeling or reaching for a distraction to maybe avoid a feeling. Notice what triggered the feeling or need for a distraction without judgement. Just note that it’s there. Don’t label it as good or bad.

2. Find it in your body. Where do you feel it? Your chest? Your head? Your stomach? Does it feel like a weight everywhere? Does it feel like you’re vibrating? Does it feel like you’re numb all over?

3. Name the feeling. Look up an emotion chart if you need to. Find the feeling that resonates the most with what you’re feeling. Is it disappointment? Heartbreak? Anxiety? Anger? Humiliation?

4. Validate the feeling. Sometimes feelings misfire or are disproportionately big, but they’re still valid. You don’t have to justify what you’re feeling, it’s just valid. Tell yourself “yeah it makes sense that you feel that right now.” Or something as simple as “I hear you.” For example: If I get really big feelings of humiliation when I lose at a game of chess, the feeling may not be necessary, but it is valid and makes sense if I grew up with parents who berated me every time I did something wrong. So I could say “Yeah I understand why we are feeling that way given how we were treated growing up. That’s valid.”

5. Do something with your body that’s not a mental distraction from the feeling. Something where you can still think. Go on a walk. Do something with your hands like art or crochet or baking. Journal. Clean a room. Figure out what works best for you.

6. Repeat, it takes practice but is a skill you can learn :)

[pancakehouse]

OKAYYYY WE ARE BACK IN THE VILLA PEOPLE WE ARE BACKKKK 💕🏝️💅🏽💋😋 !!!!

[whoviandoodler]

hot take but pirating books serves the same function as watching game playthroughs

[laurrelise]

robert is serving and tom is so tall that his bones are crushing and leaving him in severe pain (i’m tall i can vouch)

what is this from. why is tom the one sitting down. why is robert standing like that..

[spirit-praise-and-beauty]

venting in tags again dont rb

[thesummerstorms]

I feel like there's a solid group of fans (in all fandoms) who forget that there ARE differences between fanfiction and traditional publishing.

Transformative work is great about allowing you to explore secondary POVs and characters who aren't the focus of a text.

But traditionally published books are by their nature more constrained in their format. The physical nature of books + the publishing system means they only have so many pages. And those pages need to serve the central narrative of a story.

It can be fun to puzzle out 'man but what about the implications of x'? or 'oh, I feel like there's a connection between A and B, that's fun to think about!' or 'okay, but from Character M's point of view this is so tragic, even though they literally only exist in three scenes'. That's why transformative work is transformative, and for me, it's the fun part of fandom!

But what that doesn't mean is that the author is being mean or cowardly for not exploring those things in the source text. An author's focus has to be ultimately on the story THEY want to tell, and what makes that narrative or those themes work.

They do not have the luxury of including every digression your brain might have fun exploring, and it doesn't make them bad authors if their narrative focus isn't the one you would have personally chosen.

"But such and such character was robbed! They only appeared in x scenes and then-"

Okay, but did the scenes they were in serve their purpose? Did we get a sense of how they meaningfully impacted other characters, the plot, or the themes while still having a sense of personhood?

You can critique whether or not an author was successful in using their characters for story purposes or whether they successfully communicated their underlying message or whether the author unintentionally/intentionally included a bias that weakens their writing.

But an author not chosing to spotlight your particular minor character favorite does not make them a "coward" or bad at their craft.

[fuckyeahgoodomens]

The Good Omens Musical Masterpost🎵❤

How it started :)

Some time before 2013: Vicki Larnach, the australian composer and lyricist, read the Good Omens book, imagined figures dancing on stage with brilliant music and thought, ‘Ah, I’m gonna ask Terry Pratchet and Neil Gaiman if I can turn it into a musical.’ and sent an email to the publishers. The next day she got an email saying, ‘We don’t want a musical but Terry’s coming to Australia, so come and say hello and tell us what you got.’

Rob Wilkins came down to meet Vicki and Jim Hare - Vicki's husband and writer - and took them to meet Terry. They spent an hour and a half with them where Terry asked ‘piercing questions’, had tea with them and they showed Terry a song that Vicki wrote (about the Chattering Nuns). Terry said to Rob, ‘Rob, write and email to Neil, “Dear Neil, this is Terry. I’m sitting in front of two hippies from Sydney and they want to make a musical out of Good Omens and I’m tempted to let them do it.”’ which was the best email they ever heard and then Terry said, ‘Okay, you have me curious.’ - it was because of the Nuns song which sounded like the book. ‘I’m gonna give you six months, come back with a first draft libretto and five songs.’

They then sent it to Terry who sent it to Gaiman. Terry said, ‘I really like it, you’re moving story, you’re doing all the right things, but where’s showstopper, where’s the toe-tapper, you know I need people to go to intermission just snapping their fingers with the song they just can’t get out of their head, and I haven’t heard that.’ - and they realized that they were so busy serving the story they forgot to do the wow-factor, but found it very encouraging from Terry that he wanted to make it better.

They went through the whole book again to find a centrepiece - and they found it  when Warlock is growing up and Aziraphale and Crowley are with him, and spent months working just on that one thing and called ‘All Living Things’ [the song at the start of this post :)] which is a line from the book.*’ Terry gave that song to a person he knew and asked him to play it to his wife with no context and when the next day the person said that his wife woke up still singing the song Terry said to Vicki and Jim: ‘Well, that’s what I asked you to do.’ 

* [“This here’s Brother Slug,” the gardener would tell him, “and this tiny little critter is Sister Potato Weevil. Remember, Warlock, as you walk your way through the highways and byways of life’s rich and fulsome path, to have love and reverence for all living things.” “Nanny says that wivving fings is fit onwy to be gwound under my heels, Mr. Fwancis,” said little Warlock, stroking Brother Slug, and then wiping his hand conscientiously on his Kermit the Frog overall.]

Vicki and Jim got the permission to being adapting it as a musical in 2013.

Vicki and Jim on it a couple of years ‘fumbling about’, took it as far as they could and decided to bring another person into it: Jay-James Moody

In 2015, Jay James-Moody joined the collaboration initially as a dramaturge and directorial eye, eventually evolving into co-book writer. Vicki, James and Jay have continued to evolve through countless more revisions and a number of private development readings with the support, time and talent of numerous wonderful Australian performers testing the material.

In November 2017, the musical was presented in its then-current form and entirety for the first time before an audience of over 500 eager attendees. The cast included Luke Joslin, Lachlan O’Brien, Nancye Hayes, Barry Quin, Brett O’Neill, Lauren McKenna, Nicholas Craddock, Paul Capsis, Rob Johnson, Amy Lehpamer, Debora Krizak, Blake Erickson, Nat Jobe, Ana Maria Belo, Jordan Hare, Bella Thomas, Anthony Abrakmanov and Samson Hyland.

Following a rapturous response to this reading it continued to be refined and developed.

In 2019, ten days before the show came out they did their last presentation, since then they’ve been to London and shown a videotape of that workshop to Gaiman and Rob Wilkins which was ‘a pretty heartstopping experience’.

Differences between the musical and the book

The ending of the musical is a bit different.

It opens with the burning of Agnes Nutter and Aziraphale and Crowley are introduced there. 

Act One ends with them ‘essentially breaking up’ because of a huge argument and they dissolve their friendship, Act Two starts with the first time they meet.

The Future?

What is the future for the musical: in 2021 they said that they need to work on some things and then they hope to do another run, initially in Australia.

There will be a CD of the soundtrack available when the show is produced in it’s full version.

In 2024 on insta they said that it is in "complicated process of rights to stage Good Omens" and "We appreciate your support and patience of the progress or seeming lack therof, of Good Omens the musical but we assure you, we will bring you the show in the next few years."

Videos

Vicki, Jim and Jay talking 46min about the musical (this video was shown at the Ineffable Con 3 in 2021 :))

Sizzle Reel 6min

Anathema singing The Perfect Place

Crowley calling Dagon to check on the hellhound

Shadwell and Newt

Aziraphale vanishing Hastur 👀

Links

Webpage

Instagram - a lot of more bts videos and pics :)

How to support?

Subsribe to the instagram page and like and comment that you want the musical on posts :)❤. If you want to be a sponsor or donor, there is contact on their webpage.

[dreameralive]

i think one of the most noteworthy things about Blaise that i haven't really seen anyone discuss is his tendency to liken others to children, his weaponization of it, its relation to him being a child abuser, and its relation to his defeat.

one of his first lines of dialogue, before he even introduces himself, is him humiliating Franziska by calling her 'little von Karma', and then bringing up something retroactively embarrassing she did as a little girl.

he frames this as genuine nostalgia, but to me, it's pretty clear this was a purposeful, and almost sadistic, powerplay.

there's also these lines. these aren't too strange, out of context - "let's all play nice" is a relatively common phrase, and in the second screenshot where he's discussing Kay and Edgeworth's friendship, they are literally youths (well, compared to him). but in context, it's clear that this is part of him attempting to assert his dominance over everyone else.

he wants to let everyone know that he is the adult here, and all they are is children - and thereby, they are completely powerless to his end-all authority, so they shouldn't even bother attempting to resist. this is further emphasized during his logic chess segment.

he calls Edgeworth 'my boy', he reminds him that he is his 'senior in life', he tells him he's being naïve. he threatens to never give back his prosecutors badge if he doesn't stop trying to question his authority. he asks him, mockingly, if he's scared. then, while grinning, he tells him that there is nothing he can do, and he should give up already.

he once again, more blatantly this time, is attempting to force someone else into accepting that they are the weaker party and that he could do anything he pleased to them, and once again, he is weaponizing the societal power imbalance between a child and an adult to do so.

i could go on and on for a while with more examples of this, but then that would make this post really long and rambly. so, instead, i'm going to discuss what his behavior ultimately results in.

this is probably one of the most disturbing interactions in Ace Attorney.

he does this purely so Sebastian will feel humiliated and ashamed in front of his colleagues, people he respects and who in turn are supposed to respect him. he does this to remind Sebastian that he is his father, and Sebastian is his child. to Blaise, that means he has complete control over him. and until this point? he actually does.

he has controlled every aspect of Sebastian's life to be exactly how he wants it. his path in life, his school, his tests - even Sebastian's constant usage of his surname serves as a reminder that Sebastian's only purpose to his father is to be an extension of him, a tool to feed into his ego. an object. something he owns.

note how, in their sprites, Sebastian is typically tilting his head slightly downwards, and in his crying sprites, he's leaning down. meanwhile Blaise stands high, and in his grinning sprites, his head is tilted up, as to literally look down on the person he's talking to.

but in the end, right before Blaise is convicted, right as Blaise tells him he should just remain his idiot son, Sebastian is looking up as he tells him goodbye. a way of saying that he's not beneath him, and he won't let him act like it anymore.

Blaise is immediately infuriated by this, and says all you've ever been able to do is depend on me. he screams Sebastian's name in anger - but it's cut off.

in fact, there is no more dialogue from Blaise after this. because he has no more authority, no more ability to scare Sebastian or anyone else into submission. in the end, Sebastian has finally taken back his autonomy that Blaise has robbed him of. so has Kay. so has Simon. all of them are children he has mistreated, threatened, and jerked around for his own selfish gain, but ultimately, they all still have more power over their own lives than he ever will again.

there's a lot more i could say on this, but these are all my thoughts i could organize. thanks for reading.

[monimccoythings]

Logan as a retired family man

I've always seen logan as a man who would settle in a smalltown looking for some goddamned peace and tranquility, that he never seems to get lol. I was also craving some domestic Logan, a man who gave up fighting and is now more focused on his family but knows that deep down he can't escape who he is and how many enemies he has.

This can be interpreted as either m!reader/f!reader/gn!reader, the newborn is either biological, adopted or another of Logan's clones this time mixed with reader's dna.

tags: domestic logan, f!reader or m! reader or gn!reader, logan being a dad, lumberjack logan.

Retired!Logan who hung his claws and now lives a peaceful life in a cabin in the woods close to a small town with you, Laura and your newborn daugther.

Retired!Logan who gets a job as a lumberjack and insists on maintaining you all and covering the bills, despite you having your own job.

Retired!Logan who grows a beard because he knows you like it and thinks it'll help him go unnoticed by the townsfolk (As if he wasn't a giant burly man with a 24/7 pissed off face).

Retired!Logan who keeps training in the woods because he lives in a perpetual estate of paranoia and fear that someone is out there to get his little family, because he still believes he doesn't deserve to be this happy.

Retired!Logan who is teaching Laura to hunt and fight; and hopefully, one day he'll train the littlest one as well because he's extremely overprotective of you all.

Retired!Logan who sometimes feels the urge to let his primal instincts run wild and hunts some prey with his bare hands and claws; afterwards he will clean, skin and serve his prize at the family barbecue in the backyard.

Retired!Logan who has to be basically dragged to any town events, but goes anyway because he knows you'll be there with him, supporting him through the entirety of the dreaded social event. Hadn't it been for you and the girls, he would have become the local hermit.

Retired!Logan that doesn't love anything more than to return home after a long and tiring day at work and hug his family. He'll help you serve dinner, will play with the girls and will clean up with you afterwards. He has become so domesticated, he's sure he won't get to hear the end of it from his fellow X-Men, but he's too happy to care.

Retired!Logan who every morning drives his little girls to school before work just to make sure they arrive safely and will kiss them goodbye, shooting death glares to anybody that dares to look them wrong.

Retired!Logan who likes to enjoy a beer with you on the porch after putting the girls to bed. He was never one to care much for stargazing, only for orientation, but just watching them with you, with only the sounds of nature surrounding you, made him more appreciative. And, as a bonus, sometimes (always) that stargazing turns into something more... passionate.

Retired!Logan who much to his chagrin has become some sort of local celebrity/urban legend after he defenestrated some punks that had tried to rob the town's diner where you were casually having lunch.

Retired!Logan who wonders how the fuck did he, of all people, get so goddamn lucky. How he gets to have all of this without any consequences.

Retired!Logan who knows without a hint of doubt that shall danger come to tear you three away from him, he will be waiting for it, claws out and ready.