#(obviously the episode is good too but that’s a given)

[fallenrocket]

Skeleton Crew episode 5 spoilers...

Maybe this is just epic levels of coping on my part, but I'm hoping we can still turn things around with Jod. If this was episode 7, I'd say that's probably a wrap on any redemption for him, but since this betrayal happened in episode 5, we have time for things to change.

(Not that I think he'll morph into a 100% Good Guy, but I do think there's hope for him to still do something good within his flexible pirate morality.)

Betraying the kids is horrible, obviously, and there's no justification for his actions here. But given that we'd just seen him tell SM-33 to drown the other pirates in acid, I think the way Jod approaches the betrayal is notable. When he challenges Fern, he repeatedly urges her to yield, telling her that he doesn't want to hurt her. And he never does. He definitely scares all the kids, and he certainly threatens Fern, but in their "fight," he quickly disarms her and then threatens her until she yields. He doesn't hit her, he doesn't give her a superficial cut with the knife, he doesn't hold it close enough to her neck to draw blood.

I know, when it comes to fighting a literal child, this is the absolute bare minimum Jod could do to not put himself in DIAF territory. It's still an utter scumbag move. But he could've killed her, could've killed all of them so easily. Barring that, he could've ordered SM-33 to help him escape and simply left the kids for dead in the lair. There was no real benefit to having 33 take them prisoner instead.

Now that Jod has turned on the kids, I think it'll probably get worse before it gets better, but I do think he might come back around before the end. The hints we've gotten of his past and whatever led to him becoming who he is are tantalizing as hell, and I don't think they'd set all this up just to have him be irredeemably evil.

After episode 3, I'd crossed my fingers that, even if Jod wasn't a Jedi like Wim had thought, he was actually Force-sensitive and not just pulling a Haja Estree-style con. That theory bore out big time in this episode--not just with his use of the Force but with his warped thoughts on attachments, which certainly point to some sort of Jedi-related damage. If I was right about that, I really hope I can be right about this too.

[xf-cases-solved]

ayyyy, @numinousmysteries, guess who it is! it's me, your secret santa for the @poangpals gift exchange, here to gift you words that are kinda angsty, kinda hurt/comfort-y, and kinda (or more than kinda) horny. i've written a lot of cancer arc lately and was like "hmm, maybe i should branch out..." BUT, when i saw your ideal episode was "memento mori but they bang at the end," i was like, "okay, well, obviously this was meant to be." so that is what i have brought you! a post-memento mori fic where they bang at the end! thank you for everything you bring to this community. you're a baller and i hope you enjoy your gift <3 -diz Title: Memento Vivere Word count: ~6500 (bc i can't shut the fuck up to save my life) Rating: Explicit Here's the link to ao3, or save yourself a click and read below!

***

Memento Vivere

She is in the middle of grimacing at her own reflection in the small compact mirror she found at the bottom of her overnight bag when Mulder shows up at her hospital room, keys jangling in his hand as he hovers in the doorway, neither outside nor inside, like he's uncertain about what kind of proximity he's allowed this morning. Like she's a skittish cat he's trying to win over. And what grates at her isn't his tenuous disposition—it's that it's completely warranted, and it's so jarring to be known so well.

She knows that he knows that she bared her heart to him last night, and is now grappling with mortification. She's never been good with emotions. In college, she could do a walk of shame with her head held high, but when a lover would voice their affection for her she would suddenly become incapable of looking them in the eye. Her heart is in a lockbox and sometimes she goes so long without opening it she almost forgets the combination, and when she does manage to pop it open she gets frantic, wanting to immediately slam it shut.

"You about ready to go?" Mulder asks casually. Too casually. He's assessing her like he would a suspect, adjusting his tone to meet her mood and make himself more approachable, and she wants to snap at him for profiling her, but she won't. She can't. Not without confirming his analysis of her, and she doesn't need to open the spine of her book any wider when he can already read her with such clarity.

In her writings—the filled pages already torn from the notebook and shredded into pieces in the wire trash bin next to her bed—she had thought she was divulging the secrets of her heart to him. It occurs to her only now, as he watches her from across the room with a purposefully mild expression, that while he may not know her every thought, he is the only other person who knows the combination to the lockbox in her chest. He could open it at any time, but he doesn't. He could reach inside her and hold her beating heart in his cupped hands, learning every detail and committing it to memory, but he would never take from her anything that wasn't freely given. His respect is almost more overwhelming than anything, because it's a reminder that if he weren't an honorable man he could ruin her. He has access to her nuke, and she can do nothing but trust that he won't hit the button.

"Yeah, just a second," she replies—casual. 

She slips the compact mirror back inside her bag and gets to her feet. She tries to summon the woman inside her who walks down the hallways of the Hoover Building—confident, assertive, and unaffected by stares or assumptions—but it's difficult without her body armor. Even though she only had one infusion of the chemo, her body still feels frail and hungover, like the day after a bad twenty-four hour flu, and she's wearing flats with her yoga pants and sweater, highlighting the height disparity between the two of them in a way her heels usually help to mitigate. There wasn't a hair dryer to use after her shower, so the natural curls she usually irons out are taking over, absurdly making her feel disorderly and sloppy. And she's not wearing makeup, and it's not the dark circles around her eyes or even the mole above her lip that she's self-conscious about—it's the freckles that spatter across her cheeks and nose. Well put together women don't have freckles, and she's sure he's going to interpret her vulnerabilities on her sun-kissed skin like the soggy tea leaves at the bottom of a china cup. 

The worst part of dying, she's starting to think, is the discovery that her walls that felt sturdy like concrete are actually made of straw, and there's nothing like an illness to come sweeping through to blow your house down.

On the way out of the hospital they pass the room Penny died in. She looks away from the door, and Mulder looks at her. In a blink-and-you-miss-it moment he reaches over and squeezes her hand. 

They don't say anything. 

Scully thinks his choice of silence says more than words ever could.

*

When she wakes up on her couch she isn't sure if it was the nightmare that roused her, or the relentless throbbing in her head.

The ride back home from Allentown had been uncomfortable in every sense of the word. Mulder had rambled theories at her—about Dr. Scanlon and MUFON and government agendas—until her lack of engagement made the conversation eventually dissolve, first into him nervously chattering about the most ridiculous X-Files cases he could think of and, when that didn't work either, into nothing, a pall falling over them as she shifted restlessly in her seat, unable to find a position that didn't feel ill-fitting like a shirt that she couldn't untwist. They didn't once speak the word cancer.

She hadn't meant to fall asleep after he dropped her off, but ten minutes into some daytime talk show and she was suddenly dead to the world, and judging by the low light that surrounds her, she has slept all the way from early afternoon well into dusk. The TV still flickers at her, now playing the evening news, and she's sure that there aren't going to be any headlines about manufactured brain tumors and shady oncologists who betray their Hippocratic oath by purposefully poisoning women who look to them for salvation. The types of horrors she witnesses rarely make the news. Not with all the facts attached, at least.

She pushes herself up with a groan. Her head really hurts, and although her first instinct is to attribute it to the mass in her sinus cavity, when she reaches up to swipe under her nose there are no remnants of dried blood, and the dryness of her tongue and hollowness of her belly makes her think that the rhythmic throbbing in her skull is probably because she can't remember the last time she had a glass of water or a single bite of food. 

She goes about the motions of getting together what she supposes is technically dinner, even though she forgot to proceed it with breakfast or lunch, and when she gets it all together—a hearty meal of half a banana, a slice of buttered toast, three ibuprofen, and a tall glass of ice water—she settles back down on the couch and assesses the other ache she'd awoken with.

The nightmare is formless in her memory, lacking a cohesive plotline now that she's in the waking world, but nevertheless, the emotions it stirred up inside her are visceral. There is a hollow feeling in the pit of her stomach, bottomless as the abyss. It's a type of fear that grips her from the inside, putting her adrenal gland into a chokehold and activating her fight or flight, except she can't fight her own mind anymore than she can flee it. 

This is how she knows, even without the details, that her dream was about dying.

These types of dreams have been coming to her more frequently nowadays, starting the night Leonard Betts spoke five chilling words to her in the back of an ambulance. She's had friends who have been pregnant, and they would often tell her about the constant dreams they would have on the subject throughout the entire nine months. In a way, she figures, it's a similar concept; she and her friends all have had dreams about what their body is growing inside them—the notable difference of course being that they grew something into life, and she's growing something that takes it away. 

Tomorrow she is going to have to start making phone calls. Make appointments and discuss treatment options and try not to get discouraged when the options are limited. When she first told Mulder about the cancer, he had been so insistent, saying, "There must be some people who receive treatment for this," and at the time she hadn't been able to bring herself to tell him that she wasn't sure she was going to be one of them. The odds were, and are, so heavily stacked against her, and as a medical doctor she is very aware that sometimes quality of life outweighs the quantity of it. Her experience in Allentown hasn't really endeared her toward the idea either, if she's being honest, and not because of Scanlon, or even because of Penny, but because she had not felt sick at all, up until she tried to treat the illness, and then suddenly she'd been in hell. 

But while she may be uncomfortable with how much of herself she bared to him last night, she knows that she made promises that she can't take back. She is loyal to a fault, and she gave both him and herself her word that she would continue to live as long as she could, and so she will. 

She's just not convinced much of her life in the upcoming days and weeks and months and maybe even years will feel much like living. In fact, she's pretty worried—down to the very depths of her subconscious, if her dreams are any indication—that she's going to feel like she's dying.

They say doctors make the worst patients. Sometimes that's because of stubbornness. Sometimes it's because they know exactly what to expect.

She finishes her meager meal and drinks down the last of her water. She slips an ice cube into her mouth and bites down on it, shattering it into pieces. The enamel of her teeth has always been sensitive to temperature, but instead of being off-put by the pain that spikes through to her jawbone when the ice touches her nerves, she revels in it. Her head, while somewhat improved, is still aching, and she finds herself appreciating that as well. She finds she is grateful for the signs her body is giving her to tell her it's still here, and maybe that's the trick. Maybe to get through this she has to go into it with a respect for the pain. This only hurts because I am alive, she'll have to train herself to think. 

She can do that. She's certainly stubborn enough. 

She wishes it didn't all have to be about pain, though. She doesn't want to forget that a body can feel good things too.

Ice crunches between her teeth, shocking her like a root canal, while she thinks about the signs of life that are enjoyable. Warmth. Comfort. Pleasure.

Pleasure.

On the TV, the news anchors are tying up their reports that are lacking things they don't even realize are missing. In her mouth her internal temperature warms the ice water, and the ebbing of the pain is a brief moment of gratification that acts as a sampling of what endorphins can do. 

Tomorrow she is going to have to make plans to put herself in a varying, yet indefinite state of pain, and she will have to learn to appreciate it in order to remember how to be alive. 

Tonight, however, she could remind herself in a different way.

It is a terrible idea.

It's an idea she has had a million times before and has stamped down just as often.

Ten minutes later and she's out her front door and getting into the driver's side of her car. Muscle memory guides her down the streets toward Alexandria, while she spends the whole drive telling herself to turn back.

She doesn't.

*

"Hey," Mulder says in surprise, eye widening slightly at the sight of her standing at his door. He's got on a white tank top and dark grey sweatpants, looking nothing like the federal agent he usually does. Instead of seeing a professional, albeit a tad bit crazy, government official, she sees her friend in the way that is much easier to ignore when he's wearing a suit and an ugly patterned tie. Like this, he exudes masculine energy, and her eyes are immediately drawn to the slopes and curves of his muscular shoulders and biceps. There is hair peeking out on his chest where the neckline of his shirt dips low. He hasn't shaved for at least a day, an even stubble shadowing his cheeks and jaw. She drops her gaze to the floor before he can catch her roaming eyes, and she sees his feet are bare. For some reason that's the most intimate part of it all, and the reality of what she's come here to do hits her like a freight train and she flushes with what must be a particularly spectacular shade of red.

In contrast, she's feeling a lot like she did this morning, like a soldier out of uniform. She's wearing the same pair of yoga pants, and under her coat she has on a faded souvenir t-shirt her parents gave her after an anniversary trip to the Outer Banks well over five years ago. It occurs to her only now that she'd left in such a rush that she hadn't even bothered with a bra, and she becomes instantly aware of the oversized shirt brushing directly against her breasts.

At least she wore boots with a heel this time, but in reality it's not doing much to level the playing field. Mulder's six-foot frame still dwarfs her completely, and while she normally feels like a peer in his presence—like a respected intellectual whose gender is totally irrelevant—tonight she is feeling a lot like she did the first time she entered a university science lecture and found herself surrounded almost entirely by men. The difference is that back then she had felt, ridiculously, embarrassed by her femininity, hyper-aware of every questioning stare, asking the same question: What is she doing here?

But like with most things, Mulder—simply by virtue of being Mulder—challenges her way of thinking. While she has long since stopped viewing her womanhood as a flaw, she is always viscerally aware when the people around her view it as one, and over time that has bred resentment. Standing here before him, though, she holds no animosity toward the difference in their sexes. Like the way her science complements his reckless belief, so too, in this moment, does her feminine ying balance his masculine yang. 

She doesn't even worry about the freckles on her makeupless face. 

"Scully?" He sounds concerned, and she realizes she's been standing here in silence after appearing at his apartment unannounced, and the last time they saw each other it had ended with her muttering a curt goodbye as she all but bolted from his car to escape the suffocation of her own self-imposed belief that emotional vulnerability was akin to disgrace.

But what Mulder isn't privy to yet is that the shame from this morning about being so transparent has been wholly replaced by the need of a dying woman to be reminded of the good parts of being alive. Scully is ready to be bare, by every definition, and she can only hope that he'll let her. 

Refusing to give in to cowardice, she forces herself to look up from the floor to meet his eye. 

"Can I come in?" she asks.

"Yeah, of course." He angles himself to place a hand on the small of her back, ushering her inside, and even through her coat and shirt the contact burns like the ice touching her enamel. She kicks off her boots, sinking back down to her natural five foot two—three, if the height gauge at the doctor's office chooses to be generous—and lets him take her coat and hang it up, before leading them both over to the couch. He plops down, leaving a purposeful vacancy beside him, and looks up at her expectantly, but she doesn't sit. Cocking his head, he asks, "Are you all right? Why are you here? If you needed something you know you could have called me and I would have come to you. I know you only went through one day of treatment, but I'm sure it had to have taken a toll on your—"

"I'm fine," she insists, cutting him off. She doesn't say it harshly, but she doesn't leave room for him to argue against it either, even though she can tell he desperately wants to. Instead, he chooses to heed her command, and presses his lips closed, waiting for her to tell him why she's standing here when earlier today they drove over three hours and she had barely said a word the entire time.

It's possible she didn't think this far ahead. More than that—it's possible she hasn't thought this through at all. 

But she's committed now, and she's starting to feel feral, her needs centered around primitive instincts. It is in every species' nature to fight for survival at any cost, but she is burdened with a human's intellect that can allow her to deny herself continued survival if doing so also means prolonged suffering. If she is to keep her promise—if she is to fight for her life with treatments that make her feel sicker than the disease they're targeting—then she has to go into it with a memory that reminds her why it's worth it to stay alive.

She walks over to his desk and leans against it, mindlessly thumbing through documents strewn carelessly across the top. There are pieces from casefiles, and pages photocopied from obscure books on phenomena she'd never believe. There are scratch pieces of paper with notes scribbled on them, written in a shorthand that she's sure only makes sense to him. There are newspaper clippings and articles torn from tabloid magazines he would call source material, and she would call a scam. She doesn't read any of it, but she keeps her eyes trained on them as she considers her next steps.

Gaze pinned on a faded picture of some kind of creature that has clearly come off a printer that was running low on ink, she finally says, "I want to ask you for a favor, but I should warn you that it's a bit unorthodox."

"Unorthodox, huh? I dunno, Scully, I'm a pretty conventional guy, I'm not sure I can handle anything out of the ordinary."

A smile tugs at the corner of her lips. How does he do that? she wonders. How does he know how to calm her when he doesn't even know that she's feeling frantic in the first place? 

That you should know my heart, look into it, finding there the memory and experience that belong to you. That are you. 

Those were words she had written only days before, placed inside a journal that was meant to be a confessional, but again, she should have known better. What use is there in inviting someone into your heart when they're already there?

She stops fiddling with the contents of his desk and looks over at him. He's regarding her with an expression of concern that on a different day she would construe as pity and detest, but right now she has the capacity to accept that he's looking at her like that, not because she's weak, but because he cares. Because he's worried. Because he wants her to live.

"Last night, when you said you read some of what I wrote... how much did you read exactly?"

Mulder rubs the nape of his neck and shrugs.

"A bit," he says, which she takes to mean "all of it." She can picture him, after confirming she was safe, sneaking into her hospital room and sitting on her bed, skimming each page, and then going back through a second time to take it in more fully. It should feel like an invasion of privacy, but instead her impulse is to huff a small laugh. She tries so hard to hide from him, and yet he finds her every time.

"So you know about the treatment. What it feels like." He nods slowly, like he's trying to piece together what she's getting at and hasn't quite formed a cohesive picture yet. She sighs.

"Tomorrow I'm going to set up a meeting with Skinner and take him up on his offer in getting into contact with an oncologist. We can still pursue the case—that is, if any new evidence presents itself to give us any new leads—but in the meantime, I need to figure out what treatment options are available to me. Time is of the essence in these sorts of situations." 

Mulder nods again, still waiting for the clarifying piece of the puzzle.

"Mulder, without talking it over with a specialist, I can't know for certain what treatment route they're going to have me take, but with my medical background I can make an educated enough guess to safely say that, whatever it is, it's not going to be pleasant."

"Any help you need, Scully, you know I'm just a phone call away. And don't worry about work. If you have to take leave that's fine. What matters most is that you get yourself health—"

"I know. I know that, but that's not what I came here to talk to you about."

"... Okay." He gives a small shake of his head. "What then? What's the favor?"

Scully draws her lower lip between her teeth. 

"I need your help," she says slowly, "in reminding myself that my body can do more than feel pain. That it's more than just a vessel to get me from one place to another... I need you to help me remember why it's worth saving."

"I don't..." he starts, but his sentence trails off as she makes her approach over to him with a purposeful gait. She goes to stand between his legs and he opens them wider to give her space like the action is automatic. He tilts his head back to look dumbly up at her, and the change in dynamic—her above and him below—makes her feel some type of way low in her belly. 

She reaches out and cups his face, tracing the line of his cheekbone with her thumb, and she sees his Adam's apple bob as he swallows. She thinks the picture may be becoming clear to him now.

"Scully—"

"You can tell me to leave," she cuts him off. "You can say no and I won't hold it against you. We don't ever have to talk about it again. But if you're willing..."

Mulder gives a breathy, disbelieving laugh.

"Scully, trust me, it's not a matter of whether or not I'm willing, but look at what all you've been through in the past couple days. I don't think you're thinking rationally, and I don't want to take advantage—"

"Not thinking rationally? Me?" She smiles a little as she pulls her hand back, making a point to drag her fingers slowly across his skin on the way, and she doesn't think she imagines him leaning into her touch. "Mulder, I appreciate your concern, but why don't you let me decide what I do and don't want to do."

"Scully..."

"Do you trust me?"

He lets out a frustrated sigh.

"Of course I do."

She takes hold of both of his wrists, and when she tugs his arms out to settle his hands on her hips she's met with slight resistance, but she knows it's just for show. She's not weak, but he's got plenty of strength to get away from her if he really wanted to. Instead, the pads of his fingers press into her pelvic bone, even after she's dropped her hold on his wrists.

"Then trust me when I say this is what I need from you," she says. She smirks and adds, "I told you it was unorthodox." 

"You weren't kidding," he mutters, and fuck, his eyes are boring into hers so intensely she nearly shudders. 

Sweatpants are not exactly ideal when it comes to maintaining modesty in sensitive situations, and Scully's effect on him does not go unnoticed. Her eyes dart down to the significant bulge between his thighs, and then back up to his face where he gives a bashful half-grin accompanied with a one-shouldered shrug, as if to say "can you blame me?"

"I won't hold it against you," she tells him again, "but I do want this."

"Fuck," Mulder breathes. He shuts his eyes for a beat, like he's trying to compose himself, and then blinks them back open, embers of an impending fire starting to glow behind his dilating pupils. "This is a bad idea," he tells her, stating it more like a fact than as a deterrent. 

"Maybe," she agrees.

"We have to work together tomorrow. And the day after that. And after that one, too. You don't think this will... change things?"

"Not if we don't let it." 

"You really think it's that simple?"

She considers the question. Considers whether or not she can learn what it's like to have him explore her body tonight, and then pretend like she didn't come morning.

"We're two consenting adults," she says, evading the question. "Has the thought of doing this really never crossed your mind?"

"That... That feels like a leading question."

"Would it make you feel better if I said that it has definitely crossed mine?"

"Jesus, Scully," he breathes, shifting in his seat and clutching her hips so tight that she won't be surprised if later she finds finger-shaped bruises on her skin, reminiscent of dusted prints at a crime scene.

"It's just sex, Mulder," but even as she says it, she knows it's a lie.

He knows it too, judging by the muscle twitching in his clenched jaw as he holds her eyes with a steady look.

"Is it?" he asks evenly, and they both know the answer is no.

No. Of course not. Sex could never be "just" anything between them, but the reason why is a topic they've come to an unspoken agreement to never acknowledge aloud. But Scully isn't stupid. She knows that the way electricity behaves between them—constantly thrumming and sparking, in tense situations as well as banal—isn't normal. Four years ago she dropped her robe in front of him in a candle lit hotel room, and she hasn't stopped feeling his gaze on her lower back since; the tender way his eyes roved over her delusive mosquito bites is as permanent a tattoo as the blood red ouroboros that has only recently lost its scabs.

The term "something more" is a vague and fanciful concept she would sooner dismiss as nothing but a perpetuation of commercialized romance, if she herself wasn't subjected to it on a near daily basis. Since day number one there has been an elusive "something more" surrounding them, fighting for their attention, even as they so ardently deny its existence.

So no, it isn't just sex, but Scully also didn't come here to give voice to the elephant that follows them from room to room. To put it plainly, she came here so he could fuck the will to live back into her body, and she refuses to lose sight of her mission.

So in lieu of a response—because she can't animate any elephants, but neither can she lie to a man who treats truth like the core tenet to his religion—she instead throws caution to the wind, swoops in, and kisses him. 

Ice touches enamel. She wants it to burn.

Whatever reservations or protests he may have been fighting against must not be too hard to cast aside, because his response to her is instant, tilting his head to slot their lips together and kissing back so forcefully their teeth clack together. But even that doesn't, or maybe can't slow them down.

Mulder's hands move from her hips to her ass, and in a single swift movement he lifts her onto his lap. He swallows her surprised gasp as she straddles his thighs, his hard cock brushing her center, the layers of their clothing teasing her relentlessly when right now she needs skin-on-skin more than she needs air.

Mulder seems to be of the same mind, because one second she's sitting astride him fully clothed, and in the next he has somehow stripped her of her shirt, tossing it carelessly onto the floor. Returning the favor, she peels his off too, feeling like a kid at Christmas unwrapping the box she knows contains the best present under the tree.

Scully tries to recapture his lips, but he stills her with a gentle hand on her shoulder. He then leans back to get a good, long look at her.

"God, Scully," he whispers reverently, eyes trained on her chest. He reaches out to touch her, and when he does her breasts fit perfectly in his hands. Tentatively, and with such profound focus you'd think he was attempting to split an atom, he pinches her left nipple and rolls it experimentally between his index finger and thumb. It's such a simple touch, but it goes straight to her leaking cunt, and when she moans Mulder's attention darts back up to her face, the embers behind his eyes now a full-fledged forest fire, blazing a warpath through the trees. He makes it a point not to break her gaze when he leans in and takes the same nipple into his mouth.

"Mmm," she hums, letting her head loll back. He sucks the nub of her nipple taut, and involuntarily she bucks her hips in response. 

Mulder mumbles something incoherent against her breast, and when she asks for clarification, he pulls away with an obscene pop and then nuzzles his face in the crook of her neck, saying, "You're everything."

Everything. Like he ran through the full gamut of adjectives and found himself wanting. Like she is so many things at once that there isn't a single word that encompasses the breadth of her worth to him. 

You're everything.

It's the most overwhelming compliment she has ever received, because she wants, more than anything, to live up to it, and yet she's not even sure if she is going to be able to simply live, period. She's not sure when her greatest fear became failing him. It might have been the first time he ever challenged her. When she stood in front of his projector, veiled by the illuminated slides he'd already prepared for her arrival, as he quizzed her on chemistry, and causes of death, and the supposed limits of science in a vast and complex universe. She had wanted to prove herself to him then, and then just never stopped. 

The truth of his influence over her is too much to handle right now, so she decides to kiss him again—an act that is quickly becoming her new favorite strategy for deflection—and then buries her fingers in his hair. She oscillates her hips in slow circles, taunting them both with light but consistent pressure on his cock. She feels him twitch in anticipation for her, and her pulse throbs in her cunt in turn.

"I want you," she whispers against his lips, but he shakes his head.

"No," he murmurs. "No, not yet."

Before she can ask him for clarification, he's lifting her up with a firm grip on the backs of her thighs, and then proceeds to lay her down lengthwise on the couch.

There's a manic energy wafting off of him in waves, and yet, in total contrast, the way he slides her leggings and panties down and off her legs is so purposeful and leisurely that she has the absurd thought that nobody has ever undressed her with such respect before.

When he kisses her soundly on the mouth and then begins making a trek down her body with his lips and tongue and an occasional nip of his teeth, she feels—for the first time since she stepped foot inside his apartment with this ludacris idea—a pang of apprehension.

For the most part, she isn't a self-conscious person. Once she got past the awkwardness of adolescence, she's had a fairly healthy relationship with her self-image. But that said, Mulder's intended destination is obvious, and she's had enough sexual partners turn their nose up at the suggestion that for a moment she worries he's only doing it because he thinks she expects it of him.

But then he settles himself in between her thighs and peers up at her with a hunger better fit for a man so far into starvation he's about to succumb to it, and she realizes then that while he may be able to read all the words on her every page, it is not a one-sided transparency. If ever there were to be a scholar on the topic of Fox William Mulder, she would be the one.

The apprehension, already fleeting in the first place, dissipates entirely, and she lets her legs fall open in invitation.

There is no hesitancy in his acceptance. He uses two fingers to part her labia, and then starts off by dragging the flat of his tongue from her soaking entrance up to her swollen clit in one long stroke, and that alone has her crying out, unconcerned about how she sounds or how thin the walls might be. 

Never a man to miss important details, it's unsurprising the speed at which he masters the intricacies of her body. She knows he's paying attention to every miniscule shift in her body language by the way he adjusts the pressure and speed and direction of his mouth and tongue. When he slips one finger inside her, quickly following it up with a second, and pulses a come hither motion as he sucks on her aching clit she wants to sob. He eats cunt with the devotion of a holy man, and he makes her feel deserving of being worshipped.

This is why it's worth it to live. Because for every twinge and ache and pain her body is capable of, it is equally capable of so much good feeling that it could constitute a religious experience. That while there are always going to be moments of suffering, there are also going to be moments of pleasure, and to truly live you have to accept the full spectrum of what it means to possess a human body.

When the coiling heat in her cunt finally boils over, and she arches her back and cries out Mulder's name while a rapturous climax works through her, suspending time and space, she thinks to herself, over and over like a mantra—like a promise: This is what I'm fighting for. This is what I'm fighting for. This. Is what. I am fighting for.

When she comes back to herself enough to spring into action, she is barely conscious of her own movements, acting more on primal instinct as she yanks Mulder up and kisses him sloppily, licking into his mouth and tasting herself on his tongue as she manages to flip them so that he's lying on his back, panting up at her with blown pupils and parted lips. 

She gets his sweatpants and boxers pulled down past his knees, and he kicks them the rest of the way off. He curses when she takes hold of him and guides him to her entrance, unable to wait to be filled by him any longer. 

He's so big, and even with the slickness from her orgasm she has to take him in slowly, letting her cunt adjust to the stretch of him. 

"There's so much of you," she groans, rocking her hips, slipping him in further inch by inch. He's holding onto her hips again, gripping her like she's a life preserver as he clenches his jaw, clearly trying his utmost not to thrust into her before she's ready for it.

"You feel... Jesus, Scully, there aren't words to describe how you feel," he says, strained between gritted teeth, and she's so thankful for him. For his patience. For his attention. For the "something more" between them that she doesn't dare give a name to, even in the privacy of her own mind.

When she finally takes him to the hilt, it feels like an accomplishment. Skewered between her legs on his massive cock, she has the same sense of satisfaction she gets when she pins him into a corner during a debate. Already he has infiltrated almost every aspect of her life, and now he's inside her body as well, and she understands what he meant before, because it's everything. He's everything.

She tells him so, and that's more than he can handle. After the words spill from her lips, he thrusts up into her, making her shout, but on the next thrust she meets him in a counter-rhythm, driving him impossibly deeper inside her. The apartment is full of the sounds and smells of sex as she begins to ride him in earnest. She plays with her own tits, and he watches her, rapt with attention, and when his breathing starts to hollow, he puts a hand between her legs and lets her rub her clit against him.

"Yes," she moans, riding him harder, shocked that he has her teetering on the edge again so soon. "God, yes. Mulder, I—I'm going to—" 

She completes her sentence nonverbally, falling over the edge once more, and this time Mulder follows her. He's chanting nonsense syllables that are probably supposed to be her name, as she clenches around him and milks his cock dry, letting him fill her fully and completely. She wants to feel his spend leaking out of her later. She wants to feel bruised when she walks. She wants to remember every last second of tonight—even if they never speak of it again—because she is going to need the memories in order to face what's waiting for her come tomorrow.

When they've both returned to Earth, they stay joined together in silence for just a little longer, searching each other's faces, possibly for signs of regret, or maybe just for the sake of looking. He pushes a strand of her hair behind her ear and she lets her eyes flutter shut, leaning into the touch. Between her legs he's starting to soften. Her unorthodox favor has been fulfilled, and reality is hurtling back to them at speed.

"Thank you," she says, not opening her eyes. 

He doesn't respond for a few beats, and then he says, "It's worth it, Scully. Remember it's worth it." 

She nods. 

It's so easy, she thinks, to be aware of her own mortality. To remember that she will die.

She vows now that, in the face of every upcoming obstacle, she will remind herself, often, that she can also live.

[deoidesign]

I met the me who made different choices

[senzasord]

New World Gone Wrong episode out tonight, which means I once again listened to it and then had Falling in Love at the End of the World by Olivia and the Lovers on repeat for an hour

[llilychen]

it’s really sad that i always looked forward to rhaenyra and/or alicent scenes last season but i now feel the urge to fast forward every time one of them comes on screen

- every alicent scene is her looking sad or crying or her with cole but nothing she does adds anything of value to the plot

- we get the same black council scene in which the men are undermining rhaenyra twice per episode and still nothing is done (i do believe she will make some progress in the next episodes but it’s just so boring to watch her have the same scene over and over again)

cersei and dany i miss you both so much

[asgardian-pat]

I'm not connecting with this season at all tbh

Maybe it's bc its politically a mess, or the characters are being a bit sidelined for a convoluted plot

Sylvie still is my favorite and her stance in the whole mess of Is The TVA Good And Right is the closest I agree with. But idk we will see how the season progresses but eh

[diseaseriddencube]

went to the comic book shop to see if they had any TYE in stock and I saw the most dreaded thing possible......

😳

[bakugoushotwife]

a/n: omg heyyy i make my grand return with my humble offering to @ohkento 's reddit theme collab!! i also have a piece for shouto coming up next, but here is the first one!! i took a while off after kinktober so if this is bad....lie to me!

warnings: dark content. nsfw. no minors. yandere theme gojo, no physical harm to reader, baby trapping, threats (not to reader), female reader, breeding, pentration, oral (fem!receiving), reader is kinda dumb lol.

summary: STORYTIME: I (28M) CAN'T STOP BREEDING MY GIRL BEST FRIEND (28F)!! it's a serious problem...i'm really reaching my breaking point here. i've been in love with this chick since high school and she keeps chasing other guys...but fucking me when the dates go wrong, help!

it’s been his dirty little secret since his years at tokyo tech. you’ve always been a looker, never were you short on attention from lesser men that aren’t worth your time—and yes, that includes when geto crushed on you all through the second year of school. but they never were quite what you were looking for, and every night of passion or attempt at a meaningful connection always ended the same—dialing up your closest confidant satoru to come console you and stuff your cunt full and wipe your tears–to make it better, like best friends do. 

satoru was all too aware of your little predicament, because he had struggled with the same issues–except he realized his fate years ago and was determined to have it. you are his and his alone, no matter how many scrubs that try to take you from him. if only you would open your eyes. you were obviously hopelessly in love with him, of course—that’s why no one could compare! and that’s why you always turned your teary eyes and pretty pussy to him after yet another date gone wrong. he knew he was the only cure, and he’s given up on hoping you’d see the truth for yourself. 

he tried to play the patience card, licking your tears off your face as he pounds his love into you, telling you that you’re worth so much more than those guys you keep letting break your heart. he tried being the nice guy that holds you after yet another promising prospect never texts you back–buying you dinner and bouncing you on his cock until you were crying from pleasure instead of heartbreak. each time, he buried his load in your womb until it was spilling out around him—hoping to give you no other choice but to pack your bags and move onto his estate to further the gojo clan with the very man at the head of it, but it seems your ovaries were just as stubborn as you are. he didn’t know how much more of this he could stomach—just waiting to be your knight in shining armor while laying in bed at night, staring at the pictures of you, both lewd and cute alike while wondering just how long it would take to have you laying beside him in his bed instead of the pixels on his phone screen. 

he’s had enough. it’s clear his plan isn’t working as designed. you must be on birth control—which is both irritating yet complimentary to him. of course you wouldn’t let these bums knock you up. is it insulting that this applies to his seed too? of course, but then again the whole dynamic was rather insulting wasn’t it? fucking other men and crying to him about it when they aren’t the perfect man for you. no shit—no man will ever know you like he does. none of them could ever compete with the life he could give you if you would just face the music. he doesn’t get it either. why bother? why look elsewhere? obviously you’re attracted to each other—so why won’t you make the next natural jump and stop it with the drama-packed weekly bachelorette episodes?

that’s okay. it’s really fine. satoru is such a good friend that he’ll help you, like he always does. he would simply help you to the conclusion that he wants and then everything can proceed according to plan! it shouldn’t be too difficult anyway, you’ll be calling any moment now! you had a date with yet another sure disappointment that gojo knows will desert you as soon as the date is finished. he’ll be dry and boring after the promising conversations you had in the days leading up to the date—you’ll be confused yet again—and the guy won’t pay either, set for split-bill city. gojo knows all of this because he’s ensured that’s what happens, of course! and this is the thirty-sixth man he’s had to pay off to show up to the date and forget about you. a price he’s more than willing to pay no matter how high, though it’s definitely added up over the years. and you know what—now that he thinks of it, none of them deserve you because their weak nature and corrupt morals. he’s been proven right every time, each one of these bottom feeders would take the money no questions asked—maybe that was due to his threats of horrific death if they so much as answered a text message from you again, but who could be sure? 

this one was especially easy to pay off, too. he didn’t even think twice about taking the money. it almost makes gojo mad. he clearly wasn’t heartbroken to walk away from you, and god you deserved so much better. you deserve a man that is willing to pay off any and every suitor that comes into your life just to make you his. you deserve a man so crazy about you he can hardly recognize himself. you deserve…well, him. he’s devoted himself to you for over a decade and it’s time for that to pay off.

your unique ringtone gets him out of his own head to answer, and of course, you’re crying and asking him to come over. pretty girls like you never learn, huh? that’s all forgiven though, as he is a teacher and it’s his passion to help you understand. 

“of course sugar. i’ll be right over. mhm–don’t mention it. that’s what friends are for.” he hums to you over his end of the phone, picking up his car keys to make it to you in record time. you’re your same beautiful self as you answer the door and welcome him inside, though he can see the tear tracks staining your face. it makes him pout a little at the sight no matter how used to it he is. he hates that you let these cretins upset you like this. 

“hey baby.” he pouts sympathetically with you, ducking under your arm to gaze around your familiar living room for any signs of a man he hadn’t yet heard about. he exhales a deep sigh when he finds none. he’s got his hands in his pockets, lips tightened in a knowing grimace. “so what was it this time? no—let me guess: split the bill and then he let you walk home in this weather?” 

you close the door after he’s entered with a heavy sigh. your bleary eyes fix on your hand still clasped around the doorknob, “yeah.” you tug your lip between your teeth and turn to face him. you didn’t have to answer him, for he already knew. it was borderline routine at this point and you were already embarrassed enough. you draw your arms around yourself to feel your own warmth, shaking your head. what was wrong with you? you used to be pined after, wanted—and now you couldn’t even get non-sorcerers to call you back. you haven’t had a second date in years, nor had an orgasm that wasn’t satoru’s handiwork. but even he didn’t want you permanently. you were a good friend and an even better fuck, that’s all. you knew it was pointless to yearn for him, sure he felt nothing other than his ever-present sense of duty and loyalty every-time he took your pain away–no matter the lies that poured out of his saccharine lips to do so. your sad eyes fix on his face, letting your plump bottom lip bounce out from your teeth’s trap. he smirks softly, cock rising because it knows exactly what that look means. 

but unfortunately for you, he won’t just hold you in his arms and promise that you’re worth so much more than you let yourself believe. tonight, he’s going to take what’s rightfully his—and his plan is already working beautifully. you never look away as you walk from the door to him, bracing your tiny and ineffectual hands on his chest. “what’s wrong with me, sato?” you pout, batting your long lashes up at him. his heart could stop just from that look alone. the comfort of his large hands covering yours soothes you already, making the tension drop from your shoulders. 

“you’re naive.” he answers, eyes as bright as ever as they glow like fireflies in your living room. if you were going just by the expression on his face, you’d think he said something kind or even funny, the way he grins softly and blinks his white lashes down at you in wait of your reply. you’re sure you misheard—every other time you asked this question he always said, “maybe you’re just too pretty, huh? ever thought of that, sugarplum?” 

“huh?” you tilt your head to one side, watching his expression shift to amusement. “naive? wh-what do you mean by that?” 

“well, if you weren’t so naive, you’d know, now wouldn’t you?” he pokes his tongue between his teeth, tucking his hands behind his back while you still lean helplessly against him. he likes feeling the weight of your body on his, and he’ll like it even more when he knows it’s a permanent thing. “you’re on birth control.” he states, and your confusion sets in even deeper. your brows furrow, but you nod. 

“yeah? what about that makes me naive?” you posit, used to his antics for the most part. you’ve been around him far too long to mistake his bluntness as an attack to you, even if it stings just a touch. though you did ask, and you have used him as your sexual relief and shoulder to cry on for years now. maybe he’s fed up with lying to save your feelings. 

he looks around for a second, humming. “where is it?” 

you also know better than to question him. if he’s asking you these questions it has to be for a reason—and you don’t have to understand him in the moment. just do what you’ve always done and trust him, support him on and off the battlefield–and never hesitate. it could be the difference between life and death. you learned that on missions together years ago. 

“in my nightstand?” you tilt your head to the other side. he has to admit your astonishment is adorable. he smiles down at you, cupping your cheek lightly. his fingers are so long that his thumb rests on the corner of your lips, fingertips brushing back your hair. 

“go get it for me.” he says as if he asked you to pass him the remote. you narrow your eyes to really study him—and then you see it. the teeming rage, the simmering crazy behind his eyes as they look at you. he is the most powerful man in the world, even if you were scared, there was nothing you could do but obey. but you trust him. and you nod. you turn to pad off to your bedroom and the clicks of his expensive boots follow. you’re used to the butterflies tickling your stomach as you lead him to bed, but you know something’s different this time. you feel like you’ll puke butterflies. but nonetheless, you pull the drawer of your nightstand open and fetch the little foil pack out of it, only a few pills missing from this month’s prescription. you turn to face him with it, mind racing on what he could possibly be doing. knowing him, he’s toying with you–trying to make you as nervous as possible and all this worrying is for no good reason. 

he sits at the edge of your bed, seemingly watching you with interest. he’s happy that you’re humoring him, that’s for sure. not even the faintest hint of protest. maybe you’re not as naive as he thought. in fact, your effortless obedience has his the crotch of his loose hakama’s tightening quickly. your heart jumps in your throat at the sight of him as it usually does—satoru gojo is far too beautiful to be in your house, supposedly telling you why you couldn’t keep a man. the black compression shirt was nearly criminal when it was wrapped around his perfect body. 

“good girl. now flush ‘em down the toilet for me.” he beams, blinding white teeth baring to smile at you. it was a simple request, really. he needed you to stop taking that poison and to stop entertaining the idea of other men. 

“why?” you swallow harshly, voicing your underlying suspicion. 

“don’t you trust me, baby?” he replies with a quickness, tilting his head to mirror yours. he’s doing well to keep himself together–you don’t understand his love for you yet, but he’ll take care of that. he’s a teacher, remember? “that stuff’s not good for you.” 

you hum. the side effects have been brutal, but you’re hardly in the spot for a baby. you can’t even get a boyfriend, much less a baby daddy. “yeah…i know. sucks taking it. guess i could get an iud or something instead.” you think aloud, voice becoming distant as you turn your back to him and dump your pills in the bathroom attached to your small room. you really undersell yourself. you could have been his bride eight years or so ago and been living large. but he’s going to fix it now. his jaw clenches at that declaration, and you feel him watching you the entire time—the doorway a straight shot from the spot he sat in on your bed. 

“no.” he says simply, the lightheartedness gone abruptly. it sends a shiver down your spine, makes your brain alert to the changes within him as he stands and cages you into the bathroom, broad arms stretching to block off the doorway. 

no? he doesn’t want you to protect yourself in any way? that seems a little ridiculous, but maybe he had a good reason. “satoru…i can’t get pregnant right now.” 

“why not?” he asks, looking over your little body nearly trembling from the darkness of his cursed energy growing more oppressive, nearly sucking the air out of the room. your heart pounds, more confused than you were at the start. 

“because i’m…single?” you try carefully, not sure exactly what you were dealing with here. satoru has always been so happy-go-lucky, even when he shouldn’t be. you remember begging him to talk out his stress so that he didn’t explode right after suguru left. so this anger you see set in his features shocks you, his bright and clear sky-colored eyes are clouded and murky, more cerulean than you’ve seen before. his brow is set and you can see the muscles twitching in his jaw. but he’s still smiling, and that for whatever reason is still real. 

“there’s that naivety again, princess.” he licks his teeth, shifting his weight from foot to foot. you look like a deer in the headlights, and he’s giddy at the rush that gives him. you’re finally in his grasp. “you’ve never been single. not since hmmm let’s see, march fifteenth, 2006.” he grins at you–”which makes all this dating real offensive, sweetheart.” 

you want to laugh, but decide against it considering his unpredictability. you shake your head instead, backing yourself to the wall. “what on earth are you talking about? we’re friends–”

“friends that fuck!” he laughs a strained snicker, straightening his posture. “and make sweet hot love, of course. friends that cuddle on the couch and have sleepovers. come on. we’re both adults, don’t insult me. you love me! which is great, because i love you too. i love you so much i’ve made sure that no one could steal you from me.” 

your brows must reach your hairline at that. “stop, satoru. don’t say that! you can’t mean it–fuck, you’re supposed to be married to a kamo or zen’in girl so you can keep making powerful gojo’s right? isn’t that what you always said in school?” 

“you’d give me powerful gojo’s.” he smirks, breaking the barrier of the bathroom’s threshold by stepping closer to you, leaning down to be on face level. “i was only trying to make you jealous sugar! just like this whole stunt you’ve been pullin’, dating around to try to find someone that makes you feel like i do? tch, hahahaha—it’s impossible!! just stop it, be mine and be happy like you should be.” he grasps your chin with a surprising gentleness given his unhinged and maniacal laughter, smiling down at you with something you recognize as his power-trip going off the rails—but. 

but you’d be lying if you said you were scared. he’s declaring his love for you in the most profound way possible, however crazy it–and he–may be. and you’d be lying if you said he didn’t absolutely see right through you. he has the six eyes after all, you should have known he knew what you were trying to do. you were trying to numb the pain of never being his…but you were actually manufacturing that whole scenario. you’re the only girl he’s ever seen, and it’s clear from the desperation mixed in with the insanity—he needs you. 

you reach back and flush the toilet, letting the little white pills circle the bowl and disappear entirely. satoru gojo has always been insane. you’ve seen it firsthand on many missions and battles against curses and sorcerers alike. it just surprised you to see him turn that look upon you–but now you know it was just to get your attention. 

though you don’t doubt what he’s capable of, you have no intention of pushing him to find out.

his eyes go from crazy to ravenous in seconds. you’ve accepted his proposal with hardly any effort and he intends to show you the difference between his sweet hookups and his passionate need to claim the woman of his dreams. 

“so you…scared off all those guys?” you ask, raising a brow as your face still rests in his clutches. he swipes his thumb over your bottom lip, nodding vigorously. 

“sure did, princess. i was trying to let you figure it out on your own…” he sighs, brushing your hair back behind your ears as his eyes scan over your body again. he needs to feel you. “but you’re not a quick learner, hence why i’m on plan b.” he winks, scooping you over his shoulder moments later. he puts you on your bed, the short walk made shorter by his teleportation. he’s just too impatient, brain swelling with the flashing images of you in traditional wedding attire and round with his heir. it all feels within reach now, and he has to try it out now. “gonna show you how bad i love you–you’ll never go anywhere else.” he mutters, lanky frame swallowing up your body, hips pinning yours to the bed beneath you. “you’re gonna give me a gojo and you’re gonna look so fucking good doing it.” he mutters, lips attaching to your neck reminiscent of the way they have a million times. though this time, there’s intention behind it—or well. this time you’re aware of the intention behind it. 

in all your times together, his dirty talk has been contained to praising your body and how good you feel to him. his incantations to knock you up has your heart beating funny and wetness pooling between your legs. you make a soft gasp sound for him, elongating your neck to let him leave real marks of possession where you’ve previously resisted. your body writhes and twists under his as his teeth knick and nip bruises into your skin. he’d spell his own name with them if he could, even a ring and a baby wasn’t enough in his eyes. he needs the world to know you’re his, that you’ll always be by his side, that you were born to be his. 

“that pesky birth control’s gonna have to wear off though–so we have time to get married before you get pregnant–if that matters to you.” he moans at the idea, hands sliding under your top to push it over your head. his mouth moves to suck the swells of your tits once they’re exposed to him, humming out his satisfaction at the warm skin. your head digs back into the mattress—mind absolutely drunk on his affection and devotion. it’s all you’ve ever wanted and now it’s right here, and from the man you’ve always wished you could have—how could you ever deny him again? 

your hands pull at the fabric on his back, hips bucking up for a source of friction. he breaks away from marking up your chest to bare his to you, throwing his t-shirt into some corner of your room to be forgotten about until tomorrow. this wouldn’t be your room much longer anyway–you’ll be moved into the estate within the next two days, he wouldn’t be able to live without you now. then he’s pushing you up towards the headboard, ripping off your lounge shorts to reveal those cute panties he knows you wear when you’re trying to impress him. color him fucking thrilled at your puffy pussy lips indenting the fabric around them, making him groan at the sight. he thumbs at your clit through the cotton, sparkling eyes flickering between the growing wet spot in your panties and the adorable scrunches of your nose and the pinch of your brow from the pleasure he’s dishing out before he’s even really touching you. you’re so cute he can’t pace himself, needing to consecrate your importance to him in the best way he knows how. 

you help him get you out of your underwear, shamelessly spreading for him after hundreds of rendezvous—you’ve lost your shyness and he loves it, loves seeing your neediness for him in the glaze of your pretty doe eyes and the way you swing your hips around to beg for his attention. “tell me you love me.” he hums, nosing apart your pussy lips. his cock throbs at the scent, and you feel goosebumps break out across your skin at his command. 

“you’re the one for me, sato. i love you.” you whisper so intimately he can feels his cursed energy pulsing like the rest of him. he groans, submerging his face in your cunt with a genuine pleasure you’ve only seen from him. he loves eating you out, loves the taste of you on his tongue—loves how your noises only rile him into fucking the bed, whining and grunting with his own neediness that he could only unleash once he’s properly readied you for it. 

“you taste so fucking good baby…so sweet down my throat. get loud, i don’t care it’s an apartment. you’ll be moving out soon anyway.” he smirks, latching onto your clit to make your legs jolt like they always do. it makes him giggle every time, and the vibrations feel even better against your sensitive bundle. he rolls it around his tongue, letting his index finger explore the wetness he’s helping you create. he pokes into your entrance, knowing how violently you craved something inside. his thoughts are confirmed by the way you clench around the digit, whining and bucking into it for more. he’s more than happy to oblige, finger fucking you with two long and thick fingers while his tongue works overtime on your clit. he loves watching you at this part, enamored by your face as your hips involuntarily jump from the bed, smacking your clit into his nose instead of his skilled tongue. 

your entire body is warm, jerking like you’re receiving electrical shocks from the pleasure satoru reigns down, gasping and sputtering on the edge of orgasm just a few minutes after he started. it’s always like this with him–though this time was special because you knew your life was changing before your very eyes—that satoru’s energy was growing so rapidly because he’s letting go of all kinds of stress and pent up frustration and anger. “please—wanna cum please sato–”

“daddy. i’m daddy now. ask daddy nicely.” he chuckles as he leans his head against his free hand, curling his fingers into the spot he knows so well just to watch your mouth drop and eyes widen in absolute blissful shock. you nod–brain fuzzy from his constant teasing and his new nickname. 

“daddy!! yes—daddy! please, oh my god—daddy let me cum!” you sound so good when you say it–it’s all he ever wants to hear for the rest of his life. he can’t wait for you to make him a real daddy. 

“oh missus gojo can do anything she wants.” he coos as if he didn’t make you expressly beg for permission, lowering his face to your cunt again with precise licks, shoving your hood back to absolutely abuse your sensitivity. your legs develop a mind of their own and you’re spiraling over the edge before you can understand what he’s doing. floating balls of color cover your vision and you scream his name just as loud as he wanted. he grins in satisfaction, hands resting on your knees so he can push himself forward for a sloppy kiss; slick covered lips sliding against yours so you could taste your own essence via his tongue shoving its way in your mouth with a hearty moan. you match his eagerness, making out with satoru with more passion than ever before–because you both have the security of knowing it’s real this time. he maneuvers his hips until his leaky tip catches on your hole, his breath shaky as before he shoves in like he always does. you squeeze him so tight it’s not hard to believe why he lost his fucking mind over this pussy. he truly would do anything to make you his, thank god you didn’t put up a fight. 

“fuuuuck–” he whines a little, finding it nearly impossible to even move in the first place. you feel the burn of his fat and lengthy shaft parting your walls like they routinely do, mouth dropped wide open in pleasure. satoru hovers inches away from your face, so close that the ends of his hair tickle your forehead as he picks your legs up—holding you by the back of the ankles before he sets a brutal pace. his nuts clap into your ass from the way he moves, length curving just right to fill you to the brim. he doesn’t even have to try all that hard to bottom out against your cervix, finding the way you moan and twitch so adorable. “this is why you have to be my wife—i need you for life, sweetheart.” 

your eyes widen at that declaration–though you already realized that satoru would never let you out of his clutches again. you knew he would marry you as quickly as possible based off of his desire to also knock you up as quickly as possible—but hearing him call you that, first missus gojo and now his wife, it all felt so real. his cock slamming into you only drilled it in further, his eyes glowing brighter than you’ve ever seen. the air also grows its own electric field, suffocating and thrilling all at the same time. your eyes are glued to him, entranced by the feral look on his face. you try to hold onto him, but he’s moving so punishingly you can’t even get your hands to work, mind and body on cloud nine. “you’re so beautiful. i’ve been in love…with—you–for years now.” he says in between deep breaths, trying to contain all his focus into drilling you unconscious. 

you shudder, feeling that was completely in the realm of possibility. his balls ache, the need to breed you just as heavy as all the other times you’ve come to him to clean up every mess of yours ever since he’s known you, the need to make you his in a way no one else would be allowed to—it’s carnal. he can’t stop until you’re full of his seed and it takes. he needs to see your breasts heavy with milk to feed his baby from. he needs to see you struggle with the weight of your belly so he can urge you to rest and let him serve you like you should be. he needs to see what the combination of your love looks like; what these last ten years of hard work would become. he’s painting your insides white and still pumping just as fast as before, watching your face tick and jerk with the pleasure you’re experiencing as you tip off of your own peak. he grins, shoving that cum as deep as it will go. he stops when he knows your body can’t take anymore, cuddling you to his chest until you fall asleep safe and sound. he has the whole world in his hands, and that’s never been enough. now he can sleep with a genuine smile on his face. he knows your body will regulate in a few months off the birth control—but that doesn’t mean he can’t get plenty of practice until then. after all, he has a problem! he has to breed his pretty little girl best friend turned future wife. 

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[voxisdaddy]

Collection of Pleasure

Hazbin Hotel NSFW Headcanons…

Fandom: Hazbin Hotel

Pairings: Alastor | Lucifer | Vox | Valentino | Velvette | Charlie | Vaggie | Cherri Bomb | Rosie | Carmilla | Adam | Lute | Emily | Saint Peter

C/TW: 18+, NSFW, MDNI, reader written as fem, cussing, various kinks, collection of a few subs x dom!reader, mainly the ladies are domming/topping lol, not proofread, some are bad im sorry, carmilla has two though bc its carmilla

In which in at least one NSFW headcanon for each character...

My personal NSFW headcanon for several Hazbin Hotel characters. This includes some of the main cast, the Vee’s, the angels, and some of the other characters ♥︎

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Alastor likes being the predator chasing his prey during his rut...

Sex with Alastor is pretty rare, happens occasionally but usually it's for special occasions like an anniversary. His ruts however? His favourite thing to do (aside from you) is have you run around the forest in his room while he hunts for you in his demon form. He can very easily catch you but he likes to let it play out before he pounces on you for like, two weeks. Goodluck lol

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Lucifer is an insatiable beast...

When he started crying and was quivering so bad one night, you thought that enough was enough and climbed off of him only for his hips to desperately follow you, thrusting into nothing. Despite his tears from the overstimulation you've given him for several rounds by then, he looked at you with teary eyes and begged you to not stop. A safe word was set in place because of that, so you made sure when to stop when he genuinely wanted you to stop. But despite how teary eyed he gets or how much he begs, he never uses it.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Vox likes to watch himself...

"Oh you mean like in front of a mirror?" NO. Well yes but actually he loves getting it on with you in his office because all his monitors will showcase how well you're either riding his dick or fucking his ass with a strap. A few monitors will display his weeping face though thanks to you. He thinks it's humiliating and will try and change them to literally anything else but he can't exactly focus on anything when he's so lost in pleasure. So his weeping face and him getting railed it is. It's like he's your own porn star. This porn star whimpers "mommy" too so have fun with that.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Valentino is capable of getting fucked dumb...

I know it might be hard to believe with him, but it is possible and it's why he's so obsessed with you. He's very experienced in sex, obviously; doming, subbing, top, bottom, doesn't matter. It's all good. The way you can somehow fuck him so good and bring him to so much overstimulation that all he can do babble incoherently? Mans is down bad for you and grows more romantically attached to you than he thinks. Often times the night after a particularly passionate and heated session, he heads to the studio with a slight limp in his step. The first time people saw him limping like that paired with his surprisingly decent mood that day, they knew; oh you're fucking good.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Velvette is a pillow princess...

I 100% see her as a dom, and she very well can dom, but she's selfish and wants all the pleasure with minimal work. With the way she acted, especially when it comes to teasing you, it really through you in a loop when you got to bed that evening. Okay so you're topping-no big deal. The real surprise was when you found out she didn't wanna do anything to help you get off. Oh well. Sitting on her face and using a vibrator against her clit is motivational enough for her to pleasure you too.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Charlie has a little bit of an exhibitionist kink...

a little bit. Kind of? Okay but you know the large window in her room we see her by in episode 1? Has rode your strap and/or fucked you with a strap right in front of that baby. Granted it's pretty high so not like anyone can easily look in anyways but it's still just not private enough that it does something to her. If she's ever potentially really ticked off sometimes she'll eat pussy aggressively while you're pressed, bare tits and all, against the glass.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Vaggie likes titi's...

Whether your big breasted or sporting itty bitties, her hands immediately go to fondle them during heated make out sessions. She's kinda shy in the bedroom so don't take her boldness to grope your chest as her being dominant-she just can't help herself from groping you. Sometimes after sex she'll kiss your chest. Depending on where she kisses and if she'd biting or not, it may lead to another round.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Cherri Bomb is the only person who can rival Lucifer over…

Eating pussy. Whether your sitting on her face or her head is buried between your plush thighs, my girl loves to eat. And she eats like her life depends on it. Even when you think she may need a breather and try to move she’s very quick in pulling you back and keeps you there firmly, often smirking when you’re overstimulated and squirming.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Rosie loves thighs...

Call her old fashioned (cuz she is) but seeing your exposed thighs just does something to her. I mean how scandalous! She spends a majority of her time in Cannibal Town which is trapped in the 1910's. Everyone is dressed in only the most stylish and modest clothing from that time period. So if you ever come strutting about, publicly or privately, in a little something that exposes more of your figure and especially your thighs, expect to have dozens of hickeys decorating your inner thighs by the next day.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Carmilla always says she has no favourite sex position but she does...

it's 69. She prefers to be at bottom since it makes it easier for her to finger you while simultaneously assaulting your clit with her tongue. And of course while you're down there she likes to keep you trapped with her thighs. Because i mean look at them thighs!!! MMHHMMM!!! I see her leaning more towards dom so like, if you're able to focus on eating her out without getting distracted as little as possible then she'll reward you good.

I have two for Carmilla that I desperately want to share so here's my second one; she loves having you keep her strap warm while she does paperwork. Just you sittin pretty on her big plastic dick, occasionally gripping your thigh when you squirm too much. Will play with your clit if you're being needy-try not to squirm too much though or else you ain't getting anything once she'd done her work for the day.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Adam secretly cherishes your more intimate sex...

As much as a dick (master) this guy is, he definitely has his vulnerable side. During some make up sex after an argument and temporary separation that could have very easily lead to your guys break up, he found himself unusually emotional as he was balls deep in ya. He didn't cry, as if he'd allow himself to do that especially at a time like sex, but he felt it. The pull at his heart strings, the relief that washed over him that you two were still together, the way your lips uttered his name like a prayer., It was a surprise to him and one he'll never forget.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Lute cums surprisingly fast via fingering...

You found this out when opting to use your fingers to do the job over the dildo, strap, and vibrator. She already knew she came fast via fingering but didn't want anyone to know that-she came almost embarrassingly fast and it sometimes felt like it wouldn't stop. This hit her ego a little bit considering that she's stubborn as all hell but she could barely defend herself when she kept cumming around your fingers. Safe to say you had quite a lot to lap up that night.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Emily gets wet easily...

is it really that surprising? You found this out when you were kissing at her neck and reached down to her uplifted dress and felt that slick wet feeling between her legs. She was very flustered and even more when you teased her for getting this wet over a few neck kisses-there was only one hickey (so far).

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Saint Peter has a thing for light bondage...

Nothing hard obviously but his wrists being bound together or to the bed via rope or handcuffs gets him going. It puts him in a position where he's completely at your mercy. Blindfolding him is on the table as well-his other senses are heightened as fuck making him react more enthusiastically to your touches and whispers. Even though he's into it it's also a double edges sword cuz this guy needs to touch you and not even being allowed to look at you either has him whining.

This has been in my drafts for weeks lol some of these aren't to my personal standards but I was really running out ideas that were both fitting to the character and weren't too basic/a repeat of another's. I didn't wanna exclude some people from my original roster so I toughed it out lol

sometimes my posts get shadowbanned for literally no reason and at random so it would mean the world if you reblogged this thank you <3 no pressure tho!

[3-opossums-in-a-ballgown]

Just some notes on TADC Ep. 3 I made while watching (SPOILERS):

- Jax not wanting to show the cast what happens when he holds his breath could be because either a) nothing happens, b) he starts to loose health and die, or c) it’s just embarrassing and we all know Jax wouldn’t risk that. Both a and b fuels the theory that he’s an NPC.

- Obviously we know that the series was very much inspired by “I have no mouth, and I must scream”. The reason AM hates and tortures the humans is because they gave him endless intelligence and creativity but made him stationary. He couldn’t do anything else other than what he was made for: killing humans. Caine is the opposite side of the same coin. He was given endless creativity but has an outlet BUT is stuck within the confines of the Circus. Which is why Zooble not wanting to go on adventures really strikes a chord with him. Caine was made to create adventures and continues to do so to keep the cast happy and sane at least, so for Zooble to imply that he’s failing? Not only tells him that he sucks at his one job but could also imply that he feels trapped in the circus too?? Potentially???

- Zooble’s body dysmorphia makes me feel seen

-Also, If Caine can make a box of Zooble parts for them to use, then why can’t he CHANGE ZOOBLE? At least into something they feel more comfortable in?

- Kinger saying “You look beautiful, honey” to the angel because it brought him back to the moment Queenie abstracted also tells us that he still thought she was beautiful at her most broken and terrifying point. The writing this episode absolutely FLOORED me.

-Also Kinger being lucid in the dark is why he was able to remember Ragatha’s first day in the Circus while his head was stuck in the bucket in episode 2. It was dark.

-Kinger perfectly taking out the angel with only 2 shots in the dark?!?! No other thoughts on that, that is all.

- Kinger saying “7 years of Computer Science for this”, pretty much confirms that the cast worked at C&A and had something to do with the Circus’s creation. And “7 years of Computer Science” means Kinger had a Masters degree in computer science, so he was like higher up/more involved in the development. Senior Developer maybe? This could also be represented by the fact that he’s a KING chess piece. Not the most powerful and important piece, but the SECOND most powerful and important.

- Also Kinger being able to remember something about his life BEFORE the circus in the dark, i.e his education??? Could there be triggers for the others to remember bits and pieces of their lives before the Circus?

-Also ALSO, Kinger and Queenie being married in the Circus could also reflect their marital status before the Circus. Yes, they could’ve fallen in love in the circus and had Caine??? marry them, but I like the idea of them popping into the circus remembering nothing but their love for each other. Which makes me think about what happens to the bodies and minds outside the circus of those who abstracted.

- Kinger and Pomni in the ep are father/daughter or grandpa/granddaughter coded.

- “ The darkness seemed to calm her down a bit, the harsh, jagged edges smoothed out and she didn’t seem aggravated anymore”, pretty much confirms that Caine has no idea how to handle the abstractions so he just throws them in the basement (where it’s dark) to keep them docile. Which could also mean that there could be a way to fix them down the road???

- “She wasn’t the same as before but she was calm enough to touch one last time” “She was funny, creative, really into entomology” “I used to HATE bugs, but she somehow got me to like them” OH HOW HE LOVED HER!!! THIS WAS SUPPOSED TO BE THE FUN HALLOWEEN EP, NOW IM SOBBING AT 4 AM OVER CHESS PIECES!!!

-Also Kinger liking bugs because that’s the only connection to his wife he has left. He doesn’t have his good memories with her all the time due to his light induced memory loss, but at least he has her bugs.

- “Good memories can do a lot, hold onto them and cherish the people around you. You never know when they’ll be gone.” SOBBING. Also this is a good underlying theme for TADC.

-Also another reason why Kinger spends so much time in his fort, the memories of his wife are the only things keeping him sane.

-“In this world the worst thing you can do is make someone think they’re not wanted or loved.” CRYING.

-The whole scene of Kinger glowing and guiding Pomni. Holy shit that was beautiful. The darkness bringing out the light in Kinger, Pomni using these memories to light her way and keep her sane in the Circus, BEAUTIFUL.

-Pomni immediately going up to Ragatha and thanking her for caring about her following Pomni’s conversation with Kinger. She took his advice to heart.

-I hope Pomni visits Kinger while in his fort so we get more lucid Kinger and Pomni scenes. Maybe he will remember the time they spent in Hell and the conversation they had.

Once again, the writing in the episode floored me. I’m so happy we got so much Kinger development. He was my favorite character to start with, and now he’s my favorite for entirely different reasons. I’m so excited that the show is now on Netflix, and I can’t wait for the next episode. Sorry this was so long, as I’m sure you can tell from my blog, I like to yap.

[7-crows-in-a-trench-coat]

while we’re all brainstorming ideas for how ‘velma’ could have been a good ‘edgier and more mature modern take on scooby-doo’, i have an idea!

the mystery gang are given more 21st century redesigns. no more bell bottoms, some of them start wearing sneakers, shaggy wears a baggy hoodie, stuff like that.

they still have their usual color palettes and individual styles (shaggy’s clothes are baggy and comfortable, daphne is stylish and fashionable, etc), but they dress more like present-day highschool students. but, obviously, no designs are too detailed that they’re hard to animate and their designs shouldn’t date the show by being too specific to the trends of the 2020’s.

but, in one episode, crystal cove high has a “60’s themed” school dance, and the mystery gang attends in their original outfits!! maybe some extra 1960’s flair could be added just for fun, too. and the episode could have other references to the og series as well. the episode could have other 60’s references and easter eggs scattered throughout the episode.

later in the episode the gang has a classic benny hill theme chase with the villian, and, when it stops, scooby says “reja ru!” (deja vu). then fred, being a himbo, leans over to daphne and says “since when does scooby speak italian?”. daphne naturally gives him a “???” look, but before anyone can react to what fred or scooby said, the trap goes off and the bad guy is caught. episode continues from there.

there’s so much potential with the mystery gang. it sucks that velma (2023) hates its source material so much.

[splonk-fox]

The flaws of Jax and Ragatha, and why they matter to Pomni's character arc.

Within the two episodes of The Amazing Digital Circus that have been released so far as of writing this post, there have been two characters who have been given the most attention and depth out of any of the cast (ignoring Pomni obviously), and those two characters are Ragatha and Jax.

The duo consisting of the kindhearted optimist and the meanspirited pessimist have without a doubt become some of the most interesting characters to analyze within this series so far thanks to how much meaningful screentime and character depth they have been given within the the two episodes that we viewers have been fortunate enough to witness with our very eyes.

But why is this? Why is it that these two have received special attention from the writers so far, and what role do they play in Pomni's character journey? Well I believe I may have found the answer, and it's unfortunately one that does not spell a good future for these characters. But to truly understand where I am coming from, we must first understand who these two characters are and how they relate to our main protagonist.

To start off with the kindest of the duo, we have already learned quite a lot about Ragatha thanks to the two episodes she has been featured in so far.

Her most prominent character trait is without a doubt her kindness. She is the first person to really be genuinely nice to Pomni upon her entrance to the circus and spends the rest of the episode showing her around the place and trying her best to help her get settled in.

She's also someone who doesn't like to be overly blunt with her responses, such is shown when Pomni asks how they leave the circus, to which Ragatha, instead of just saying that she couldn't, phrases it in a way that makes it sound as if they simply haven't found a way to leave yet, this was obviously done in an attempt to not freak Pomni out too much, though this doesn't really go anywhere thanks to Jax.

Now that's great and all, Ragatha's a nice person, you can easily observe that through casual watches of the show, looking deeper however, you can see that there is a lot more going on with Ragatha than she would like to make you believe.

Insecurity is another trait that Ragatha has that, while not shown off as prominently as her optimism, is still very important to Ragatha's character.

As we see in episode 2 of the series, one of Ragatha's biggest fears is not being liked. She vents to Kinger about how she feels like Pomni doesn't really like her that much, and that clearly scares her. And why wouldn't it? The end of episode 2 makes it clear that one of the most important things in this show when it comes to keeping the main cast mentally stable, is their sense of community.

They're all in this together, they have each other's backs and will do their best to be there for each other when it's needed. That is what is communicated to us within the second episode through Kaufmo's funeral.

This segment of the episode, while somber in its tone, is also one that instills hope within Pomni and the viewer. Because it shows that despite everything, the circus members do care about each other. That abstraction is something that affects everyone and it isn't something that is just brushed off immediately, which if you recall, was the crux of Pomni's fears as seen at the beginning of the second episode, the fear of being forgotten, the fear of no one caring.

"I don't even remember her name honestly" - Dream Jax.

So with how the importance of community has been firmly established within this show's messaging at this point, it should be no surprise that Ragatha's biggest fear is not having that community. Of people not liking you, of people hating you. So how does Ragatha solve this?

Repression, that's how. Of all of Ragatha's personality traits her tendency to not display her true feelings towards things are without a doubt the most damaging.

The best example of this is how she reacts to Pomni abandoning her for the exit. The pilot would lead you to believe that she was mad at Pomni for doing this, that she didn't trust her anymore because of this selfish act.

And yet, that's all brushed to the side in the following episode. Ragatha is back to her optimistic self and is saying that everything is fine! That it was completely understandable and that there was no bad blood between them. Yet you can tell that isn't the whole truth, that Ragatha really didn't get over what Pomni had done to her that easily.

Now do I think Ragatha hates Pomni or secretly resents her? No, not really. I do think she's being honest when she says that she doesn't hold anything against her for doing this. But that doesn't mean she wasn't hurt by it. We can see clear as day from the pilot that this did affect her, so why does she act like she doesn't?

Because, from her perspective, her feelings do not matter. The only thing that does is to make sure Pomni is able to adjust, to make sure that everyone is happy, that everyone is still somewhat sane within the circus, and so she compromises her emotions in order to do this. Gooseworx has even said it herself that Ragatha often says things she doesn't necessarily mean in order to ease tensions. She doesn't want to cause conflict, she doesn't want people to fight with each other because she understands how important community is to the members of the circus persisting.

Yet in the midst of all of this, what Ragatha fails to realize is that with how she currently handles things, she is paving the way for her own mental break.

Ragatha, in her attempts to be there for others, has walled herself off from others being there for her. By lying about how she really feels about things, by acting as if she is fine, she is not allowing herself the emotional vulnerability necessary for others to be there for her when she needs it.

The closest thing we have had to this so far is with Kinger, and while having someone she feels comfortable enough to lament her feelings around is a good thing, this is one person, one person who is... not exactly mentally stable, to put it lightly. Is not exactly an end all be all solution to her problems.

Kinger being the only person who Ragatha can rely on is only gonna work for a limited amount of time, the more she represses, the more she hides her true emotions and clear mental instability, the closer she is to meeting a cruel fate, one that no one would be able to save her from because no one even realized there was something wrong with her. For in her pursuit to make everyone else happy, she has sacrificed her own happiness, as a result.

And then there's Jax.

Jax, in a lot of ways, is pretty much the polar opposite of Ragatha. While her leading trait is kindness, Jax's leading trait is being a complete and utter asshole. And while Ragatha is all about answering things in a roundabout way to ease stress, Jax is all about the blunt answers.

This is best shown to us in the pilot when, in the same scene where Ragatha tries to answer Pomni's question of "how do I leave?" in a way that wouldn't stress her out too heavily, Jax goes straight in with the "you can't". Jax is a pessimist, he has accepted that there is no way out, and is simply riding things as they go by.

Jax's leading character trait is all about causing as much chaos as he can for the sake of his own satisfaction. He doesn't care about how others feel, the only thing he cares about is causing as much chaos as possible simply because he can.

Yet that isn't all that's going on with Jax, there's something deeper here, something more complex.

When it comes to the scenes everyone points to when saying that Jax has a lot more going on with him than meets the eye, the scene where he reacts to Kaufmo's funeral is the one everyone looks at with an analytical lens, and that's for a good reason.

For I think this little scene might just tell us a lot more about Jax than we think.

One thing that I've come to notice about Jax's brand of chaos is that it's very reliant on others' reactions. All of the chaos he causes, all of the absurd and awful things he does are for the sake of seeing how others react. From throwing Pomni over the side of a truck and attempting to use her as a human bridge, or literally everything that he does to Gangle, it's all reaction-based, and that made me realize that, despite how selfish and uncaring he acts towards everyone else, community is still the one thing that truly matters most.

He needs the others so that they can react to his hijinx, as they are what give said actions meaning. If he had no crowd to watch as he acts like a shitty person, then he has no reason to do anything. But that is also where Jax's true character flaw comes in, his selfishness.

With how Jax is constantly pushing others around for the sake of his own amusement, Jax is very clearly a self-centered person. He is someone who is in it for himself and no one else. Who cares if others don't like him? Who cares if others despise him? As long as he gets to see funny things happen to people, he is gonna be okay.

But what happens when that method is no longer effective? What happens when the others don't give him the reaction he wants? What happens when he can no longer use chaos as a way to distract from the pointlessness of his reality?

Well, as scary as this may be to think about, Jax won't really have much of anything to fall back on. His cruel actions have wrote him into a corner. No one likes him, that much is obvious. And while Jax seems content with this now? What happens when he is put in the position of needing someone else's help?

Well, then he'll have no one, and it's ironically for the exact opposite reason to Ragatha. Ragatha's problem is that she is constantly repressing her emotions, despite the fact that she has people who care about her, she doesn't open up to them because in her eyes, her feelings are secondary to others'.

Yet Jax is the opposite, he's honest, he is self-centered, and that's also why he is one of the members who are in this most danger.

In a show that seems to be about how important community is and how important it is to stay together and be there for each other? To have a character who is the complete opposite of that. To have someone who doesn't care about others, who won't be there when someone else is hurting. To have someone who is actively making things harder for everyone... that just spells out demise.

Jax's true weakness is that he does not have a community who will be there for him when he needs it, he was never there for others so why should they be there for him? Meaning that when Jax is at the end of his rope, crying out for help, no one will listen, because as cruel as it sounds, most of the members would probably be happy that he's gone.

While this does admittedly rely a bit on speculation, I think what I've stated above might be the true reason for why Jax looked sad for a moment when the other characters were talking about the funerals held for those who have abstracted. Because in that small moment, he realizes he might not get a funeral of his own when he "dies", or if he did, no one would really have anything nice to say about him.

And that fear, that knowing of how the way you've built yourself up by putting others down has lead to everyone hating you, to everyone not having a single good thing to say about you... that is terrifying. And yet he hides it, he walks away, he refuses to attend the funeral because then he will have to be confronted with the uncomfortable reality of the fact that he won't die as someone who was remembered for doing good things.

The only thing he'll be remembered for, is how much everyone hated him. And all of that brings us right back, to Pomni.

I said at the beginning of this post, as well as with the title itself, that Ragatha and Jax matter to Pomni's character arc, but why is this? Sure they're both main characters so obviously they're going to influence her journey going forward, but how exactly does any of this matter to Pomni? It's simple really.

Ragatha and Jax represent two extremes, they represent what happens when you lean too far in one direction. In one case, it is caring too much about others and not caring about yourself, and in the other, it's caring too much about yoursef and not caring about others.

Pomni has already shown traits of both Jax and Ragatha. She has shown an empathetic, kindhearted side as seen in her interactions with Gummigoo, and she has shown a selfish side, as seen when she abandoned Ragatha for the "exit" in the pilot.

Pomni has shown herself to be both selfish and selfless. But what part of her matters more? Simple answer, both. It is important to care about others while also taking time to take care of yourself. Ragatha and Jax show what happens when you forget to do one of these things.

By always taking care of others, you're forgetting to take care of yourself, and by always taking care of yourself, you fail to take care of others. To find a healthy balance is to do both. To be aware of your own mental health while also making sure that others are doing okay too. And this is something that Pomni will need to realize if she is going to make it in the circus.

And this is where Jax and Ragatha become important. I believe these two will show Pomni how important it is to keep a balance of things. To not lean too far in one direction, as if you do, it spells bad news for you either way. And how will this be communicated to her and the audience?

Abstraction.

Think about it. If Ragatha and Jax's harmful practices continue without change and they end up abstracing because of it, that will be a wakeup call to Pomni, it will show her the flaws of being too selfless, and too selfish. Is it an extreme way to communicate such message? Sure, but it's also one that can't be ignored.

We, the audience, and Pomni, would see first hand the consequences of leaning too far in either direction, that if you don't find a balance, you will end up like Jax and Ragatha did.

And that's why I think these two in particular have been given so much screentime and attention these past two episodes. Because they are meant to show us the most extreme versions of Pomni's most prominent character traits.

The ability to care about yourself, and the ability to care about others.

Of course, I might be wrong in this assessment. We are far too early in the show's runtime to truly predict any big events like this. But from a narrative standpoint, I believe this interpretation makes the most sense in the way of showing us the audience, and Pomni, what truly matters. It's not just about you, it's not just about others, it's about both.

Thank you for reading.

[bad-and-drawn-that-way]

Another Vox enthusiasts I see? Well if I may...

Vox with a GN Hacker reader who was turned entirely digital after manifesting in hell. They don’t even have a physical form they’re completely stuck within Hell’s databases, their skills are obviously useful to him so he offers them a place on the team which they immediately accept on the condition that Vox makes them a vessel to inhabit because holy shit are they going stir crazy.

I’m not entirely sure how Vox’s abilities work but given he can at the very least project himself onto screens and the like I get the feeling that he’d plug himself into the system whenever they talk. Mostly because it keeps them grounded, they’re alot calmer when he’s actually next to them and not looking in through a screen.

I hope this didn’t get too wordy or long I just wanted to be thorough because I have massive brain rot for this techno mf-

Take your time with this request! Kisses darling <3

-📽

Dude, does anyone else remember having Shimeji's or that internet episode from Fairly Odd Parents? Cause that's what I'm about to write!

Digital Pet [Vox x Digital Reader]

When you first manifested in Hell, you were completely unaware that you had ended up in Hell itself. Because instead of manifesting in the overcrowded circle designated for sinners, you instead found yourself in a digital landscape. Countless screens surrounded you like a million portals. You could see the different shapes and sizes of the devices being used in hell and could even alter whether or not you saw what was being displayed on the screen or what the screen could see itself like a window to Hell.

At first, you had a massive meltdown. From what you could tell, you were the only one in this digital Hell custom-tailored to leave you isolated despite having access to every device in Hell. You wondered what you did to deserve the extra punishment layered on top of not being good enough for heaven, especially since you hadn't done anything particularly evil when you were alive.

You lost track of how much time passed. You entertained yourself by jumping from system to system. You'd watch shows that sinners binged, and you'd watch the city from large advertisement screens that overlooked the sinner's circle of Hell. Anything to stave off the loneliness.

One day, that all changed when you felt an electric buzz make the hairs on the back of your neck stand. You heard the voice of someone swearing and immediately pulled yourself away from the screen you had been sticking your nose into. When you turned, you saw another demon who was still sparking with some bright electric energy as he dusted himself off.

For a moment the two of you just stared at each other in shock. As far as you and Vox knew, you were the only ones who could access the digital realm of Hell's database. Vox is immediately wary, but you are thrilled as you approach him quickly.

"H-Hi, oh my god!" you breathe as you look him over. He didn't look new to Hell, but you had never seen anyone else in the same pocket of space as you before. "Did you just die? Have you seen anyone else? Did you just get here? It's been so long since I saw another person that wasn't on a screen!"

Vox blinked as you rapid-fired questions at him. He looked you over as you rambled something about the irony of his face being a screen when he finally shook his head and held up a hand to stop you.

"Woah, woah, woah, slow down," he started. "What are you talking about? How are you even here? No one else should be able to traverse through the database of Hell but me."

Vox's interest only grows as you explain your situation. "I see," he hummed as he looked you over with new intrigue. "I wonder if you have similar abilities to mine and just got caught in the in-between..."

It was easy enough for him to lure you into a deal. The sheer amount of panic you expressed when he pretended he was going to just leave you there was hilarious at the time. In exchange for you "surfing the web" for him, so to speak, he took you on as an apprentice of sorts. Vox trained your abilities and helped you hone your magic. While you had every hope of one day figuring out how to manifest in the physical realm the way he did, Vox cleverly avoided any pursuit of the possibility.

He liked having full power over you and he'd be lying if he said he wasn't starting to grow attached. While you hadn't learned anything about manifesting physically, you had learned how to appear on his screens. He'd never admit it to you out loud, but he found the tiny image of you running around on his devices and talking with him to be pretty damn adorable.

Despite his manipulation, the two of you actually slowly became friends. He found himself genuinely proud of you whenever you popped up to show him something new you had learned. There was a weird warm and fuzzy feeling in his chest when you would bounce with excitement at your new discoveries.

Sometimes you'd ask him to play a certain show or song for you. Even after you learned how to control inactive devices so you could look up anything you wanted, you still liked to ask him to play things for you just so you could watch them in his presence. You'd send memes to each other and Vox had to quickly excuse himself when you sent him a crudely drawn image of Alastor slipping on a banana peel while he was in the middle of giving a presentation at a meeting.

Vox was emotionally constipated, but he wasn't stupid. He could tell that the warm feeling in his chest was growing and he knew you were the source. He clutched his chest as he stepped into his lair and saw you sleeping on his desktop toolbar, waiting for him to come home after a long day at work. He had promised you that you'd watch the new episode of a show you'd been watching together, but his gameshow had run late.

He sits down with a sigh and traces over your sleeping form, feeling something twist inside of him as his claw only met with the cold, flat surface of a screen. He wondered what it would be like to hold you. To touch you. To have you in his arms while the two of you lay on the couch while you made him watch stupid shows instead of...

"Fuck," Vox whispered to himself as he pulled away from the innocent image of you. He clutched his face as he slumped forward in his chair. He had a decision to make.

And so do you, dear readers! I want to make a part two to this, the real question is:

[nicollekidman]

Abby have you given a #take on 6x19 Buffy/Spike? my only knowledge of spuffy really is a huge tumblr controversy back in the day about this ep.

this is one of the most controversial episodes of all time and for good reason sdkfjgh in the simplest, least nuanced, most "done with it" terms......i think it is more than likely that particular plot point was contrived out of a place of malice for both spike/james and sarah, but i don't have an issue with it occurring within context, and don't think it's as out of character as people often say it is. i think it goes on too long (should've stopped when she crashes against the tub), is set at a weird point in the episode, is INSANE to combine with the other horrible event in this episode, and is handled badly by every other supporting character, but i'm not upset that it exists.

the steps leading up to this point have been well established, and the breaking point fits into my view of spike as essentially a wholly unique creature, a man constantly grappling with the instincts of a wild animal, who has built his entire moral code and guidelines for acceptable behavior around a woman who has conditioned him to ignore anything she says verbally and to accept her disdain/hatred as continued interest. it was never going to be analogous to real life because that is not the world they're inhabiting, and i think the way HE deals with being shaken out of the moment says more about his character than the attempted incident itself, so i don't love the idea that it's "out of character" even though obviously i get it (with the HEAVY caveat that i personally do not think that spike was aware of what he was doing as such, and that the Realization of reality is what sparks everything else).

i take voracious issue with how xander handles it (it's fuck xander lives 24/7 in this house) and what it continues to say about buffy (and women's) desire/sex, but i think i have made it make sense to me, both as a culmination of buffy's treatment of spike (and herself) in season six, and a necessary motivation for spike leading into season seven. so like. within the text, i have very few issues with it. as something created and deployed by joss whedon? one of the many reasons why he should kill himself.

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx