#(if she's death)

[modernchemical]

watching death note with my family and after the college entrance episode my mom asked offhandedly if anyone had ever pictured L and light as a couple before. it felt like one single white dove had landed on a crystalline lake in a beautiful pure clearing. no i dont think anyones ever thought of that before

[biggest-gaudiest-patronuses]

Glinda really had an entire musical number expounding on the theme of "success in life is not about being highly qualified or even competent, but manipulating people's superficial perception of you." and then she went into POLITICS. truly the #girlboss representation the world has earned

[arcanefanpage]

The way Jinx honored Isha

[liveandbreathemusicals]

Gay people will be like “this is my comfort show!” And then show you the most emotionally devastating, stress-inducing, tragic piece of media you have ever witnessed

[hoshizoralone]

reflection

[chloesimaginationthings]

Death looms over Vanny's shoulder in FNAF..

[lilbreadbun]

And then I noticed that jinx’s balloon she flies in on has bunny ears painted on it. And markings on the side to match her little goggles

Pain. Suffering even

[toodrunktofindaurl]

"Death's child"

twitter | bluesky | insta | 🔞 patre*n

[insomniphic]

I saw a peak of @gigizetz’s Warrior Penelope au and the first thing I thought of was angst. Not a dope design 😔

[bluerosefox]

Protecting Family

Hmmm

I'm on a Danny is Dick's child kick rn so I'm making more.

But lets add in some Ghost King Danny!, Dad to a deaged Ellie and Dan! And toddler Mar'i Grayson.

Danny was conceived during Dick's amnesia year when he was Ric and the woman couldn't find him to tell him (or maybe the Owls caught wind of the pregnancy and took her) and he ended up somehow (hmmm maybe a meddling time keeper?) with the Fentons.

Danny grows as a Fenton, he knows he was adopted btw, then becomes Phantom, protects Amity, becomes the Ghost King and things seem to be going okay between Amity Parkers and the Infinite Realms since they took care of the GIW problem, AND has been a good doting teen dad to his deaged 'cousins/clones' turned kids.

Danny was going to go pick his kids up from daycare one day when CHAOS happens. Just as he wrangles Ellie onto his shoulders, cause she wants to be tall today, and about to take Dan's hand cause he's and I quote "A big boy and not a baby like Ellie, Dad!" he suddenly feels the tug of his family being in danger.

Thing is, its a blood related danger. Meaning someone blood related to him was in grave danger, and by the emotions he can feel, its someone young, way younger than him.

Problem.

The only people Danny knows with his blood in their veins and are young enough for the feeling are with him.

So who?

But due to Danny being a protector spirit AND knowing the feeling is from someone as young as his own kids, Danny decides to use his Ghost King Powers to summon said person from the danger to him.

Danny opens his free arms out just as a tiny toddler with black hair like his own but with bright green eyes, even the sclera were green, in a ruined party dress drops from the sky from the summoning circle that had opened above him.

Danny stares at the terrified child, whose hands are tied by rope and was crying, and takes notes of certain traits she had that he saw every time in the mirror or on his own kids, same eye shape and cheekbones. He can tell his ghost core has claimed her as family but not as his kid though.

No the connection that formed was almost like his connection with Jazz but a bit stronger.

This kid, was his sister. His blood related one.

-Meanwhile-

Dick Grayson, aka Nightwing, and his family were freaking the fuck out.

Dick was already panicked when his daughter Mar'i had gotten kidnapped just a few hours ago by the Joker.

Now he was feeling pure dread when his daughter, who was about to be killed, was suddenly pulled into a strange glowing circle at the last minute and disappeared into thin air.

[dramamccringe]

Me when something LGBTQ+ happens in the LGBTQ+ series with the LGBTQ+ characters that I watch because they are LGBTQ+ and have LGBTQ+ characters: 🤯

[tawnyevergreen]

me when the gay people love each other

[yes-that-would-be-dark]

got my hair dyed in japan and the hairdressers spoke very little english but were super interested in trying to communicate so they managed to ask me if I watched anime and when I told them my favorite was death note one of them gasped and went “death note! misamisa?!” and I went “ah! yes!!! I love misa!” and she smiled and clapped. misa amane transcends language

[zimt-deathnote]

Watching DN on the side again and it's about time Naomi beats Lights ass. Homeboy has no chance against Misora Massacre.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[chloesimaginationthings]

FNAF Cassidy is nervous to meet Abby,,