#(i think it means this show is not well written)

[cazort]

Learning words is great but one additional tip I would have for learning a new language is to learn every word in the context of a sentence that has been written or spoken by a native speaker.

Languages are idiomatic and words don't have one-to-one correspondences, but rather, complex, partly-overlapping meanings.

For example, in Spanish, "bomba" can mean "bomb" like an explosive, but it can also mean "pump", like a gas station pump or bike pump, or it can be slang for a sexy woman. And "Bomba" is also a genre of music and dance. And think about how in English, you can say something is "the bomb" and it means it is really awesome, but if you say something "bombed" it means that it was really bad and failed to achieve its goals (like bombing a test = failing or flunking, or a movie that bombs means it was unpopular and made very little money.)

So basically, understanding the literal / core meaning of a word is important, but you need to expose yourself to a lot of different sentences involving that word to pick up the different idiomatic uses. A great way to get this meaning when you look something up is to type the word into google image search when having the settings set for the language in question. This often captures alternate meanings or connotation differences that you might not catch from a dictionary translation.

It's not just the meaning too, it's a connotation of who would say it and where / when you would say it. For example, "poop", "take a shit", and "defecate" all mean the same thing. But say "poop" and you sound like a little kid, "take a shit" and you are being more vulgar, so something an adult or older teen would say only amongst friends in a casual setting, whereas "defecate" sounds formal and stodgy like you would see in a medical textbook or legal proceedings.

When you learn a word, don't just learn the meaning, learn the cultural context.

A lot of Americans find Japanese hard and I think a huge part of it is that Japanese carries relatively more meaning in connotation of "who is speaking" and "what context am I speaking in" and this context includes more information about your relationship to the listener. So for example you can humble yourself or alternatively, insult someone, by using different word choice. We do it in English too, but different languages vary in the degree to which we are able to do this and Japanese for instance does it more. So be aware of the different ways the languages use words differently from each other, and keep this in mind when learning the words. Learn the words in a cultural context, and expose yourself to a variety of contexts. For example, try to converse casually with peers in the language, but also listen to news broadcasts, a children's TV show, and a regular TV drama. Interact on social media in the language, but also take a book out that is on a more dry, nonfiction topic so you can span the range of reading casual, slang-rich text, with formal, precisely-written text.

If you pick material you already know a lot about, it will be easier to read or listen to, because your brain will fill in a lot of things from context. For example, because I know a lot about plants and birds, I can pick up field guides to plants and birds in other languages I only know some of (like Spanish, German, and Portuguese) and read them just fine, only having to look up an occasional word here or there, but I don't know these languages well enough to read a novel written for a typical adult audience of native speakers. If you start by exposing yourself to the material more accessible to you, it gives you a "way in" to the language that is easier and then you can start filling in the gaps and exploring the more general aspects of the language from there.

Tips to learn a new language

The 75 most common words make up 40% of occurrences The 200 most common words make up 50% of occurrences The 524 most common words make up 60% of occurrences The 1257 most common words make up 70% of occurrences The 2925 most common words make up 80% of occurrences The 7444 most common words make up 90% of occurrences The 13374 most common words make up 95% of occurrences The 25508 most common words make up 99% of occurrences

(Source: 5 Steps to Speak a New Language by Hung Quang Pham)

This article has an excellent summary on how to rapidly learn a new language within 90 days.

We can begin with studying the first 600 words. Of course chucking is an effective way to memorize words readily. Here’s a list to translate into the language you desire to learn that Derek Roger suggested! :)

EXPRESSIONS OF POLITENESS (about 50 expressions)      

‘Yes’ and ‘no’: yes, no, absolutely, no way, exactly.    

Question words: when? where? how? how much? how many? why? what? who? which? whose?    

Apologizing: excuse me, sorry to interrupt, well now, I’m afraid so, I’m afraid not.    

Meeting and parting: good morning, good afternoon, good evening, hello, goodbye, cheers, see you later, pleased to meet you, nice to have met.    

Interjections: please, thank you, don’t mention it, sorry, it’ll be done, I agree, congratulations, thank heavens, nonsense.    

NOUNS (about 120 words)

Time: morning, afternoon, evening, night; Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday; spring, summer, autumn, winter; time, occasion, minute, half-hour, hour, day, week, month, year.    

People: family, relative, mother, father, son, daughter, sister, brother, husband, wife; colleague, friend, boyfriend, girlfriend; people, person, human being, man, woman, lady, gentleman, boy, girl, child.    

Objects: address, bag, book, car, clothes, key, letter (=to post), light (=lamp), money, name, newspaper, pen, pencil, picture, suitcase, thing, ticket.    

Places: place, world, country, town, street, road, school, shop, house, apartment, room, ground; Britain, name of the foreign country, British town-names, foreign town-names.    

Abstract: accident, beginning, change, color, damage, fun, half, help, joke, journey, language, English, name of the foreign language, letter (of alphabet), life, love, mistake, news, page, pain, part, question, reason, sort, surprise, way (=method), weather, work.    

Other: hand, foot, head, eye, mouth, voice; the left, the right; the top, the bottom, the side; air, water, sun, bread, food, paper, noise.    

PREPOSITIONS (about 40 words)    

General: of, to, at, for, from, in, on.    

Logical: about, according-to, except, like, against, with, without, by, despite, instead of.    

Space: into, out of, outside, towards, away from, behind, in front of, beside, next to, between, above, on top of, below, under, underneath, near to, a long way from, through.    

Time: after, ago, before, during, since, until.    

DETERMINERS (about 80 words)  

Articles and numbers: a, the; nos. 0–20; nos. 30–100; nos. 200–1000; last, next, 1st–12th.    

Demonstrative: this, that.    

Possessive: my, your, his, her, its, our, their.    

Quantifiers: all, some, no, any, many, much, more, less, a few, several, whole, a little, a lot of.    

Comparators: both, neither, each, every, other, another, same, different, such.    

ADJECTIVES (about 80 words)    

Color: black, blue, green, red, white, yellow.    

Evaluative: bad, good, terrible; important, urgent, necessary; possible, impossible; right, wrong, true.    

General: big, little, small, heavy; high, low; hot, cold, warm; easy, difficult; cheap, expensive; clean, dirty; beautiful, funny (=comical), funny (=odd), usual, common (=shared), nice, pretty, wonderful; boring, interesting, dangerous, safe; short, tall, long; new, old; calm, clear, dry; fast, slow; finished, free, full, light (=not dark), open, quiet, ready, strong.    

Personal: afraid, alone, angry, certain, cheerful, dead, famous, glad, happy, ill, kind, married, pleased, sorry, stupid, surprised, tired, well, worried, young.    

VERBS (about 100 words)    

arrive, ask, be, be able to, become, begin, believe, borrow, bring, buy, can, change, check, collect, come, continue, cry, do, drop, eat, fall, feel, find, finish, forget, give, going to, have, have to, hear, help, hold, hope, hurt (oneself), hurt (someone else), keep, know, laugh, learn, leave, lend, let (=allow), lie down, like, listen, live (=be alive), live (=reside), look (at), look for, lose, love, make, may (=permission), may (=possibility), mean, meet, must, need, obtain, open, ought to, pay, play, put, read, remember, say, see, sell, send, should, show, shut, sing, sleep, speak, stand, stay, stop, suggest, take, talk, teach, think, travel, try, understand, use, used to, wait for, walk, want, watch, will, work (=operate), work (=toil), worry, would, write.    

PRONOUNS (about 40 words)

Personal: I, you, he, she, it, we, they, one; myself, yourself, himself, herself, itself, ourselves, yourselves, themselves.    

Possessive: mine, yours, his, hers, its, ours, theirs.    

Demonstrative: this, that.    

Universal: everyone, everybody, everything, each, both, all, one, another.

Indefinite: someone, somebody, something, some, a few, a little, more, less; anyone, anybody, anything, any, either, much, many.    

Negative: no-one, nobody, nothing, none, neither.    

ADVERBS (about 60 words)

Place: here, there, above, over, below, in front, behind, nearby, a long way away, inside, outside, to the right, to the left, somewhere, anywhere, everywhere, nowhere, home, upstairs, downstairs.    

Time: now, soon, immediately, quickly, finally, again, once, for a long time, today, generally, sometimes, always, often, before, after, early, late, never, not yet, still, already, then (=at that time), then (=next), yesterday, tomorrow, tonight.    

Quantifiers: a little, about (=approximately), almost, at least, completely, very, enough, exactly, just, not, too much, more, less.    

Manner: also, especially, gradually, of course, only, otherwise, perhaps, probably, quite, so, then (=therefore), too (=also), unfortunately, very much, well.    

CONJUNCTIONS (about 30 words)

Coordinating: and, but, or; as, than, like.    

Time & Place: when, while, before, after, since (=time), until; where.    

Manner & Logic: how, why, because, since (=because), although, if; what, who, whom, whose, which, that.   

[four-of-cups]

Well goddamn it’s been a minute since a TV show had me audibly gasping but the latest 911 sure did.

(Spoilers spoilers spoilers)

Like I have zero faith in network TV but could they have cued up buddie any better…? Genuinely?

Buck being all in with a guy - comfortable with his sexuality, ready to take the next step and commit.

Tommy saying that he knows how this ends, that he knows he won’t be Buck’s last boyfriend. How does he know that? What has he been thinking about?

Maybe it was how he had just given Buck him lakers tickets for their anniversary and then literally *told him to take Eddie*

omg even in the call centre, Josh asked if there was another guy. Is there buck? Is there??

They even introduce the damn Kinsey scale I mean I wonder when that might come into play…

They finally put a bow on the Abby thing, good on them. Been waiting for that shoe to drop. That’s done now - exit stage left Tommy, thank you for your service.

And enter stage right, Eddie. Who has decided to finally stop punishing himself.

Who has (with the help of a catholic priest) just given himself permission to feel joy. You know, the dancing in your underwear kind of joy.

This priest, by the way, prompted Eddie to say he’s straight. In an episode with an extended (and quite moving) monologue about why some queer people lie to others and themselves for years before they come out.

So we end the episodes with one heartbroken bisexual man who was just dumped and put him on the doorstep of his best friend (sans pants) with some beer.

Can you hear the fanfics being written, my friends. Can you hear it.

[zolass]

ㅤㅤ𝗧𝗲𝗮𝗰𝗵𝗶𝗻𝗴 𝗠𝗮𝗻𝗻𝗲𝗿𝘀

ㅤ···─TEACHING MANNERS with AJAX ILLAD

ㅤㅤㅤㅤㅤCharacter by @yanderefarm

Summary: A lot of parents complained to you, about the way a certain Illad, dresses to pick up his youngest brother. So there seems to be no way around, but try to.. talk some sense into the other male. wc: 1.8k

tags: smut, top m reader, bttm ajax, semi-public, +

Note: This idea is mostly from this little thing, I had the 'au' already written down and thanks to the dear owner of the character, I now have an idea on how to write this a bit better.

Still there's probably a high chance it sucks, but oh well I hope you guys enjoy <3

Never did Ajax think this would work. The first day he laid his eyes on you, he was smitten away, how can he not? You always made his younger brother ramble about how nice and cool you are, how you were his and others favorite teacher. 

Of course it is something that Ajax also noticed, at the beginning where he picked up his younger brother, you smiled at him and the way you held small talk with him, made his heart beat quicken.

Something about you was just simply so charming to him.

At first he wasn’t really happy, having to go back to school, even though he loved his youngest brother, he definitely would let someone else pick him up. But since he saw you, he couldn’t help but to simply pick his brother up with the driver. Over time he started to dress more– risky. 

From tailored suits, to cropped shirts that showed his abs, and low sitting pants showing his v line dipping into his pants. But there were people coming up to you, to complain about a certain male, about the way he started to dress, seeing it as improper. 

Mostly though it was women with.. Other stuff in mind thinking they could get something from you, maybe a phone number, to ‘complain’. Yet the number of Ajax was never even in the information, only the numbers of the parents.

But you still had to talk to the other, as you put all of your papers together and waved the kids goodbye. It was finally the weekend right in front of you. Suddenly there was a soft knock at the door, and as you looked over you saw Ajax. His shirt was cropped, like the last few times. But this time his slacks were rather nice fitting dress pants.

“My brother told me, you wanted to speak to me?” Ajax said, before he casually walked over to your desk, leaned against it. Your eyes were trained on him, as you gave him a small smile, “Yes.. there have been a few.. Complaints about the way you come to school, to pick your brother up, Mr Illad,” you told him, while you put the papers in a folder. Ajax’s eyes were glued to your figure, as a small smirk played on his lips, “Calling me Mr. Illad seems rather strange no? I mean we are both rather close age wise– call me Ajax,” he said.

Surprised you looked at the other, before closing the folder and putting it into your bag. “I’m sorry  Mr–” there was a slight squint of Ajax eyes,”Ajax, but I only asked you to come here because of the..” you trailed off as you noticed Ajax leaning closer to you, “What can I call you? I don’t mind calling you mine,” Ajax winked at you.

Your mouth dropped open in surprise, “I– ehh M/n– but that’s not the importance–” you were interrupted, “Nice to finally know your name, handsome,” Ajax said. He took another step closer, “You look really, and I mean really good in these clothes,” Ajax eyes were basically like two pools of lust.

Ajax was attractive, you couldn’t deny that. So when he leaned closer, you couldn't help but pull him closer until you captured his lips with your own. The kiss was led by desire but had the passionate edge to it. Your hands were firmly on his rather slutty waist, kneading the soft flesh with your hands.

The kiss went on for a while, before you pulled back. Both of your lips were swollen red, “Let me close the door,” you breathed out before quickly walking over and closing the door. Your hand pushed your hair slightly back, the tent in your slacks was rather obvious what’s coming next.

As you walked back to Ajax, you couldn’t help it but let your eyes wander over his body. Swallowing hard you couldn’t help but to fuck that teasing smirk off his lips, you sat down on your chair with your legs spread enough for a person between them. You teasingly tapped your hand on your thigh, “Why don’t you get to work, Ajax– maybe I can teach you some manners.”

He couldn’t help but stare at your bulge, before he nodded and quickly kneeled between your thighs. Licking his lips, Ajax started to rub his thumb over your cock, while he opened your pants with the other one as best as he could. But as he struggled you helped get your pants off with a chuckle, “You soon learn how to do it,” you said. 

Ajax’s cheeks were tinted pink at your words, but the way his own hard dick strained against his tight dress pants. Pulling your underwear down, Ajax couldn’t help the small gasp escaping his lips, as he watched with slightly widened eyes how your cock sprang free. Your girth was definitely nice, but what was catching his eyes more was your length that basically balanced your girth out. 

Not wasting anymore time he can have with you, Ajax quickly got to work. His lips wrapped around your tip, as he glanced up at you through his lashes after a small groan leaving your throat. You noticed him looking at you, you placed your hand on his head, but not pushing him down. He pushed his head down, getting more of your cock into his mouth, god you were basically the perfect match for him and definitely his mouth. 

Hopefully you were even better for his ass.

Ajax licked over the veins, making you groan a bit louder. He bobbed his head, happy that he finally reached half his goal. Suddenly you pushed his head down, until his nose was pressed against your groin and your entire length was buried deep into his throat. A moan rippled through Ajax’s throat as his eyes rolled back, yet he quickly knew what you wanted so he quickly got back to sucking you off, while you slightly thrusted up into his warm and wet mouth.

He couldn’t help it but just wanting you to fuck him, so he picked up the pace, hoping for you to cum right down his throat. Ajax could feel the way your dick twitched in his throat, and your hands grabbing onto his hair only to push his head down, he couldn’t help but moan as your cum spurted down his throat. 

Slowly he pulled his head back, not without licking over the veins on your cock. A small groan left you, as your tip popped out and Ajax gave it a teasing kiss. You let out a sigh, as you watched Ajax stand up. His own bulge is obvious now to you as well. 

You watched as Ajax turned around and swayed his hips from side to side. Biting your lip, as you stood up you were right behind him, your hands were placed on his waist, as Ajax grinded his clothed ass against your exposed cock. With a swift movement, you pushed the other's chest down onto the desk, showing two perfect round cheeks in front of you.

Making quick process, you quickly opened up the buttons to Ajax’s pants before pulling them down enough for them and his underwear to fall and pool around his ankles themselve. You held your cock in your hand, as you teased his hole with the tip, doing slow circles, smearing your precum around it. Whines left Ajax as he pushed his hips back, hoping for you to finally thrust into him. 

“Please~ just fuck me already,” Ajax begged you, and you couldn’t help but chuckle at that. “Someone seems eager,” you teased as your eyes were focused on his expression that was turned to you.

Biting your lip you couldn’t help but smack Ajax round ass, letting a moan break free from his throat. Ajax hated but loved the way you treated him, his dick leaking precum on the floor, “Please just put it in– I’m already prepped, just, fuck me,” he begged you again. You watched him for a little longer until you pushed your tip in, a groan left you while a loud moan left Ajax.

You placed both hands on his hips, before you slammed your entire length into Ajax’s hole making a scream escape his mouth, as his eyes rolled back. The heat of your dick and the twitching made butterflies erupt in his stomach, where a small bulge formed. As you thrusted roughly into Ajax, you leaned down on his back.

Placing a kiss on his shoulder,”Taking me so well, baby,” you groaned into his ear. His hole tightened at your words, making you curse out a whispered fuck, before you picked up the pace. The sound of your skin hitting his turned both of you on even more.

Your hands were gripping Ajax’s waist, as your thrusts grew sloppy. Ajax felt the abuse on his prostate turn rather sloppy, so he knew you were about to cum. He couldn’t help himself but moan at the thought of you pumping your cum into him, “cum in me– ngh fuc– ple-see–” Ajax begged through the moans. The to well known feeling built up in his groin, “cum-ing,” Ajax moaned out, before his eyes rolled back as he came. His big useless cock dirtying the desk with his cum, as he felt your tip push against his prostate one more time before a moan rippled from your throat.

With one last rough thrust you pushed your entire length into Ajax as you came, the belly bulge getting bigger while Ajax caressed the spot with a sigh and imaginary hearts in his eyes. 

You basically stuck to Ajax even as your cock went soft inside of Ajax, but you couldn’t help but hold him in your arms. You kissed his shoulder, as you still held onto his hips. “You did well, pretty boy,” you said, slightly out of breath.

Ajax chuckled as a blush formed on his cheeks, “Thanks– you did fuck me pretty good too–” Ajax said, awkwardly even though he meant it. You did fuck him really well, his fingers trailed around the bulge, biting his lip Ajax couldn’t help but look back at you.

“Can I take you out on a date?” he suddenly asked you, making you raise your eyebrows in surprise. “Sure– I mean yea-” you leaned your head against his neck. “You should wear suits more often– I still remember the times you had it on– you look really good with them,” you suddenly said.

Ajax seemed surprised at that, “Thank you,” there was another silence. “Do you think I’m pregnant with your kids?” Ajax suddenly spewed out, and you couldn’t help but look dumbfounded at him before you chuckled, “Ajax, I don’t think that’s how it works,” you said and a pout formed on his lips, “Sadly, but a man can have dreams–” he retorted. 

You couldn’t help but simply kiss his cheek, “Then when is the date?” you ask him. “How about we start– after we make it out of here– and we do another round in my car, how about that?” Ajax asked, with a teasing look over his shoulder. You couldn’t help but smile at his words, “sure.”

[sassybonbon]

Ya'll are so bitter you actually are trying to "gotcha" a medieval fantasy that by no means is meant to replicate the real world. (And no, taking inspiration is not the same thing).

Yes, the theme's in ASOIAF are dark and brutal, taking a look at the darker side's of humanity, but the HBO show and the books are vastly different. Claiming his books are nothing but rape fantasy is both empirically false and takes away from 2 of his other theme's.

Violence against women

Women regaining their power in a world that hates them.

While I do dislike how young many of the girls are at the beginning of the book - being uncomfortable is the point. GRRM is forcing his audience to acknowledge abuse and rape against girls often starts young, and uses his medieval setting to show how marriage and sex was used against women to turn them into tools for political use. There is, however, a decided LACK of sex in the books, let alone detailed rape scenes.

Hbo took many liberties with GOT that simply do not coincide with how the books are written.

Also, as an aside, the amount of arrogance and ignorance to list a main theme than sneer about plants is exactly why reading comprehension is so low.

THE WINTER REPRESENTS WAR YOU DUMB ASS MOTHERFUCKERS.

The fact that summer (which represents prosperity and peace) erases the memory of winter (war) IS ON PURPOSE. "Winter is coming". Is considered such a cool line without any thought! It might as well be "war is coming".

And to you "writers" who are like "um, yeah, I would have focused on how the plant life is affected"- this is why you're on Tumblr and not an international best selling author. Bc you ACTUALLY THINK THAT MATTERS.

You may dislike that the main theme of ASOIAF is "war turns men into monsters" but its pretty privileged to think otherwise while men, women, and children are being raped and slaughtered in Gaza and the Ukraine, and Iran is trying to lower the age of consent to 9.

Someone over on Discord asked, "I'm morbidly curious: How BAD is A Song of Ice and Fire in terms of the authenticity George claims it to be?"

My reply was straightforward:

The long and the short of it is that ASOIAF is basically a vehicle for GRRM to present both his rape fetish and his Hobbesian view on human nature and has less historical accuracy than Frozen or most other Disney movies.

That's actually a good way to think of it, now that I've said it--he's Family Unfriendly, they're Family Friendly, but both have the same relationship with History: just Pure Aesthetic with no consideration for how the worldbuilding would work.

[birdyshewrote]

“Birthday Girl”

Wolverine x Female!Reader

written by birdy

Wade Wilson throws you a rink-a-dink birthday party every year, and this year is no exception. But this time, you have a new guest.. and he’s been watching you for a while.

Notes- hi. ive never written a fic before EVER, so pls be nice. this is mainly for me to be able to get my thoughts out of my head because I’ve been thinking about this man for way too long. happy birthday bitches 🫶

WARNINGS/TAGS: smut- 18+ Logan Howlett x Female!Reader, Logan calls reader “Kid”, light smoking and alcohol consumption, Wade being a menace

——————————————————————————

You had caught glances of him a few times in the hall. The scent of smoke, leather and alcohol that belonged to only him drifted in the air behind him for a few seconds even after he had walked into the apartment room across from yours. There had been a few times where you stepped into the elevator and musky cigar smoke had filled the small space. You didn’t complain though, secretly savoring the intoxicating smell, taking more, quicker breaths than you needed too. You couldn’t deny the knot it put in your stomach and the weakness it put in your legs before stepping out of the elevator, down the hall and into your own room.

Eventually, you were tired of the mystery. Two weeks into the seemingly one sided tension, you trapped your long time friend and even longer time across-the-hall neighbor, Wade Wilson, into the elevator with you. Ever since the stranger had moved in with Wade, he had stopped inviting you over. Your birthday was coming up, and so was your annual not-so-surprised birthday party. Once the elevator doors closed, you started,

“Hey, who’s your new roomie?”

Wade scoffed, putting a hand across his heart on his chest, the other gripping a full black trash bag that smelt of blood and for some reason bubblegum scented air fresheners. “THATS how I am greeted nowadays? No, ‘Hello Wade’, ‘Looking good Wade’, ‘Here’s that five bucks I owe you Wade,’

You roll your eyes, putting a hand on your hip stepping away from him. “Okay, first of all, I do not owe you five bucks. You OFFERED to pay for the funeral arrangements after you killed my fish-“

“He looked hungry, who knew fish could be over fed?” He interrupted.

“I told you before I left!” You argue back. “I was only gone two days and you-“ You rub your forehead and shake your head, frustrated. “Whatever. Not relevant. Hello Wade, you do look good.” You say, defeated.

Wade giggly adjusted his weight to his heels, to his tippy-toes, then back to his heels again “Thank you.” He said, satisfied, and turned back to the doors.

“You didn’t answer my question. Your roommate? Who is he?” You ask again as the elevator dings and the doors creakily open.

He raised an eyebrow, looking at you sideways as the two of you walked down the small lobby. “Uhm, news flash doll face, Blind Al is not new. She’s an OG. Been here a while, silly.”

“Not Al.” Talking to Wade was like trying to a horse with dementia. “You know, ‘Mr Tall and Handsome,’ always sulking, ‘I don’t care about no smoking rules.”

Wade throws his head back, “Ooohhhh, you mean Peanut. What about him?”

“No introduction?” You ask confused, watching Wade as he carried his trash down the hall, holding the entrance door open for you.

“Well, I don’t know. I guess Iuh… I forgot.” He stuttered as he led you down the wet alleyway, towards the dumpsters.

“Last month you called me into your room to show me your new toothbrush. You have a new roommate and you just, ‘forget’ to introduce us?”

Wade shrugs, shifting the thin, plastic bag straps in his hand uncomfortably as he walked.

The truth was, Wade did not forget. The truth was, in fact, that one of the first things Wade had done was mention your existence to Logan before he was even fully settled in the apartment.

“I think you two would hit it off, hardcore. And I mean, HARD.” Wade had said.

“Absolutely not.” Logan grumbled, immediately shutting him down, not even looking up from the blow-up mattress he was unrolling in the living room.

Wade sat on the couch arm rest, looking down at the burly man. “Come on Wolvie, let a girl heal your cold, withered heart. You’re a tough, ‘don’t get too close’ typa guy, she’s an ‘I can fix him’ type of girl, I personally think it’s a perfect match.”

“Shut the fuck up. I’m telling you to drop it.” He snapped, glaring up at Wade. “I don’t need you playing Cupid here, you hear me? I swear to God, if I hear you that you’ve even said my name to anyone I’ll get the fuck out of here and never look back. I don’t need to be getting mixed up in any of that shit right now.”

Maybe years ago Logan would have been a flirt, he wasn’t new to women or relationships, but he had been through too much. He had lost too much. He’d never admit it, but the truth was, the infamous Wolverine was scared. Scared of intimacy, scared of getting attached, scared of loss, scared of you. Still, this didn’t change the fact that he had been secretly watching you leave your apartment through the safety of the peephole of his own door. And yeah, maybe if you weren’t so loud coming out of your apartment he wouldn’t know your schedule within a week. Like what time you wake up to leave for work or school, or what time you come home. What days you take your trash out or do your laundry. And when he found one of your sweaters lying around the apartment when he first moved in, what should he have done with it? He was holding onto it for safe keeping. And yeah, he knew it was yours, but only because your sugary perfume clouded his nostrils and made his head feel fuzzy. It was so recognizable, he knew immediately the sweater was yours. Maybe if you wouldn’t drown yourself in the body mist he wouldn’t instinctively know when you were just in the hall, he told himself. It wasn’t his fault he had animalistic smelling.

He couldn’t, however, find an excuse for how he’d hesitate in front of his door, watching for the elevator to stop at your shared floor, wait for the doors to open and inhale the scent of your panties from down the hall once you saw him, then he’d unlock his door and rush in quickly. Sometimes if he was unlucky he’d steal a glance of your full body out of the corner of his eye.

None of this meant anything though. He could contain the animalistic urges he had towards you. Especially when he caught a glimpse of your thigh when you knelt to pick up a dropped grocery. He could handle himself when he heard your thick, sweet laugh through walls when watching a show or movie. But at the same time, what harm would it cause if he touched himself while inhaling the scent of your hair, sweat and perfume through your abandoned sweater late at night? And keeping it locked away in a locked dresser wasn’t creepy, it was just there until you asked Wade to look around for it.

He could handle himself from a distance. He knew this. He knew his limits.

He had been woken up from the couch after a long afternoon of drinking and despair by a loud “SURPRISE!” followed by laughter and clapping. He did not know there was a party going on, let alone a party for you. He was completely blindsided when you were standing within ten feet of him, in his living area, talking to Al and Wade and the others, laughing that sweet laugh

Shit..

Where could he escape? The front door was no longer an option, everyone was clustered in front. Maybe he could make a run for it through the bedroom and out the window? Or maybe take his chances down the escape ladder through the-

“Sleeping beauty has awaken!”

Shit.

Before you could blink, Wade was pulling you through the small cluster of friends to the couch, where a very confused, very hung over, very huge piece of man stood like a deer in headlights. This was your first time seeing him up close, and shit was he alluring. His hair was untamed and messy from his interrupted sleep, his thick brows furrowed. Frown lines prominent as his large muscles twitched under his shirt-

“Hey, his eyes are up there you horn dog.” Wade publicly snapped you back into reality. Immediately flustered, you began trying to save the situation that was doomed from the start.

“I wasn’t looking at- I wasn’t even doing anything, Wade!”

“It’s okay, I know you weren’t. He’s just a moron.” He put an understanding hand up as he spoke. Fuck his voice was so deep and low, almost a growl. It felt rich and threw shivers straight to the back of your throat and straight into the dark jeans you wore. You swallowed. Hard.

After an awkward greeting, Wade had basically pushed a drink into both of your hands and left you to fend for yourself. Logan took a seat on the couch, the worn furniture dipping under his weight. He was clearly uncomfortable. He kept his eyes low, rarely meeting yours. He threw his arm over the head of the couch, spreading his knees. He pulled out a cigar and gestured to it. You couldn’t tell if he was offering you one or asking if you’d mind if he smoked, you shook your head no to both. You politely sat next to him, pulling your legs under yourself next to him.

Unfortunately, this man was not the easiest to speak to.

“So, Logan. You’re new.” You fidget with the cup in your hands.

He lets out a low “Mhm” while taking a puff, then lets smoke pool out of his mouth and drizzle out of his nose, before speaking again. “Yeah. Don’t really know how I ended up here. Just, kind of did.”

You nod, looking around the room. 2016-2018 pop hits played on the pink Hello-Kitty speaker Wade had bought for himself, now sitting on the kitchen table next to the drinks. Various characters lounged around the apartment chatting and eating pizza and drinking.

“Seen you around, y’know.”

You turn to face him again.

“Oh?” You ask, sipping your drink.

He nods in return. “If you need help bringing groceries up to your room or somethin’, you can just let me know. Heard you drop a few things before.” His top lip twitches just the slightest in what you assume is his version of a smile. He puts the cigar back into his mouth and chews.

You furrow your brows at the sarcastic banter. “Oh yeah? Didn’t know I had a stalker.” You bite back, smiling while doing so.

“Not stalking you, kid. Just minding my own business and getting interrupted every two seconds by my noisy neighbor.”

After this, the two of you spoke more fluid. Relating in Wade’s schemes and circumstances became a common interest. You felt yourself becoming more and more comfortable with the man’s presence. After your second drink, your leg rested against the rough denim of his thick thigh. He said nothing about it, so you continued to speak to him. You were unaware of what he was thinking or feeling.

He was freaking the fuck out. Especially when you asked him to go outside with him to get some air. He agreed, and the two of you slipped out of your own party. The night was dark as you walked through the city-lit pathway to the side of the building. Logan watches you and takes another puff of his cigar as you stretch in the open air. You sigh, relieved to be out of the stuffy room.

You could feel his eyes on you. The heat and heaviness of his lingering eyesight, watching your every move as if you were his prey. It made you nervous. It made you intrigued. You wanted to be in his sight, and he wanted to keep watching you.

“You shouldn’t smoke so much, shit’s awful for you you know.” You say, leaning on the brick building next to the tall, muscular figure.

He gives you a slow, sharp smirk in return, his canines showing through resting on the cigar.

Your heart begins to thump and he looks deep into your eyes, like he sees through you.

You let out a shaky exhale as your smile fades and take a step closer to him. He takes the cigar out of his mouth and looks down at you, shaking his head.

“You don’t want this, kid.”

You pause, trying to read his face in the dim lighting. “I do, and I think you do too.” You speak low and soft, like if you’re too sudden with your movements he’ll get startled and dash away. You slowly raise a hand and rest it on his hard, warm chest. You feel it rise and lower, he’s heaving now.

You bring your face up, closer to his. He doesn’t move, so you whisper into his own lips, “Logan, it’s okay.”

The light encouragement is what he needed. He looks down at your parted lips, pushes the lit cigar into the brick wall next to you, putting it out and dropping it, before muttering back,

“Well, you are the birthday girl.”

He leans down to give you what you’ve been asking him for, and what he’s been yearning for. He kisses you, slow and respectful at first, stepping in front of you. He puts his large, rough hand in between your head and the jagged building, protecting you as he pushes you against the wall. You bring a soft hand around the back of his neck, pulling him down farther into your space. He tastes like alcohol and smoke, and you couldn’t get enough. The kiss gets sloppier as you welcome his tongue into your mouth. You look at his face through squinted eyes, only to see his brows furrowed in deep concentration and self-discipline as to not overstep. You shut your eyes again as you grab his other hand, dragging it to your waist. He lets out a soft, low groan in response to the contact of your skin. Your waist feels so soft and warm is his heavy grip. He softly paws at your side, then up your loose shirt. He pauses underneath your bra, and you arch your back in response.

He breaks away, a trail of saliva connecting the two of you momentarily before breaking. “This okay? You’re sure? I can touch you like this?” He’s almost pleading, even with all of the consent in your body. He looks down at you, eyes half lidded.

“Yes, Logan. Stop asking me.”

He nods, smiling slightly, and slowly shifts his long, thick fingers underneath the garment, and towards your chest. He brings his mouth to yours again, greedily taking and lapping at your mouth. The scent of your arousal intoxicates to him. You clench your legs together, to which Logan uses his thick, sturdy knee to break you open and apart. You feel exposed to him now, resting on his knee. The rough denim rubbing sends jolts to your throbbing core. The kissing is wet, his stubble rubs against your lips as he gently bites your tongue with his canines. His hand gently gropes your breast, while pushing his knee against your dampening soft area. He brings his calloused hand down back to your waist, slowly guiding your hips to rock against his knee. He uses his other hand against your head to gently grip your hair and push your head closer against his mouth.

Logan didn’t get you a birthday present, but he was definitely making up for it.

[paymechildsupport]

hiii, how would you feel about a gojo x mreader sports au but they both play on the same team. Like hc’s about reader and gojo who are both on the same basketball team. I always see fics where just he’s on the team but I thought it would be interesting to see one where they both are. thanks!

Now hold on a second….

Gojo x M!Reader on the same basketball team // Hc’s

-!! SFW + NSFW hc’s,— you’re both in college

———☆⋆｡𖦹°‧★

✮ Teammate!Satoru, whom you’ve always had the most insane chemistry with. Regardless of on the court or off, everybody knows you two have SOMETHING going on —

Some of the plays you pull off shouldn’t even be possible. You’re like a two man army. The two mvp’s of every team, an unstoppable force.

Varsity ever since freshman year of high school, and now you’re both in college and doing the sport you love most of all

You’re each other’s rocks, always there for one another. When he scores the winning basket you’re the first person he hugs,— full on SPRINTS across the court to get that one high-five from his best mate

You’re pretty much a package deal at this point. Back in high school it was clear to any team recruiter that you both came together- if they wanted one of you, they’d have to take both (which, who wouldn’t want to, honestly?)

✮ Teammate!Satoru, who absolutely adored all the attention. The man was born to be in the spotlight, and reveled in the publicity you both dug up.

You’d be in the middle of practice on a water break, and you best believe Satoru has the latest viral clip of you two playing on his phone, giggling to himself. He’s saved every single edit of your plays, has an entire folder dedicated to them. He’s always super ecstatic to show you them too,

“Ohhh!! Look how cool I was in that one— oh, and there you are- OH DID YOU SEE THAT PLAY?!”

It’s not just edits of your plays though…. He has another folder, which he has dedicated to ship edits of you two. His guilty pleasure would be staying up and mindlessly scrolling through the countless ship videos fans have made of you two. Artwork, from theories, to slowmo clips of you two staring almost lovingly into eachothers’ eyes…. All for shits and giggles though! You two are just super tight homies, that’s all! Right…?

He’d play it off too, make a bunch of jokes like,

“Ha ha, fans really think we’re dating… how crazy is that? I mean, it’s not like we like each other or anything, right? Like, it’d be really funny if we kissed on the court after we win the next game, rather than just hug. It could just be like a little peck on the cheek..— as a publicity stunt, of course! It’d totally go viral— as a publicity stunt.”

(The answer was a big fat no from the media manager, much to Satoru’s disappointment)

And yes, he’s VERY aware of the surplus of fan fiction about you two, he’s probably written half of it

“hey, ever heard of omegaverse-?”

Shit, at this point he might as well have his own ship account of you two

✮ Teammate!Satoru, who is the mortal enemy of your team’s media team, who beg him , above all else, to just watch the shit he posts online. They just don’t want a huge controversy, and the team’s two star players dating eachother?! That’s just a scandal waiting to happen. The news and magazines would go absolutely feral

But, of course, true to classic Satoru style, he just doesn’t listen

His entire Instagram account is just photos of you. Has a heart around your handle in his bio (labeled, ‘my pookie <3’ ,— mf even got down on his knees and begged you to match pfp’s with him

One of his many viral photos is of you in his pinnie, reading in bed (why you were in the same bed, nobody knows)

Another has you two on a vacation in Hawaii, sunbathing with nothing but your boxers, and beach chairs a little too close

Satoru posts all of them with jokes about ‘it ain’t gay with the homies ❤️’ and ‘catching yourself being a lil’ too fruity with bro 😂’ — but it’s gotten so excessive to the point where literally nobody knows if it’s a joke anymore or not (sure as hell don’t look like it…)

He crossed a bit of a line when he posted a picture of him getting a tattoo, of your jersey number. Yeah, the manager chewed him up good for that one.

———☆⋆｡𖦹°‧★

✮ Teammate!Satoru, who’ll wait a good extra forty-five minutes for everyone else on the team to pack up and leave, just so he can fuck you in the shower room

He’s just so goddamn desperate, he’s turning all the showers on, and it still isn’t enough to mask the lewd noises you two make. Breathy moans, skin slapping,— it’s so hot in there, and Satoru knows it’s not from the steaming water coming from above.

After everybody from the team left, Satoru all but ripped his uniform off. Resorting to using the fucking 3-in-1 shampoo all the other guys use as lube, he’s quick to push himself inside of you.

He tore up the court last game, and for his reward he now gets to tear up you.

“Atta’ boy… hah.. fuck- .. fuck— ah.. did you see my winning shot today..? Ah.. hah.. it was so good, wasn’t it..-?”

He loves it when you wear his jersey while he does it too. He loves it even more if you let him wear yours.

—————————-—☆⋆｡𖦹°‧★——————————

[enchi-elm]

@ladysarai I don't mean to tag on to your fic rec but I figured if I reblogged from the OP you wouldn't see that I wanted to interact with your post and I like interacting with you forgive me:

I am actually currently posting a serial fic I worked on with a dear friend [The Lighthouse, TURN fandom] after a lengthy and very rewarding collaboration process, but my favourite fic remains this one:

It is a Hob Gadling/Original Female Character fic in a fandom where Hob Gadling/Dream is the most popular ship. It hasn't gotten much attention and I never expected it to, but I maintain it's the best fanfic I've written to date. (I also think it reads well without knowing anything about the show other than that Hob Gadling is an immortal human.) But I know fandoms and I know--without bitterness--that very few Sandman fans will have cause or drive to read a cross between the fandom darling and an OFC. It's special to me regardless. <3

this fic game got me thinking - what is everyone's favourite fic that they've written? like what is your magnum opus and why? what's your fic legacy?

[bugboybuck]

I think I’m also just so shellshocked because of the messaging before the show? Like “they learn more about each other” “they hit a challenging place” “there is a hurdle.” Literally none of this shit led me to believe it would just be—over. And honestly the show itself and the way the breakup happened led me to still believe that, until I read all the actor interviews. Ugh.

right?? the interviews of ALL kinds have honestly been really messy this season??

i honestly think the show is suffering a lot from writing so closely to when they film. the plots can be so messy and they often don't resolve well, but also, not having more than an episode in advance written when the actors go out to do these interviews abt long arcs means the fans are left with information that later changes or is scrapped or just pans out differently, while also filtered through actor vague-interview-language and an interviewers' interpretations. and then we go into episodes expecting things that never pan out or that leave us shellshocked like this fucking ep

[starberry-cupcake]

Welcome back!! I hope you're doing well and, if not, I hope my silly ramblings can make your day somewhat better, like the wildcats used to say: we're all in this together ♥

previously, in harrowcita del 9:

this happened

for those of you recently tuning in, this is the tag of all the ramblings

also, I'm officially in the sixth house now, palmolive can't stop me

CHAPTER 46

we're back inside the emperor's bolthole, which is infested

this is what happens when you have a lyctor orgy without the proper protection

gideon is doing her very best to fight the infestation of herald bees swarming and attacking her

she's in harrow's feeble small kitten baby body, so she's dying a lot

I'm gonna try to represent this visually

gideon keeps apologizing to harrow for getting her bits chewed off and her insides pouring out

and puts emphasis on things she wants harrow to remember

"I saw it eat your thumb—these details are important, so keep up with me—and your thumb was back in the next half minute"

"Child, that bee smashed you"

"I touched your intestines, which is usually what, fourth date"

me:

so, gideon takes off harrow's excess bones, which are no use to her, and goes further into the emperor's infested bolthole, where she finds mercygirl

mercygirl thinks gideon is harrow at first and, turns out, she was the one who stabbed her

these lyctors istg

can't trust any of them

mercygirl thinks harrow should be grateful that she stabbed her

and she was aware that harrow had "stuffed the soul of the cavalier in the back of her brain"

NOW WE'RE GONNA GET INTO SOME TERRITORY THAT MAKES ME GO ABSOLUTELY BERSERK, SO BEAR WITH ME

I NEED TO GET MY NOTES BACK FROM MY PREVIOUS RECAPS FOR THIS

she asks what happened with gideon's eyes and, as we have seen in the previous gideon-centric chapter, gideon's eyes are in harrow's face atm, if memory serves

"You're not her—she isn't driving you—but you have her eyes. Why? When they showed me your corpse I didn't think to check the eyes"

"I thought I knew what you were, though I didn't want to believe it..."

now listen, we're starting to tie some loose ends and some of those loose ends are linked very closely to my previous theories

I have been considering the Commander Wake is Gideon's Mom and Has a Personal Connection To Gideon The First and Is The One Connected With The Harrow Notes In Canaan AU for a while now

I need to link the specific recaps where I said this because I need to be transparent about where my brain was at

Evidence A, Evidence B, Evidence C, Evidence D

there's probably more but those are pretty clear

I swear to god if I was right about this I'm gonna screencap my own recap and put it here when the time comes

I've been marinating this one for months

I actually forgot how much of that I had written down in the recaps until I re-read them

mercygirl says that she thought the commander was a bad girl workaholic who put business before family, that she made her "the dolls" and she must have "played silly buggers with the emission" and that "gideon was on her tail"

"And then Gideon ruined everything. Then the commander ruined everything. Then you ruined everything. This could have been over eighteen years ago"

apparently gideon the first was "obsessed" with the commander, which accounts for some of the notes harrow read

I'LL GET BACK TO THAT WHEN WE GET TO THE SLEEPER, MY THEORIES CONTINUE

mercygirl starts calling gideon all sorts of names, including mutant, and keeps being bothered about her eyes

"Lipochrome. Recessive. You are the evidence. He lied to us...and you are all the proof I needed" "Cytherea would have known as soon as she looked at you"

is gideon the first gideon's dad??????? I mean, I always though he might have Something with the mom but my money was on gideon being made through science rather than Traditional Means

I mean, having lyctor genes in some way would account for gideon being a demigod, something I said with those words when I was reading gideon

also, remember when not!dulcinea told gideon she was prettier than the other gideon?? because I've never forgotten

mercygirl confirms that gideon the first was sent to kill gideon's mom

who, according to mercygirl, would have hated to be called a mom

mamá luchona intensifies

all of which aligns with my theory very nicely so far

she calls gideon more names, including "abomination, you heresy, you failed ambition nineteen years too late"

gideon reacts not wanting mercygirl to touch her instinctively

man, my theories are RIGHT THERE to be fully connected I'm BITING THE DESK

but there's no time for any more talk because mercygirl is trying to kill gideon in harrow's body

but she is stopped

she is shot

by not!dulcinea

but I don't think this is not!dulcinea, I previously mentioned her maybe being used by someone, not sure if it's possession or being used or what's going on but I don't think this is her

I thought about gideon the first being the one to do it but if he wanted harrow dead, I'm not sure he'd save gideon now

not!dulcinea says "with a tone that wasn't" hers: "goodbye"

gideon ends the chapter with "what the fuck is going on?"

CHAPTER 47

we're back at canaan au and it's time to perform an exorcism

harrow has a new note

I've been connecting those notes to gideon's mom possibly commander wake (as linked above)

the latest note continues to add to my theory

"end of the line. falling. oxygen can't last the distance and won't redirect power from the payload. instead I will make you watch every moment as I get the last privilege you cannot enjoy you bygone son of a bitch. I hope you're both as sorry as I am."

I still think this is gideon's mom because that's how she died, I mean, she got to the ninth in a suit without air and gideon still had some, allegedly

I've been thinking that one of the two people involved in the situationship triangle described in the notes was gideon the first, and that maybe the other was dr reverend emperor john

he's the most likely to be a bygone son of a bitch, so maybe I'm right

so, if harrow connects the notes with the spirit that's haunting her

and I'm connecting them to gideon's mom....

what if it's her that's haunting harrow?????

I mean, Waker

I NEED TO STOP GETTING INTO THEORY TANGENTS

anyway, all of the ghoulie ghostie friends are getting together for a sleepover exorcism

I didn't use this when I should have, back when the different aus were going by, but here it is

real!dulcinea says "Pal always said I'd be the death of him. And I was..."

he died being a weenie but he's not all the way dead, so it's fine

harrow questions why everyone wants to help her but everyone's totally fine with all this, for different reasons

real!dulcinea is "horny for revenge" (that's a tshirt for the seventh girlies right there)

protozoa is there because duty is his full personality

abby is really grateful to be asked to help (she also really likes tombs, very lara croft of her)

magnus loves his wife

ortus wants a redemption arc and now has a polycule

martita is behaving better than judith

abby asks harrow if there's anything she can remember from the slasher waker sleeper to try to pinpoint who tf it is

there's a suit, blood, a gun and gideon's sword, which is the only thing harrowcita recognizes and doesn't know where it comes from

my money is on gideon's mom, commander wake, probably also the woman in the shuttle poster that harrow saw but didn't recognize back when she met camilla

I'M PUTTING MORE CHIPS IN MY BETS EVEN IF I GET NO MORE INFO RN

harrow is very interested in how abby and magnus make it work as a married couple who are also a necro and a cav

I wonder why she's so interested

anyway, everything goes to shit on the exorcism

like, it goes really, really badly

group project off the rails bad

I mean, they didn't even have blood

apparently the spirit is also tethered to an object out there (the sword??????? possibly?????)

and she (she's a SHE) is pretty much invincible and shooting everyone and performing parkour while she's at it

harrow says camilla would be impressed, which is the highest praise

the sleeper waker slasher potentially gideon's mom (but not sure because it hasn't been confirmed yet) calls harrow by her name, but in a way that sounds like she's never said it before

she says it like a curse, which maybe means she knows, to some degree, how harrow was made????

she's basically doing whatever she wants over here, shooting ghosts, punching ghosts, throwing them around, regenerating, not bleeding, pulling guns out of thin air

I mean, ok, we got it, calm down lady

where was this energy when it was time to kill the emperor

she says there's "no magic" there and that "she's been doing this for years"

she wants harrow, so she can kill her and use her body to "finish it"

WHICH MAYBE MEANS KILLING THE EMPEROR???

OH MAN I DO WANT THAT TO HAPPEN

BUT NOT AT THE COST OF HARROW

also, mrs potentially gideon's mom, even if harrow dies, there's also gideon in the body right now so, it's a bit crowded atm

maybe find another way to kill the emperor

use not!dulcinea instead, if you can get the current tenant to leave

the chapter ends with: "ortus cleared his throat"

MAN, I HOPE HE DROPS SOME POETRY LINES, WE SURELY NEED THAT

and that's it for today!!!!!things are certainly heating up in the emperor's bolthole!!!! see you soon for the next installment, fingers crossed for my theories!!!

[storiesfromafan]

Little Bird - Part One

A/N: I am finally diving into writing a story for Feyd. Forgive me if he is ooc, but I am trying haha. This idea came when rewatching Dune Part Two almost a week ago. And i haven't been able to stop thinking about it, only to work on Benny one-shots.

Also, things may/have been changed to suit the Story, and will possibly keep changing to fit it as a whole.

This will probably be a slow written/updated story, as I want to make sure it's as good as it can be.

Do let me know what you think 😊

Part One

Rabban strode heavily and with confidence into the war room, his uncle – Baron Vladimir Harkonnen – grotesquely sitting at the head of the table. The Baron looked to his nephew with a scathing look, making Rabban's step faulted for a second, yet he continued on as if nothing happened.

“Well?” Boomed the Baron's impatient voice.

Coming to stand before his uncle, Rabban looked to the man with a proud and confident demeanour. “Yes Uncle. We have successfully obtained Arrakis, and wiped out the Atreides".

The gluttonous man smiled wickedly at his nephew, his plans coming along nicely. “Good. You have done well Rabban".

In the moment Rabban felt light, the weight of delivering what was expected of him lifted. Something that seemed rare, hardly happening for him. Today he had finally showed his worth, and his Uncle had shown him he was favoured. For the Baron had given him the place he conquered. Commanding he go to Arrakis, take the spice and make the Harkonnen name mean something of greater greatness.

A dark chuckle came from the shadows off to the side of both men. Both cast their gaze to the figure that slowly stepped out, their skin pale and head bald, like the other men. But the main feature separating the three was the new comers stormy blue eyes, which shone with mischief and mayhem. His full lips housing a knowing smirk. He was the Baron’s other nephew, Feyd-Rautha.

“Brother, do tell our Uncle about the souvenir you brought back from your invasion of Arrakis" came Feyd's raspy, yet amused voice.

Rabban's jaw clenched at his brothers words, have beating him to the punch. For he had hoped to inform the Baron of his prize himself. Part of him knew that the Baron would be angry for taking what he did. Yet he could not help himself. The perfect opportunity arose and Rabban couldn’t resist taking something for himself. Even if he didn’t truly want it. It was to show his strength and power.

“What is he on about?” Demanded the Baron, eyes drawing together in agitation.

The older nephew sputtered, trying to find the words while being put on the spot. Feyd held his arms behind his back as he leisurely strolled to stand beside his Uncle. His intense gaze on Rabban. With both sets of eyes on him, Rabban was uneasy, yet did his best to not show it.

“Well!” The Baron yelled, now becoming impatient with the man before him.

Once more Rabban could not speak, only angering the Baron more. Feyd smiling joyously at his brothers lack of response, how both he and the Baron seem to effect him.

“Uncle, since Rabban is tongue tied, I will inform you" came Feyd's raspy voice. “It would seem my brother has taken the prize of Atreides niece, the one who’s mother ran away and disgraced her family".

The Baron listened to Feyd's words, staying silent. Which he took as a sign to go on.

“I will say one thing in my brothers defence" Feyd mused, walking towards Rabban. “This prize is known to be good friends of the Princess. So, having her in our hands is favourable. And if we were to join her to our house, we may gain more favour with the Princess. And ultimately her father, the Emperor”. Feyd stood by Rabban and turned to look to the Baron.

Silence fell for a few minutes. Feyd watching the gluttonous man before him. Rabban not looking to his Uncle, and uneasy by the complimentary words of his brother. And the Baron, the wheels in his head turning. But then he smirked, a deep chuckle coming from the man both nephews despised.

“We already have an in with the Emperor. For he supplied us with his own men" the Baron looked to each of his nephews, who stared at the man before them intently. “Having the princesses favour because I allowed Atreides niece to join our house, is not necessary. In fact, it would low us!”

Locked in a windowless, bland room – walls a sterile grey, basic grey and black furniture. It was some sort of holding cell, a fancier one for those who had come from wealthy and influential families. Yet the Harkonnen’s seized, contemplating if they would execute them or not. That was were you were currently waiting, and for over twenty-four hours.

You had been dragged here, after being taken from Arrakis during the take over. You recall being asleep in your room, before hearing noises from the halls. When you left your room you found the chaos. Soldiers moving about, killing all insight. Unlucky for you Rabban Harkonnen had been coming down your hall. His eyes landed on you, recognition flashing in his eyes. And that was it. Before you could run he had his large hand on your arm, dragging you away while death and destruction passed you.

Even now you were still dressed in your night dress, which had dirt and some blood on it. Your hair was a tangled mess from those that would take hold of it and drag you about, Rabban included. Your lip was also split from being backhanded when you finally spoke up. Thankfully it had clotted over, but it was still quiet sore. You were on alert, but frightened. And who wouldn’t be? Yet you thrived, navigating it while feeling everything you did.

You had to be strong from a young age. Due to your mothers choice to pick love over duty, resulting in you, you were the one to suffer for her indiscretion. All the great families looked down their nose at you from the age of seven, when your mother had gotten her foot in the door, your father’s family rising and gaining a small bit of power. It wasn’t much but it allowed you all to be seen in social circles. But many whispered, speaking ill of you all.

Great families told their children to not speak to you, leaving you out in the beginning. When you were nine did the Princess Irulan for-go what people and children said. She was kind to you, befriending you. A true friend. And for once you felt as if you didn’t have to fight to be seen. Over time your friendship influenced those around the Princess, and in turn those children were kind to you under the Princesses gaze. But as soon as she turned her back, or left, they turned their backs to you.

Your ears faintly picked up shuffling in the hallway outside your room. Followed by voices, which sounded to be in a heated exchange. Wearily you stood from the chair you’d been sitting in, refusing to sleep till you knew what was to become of you. Taking a couple steps toward the rooms door, you strained to hear what was transpiring behind your closed door.

“How could you!” A gruff, angry voice said. “She was to be mine!”

Then there was a deep chuckle. “An why would you want her? Don’t you have enough whores to keep yourself entertained?”

“I was the one to take Arrakis and wiped out the Atreides! She is my prize!” A loud bang rang out down the hall, a fist had hit a wall.

“She was taken from you because you hid her from our Uncle”.

“Which I was going to inform him of! Until you told him!”

Their voices lowered, and their words faster. You didn’t hear anything after that. With a final loud aggravated groan, followed by heavy feet stomping away from your room. Then silence. Yet you could not relax just yet, for the other person was still out there. You knew it.

When the door suddenly open did you jump. But the doorway was empty, staring out the door frame  you questioned what was going on. Then he entered the space of the door. You took a step back. Slowly, as if stalking pray, he entered the room. The door closing shut behind him. Like all that you had seen he was pale and bald, but also tall and lean. As he entered into the light of the room his face coming into full view. First you noticed his full lips, that were set in a straight line. His strong jaw and sharp cheek bones. Last it was his blue eyes, their bright blue contrast to the dark look he was giving you.

With every step closer to you, did you step back. Until you were stopped by the chair you had been sitting in. Recovering from being trapped while the man came to stand before you. You stood tall, holding your head up high. Your gaze fierce as it meets his bright blue eyes. What surprised you was the amusement shining in his eyes now. You were amusing to him.

You looked at him, really looked at him. For a Harkonnen, this man had some unearthly beauty. Yet something told you you’ve met before, though you couldn’t believe it. But those eyes, bright blue, different yet familiar. Either in this life, or a past one.

“W-who are you?” You finally asked, wanting the silence to end.

He remained silent, just watching you a little longer, before he took a step back, giving you breathing room. His hands moving to rest behind his back, as a fear enduring smile crossed his full lips, which did not reach his eyes.

“I am Feyd-Rautha Harkonnen” came his raspy, deep voice.

A chill ran down your spine, both from who he was and his voice. You had heard many stories of the man before you, stories that chill to the bone and leave no room for humanity in him. And you stood before him. But why?

“W-why are you here?” You questioned, knowing you were pushing it. And Feyd was allowing it.

“I am here to inspect what is now mine" he coolly replied, as if it was common knowledge.

You looked at him with confusion. How did you end up his, if his brother was the one to take you from Arrakis? “What about your brother?”

Feyd chuckled softly. “My brother did not inform the Baron of taking you. And as punishment you were given to me, little bird".

You remained quiet, letting his words sink in. You had been worried about being Rabban's prize. But now Feyd owning you, that was terrifying. He would either spend his time torturing you, your flesh, before killing you. Or he would make you his whore, your body servicing him in every carnal way. Neither were options you looked forward too. Though maybe the death route would be the best of the two, for it would end the soonest.

“Come now" Feyd's words broke you from your thoughts. “Surely you wish to ask more questions little bird?”

He’d already given you a nickname, one you found annoying. “S-stop with that nickname".

“Why?” He asked in amusement. “I think it suits you. Taken from the wild, only to be locked up" – he reach out to take a lock of hair in his fingers, which you pulled away from – “untamed but with time can be...”

Your gaze darkened, as you managed to move from the chair and putting more distance between the two of you. His words had truth to them, but you would not be tamed. Not by him, and not by his methods.

“You are strong" Feyd said suddenly, his face dropping so it was serious. “I remember you at the palace when we were younger. How the children from the great families looked down at you, spat insults at you. It made you strong...”

Was that a compliment? “So what?” You spat.

He chuckled once more. “I was making an observation little bird. As not once had you cried or cowered when you were taken. Nor when in this room, or in my presence. You stand tall, and do your best to remain calm. I will give you that".

You glared at him. Not for what he said, but the nickname and how sure of himself he was. You were here because of his brother, not by choice. You were here, in your nightdress and looking a fright, because of them. They didn’t even have the decency to let you freshen up.

Feyd took no time to move before you again, his hand taking a hold of your chin. Lifting your head so he could look down into your eyes. Your glare deepened at his actions, which only pleased him more. Feyd then moved his thumb to your bottom lip, the rough pad running along it. The pressure he used collided with the split in your lip, causing it to open and you to hiss. Music to Feyd's ears. Running his thumb over the blood, he moved it over your lip, back and forth till it was completely covered.

Pulling his hand back, Feyd moved the blood covered thumb to his mouth. His tongue licking the pad, collecting your blood. The metallic taste delightful. “You will be moved to a better room. I will send some women to help clean you up, before you get some needed rest. By tomorrow I should have worked it out...”

“W-worked what out?” You asked curiously. A sinking feeling in your stomach.

A twisted smile crossed Feyd's face, chilling you to the bone. “If I will kill you or make you my whore".

With those words he turned from you, and walked to the door. Once it opened, he moved from the room and once more the doors closed, leaving you alone. Leaving you wonder what just happened. You moved to the chair and sat, your mind running over all that transpired with Fayd. Then finally you understood, tomorrow would either be the day you die or the day you loose yourself.

You don’t know how long you sat there, but when the doors opened and two guards walked into the room, you knew it was time to go. Reluctantly you lifted yourself from the chair, and crossed the room to them. One guard exited first, with you following before the second guard brought up the rear. It felt like you were being marched like a criminal, but it was far from it. For as you arrived to your new room, the halls to get there were nicer but still bland. The room was larger, a couch and big bed. The walls were still grey but with this room there was a window. You could see the night of Giedi Prime.

Two bodies walking from an adjoining room caught your attention, and upon turning you were greeted to the sight of two Harkonnen women, slaves, waiting with their hands held before them and eyes down. They were pale and bald, yet thin and were quite beautiful.

“My lady" they greeted softly, scared to be loud.

“If you follow us, we have a bath being drawn for you" one of them advised.

You didn’t say a word, but cautiously crossed the room to them. They stepped aside and allowed you to enter first. The bathroom had the same grey walls and grey, and black furniture, but with a large sunken tub in the middle of the room. Another woman was filling the tub, pouring in oils and scents. It didn’t take long for it to be full, and she left her spot. She walked over to you, bowed and then left. The other two women came in, and moved to undress you. You didn’t fight them when they removed your nightdress and undergarments.

You walked into the tub, the warm water feeling good as you slowly submerged your body in it. Your muscles loved the warm water, it helping with the tension you were holding. The floral scent pleasing to your nose. One of the woman came up and asked to help with your hair, which you accepted. So there you were, relaxing in a tub of water while the slave washed your hair and detangled it. It felt so good you almost forgot where you were, and what had happened to Arrakis and your family.

“Leave me" you commanded when your hair had been seen to.

Both women bowed before scurrying out of the room, door closing behind them. There you floated, eyes cast to the dark, sterile ceiling. In this moment of relaxation did you recall your family. Your Uncle, Duke Leto Atreides. His concubine Jessica. Your Cousin Paul. And all those innocent people serving the family that had fallen at the Harkonnen hands.

For the first time in years did tears rise in your eyes, and made their escape down your cheeks. The situation you were in was not easy. Many would have crumbled as soon as seeing the soldiers, or when they were on the ship to this toxic planet. You crumbled in a tub full of pleasant smelling water, realisation of possible outcomes of fate flashing before your eyes. Tomorrow would come too quick, you just knew it.

TBC...

[applepie2523]

" HOTD's Issues Writing Women Part 1: The Character Assassination of Alicent Hightower

**Just posted part 2 where I analyze the issues in the writing of Rhaenyra! You can find it on my profile.**

**This is part 1 of my analysis on the issues with the two main female characters of HOTD.** I think many fans on the Blacks and Greens and in between regarding HOTD have been concerned and disappointed with the way the two main female characters: Rhaenyra Targaryen and Alicent Hightower have been written in HOTD seasons 1-2. This is very understandable. Female characters in general in HOTD and I think a lot of Hollywood films nowadays are not being written as well as they used to be and could be. Go on Youtube or Google and you'll find many film reviews/tv show reviews that critique the Mary Sue and Girlbossification or just poorly written in general female characters that are taking up a chunk of characters in Hollywood. Rhaenyra and Alicent to me were such great characters in F&B. They were two different kinds of medieval women in a fantasy setting. One, the medieval queen who gains power/influence through her relationship with men and advocating for her son. Two, the medieval queen who sought power in her name and defied some norms that make her compelling but also immoral in their eyes. They are two deeply flawed and complex characters fighting on opposite sides of a dynastic civil war.

This first post is my analysis on the issues of writing Alicent Hightower in HOTD.

\***Some disclaimers: This is no issue with the actress herself. Olivia Cooke while I may disagree with her opinions from time to time, is a wonderful actress who is doing the best she can with the scripts she's given, so this is by no means a critique of her. I am going off of the show canon although the book will be mentioned.**

**So firstly... What is character assassination?**

While Alicent does at times suffer from white washing, she mainly suffers from character assassination. Character assassination is very sudden and almost inorganic changes are made to a character that makes them even worse; harming that character's impact and reputation. Many negative traits or changes have been made to Alicent's character that she is become completely different from her season 1 self (in a bad way) and her book counterpart.

**I will say not every change made to Alicent's story arc and personality are necessarily all bad. Some are decent or even good ideas, just poorly executed (ex - aging down Alicent) and others are just good changes in general.**

*1. Victims vs. Villains - Biases in Writing Female Characters*

In the words of the iconic Grey's Anatomy actress Ellen Pompeo, “Women are one of two roles. You’re either the victim or the villain. But the victims are only victims because they don’t have what it takes to be the villain.” I think she states the major issue with writing female characters nowadays that HOTD has an issue with. Women must either be victims or villains. The character assassination of Alicent and white washing of Rhaenyra to me stems from this: Alicent is the villain in Rhaenyra's story to Rhaenyra's victimhood.

*2. Alicent's Negative Portrayal: Motherhood, Loyalty, and Manipulation to Child Neglect, Betrayal, and Idiocracy*

In the show, I feel much of Alicent's traits have either been changed, ignored or downplayed. Alicent I think was the epitome of the medieval woman who used the patriarchal system to her own advantage. Who sought power for herself and her family/house through manipulating/influencing the men around her. The men also respected her to a much larger degree than the show implies, she isn't dismissed because she's a woman so much. While I do think in the show Aemond dismisses her from the council because he just didn't want his mommy scolding him in front of everyone, I think the show framed it more so to make it seem Alicent is dimissed due to sexism and "that's what she gets for betraying feminism" or something like that. Something about her learning that the patriarchy and siding with it is bad.

I found Book Alicent reminding me of Margaret Beaufort. She was the mother of King Henry VII, who advocated for him to be King, despite herself off of blood ties alone having the better claim to the throne than him. She manipulated men and women around her to gain supporters and more influence for him and by extension herself. She was fiercely loyal to her faction, the Lancastrians and Tudors. Strong and intelligent and pious and at times very immoral. Loved her son more than anything in her life. She even played the long game, playing nice but still subtly undermining the "enemy faction" (The Yorks). She also understood that because of his claim, despite being slightly distant, was strong enough for him to be a danger to the York faction hence she knew he had to get one the throne in order to be safe versus just renouncing his claim (like Aegon). She never stopped advising him or advocating for him. While Alicent Hightower isn't exactly like Margaret Beaufort, they exhibit many similarities.

Alicent loved her boys and would never choose Rhaenyra over them. For example, after her life was sparred when Rhaenyra took Kingslanding and her father was executed... she found out Rhaenyra planned to go after Daeron and Aemond. Alicent begged for them to be sparred, even offering a truce where the kingdoms would be split between Aegon II and Rhaenyra. She even states to Rhaenyra after surrending that Rhaenyra may enjoy her throne for as long as it lasts, until her son Aemond sets her free. She loved her Aemond and had so much hope that he would rescue her and avenge their family. She loved Aegon so much that his murder was her straw on the camel's back and she descended into full-on madness, spending the rest of her days mourning her children and grandchildren and remembering her time with King Jaehaerys. She was so loyal to her faction that in her madness after losing all of her children, she ordered her granddaughter then Queen Jaehaera, child-wife to child-king Aegon III (Rhaenyra's son) to slit her child-husband's throat. She stayed loyal to the Greens for life.

In the show we get neither an intelligent, scheming, manipulative, deeply ambitious, loyal, or mothering Alicent. In fact we get an exact opposite: bystander, unintelligent, unambitious, flaky, betrayer, and neglectful. Alicent didn't scheme herself to become Queen, rather that whole plot was taken away from her and placed fully onto Otto who is now nothing but a pimp when he is like any other self-serving ambitious lord who desires glory and power to his name and that of his house. Who does what any other lord of Westeros would do if a King is widowed with no male heir. I mean even Corlys did it with Laena! We hardly see Alicent begin her true influence on the court in Westeros while young in season 1 and older. When we do see her scheme, its through her degrading herself through medieval foot fetishes when she would never do that. Why couldn't Alicent scheme and manipulate using her words, threats, and her title like Rhaenyra should be doing in the books? Why must the few times we see her scheme include sexual humiliation. We don't see the Queenship of Alicent who wasn't just "baby-maker 2.0" but someone who had significant power and influence at court. The only time I feel I got a true hint of the power of book Alicent was when she wore Green the first time. But then they abandon her resolve and make her a Rhaenyra simp.

Alicent's desire for power and for her children safety is also downgraded. She only makes Aegon king because of a stupid prophecy, taking away more of her agency and intelligence. She schemes alongside her father and the Green council to put Aegon on the throne, not just mishears her dying husband and then goes along with it. She wasn't shut out by the men in her house and council, she was heard and respected. They took away so much of that I think to put out a message that Alicent is oppressed by the patriarchy. Was she in the book? Absolutely every woman in Westeros is to varying degrees, but that doesn't mean Alicent had no power! Alicent was motivated out of a desire for power and need to keep her children safe which she felt wouldn't have happened if Rhaenyra was Queen. Was she wrong for thinking that? Maybe, maybe not, but I feel like that was taken away.

I also dislike how they spit on her motherhood. Alicent by our standards was not mom of the year in F&B. However, we see that regardless of her wrongs and the fact that yes she loves her kids because of the power they grant her, that no matter what she would never choos Rhaenyra over them and loved them regardless of how they disappoint or anger her. That's what I loved about parenthood in Martin's work. We see how parenthood offers layers into the characters and gives them depth. Characters who are naturally seen as more villainous and/or violent or ambitious are given softer sides and layers through their fatherhood or motherhood. We should have seen some of that with Daemon and with Alicent. We saw it with Cersei Lannister. Cersei was not mother of the year in terms of her parenting and child rearing skills, but she loved her children more than life itself and makes it not secret. No matter how much they may anger or disappoint her she'd never betray them. That's what I wanted for Alicent. A manipuative, at times immoral, ambitious, and intelligent woman whose softer side is shown through her motherhood and devotion to her children. It gives her layers. Just as if they showed Daemon taking pride in his sons or spending more time with his daughters, we would have gotten more layers.

Instead, Alicent neglect and is emotionally distant towards all of her children to the point they have serious mommy issues. The Green children already had a complicated relationship with their father. Viserys wasn't as neglectful in the book to his green children as the show, but there was an intense favoritism of Rhaenyra that affected his kids. However, they all at least had their mother who would put them first. Alicent was cold and distant and downright hateful towards her sons at times and distant from her daughter and grandchildren. Her kids then hardly like her in return. Alicent even betrays all of them by going to Rhaenyra and essentially offering up their lives. Offering the life of her son Aegon isn't enough and anyone would know it. Rebellion at this point and war and Green forces would then go to Aemond who will now also have to die, then Daeron the son she gushed over with Gwayne. So she then offers up her house, father, and three sons to Rhaenyra's faction's mercy which wouldn't end well for them as this is war at that point and it would stupid of Rhaenyra to spare any of them even if they swear fealty. She saves Helaena and Jaehaera? No! They are still of the green faction. If Helaena remarried and/or Jaehaera married and had sons, all it takes is either those sons or their families to be ambitious enough... more war! Alicent as well had a great relationship with her grandchildren. She loved to spend time with them. In fact, the night Viserys died he played with Jaehaera, Jaehaerys, and Maelor. Alicent was ambushed and victimized by B&C first because they knew that Helaena brought her children to visit her in the evening. Plus she was living in the less guarded Tower of the Hand. Alicent was bound and gagged, pleading for mercy for her grandbabies, not having an affair! In fact, Aegon even gave Maelor to Alicent to raise correctly because Helaena was falling in madness.

Most of all, I dislike the Criston affair. It went very off-book to give Alicent a lover. However, with what they changed in her relationship with Viserys, I didn't fully hate this change, just the way they executed it was wrong. I could buy Alicent and Criston having intense, deep, feelings for one another. However, I felt having a physical affair versus just an emotional one was very off-character. After Criston's incident with Rhaenyra and Alicent's trauma regarding marital rape on Viserys's end (hated that they made Viserys rape her maritally when the two had a much better and loving relationship in the book), it makes more sense for them to be rather traumatized or awkward regarding sex. I feel like an emotional affair where there is a lot of sexual tension and desire for more but because of social circumstances, they can't have more. Maybe romantic and heavy kissing scenes only to stop out of guilt and shame. They make her so hypocritical by giving her a physical affair. I feel book and show Alicent is pious for sex outside of marriage due to her upbringing and love for the Faith (she's not a religious fanatic, just someone who finds comfort and control in religion). They could have also used such scenes to showcase even more conflict between the factions. Alicent and Criston could be resentful of the fact Rhaenyra was able to be with whomever she wanted while Alicent cannot. Alicent whom is Dowager Queen is far too above Criston whom is also a Kingsguard and bound to celibacy. Plus, they always make her sex scenes be as unromantic and poorly timed as possible. Yes, Rhaenyra and Daemon having sex on a beach the night of the latter's wife's funeral is poor timing but because of the actor chemistry, romantic music, and tender movements and choreography it feels very romantic and loving. We don't get any of that. Alicent and Criston's feelings (which may not be love, but most certainly are hinted in season 1 to be a deep trust, understanding, and affection) are cheapened and made to be almost like two people scratching an itch versus two people who have genuine trust and affection for one another. They never show any tender aftermath with their love scenes, no soft hugs or cuddles or caresses. They never use any romantic settings or music (unlike for Criston and Rhaenyra's scene which was nothing more but a one-night-stand) and they showed it right after B&C of all things!

Almost all of these changes assassinated Alicent's character, made her less compelling, more unlikable, and untrue to her book self. They tried to create an Alicent whose story was victimized by sexist maesters and only created a character who is neither likable nor true to the narratives Martin creates.

*3. Women Must Stick Together? Fight the Patriarchy in Westeros?*

I've been asking myself... **why did Condal and the HOTD writers choose to go completely off book and have the two other main women, Helaena and Alicent, choose to abandon the Greens in favor of Rhaenyra and her faction?** I mean this is a change that is 100% off book and in major disservice to the original narrative. By surrendering to Rhaenyra, Alicent is essentially offering up the lives of her father, lover, house, supporters, and all three of her sons to the mercy of the Black faction which isn't exactly a merciful faction. I would be just as appalled if Rhaenyra or Daemon surrendered themselves, their children, and supporters to the Greens at this point in the story.

Then, the story became clearer when I watched Condal reviewing the scene with Alicent and Rhaenyra where he says it just all comes down to these women. That's when it became clear to me! Condal wanted to show a story of two medieval women and medieval system: one who seemingly opposes the evil patriarchy, and one who submits to it. He wanted a story centered on two women who were friends but were torn apart by evil men and the patriarchy who have to come together in the end. He wanted a story that sort of relates more so to 21st century feminism. He wanted a story where the women have to get together at the end which is Helaena, Jaehaera, and Alicent, the remaining main women not aligned with the Blacks defect to Rhaenyra's side. It's not bad to want such a story! If written well, that kind of story can be good. However, the issue is he doesn't choose to write his own story in his own fantasy world. No! The HOTD team picks F&B which is not that kind of story to write a poorly written fanfiction. It's a disservice to any fans of GOT, ASOIAF, F&B, or anyone who just wants faithful adaption or a good show. It doesn't fit with the narratives and themes of Martin's work. It doesn't fit with the original story.

The original story of the Dance was the story in which a dynastic civil war between two factions of the same royal family fueled by revenge, anger, resentment, fear of the opposing side, and ultimately a desire for power and control of Westeros tore themselves apart resulting in the destruction of the main source of their power that they never fully recover from that is step one towards them being overthrown. It is the story of the death of the last of Valyria's magic: the dragons. It is a story about how the central theme that connects every character in Martin's Westeros: ambition and desire for power, changes and destroys people when they pursue it. It is a story where two morally ambiguous factions backing two morally ambiguous claimants dividing the realm; believing their own side to be right when both sides are both right and wrong. It is a story that should center Rhaenyra AND Aegon with all their supporters, everyone getting equal screen time and perspective with a special focus on Rhaenyra and Aegon. It is a story about a realistic medieval conflict in an unrealistic world. It's a story about how the violent petty conflicts within a too-powerful royal dynasty in sole control of their world's equivalent to nuclear bombs ultimately effects and harms the nobles and smallfolk caught in between.

This is the story we should have had and this is the story that Martin sought to create that fans were expecting. The kind of story Condal wanted to create with his team is not congruent with the centrality of Martin's themes. Could feminism been included? Perhaps! I mean this is a medieval setting that 100% oppresses women and everyone who watched GOT or read ASOIAF knows it. Sexism and misogny certainly relates to the story, but it should not be the central focus. This kind of theme and focus was not executed and implemented properly, resulting in very negative changes.

It is also must be noted that the writers should have analyzed and understood the characters primarily through a medieval lens of Westeros versus just analyzing via modern 21st century pro feminism lens. It's fine to analyze Westeros using modern beliefs and terms, as long as, you couple it with a whole lot of understanding and analysis from their persepctive, otherwise you won't get the full picture. Like nearly every medieval woman of power in Medieval England, Rhaenyra and Alicent are not feminists by our standards and are not advocating for women's rights. In part 2 where I focus on Rhaenyra's whitewashing, I will talk about how she in many ways like Alicent gains power from, submits to, and operates within the patriarchal system like most medieval women.

*4. Too Much Focus on the "Friendship of These Women"*

I think the aging down of Alicent (she and Viserys actually had an 11 year gap versus decades) was intially a decent idea. However, the issue that character assassinated Alicent is that they executed it poorly. In the book, Rhaenyra is still a child when Viserys marries Alicent. In fact, as I mentioned earlier, her and Viserys had a very warm marriage. Arguably, I would say he loved her more than Aemma, but he did care for Aemma and felt guilty for her death. Alicent being aged down was to establish the complicated, deep, and almost secretly romantic friendship with Rhaenyra versus Laena Velaryon.

I didn't intially hate this change, but like I said, it's the execution of this change that made it bad. I wouldn't have minded Alicent reluctantly going to seduce Viserys after Aemma died, after all it was on her father Otto's orders, not did I mind Rhaenyra having a problem with this marriage. Ultimately, Alicent and Rhaenyra each had a competition and they wanted to be the chief first lady of the Realm in the book. They each respectively wanted to be the most powerful woman in Westeros and most important to Viserys as he is where their power stemmed from. I think we should have seen the days leading up to as well as the wedding itself. What the writers should have done to portray a more book-accurate Alicent and real conflict between the women isn't just make Rhaenyra resentful but still loving deep down to Alicent.

They could have had Alicent transition to her more book self; an ambitious, intelligent, scheming woman despite being aged down. Instead of having Viserys just choose her out of grief for Aemma, have him choose her out of genuine affection and perhaps even lust/love as I interpreted in the F&B. They could have kept Alicent unwillingly seducing Viserys and reluctantly marrying him, beginning the tension on Rhaenyra's end. However, after their wedding and after she gives birth to her son Aegon, they begin to slowly transition her to her book self especially after its clear that Rhaenyra is remaining heir. They could have created true and book-accurate conflict if they made their Alicent begin to enjoy Queenhood a little too much (as power changes and corrupts people) and beginning to have more and more influence over Viserys (as her relationship with Viserys in the book wasn't nearly as creepy or neglectful. In fact I think book Viserys may have loved Alicent more than Aemma, but still wanted Aemma's blood on the throne out of guilt). He chose Alicent regardless of better political choices or the protest of his council. They could have had Alicent and Rhaenyra beginning to compete for the attention of and influence on Viserys, Alicent subtly advocating for her newborn son to be named heir, Alicent enjoying her Queenhood and the power that comes from it, and leading to the real souring of her and Rhaenyra's relationship: both competing to be the most powerful woman in Westeros. The Crown Princess vs. the Queen. This way they still started off with the friendship, but Alicent's budding relationship with Viserys and birth of her children giving her more power as Queen making her relationship with Rhaenyra sour. Essentially, as Alicent continues to rise in power and bask in Viserys's attention/affection and enjoy her newfound role/power as Queen, real conflict and competition between her and Rhaenyra would show.

We'd have the competition, tension, and anger that gradually built up to help foster the eventual war either way as well as a chance to show the real political intrigue characteristic of GOT. However, for the sake of friendship and the false narrative Condal wanted to create, we don't get what I suggested that would have been the proper way to execute Alicent's aging down and friendship with Rhaenyra. Alicent can't truly and fully enjoy her Queenhood, take advantage of her power fully to its extent, or have relationship with Viserys. She can't be ambitious or compete with Rhaenyra. She has to have this complicated friendship, advocate for Rhaenyra while she was still young, be thankful of Rhaenyra's "compliments" at the dinner and even continue advocate after her children's birth to her father that Rhaenyra is the heir and only want Aegon to be heir out of just fear and her father's manipulation, rather than desiring power and believing Aegon to be the rightful heir. They have to have her say 'Rhaenyra will be a great Queen' and stuff like that.

Of course, Book Alicent advised with Queen Helaena for Aegon to send generous peace terms to Rhaenyra, but it wasn't out of love for her stepdaughter or "friend" in this show.. but because she didn't want her to son be labeled a kinslayer just yet as that would forever damage his image and he would be seen as cursed.We get scenes after scenes of their weird friendship dynamic all the way up till Alicent going Black. Scenes that ultimately distract and take away from the narrative. In fact, we should see more anger and resentment between these women that is taken away in favor of this friendship. For example, peace may have occurred between the warring factions early on when Aegon sent those peace terms. However, once Aemond murders Lucerys and then Daemon sends B&C who murder Jaehaerys in retaliation, any hesitation towards war and any lingering affection the factions and two women must have harbored for one another should be gone! Luke and Jaehaerys's murders highlighting two innocent lives lost on either side were the breaking point that put the Greens and Blacks at full on war. They were points of no return. However, not only do we see Rhaenyra never be outwardly angry and resentful of Alicent when they finally do reunite, but Alicent defects to the side who murdered her grandson. We see Rhaenyra grieve her loss, but we don't ever see it again after that one episode nor her anger and resentment and vengefulness that should come afterwards. We don't see Alicent grieve her grandson who was supposed to be murdered in front of her. Instead, the women are still complicated friends who don't even seem that angry at each other.

**My Takeaway? The Writers are Biased and Fail to Understand the Medieval Context of Westeros and Martin's Female Characters**

I love that Martin tries to write his women the way he writes his men. He has explicitly stated that he writes his women the way he writes his men. He states that women are people too. They can be driven by the same things men are in Westeros and/or the real world: love, anger, hatred, a desire for power, vengeance, grief, guilt, bringing glory to their name and themselves, a desire to protect their family, etc.

I felt we should have seen more of the kind of women that Martin writes. The kind of women that fit with his medieval-fantasy narrative that showcases how pursuing power at all costs leads to nothing but ruin. We should have seen layered women. We should have seen a more book-accurate Alicent. We shouldn't have to settle for a lackluster story where Alicent nowhere close to her book counterpart.

**And most of all, the HOTD team shouldn't subtly or outwardly bash the original source material as nothing but sexist propaganda to excuse the lackluster writing of the female characters being nothing like their book counterparts or subtly or outwardly write off critics and fans like myself as toxic for pointing it out.**

**Stay tuned for my part 2 of this post where I examine writing flaws and white washing of Rhaenyra Targaryen!** "

[deeplyobsessed]

ok so i’m gonna ramble in sections

section 1: cgi moustache

FUCKING HILARIOUS like it was so bad it was funny HELP also buck’s hair was season 8 hair too it’s so funny like WHY did they reuse this HAHA

section 2: confession part 1

as short of a scene as it was, this was really nicely shot imo. and the tears in eddie’s eyes when he spoke like RYAN GUZMAN UR SO GOOD. but also how does buck (best friend) rank about girlfriend like hmmmmmmm

section 3: FUCKING ABBY

I CLOCKED IT I KNEW IT i know we always joke about 911 having continuity issues but THIS was such a good way to call back season 1 like insane writing tim minear and i love u for it

section 4: the divorce call

i wish they did more with this call like there was potential to call back to eddie/shannon but they didn’t. other than that i think honestly this is one of the grossest calls they’ve ever been on like genuinely icked the hell out of me with the guts like ugh gross

section 5: josh’s speech

as much as people hate on tommy, i do think josh’s explanation of things does give some sort of context to the way tommy acted in the past. like yeah racism and sexism is bad don’t get me wrong, but tommy did make an effort to change. it’s just that with society and his own work place back then, tommy prob had a lot of internalised homophobia that he expressed negatively outward to others (chim and hen in particular). but josh made a very good point with his speech about pre glee and post glee world (great reference, 10/10) and i think this was one of my favourite parts of this episode

section 6: confession part 2

ok first of all there was literally NO NEED to add that “im straight” “im celibate” part. like that was intentionally written into the script for something bcos that entire section could have been done without the sexuality mention. tim minear i see you. other than that FATHER BRIAN YOU ARE SPEAKING FACTS. my fav line he said was “but we can’t take care of others if we don’t first take care of ourselves”. bcos this is true!! and also a line used in therapy a lot cough. anyway i think the conversation eddie had with the priest was like a wake up call to eddie to start getting his head out of his ass and start working towards something. love this scene 10/10

section 7: brothers and pipes

most of this call was focused on the brothers part more than the well scene call back, tho there was a throw away line from bobby to eddie about how (eddie) wouldn’t fit this time. i do wonder if this happened irl would fire departments legally be authorised to allow children to help with rescues tho. otherwise honestly this was a very cute scene that helped chim get some introspection. i do wish there was more of a well scene call back tho :(

section 8: buck tommy breakup

as a buddie fan, i am overjoyed. but as a buck fan, i am devastated. tommy is actually one of my favourite love interests for buck, and its not just because he’s a dude and sexual awakening all that. i genuinely do think buck and tommy could have had a lot of potential if the show had decided to go through with it, but at the same time ending it here was also a relatively good note. i think in this relationship it wasn’t actually buck who wasn’t ready, it was tommy. tommy is afraid of things not working out in the long run bcos he doesn’t believe in buck’s affection for him being long term. this whole breakup was bcos tommy wasn’t ready imo. i do see the point tommy was trying to make but i also think it was a bit of a dick move to do the whole breakup immediately after buck asked tommy to move in with him. like the timing could have been better tommy. tommy being the one who decided to end things did surprise me tho. but now i feel really sad for buck bcos buck did like tommy a lot, and also as a queer person your first queer relationship is always going to mean a lot to you

section 9: MADNEY MADNEY MADNEY

HOLY MOTHER OF- i didn’t see this coming i didn’t but i am so here for it. the amount of trust and communication between chim and maddie is literal relationship GOALS like they lay out the boundaries and have healthy discussions about having another kid and it’s just so UGHHHH I LOVE YOU also maddie already being pregnant FJSJCKSK MORE BABIES

section 10: eddie, the moustache, and the dance

this. was. everything. the significance of shaving off the moustache. the dancing at the end?? no pants too was a choice. like when eddie flops back onto the couch and you see his smile, it’s like you truly see him deciding to finally forgive himself. maybe not completely, because there’s always going to be some guilt he carries around, but he’s moving forward and i’m so, so happy for him. it’s just a fun goofy feel good scene and i love love love this.

special mention: buddie and the couch

i actually think this is the first time both of them are on the couch together. like sitting next to each other with no one else. RETURN OF THE COUCH THEORY WELCOME BACK. ok but the ending scene?? the way they don’t even need words to communicate like- buck not even bothering to question why eddie doesn’t have pants, and eddie not even questioning why buck is here with beer in the first place. the level of mutual understanding has my HEART IN PIECES

overall this is honestly my fav ep this season and one of my fav eps of all time. i can’t wait to see how the story moves on from here ahhhhhhh

[astrobuggy]

Random TSAMS/TLAES Ramblings :P

Most, if not all, are about Lunar (I love him too much 🫶)

☆ I love how the Celestial family has now finally realized that Lunar is acting hella weird cuz ain't no way someone can watch nutella ads for 3 FULL HOURS.

◇ Everyone, including the fandom, seems to have forgotten that Lunar is technically an Eclipse. And I kinda hate that they have because imagine how many ideas they could have and deepen Lunars character even more

☆ Lunar is pretty well written to his trauma to how he acts, feels like it has depth behind them

◇ Jack has changed INCREDIBLY since his debut (I love him so much for his development)

☆ I hate how everyone is forgetting there are two sides in this Nexus death drama. Yes, Sun has gone through something traumatizing. Killing your brother who yes isn't the same person who you cherished dearly, but the broken reflection of him hurts. Especially if you are still holding onto those shards of him. But everyone seems to forget Moon also went through something traumatizing. The man got kidnapped and was on the verge of death but was saved because one man wanted the littlest slice of revenge. Walked in on the possible deaths of two of his family members and charged in on the attacker to protect the both of them. Only to later have his life on the line again because of this stunt. We all can come to some agreement that they (Moon & Sun) are victims in the dilemma. So, let's not favor one victim over another because the trauma of the other is "worse" than the other. Trauma is trauma

◇ I hate how everyone (by everyone, I mean Astrals) is treating Lunars inability to express emotions. He's told that he can't show emotions because that'll cause his powers to explode, which will lead to his possible death. These powers being tied to his emotions. This gets plunged into his head over and over again until they tell him that he's been acting weird. No longer feeling anything anymore. And it's like, didn't you teach him this...? How can someone retreat to their old habits if they've been taught that if they do something terrible, will happen to them? (This isn't Astral slander. They're just treating his situation poorly. I can never slander them)

☆ NOBODY can make me hate LUNAR 🤬

◇ Most of the tsams/tlaes fandom is stuck in 2020 cuz I refuse that somebody in the year 2024 can say "bean" and "ma child" with a straight face :|

☆ The fanfics the fandom has seen are TERRIFYING. Cuz why is tsams Eclipse fingerbanging the one and only LUNAR ECLIPSE CELESTIAL

◇ Lunar is in a dire need of a makeover. Like, please, I can't look at him (I can) and think that he deals with the daily shit he deals with. PLEASE I JUST NEED TALLER LUNAR 😭🙏🙏

☆ I don't get Monty hate 🧍‍♂️

[wishful-thinking64]

One Hell of a Popular Opinion #01 & HH Rewrite Related Post #05

Season #02 of Hazbin Hotel is easily going to be worse than Season #01 and I don't mean, "it's going to be really mid," no, I mean, "Oh dear Lord, it's so fucked to the point where not even starting from scratch will/should be able to save Hazbin Hotel." ___________ So I'm going to preface this by saying, if you somehow haven't seen or heard of Hazbin Hotel's 2nd season being posted online then I implore you to see some of it for yourself because as much as I'd like to explain all of it myself, there is WAY too much shit to unpack and Tumblr only allows for me to write so much. This time around I titled it One Hell of a Popular Opinion because this actually seems to be what's broken the camels back for some hopeful fans of the show and I can't blame them because the writing just keeps getting so much worse. Like, they went from making Lute a comedic relief one note bad guy in Season #01 to being the ONLY DECENT/GOOD WRITTEN CHARACTER IN THE SHOW COME SEASON #02! Which is ironic on so many levels cause I can feel it in my bones that, in Viv's eyes, Lute is/was not meant to be seen as a like-able character but if she's genuinely going to be the only well written character come the second season, well no shit I'm going to like her.

I'm not even joking when I say that's probably the only net positive from all of this as the rest of the leaks range from, "okay that's just mid," to, "Dude, what the actual fuck?! Who thought this would be acceptable to make?!" Now, as for the reason I titled this as a Hazbin Hotel rewrite related post is because with everything I've seen, I don't know if I want to continue working on my HH rewrite going forward. The entire reason why I started working on this rewrite wasn't to prove a point to the Stans, I started rewriting Hazbin Hotel because I still saw potential in it. I'm being dead serious when I say, I see very little potential in Hazbin Hotel after seeing the leaks. And that sucks since I started out as a fan. Hell, the entire reason I stayed invested in Hazbin Hotel and Helluva Boss was due to still being a fan (albeit a more critical fan as I refuse to ignore all the bad shit that Viv and her team have done along with ignore the major writing flaws in both shows) but now, I don't really know what to think about Hazbin Hotel other than disappointment and disgust for the direction its going in. Whereas, HB isn't unsalvageable but it'd take a lot of work to make HB good and knowing that the two fandoms take place in the same universe is what ultimately ruins everything.

All of this to say that, I likely won't make anymore rewrite content myself for Hazbin Hotel or Helluva Boss going forward as this proves to me it's just not worth it anymore. Though, don't worry, I'm not discouraged from making rewrites or canon divergence AU's for other fandoms and I'll definitely keep criticizing HH and HB cause the writings only gonna get worse from here folks!

[pouralaura]

This is like THE question of the ages but here goes. Is your Raphael capable of love? It is my understanding that devils are capable of an obsessive, manipulative, perverted version of it; but the Raphael in your fics has a particular human fallibility that is endearing, and a willingness to entertain those follies (for the sake of his favorite mouse) that I’m wondering if it’s possible that he would (accidentally) fall in love in a mortal sense, going against his fiendish nature (it would have to be a very special mouse). I’d love to hear your take on his fiend/human dichotomy. 🫶

what a fabulous question. thank you for asking! I've thought a lot about this and I always come to the same conclusion: yes, my Raphael is in fact capable of love. there is a "however" which I will get to shortly.

let me first say that I really simply do not care about canon. bro lives in my head rent-free as his own entity and does not necessarily fit DnD/BG lore in that space. that's just a disclaimer, take it as you will.

Raphael's love with my Tav (both generic and my Eris specifically) is definitely just magnetic obsession at first until they realize how hard they match each other's freak. he power plays and power plays and power plays, letting his mouse in ON HIS TERMS ALONE until it's too late and she's as much a part of him as he is of her. fwiw, Tav/Eris's love is the same as his - but his makes him more human and hers makes her less, all for better or for worse. and I think his capacity for love has so much to do with the other person in the equation, which is extremely human of him - Tav pushes him back and needles him but also worships him in her own way, taking on some of his traits the more time she spends with him. some of that is unconscious and some is fully intentional. it's all a part of the Game, which, for her, is Understanding (literally figuring out what makes him tick), while for him it's Winning (taking what he knows of her and using/manipulating it however he wants). Raphael is a narcissist and naturally loves himself most of all, but once he sees himself reflected in another person I think that unlocks a new layer of longing and deep connection within him.

I've used the lyric I won't speak of love since the beginning of writing about the two of them and it's always gonna fit. Tav/Eris knows what the feeling is on both sides, because she is 100% human and overly perceptive, intuitive, and insightful. but she is smart enough not to push that understanding onto Raphael because attempting to force him to admit what he perceives as a weakness would destroy their dynamic.

which brings me to my main point: again, yes, he is capable of love. he is even capable of unconditional love.

BUT

he will not accept that about himself, even for a moment. his love is obsessive and manipulative and perverted OF COURSE but it's also his purest emotion, which is an embarrassment. he will ignore the truth of what it is fully out of pride. if Eris pushed him to acknowledge it he would drop her in an instant and shed all remaining traces of his humanity. it's simultaneously the strongest connection he has with anyone and the thinnest tightrope of a line they could possibly walk - but they complement each other so well that they've somehow found that perfect unacknowledged balance. Eris is prideful too but understands that to maintain the status quo she MUST swallow some of her pride and allow Raphael to keep up appearances for his own sake - which is one of her major ways of showing love from her side.

he loves her purely and earnestly and deeply but he will ALWAYS love himself and his image more. some might say that means he is not capable of real love but I think the two can coexist! people are complicated!

this is fun to think about and I really hope it makes any kind of coherent sense all written out.

[asgardian--angels]

Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew