#(i am NOT tagging all the characters included in this post)

[darkficsyouneveraskedfor]

The Shy One

Inspired by this post; in the same universe as this and this

Warnings: non/dubcon, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Bucky Barnes

Summary: a night out ends in an embarrassing encounter.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

It feels like you’re seeing the world through tinted glass. The low lights, the buzz of voices, and the subtle clink of glasses feed the haze around you. That and the cocktail in your hand. Just ice now. Your second. You’re surprised how easily it went down. 

“Want another?” Mikayla asks as you play with the thin straw. 

“Maybe not yet,” you shrug. 

She grins at Alina, “lightweight?” 

The other women laugh. You’re too embarrassed to admit it but you are. In fact, it’s the first time you’ve ever tasted alcohol. If they don’t mock you for confessing, they wouldn’t believe you. 

“So happy you came out,” Katy grins. 

“Yeah, too bad you didn’t make the work mixer last month,” Lu says. 

“Hm, yeah, I just... I couldn’t make it,” you chew your lip. 

“Mmm, Mik,” Katy purrs, “you seeing what I’m seeing?” 

Katy tilts her head and Mikayla follows her gaze. Alina and Lu do the same and you dare to peek after them. There’s a table of men across the bar. There timbre forms a dulcet drone amid the din. 

“Sexy, look at that beard.” Alina slithers 

“Which one?” Lu giggles. 

You shift and look down at your glass. You wrap both your hands around it and squirm. They said it was just work drinks. You don’t want to be dealing with strangers. 

“Oh, honey, loosen up,” Alina grabs your starched collar and pops the top button. “You have another one of those and you’ll be dancing on the table.” 

“Um,” you lean away from her, “maybe. Erm, I need to go to the restroom.” 

“Boo, too early to break the seal,” Katy whines. 

“Sorry,” you apologise and stand. 

You take your glass with you and as you turn, you stop short as your eyes meet another pair. One of the men from the crowded table catches you in his gaze. You gulp and quickly lower your chin. You hurry on to the bar and set your empty glass on it. 

“Thanks,” you say. 

“Oh, thanks,” the man behind it swipes it away. “The waitress coulda grabbed that.” 

“Oh, now worries,” you show a palm and turn to find the restroom. 

You head down the hallway behind the bright blue sign. You dip into the ladies and claim a stall. As nice as it is to release the pressure, it’s even nicer to get a breather. You’re not the bar type. Not a drinker or a dancer, as much as Alina keeps suggesting it. You’re a total square. Thirty years old and you’ve never done anything more fun than laser tag. 

You wash your hands and leave the bathroom reluctantly. The music seems louder as you come out, the voices too. As you enter the barroom, you slow down. You’re mortified to find Alina and Katy in the open space, dancing. Grinding against each other. 

You stand there, frozen and embarrassed. The other women at the table cheer them on lewdly. You don’t know what to do. Sitting with Lu and Mikayla would draw as much attention as joining the dancing. This doesn’t seem like the place for that. 

Maybe it’s time for you to go. You’re feeling a bit cloudy and your eyes are fuzzy. You’ve been up since five in the morning. 

You slowly cross the space but have to dodge as Alina spins out and nearly crashes into you. In an effort to avoid her, you hit the side of a table, bouncing off of it and staggering until you fall onto something soft. Thank gosh you managed to find a seat in your descent. 

“Mmph,” the grunt greets you with the firm cushion beneath you, “y’alright, doll?” 

You look over in horror at the man who’s lap you sit upon. How embarrassing!! You look around at the other men at the table as it dawns on you. This is the worst crash landing you can imagine. 

You gasp and peer back at the man who serves as your chair. He’s terrifyingly handsome. His eyes are so blue and his jaw is chiseled beneath his dark beard. His brown hair curtains down around his cheekbones and his cheek dimples in amusement. 

“I’m so sorry,” you wriggle against him as he spreads his large hand across your back. “I tripped. I didn’t man to—oh gosh.” 

You touch your scalding forehead and try to shimmy out of his lap. It’s useless as you can’t get much of a stronghold. You just manage to ground your butt down on him. 

“You okay there?” He runs his fingertips up your spine and sends a shiver through you. 

“I’m--- sorry!” You gulp out again. “Please, I’m--” you grab the corner of the table and manage to haul yourself up. “I’m so...” you shake your head and bluster. You’re burning in humiliation. You can feel the other men watching you. “Ugh.” 

You turn and scurry around Alina and Katy. You quickly gather up your purse and coat as the women at the table laugh. “Oh, honey, why don’t you give him a nice ride,” Lu teases. 

You blanch at her and makes a face, “I didn’t mean to--” 

“Oh, chill,” Mikayla chides. “Really, it was funny. Where are you going?” 

“Home,” you exclaim. “Stop laughing at me. You’ve been laughing at me all night.” 

Lu scoffs, “well, you’re a bit silly, aren’t you? Act like you’ve never touched a man or a drink before.” 

You frown and flutter your lashes against the singe of hot tears. This is why you always say no. Why you are always ‘busy’. You don’t fit in. You’re better off alone. 

You hug your coat and bag and hurry across the bar. You push through the door and stagger out into the night with a sniffle. Oh joy, work is going to be even worse. Now they’re going to sit around and cackle at you instead of Wendy and her tacky dresses. 

You look around, searching for your bearings. You need to find a cab and get out of here. You see once coming down the pavement. You shift your things into one arm and throw your other up. The taxi steers towards the sidewalk but picks up another pedestrian further down. 

You huff and crane in search of another escape. 

“Hey, doll,” a rocky voice calls over the hinges of the bar door. “Where’re you off to?” You continue to peer down the street, frightened as you feel a gentle nudge on your elbow, “hey, talking to you. You didn’t even give me a name after you sat right on me.” 

You flinch and reel away from him, “huh? What? Oh, I’m sorry. That was just... clumsy.” 

“Ah, it’s fine. Really. It was funny,” he assures you. “I’m not making fun of you. Just, a pretty girl falls right in my lap then runs away, I kinda gotta wonder...” 

“Umph?” You furrow your brow, “you’re making fun of me too.” 

“Why would I do that?” He tilts his head. “Come back inside. Let me by you a drink.” You shake your head and wave your hand past him at another yellow cab. He chuckles softly, “you don’t gotta be shy.” 

“I don’t know you,” you insist. 

“I’m tryna fix that,” he counters. 

“Really, I just wanna go home,” you whine as the taxi drives by without stop. 

“Right, let’s do that,” he turns and throws his hand up. He whistles and wiggles his fingers. A cab rolls right up to him. “Let’s go.” 

He opens the back door and stands back. You stare at it. 

“Thanks,” you sigh in relief. You get in, ducking through the door, greeting the driver with a polite, “hello.” 

Yet the door doesn’t close. Instead, you’re urged further inside by the man as he sits on the seat next to you. You slide over as he pulls the door shut behind him. 

“Tell him where we’re going, doll,” he commands. 

You look at him, then the driver. You’re too stunned to think. What is he doing? You give your address and curl your shoulders as you shrink down. 

“Now,” the man stretches his arm across the seat, “we got the whole ride to get to know each other,” he offers his other hand, “I’m Bucky, I hear I make a pretty comfy seat.” 

You can’t help half a smile. You reach and shake his hand. You suppose he did help you out and he doesn’t seem angry about your unceremonious fall. You give him your name. 

“Thanks,” you say again. 

“Thanks? Oh doll, what kinda fool wouldn’t help a girl like you?” 

[ashbeneviento]

Hey so ✨rant time✨ about the village fandom (again, sorry y’all)

This post will contain dark themes so TW:R*pe, Dubious consent, kinks such as somno under the ***

*****************************************************

It’s totally fine to not be into CNC, or related kinks such as somno or DC. It’s totally fine to not want to read about them either! HOWEVER

What is not fine is to pretend that properly tagged fics are out there to get you. You see the tag, you move on. You aren’t exposed to it unless you CLICK. TO. READ. THEM. It’s not fine to proclaim that we are doing a disservice to the characters by writing them in such ways. It’s also not a disservice to actual victims to enjoy, or even write about said themes. Most of the people who write these fics, if not all, are victims themselves. Most of the people who enjoy reading these fics are also victims. I am one of those people! It is not only a healthy outlet for me, it’s also just.. normal? To have these kinks. (Also sometimes the story includes it purely for plot purposes and isn’t always the main theme for the story)

Keep in mind that these are villains who torture and canonically murder innocent people. They are mutants, creatures, monsters..that alone is “taboo” if you find them attractive. They aren’t sunshine and rainbows, y’all. They are going to do dark, villainous things because they are dark and villainous. I enjoy the soft, fluffy and sweet HC’s too. And when I want to read those I purposely search for those tags. You have tools to work around your triggers. Tag blocking, muted words, filtered searches that will take you to your destination. If you happen to see tags that you don’t vibe with, it is your responsibility to scroll. What we aren’t going to do is try and dictate what “safe media” is because that leads down a very slippery slope of censorship.

And I get it! I used to feel the same way. This isn’t me being like “the real world doesn’t have trigger warnings” because it absolutely does. What matters is what you do with them, though. You cannot prepare yourself for them happening out of your control, no…and it sucks when media doesn’t properly inform you of its content, but it’s your responsibility to practice online safety as well. Tags are a great example of putting it into practice.

It’s just kinda off to be surprised that a fandom for a horror game that includes really evil characters.. writes them as evil? We all experience our traumas differently and there’s no right or wrong way unless you are purposefully hurting others. Hopefully this doesn’t come across as mean but I genuinely hope my message gets through.

Thank you and good time zone to you all

[fang-frenzy-fic-exchange]

Interest Check!

Hello everybody!! Putting out an initial interest check to see if folks are interested in participating in an exchange like this!

In short, Fang Frenzy would be a vampire-centric writing exchange, hosted on AO3 but with announcements provided through this Tumblr and a Dreamwidth community! All told, it would run from March 3rd to June 2nd!

More information about Fang Frenzy can be found under the cut if you're undecided!

What is this?

Fang Frenzy is a writing exchange, centered on vampires, vampire-adjacent characters, and other such bloodsuckers! All works written for this exchange must include at least 1 vampire or vampire-adjacent character!

How does it work?

Exchanges on AO3 work in six parts: Nominations, signups, matching, the writing period, the Pinch Hit period, and reveals!

During nominations, you suggest fandoms and characters to add to the exchange's tagset. The tagset is the list of all the fandoms and characters people want to write about during the exchange.

During signups, you choose fandoms and characters from the tagset that you want to write about, as well as fandoms and characters that you would like to receive a gift fic for!

When signups close, matching begins! You'll be assigned someone to write a gift fic for, and someone will be assigned to write a fic for you! Matching takes some time and happens behind the scenes so everyone's assignments stay secret.

During the writing period, you create a gift for your assignment! For this exchange, you will have 45 days to write it, with no extensions. Don't tell anyone who your assignment is!

The Pinch Hit period happens when the writing period is over, and is a short period of time before gifts become visible. If someone doesn't submit their fic by the deadline or if there are any remaining Pinch Hits, people who accept these Pinch Hits will have this week to finish them.

After the Pinch Hit period, gifts will become visible, and you'll get to read your gift! The authors of all works in the exchange will stay anonymous until the date of reveals! After which, the exchange is over!

When is it?

All phases begin at 12:00 AM and end at 11:59 PM Eastern Time (UTC -4 for the Majority of the Exchange), and take place in the year 2025. These dates assume that all Pinch Hits are fulfilled on time!

Nominations: March 3 - March 16

Signups: March 17 - March 30

Matching: March 31 - April 2

Writing: April 3 - May 18 (Works are due by the end of this phase!)

Pinch Hit Period: May 19 - May 25

Collection Opens: May 26 (World Dracula Day!)

Author Reveals: June 2nd

What if I need to drop out?

If you need to drop out, the assignment you were given to write will become a Pinch Hit. If you drop out, you are not guaranteed a gift, and your signup will not become a Pinch Hit if the person writing your gift drops out or defaults. Pinch Hits contain a participant's signup, and are posted to the Tumblr and Dreamwidth. Anyone can claim them to write them. Gifts will not become visible as long as there are Pinch Hits remaining unwritten.

What if I don't make the deadline?

Similarly to the above, if you do not post your fic by the deadline, your assignment will become a Pinch Hit, and you will not be guaranteed a gift in the event that the person writing your gift also didn't make the deadline.

Can I write for someone other than my assignment?

If they are accepting gifts through AO3 and indicate that they would be okay with "treats" in their signup, you can! If you wish to allow others who are not assigned to write your gift to create additional fics for you, you should indicate that you would like to receive treats in your signup.

A treat is just the term for an extra gift from an exchange.

What fandoms and characters can I nominate?

You can nominate any characters from any fandom! When you're writing your signup, take into account that all works must contain at least 1 vampire or vampire-adjacent character. This means that works created for fandoms that do not contain vampiric characters must be written such that they do contain vampiric characters. In short, if your fandom has no vampires, then you should write it as a Vampire AU or something of the like.

What is a "vampire-adjacent character?"

A vampire-adjacent character is one that exhibits vampiric traits, but might not be called a vampire by name, or may have traits that differentiate them from classic vampires. Examples include the Bloodsuckers from Darkest Dungeon, Flutterbat from My Little Pony, and Vladats from Ben 10.

Whether or not a character fits into this category is decided by me, (FangFrenzyMod) on a case-by-case basis. If you have any questions about this, feel free to reach out through any of the contact methods available. (Email (fangfrenzymod@gmail.com), Tumblr, Dreamwidth)

How much should I write?

There's no word maximum, but the work you write should be at least 500 words.

What can I write?

You can write anything, as long as it fulfills your assignment's signup and contains at least 1 vampire or vampire-adjacent character. In order to fulfill your assignment's signup, your work must belong to at least 1 of their requested fandoms and contain at least 1 of their requested characters, and your work must not include anything your assignment specifically indicated that they did not want to receive. These specifications will be indicated in your assignment's "DNW" within their signup, which stands for "Do Not Write" or "Do Not Want". If your assignment does not include a DNW, then you are free to write anything as long as it fills the other criteria.

What can I include in my DNW?

You can include anything in your DNW, from characters, to tropes, to scenarios, to tags, to certain ships, to writing details (like POV, certain words to exclude, certain formats), and more. The only thing you cannot DNW is genfic. (Genfic is fic that does not contain ships). We cannot force anyone to write ships that they don't want to write, and we cannot force people to write Not Safe For Work content.

What if I have a question I need to ask my assignment?

Reach out to me through Tumblr, Dreamwidth, or email (fangfrenzymod@gmail.com)! I will forward your question to your assignment so that you stay anonymous. This method is not foolproof and does not guarantee a response. Do not attempt to talk to your assignment by yourself, as that would risk revealing your identity for the exchange.

I have a question that's not here!

Contact me through Tumblr, Dreamwidth, or email (fangfrenzymod@gmail.com) and I'll get back to you!

[utilitycaster]

#reblogging for the “see: girlfailure” tag#caus I have opinions on the insular fandom memeification of characters but I don't - as this post highlights - have the words for it#but I keep those to dms caus anytime I or a friend has challenged it in a public space it gets shot down#it reeks of my troubles with the general fear of using the word woman these days and how it's girldinner this girlmath that#also what do you call as intentional character traits vs a flopped dice roll

(via @distant--shadow)

so I agree and this is interesting to me because what always frustrated me about "girlfailure" outside the more general issue of "um, coquette/bimbo/girl dinner/uwu soft divine feminine cottagecore domesticity don't you mean u want to braid her hair is actually TRUER feminism than being the surly woman who loves math and sword fights and hates sewing" and the fact that, as you said, it mostly came from bungled dice rolls and no real intent, is that the same people who call her a girlfailure insist that Imogen is the main character. And like, she kind of is! And yet - and I've said this about Imogen and Laudna in the context of their relationship but I'm going to not include that because I actually don't think that's even relevant, it's about them as individual characters as well - people want them to simultaneously be The Main Character or at least heavily in focus and also never, ever have any agency. Like, they want "capable" to mean that everyone likes you, and not that you are a person who makes hard choices for the better.

Maybe it's because I'm playing Baby's First RPG right now, but the deal with RPGs and I think(?) especially this one, is you must make every choice and it is laden with consequences (not that I as a D&D player, or, you know, a human woman, am unfamiliar with that already) but what drives me nuts about the just a silly guy! girlfailure! she chooses to be good and therefore is good narrative for Imogen, and the "stripped of choice" (another highly repeated turn of phrase) for both her and Laudna is that it's untrue and it means nothing. For all my criticism of What Doesn't Break, Laudna makes choices. I frequently dislike them and wish they had more gravity, but she does make them. She doesn't make every choice - notably, her death and Delilah's presence are huge things that happen to her without her input - but even while barely herself she frequently brushes off Delilah. You can imagine the dialogue trees and the paths she takes, to intervene or not. She decides to renew her pact; she decides to run into the desert. Imogen decides to attack the villagers with lightning to defend Laudna. She decides to leave, she decides to keep burning their rivals in the Twilight Mirror Museum, she decides to tell her mother that she won't join her, she decides not to help assassinate her mother.

Fearne has a wonderful line when she's talking with Chetney after shardgate, in which she explains that she's terrified of making bad choices. Not of being a bad person, but of making the bad choices. And that's the thing. You cannot choose to be good. You cannot choose to be bad. At least not in any general sense. You can, however, make choices that harm people or help them. You constantly must do this. You can stray, or change the type of choices you've made, but they do accumulate to a point, eventually, where it becomes harder and harder to stray. However, the premise of D&D is very much that your character hasn't become locked in, yet. Is Imogen making choices that will be better for other people? If the world rests on her shoulders, is she making better choices for the world?

This is perhaps the core theme of this campaign, dating as far back as Downfall. Aeor made their choice - many, many choices. The gods made theirs. Ludinus kept making his, over, and over. It's particularly resonant among the women of the campaign. Obviously there's Fearne, and I've covered Imogen and Laudna, but going over to the Crown Keepers, Morrigan becomes a paladin in a few short weeks - an immense choice. Fy'ra advises others on what they are going to do. And Opal is where she is now because in one moment she put the crown on her head - and in doing so, ceded further choice in the long run. The deities of both fate and free will in this world are given considerable presence in this story, and both use female pronouns.

Maybe I'm making a mountain of a molehill, but I don't think I am. I really do think people cling to "girlfailure" and act like we're just being meanie haters who don't believe Imogen is good because she can be the central character who has power to change the world and the narrative; or she can be pure and innocent of all wrongdoing. she cannot be both. No one can. And deep down I think the "girlfailure" proponents prefer a useless innocent girl to a powerful woman who sometimes makes choices or does things that hurt other people. So I don't think that one's just harmless meme-ing, and if you want to see Imogen as an exceptionally important part of this narrative I think you have to reject the girlfailure, and anyone saying "oh it's just a joke" is either unthinkingly repeating or is pushing a story where Imogen is just a MacGuffin without agency, and neither is worth, in my opinion, listening to. Someone "stripped of choice" in real life is worth our pity and deserves our assistance but they make for a pretty terrible fantasy protagonist, and it's maddening to see a woman in the center of the story and then to be attacked if you want her to be treated like a person who, as a result of being a key protagonist, holds particular power and isn't just a girlfailure.

[positivelyruined]

*wanders out of the wardrobe*…oh hi there. What year is it? I may have forgotten that the majority of the audience hasn’t read all twenty chapters of this — oops. Welcome back to Prythian. An all new chapter of A Ballad of Thorns and Roses has been posted.

links: ao3 | subscribe to the story to receive email notifications for updates and subscribe to my user for notification of all my writing | AI is now scraping the web, including the archive, and you must now be a verified user of the Ao3 to view and comment on this story. If you need an invitation, please don’t hesitate to ask.

As always, big thank you to all of my betas, who sometimes read four or forty different versions of these scenes before convincing me that it is good enough to move on. Bless them for joining a discord, dealing with my endless spam of questions, and continued fascination with this character and his haunting narrative. Betas: @farintonorth & @honoroverpleasure 👏👏👏

Shoutout to everyone who encourages me to keep writing through their likes, reblogs, kudos, comments, DMs, etc. You are a big reason why this story keeps going and why I am brave enough to publish it. If I was writing this for only a few — it would be worth it. Yet, the audience remains big and I am beyond grateful!

Extra shoutout to @shadowqueenjude for just being really awesome, ok? I love you and you inspire me.

Updates: Small updates (mostly grammar and sentence structure) are continuing to be made to earlier chapters. A tag update will go through soon to remove tags that are no longer appropriate and add new ones which are — writing fanfic is a long haul process.

Tag List under the cut:

As always, this list continues to change and develop through fandom dynamics and URL changes. I do my best to keep it as updated as possible. If you change your url and desire to be returned to the list, DM to be added and DM to be removed. I will never be offended if you ask to be taken off.

dearest, gentle readers

@goforth-ladymidnight @ceridvven @darah-g @golden-shani @ontheline840 @hiddenmidnightshadows @fleetfairy @supremedolphinoverlord @papaj--p4l @siriusement @mia-nina-lilly @silinxz @mal1934 @szalonykasztan00 @rin-u-pos @alegomz @kateprincessofbluewhales @generouslawyereggsstudent @prettyawordthatstuck @lilyslittlewife @isabiss @draconicfaenerd @alizangc @hrizantemy @fourteentrout @camreadsum @yoddhasblog @wingsdippedingold @skyesayshibitchez @ladydelena @leanderp @jungliet-capuleet @matrixsss @samsaj-05 @theknittingoracle @not-so-civil @ghhjjjhgyhbjjb @multifandom-reader @iamtiredcanyouhelpme @ladysnowmanofnoir @rogertaylorsfalsettogivesmehives @yourwolfprince @tamlinweek @toast-com @novaricewrites @skullszeyes

[midnight-mourning]

Midnight-Mourning Writing Masterpost

Realized my intro was getting kind of crowded, SO, decided to move all my writing links to here, along with a little bit of yapping. Enjoy!

He's a Little Confused But He's Got the Spirit (updates WILL be weekly when I finish fighting off this sinus infection, and complete my thesis proposal)

My current main project, a five-arc, multi-chapter fic that follows an engineer Reader just trying to survive adulthood, taking care of their siblings, and anything else that comes their way. That includes the Daycare Attendant.

Reader uses she/they pronouns, and Sun & Moon are not considered siblings or lovers, but a secret third thing (read and find out what lol)

This is a slow-burn, sfw fic, but all other tags and content warnings can be found in the fic, additionally there are spoiler present in the chapter titles and in the comments of this fic, just a heads up

Status: In-Progress, currently in Arc 3

Word Count: 195,390 (Currently)

General fic things:

Anything related to Confused Spirit is tagged as #Confused Spirit on my blog

If you would like to be included on the tag list for Confused Spirit updates, or just for when I post writing, you can message me, or reply in some way to this post

Writing requests are tagged under #writing requests

I am currently not taking requests, but may open them for short periods of time like special events or such

General rules are no nsfw (suggestive content is fine), and if you want something specific in your request, be specific, otherwise it's free-range

Happy Birthday!

Series of drabbles I made from Reveal-Day requests, each consisting of 250-500 words

Reader is gender-neutral, Sun & Moon are not siblings or lovers, all fics can be considered sfw

Some drabbles may relate to Confused Spirit, and may or may not be considered canon

You can browse the tag #reveal day drabbles OR read them on Ao3 using the above link

Status: Complete!

Word Count: 1,949

🎃Halloween-Based fics🎃:

Dead Ringer

My Secret Skeleton for 2024!

Takes place in the Sleuth Jesters au, with a bit of a spooky twist

All characters are based on their SJ! characterizations, with the original au of course belonging to @/NaffEclipse and @/sunnys-aesthetic respectively

This is a stand-alone, sfw fic, but all other tags and content warnings can be found in the fic

Status: Complete!

Word Count: 8,313

Promptober Masterlist

A masterlist with links to all of my promptober responses, credit to @/bluerasbunny for the prompts!

Each of these fics is angsty, suggestive, or horror-filled (or all three) in some way, content warnings are provided at the beginning of each work, reader is gender-neutral

Day 31 in particular is the grand finale, sitting as a 6K oneshot related in part to Confused Spirit (may or may not be considered canon)

The masterlist contains an ao3 link, with all the prompt responses that have been reviewed/edited for mistakes.

All prompt responses can be read as stand-alone, but there are some continous storylines/overlap between some, generally considered sfw but reader descretion is advised while reading

Status: Complete!

Word Count: Still counting 😅

Borrowed Time

A 'part-two' in a way to Day 31 of promptober, it is essentially a bonus one-shot based also in Confused Spirit (may or may not be considered canon)

It is HIGHLY SUGGESTED to read Day 31 of Promptober before reading this, it will be less impactful/make less sense otherwise

Much like Confused Spirit, reader uses she/they pronouns, Sun & Moon are not siblings or lovers

This is a sfw, stand-alone fic, if you would perfer to read it on Ao3 you can do so with this link

Status: Complete!

Word Count: 5511

[ind1c0lite]

(Basic context is that AU of Duel Desinties where the phantom impersonates Phoenix to get him found guilty of Clay's murder, I talk more under the cut abt it jkhlj)

-Basically meant to be a parallel to turnabout trump, cause if you can have ONE boss get found guilty of murder, why not a second one?

-OK basically: everything in DD happens normally until like- a day before clays murder, Phoenix gets yoinked by the phantom somehow (he is still alive, just being held captive), Phantom is still Fulbright, but they've decided to be silly goofy (target Phoenix and get him found guilty of murder, escape police custody and then murder phoenix and make it seem like Phoenix accidentally died while on the run, thats why they didn't kill phoenix right away unlike the real Fulbright) there is an imposter amo-

-I dont have the logistics as to how this affects solving Metis's murder, and how it effects what evidence is used n whatnot and turnabout for tomorrow as a whole, so im just going nuts HGJKHLJ

-Originally I was actually imagining this taking place during turnabout for tomorrow and I wanted that case to be apollo v klavier instead of phoenix and edgeworth and thats why klav is in here instead of Simon (I decided that Simon got badly injured and couldn't stand in court for the retrial, so klavier was asked to step in)

-The courtroom bombing still happens the same way it does normally, but Apollo decides to take up the case again instead of taking a leave, instead of like, you know, healing from the traumatic event that just happened, turnabout countdown still happens as well

-Apollo and Athena do not find out about the phantom's existence until well after this trial, so they have no idea that Phoenix could've possibly been replaced, though simon, after hearing about the trial, might be suspicious about whether or not that was the real Phoenix

-The Phantom had been not only keeping an eye on Simon for a while, but was also stalking Phoenix and Edgeworth after they both started looking into UR-1, so they were able to impersonate phoenix so well that not even his own daughter thought that anything was up (though while Trucy did find him a *little* bit off, but she figured that it might've been the bombing that caused him to act ever so slightly weird, so she didn't pay much mind to it until she heard about his confession in court and realized it might've been because he possibly, ya know, killed someone)

-it's pretty much just switching Athena being framed for murder with Phoenix, and instead of the trial ending on a cliffhanger, it continues on (probably with Klavier insisting on it) ending with soloman being found innocent and Phoenix being declared guilty

-There's a couple days inbetween the end of the cosmic turnabout and the start of turnabout for tomorrow, so Athena, Apollo and Trucy all get a little bit to process the fact that "oh god my boss/my dad killed someone" (simons execution date is pushed back a bit in this au) and they probably get to talk with Klavier and eventually a lil bit with Simon after he gets out

-Im not sure how it all winds down in turnabout for tomorrow (Phoenix escaping and being at large is basically the perfect cover for the phantom to resume being fulbright for that trial) but they do eventually realize that the phoenix who confessed wasn't the real one and now there's a search on going to find out where the real one is being held captive, hes fineeee just ready to take a week long nap and a good vacation (along with every other waa member)

-I dont have anything else to add on rn but if you want to add something or just throw in a scenario feel free to!! this idea has been bouncing around my head for like a month now and Im very happy to finally show yall it

[cloudyvulpine]

hate when i'm info dumping about a *FICTIONAL* villain and someone has the audacity to be like "but they've killed people" or "but they've committed crimes"

i know

but they aren't real

i still want to make out with them

[llumimoon]

Hehehe this was a great way to draw some characters I don’t draw as often! <3

[kumakuma-circus]

follow-up to this post with an important amendment: eevee wild cards.

persona q more like persona v(ee)-

[seaweedstarshine]

Hi! Long time no yap but I've been really bothered by this thing and I know you're just the person I can go to with this (even if we don't always end up agreeing at times).

I got into a tiff with someone in a comments section of a post that was about Amy (Which character do you think deserved to become a villain? or something similar). They brought up Amy's abuse of her boyfriend. I may have tried to defend Amy (key word is tried. I am officially rubbish at debating) but then I may have said something? Because they said that I (and apparently a lot of other fans) was excusing Amy's abuse because of her trauma. It got me stumped because isn't young Amy's treatment of Rory rooted in her trauma? Did I miss the memo where we separate trauma and abuse? Am I missing something?

That statement bothered me a lot because if there's one thing I never want to do it's defend an abuser. So here I am, humbly asking and hoping to clear the muddy waters.

Your really confused and disturbed moot, Tia 💌

TIA!!!!! Thanks for the ask 💌 , and I send you all the hugs.

Discussion of abuse, trauma, ableism, infidelity, and unhealthy relationship dynamics beneath the cut.

(First off… while I really appreciate your faith in my explaining skills <3 <3 <3 my passion for traumatized characters and mentally ill+neurodivergent rights doesn't make me especially qualified to fully clear muddy waters especially not knowing the full context, but I feel you, and what follows is my informed perspective!)

Speaking generally first, harm done in media is best examined by the impact on the audience, with a different lens than harm done to real people. While relatable experiences in media can be useful and validating and incredibly important, you can’t be “defending an abuser” when the abuse is fictional. It's actually normal for traumatized/ND/mentally ill people to project onto mentally ill villains, when villains are the only significant representation for those stigmatized symptoms in a media landscape that excludes and demonizes us simply for existing. RTD can't stop people who hallucinate from reclaiming the Master's Drums and projecting onto the Master, for example — 90% of the best Doctor Who psychosis fic by psychotic authors is about the Master, whether RTD likes it or not. It's not true crime.

(This is speaking generally. Amy Pond is very much not the Master.)

Abuse is a behavior, and there can be many reasons for it, but reasons based in trauma don’t make it not abuse (some forms of generational trauma can propagate abusive parenting styles, when the parent thinks abusive parenting is normal, or lives entirely vicariously through their child). This absolutely should not be taken to mean trauma correlates with abusive behavior; rather that abusive behaviors from traumatized people are more likely to present in specific ways.

Abuse is also a targeted behavior, based in control — not consistently displayed C-PTSD symptoms as seen in Season 5 Amy Pond through many aspects of her life. Mental health symptoms don't become abuse just because they hinder one partner from meeting the other partner's needs. Any life event can do that.

Without knowing the context of the arguments, this is the aspect of their relationship I've seen you talk about before (which I also feel strongly about), and what I assume is what you were debating? So, here I will talk specifically in regard to Season 5.

We all know Amy — she's never attached to Leadworth because she never wanted to leave Scotland, no steady therapist because none of them stick up for her, can't stick with one job yet her first choice is a job that simulates intimacy because her avoidant behavior (a known trauma response) isn't sustainable to her wellbeing. Rory knows her fears of commitment stem from her repeated abandonments, it’s why he’ll always wait for her, and it's why he blames the Doctor “You make it so they don't want to let you down.”, who apart from having caused a lot of her trauma, has actively taken advantage of her being the “Scottish girl in the English village” who's “still got that accent,” because he wants to feel important, so yeah, I think interpreting Amy's issues (and how Amy and Rory transverse them) as Amy abusing Rory indicates a fundamental misunderstanding of their relationship, as well as a misunderstanding of the (raggedy) Doctor’s role in Amy’s formative self-image (which of course she works through in Season 6, but I am sticking to Season 5).

Abuse is always based in control. That just doesn’t fit here. While Amy's detachment from her real life includes things like calling Rory her “kind of boyfriend” (which she is upfront about to his face; differing commitment levels isn't abuse, though it can be a relationship red flag for both parties IRL) — her Season 5 disregard of Rory’s feelings occurs only in response to the fairytale embodiment of her trauma. It's never a response to Rory; it's a response to the Doctor, who stole her childhood and led her by the hand to her death. She cheats on Rory with the Doctor in her bedroom full of Doctor toys, drawings, models, she made from childhood to early adulthood.

(And yes, like many repeatedly-traumatized people, Amy is prone to being sensitive and reactive. Take her “Well, shut up then!” line in The Big Bang; but given Rory responds to this by hugging her, clearly he doesn’t take it as her actually dismissing him. He knows her better than that.)

And by no means do I meant to imply this is fair to young Rory, poor Rory, who's left struggling with the feeling that his role in her life is in competition with the role of her trauma (aka the Doctor). But not every unhealthy relationship dynamic is unhealthy because of abuse. Labelling Amy's treatment of Rory in Season 5 more accurately isn't the same as excusing her harmful choices — but making mistakes is part of being human, Amy's mistakes are certainly understandable, and she works through them out of love for Rory.

If there's one thing to say about Moffat women, it's that Moffat allows his female characters the same grace that the male characters *coughTENcough* have always had, to hurt and struggle and make realistic mistakes and overcome those mistakes and to heal without being demonized.

Amy isn't perfect, but she is a fully realized character, and her story gives us a resonant depiction of childhood trauma.

[billxharry]

Things I would pay any sum of money to have released since there's a 99.99999% chance Cher is talking about Stellan, Colin and Pierce here yes?

[murmurmurl]

a modern human au where nothing bad ever happenned to them and they got to grow up together. I am making myself cry with this chat

[suolainensilakka]

Had a stressful day and then spent the rest of the evening making a compilation of Terra eye closeups to cope. Did not even remotely help with making me feel more normal but at least now I have much more extensive and obvious comparisons of his ffucking enormous prettyboy disney princess lashes oh my god what is his ISSUE

[hunter-sylvester]

Hunter's Drawings

I wish I had a better screenshot of the ones hanging on the wall in the last picture but they really don't get shown very well.

[lakesbian]

i was gonna make a joke about scrabbling at my keyboard while my pr team attempts to drag me away to prevent me from making a serious post considering the matter of whether or not rose thorburn junior jerks off but this is the same account where i posted a 1k+ word long analysis of blonde wildbow characters ranked by likeliness to have a piss kink so we all know i don't have a pr team