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#(he's incredible and i keep thinking about him just styling on hell in his iconic way)
grimgrinnr · 1 year
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Anyways. Unrelated but. I’m consumed by thoughts and ideas I’ve generated.
So uuuuuuuuh...
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Never fucking let him near your muses or Hell. He will make everything worse. He will enjoy it. He will exploit it.
It’s horrible.
But I absolutely want to write it eventually-
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forzapogi · 3 months
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comprehensive list of my favorite cycling moments in no particular order
the Mont Ventoux incident: twelfth stage of the 2016 tour de france. Sir Chris Froome is comfortbaly leading both the stage and the GC, wearing the maillot jaune. Less than 1k to go and the unthinkable happens: too many people are standing on the road and one of the motorbikes at the front suddenly brakes, resulting in one insane shot of Richie Porte face-planting against the camera. The result? Both Bauke Mollema and Chris Froome crash (no injuries for them, luckily) and Chris Froome's bike BREAKS. PANIC. It's very important to note that at this point team cars are stuck behind and are unable to reach him (both because of the narrow street and the absolutely staggerig amount of people there). So what does Chris Froome do? He starts running marathon style, ready to defend his advantage on the other GC guys tooth and nail. In the end he did keep his lead (after a bike swap from hell and twenty minutes under an amount of stress that could have killed a horse) but BOY was it an Experience to watch live.
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the tiny couch of Milano-Sanremo 2023: otheriwise known as the one bed trope cycling adaptation and, in my opinion, a mandatory addition to every post-race waiting room. Not a single person on this couch wanted to be there apart from pippo, who was doing a very bad job at hiding his amusement. Look at this, incredible.
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Lorenzo Fortunato's win and Alberto Contador's consequent metal breakdown: overall an incredibly wholesome moment from the 2021 Giro D'Italia. Lorenzo Fortunato (then 25 years old, relatively new and upcoming rider) attacks on the Zoncolan, one of the most famous and gruelling climbs of the Giro: everybody’s rooting for the kid, who then goes on to win the stage all by himself, reaching the top through apocalyptic weather. Admirable, right? Well, while all this was unfolding, Alberto Contador (who was at the time Eolo-Kometa's team manager) was live on Insta pacing around and having an absolute Moment on camera, literally hyperventilating and crying, begging everything and everyone for his protegé to win. He then went on to promise to ride from Pinto (his hometown) to Milan as a celebration. Iconic.
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Sepp Kuss' Vuelta victory: AKA the birth of a legend and of my personal GC Kuss agenda. Vuelta de España, 2023: domestique extraoirdinaire Sepp Kuss wins his first stage and he's VERY elated about it (as we all are, tbh), smiling and high-fiving people even before crossing the finish line. On the podium he truly becomes man of the people by chugging down half a bottle of champagne without batting an eye: man of the people right there. By this point no one is really thinking anything of it, we’re all just vibing, happy for a rider who is partecipating in his THIRD CONSECUTIVE Grand Tour of the year. But THEN. It slowly starts becoming clearer and clearer that Jumbo-Visma (rip) has not one, not two, but THREE (3) possible final GC contenders, which is alone a very bonkers concept. In the end Sepp manages to keep the lead despite what looks like a messy (?) situation management from Jumbo-Visma and a stage finish on Angliru where the Jumbo-Vismen seem to be riding all for themselves, sprinting away from Sepp. All in all a display of incredible strenght by both the team (winner of ALL three Grand Tours with THREE DIFFERENT riders. INSANE) and Sepp himself.
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Last time trial stage of the 2020 Tour de France: I could easily write a PHD thesis about this day alone. NOTHING encapsulates the drama of sports quite like this particular moment. In one already very odd Tour de France, ridden in mid-September due to Covid restrictions, Primož Roglic absolutely DOMINATES the GC from the very beginning: his team is strong and he keeps the yellow jersey up until the end, to the point where nobody really expects anything major to happen. Cue Tadej Pogačar (called by the italian commentators "il ragazzino terribile" aka "the terrible boy"), fellow countryman of Primož: he’s won a couple of stages and he's shown his worth, finding himself in a very honorable second place in the GC with a 57'' gap from the leader. Which could mean nothing. SO. Here comes the final TT, the very last chance for riders to try and make up some time before Paris: Primož is an excellent TT rider and he's got enough time over Tadej, which should grant him a comfortable victory or, at least, not too much lost time, right? WRONG. OH BOY. Tragedy unfolds as soon as Tadej starts his race and makes it clear that he's out for BLOOD: he clearly doesn't care about second place, he wants the yellow!!!!!! And so we're stuck at home, watching silently as this KID slowly makes up time, second by painful second, all while Primož is having the mother of all shit days on the bike, struggling so much that it becomes harder and harder for him to maintain his hard-earned lead. Tadej goes on to win the stage (surpassing Tom Dumoulin and Wout van Aert, who had both ridden an incredible TT) and, more importantly, his fist Tour at just 21 years old. I still get chills thinking about it. Fun fact: in Paris, Tadej wil also wear both the white and the polka-dot jersey. Totally normal behaviour.
Giulio Ciccone and his close call with excommunication: Tirreno-Adriatico 2023. Giulio is giving out an interview to a fellow italian journalist after the stage, when suddenly one team car speeds up behind him and very narrowly misses him, almost clipping his bike in the process. The result is Giulio breathing life into the infamous "porca mado.....nza", which is a revised version of an extremely NASTY type of blasphemy against the virgin mary. Iconic in its own way, threatened to take down catholicism as a whole in one clean swoop. 10/10.
Geraint Thomas' leadout for Mark Cavendish: last stage of the 2023 Giro d'Italia, Geraint Thomas has made peace with the fact that he’s lost his chance at winning La maglia Rosa. The peloton is steadily approaching the finish line and sprinters are getting ready to give it all for the win: suddenly, we see Geraint Thomas putting himself right in front of the leading group, effectively becoming Mark Cavendish's leadout man, guiding him to a beautiful final win in Rome (mind you, this was supposed to be Mark's last year before retirement). They're not teammates, so Geraint Thomas had no reason to do it except for the fact that he's known Mark for the better part of twenty years and he wanted to help him: INSANE narratives, we all cried at the sight of the two old men embracing eachother like little kids. SIGH
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2023 Road-Race World Championship. This place has everything: rainy weather, beautiful landscapes, highland cows, Mathieu van der Poel taking a dump in a newly renovated house, childhood rivals standing together on a podium, Pogi in neon green. Also known as the day Mathieu van der Poel went from Good Rider to Insane Supernatural Being: from attacking with 20k to go in what probably was the hardest course ever designed in a Road Race World Championship ever, falling down while all the team cars were unreachable, tearing off a piece of his own fucked up shoe because it was bothering him, to winning while sopping wet and crying. INSANE. Bonus: this absurd newspaper front page that I wish I had framed in my living room.
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onlytibki · 1 year
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Yelling into the void about OPLA
Spoilers ahead!
Neutral: Some major scenes that outlined certain themes of the original story were changed, which is fair. Some things were added in certain areas, which is also fair. There's pros and cons to these things in various directions so I'm keeping it all under 'neutral'--by the same token, my disappointment about it not fitting the original story is tempered by how much just knowing the original story made me excited to see these characters and places in a live action. The two things kinda cancel, so, neutral.
Pros:
Set building. Urgh,, this summer has been a highlight for physical sets as opposed to greenscreening things. It was GORGEOUS and it paid off SO WELL.
Make-up. Again, physical make-up (I think) not CGI'ing a face, and it went so well. The Fishmen are high-key terrifying and honestly it fits the narrative. (The CGI was also amazing, though)
Fitting like 50+ episodes into 8 hours. A LOT ended up on the cutting room floor but the result was cohesive and coherent and that could not have been easy. And yet, even with so much on the floor, I think they only completely culled two or three characters? (Johnny and Yosaku (tragic) and the Island of the Rare Animals dude (but his island was shown in the maps)
Cons:
Fight choreography. There was a lot of variation in quality, imho. Kuina was incredible, as well she should be, but in some of the major fights there were moments of stillness in the background, etc. I should not have seen Luffy just stand there with his fists up while Zoro engaged Cpt. Morgan.
Make-up. If they did the Fishmen, and Merry, so goddamn well, why the hell are we missing Sanji's eyebrow and Usopp's nose? Usopp's nose might've been distracting but it didn't have to be ridiculous.
I'm not sure if it's cinematography, or editing, or directorial decisions, but I feel like they wasted precious time on a few scenes, whose minutes would've been well-spent including short, more cinematic shots. Ex: scrap kid!Sanji's "Day 2", replace with a shot of grown!Sanji bowing in front of the Baratie. Quite a few of Oda's iconic double-page shots would've translated SO WELL to the screen. Why not use them??
Side Notes
ZORO WAS IN GOA KINGDOM holy shit the things that could've changed. I wonder if Johnny and Yosaku were there too? Also his scar wasn't big or bloody enough.
Helmeppo was there. I somewhat had an opinion on him by the end of the season, which is an impressive achievement.
Scratch that, my opinion on Helmeppo is that Zoro's cutting of his hair was hilarious but the butt shot was unnecessary. Ditto Sanji being shirtless to rescue Luffy. This is OPLA why the fan service.
Nami was in shackles until age 12. :( But Bechdel test, passed!
Also this version of Nami would've absolutely tried to get with Kaya before stepping aside given the Usopp/Kaya romance.
Mihawk was PERFECT. Like absolutely iconic. Honestly the whole cast was, obviously, but you don't see as many people gushing about this fact regarding Mihawk
What the hell happened to Gin. He ate the food and then vanished from the face of the earth.
Garp's development/arc was an interesting take, and honestly it was a chunk of the really engaging part of the watch for me. I guess in canon he was too busy doing Marine things to chase after Luffy after he left Dawn Island so this is a good take.
On a related note, it does take a bit away that we didn't go through 250-ish chapters before learning about any of Luffy's family, but obviously that wasn't going to happen anyway. Also, kinda wish we'd seen him yell out 'Fist of Love' or them both fall asleep at the same time post-Enies Lobby arc style, but he was definitely using haki so it's fine.
On a different related note, actually VERY upset that we (1) didn't get Garp saying that line about how he left Luffy with Dadan so he could grow up to be a respectable Marine, and have Loof respond with Garp's training and (2) had to listen to Garp telling Luffy that the GL isn't a game, given that Luffy's already lost Sabo to the world and (3) didn't get any mention of Luffy's brothers or Dadan at all, actually.
Quick Summary: I do think a degree of enjoyment was both added and subtracted due to my knowledge of the original story. Not sure if I would've sat through the whole thing if I wasn't already tied heart and soul to the crew, but I am and I did.
But it was definitely fun and really well built. 8/10.
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shadowbender19 · 2 years
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So, a new Heartless video just dropped. I had a notes doc open and recorded basically every thought that I had during the video. Some of these are vibes only, but I hope that someone finds this enjoyable.
This art style is truely stunning
Eira’s little ghosty boy? I love him
Alchemy’s Team Rocket vibes? chefs kiss
I love Alchemy so much, very gender (though so are all of them lol)
Variant outfits? Nice
Yo, the music that played at the beginning of Flint's section hit different
Flint's D&D vibes are immaculate
The way Alex does action is immaculate
Eira my beloved. My boy is back
“Snow Smith” gives me big Gray from Fairy Tail vibes
HE HAS A DAD
Is Eira going to build himself a forge?
I was wrong, but this is so much better. They were roommates!
I want to say that the fan fiction writes itself, but sadly it does not
Doppel and Glass having slightly different powers would be very cool
Doppel’s sketch reminds me of Ben 10 and I love it
Ah, nods so they’re artificers
Angst, I love it
River content lets go
River and Alchemy having matter vs energy powers (an oversimplification I know) could lead to some mad physic related bs
Powers developing and evolving is always amazing
Brooke is the name for guard girl
River’s logic and science based reasoning sounds like an incredible character point
New brush for the hair
River hitting mute on Lorelei is so funny
River’s eyes are iconic
New desktop background just dropped
Milk away, I love this stuff Ok, so I didn’t keep track of thoughts for the first two, so I’m going back to do Heartless
The quirk style names of each character’s powers spark joy
Grave robber is a sick name for a power, hope he finds a way to reuse it if this ever becomes a bigger thing
All I can think of is hungry hungry hippos, vibes are correct tbh
I love the balance created by the ghouls, great way to balance mimicry magic
Frosty boi Final thoughts
Not really relevant but before he colours in the eyes, this art style is very reminiscent of Ben 10 omniverse which I absolutely adore
The focus on change and evolution of their magic, especially as the narrative evolves is beautiful and makes me really want to see this as an extended story.
This art style sparks joy. The dynamic poses, the way that the clothes move with the action, the way that intangible magic is so clearly on display. I don’t know if this is just the way that Alex draws action, or if his art style has evolved once again, but it is so nice to look at.
Basically, I’m back on my Heartless BS. This is my formal apology to my followers who don’t know what that is, as well as an even more formal request of whoever the hell runs the discord server. Please add me, I wish to be a part of whatever the hell goes on there that I keep hearing about.
Finally, thank you @abd-illustrates, this was incredible And that’s about it. Thanks, for reading my rambling, I’ll probably be posting more about this over the next week or so, so stay tuned.
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in-ky · 3 years
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An Old Scent [2] - Negan x Reader (A/B/O AU)
Summary: During summer break, you decide to come back home to visit your dad, Rick. Over the course of your stay, you realize that your dad's friend is pretty hot.
Warnings: Eventual smut, A/B/O dynamics, cheating, angst, age gap, Negan, a bit of gore if you squint
A/N: ok so everything is written i'm just gonna stagger posting a little bit :') 2.7k words
The first thing I woke up to in the morning was a dull ache in my lower abdomen. Great. My heat was starting up again. Growing up, Bee always asked why I never went on suppressants. I always got a bad vibe from them. Then, a few years ago, a large brand got recalled because it was shown to cause cancer in a lot of different patients. Now suppressants were harder to come by, more regulated, and needed a doctor's prescription. A lot of omegas took the hit hard, but out of it came an influx of at-home ways to take care of your heats by yourself. Super helpful for a single girl like me. When my heats started to get really bad around my junior year of high school, Bee took me out on a shopping spree and got me a bunch of toys to try and satisfy myself. It worked for a while, but they got worse as the years passed. By my age, a lot of omegas were already claimed and had an alpha to help them through their heats. I was still relying on the toys Bee had bought me. The box was tucked neatly under my bed, waiting for me. I rolled over with a small groan and sighed. The heat wouldn't be in full swing for another few days or so, so I could still go to the courthouse with my dad. Speaking of, I heard Rick shuffling down the hall and slid out of bed, gathering my bathroom stuff and walking out of my room into the small tiled room to start the day.
~~~
"So you weren't at the garage on the night of the eight?" Negan hummed, leaning against the railing in front of the tv. His eyes were glued to the face of the man sitting on the stand. The poor guy was drenched in a nervous sweat, tight blue shirt sucking at his chubby neck. He swallowed thickly and leaned forward to the microphone.
"That's correct," he croaked.
"Oh, Jeremy," Negan chuckled, shaking his head and looking at his feet. "Don't you know perjury is a criminal offense?"
"I-I'm not lying!"
"Is that so?" The alpha held up the remote to the TV "I have some footage here that directly contradicts your story, man. One last chance." He wiggled the remote teasingly and raised his eyebrows. Jeremy held his ground. "Alrighty then, let's see what we have here." He took a step back and furrowed his brow at the remote and pressed a button. The screen in front of him came to life. I had to lean forward in order to see the video, but in reality it wasn't the security tape I was watching. It was him. I couldn't look away. He had dominated the room for the past hour and a half. His deep voice was never raised, but it still carried a commanding tone that had every person sitting on the stand shaking in their boots. My eyes trailed down his body. His suit clung to him in every perfect way. His hair was slicked back in its iconic style and the way his glasses perched on his face made my insides burn. Part of me regretted seeing him like this so close to my heat, but another part couldn't imagine if I hadn't. Rick leaned over and tapped my elbow.
"We've got him now for sure." He whispered in my ear. A smile formed on my lips as I nodded to him. There was a child-like joy on his face. He really did appreciate my presence. I turned my attention back to the video screen. The footage was fuzzy, but there was a clear figure of a woman standing still hunched over what I presumed was her phone. She was texting away, fingers flying over her screen. Suddenly a large figure, who had the same height and build as Jeremy, slunk out from the shadows. He slowly approached the woman from behind and raised a crowbar high above his head. He swung it down with brutal force. There were small gasps of horror from the jury and the crowd as the crowbar connected solidly with the woman's head. She collapsed in a heap, but Jeremy didn't stop beating her until she was a pile of mush. Negan clicked the TV off.
"Well, shit, Jeremy," He boomed "I do in fact think you are lyin' to me." He tossed the remote down on his table top and gave a grim scoff. "Everyone just saw you turn poor Miss Parker's head into your personal punching bag. You still wanna claim you were no where near there?" All of the color had drained from Jeremy's round face. He swallowed again, tugging at his restricting collar. But soon, his face turned a deep shade of pink and he slammed his beefy palms on the flat surface of the box he was sitting in.
"That bitch deserved it!" He howled, gasping for air. "She had no business-" He stopped when Negan raised his hand silently.
"I really don't care," He sighed, turning around and grinning broadly when he saw the defense team resting their heads in their hands in defeat. "I'll let the jury do the rest, your honor."
"Yes, thank you, Mr. Smith." The judge said, voice prickling with annoyance. Negan returned to his bench and pulled out his seat. But before he sat down he gave Rick a small thumbs up. And I could have sworn that he flashed me a little smile as well.
~~~
"You were incredible in there!" I cheered, giving Negan a high five. The contact made my skin tingle, but I passed it off as the consequences of the impact. "You really made that guy tremble like a kid!"
"It's what I do," Negan chuckled deeply. He looked around me and furrowed his brow. "Where's your dad?"
"He's pulling the car around," I said "I just figured I should let you know how good you did before I leave." He was so close. He smelled so good. The same combination of whiskey and campfire that could get me drunk in a few breaths. I was so focused on his intoxicating musk that I didn't notice the group of alphas that were headed our way. Negan did, though. I heard a rumbling from his chest and felt a hand clasp around my shoulder. Confusion clouded my mind and I looked up to him for some answers.
"The next case is starting soon," He said smoothly "Let's go wait for your dad outside." I agreed and he steered me out onto the steps of the courthouse. The short skirt and heels I was wearing weren't exactly comfortable for walking down stairs, so I held onto Negan's forearm as he guided me down to street level. There was a small breeze and I saw his jaw tense as a soft gust of wind swirled up from behind me and into his body. It no doubt carried my scent on it, and an alpha like Negan could probably tell what state I was in.
"So," I sighed, looking to engage him further "What's next?"
"Well," He tilted his head and ran a hand over his bear-covered chin. "Jeremy goes to jail. Your dad and the department get praise. And I get to go to the bar for a celebratory drink." He paused for a moment, looking me up and down quickly. "You want to join me?" I opened my mouth to say something. To be honest, I wasn't sure what I was going to say. I didn't really drink, but I was willing to do absolutely anything that Negan wanted. But it was then that Rick rounded the corner and gave the horn a little honk.
"I would love to," I settled on "But dad has a full day of father-daughter fun times planned, and I don't really want to keep him waiting." I gestured awkwardly to where Rick was sitting in the car, bopping his head gently to incoherent music.
"Totally understand, doll." He grinned.
"Maybe another time, though?"
"For sure."
"See you around, Negan."
"Bye, doll, have fun. And be safe"
~~~
Negan was pleasantly buzzed, as per usual. He got off his motorcycle and hung his helmet on the handlebar before lightly stumbling into the house from the dark garage. The sight he saw he did not expect. There sat his fiancé in the living room, arms crossed over her chest with a pissed expression on her face. And beside her was a woman he knew all too well.
"The hell is goin' on here?" He asked, slurring his words slightly.
"I could ask you the same thing, Negan."
"Lucille, what the fuck is she doing in our house?"
"Oh, so you know her?" Lucille growled. Negan just licked his lips and flicked his gaze between the two women sitting in front of him. "Of course you do. You have been fucking her after all." Negan groaned, rubbing his eyes.
"Baby, please-" He started, but Lucille cut him off.
"Don't you dare," She hissed, jumping to her feet and balling her hands into fists "You don't get to call me that after what you've done, Negan. You slept with another woman. Hell, maybe more than one. You ruined our relationship." Negan took a step forward but Lucille raised her hand and pointed to the kitchen table. "Don't take another step. Your stuff is in that box." Negan looked to see a cardboard box sitting alone in the dark kitchen, his belongings poking out of the top. "I never want to see you in my house again."
"Lucille, can't we just talk about this? You don't understand." He pleased, extending a hand to her. She batted it away.
"There's nothing to talk about." She spat "You cheated on me, Negan! What is there to understand? How can you expect me to forgive you for that?" A moment of silence passed between them. The other woman shifted uncomfortably on the couch. Negan glared at her before turning his eyes back to his now ex-fiancé.
"I have no where to stay." He whispered.
"That's not my problem." Lucille said boldly "Take your shit and leave. Don't come back. We're done."
~~~
I stirred the pot of spaghetti while humming a song I heard on a radio earlier. The father-daughter activities had consisted of driving around town and revisiting old spots we used to go to when I was younger. We got ice cream at the shop down the street and then watched the sun set at the park that we used to picnic at. It was nice. College did really fix our relationship. The TV in the next room hummed quietly and Rick was talking on the phone with someone. I heard him hang up and walk into the kitchen.
"Think there's enough in there for three?" He asks with a sigh, looking over my shoulder.
"Should be, why?" I return, meeting his gaze. He takes a deep breath and scratches his neck.
"Um, well, Negan's fiancé kicked him out of the house. Apparently she found out he was cheating on her. He doesn't have anywhere to stay." He mumbled "He's gonna be sleeping here for a bit." I stopped stirring. The water started to bubble too close to the top, but I blew a gust of air to push it down.
"Why here?" was all I could muster.
"He really helped me with your mom. It's the least I can do."
I just hummed in acknowledgement and returned to my cooking. So Negan was engaged. And he CHEATED on his fiancé? Maybe I didn't know Negan as well as I thought I did...
~~~
"I just can't believe she kicked me out!" Negan seethed, shoveling a spoonful of spaghetti into his mouth. He was still chewing when he continued. "She didn't even give me a chance to explain myself!"
"I hate to say it, but you did cheat on her, buddy," Rick said carefully, not wanting to poke the angry alpha in the wrong way "She's upset."
"I was in a rut." Negan growled.
"For four months?"
I was making a plate for myself, listening to the conversation from across the room. Rick's phone buzzed on the kitchen table and he picked it up.
"Sorry, I have to take this." He sighed, shaking his head and standing to his feet. He left the room and suddenly it was just me and Negan. I took my plate to the opposite head of the table, watching Negan wolf down his dinner.
"This shit is really good, sweetheart," He groaned. Normally, the noise would have sent me over the moon. But there were so many other emotions clouding my mind. "You ever consider changing your major to culinary arts?" I didn't say anything, just twirled my fork in my serving of pasta.
"Why'd you do it?" I said quietly, almost in a whisper. Negan paused instantly.
"What?"
"Why'd you cheat on her?" My eyes never left my plate but I could hear him shifting in his seat, rubbing his face while trying to answer my question.
"I don't know," He said. His voice was soft, sincere. Something I had never heard from him before. My eyes drifted up and met his. They were the same tawny color, but there was something else behind them. Something I couldn't distinguish. "I thought...Something was off in our relationship. I guess I thought that I could fix it by trying something different. I ran into Tanya at a bar a few months ago. She's a beta, just like Lucille. Wanted to be with an alpha. I gave in. Just for a quick fuck, didn't mean anything. I didn't like her. I told her that but...she...she wanted more, I guess. She fucking threatened me. Threatened to ruin my life unless I kept seeing her. I chose to do it. I don't know if that decision was the right one or not but it's the one I made. I texted her last night to tell her it was over. Never fucking thought she would come to my home." I was chewing the inside of my cheek the whole time he was speaking. I didn't know how much of his story was true, but he sounded like he was hurting.
"Why did you break it off?" I whispered.
"That's your damn question?" He scoffed, giving a short smile. He looked in my eyes. I knew the answer. Or at least I thought I did. He opened his mouth, but Rick reentered the room before he could say anything.
"Alright, sorry about that guys," He said, slipping back into his seat. "What did I miss?"
~~~
Negan was set up in the bedroom next door to mine. Our doors faced each other from across the hall. We would have to share a bathroom. Rick didn't seem to have a problem with it, but with my heat starting I wasn't too sure about the whole arrangement. I felt more cramps riddle my body. I was ready to bed, ready to curl up in a ball and go to sleep, but something called me across the hall. Curiosity got me and I turned slightly, walking up and leaning on the doorframe. There was Negan, clad in grey sweatpants and a black tank top, unpacking his things.
"Hey," I said quietly, not wanting to startle him. He turned around. He looked older like this, hair unkempt and his glasses on. When he saw me his lips curled in a smile. Any trace of vulnerability I had seen earlier was now gone.
"Hey to you."
"I just want to apologize for earlier," I said "I didn't mean to make you uncomfortable. I'm also sorry that you have to be subjected to me and my dad for the foreseeable future." He let out a snicker and shook his head.
"Don't worry about it, doll. And you're not that bad. I appreciate Rick; he's a good man." He scratched his beard and looked over at the clock next to the bed. "It's late, you should get some rest." He took a deep breath and I nodded. I turned to leave but he called my name softly. "You know I meant what I said last night, you are looking good." I smiled but didn't say anything and crossed the hall, shutting my door and hopping into bed.
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Ya know, I truly hope Miss Renesmee Carlie Cullen fully dedicates herself to just....being as out there and iconic as possible
first things first- ANYTHING with the loch ness monster on it, she owns. Posters, shirts, jackets, shoes, folders, buttons, iron-ons, there is always at least 5 pieces of Nessie merch on her at all times
once she gets old enough to start high school, the cover story is her and Edward are siblings that Carlisle and Esme took in, and sometimes her classmates will ask her what her biological parents were like and she will flat out be like 'oh, they're vampires' and Edward and Bella are like. 5 feet away trying not to scream
every Halloween she'll show up to school in an elaborate Nosferatu costume
goes out of her way to photobomb people in increasingly ridiculous ways so there will Always be a photographic record of her and in like 100 years she can get a huge kick out of teens on the internet trying to make a conspiracy about her
joins as many school clubs as she can, even if she has no interest in them- she just Really wants a concrete record of herself to exist lmao
ICONIC at school theater though. One of those demon theater kids that come to rehearsal purely to cause chaos and nothing else, but her voice is incredible so she secures every lead. One time she somehow managed to star in a show while also playing in the school band for it- her classmates still have no idea how she pulled it off
Always brings blood out in public in a CLEAR THERMOS and it stresses her family out so much but everyone else thinks she's just like, weirdly into tomato juice so the Cullens can't stop her
to everyone's surprise...her biggest chaos enabler is Jasper lmao. everyone thought he'd be a logical, responsible uncle but they're just. A Problem together. He'll 100% assist her in any prank she wants to pull, he gets her fake id's when she wants to sneak into a club with friends, he bails her out of jail without telling her parents, they figured out if she gets high and he reads her feelings he'll get high too and it's. So fucking funny.
she's always carrying some random instrument around school- like for a while it's a guitar or a harmonica, fine, but then she'll start lugging a cello around, a tuba (she doesn't even play, she stole it off a guy who was annoying her) and it escalates until one day she's wheeling a piano around the building. no one's even sure how she got in in the doors of the school. She keeps running kids over in the hallway with it
You know the Catherine Tate Lauren Cooper skit with David Tennant? Where she's being a terrible student and then perfectly recites Shakespeare? 100% Nessie
when she starts getting dates Jacob keeps trying to wing man and be over supportive and give her a ton of girl advice and it's embarrassing as hell so one day when he was on a spiel about How To Woo A Lady she looks him in the eyes and goes 'oh really? did that work on my mom?' and the Cullens fucking LOSE IT. Jacob had to go live in the woods for a few days because he couldn't cope
Emmet and Jasper: arrive to school in their jeep. Rose and Alice: arrive in a convertible. Edward: arrives in his dumb volvo. Bella and Jake: arrive to school on motorcycles. Nessie: arrives to school on a unicycle while juggling
one year she ended up getting nominated for prom queen and Edward read the minds of the teachers tallying the votes so he knew she won and he and Bella were so excited!! they're like we're gonna take so many pictures of our baby looking like a princess! And then she emerges from her room, actually drenched in pigs blood. Like she just did it to herself and went to the dance and accepted her crown like that
she regularly commits crimes against fashion. If she comes out of her room and sees Alice contemplating turning herself over to the Volturi, she KNOWS she's picked a great look
somehow gets ahold of Aro's cell number and sends him selfies of her blatantly breaking vampire laws captioned 'whatcha gonna do'. he keeps blocking her but she keeps managing to get through to him somehow
she illegally sells soda out of her locker and does people's homework for cash, while also paying other people to do her homework for her. she organizes every single senior prank. she's never gotten a detention in her whole immortal life because every teacher just Adores her for some reason
had 100% used her powers for deserved evil before. Like, if someone's being a dick at school, she'll sneak into their room at night and give them nightmarea threatening them to be a better person lol
sometimes she'll show up at the hospital unannounced and ask Carlisle, in front of his coworkers, 'yo can I raid the blood bank?'
her bedroom looks like a library. every wall, floor to ceiling books.
she's been publishing trashy romance novels under a fake name for almost 40 years now and no one in her family knows
one birthday Jacob takes her on a trip to vegas and they get wasted, at some point they were laughing about how ridiculous their lives are and they're like 'wouldn't it be fucking hilarious if we had a baby'. they then black out, hangover style, and wake up like a week later with a payment on her card to a fertility clinic. Jacob's like 😱 and Ness is just like 'you get to be the one to explain this to my parents'
Their kid is absolutely hilarious, they were correct, and at some point they realized 'wait...drinks blood..doesn't sparkle...can shape shift...we've somehow created a classic pop culture vampire' lmao
Edward had to threaten them to get them to not name the kid Vladimir
Also to be clear: Nessie and Jacob have the EXACT same dynamic as Will and Grace. that's canon.
says its her goal to star in a live action all female production of mamma mia and Carlisle is like 'honey you know you can't do anything on broadway or in hollywood' and she's like, 'no, in real life. I'm gonna go to greece and attract a bunch of women with abba songs' and he's like,,,,,ah
she loves all music but she goes out of her way to Only play stuff she knows Edward hates lmao
one day she remembers she doesn't need to breathe and can see under water and just. books herself a ticket to scotland and Finds The Loch Ness Monster
she actually personally finds a lot of monsters and cryptids like her hybrid aura just attracts all kind of weird shit and she LOVES it. She stops writing trashy romance novels and starts writing autobiographies of her traveling and hanging out with paranormal beings and everyone just assumes its fiction so she becomes a best selling fantasy author lmao
100% she's very into witchy stuff and only like...half in a trendy way. She's like what if on top of everything I've got going on I can cast spells? Think I deserve that power
when she's a couple decades old she catches Edward looking grossed out one day and she asks him what's up and he's like 'I really dont need to hear what creepy teachers think about my daughter' and she's like. oh. Dad we are gonna get SO MANY pedophiles arrested shdndjdn she gets him to expose teachers and she baits them then calls the police. queen.
She finds out she can get tattoos but they fade completely out of her skin within 5 years so she's always getting crazy tats
posts selfies on social media of her just like. hanging out with mountain lions or chilling on top of the space needle. her classmates think they're all photoshopped obvi but it drives her family insane
imagine you're 15 and you're on a nice hike in the woods and you come across your one classmate half naked, sacrificing a bear in some ritual, blood dripping down her face, bigfoot chilling on the rocks behind her filming the ritual on her phone...like on one hand, what would you do, but on the other hand. you've known this girl for a bit and you aren't surprised at all
anyway. stan Nessie Cullen.
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absoluteindulgence · 4 years
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AFK (Away From Keyboard)
A/N: My contribution to September’s first Freaky Friday (18+). New icon, who dis? I worked non-stop on this story; hopefully, y’all like it!
Pairings: Mirio Togata x Fem!Reader
Warnings: Smut, Cursing, Quarantine Blues
Word Count: 3.4K
Quarantine hasn't been easy on you. You lost your job due to your line of work not being considered 'essential.' Although bummed about it, because it was a means to an end, you remembered the times you complained about the work and how some other workers didn't treat you fairly.  But the realization of being home with your fiance, Mirio, had sparked comfort. Until you found out, he still had to work.
The pain of having to stay home alone while your sunny beau worked 24-Hour shifts every other day, saving lives as he remained one of the most reliable Firemen in Japan. You felt the sadness and loneliness from him not being home for so long. And most days, you stayed in bed, too sad to move around the empty home.
With time, you habitually set a routine, eat, sleep, check social media, then back to sleep. Until you came across a group chat accepting all and any fans of a game you fancied, it had been some time since you played, not having the energy to drag your ass out of the plush, king-size bed. You pondered whether to grab your laptop from your dusty work bag in the corner of your bedroom. Or to make the trip to your living room with your HQ computer.
Of course, you went for the latter. Throwing on your robe, walking to the living room seemed like a long trip, but sitting at the master computer made your nerves settle. Starting up the machine, you fiddle with your phone chatting with your new-found internet friends. After logging in, the rest was history.
You spent so much time online that the days where Mirio was home and not tired that you were too busy gaming to stop—practically ignoring him as he came within close contact of your hunched over body. You became a complete zombie to your favorite game that no longer became your hobby but now your never-ending job.
You clocked in and out, only being away from the screen to rest and use the bathroom. It became a problem that even Mirio could see; he didn't want to press the issue so harshly since he knew how the long hours had affected you, but seeing how less attention he got when home for more than 8-hours became troublesome.
Tonight, Mirio came home earlier than expected, his high energy shone throughout the home, yet you didn't flinch from your spot. Too focused on the glowing screen, to look his direction as he creeps up onto your left side with a delicate, yet tender kiss to your temple.
"Good evening, my love, have you eaten?" His bouncy, upbeat voice knocks you out of your trance.
You look up at him with low energy, replying with a mumble, "No."
"That's too bad, but no worries, I'm gonna order some food. Do you know what you want?" He walks away, fiddling with his phone, taking off his work uniform simultaneously.
You shrug with a monotone groan, your new way of saying that you have no preference. In case Mirio can't hear you, you utter louder, "I don't care."
"Okay, Babe, well, I guess I'll get your usual favorite." His grin is apparent when he speaks, playing off not getting acknowledged the way you used to before finding your obsessed hobby turned job.
You nod without notice and clack away at your keyboard, enamored in the chatroom. You occasionally smile while grabbing for your gaming controller; you're ready to start up another game as your group chat invites you. Happily obliging them, you've been added to the team and play a couple of rounds.
So focused on the game, you didn't hear your blond beau answer the door and walk to the kitchen as he carried two substantial brown paper bags with handles. He deftly set the bags onto the island counter, pulling out each takeout container with the same enthusiasm.
"Hey, Babe, dinner's here!" Your Sunshine called out to you from the kitchen.
Glued to your computer screen, you stammer, "O-okay, Babe, I'm coming."
Lying through your teeth, you sit unfazed by the world around you and only concentrate on what's in front of you. It is a crucial time as you're close to completing the umpteenth goal, your posture struggling as you slouch near the monitor to see better.
The site is genuinely unbecoming and catches Mirio's eye; he comes from behind, hugging you while grabbing onto your wrists. The sudden warmth shocks you but doesn't stop your fingers from shifting. A huff leaves Mirio's breath, tickling your neck's nape as he moves closer to its left side. His large hands grip your controller, nearly covering yours. It's vexatious, to say the least, your quest is near completion with an unbeatable high score.
Even with his hands on yours, you still maneuver the controller, eager to finish. No longer connected to your headset, you feel the sunny man nuzzle his nose close to your ear. A sensitive, weak spot that he's using as a means of leverage. Goosebumps emerge from your neck to your chest down to your arms as you try your best to overlook the familiar sensation.
A slightly annoying groan buzzes out his throat as you feign his attempts to distract you. He applies the slightest pressure to your hands, where you're no longer in control of your joypad movements.
"Since you're not ready to eat yet, I'd thought I'd help you instead." He smiled warmly, yet you felt on edge. "Don't worry, Babe, I got this!"
As you slightly turned to look at him, he portrayed a game face. He seemed confident to beat your current quest, his hands moved as if he knew what to do, so you relaxed. Turning back to the monitor, you watched in the marvel of his hidden gamer skills; he maneuvered so flawlessly that you were shocked. Until he died, on your last life, sending your game character to the loading screen.
"Mirio, what the hell?" You squeal in annoyance, louder than expected. "That was my last life!"
He musters out a roar of laughter that only infuriates you further as you cross your arms with a huff. "Aw baby, I'm sorry. I thought I had it, but it turns out I didn't know the controls that well."
He cuddles you close to his warm chest, still resisting his advances, he snuggles you tighter than his original bear hug. You try to wiggle your way out of his loveable grip as he chuckles at your efforts. He pulls you away from the master computer, using the handles on the rolling game chair you bought together one weekend. 
He turns the chair around to survey your irritated, flustered face. "Hey, don't be mad. I just wanted to enjoy the game just like you. I see how enthralled you've been and wanted to see what the hype was about."
You're silent with a bratty pout on your lips, which he doesn't take seriously and plants a brief, loving kiss onto your forehead. He beams as he gets a better look at you: You grabbed one of his firemen in training sweatshirts earlier that day after taking a shower.
"I see that my Sunshine couldn't help but to represent me while I'm away at work." A sneaky grin stretched across his scruffy, blond stubble.
"If I told you I grabbed anything just to get closer to playing my game, would you believe me?"
"No, I wouldn't," He chuckled, "I know how much you miss me when I'm away."
His stare was a tad intense after finishing his reasoning, catching you off guard. Your antics of irritation cracked as you dropped your arms and rested your hands onto your thighs. You couldn't crack a smile; all the days blurred into one as you couldn't fathom being alone at home. That loneliness you ran away from came back to spill all of your secrets.
"You're right." Little droplets of water left your eyes, "I've missed you so much. I know that you're busy saving the world one fire at a time, but since this Quarantine, I've wished for us to be together, not that I wanted you to lose your job. I just wanted us to spend more time."
"I've been suffering in silence, not knowing what to say to you as you asked me if I was okay. I thought I could get better all by myself, and yet nothing was enough." You were sobbing between words, no longer able to keep your composure. "I finally dragged myself out of bed, trying to get comfortable. And I got carried away."
You wiped your eyes of tears, focusing on your breathing as much as possible. Trying not to draw out a panic attack, you felt a warmth come from all over. Mirio held you close to him, undistracted by you sitting in the chair. He exhaled heavily, kissing the side of your face with regard.
"I'm sorry that you held on to all that pain, Sunshine. It was never my intent to make you feel alone." He held onto you tighter, "There's not a minute, no, a second that passes by, that I don't think about you. "
The warmth from his burly arms and chest eased your heart, feeling safe and wanted. Your soon-to-be husband readjusted his hands to lift you out of the gaming chair. With a gentle grip, you were in his arms, cradled close to his chest. The blond looked down at you with a passionate smile, producing your heart to skip a beat. Mirio carried you bridal style until entering the bedroom you shared, considerately laying you down onto the bed. With so much space on the mattress, you wondered why you were the only one laying on it. Glancing upon your love near the footboard, you recognized his exact mood.
"Please, let me show you how much I've missed you." He slowly unbuckled his pants, "I've had so many thoughts about what I wanted to do to you."
His look went from lighthearted to a serene, sensual gaze. It's as if laying you on the bed changed his demeanor, creating a severely lustful tone to the air. Laying on the mattress, you felt yourself go into heat, just staring back at the blond beau. His face colored an incredible hue of pink as he pulled off his shirt, too impatient to keep it on any longer.
You stare in awe as the man of your dreams crawls on top of you. Bunching up the sweatshirt, he pushes the fabric up above your breasts set to litter them and your lips with fleeting kisses, prolonging your divine flesh cavern. Your peaks are between his callous hands as his nose pokes at your abdomen, inhaling their essential fragrance. You giggle under your breath at his prickly stubble tickling your skin.
"I've missed your pillows so much, Sunshine." He muffles, erupting laughter out of you. "Yeah, get all your giggles out now, Baby. Because in a moment, I'm gonna make you holler."
Kisses trace down your body, along your hips; although his kisses feel like a rush, they're thorough in savoring every part his lips touch and occasionally sticking his tongue out to lick the bare sections of your stomach. A gasp gets caught in your throat, and Mirio groans in response. It's evident; your body's pleasure gets handled like a refined, care package.
Reaching the waistband of your generic bottoms, he slid them off with little consideration of the fabric. No protest whatsoever as to his tug at your dainty boyshorts hastened another groan to his lips. His eyes glimmered, looking at your panties, admiring the soft, satin-like material popping out so lovely onto your skin tone.
"It's like you wore all this to taunt me, Sunshine." He chuckled under his breath, "Now you're in for it."
A hastily gentle pull to your panties made for a head-turning transformation, looking at Mirio now between your legs with his slippery, wet tongue on your pink pearl. Your thighs clamped shut onto his head as he feverishly licked at you with no hesitation as if the goal to make you cum was more important than breathing.
Your short breaths turned into loud gasps and moans, echoing the room with a ringing back into your ears. Your audio sent shockwaves through Mirio, pushing him to keep going and not stop until you made a mess around his mouth. Quick licks to your clit hardened your core so tightly you felt your stomach would resemble your blond hero's abs.
"You taste, so divine, my love."
Each word between each lick set out to destroy the sanity within you. The overstimulation drives you over the edge into massive wails as you try to push Mirio's head from between your legs. His grip moves from your hips to your thighs firmly. The warmth of his palms settles your need to keep him from helping you reach paradise.
That doesn't stop the sweat from dripping off your body or your bud from pulsing between his soft, thin lips. Reaching your peak, you clench onto his hair, moaning out his name, "M-mirio!"
Calling out to him made his tongue go into turbo mode. And with no warning, united two fingers into your slippery, silk igloo. A luxurious howl left your lips as you focused on your breathing, no longer holding onto his hair, but your breasts. Pinching at your nipples caused Mirio to look at you with concupiscence. His thick fingers were less than forgiving as you contracted around them and squirmed.
The tension building within your core couldn't manage the pumps advancing in you or that relentless tongue belonging to your sunny beau. Ready to burst, you cry out, "I need to cum!"
Nothing could prepare you for the orgasm you had: with eyes clenched closed and legs spread wide, hands clenched to the bedsheets, you blasted a grand amount of squirt infused cum out of your body.
Mirio's eyes widen as he pulls back to flick your clit back and forth using his right hand, spraying your love juice all over the sheets. Pushing out your last robust grunt before your legs collapse. Your breath hitches in your throat as you attempt to catch your breath.
"Damn, Sunshine, that was amazing." Mirio sits up, looking down at your worn-out body. His attraction for you gets the best of him as he puts his fingers in his mouth while keeping eye contact, "You even taste amazing too."
An arousing shockwave stings through your body as you look back into his beautiful, cerulean eyes. With little energy, you roll your index finger for him to come closer to you. He leaps at the opportunity, mushing his still wet face onto your sweaty one, scattering kisses over your lips and neck. He positions your legs for his love rod to glide into your aching junction in the moment's heat.
"Are you ready, Beauti-"
"-Yes, Mirio, don't make me wait any longer."
Your seductive face said all that your muscular fiance needed to hear. He slid his charmer in painfully slow, observing your hungry gaze, urging him to get harder and bottom you out immediately. Grunting in unison, came right after as you wrapped your legs around his waist. You kissed along his exposed neck, making light nibbles along his right side.
"F-Fuck."
His hips pivot into you, and a light moan fled your mouth as you prepped for his roughhousing. Leniency out the window as the sloshing from your essence screamed 'keep going!' to your blond hunk. So he obliged you: Acting as a home decorator, rearranging your furniture with each thrust. Your brows furrowed from the sensual pressure placed inside as you looked back into his eyes; the smirk on his equally sweaty face was too smug. Your face was always a dead giveaway to how much you enjoyed him; these nights were no different.
"Tell me how much you love when I'm deep inside you, Baby."
"Don't make me say it, Mir-, I'm a-already showing you." The heat was going straight to your head as he put you on the spot. If you could hide your face, you would.
"Oh no, my Sunshine. You don't get to avoid this." He raised his body off your frame, lifted one of your legs to sit up straight on his bulky chest, grinding into your junction with a rapid, rugged motion.
All words escaped you; keeping up the pace was all too hard as he rolled his hips into you, ruthless and playful all at once. The grip on your leg firm with each pump is very calculated and delicate. licking his lips, he asked, "Will you admit it now?"
Tucking in your lips, you shake your head in detest. It was unbelievable, and Mirio knew it; his chuckle echoed through the bedroom, "Okay."
Positioning your legs to point west from his Adonis belt, he maneuvered himself to stay connected to your golden arches. His last straw and ultimate trump card, fucking you from the side as he smiled from above you. The position relative to hitting it from the back, but with enough spine power, you can see your firemen in action. The clutch to your waist always took you for a ride, a prime example of your fiance's strength and control.
Soaked was an understatement as your muffled whines turned into hoarse wails of satisfaction. Just when you thought you lost your voice after the lip service, your ass bouncing off Mirio's skin flute created an orchestrated symphony of lovemaking reverberating through the house. Your neighbors would have to understand; there's no holding in how incredible this sexual bond is.
"I concede, Baby." While holding onto his forearm, you passionately gawk, "You feel so good deep inside of me!"
Self-satisfied, his movement accelerated, "That's what I like to hear, Sunshine."
The harmony of skin slapping, your juicy cream canal is sloshing against his cock, the various moans and grunts you're exchanging, setting you on edge. His eyes have a deep blue gaze, leaking of an overly seductive spirit.
"Fuck, Sunshine, I'm so close. Tell me how bad you want me to pound your pretty pussy, and I will."
"Mirio, please," You grab onto one of his hands, freeing them from the grip on your thigh and placing his thumb into your mouth while sucking it, "Put my fire out."
Ironically igniting him with a trump card of your own, his pace heightened past your comprehension. Once again, your coil wound up, becoming tighter with each thrust, unbearable to endure for another moment and remaining to suck Mirio's thumb in hopes of feeling sweet deserved deliverance. The pounds from Mirio's powerful thighs were likening heavily wooded paddles sure to leave a mark.
A charge of sexual energy swelled between you two as your bodies went into a complete frenzy. The hand on your thigh moved up onto your waist with more intensity placed to your backside and your core getting the brunt of it all. Feeling Mirio expand and twitch inside indicated how close he was, and your coil had just snapped. Mirio pulls out of you, shooting his load all over your ass and thighs.
The warm puddle of white gold spills over to the front of your leg, trickling down your thighs; you watch as your fiance readjusts himself, "Shit, that was a lot. Let me get a cloth."
Less gracefully, he rolls off the king-sized bed disappearing out the room and returning with a stack of baby wipes. The cleanup is gentle and thorough as you smile at him, still savoring your orgasm. He throws them away into a trash bin near his nightstand, noting to flush them later. He crawls behind you, cradling your naked body close to his. You're melting within his embrace, feeling complete comfort.
"You know, Babe," He rubs your thigh soothingly as you quietly hum, "You didn't tell your teammates what happened after you died."
"Well, I can tell them tomorrow, no big deal."
"Well, you're right, but what if I told you, you weren't on mute?"
Your eyes shot open, "What?"
"I'm kidding, Babe! You unplugged your headset, remember?"
"Mirio, my heart just dropped to my ass, please don't scare me like that."
His familiar laugh vibrated through the room, "Sorry, Babe, I couldn't help myself! Are you ready to eat now? We've worked up quite the appetite."
He lazily winked, you giggled and nodded, "I hope you got my favorite!"
"So you heard, nothing I said when I got home, huh?"
"I didn't say that." You try to hide your face, resulting in Mirio tickling you into admitting it.
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clutterspunk · 3 years
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academics? what academics? hhhhhhh (dw, the academics are exams and i'm done with them)
so here's my concept of troll!Ben named Benten Nysson (he [in reality, i] can't come up with a different name. it seems like he's stuck with a two word name with six letters in each, hmm). this is the Omnitrix's sample of an Alternian, or a troll. Ben being a limeblood is HEAVILY based on my headcannons about trolls, so if you want to read more about troll!Ben and my limeblood headcannons then under the cut (hella wordy, probably went off tangent for a bit, might make ALMOST ZERO sense to someone unfamiliar with Homestuck)
so like, headcannon ramble time. why Ben is a limeblood. if you wanna read about Ben reacting to his troll transformation but not about lime headcannon hell, go look for the big >HERE
the Condesce, a fuchsiablood, is an evil megalomaniac all-powerful Empress. She wants no one to contest her throne, which is why she made it so that all adults must leave Alternia before they hit adulthood. she's trying to prevent another uprising like the Summoner and Mindfang did.
another thing the she did was kill every single limeblood until they are made extinct. in my headcannon, limebloods are the only other bloodcaste more powerful than fuchsia. since the Omnitrix turns the user into the prime version of the species in terms of strength, Ben's a limeblood. it's a midblood caste, but it's more powerful than the Condesce
the reason why limebloods are stronger than fuchsia is that limes (in land dwellers) are in the middle of the hemospectrum. the higher on the spectrum, the more physically powerful. the lower on the spectrum, the more psychically powerful. being right in the middle gives limes a balance of psychic and physical strength
another reason why limebloods are more powerful than fuchsiabloods is because limes are the only ones that can pacify the incredible rage and bloodlust all highbloods have, including fuchsias, essentially making them weaker
i see land dwellers and sea dwellers as two different species of troll (imagine the Perk and Murk Gourmands). within land dwellers, their prime example is a limeblood. within sea dwellers, their prime example is a fuchsiablood. it just so happens that limes are stronger than fuchsias (and it just so happens that Ben hasn't unlocked the fuchsiablood transformation yet actually no i just realized that there are technically two species of trolls while i'm typing this out lol)
before i was thinking that each troll bloodcaste was an independent species, but then i thought maybe its like a "breed" or something (i don't know the correct word). y'know, how like a Chihuahua and a St. Bernard are both dogs but they're not two different species despite looking absolutely different from one another. trolls are like that, only the color of a troll's blood determines their strength and power. meanwhile a land dweller and a sea dweller are like dogs and wolves, two different species that look similar to one another
logically, yes the Omnitrix can accept troll DNA (being a sentient species and all that) but the Omnitrix can't even scan a troll since they come from a different (and destroyed) universe
other than the above word dump, Ben is a lime because G R E E N, and i have different headcannons for olive- and jadebloods (the other green bloodcastes). that and i wanna throw my lime headcannons somewhere
>HERE
okay, so this is Ben reacting to being a troll and stuff
the first time he saw the icon (since it looks a lot like him), he thought it was just normal him but with horns
his troll transformation looks like regular him but bulkier, with gray skin, yellow sclera (the whites in your eyes) and red-orange horns. he's also a little taller
Ben thought the horns would be like weapons, like with deer antlers. he kept ramming his head into enemies until he realized hitting his horns made him dizzy (sorry bros. i'm not horny [pun] enough to headcannon troll horns to be stimulation points. to me, they're just made of whatever troll nails are made of, and probably help trolls keep balance, like a human's inner ear)
as a troll, his powers are just enhanced durability, strength, enhanced agility, and laser eyes (psionics*) (Ben doesn't know this but he can pacify his enemies too just by touch)
*we don't know much about limebloods, this is yet another headcannon of mine
yeah, Ben's a limeblood. yeah, Ben's blood is colored lime. no, he has no idea his blood is lime because have you seen the show? people get hurt a lot but (somehow??) not enough for them to break skin (again, somehow??)
when Ben first got turned into a troll, he gets a pale crush on Rook. Ben has no idea what's going on, he just thinks he wants to be friendlier with Rook (this is me inserting my pale Benrook agenda)
Ben's name for his troll form is Benten Nysson (going with the 6/6 naming style all juvenile trolls have), but once he hits 21 (what i headcannon as the year trolls are sent off-planet and turned into official adults) he renames himself the Galactic Champion, or just the Champion (which goes withe the 8 naming scheme. that's not just Ben's ego speaking. adult trolls gain their titles because of their job or role in society. Neophyte Redglare is a newbie legislacerstor with red eyes, the Disciple was the Signless' most devoted follower, the Signless had no sign until he was renamed the Sufferer, where he suffered for all trollkind and the Condesce [or Her Imperious Condescension] is hella imperial and hella condescending. Ben is the galaxy's hero. i think it'd fit that he'd be called their champion)
alright that's enough headcannons. i'm sorry for the crapton of words and the fact that it's hella unorganized. i just really want troll!Ben and i can't find it
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Comet Theory Thursday: Character Analysis; Helene Bezukhova
It was a reeeeally close vote this week but Helene won out! Thank you to everyone who voted ^^ I did an extra long one this time! Content under the cut!
Character Analysis: Helene Bezukhova*
*(It’s important to note that this is ONLY an analysis of Great Comet!Helene, not W&P!Helene, as I have not read the book yet.)
Elena “Helene” Bezukhova is without a doubt, one of the most complex and layered characters in Natasha, Pierre, & The Great Comet of 1812. Both smarter and nastier than her brother Anatole, Helene is a cunning woman who knows how to wrap people around her finger. So much so that she’s been dubbed “The Queen of Society.” Everything that Helene does is intentional. (Possibly with the exception of her bad French.) Almost Every. Little. Thing. Right down to the way she carries herself. The tone of her voice. The things she wears.
However, underneath the master manipulator, there’s a little soft spot. If only a small one. For her brother, and maybe even for Natasha. But more on that later. First, let’s talk about Helene herself.
I believe that Helene is the smartest character in Great Comet, or possibly second-smartest, it’s a tough call between her and Dolokhov. But I digress. The point is that she’s incredibly smart. Seriously, if she was a D&D character, she’d have the Wisdom and Charisma stats maxed out, which is a deadly combination. That was another tangent, sorry, bear with me here.
So, how does Helene get people to like her? Like I said before, it’s a combination of everything. It’s all intentional. First, her voice. Helene slurs her voice slightly, possibly because she’s a little drunk, but possibly just to evoke the feeling of intoxication in others. (Not even to mention Amber Gray’s insanely gorgeous singing)
Next, how she carries herself. Helene has a very fluid way of walking, interspersed by some occasional harsh movements. Watch her in The Opera, prancing around with her head held high as she’s introduced. Almost like a snake, with her graceful foot, but then a sudden movement of her arm or head. (Like how she raises her glass in The Duel.) Additionally, Helene is very expressive with her arms, often reaching out towards people, and/or gesturing to them with both arms outstretched. She does this a lot with Natasha.
The things she wears. Helene is always seen in the highest of fashion. Feathers in her hair during The Opera, the high waistline that was so in style in the 1810s, and high-quality fabrics from all over the world. She wears green throughout the whole show (I made a wholeass post about this so I’m not gonna restate all of it here.) Her CONSISTENT wearing of green gives her a ‘thing,’ something visually iconic. Think like Ariana Grande’s ponytail, or Heather Chandler’s red scrunchie. No matter what, you can find Helene in green.
And finally, how she interacts with others. Helene is a master of hyping people up. And because of all the aforenoted things, she makes you feel special and important like no other could. You’re being told how beautiful you are by the queen of society. That’s gotta be like the biggest confidence boost possible. She gets you to love her by making it seem like she loves you. Of course, we also can’t discount Helene being the seductress that she is, her unashamed sexuality makes her seem yet more confident. And confidence is widely regarded as the most attractive quality in a person. Not even just sexually or romantically attractive, attractive in all ways. People want to be around confident people, especially people who make them feel confident too.
Alright, now that we’ve got that covered, let’s look deeper into Helene’s actual character. Like how she is as a person and shit. Her flaws, her redeeming qualities, her soft spots. I’m not going to pretend that Helene is a super great person or anything, she’s #3 on my asshole ranking, but she’s certainly not two-dimensional either.
First off, and most obvious of her redeeming qualities, Helene clearly loves her brother. They appear to be very close. They’re the classic double-trouble siblings. Throughout the play, she’s not even acting in her own self-interest, she’s helping Anatole win over Natasha. Although the “Thought of throwing them together” does amuse her. We can see her being protective of her brother in ‘Find Anatole,’ where Anatole is devastated, as he’s just been chased off by Marya for being an absolute SCOUNDREL and therefore unable to pick up or even see his beloved Natasha. “Anatole, come Anatole, Anatole hush, Anatole.” She reaches out with both arms, then and embraces and comforts him while they sit on the stairs. Don’t get me wrong, he’s a total asshole, but Helene seems to truly love and care about him. She also hypes him up to the audience while introducing him in The Opera, kinda being like ‘hell yeah that’s my brother he’s fucking stupid but cool af’
But then, we obviously get to the other side of this. Helene plays people like a fiddle, with no thought of how other might be affected by her actions. She’s actively hostile to Pierre, who she only married for his money in the first place, telling him to keep drinking during The Duel because she knows it’s dangerous for him. Also in The Duel, she somehow manages to get Pierre and Dolokhov, people who are FRIENDS, to duel over her. While it’s way more about honor than her love, it still happens. There’s really nothing anyone gains out of this, so it really seems like she set this up for her own amusement. After the duel takes place, she comments “What can I say? It’s a gift.” In response to Anatole saying that she “Certainly brings out the beast in men.”
There’s a possibility that she genuinely likes Natasha as well. She compliments her even before Anatole shows up. She probably compliments everyone, but still. I don’t think she’d bring over a wholeass evening dress and give away her pearls to somebody she didn’t actually enjoy hyping up. Also, the thing with the dress swishies near the end of Charming is fucking adorable and I will stand by that until I die.
Unlike Anatole, Helene seems to be aware that she’s kind of a dick, and like she enjoys that. She might consciously choose to keep being an asshole for a number of reasons. Like maybe she feels inadequate, though that doesn’t seem the most likely. Maybe she feels like she should make use the ‘gift’ she has. Maybe she’s afraid of being hurt (Again?) and has resolved to stay one step ahead of everyone else. Maybe she has a hard time controlling herself and her actions (ADHD?) so she controls other people just to have control over something. Maybe she’s just a shithead. You could make arguments for all of these, and I’m sure for other things too.
So, all in all, I love Helene. She’s an incredibly interesting character to analyze, and I hope you enjoyed reading this. I might dive even deeper in the future, if that’s something people want. Hope you enjoyed this very special (late) Comet Theory Thursday! (Friday) As most of you know, yesterday was my fifteenth birthday, so that’s why I didn’t get it out earlier- thanks for bearing with me! New topics to vote on will be up a few minutes after this gets posted!
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hazzabeeforlou · 4 years
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Walls Masterpost
It’s the 28th of pride month, and fitting to post this now. The soul of Walls is the unabashed, fierce, tender, and brave love of a man who has shown for years that he is proud. This album isn’t a cohesive story line, nor do I think it’s even the album Louis envisioned himself putting out. He only flirts with true indie music like that of his idols; Always You is a pop masterpiece, TOU is a ballad, and Perfect Now a love song in the style of Little Things. The album is a collection of letters each addressed to a singular recipient, personal, self-searching, blunt, too vulnerable to be easy listening (if you really listen). Walls shows us the scope of Louis’ capacity for love. It’s the culmination of years of pain, heartbreak, and hope, written with the raw honestly of an archeologist stumbling upon his own personal memoirs. 
Please feel free to ask questions if any of the technical stuff is confusing, and remember these are my interpretations as a classically trained musician. I will use the name “Subject” for the implied “you” in each of Louis’ songs. 
Kill My Mind: in F minor. The verses are i VII IV, the tiny bridge IV III I (?), and the chorus is VII IV I, repeat. 
There are two oddities about this. First, in a natural minor key, the forth chord is minor (iv) but Louis keeps this B flat chord in major, changing the D flat to a D natural. Secondly, in the chorus, Louis changes from using a minor one chord to a major one. He raises the A flat to an A natural as he sings “Raise my body [A natural here] back to life.” This bit of text painting not only illustrates his words, but lends the song an off kilter feel, confusing the key signature between F minor and B flat Major (which has an A and D natural). 
Kill My Mind is Louis’ only ‘drugs’ song on the album, and I say that both because the metaphor is obvious and because he uses that obvious metaphor to compare addiction to a relationship. It reminds me, lyrically, of Back To You, and, like that song, could easily be interpreted as about a controlling force in his life on whom he’s become dependent, or a lover. 
Don’t Let It Break Your Heart: this is easily in the key of B flat Major. The verses are I IV vi 6/4 V 6/4, the bridge vi vi V IV vi V, the chorus same as the verses, I IV vi 6/4 V 6/4. 
This is Louis’ most hopeful track, and is so clearly about grief. Much has been made of the first line “on our way to twenty seven” being a reference to the 27 Club, a cultural phenomenon of icons/musicians/artists that die at that age due to fame/high risk lifestyle, but Louis then says they’re “doing better,” implying that both he and Subject are in this category. The rest of the song is him counseling and comforting Subject, empathizing with the hurt of loss, encouraging Subject, “Don’t let it kill you even when it hurts like hell.” He knows this pain, knows it deep, and knows that it takes time to heal. 
Two Of Us: IV I V iv V IV I V vi V. This progression is the same for both verses and chorus. The bridge is a bit hard to decipher as it moves in 3rds and not triads, something like IV V vi V vi V. 
Not much needs to be said about this song. It’s Louis’ beautiful ode to his mom, and he sings it with incredible vulnerability and heart. 
We Made It: this is the revolving door song. One progression is used, IV I V iii, and repeats from start to finish. It keeps reminding me of Coldplay. 
What’s interesting is that each chord functions as the subdominant or leading chord of the next, basically spinning us ever forwards so we never stop on a tonic home base. The E flat IV chord leads to the B flat I, the B flat I then functions as a IV chord to the V chord (F Major), then the D minor III chord functions as a major VII leading to a I of E flat (the beginning IV chord we started with in B flat Major) and the cycle repeats. 
Louis leaked part of this song several years ago, and a line about moonlight replaced the “met you at your uni” section, interestingly. “Playing something pop’y on the same four chords, used to worry bout it but I don’t no more.” Young love. He remembers how it tasted. Subject was high on what? Adrenaline? Orgasm? It’s a tender reminiscence with a hint of tragedy, “don’t know why they put this all on us when were so young.”  
Too Young: in E Major, the verses and chorus are IV I V vi (the vi is omitted at the cadences), the bridge is vi I V IV I V. 
Louis is once again looking back, regretful. Louis doesn’t speak in metaphors, the lyrics are to the point and precise. He’s hurt Subject, he’s given in to pressures, he’s cut subject off... the “2 years since I’ve seen your face” of course doesn’t fit the chronology of the album, but rather of his public life, as does the previous song’s line of “met you at your uni.” It’s interesting, then, that while Louis takes the blame for so much, he still says ‘we were too young’ and not ‘I was too young,’ implying that Subject was at least partly to blame for the hurt too, if only by fault of immaturity. 
Walls: This is in B Major. The chord progression for verses is
 vi I vi I, V [V7 with the melody note on the E natural] IV V V7 II IV i6 (passing chord)
chorus, IV I V I6, IV I V III6 vi V II6 Vi ii I (IV I passing chords) 
bridge, IV vi V, IV vi V, Vi vi III6 vi V II (this holds over til chorus) 
This is Louis’ tour de force. Walls is as complex as it is beautiful. His use of Major II chords, altered from a normal ii chord in Major key signatures, and his use of a Major III chord (which, again, is minor in Major key signatures) adds an unconventional twist. The opening and closing lyrics, “nothing wakes you up like waking up alone,” are set against a sparse vi I; but you see the vi chord doesn’t normally go to I, usually ii, IV, and V have that role, so by using a vi to I Louis is showing us the tonic alone, nothing ‘surrounding’ it. This song is so complex and layered, and I would argue it’s the one song besides OTB that is ripe for poetic interpretation; on first glance the lyrics seem so obvious, but there’s the music video to consider, the metaphor of him being left alone, high on a wall that has not fallen down, a blank name tag on his chest. The door opening to a desert on one side and a bullseye masquerade on the other has no happy implications, yet Louis has become a man through it all, he says, and he has no regrets about letting his walls crumble for love, damn the consequences he’s suffered. 
Habit: in G Major, the verses are I ii IV I, the bridge vi V IV I vi V IV ii7, the chorus I ii IV (vi V added when leading to next verse). Interestingly, in the verse that says “come so far from Princess Park,” the repeated line “in front of me, in front of me” adds two chords to the verse, between the IV and I, a vi and V. 
Like in too young, this is an apology, and Louis lays out his sins plainly. And while it’s unequivocal, we can see the extenuating circumstances: “took some time ‘cause I ran out of energy playing someone I heard I’m supposed to be.” There is no more damning line of lyrics. Louis has been exhausted holding some line, an invisible current through his music that he never truly addresses, yet always its there, a background character, a force of cruel divinity. “Don’t know why they put this all on us when were so young.” “I’m too far gone to pray.” 
Always You: This song could conquer radio in half a heartbeat, given a chance. It’s in E Major, verses are I vi IV, chorus is I vi IV, the same. 
This is world tour of missing Subject, this is Miss You but rephrased, reworked, gone from punk to pop princess. We have Amsterdam, Tokyo, LAX, Heathrow, which speak for themselves. “My baby,” Louis quotes over and over. He’s been “chasing a high,” and I’m reminded of the high in We Made It, “baby you were still high.” Orgasm? Adrenaline? Love? 
Fearless: A minor. Verses, i VII VI (added VI VII when leading back to verse), bridge is i V VI (III VII passing chords can be heard) i V VI VII
Now the very short chorus (”fearless, fearless,”) is, if we stick to A minor, III, III4/2, i, VI. I think, however, that at this point the piece modulates, going from A minor to C Major, (A minor is the relative minor of C Major, which means that the two keys share a key signature and can go into and out of each other easily) making the progressions I I4/2 (4/2 is an inversion of a 7th chord) vi IV. Now to add complexity on top of that, having a I7 chord is incredibly unusual, so I wouldn’t label it that, I would label it a V4/2 of IV, meaning that C7 chord functions as a cadential chord leading to F, or the IV chord, of C Major. This is all rather complicated, but knowing how it was constructed shows the song’s complexity. The final “fearless, fearless” progression then is: I, V4/2 of IV, vi, VI. 
In this song I believe Louis’ Subject is himself. it’s a song about fame and anxiety and the lost innocence (and gutsiness) of youth. It’s a brutal song that I doubt Louis would write to anyone besides himself given how he focuses solely on his own faults and doesn’t lay anything at the feet of his other Subjects. The laughing children heard fist and last are a cutting effect. 
Perfect Now: D Major. Verses, I I7 [again this is technically a V7 of IV, and functions as that since it leads to IV] IV6/4 iv6/4
bridge, iii vi ii vi
chorus, IV V I IV V I, IV V I IV I
second bridge, V vi IV I, V vi IV vi (then to chorus) 
This is a strange little song, perhaps its most unusual quirk being the switch from a Major IV chord to a minor iv chord in the verse. The Subject in this song loves to dance, and I’m reminded of KMM. Subject isn’t just not feeling pretty, they’re depressed, they are reticent to be looked upon (”don’t hide away”) they are a crown-less queen, and tears are the norm. Subject has a platform - everyone is looking at them - and is a scene stealer, charismatic without trying. I’ve attempted and failed to understand this song in any way other than that Subject is dealing with dysphoria, and that this is Louis’ ode to their perfection, an affirmation of an identity that perhaps can only be realized in private. It is in this interpretation that the Major to minor flip of the 4 chord makes me absolutely crumble into pieces. 
Defenceless: C flat Major (a most unusual key for a pop song). Verses are I V6 vi IV, bridge IV vi I V, chorus is IV vi I V (the falsetto second bridge is the same) 
Defenceless is Louis at his most honest. Who writes these lyrics in a pop song? “You don’t have to keep on being strong for me and you,” “just want to be loved by you,” “you don’t have a thing to prove,” “I’m too tired to be tough,” “Wish I didn’t need so much of you.” A moth to a flame is different from a moth to a light; immolation is a theme in love stories. This is too honest for a love song, and it feels intrusive just to listen. Louis has a deep love for Subject, an abiding care and need for them. 
Only The Brave: E flat Major. Verse, I (IV I) IV I, I (IV I) IV I
Chorus is vi V IV I [ii iii IV V OR IV V IV V, I can’t determine because of the movement in 3rds] I 
This song. I can only compare it to when I used to cry when I’d see speeches about gay love; I never understood why, but I just knew, in my heart, before my brain had figured it out yet, that I was the same. This song is that. It is so intrinsically gay, the metaphors are woven in every word, every nuance. Burn history, break rules, cry like a fool, close enough to touch... the church of burnt romances. “I’m too far gone to pray.” Love is only for the brave. Of course it takes a great deal of bravery to love anything completely, to face the prospect of loss knowing how that love will rip you apart. And in the end, some might say from the cradle to the grave you are ultimately alone. Yet Louis knows better than any that those you love are always with you, “even when I’m on my own, I know I won’t be alone.” I believe this song is Louis’ concluding thesis to an album filled to the brim with anecdotes of his own love, a gift to us speaking of the commonality he shares with the wider community, a history of brave love, of loneliness, of too many dying stars in the sky. The tall tales, only hello hello, no goodbye; we don’t focus on the goodbyes. We tell our stories with happy endings, but love, sometimes it doesn’t have those, for some of us it’s a solo song. 
Louis Tomlinson, I’m sure there’s not a chance in a million you’ll ever read this but, if you do, I see you, we see you. You are so loved. Thank you for this album, thank you for giving us this gift of love. Continue your artistic journey and follow your heart. We’ll be here, because for us, it’s Always You. 
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Psycho Analysis: Lucifer/Satan
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(WARNING! This analysis contains SPOILERS!)
Please allow me to introduce this villain. He’s a man of wealth and taste...
Satan, or Lucifer, or whatever of the hundreds of names across multiple religions, folk tales, urban legends, movies, books, songs, video games, and more that you choose to call him, is without a doubt the biggest bad of them all. He is not just a villain; he is the villain, the bad guy your other bad guys answer to, the lord of Hell. If there’s a bad deed, he’s done it, if there’s a problem, he’s behind it. There’s nothing beneath him, and that’s not just because he’s at the very bottom of Hell. He is the root cause of all the misery in the entire world.
And if we’re talking about Satan, we gotta talk about Lucifer too. They weren’t always supposed to be one and the same, but over centuries of artistic depictions and reimaginings they’ve been conflated into one being, a being that is a lot more layered and interesting than just a simple adversary for the good to overcome when handled properly.
Motivation/Goals: Look, it’s Satan. His main goal is to be as evil as possible, do bad things, cause mischief and mayhem. Rarely does anything good come from Satan being around. If he is one and the same as Lucifer, expect there to be some sort of plot about him rebelling against God, as according to modern interpretations Lucifer fought against God in battle and was then cast out, falling from grace like lightning. When the Lucifer persona is front and center, raging against the heavens tends to be a big part of his schemes, but when the big red devil persona is out and about, expect temptations to sin, birthing the Antichrist, or tempting people to sell their souls.
Performance: Satan has been portrayed by far too many people over the years to even consider keeping count of, though some notable performances of the character or at least characters who are clearly meant to be Satan include the nuanced anti-villain take of the character Viggo Mortensen portrayed in The Prophecy; the sympathetic homosexual man portrayed by Trey Parker in South Park and its film; the hard-rocking badass Dave Grohl portrayed in Tencaious D’s movie; Robin Hughes as a sneaky, double-crossing bastard in “The Howling Man” episode of The Twilight Zone; the big red devil from Legend known as Darkness, played by Tim Curry; the shapeshifting angel named Satan from The Adventures of Mark Train who will make you crap your pants; and while not portrayed by anyone due to being entirely voiceless, Chernabog from Disney’s Fantasia is definitely noteworthy in regards to cinematic depictions of the devil.
Final Thoughts & Score: Satan is a villain whose sheer scope dwarfs almost every other villain in history. It’s not even remotely close, either; Satan pops up in stories all around the world, is the greater-scope villain of most varieties of three major religions, and his very name is shorthand for “really, really evil.” Every other villain I have ever discussed and reviewed wishes they could be a byword for being bad to the bone. Even Dracula, one of the single most important villains in fiction, looks puny in comparison to Satans villainous accomplishments.
Satan in old religious texts tended to be an utterly horrifying force of nature, until Medieval times began portray him as a dopey demon trying to tempt the faithful (and failing). Folklore and media have gone back and forth, portraying both in equal measure – you have the desperate, fiddle-playing devil from “The Devil Went Down to Georgia” and the unseen, unfathomable Satan who may or may not exist in the Marvel comics universe who other demons live in fear of the return of. Satan is just a very interesting and malleable antagonist, one who is defined just enough that he can make a massive, formidable force while still being enough of a blank slate that you can project any sort of personality traits onto him to build an intriguing foe.
One of the most famous examples of this in action is the common depiction of Satan as the king of hell. This doesn’t really have much basis in religion; he’s as much a prisoner as anyone else, though considering how impressive a prisoner he is, he’d be like the big guy at the top of the pecking order in any jail for sure. But still, the idea of Satan as the ruler of hell was clearly conceived by someone and proved such an intriguing concept that so many decided to run with it.
I think that’s what truly makes Satan such an interesting villain, in that he’s almost a community-built antagonist. People over the ages have added so much lore, personality, and power to him that is only vaguely alluded to in old religions to the point where they have all become commonplace in depictions of the big guy, and there really isn’t any other villain to have quite this magnitude on culture as a whole. It shouldn’t be any shock that Satan is an 11/10; rating him any lower would be a heinous crime only he is capable of.
But see, the true sign of how amazing he is is the sheer number of ways one can interpret him. You have versions that are just vague embodiments of all that is bad and unholy, such as Chernabog from Fantasia, you have more nuanced portrayals like the one Viggo Mortensen played in The Prophecy, you have outright sympathetic ones like the one from South Park… Satan is just a villain who can be reshaped and reworked as a creator sees fit and molded into something that fits the narrative they want. I guess what I’m trying to say is that not only is Lucifer/Satan one of the greatest villains of all, he’s also one of the single greatest characters of all time.  
Now, there are far too many depictions of Satan for me to have seen them all, but I have seen quite a lot. Here’s how Old Scratch has fared over the millennia in media of various forms, though keep in mind this is by no means a comprehensive or exhaustive lsit:
“The Devil Went Down to Georgia” Devil: 
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I think this is one of my favorite devils in any fiction ever, simply because of what a good sport he is. Like, there is really no denying that Johnny’s stupid little fiddle ditty about chickens or whatever sucks major ass, and yet Satan (who had moments before summoned up demonic hordes to rip out some Doom-esque metal for the contest) gave him the win and the golden fiddle. What a gracious guy! He’s a 9/10 for sure, though I still wish we knew how his rematch ended…
Chernabog: 
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Chernabog technically doesn’t do anything evil, and he never says a word, and yet everything about him is framed as inherently sinister. It’s really no wonder Chernabog has become one of the most famous and beloved parts of Fantasia alongside Yen Sid and Sorcerer Mickey; he’s infinitely memorable, and really, how can he not be? He’s the devil in a Disney film, not played for laughs and instead made as nightmarishly terrifying as an ancient demon god should be. Everything about him oozes style, and every movement and gesture begets a personality that goes beyond words. Chernabog doesn’t need to speak to tell you that he is evil incarnate; you just know, on sight, that he is up to no good.
Quite frankly, the implications of Chernabog’s existence in the Disney canon are rather terrifying. Is he the one Maleficent called upon for power? Is he the one all the villains answer to? Do you think Frollo saw him after God smote him? And what exactly did he gain by attacking Sora at the end of Kingdom Hearts? All I know for sure is that Chernabog is a 10/10.
Lucifer (The Prophecy): 
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Viggo Mortensen has limited screentime, but in that time he manages to be incredibly creepy, misanthropic… and yet, also, on the side of good. Of course, he’s doing it entirely for self-serving reasons (he wants humanity around so he can make them suffer), but credit where credit is due. The man manages to steal a scene from under Christopher Walken, I think that’s worth a 10/10.
Satan (South Park): 
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Portraying Satan as a sympathetic gay man was a pretty bold choice, and while he certainly does fall into some stereotypes, he’s not really painted as bad or morally wrong for being gay, and ends up more often than not being a good (if sometimes misguided) guy who just wants to live his life. Plus he gets a pretty sweet villain song, though technically it’s more of an “I want” song than anything. Ah well, a solid 8/10 for him is good.
Satan (Tenacious D):
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It’s Dave Grohl as Satan competing in a rock-off against JB and KG. Literally everything about this is perfect, even if he’s only in the one scene. 10/10 for sure.
Robot Devil:
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Futurama’s take on the devil is pretty hilarious and hammy, but then Futurama was always pretty on point. He’s a solid 8/10, because much like South Park’s devil he gets a fun little villain song with a guest apearance by the Beastie Boys, not to mention his numerous scams like when he stole Fry’s hands. He’s just a fun, hilarious asshole.
The Howling Man: 
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The Twilight Zone has many iconic episodes, and this one is absolutely one of them. While the devil is the big twist, that scene of him transforming as he walks between the pillars is absolutely iconic, and was even used by real-life villain Kevin Spacey in the big reveal of The Usual Suspects. This one is a 9/10 for sure, especially given the ending that implies this will all happen again (as per usual with the show).
The Darkness:
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While he’s more devil-adjacent than anything and is more likely to be the son of Satan rather than the actual man himself, it’s hard not to give a shout-out to the big, buff demon played by Tim Curry in some of the most fantastic prosthetics and makeup you will ever see. He gets a 9/10 for the design alone, the facty he’s Tim Curry is icing on the cake.
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aenramsden · 3 years
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Okay then.
Let’s break this down.
(Spoilers and predictions ahead, obviously.)
So, we know the first five titles in Owl House Season 2 and their short summaries. Amusingly, before seeing these I had already put some of this together from the trailer. Behold!
Episode 1: Separate Tides - “Luz feels guilty about Eda losing her powers, so she sets sail in search of a lucrative bounty to help the Owl House.”
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[Image descriptions: Pic 1: Lilith and Eda sitting at school desks outside the Owl House. Pic 2: Luz in an adorable sailor outfit (complete with fish-bandana) firing an ice blast in front of some steam chimneys. Pic 3: Luz in the same outfit in front of the same chimneys casting her plant spell.]
Here we have SAILOR LUZ, in an adorable new outfit, and it seems likely that Luz’s Lessons In Glyph Magic For Cursed Witches will be prompting this quest. But I think there’s a high chance this won’t be the only boat trip we take this season, because...
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[Image description: Pic 1: Luz in a different outfit, tied up on another ship with a hemispherical canopy in the background, casting an ice glyph with her feet. Pic 2: An incredibly creepy dragon with a face like two hands clasped in prayer and thumbs and fingers all over its wings and body sitting on what looks like that same canopy atop a balloon envelope, looking down with narrowed eyes.]
Here, we seem to see something that may (oh please oh please oh please) be Luz on a skyship, in snazzy cool new pants that do not match her sailor get-up. The balloon canopy the hand-dragon is perched on looks an awful lot like the one above Luz’s head in the first shot, so this is likely either a monster they encounter in whatever aircraft this is, or the possibly the thing lifting it in the first place. They might also be on a roof, but I’m getting strong balloon vibes from what it’s perched on there, so here’s hoping.
Moving on to Luz’s dangerous deal with Amity’s parents, this isn’t hard to match pictures to.
Episode 2: Escaping Expulsion - “When Amity's parents get Luz, Willow and Gus expelled from Hexside, Luz strikes a dangerous deal with them to get back into school.”
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[Image descriptions: Pic 1: A giant Abomination cyborg standing in front of a sign that says “??? Industries” with an Abomination-track logo. Pic 2: A green-haired woman firing a jet of green fire from an Abomination-gun on-stage in front of a backdrop reading “Blight Industries” in the same style as the sign. Pic 3: Luz looking battered in her school uniform, running away across overhead pipework as the Abomination-cyborg chases her with a morningstar-hand.]
So yeah, fascinating stuff here. An Abomination-based company, Blight Industries, Abomination-tech. Looks like the Abomination track is the engineering/STEM field and the Blights own one of the biggest companies in the field, which is probably what Amity is being raised for (so why are the older twins in Illusions, I wonder?). This is probably going to be Luz agreeing to fight the Cy-bomination as a test run or something in order to get back into school. May or may not be an Amity-heavy episode, highly likely to have A++ Blight Parenting, child abuse and trauma either way. Be warned.
Episode 3: Echoes of the Past - “King's delusions of grandeur lead Luz, Lilith and Hooty to a dangerous new island.”
Now, this one is going to be both cool and creepy, because...
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[Image descriptions: Pic 1: Hooty in a doll house in front of the Owl House door, which seems to have organs protruding from the circular hole left in his absence. Pic 2: King and Luz flying on Owlbert in front of Lilith and a Hooty-house backpack on her staff. Pic 3: Luz venturing through an old ruin with crescent-headed statues in the walls. Pic 4: One of said crescent-headed statues revealing some rather nasty claws in front of Luz and King, with a backdrop of the same ruins. Pic 5: Lilith, also in the same ruins, showing some fair aptitude with a trio of ice-glyph spells, staff in hand.]
Yeah, this one’s going to have Hooty removed from the Owl House for the episode, which might well net us some lore on what the hell he is. These might be ancient Witch ruins, which would be cool, and I’d say there’s a strong possibility it’ll also be a “Luz coming round to forgiving Lilith for what she did to Eda” subplot, depending on whether or not Luz is holding even more of a grudge over than than Eda is (which I hope she is, because it would be a good character point). Also, can I just say that I adore Lilith’s “low battery icon” t-shirt? Hilarious character point. Much love. We may also see some of her Palisman, which would be nice; it never showed any independence from her staff in S1.
Episode 4: Keeping Up A-fear-ances - “Eda gets an unwelcome visit from a family member who puts strain on everyone in the Owl House.”
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[Image descriptions: Pic 1: An old witch with grey hair and a giant eagle Palisman on her staff lands(?) in front of the Owl House. Pic 2: Present Eda fade-transitions into Past Eda in a clear flashback. Pic 3: Young Eda hides behind a door looking scared as a shadow on the wall very similar to her own silhouette shouts angrily on the other side. Pic 4: An older Eda, with a cloak, Owlbert and a streak of grey in her hair, turns around as something lunges toward her in a strange spherical room with a giant keyhole-shaped opening behind her.]
Mom? Mom. That unwelcome visitor in the first picture is almost certainly Eda and Lilith’s mother, which means we are going to be getting family dynamics and possibly flashbacks. This may or may not be a full flashback episode, but I’d say it’s at least likely that this will dig into Eda’s life - we’re certainly going to be getting a flashback of Eda’s life at some point. It looks like things weren’t happy at home - that third picture may be shortly after she was cursed, or possibly a reaction to her mischief-making, and the fourth may (given that keyhole opening) be where she got the portal door. Very excited for this; I love flashback episodes.
Episode 5: Through the Looking Glass Ruins - “Gus tries to impress a group of cool kids from Glandus High, while Luz and Amity journey into the most dangerous section of the library.”
I just wanna say I absolutely called both of these points from the trailer before looking at the episode summaries. Observe!
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[Image descriptions: Pic 1: Amity ties her hair back in front of a bookshelf, wearing a lanyard that says “Amity Blight: Staff”. Pic 2: Amity and Luz stand in the Library, flanked by bookshelves, in front of an enormous set of doors. Pic 3: Luz and Amity hold hands against a backdrop of blue and purple. Pic 4: Flying books/roof tiles with wings and eyes flap around amidst the rooftops. Pic 5: Gus fires a fireball through a blue magic circle in a forest, with giant thorny vines in the background. Pic 6: Gus’s fireball EXPLODES, scorching a path through more vines as four kids (one of them Matholomew) cower in the foreground.]
I was pretty sure from the library shots that there was going to be another Lumity-focused episode in the library, with the third picture possibly being books gone wild from the same episode or possibly not. Meanwhile, I connected the last two pictures from the environment and spell, and given all the plants, I’m betting this is either Gus going somewhere horribly dangerous to impress those kids, or him having accidentally upset Willow by trying to be popular and having to get her out of the horrible murderplant wall she’s surrounded himself with. 50/50, really, giant murderplants are very much her thing, but also not uncommon in the Boiling Isles ecosystem. This probably won’t be where we get canon Lumity, but I bet it’s a major step towards it. Looking forward to it!
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So, that’s the episodes we have concrete info on. What about the ones we don’t? What else might we see this season? I believe canon Lumity is all-but-confirmed - and even if it isn’t I’d say there’s a very, very high chance - but that feels more like a mid-season thing to me. What else?
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[Image descriptions: Pic 1: Lilith desperately reaches forward from where she’s fallen to the ground in the Owl House living room with hands that are growing talons and feathers. Pic 2: A monstrous Curse Beast with a white face unlike Eda’s and mottled plumage stalks around one of the Owl House doorways. Pic 3: A close up of this new Curse Beast snarling terrifyingly.]
Yup, looks like we’re getting a “Lilith’s First Transformation” episode. This confirms that she and Eda’s lessened curse will still have them (probably both) transforming sometimes, which is cool - I like the Owl Beast and it leads to interesting plots. Solid odds on this being something of a horror episode, with Curse Beast Lilith chasing them through the Owl House - and Eda no longer has magic to stop her. What’s Lilith reaching out for there in that first picture? Luz and Eda, warning them away? Her staff? The elixir? Possibly some combination of the three? Gonna be traumatic for her, that’s for certain.
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[Image descriptions: Pic 1: Camilla stands in front of a fullblown string-and-newspaper-clippings conspiracy wall, looking surprised. Pics 2 & 3: Nine individuals, each wearing a white cloak fastened with a brooch that bears the symbol of one of the nine major Covens (from left to right: Bard, Beast, covered-but-presumably-Healing, Illusions, Potions, Abominations, Oracle, Plants, covered-but-presumably-Construction (same short bald guy that was manning the Construction booth at Covention).]
On the “authority figures” side of things, we have Camila! And the Coven heads! Looks like Luz’s mama is going looking for her daughter - or possibly for whoever’s sending her those creepy letters - and I hope the background there is meaningful and not just filler backdrop, because that key on a hook to her left looks significant and might be the key for the ruined shack Luz entered the Boiling Isles through, while the strange figure holding what seems to be a paddle of some kind in the newspaper clipping to her right looks like it’s at the centre of the string-web. Meanwhile, we’re gonna be seeing the heads of the major covens in some form, probably in a single episode that has all of them cameo in minor roles - except wait a moment. That figure on the far left; the head of the Bard Coven in the hooded cloak with the shiny glasses and frown. Doth my eyes deceive me? Or...
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[Image descriptions: Pic 1: a short-haired older witch whose glasses and frown match the Bard Coven head turning to glare at the camera in front of a rock-strewn sandheap(?) Pic 2: The same witch playing a violin in front of a stone pillar, looking unhappy. Pic 3: Eda’s Grudgby scrapbook, including a photo of her, Lilith and a third girl in the Bard track enjoying sweets with Eda.]
... be this the same character? I believe it be! And it looks like an old friend-slash-possible-girlfriend of Eda’s! (Thanks to HeyRebeccaRose on Twitter for pointing that third picture out). That means Head Bard is probably going to get more focus than the other Coven heads (though the Abomination one is very front-and-centre and might also get significant focus from the Amity side if it’s a “Career Day” sort of episode), and we may get even more about Eda’s past.
Speaking of which...
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[Image descriptions: Pic 1: A strange conical figure shrouded in robes with a single yellow eye staring out from within them, holding a purple-fire lantern and pointing with elderly, long-fingernailed hands. Pic 2: Another strange cloaked figure, this one with a crescent moon for a face and stars all over their robes.]
Who are these two? Mysterious, and somewhat Oracley in the second case. Could these perhaps be other Wild Witches? We’re likely to see a running subplot of Luz searching for more glyphs and old-style glyph magic this season, so she may well meet some. I don’t get an “antagonist” vibe from either of these, more a “mysterious possible ally” one. Wild Witches they well could be. I wonder what Luz will learn from them?
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[Image descriptions: Pic 1: Creepy statues in a possible-graveyard with glowing red eyes that are crying blood. Pic 2: A giant blue dragon with a Shellder for a face that’s wreathed in cyan fire appearing out of nowhere in said creepy possible-graveyard. Pic 3: Hooty rearing up in the woods outside the Owl House, clearly fighting, surrounded by orange-glowing brown masses that could be trees or could be wings and may well be on fire either way. Pic 4: Lilith in a burning forest hitting something with a broken branch.]
What would The Owl House be without action, creepy monsters and horror? Not half as good, that’s what. These creepy evil statues may just be creepy evil statues or they may be petrified wild witches - either way, that’s probably going to be a horror episode, with the Shellder Dragon as a guardian of some sort for the possible-graveyard they’re in. And the second two pictures look alarmingly like an attack on the Owl House - one involving fire. We’re probably going to see Hooty cut loose and fight again, so, uh... RIP to his opponents, I guess. We’re also going to be getting more wide-scale action in the form of...
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[Image descriptions: Pics 1-3: The Titan’s Skull, its eyes first glowing yellow, then burning with golden fire, then engulfing the whole frame in a giant explosion. Pic 4: Luz activates a combo-glyph comprised of Fire and Ice together, painted onto some giant boulder or similar. Pic 5: Luz floating apparently-unconscious in a glowing body of water of some kind, with a rope tied around her waist that’s either connected to something deeper down, or has been cut loose from whatever it was anchored to.]
... the Titan itself. Yeah, we’re going to be seeing it acting in some form this season - and I include the pictures of Luz there, because the first shows her increasing skill at glyph magic and the second looks either like a stock “fell from a great height after the rope tying her to another character/the skyship was cut, landed in water, passed out” thing, or a “communing with the Titan while in trance” pose. Or maybe even both! Certainly I think we’re going to be seeing Luz discover that Belos isn’t the only one with a way to talk to the Titan in this season, and if she takes a trip up to the Skull - highly likely - we may see it take a more active role in communicating its own desires and viewpoint, such as they are, and Luz developing her form of magic further as a result.
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[Image descriptions: Pic 1: Owl-Masked figure seated on a techno-staff, waving merrily, against a backdrop of what seems to be the Skull. Pic 2: Owl-Mask in front of a set of doors, watching inscrutably as a horned figure (whose shadow is cast across them) undergoes a monstrous transformation. Pic 3: Owl-Mask taunts a caged King. Pic 4: A distressed Kikimora casts a spell. Pic 5: Luz (in her snazzy new patterned pants and cloak) leaps up onto a roof with a red bird (Palisman?) on her shoulder and Owl-Masks’s techno-staff in her hand.]
So yeah, saving the most interesting till last, there’s this asshole. Owl-Mask (and I’m not giving a gender, since we don’t know either way) is probably going to be the new Lilith in this season, either being the primary one in that role of “Belos’s hand”, or sharing the role with Kikimora (who is at minimum going to be in at least one fight). Given the techno-staff like Belos’s and the owl theme of the mask, this person has strong themes of being a foil to Luz; with Belos as their Eda. And indeed, that monstrous figure they’re watching has horns - is that Belos? Does he have a cursed form as well? That would increase the parallels even more.
Of course, it seems Luz is, hilariously, going to steal that techno-staff (like mentor, like student, I suppose), and possibly learn something about this third form of magic-as-technosorcery without glyph or circle that Belos uses. She also has a friend! This might well be someone else’s Palisman that she’s helping escape (since we see in another shot that Belos is still murdering and eating Palismans), but it might also be her own! If so, hopefully she’ll carve it from the giant wisteria tree she and Amity grew in Enchanting Grom Fight, and hopefully it will be gay as hell.
And of course, closing out the season...
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[Image descriptions: Pic 1: A gauntleted hand puts a patchwork key into the keyhole of the reassembled Franken-Door-Portal as it lights up. Pic 2: Belos stands in front of the still-incomplete Franken-Door-Portal, with shaggy blonde hair reaching his shoulders and his mask in hand. The shot, even as he puts it on, very carefully hides any sight of his ears from the viewers.]
Yup. Belos’s work to reassemble the Door and the “Day of Unity” is the ticking clock this season (which I suspect it will end on him successfully opening, and then the three 44-minute Season 3 mega-episodes will be the consequences of that). I’m nearly certain he’s human at this point, the framing is just being too coy about hiding his ears for anything else, and his hands and hair are definitely humanoid rather than some kind of eldritch monster. Though I’m sceptical about him being Luz’s father as some have suggested. It’s possible, but I’d rate it as a somewhat flat twist. We are getting more Camila this season though, so who knows?
The “Day of Unity” is what he’s working up to, and I wonder - unity with what? Between all witches? Between worlds? Between him and the Titan? I’m inclined to believe him when he says it’s not as simple as a straightforward invasion of the human world, less because I trust his word (I don’t) and more because, like... what would be the point? What would it gain him?
There are a couple of other shots from the trailer I could ask about - the giant demon shadow on the wall that I called out as probably being another King gag of being cast by a tiny demon when I saw it and was vindicated by the short excerpt from Ep 1 that got released, the shot of Luz clinging to some kind of mechanical-looking arm holding a boulder, a guard using magic (maybe at a magicless Eda), a knightly-looking fellow being attacked by a giant monster, etc - but none of those are shots I can get much from in terms of what to expect, so I’ll close off there. All in all, I’m super eager for this new season and can’t wait to see how much I got right!
See you when the new episodes drop!
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popculturebuffet · 4 years
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Ducktales: Woo-oo! Review! or From the Top
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Hello all you happy people! And to those of you just joining this blog, welcome I review ducks, other animated shows and comics... and today’s review is special for me. For a number of reasons. For starters it’s a reminder how far i’ve come. See I always wanted to be a reviewer, ever since high school when a friend showed me a certain online reviewer whose now dead to me, and opened me up to a world of much better reviewers who i’m still fans of to this day, and ones who came after them , and after that and so on and so on. I so badly wanted a community to belong to I struggled to be a youtube reviewer but frankly lacked the talent or self confidence back then to try, so my attempts over the decade were a series of stops and starts. Of me starting to find my niche writing only to stop because I hated myself so much, and still struggle with that, i’d tell myself I could never do it, I wasn’t good enough, I wasn’t funny enough and no one cared. I kept shutting myself down AGAIN AND AGAIN, for far too long. 
But that all changed a year ago next month: I’d long been a fan of the Ducktales Reboot. I was caustiously optimistic when it was announced. The optimism came from a deep abiding love of scrooge as a character despite not having dove into his comics that deep, I didn’t have an easy way at the time, thanks to life and times and what comics I had read, and was excited to see a fresh reboot closer to the comics with my eternal boy Donald Duck back in the main character. The caution.. came from the fact that at the time we’d gotten a string of bad to medicore reboots: Teen Titans GO, Powerpuff Girl, and Ben 10 which started pretty meh but has turned into alirght from some of the later episodes I saw. I wanted to be hyped to all hell but I had no proof this wasn’t going to be another dumbed down reboot. Then comic con came, the first teaser poster dropped, and my skepticism died.
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It was perfect: a barksian art style with it’s own twists! Donald full on display! And best of all the triplets FINALLY had not only unique outfits but personalities! I’ve long went on in my reviews about how much that annoyed me and while it worked for the barks comics ever since then it’s just felt like a waste to have three characters there.. and not even the SLIGHTEST difference. 
My anticipation only grew with the full trailer, the promo posters as more and more info showed how good this series would be, how unique it’d be, and how much tw as taking what made the comics great, giving us a better distalation of that while still being very much it’s own beast. And once this episode dropped.. that faith was unfounded. Woo-oo! is without hyperbole, one of the best pilots i’ve seen, one that introduced the entire main cast perfectly, gets the series tone and mission statment out just right and in general set the stage for one of the best shows of the 2010′s (and 2020′s, even if it only lasted a year and some change). Wheras Teen Titans GO actively tried to take a dump on it’s source material, they thankfully have stopped that but it dosent’ make those early years any less grating, Ducktales was a breath of fresh air that honored the past while making i’ts own future. I tried talking about it but it was all in other failed attempts at reviewing: solo podcasts, my breif second video review career.. stuff no one rightly cared about and I just couldn’t get the hang of. 
So this is where we loop back to last year: I decided to finally try and cover it one more time, not realizing this would be my last chance as it came out anyway, and since I was doing text reviews but my output had slid in the new year, I decided to review Season 3 as it came out. If it bottomed out I could always stop.... and I just never did. I kept going, eventually finding new fans, a patreon (The other one’s an old friend of mine), and not only got paid doing what I love.. but found some peace.  I reviewed other shows as they came out, covered things i’d wanted to cover for years like life and times, scott pilgrim and x-men,. I covered other shows as they came out, found people willing to talk over my opinions and found my niche at long last. 
So that’s why the long speech folks: After almost a year of reviewing i’m properly covering the start of something that made me happier than I had been in a long time and gave me hope during one of the worst periods of ALL our lives. Something i’ve wanted to cover since I finally got started last year, and something truly amazing. So i’d be honored if you’d join me under the cut as I talk about the genesis of one of the best series Disney has ever put out. 
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Behind the Scenes Stuff:  Most details I could find were sparse. it took going back to the first month the show came out and looking at a LOT of unrelated questions to finally find out Frank and Matt outright pitched the show. This dosen’t suprise me as both are huge ducktales fans with Matt having drawn his own duck comics as a kid and Frank taking it an extra mile having sang the theme song in his first grade talent show, worked it into his vows and got his first daughter’s first word to be “Woo-oo”. It’s very clear this show as a labor of love for them something they dreamed of Disney made possible. 
Otherwise I don’t have much on the genisis of the show: It was in the earliest ideas going to be a revivial but Frank and Matt both decided against it , deciding it’d be unfair to expect kids from 30 years after the original to know the source material, and instead just starting it over outright, which was the right call especailly with Alan Young’s passing. 
Design wise I found quite a bit of concept art thanks to one website, and it’s incredibly intresting. This is why i’ve really gotten into art books: I like seeing this early stuff what characters used to be, figuring out or outright hearing from the creators mouths why they changed it that sort of thing. 
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Starting off we have some early designs for Donald, with him wearing the sailor suit as a kid but his Quackshot outfit as an adult, something I honestly wish they’d kept but get why they changed it: The iconic sailor suit both helps contrast him with della and fits his reluctance to adventure in season 1 more. I still wish that they worked the Quackshot outfit in somewhere, but they worked in so damn much, it’s hard to complain> Though I probably will make a list of “things I wished they’d worked” in at some point and i’d be lying inf I siad my mind wasn’t currently turning the gears to figure out how to work this into a fanfic. Oohhh maybe as Dewey’s outfit as an adult but blue, obviously. 
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Next we have Donald settled more into his final apperance as well as the boy’s first outfits.  As you can tell from both of these the show originally went more with the classic art style before getting the one we’re familiar with now, one I love by the way and was made to combine a classic cartoon style with the visual of the comics. Donald originally had his classic outfit before they transitioned to the more barks style one, a good call.  
The interesting bit though is obviously the boys original outfits which i’m honestly bummed didn’t make it for Huey and Louie, not so much Dewey minus the visor. I do get the changes though: The hoodie Dewey had fit WAY beter on Louie, and the lumberjack shirt didn’t quite fit the nerdier huey. Still look nice. Dewey’s is okay, but only the visor is something I really gregret them removing same with louie’s fedora. It would’ve been neat ot keep the hat thing, but have each hat be unique. Likely they simplified things to make animation easier and simply removed the hats for some reason, but it’s nice ot see these more detailed original drafts and it is VERY interesting to find that differentiating the triplets was something planned from the earliest concept art. Though given Matt and Frank said in interviews they wanted a more natural family feel, it’s not a huge surprise. 
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Scrooge like everyone BUT the boys thus far, naturally also had his original outfit at first, but like he ended up doing in the series rotated a bit, if not as much in the final product. We also see a protoype for his final design, the old coat but with a jacket over it in the last image. I also notice Donald seemed a lot more like his old comics self in the concept art with quackshot!donald. 
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Like everyone else, Webby and Launchapd were originally their 87 deisgns, though Launchpad’s slightly diffrent jacket and green scarf were changed from the start. Webby is the closest to her 87 design, and as shown in the previous Lena concept art from my “Spies Like Us and Dime after Dime” double feature, she still had her new personality. More on that in a bit. 
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Finally we have Flintheart, whose design is a bit diffrent from 87: He was a chub from day one it appears, though they’d exagerate it, and his beard was a bit longer at first like his other incarnations. 
Beakly is largely unchanged form 87, only given a coat, which would gradually be mofidied, much liekt he boys into her current outfit. 
As you can tell Beakly, Webby and Launchpad were all there from day one as they wanted them from the original ducktales just updated. 
Production wise they wanted to go handrawn, chose the style they did to have something close to the comics that felt classicly aniamteda t the same time, I feel they succeeded and wanted a show that felt like the original. I do think this show has it’s own feel but it does feel ducktales. I badly hope for an artbook at some point though as this show probably hada  LOT more intresting concept art. Seriously Disney I will PAY YOU to look at your neat art. Please. 
So they created a fully formed world and put the characters in it, wanting it to feel like the world had existed before and had throughly been explored and letting our young heroes be the watson to Donald and Scrooge’s holmes. 
Finally Della was indeed part of the initial pitch and a core idea from day one as every family has secrets and Della felt like one that had been lurking around the fringes of the story for 80 years. The rest of the production stuff i’ll weave in as we go but first one last stop, the STELLAR voice cast, none of whom outsideo f Tony i’ve talked about before sooooo...
The All Star Cast
The casting was outstanding here, with Matt admitting the cast brought a LOT to the characters, especially Ben Schwartz whose taken on Dewey was so unique and intresting they actually rewrote some of his dialouge for the pilot to fit this version better. This is far and away one of the best casts in western animation, most coming from comedy backgrounds and one or two coming from a voice acting background, but all bringing their absolute best. And since our main 8 are all in the pilot let’s run them down along with Keith Ferguson shall we?
Playing everyone’s faviorite billionare scotsman  and one of the very few to ever do so, we have David Fucking Tennant. David was their “First and only choice” and for good reason: David is a talented actor with a MASSIVE amount of stage, tv and audio drama credits. His biggest and best known role is playing the 10th Doctor on Doctor Who, which while not my faviorite (That’d be matt smith, as he’s both the one I came in on and hte one who got me hooked) he’s still  VERY close second and damn talented and I need to watch more of his tenure. Outside of that just to condense it to his ongoing roles on stuff and bigger roles: Filmwise he’s had starring roles in the Fright Night remake, You, Me and Him, Fish Without Bicycles and Bad Samartains, and is set to do a voice for the upcoming Loud House Movie, which excites me to no end. 
TV wise where most of his roles have been he got his first big starring role on the Telly with the BBC Mini series Taking Over the Asylum in the late 90′s. He’d go on to make a career out of doing mini’s for a while, also taking part in He Knew He Was Right, The Quatermass Experiment Remake, Casanova, Secret Smile.. and Blackpool. I saved Blackpool for last before we move into the Who era as if you’ve never heard of it.. it’s REALY fucking weird. It’s a jukebox musical about a man who wants to make Blackpool, a real city, into the new vegas and Tennat plays a cop investigating a case around the guy and also trying to get with his wife because they used to date and because our lead is philandering jackass. That’s already kinda nuts.. but then you get to the fact the songs are sung OVER the original songs instead of making a new version of them. It’s surreal to be sure but if you can find it it’s worth it for the handful of good numbers and how weird it looks and you can find clips of the songs on youtube if your intrested. Here’s a starter. 
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Your also welcome. He’d go on to play Detective Alec Hardy in Broadchurch to critical aclaim as well as be a part of it’s short lived american remake, would play the Fugitoid in tmnt 2007, Kilgrave in Jessica Jones, one of his few post who roles i’ve seen or heard besides Scrooge and easily some of his best work he NAILS that purple bastard perfectly, would make his own show Staged about a fictional version of himself putting on a Stage play that’s still ongoing, and is currently , along with Ducktales as it wraps up, the voice of Lord Commander on Final Space, with the character returning this season judging by the trailers to fan delight and terror. He’s a VERY talented actor and voice actor and I do hope he goes on to do more and more voice work in years to come as, with his background in radio, he was born for it. 
He was also born for this roll, playing Scrooge perfectly and easily matching Alan Young in quality, not a small feat and i’ts VERY obvious why he was their one and only choice. 
Next up is another legend, Tony Anselmo who we’ve talked about before when I covered legend of the Three Cablleros: He’s been Donald’s voice since shortly before Ducktales, hasn’t done much else but given he’s THE voice for the character and this show let him show off one hell of a range with teh voice, he dosen’t really need other credits. The man is a treasure and I fear loosing him one day and fear for whoever replaces him as they have a LOT to live up to. 
Getting into the triplets, we’re going by age so starting off we have Huey, voiced by Danny Pudi. Like most of this cast aside from Toks Ogladyve and Beck Bennet (Who I probably HAD seen on SNL but didn’t really know or look out for him on there till after Ducktales), I not only knew Danny but was a huge fan of his going in. This is due to his breakout role on the glorious sitcom Community, which sadly only had a handful of i’ts cast show up on this show. I mean you got Lin Manuel Miranda I’m sure Donald Glover would’ve said yes too. He grew up with Ducktales. Regardless his role as meta guy Abed was easily the best of the cast on that show, with Glover as troy a very close second and the two working at their best as a duo. Outside of that he’s had a few roles being a regular on Powerless, which I forgot existed and currently on Mythic Quest: Raven’s Banquet, and shockingly hasn’t done a ton of voice work. And given his performance as huey was one of the best parts of this show he REALLY, REALLY SHOULD. Please Danny. He’s also a loving husband, father and surprisingly a marathon runner. Never would’ve guessed.
Next up is SNL Alumn of 9 years, Bobby Monynihan. Bobby is naturally best known for that, my faviorite role of his being Ass Dan. That’s right bitch you know he’s going to live fore..
ASS DAN 1981-2021
He’ll be back. Outside of SNL he’s done a bunch of minor roles. He’s currently on the tragically mediocre sitcom Mr. Mayor, and voiced Panda on We Bare Bears. Hopefully he keeps up the good work as he deserves better than he’s gotten and Ducktales proves it. 
Finally for the triplets we have a rising star in voice acting, Ben Schrwartz. At the time Ducktales launched, I was a fan of his from his roll on parks and Rec as Jen Ralphio, aka older scummier Dewey. 
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Outside of his historic recurring role here he played a main role on House of Lies, a show I need to go back to, and has done other live action rolls but has REALLY hit his stride in voice acting. He started with voicing Randy Cunningham in Randy Cunningham 9th grade ninja and since then has hit the ground running: He was Rutabega on Bojack, Josh on Bob’s Burgers, and went on to complete the trifecta of blue nostalgic characters after voicing dewey by voicing Leo in Rise of the TMNT (and having one of the most unique and intresting versions of the character to play) and reprised the roll for the upcoming film. And of course he hit it HUGE by playing Sonic in the suprsingly fantastic Sonic the Hedgehog movie, and will do so again for the sequel and might even take up the roll for the games now Roger Craig Smith has retired. We shall see. Point is this guy’s at the top of his game and Dewey is part of that. Like with his brothers I can’t picture anyone else playing him. 
Rounding out the kids is Webby, played by the wonderous Kate Micucci. Kate is a lovely talented woman who mostly showed up in smaller parts, was part of the musical duo garfunkel and oates which even got their own tv show, and is currently a fairly prolific voice actor with this being her best known roll. I also had a bit of a crush on her once can you tell? Regardless besides absolutely nailing it as Webby she’s voiced Julie Kane in the crimnally short and even more crimnally not on Disney+ Motorcity, “Irma” in the 2012 TMNT cartoon, and the fact that “Irma” is in quotes should tell you how big a waste I felt it was having her NOT actually be Irma, despite Kate’s massive talent, the fact that Irma hadn’t been in anything since the 87 cartoon, and the fact that for added “Fuck you audience points” her krang form was voiced by Gilbert Godfried, who I love but whose casting feels like they wanted to make the twist as grating as possible. Good job there. 
Anyways her second biggest voice gig was as Sadie on Steven Universe, which took WAY too long to show off her absolutely tremendous singing voice. She started voicing Velma Dinkley in the mid-2010′s and has since, voiced Milo’s sister Sarah on Milo Murphy’s Law, Dr. Fox on Unikitty, and most recently voiced a sentient present on close enough who did this. 
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So yeah quite the career and like Ben she probably has a long and storied career in Voice Acting ahead. 
Next up is Beck Bennet as everyone’s friend Launchpad where he excels. He’s best known as a castmember on SNL outside of this, and shockingly hasn’t done a ton of voice work. The only other time i’ve caught him is in the same season of Close Enough as Luc, aka dude-bro satan. But like eveyrone else here who hasn’t done a lot of voice work so far or has been more selective I defintely hope he keeps going with it as he’s amazing. He and Ben will be co-starring on MODOK in May so i’m excited for that. 
Last up for the main cast is Beakly, voiced by  Toks Olagundoye, who I hadn’t heard of before this show and hasn’t done a lot outside of the two season sitcom the neighbors, the aliens one not the really terrible looking one, and a stint on Castle, but like everyone here deserves much more and if Beakly is any indication, really should stick with voice acting. 
Last up is Keith Ferguson as only he could as FLINTHEART GLOMGOLD, whose a staple in the voice acting community ever since 2000, and has had a TON of roles some of which I was unaware with him. Given Frank worked with him on Wonder Over Yonder, where he voiced Lord Hater to perfection, the two clearly have a close working relationship. He also has a close working relationship with Wonder creator Craig McCracken and has worked on all of his post-powerpuff girls show, voicing Bloo as his first major role, something I never would’ve guessed, and currently voicing Papa G on Kid Cosmic. 
Outside of Craig and Frank, he played both Karate Kid and Nemisis Kid on Legion of Super Heroes (Which really needs to come to HBO Max), Deputy Durland on Gravity Falls,  and Thunderbolt Ross on Avengers Earth’s Mighteist Heroes. He’s damn good and deserves the world for Glomgold alone and i’m glad Craig rung him up again as so far through my watch of Kid Cosmic he’s great. 
So with our cast in place, our past in place and you all likely ready to get on with it already let’s dive into the episode:
THE EPISODE: Part one Woo-Ooo!
We begin with a shot of a seagull flying overseagulls, a nice way to establish how this world works and how it bends expectations. They’d have to wait till season 3 to get a duck next to ducks but given that gag is one of the best of the series, it was worth it. 
Inside a house boat we meet Donald, Huey and Louie and get a sense of their personalities: Donald is panicked trying to get to a job interview and insists the boys wear life vests, showing his overprotectiveness and responsibility exclusive to this version. Louie stresses that Donald wear a suit instead of his normal clothes to properly impress the interviewer, showing his skill at people reading and manipulation, and Huey is making a nice, if messy, breakfast with a heartwarming message showing his heart and dedication. After finding out said Babysitter was sent to the wrong address, the boys TRY to hustle him out to stay alone.. only for Dewey to blow the scheme by starting the boat too early, letting Donald know he’s been had. Huey’s attempt to lie about it is of course the classic “Who’s Dewey?” Dewey’s caught wiring the boat and Donald throws them in the car, with Donald livid and the boys upset as their chafing at his constant overprotectiveness. 
Both sides aren’t wrong. tThe boys DID do something reckless, putting an old woman in the desert and risking their home just to go on a joyride. What they did was wrong.. but the boys AREN’T wrong for getting annoyed that he won’t let them DO anything and overly hovering over them when they CAN handle themselves as we’ll see. WE now know why: he lost their mother and his sister to her and scrooge’s recklesness. While he got therapy for his anger it’s clear he never properly got help about Della, and thus overcompensates by trying to keep what he has left of her alive. He means well.. but to them it comes off as him being manically overprotective with no good reason. They get into trouble because it’s the only way to DO anything away from him. He’s trying so hard not to loose them he almost has by the time hte series starts, and it’s telling that when they get context in Last Crash, they appricate him more from then on. They do love him, but their frustration is understandable even if what their doing is pretty damn stupid. But their also 10 and Donald’s the grown adult in therapy who should’ve dealt with this or tried to at least by now.
So with no other options Donald sets a course for McDuck manor which excites the boys who have heard of Scrooge McDuck and his exploits, each rattling off something they heard him do that fits their personality (Dewey picks him fighting a stone monster, Huey picks him uncovering a hoax and Louie picks his swimming in money. ) As Donald tries to get them to simmer down, they wonder what he’s up to
He’s up toooo.. depression. He’s in a room with his board, watching them with utter hate and sadness as they talk about cutting the invention and aviation departments. This scene plays ENTIRELY differently after the final two episodes of the season. Before it still plays well as Scrooge clearly resenting being stuck in a boring board meeting, having lost everything that made him him and just having lost his passion for life. Now? It plays as a man utterly disdainful of the men who made him give up on his daughter. While as far as he knows they did it to save his employees from his company collapsing, we know better now... and seriously where IS the rest of the board they just vanished after the Season 3 premiere.
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I don’t mind only one being fleshed out, unlike the triplets we only NEED the one I mind that they just never explained it and still haven’t. Hopefully the finale will. 
But back on the plot, it now plays as Scooge just full of hatred for them, knowing they had to do what they did, even if they weren’t emebzlling but still hating them and himself. He’s likely not even paying attention anymore because he just dosen’t CARE: he has all the money int he world.. and it couldn’t bring him his daughter back. As he sadly puts the coins he was fiddling with back and says see you tommorow he can’t even close the vault without a struggle. As we’ll see later the strength never left, it’s not like he stopped execrising.. but he has nothing left to fight for. Nothing left to care about. He could adventure agian so far.. but without Della or Donald, as we’d learn two seasons later the reason he enjoyed it again... what’s the point? He has nothing left except his money. 
This is also a nice parallel to the final Chapter of LIfe and Times. I always felt the first half of woo-ooo was a spiritual adaptation of chapter 12 of that: Scrooge meets the boys for the first time and with their help, and Donalds in the story< Webby and Launchpad here, he regains his passion and more importantly his family after driving them away> The how is very different: he did in life and times due to sinking to his lowest point morally, then cruelly dismissing his family when they tried to welcome him home and bury the hatchet despite what he’d done. Here.. he made a HORRIBLE mistake, one that wasn’t entirely on him but still cost him everything and spent the decade instead of stewing or making more money trying desperately to undo it. The end result is the same, a dried out husk of a man with nothing left to loose and no will to gain anything.
This husk has launchpad though whose introduced as his driver and while good with subs and planes.. isn’t great on the road. After that though Donald pulls up hoping to drop the kids off before Scrooge arrives. Naturally this being a cartoon and Donald having tempted fate with that Scrooge shows up telling him to jettison that Jallopy at once. And finding out who it is, apart from asking how Donald is and Donald doing the same, dosen’t sway him. The boys however freak out after finding out Scrooge is Donald’s and there uncle, with my faivriote bit of that being Dewey exiting the car via a window and rolling across the roof back in. Amazing bit of animation. Wish I had a gif of that. 
Donald makes the situation plane and angry and asks “Can you do that without LOOSING THEM”. And scrooge is so painfully disarmed by his reminder of his past mistakes and the fact his surrogate son still resents him, that he agrees before realizing “Shit I have to watch children now don’t I” as Donald drives off. As you probably guessed, this is another scene that plays differently in hindsight, if not by much: It still plays as two men too stubborn and bitter to reconcile.. but now we know the why behind both their rages it feels even sadder. They both lost the person they cared about most but as it sadly happens in real life both have dug in their heels to reconcile, both feeling their right when neither completely is. While Donald was right to be upset at scrooge and della for what happened, and is mostly taking it out on scrooge because he’s the one left... he’s held onto his anger for 10 years instead of going to help when he’s unemployed, living in a dilapidated houseboat and trying ot raise three children alone and could’ve used what help scrooge would give. Scrooge is right to be upset that Donald is just selectively ignoring everything he’s done to save Della, but is too stubborn and prideful to apologize for what he DID do wrong and feels that’s enough to make up for it when , while it is enough that donald should forgive him, still dosen’t mean he dosen’t have a lot to apologize for. Both are just too angry and too much alike, as much as it woudln’t seem so, to settle with each other and see too much of what they lost. 
So the kids follow Scrooge.. who forgets to open the door, and Beakly lets them in. It’s a nice subtle bit. After some silence, Bentina TRIES to get her old friend and now employer to talk to them, but he naturally refuses and they do the talking, asking tons of questions.. and Dewey ends the conversation by accidently pressing the “imply he USED to be something rather than is something right now “ button
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So Scrooge throws them in the twins old room, and Beakly gives them some marbles. You will give them b ack they will be counted. But another subtle touch I missed the first time is there... her sad look. She clearly doesn’t want to do this, but she has to play this carefully or else he might get mad and fire her on the spur of the moment. He’d obviously hire her back, where else is he going to get an ex spy who will both clean for him AND be his bodyguard and security. It’s a very small pool. Mostly because Beakly probably killed most of the other people who’d of fit that description during her spy days. 
Scrooge meanwhile is still rattled by Dewey’s statment, wondering if he really is a “used to be” instead of a “never left”. The fire is starting to spark again.. he just needs more kindling. And more kin. 
Meanwhile Louie and Huey marvel at Dewey’s “Brilliant’ breakout plan: hit the door knob with the sack of marbles til lit breaks. To be fair, they’ve known dewey as long as they’ve been alive and even by season 3 after he’s taken several levels in badass and cunning.. he still crashed a plane because his brother well-meaningly called him basic, and thought being nearly sacrificed the most times was an accomplishment. This is the best he could do and you all know it. It also works, so they can’t fault him for that... though he’s quickly kidnapped as are they. They wake up after the commerical break in a room with pure darkness, hung from the celing with a mystery person asking who they are and who they work for before Louie calls out for “uncle scrooge”... so she claps the lights back on and..
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Well close. But it is Webby, who cuts them down, fangirls over meeting the nephews and asks who the evil triplet is. They all point to Louie who shrugs it off. I mean it was funny enough the first time but at this point I know he’s running several fradulent charites, almost all scamming his uncle. He’s earned that title. Webby puts them on the big board and then when asked they find out she’s Webby, her granny Beakly is housekeeper.  She then asks the big questons “Are we friends now?” “If we say yes will you let us live?” “Ha good one new best friend”
She then explains she dosen’t get to leave or anything even eat a hamburger. The boys are moved by this and Louie asks what she does for fun. She leads them to the vents and while Huey and Louie are a bit relcutant, Dewey naturally goes first pointing out it’s better than the marble room. They agree and are on their way. 
Okay unpinning that pin, the crew conciously updated Webby and Beakly as neither really had a lot of purpose in the original. It was also to conciously add more actiony females to the main family lineup, as both creators, both being fathers, preferred someone their daughters could look up to and would enjoy watching. Not someone perfect but someone intresting instead of someone who often got Kidnapped and whose main charactrisitcs were “Sweet and GIRL STEROTYPE” So cleverly they KEPT her being girly, having a skirt, liking ponies. .but also gave her all the training and skill of one Cassandra Cain, a sheltered background and an adorable personality that kept the sweetness but added her probably having killed a man at some point. It worked as Webby is one of the best parts of the show. 
Likewise Beakly was upgraded from fuddy duddy housekeeper, to badass former secret agent whose also a housekeeper, and bodyguard and confidant to scrooge. Demonstrated by her talk with him as he tries to put on his diving suit and go after the jewel of atlantis, having spotted the signs to go after it in the paper.. and wanting to prove a child wrong. Beakly points out the flaws in this, and tries to get him to connect to his family. Having lost hers, it’s easy to see why.. though the how’s a mystery.. for now i’m guess. We’ll see in the finale. But she’s Scrooge’s concisence and the one who can easiest reign him in, to the point two episodes directly have our heroes have to NOT call her or else the plot was end, but have that worked into the plot so it works. She’s the calm in his storm and hte one person he needs more than anyone else even if he dosen’t always realize it. He calls family “nothing but trouble” just as Dewey passes overhead. 
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So naturally as Webby shows off Scrooge’s old treasures in a mysterious room, while the other Siblings are rightfully impressed, Dewey dismisses it as “fake” because he’s being a little shit, and they agree after seeing Donald, not knowing his reputation. The cutaway to him struggling with a stapler does not help> it’s only when Webby accidnetly uneleashes Captain Peghook, a vengeful ghost after scrooge, who gets his hand on a ghostly sword do they realize this time the monsters are real. Huey also accidently wakes up Manny, the headless manhorse! 
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Things somehow get WORSE as Scrooge finds them.. but is in no state to argue and as our heroes duck and Huey tries to divise a plan.. Scrooge get’s his spark back once agian.. it’s starting to become an ember now... and he charges in despite Dewey’s cries of “No come back your old!”. It then gets VERY badass Scrooge: Oi! Beastie! What's it gonna take to shuffle you off to the afterlife? Captain Peg-Hook: The head of Scrooge McDuck! Scrooge: [cracks his neck, flips his cane around to wield like a sword] Would you settle for his hat?
Now that is how you show how badass Scrooge is in a few lines and gestures. HE proceeds to take both out, as they’ve now teamed up, easily, tricking peghook into cutting off the head of a statue of him in the area, throwinng it at him and finsihing the ghosts buisnesss (”I should’ve been more specifiiiicccccc”) and then giving Manny the head, earning him a loyal employee for life. So our days saved, the kids have faith.. and Scrooge is still pissed. He also reveals this isn’t a treasure room but the garage in what’s easily the best gag of the first half, possibly the whole special but one iconic moment is very close in that one. Webby concedes what about the stack of old magazines or the hose or.. okay he’s probably right. He berates them only for the kids to fire back, pointing out he threw them in a room, they just wanted to spend time with him... but it’s only Dewey throwing his words back in his face that pisses him off. Scrooge bellows at them to get out, clearly having internalized everything with donald into rage and trying to justify pushing eveyrone away instead of working at it... but this dosen’t have time to actually work, nor would Beakly actually throw three children out on the curb, as he hits a mystic gong.. the third time it’s been hit. And after realizing it’s already been hit twice Scrooge is faced with Pixu, the gold hutning dragon! And guess who has a giant bin of it wanting to snack on? Scrooge naturally climbs on the thing and the kids naturally want to follow, with Webby getting her first development by proudly announcing “I’m going to eat a hamburger” then explains the metaphor. They just need a pilto.. and as Launchpad has been saying but I forgot to add in “I’m a pilot”
So we get a GORGEOUS bit of Scrooge riding the dragon over the city, getting banged up as he does before finally being thrown off.. only for the kids to catch him with the planes help and try and come up with a plan. Scrooge overcomes his anger at them not staying put, especailly since Webby brings up the right weakness: as a wise man once said...
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So they need some.. like say the Medusa Gauntlet Scrooge had in the garage.. that Louie naturally stole. Huey and Webby eyeroll him but they have what they need.. and Huey brought the hose and quickly comes up with a plan, tying scrooge in, and swinging him to Pixu. The kids hold on tight, Dewey calls his family awesome and our heroes win the day as Scrooge turns the dragon to stone, slips and falls.. and then GRACEFULLY dives into hte bin, showing off his diving skills and his badassery. The day is saved, the gauntlet and the dragon go in the bin for safe keeping and Scrooge calls the kids trouble.. and chuckles fondly. “Curse me kilts how i’ve missed trouble”
He’s impressed: Huey’s quick thinking, Louie’s pickpocketing, Dewey’s drive, and Webby’s magical knowledge all saved them. For once. .he’s happy again. And for the second time in life it took his family to remind him why he does this and show him the true fun of adventure: Getting to share it with those he love. And he finally has people to love again. He has family back, kids who look up to him and want to learn from him again, a REASON to adventure. Money and treasure and eveyrthig couldn’t bring della back.. but he at least sees now that whiel they certianly couldn’t.. they can bring him closely with what he has left. She’s gone, for now.. but she left behind three great kids who could use a mentor and Beakly brought him a fourth. And he just found out he has a pilot. The ember.. is now a raging flame. Scrooge is back. Because i’ts not the money or the glory.. it’s the thrill of it, the discovery.. and the family that makes adventuring worth while and he’s learned that lesson again. So he calls Beakly to clear his schedule.. forgetting she you know PUT A FUCKING PIN INTHE WALL the last time he asked her to play scretary and the onlyr eason she dind’t drive over the choke him to death, is that she’s probably happy he’s back on track.
Back at the interview Donald is stapled to the wall and gets the job.. not as an accountant mind but his employer needs a sailor.. and his employer is FLINTHEART GLOMGOLD. Oh boy. 
Part 2: Escape To/From Atlantis First the last bit of background I saved: Originally, Fenton and Gyro were supposed to show up here, starting a gag of Fenton showing up but not being named until “Beware the B.U.D.D.Y. System!”, setting up the sub. But the crew decided this took too much away from the focus on the duck family. The not naming him gag was also dropped, and I have two reasons why: Their given reason, which is it’d take up too much time and a logistical reason: While they gave a heartfelt pitch to Lin-Manuel Miranda, as frank wanted a strong Latino superhero to combat the lack of them on film, Frank and Matt probably thought they woudln’t get such a huge name or at least prepared for it.. and were delightfully suprised when Lin happily and tearfully agreed. So they likely scrapped it so they could properly promote the biggest name in their voice cast. Honestly it was for the best and they still go to do the idea with Drake in “The Duck Knight Returns!”, where it worked much better than it probably would have with Fenton. 
We open with the Glomgold Industries Employee Training Video! Encourging IP Theft, making things cheaper and general scumbaggery, and claming your the world’s most beloved scottish billionare. IN short the perfect introduction to everyone’s favorite insane, fake-scottish, scheming, egotistical , short sighted billionaire. As i’ve made transparent before, I fucking love the reboot version of Glomgold and he’s easily one of my favorite parts of the reboot. They clearly needded to find a new place for Glomgold in the grand scheme of things as the show was more about globetrotting adventure and family and less about getting contracts or bets about whose bigger money and more about family. While they DID do a classic bet storyline with season 2, it’s clear the old glomgold was just a bit too stiff to properly fit into this new zanier and deeper universe. 
So they instead remolded him as a half insane, knockoff scrooge, someone who PURPOSFULLY modeled himself after the guy to try and one up him, and instead of being a fairly low pitched schemer, was a bombastic idiot whose schemes were half baked, whose name was on everything he made, and whose only thing bigger than scrooge was his glorious ego. In short he was perfect for this series and perfect to show up way more often as a bumbling thorn in Scrooge’s side.. but one who COULD be effective in the right circumstances, as to not make him completely pointless. Keith was likewise the only person I could see in the roll now as with Hater he had a history of playing bombastic, egosticial morons, and made Glomgold into the enjoyable ball of ego, bombs, sharks and shouting we know and love. Some people didn’t take to this version after a while... I’m not one of those. I loved him here, I love him now, and he’s every bit as good in season 3 as he was at the start. He’s also wearing a kilt mcduck A KILT. A bit that’st STILL funny four years and 70 some episodes later. 
So we meet Gabby McStabberson and the Smashnikovs as they and Donald file in, though Donald is busy wrapping up a call with Scrooge, who assures them he has a low key day planned.. while in the sub getting ready to go to atlantis. And nearly drowning when Dewey tells Launchpad to dive while he and Scrooge are still up top. Cue credits. 
So on the sub we get our setup for the two main plots for the episode: While the main thrust of everything is Scrooge taking them to Atlantis, each leads to a diffrent plot. Louie talks to Donald and lies entirely about their day, worrying Webby.. who then reveals she just didn’t tell Beakly she took off or where she was going and encourages her to call and lie. To save time, i’m going to cover this subplot now minus the conclusion as it’s pretty simple and this review is already a day behind. Louie wants her to lie so she dosen’t worry, which is oddly sweet.. still a bit greasy, but it’s clear he means well and it shows in his own way the boy cares about Donald: Sure he’ll lie to the guy, and set up a fradulent charity to scam him.. but he also knows not to worry his dad-uncle and kows Donald is better off thinking their safe than knowing the truth. Granted it also prevents consequences for Louie.. but he’s not playing here here. He gets nothing out of Beakly not knowing the truth or helping some girl he just met, he’s just being NICE in his own twisty way. It’s a nice show of his depths: While louie will lie, cheat and steal Eddie Gurrero style, he does have a caring side underneath hit. He can read people well and while he primarily uses it to manipulate people, we’ll see time and time again that he can use it for good too and to help those he cares about. He’s nothing but supportive the whole plot, and even when he says “you can’t back that up” it’s more worrying about her and having a bit of crack than actually being a dick. 
So Webby tries lying, but is about as good as Huey is at it, saying “I’m at a friends house nothing, then makes up a clearly fake name, then says their only talking in swedish for a grandpa. Launchpad DOES help, but only by accident and snake venom. We’ll get to that. As I said this wasn’t the most complex plot. 
The main plot is our focus episode for dewey. In theory each of the kids was supposed to have one in the first five episodes: Dewey here, Webby in Daytrip of Doom, Louie in Great Dime Chase and Huey in Impossible Summit of Mt. Nevverest!. Given the last one was horribly delayed, he instead got Terror of the Terra Firmians, which in hindsight wasn’t the best spotlight episode for him. But it’s a good system; Introduce them all in the first half of the pilot then slowly focus on each one.  So now Idoloizing Scrooge, Dewey is desperate to be his sidekick and be seen as an equal and is in deep denial as scrooge instead has them all buckle up for a 17 hour ride and when Dewey questions the route, which skips the direct path.. but is clearly marked with monsters, Scrooge just snaps at him and shuts him down and disapoints the boy who only wants to prove himself to Scrooge. 
Naturally though, telling someone with that kind of need for attention and validation to wait goes poorly as he redirects the map while Launchapd is distracted.. and we find out WHY the trip is 17 hours as the direct route nearly gets them killed by mer-ducks, krakens and some sort of storm elemental. Dewey is bummed it didn’t work and annoyed to realize he’s just lumping them all together like Huey pointed out earlier. Huey is also delightful here, having brought travel bingo and sea shanties, clearly used to trips with his other uncle. And adorably taking after him. 
But Dewey’s deversion has done more than make him even MORE determined to prove himself to Scrooge whose just trying to NOT loose the son of the daughter he lost...
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The Merducks have taken up residence in the bathroom, so they have to make a pitstop. Scrooge, CLEARLY forgetting how to take a trip with children, wasn’t prepared for this but they find a frieghter and make a stop. Naturally it’s GLOMGOLD’S freighter, where his sub took off from, and he and his minons including Donald find Scrooge using the bathroom.. and the boys to Donald’s rage. Unfortunately saying ‘I’ll kill him” to a raging sociopath who takes that as a sign to kill ALL of them, isn’t a smart move. 
So while Donald tries to plan to keep his family alive, said family arrives in Atlantis with a great bit of Scrooge trying to give a big speech only for them to see it first and ooh and ah. They touch down in the city.. which is flip turned upside down. Scrooge notes hti is odd but is able to read the hieroglypchs even upside downa nd notes there’s tones of deadly traps and that they shoudl stay back and..
Huey: Dewey ran in as soon as you said traps. 
So while Scrooge tries to prevent dewey loosing his head, Donald prevents launchpad loosing his and makes up an excuse about “if their dead now we can’t tourture them later” to cover his ass. Glomgold is impressed.  Dewey is Dewcipointed that the traps are upside down, though he does trigger some snakes that get launchpad. He’s fine just delirious. And possibly slowly dying but the fact he’s lived this long is a miracle. Maybe that’s why he’s missing for most of season 3 part 2, the snake venom caught up to him and drake and fenton need to find the cure. Anyways the rest of the party stays behind while Scrooge chases after Dewey, who naturally runs ahead AGAIN. 
Donald ducks out to use the bathroom, as Dewey tries the old dance through the laser grid routine.. but forgets the part where your supposed to actually avoid it, leaving it to an unseen Donald to stop the fire traps from barbqueing his boy. IT’s a really awesome sequence that shows off Donald’s still got it even if he dosen’t want it.  Scrooge naturally works smarter not harder and simply ziplines above like a badass and berates Dewey when he tells him he took “The easy way”
“Why would you want to take the hard way?” The argument that’s been brewing all episode bubbles up and once again both sides have a point: Scrooge rightfully points out Dewey’s being reckless, has no experince and needs to listen to Scrooge and learn something. Dewey claps back that Scrooge isn’t TEACHING them, just teling them to get behind him while he does things instead of trying to actively mentor them. He outright told them he was going to teach them so while Dewey’s been a wee bit overbearing, he’s right in being disappointed that Scrooge instead just wants them to be safe. I see it as his subconscious acting up: He wants and needs the kids along and is right ot keep them safe.. but is too scared to properly mentor them after what happened to Della and is just trying not to loose anybody. His methods have been right, to keep them safe.. he’s just been so determined to save them, he can’t properly TEACH them so he won’t have to forever or explain WHY. And given the First Adventure shows that while protective he did eventually let Della and Donald pull their weight.. but here he lost so much between adventures.. he just can’e bear loosing them. Dewey also rightfully points out he just lumps them together which in any other version wouldn’t be an issue, until the reboot I had no idea which one was which here? They have distinct outfits and personalities and you had 17 hours to actually get to know them. Probably less given the shortcut but still, several hours at a minimum. It’s things like this that make the series work: while there’s plenty of internal conflicts, at their best their nuanced ones, where if one character is clearly in the wrong they have a reason, and if both are right both are also a bit wrong, versus the original where it’d be scrooge or the boys grabbing the asshole ball at times (Not always mind you but when they did it was insufferable. 
However they don’t have time to argue as the bridge goes out and Glomgold finds donald.. and another way around as a result and gets to the treasure first. Scrooge notices they have donald but once again Dewey charges in 
“Unhand my uncle” “No” “Okay wasn’t prepared for that”
Naturally both sides are a bit livid, Donald for dragging his boys into danger after being part of the reason his sister is on the moon right now, and Scrooge for working with one of his greatest eneimies.. though Scrooge has less ground to stand on because as Donald points out “I can’t keep track of ALL of your sworn enemies” I mean he has lived like .. 200 years. That’s a long enemies list and Glomgold, while the most persistent, isn’t exactly the most dangerous they probably encountered. Given the guy’s an artist with Bombs and Sharks that does say a lot about how badass Scrooge is.. and how incompitent glomgold usually is. He’s just having an on day today I guess. 
Glomgold naturally holds Donald hostage, takes what is suppsidley the jewel and leaves them to drown to death, hitting a wall to let it start leaking. HIs minons run into the rest of the heroes and a fight breaks out while naturally Donald, after even more naturally getting his ass stuck in a hole, literally, rails out at Scrooge for doing this telling him “I knew I couldn’t trust you and” “This is the spear of selene all over again”
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Scrooge’s only response is “I was not responsible for the Spear of Selene!”
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Dude you still paid for the rocket. While Della shoulders most of the blame, SHE choose to take an untested rocket, SHE choose not to come back during the turbulence YOU still built it and hid it from donald and didn’t make sure she couldn’t just take off in it. Your both to blame. And as I mentioned earlier to the least extent but still an extent, so was Donald telling his grown, adult sister whose as stubborn as she is what she could and couldn’t do. He had the right idea and was the only person trying to be an adult here in this situation.. but he still took the wrong approach with stopping her. Still he got far more ground to stand on than Scrooge, who also took his nephews out. Dewey stops both by pointing out that while yes Scrooge took them on an adventure he’s been doing NTOHING but keeping him safe and most of it was his fault which disarms donald a bit. Though Dewey is quickly distracted.. but for once by an obersvation: the gem glowing above thaem that glowed when they entered... and since the city got flipped turned upside down.. THAT’S the real jewel. Dewey asks Donald ot let it flood so they can get it and begs his uncle to trust him despite his doubts which he does. They get it and everyone’s okay and even more when they reunite with the others they find they’ve handily beaten them. To me this is where donalds walls go down a bit: he realizes he’s been smothering the kids, and that while he may hate his uncle for good reason... he’s not going to make the same mistake with them and while he lied.. Don probably realized if Scrooge had been honest Donald would never have let them go. He can trust him.. and he can trust his kids will be alright without him. 
So Glomgold naturally leaves his minions to die, but our heroes manage to make it to the sub, and Gabby asks if they can bum a ride. Not wanting to do any murders they agree. On the surface Glomgold is showing off his jewel, only for Scrooge to upstage him second’s later with the real jewel, and point out his is “nice but defintly cursed”... and right on cue Glomgold gets dragged off with an octopus and let’s off his first “Curse you mcduck!”. Scrooge offers clean water and power thorugh it, for a price because of course he does, and has offically made his grand comeback. 
We get back to Webby’s subplot, as she’s confronted by Beakly.. who naturally being a former spy easily figured it out immieditely but is only upset her grandaughter lied to her. And even at that she dosen’t raise her voice or anything about the matter, knowing it’d only make her feel worse and getting that her grandaughter needs to see the world and that much like donald, she walled her up to prevent loosing what little she had left. And since being with Scrooge is safe as with her, she can go with him anytime just tell her first kay? They hug. Awwww. 
Donald likewise apologizes, admitting that whatever has passed, he misjudged his uncle here and while not forgiving him yet, is at least willing to let him back into his life and into the boys.. on holidays and stuff at least. But fate forces his hand.. or rather his 10 year old nephew-son having left the engine on and neither having turned it off, meaning his boat goes boom and is in no liveable condition. But Scrooge has the space in his heart and mansion for them.
So as we close the kids help move the artifacts all around the house instead of just the garage while Launchapd drops the boat. While clearing out Dewey notices the painting from earlier.. and finds part of it was flipped over...
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“Mom?!” 
Now keep in mind, while nowadays Della’s inclusion in the show is one of the most famous and treasured parts of the show.. back then this was a fucking shock. Disney never really cared about the boys mother and outside of one comics story never really went into what happened. So the fact she was not only an actual important part of the plot but we’d find out was a HUGE wham moment and left my jaw dropped after seeing the episode. Like I would with the finales I had read no spoilers and had no idea this was coming but damn was it a huge and welcome suprise and how far they’d take it and how much they’d flesh her out was an even bigger one. Easily one of the best big reveals i’ve ever seen. The only better one I can think of from this series itself... is the end of season 2. But that’s for another time. 
Final Thoughts on Woo-Ooo!:
This two parter/hour long special.. is still one of the episodes best and easily one of the best pilots. It does slow down a bit in pacing in the second half, but otherwise is just an immaculate , beautiful pilot movie that introduces and fleshes out all 8 main characters, maybe Launchpad the least but enough to still work, gives us some big mysteries to work out, and even throws in Glomgold’s first apperance. It sets the tone, reverent and adventuerous but also with it’s own weird and wacky sense of humor and world building, and universe perfectly. I .. don’t have much else to say really it’s just THAT good and really worth checking out. If you somehow haven’t seen it go watch it and if you haven’t seen it in a while might be worth a rewatch before the finale. The absolutely perfect start to an amazing ride. 
Next on the Della Arc: Dewey and Webby try to figure out where Della is while Louie learns a valuable life lesson and  pisses off a killer robot along the way.
Next on the Blog: Amphibia Season 2 is back! 
Until then if you liked this review follow for more and if you could please support me on patreon. Even a buck a month helps and juicy stretch goals give you na incentive to contirbute. We’re 5 bucks away from 20 dollars a month which means a review of super ducktales and a Darkwing Duck review EVERY. MONTH. So contribute now! Until the next rainbow it’s been a pleasure. 
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uservillanelle · 4 years
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Killing Eve ― 3x06 (Review)
The time has finally come for yet another review. I can’t believe we only have two more episodes and it will be the end of season 3. Seriously, Killing Eve should AT LEAST have 10 solid episodes per season as most of other shows do. It would be just enough content (more than we get now) and without having to stretch things out. Now, theres A LOT to talk about, so I’ll try my best to touch upon as many things and details as I can! So sit back, grab your tea/coffee and let’s get started!
Title cards
I covered this topic back in 3x04 review, but they did it again, and this time the title card game is somewhat different. It’s really apparent that they are experimenting with editing and trying new things and that’s good, because we know that not only they want characters to develop, but to improve and change the editing and production of the show itself.
It was a bit unusual when they swapped from location titles to character names back in 3x04, but this time it was actually fun. I mean “PISS OFF FOREVER?!” This cracked me up sooo bad, I had to rewatch it several times lmao!! And don’t even try to tell me that they left Niko alive for THIS. It’s not the first time he rejects Eve and wants to get away from her, so what is the point of that scene with him? We didn’t get any new information or knowledge. So... I’ll call that waste of precious screen time which, in this case, should be dedicated for Eve’s personal character story because hell, she’s the one who deserves it the most.
Then they did it again with CUBA/NOT CUBA and honestly it cracked me up, AGAIN! I actually loved they did something like this, even though it kind of gave this comedy type of feel knowing how dark and complicated this show actually is. And of course the “THIS IS BULLSHIT” was exactly what Oksana said at the meeting with Helene not so long ago, so them reflecting on that and showing the phrase as a title is so relatable and at the same time kind of expresses how Oksana feels and what she thinks. 
So far they haven’t really decided as to what kind of editing style they are going for, but I do hope that at the end of this season they realize how they will carry the show onwards starting with season 4, because them keeping this up and changing things constantly is not a good thing. Many people find it annoying and really, they aren’t used to any of that, so I hope season 4 will have a more consistent style when it comes to editing and carrying the main storylines, ect!
Niko (ft. Eve)
There isn’t really much to talk about here, other than... Niko being alive makes NO sense, whatsoever. I personally wasn’t expecting to see him being killed off or anything similar to that, but since they basically PITCHFORKED him, just let him die, okay? There is NO way he could’ve possibly survived something like this and that means they have to have a VERY big reason that would, you know, justify him surviving so fans can “ignore” the fact that it doesn’t make sense to begin with. So far, they didn’t provide any reason for that. Niko didn’t say anything useful to Eve... nor did Eve. She was just rejected again and had a confrontation with Niko’s uncle, I believe. Wow, someone of his family members don’t like Eve. What a shocker, right? 
One of the very few options that I could see happening and making sense is for Niko to be alive and for Eve to make a decision and choose Villanelle over him. Not because she lost everybody and she’s the only one she has left, but to be able to choose her because she WANTS to. Instead, what did we see? We saw a very desperate and determined Eve who’s willing to go that extra mile to find whoever hurt Niko. Despite everything, a part of her still has hope for them even now so maaybe, after those fancy “PISS OFF FOREVER” words, Eve will finally come to her senses? Even though most of following scenes had her feeling the same way. So I really have no idea what else to expect and why Niko is still there. 
There’s also a theory going around about how Eve should pull the plug and kill her husband lol. I mean, that way, their conversation from the very first episode about how Eve could kill Niko and that storyline could come full circle, but given what we saw of Eve and her values and mental state.. yeah I don’t see her doing that anytime soon, or ever, in fact. She’s still clinging to Niko somewhat and she must go REALLY wild and dark in order to do something like this. Though, I must admit... I kind of would love to see it as well! At the end of the day we all want dark!Eve to rise... and she is getting there, believe me!
Villanelle & Helene
I’m very conflicted about this duo. Especially after watching the promo/preview of upcoming episode. Yeah... I’m just going to throw it out there. I think Villanelle will end up killing Helene. The meeting wasn’t exactly successful, as Dasha of course lied to Villanelle about having all the control or probably, the description of a Keeper is quite different to Helene and Dasha than what Villanelle already knew about it thanks to Konstantin. So.. could it be that back in 1x07 Konstantin lied to her? Or that Dasha told Helene something different to get Villanelle in line and believing she is actually “moving up” in the world? Honestly, still much to think about.
I LOVED Villanelle’s, or should I say, Oksana’s outfit during the meeting and especially how big of a mess her hair was. I mean the hair perfectly reflects her inner state and yeah, she IS  a mess and she has every reason to be. Someone previously mentioned how Villanelle was the one who went to Russia, but it was Oksana who left it and now I’m starting to really see and feel just how true it is. I mean this episode was almost all Oksana, except a couple of moments where she tried her best to keep her defenses up, for instance being sarcastic with Helene. “Are you trying to seduce me?” I mean... I wouldn’t mind them getting some.. buut, it’s not going to happen. Still, those lines were hilarious as much as they were iconic and yeah, in that moment she was trying to play her main character, which is Villanelle but as soon as she spotted the post card it was over. Oksana took over and she freaked out. The bad thing about this is that she is very emotional and very vulnerable right now, her mind and emotions are all over the place and that could be why she didn’t really think about Dasha being the one who lied to her? Or maybe she did think about it but we aren’t aware of it yet? This can’t mean anything good and I am honestly concerned for her. 
What else I noticed from that scene is that Helene was quite open in terms of deciding to speak to her daughter I’m guessing, in front of Villanelle while not really you know, feeling like she could be in danger? Despite the fact that she is literally standing in front of a killer. I guess she is really used to that and her job is meeting a lot of assassins and other dangerous people? And then there is Villanelle who keeps asking her all kinds of questions, silly or not, she did ask whether Helene was her real name and yet she didn’t answer. In fact, she didn’t answer any of Villanelle’s questions and that is again, concerning. So maybe Helene isn’t her name, but that’s kind of ironic, knowing that Villanelle isn’t really her name either. So yeah, seeing Helene be so...cool around Villanelle especially while she was freaking the fuck out should say something and that probably means she knows exactly how to handle such people and situations like this. I’ll definitely keep my eyes on her from now on. 
Eve
Our precious Eve is finally getting some quality screen time. Not enough, but at least she’s getting some. What I absolutely LOVED about her in this episode is just how confident and sure she is about Villanelle not being the one who hurt Niko. Yeah, let’s remember that the last time she and Villanelle saw each other was on the damn bus where they had a major fight and a kiss. That was Villanelle and she was such a smug asshole there and everything and thinking about this now, it’s completely different person from who Oksana is and it’s mindblowing actually. So to think that Eve didn’t consider Villanelle being the one who hurt Niko, despite there not being ANY evidence that state that is just... their connection is simply incredible. No matter how many times Villanelle and Eve end up hurting each other, they STILL have this hidden trust within each other that I find extremely fascinating and then Eve gets the photos of Bertha Kruger and of course, that’s what Villanelle was doing while Eve was in Poland coming to visit Niko. I’m glad that there is this alibi in Villanelle’s defense to show that she was doing something else, KILLING someone else at the time and the fact that Eve thought that it was Villanelle who killed her, even if she did it in a “nice” way... is beyond me. There is really no one else who knows and understands Villanelle/Oksana better than Eve. Period. 
Another important aspect that is worth mentioning is the fact that the writers are kind of robbing Eve of screen time and character development. We haven’t seen her much this season and especially during the previous couple of episodes and even in this one it seems like Carolyn got more screen time than she did and Villanelle as well, who JUST had her solo episode, which is kind of unfair. However, I do think Villanelle deserved to have her own episode now since her character is going through such a huge change, meanwhile Eve is going through her thing, but it doesn’t feel like it’s as huge and as extreme as it is for Villanelle. At least that’s what they’re showing us. But yeah, I think season 2 was way more about exploring Eve’s inner darkness than this season, which is more about acceptance of her dark self and her feelings for Villanelle. Let’s just trust the writers and see how they will handle Eve’s character during the next remaining episodes and only then we can actually judge the crew and the lack of screen time Eve received, because really, what I noticed this season is that Suzanne really wanted to show EVERY character and so far she has been sucessful in that for the most part, with one flaw, that is the screen time management and yeah, we shall see how that aspect is handled in the next episodes!
Villanelle & Konstantin
So we got the hockey game scene. I’m glad to know that Konstantin didn’t set Oksana up by sending her to some strangers. One of the highlights of their conversation was Konstantin’s comment about Oksana’s mother who he thought was INSANE rather than evil and was hoping for Oksana to awknowledge it instead of killing her. Guess she didn’t really consider it as an option? But does that mean then that Oksana as just as insane and isn’t aware of it just like Tatiana wasn’t? At the same time we know that Oksana KNOWS there is something wrong with her, at least that’s what everybody else keeps telling her, so I wouldn’t call her insane. At the same time seeing that Konstantin wanted to give this chance for Oksana to get some kind of closure by being with her family and especially her mother does show just how much he cares about her. Until... their conversation shifts. Again.
So apparently Oksana knows about Konstantin’s plan to “get out” and she is suddenly interested in joining him. Now this part of the conversation PAINFULLY reminds me of their last interaction of season 2 finale. Especially the part where Konstantin chooses his family instead of Villanelle, who is ALSO his family, whether he admits it or not. They might not be related by blood, but he IS her father and seeing not only her own mother reject her but her father as well will do things to you. So again, Konstantin leaning towards choosing to leave with Irina and leaving Oksana behind only to promise her that he will come and get her is not enough. He betrayed her several times... he left her at the prison in season 1 even though he “tried” to get her out of it. He betrayed her at the end of season 2 by choosing his family over her, and now... now it feels like ANOTHER betrayal is coming and to be completely honest I don’t think Oksana can handle so much rejection at the moment. Of course, Konstantin can’t just pick Oksana over his own daughter, but it’s wrong to play with her like that. She killed her own mother and left her blood family in order to get back to her REAL family who is Konstantin and Irina and neither of them show enough of determination to bring her along which really saddens me. I mean Oksana went through enough as it is... I’m not sure how she will get through this if Konstantin will leave her again... and I won’t have it either. They better not do it again.
Villanelle & Irina (ft. Konstantin) 
I just love, love, LOOVE these two together. I mean 1x08 is one of the most iconic Killing Eve episodes and they are the biggest reason why. I’ve been waiting for them to get together again and those a couple of scenes they got to spend together didn’t disappoint. I LIVE for their interactions. I mean what can be better than two sisters bonding? Especially when it’s Vasiliev sisters. Them fighting like true siblings do, having fun while both of them having this insanely chaotic driving session and at the same time touching upon going to CUBA as well as finding out Irina’s feelings towards her own mom and her boyfriend, who Villanelle doesn’t see any reason NOT to encourage her to kill him lmao! I mean, first Irina sarcastically calls Villanelle a “real role model” and 15 seconds later she is literally driving over her step-father LOL! I mean... I am SO proud of her. She really did take her sisters advice on this without much of thinking and at the same time I am kind of concerned about her. We all saw Konstantin’s reaction to her driving over the guy and well... that’s not exactly the best thing to do.
In Oksana’s defense, I do think she was trying to be helpful in giving Irina this advice, since we all know that’s how she normally chooses to solve problems. By killing. Plus, I don’t think she actually expected Irina to take her advice either way. Let’s take Tatianas case for example. Yes, it’s a lot different because she was mentally abusing Oksana for years and there was lack of affection and all that, so Tatiana definitely deserved it. In Irina’s case... she’s just “disgusted” of seeing her mom with her boyfriend all the damn time and I don’t think she should’ve killed anyone for that. Besides, she was already preparing to leave with Konstantin so what’s the point? She wouldn’t have to put up with them anymore, yet she did it anyways. And what stands out for me about this is that we see Oksana not wanting to do any of that anymore, no more killing, just wanting to get out of this assassin thing meanwhile Irina just had her first kill. Kind of beautiful in a way, of having one of them ready to quit this way of life while having one of them indirectly influence and push the other into the beginning of such dangerous path. And from the looks of it, Irina didn’t seem to feel bad for driving over her step-father, like AT ALL. So I wouldn’t blame Oksana for the whole thing. Yes, she planted the idea in Irina’s head but it was her who actually did it and didn’t feel bad about it.
This whole dynamic just makes me want to remember the lunch scene in 1x08 where Villanelle asks Irina “Are you a bad person?” “I don’t know yet” well, guess now we are starting to see the person she is becoming and yeah I don’t think any of us saw this coming, that their previous conversation could be a foreshadowing in this way!. I’m VERY glad they decided to bring Yuli back this season since she is one of fan favorites and like I said, the dynamic between Villanelle and Irina is just great!
Konstantin, on the other hand... guy is in serious DEEP shit this season and now having to witness his actual daughter kill someone... yeah, I think having to handle Oksana is complicated enough and she alone manages to drive him mad so now the idea of having TWO mentally unstable daughters... yup, it’s time to do something about this. At the same time I kind of see the parallel between Oksana and Irina and how they could be reflecting one another. Tatiana wasn’t there for Oksana most of the time and didn’t show her any affection, ect. Konstantin is of course not as bad as Tatiana was, but the fact is, is that he is not really there for Irina. She’s not really getting as much of his attention and love as Oksana gets from him since she’s so demanding. So it makes sense for Irina to become more like Oksana, having them both be neglected by their parents in a way.
ALSO!!! Is it just me or is Konstantin the FATHER of the entire show lol?! A lot of people thought that he might be the one who killed Kenny. Now, all out of sudden he might actually be his father?! Yes, the thought did cross my mind but I never expected them to address it in that way. So... based on Carolyn’s forried look and silence that followed afterwards... this is the confirmation? Konstantin is Kenny’s dad then? Or maybe Carolyn isn’t sure of that either? Life is SO much more complicated in Killing Eve, I swear lol! Then there’s the thing with Geraldine... not sure where they are getting with this yet. Feels like we don’t really know anything about Geraldine just yet and really.. so far it just seems like she has daddy issues which could explain her amazing bond with her father and him not being there anymore. (I assume he died). Funny enough, we see Oksana having mommy issues. Yes. It is a thing now. And I’m not very excited to see where Konstantin/Geraldine thing is going... 
Carolyn (ft. Geraldine)
We finally get to see Carolyn uncovering more information about Kenny’s case and actually it brings more questions than answers if you think about it. Kenny calling Konstantin, him possibly being his father, Geraldine kissing Konstantin and so on. This is suuch a mess. 
The long awaited conversation with Geraldine gave us more insight as to why Carolyn is so cold towards her daughter and I get it. Really. What I don’t realy get is the fact that Geraldine decided to not mention Konstantin coming to visit her while insisting her mother to talk about Kenny. If she wants them to be truly open about things and just have a honest conversation, she has to open up about other things as well. That includes Konstantin. And gosh, she better tell the truth in the next episode because I’ve had enough with all the lies. Plus the season is almost over and we hardly know anything about her. Please, Suzanne, don’t let us down on this!
Eve & Dasha
I just love how easily Eve teleported to Barcelona lol! I’ve been also waiting for their face off and it happened. I was expecting something a lot more... crazier, physical, but all they did was basically annoy each other by fighting over VILLANELLE and their importance in her life while having this bowling match. The fact that Eve has NEVER done it before makes the whole winning aspect sooo much more delicious and come on, Eve just HAD to notice how Dasha missed one of her strikes as soon as she mentioned that Niko was still alive. Makes me wonder if its THAT easy for someone to throw Dasha off her game, yet she’s soo narcissistic and so ahead of herself. 
Eve’s trust in Villanelle continues to AMAZE me, like no matter what Dasha told her she STILL denied all of her bullshit as if it was nothing and that is coming from someone who had only met Villanelle a handful of times. This is such a nice parallel to season 2 finale where Carolyn told Eve that Villanelle wouldn’t do the same for her. Not only did Eve figure out who Dasha was and that Villanelle was working for her, but she actually went to Barcelona to confront Dasha like that and call her out without much of hesitation. Again, Dasha mentioned “killing” Eve and that is concerning. There is a reason Carolyn told Eve that Dasha ended up killing one of her own... and that, I feel, is huge foreshadowing for upcoming episodes. Dasha IS the problem and she will cause even more. Honestly, I’m afraid she might do something to Villanelle or Konstantin for that matter. After all, she DID kill one of her own to save her own ass and I bet she can and will try to do it again.
Villanelle/Oksana (ft. Dasha)
To put it lightly, Oksana is a mess. She is going through a LOT. We’ve never seen her this vulnerable and emotional before and she has EVERY reason to feel this way. Now, it is sad that people seem to be struggling to separate Villanelle from Oksana. Like I’ve mentioned in my previous post, this episode was almost 95% Oksana and the rest 5% of her trying her best to look somewhat like her old self mostly at the meeting with Helene and during her next kill. After killing her own mother, she doesn’t see or feel the same way about killing. At least not right now. It’s a lot more difficult for her to turn her emotions off now that they are so intense and she can’t focus clearly. She is becoming sloppy at her job and she doesn’t want to do any of it anymore. Now that I’m thinking about it, we’ve seen more of Villanelle so far than we have of Oksana. The previous two seasons we saw only this confident persona that Oksana has created with several occasions where her real self comes to surface. And this season it’s all about peeling those layers, of slowly peeling away Villanelle and getting to meet Oksana. So, we are sooo used to seeing Villanelle in action, her interact with people that we can’t see her being emotional, let alone crying. It’s not like her. Because it’s NOT her. It’s Oksana and don’t know her enough to know what she is like and what is in character for her. Truth is, she is vulnerable, hurt and in pain. She is going through the death of her mother, the loss of her family, the loss of control and being manipulated (again)  by others in doing something for them. It all was building up and now she can’t escape those feelings anymore and she wants to quit. 
I feel like this time she REALLY means it. She really wants to quit and she is willing to give away EVERYTHING. The apartment, the clothes.. and EVE. The first time I’ve watched the scene I got really concerned and scared... because that means Villanelle is willing to leave Eve like that. At the same time I started to realize that this is sooo much bigger than Eve or them being together. This is Oksana wanting to have a new life... and she wants it so bad, she is willing to leave Eve behind. This, right here.. it called CHARACTER GROWTH and I am soo proud of her for reaching this point, of wanting this life, wanting something for HERSELF even if it means giving away everything she loves. That’s when you know she is being serious about it. So maybe this will turn out to be a good thing... maybe when Eve will notice and find out about this... she will be even more willing to accept her feelings for Oksana and they might end up just running away together because they can and because both of them want for this bullshit to end.
Now, Konstantin told Villanelle to NOT tell anyone about their escape plan. She promised not to do it but then she had a breakdown and ended up telling it to Dasha.Such a BAD move. I mean.. Dasha is the last person she was supposed to tell this to... and I’m sure it will cause major problems. Dasha will get someone killed and I don’t blame Oksana. She’s not in the right state of mind and really, if she haven’t told it to Dasha, we probably wouldn’t have as much action and drama happening in the next remaining episodes. So will see. But I really do hope Dasha will fail at whatever she will try to do.
I’ve probably said it plenty of times but Jodie Comer’s acting STRIKES AGAIN! So many powerful performances delivered each single episode, I am speechless and I really don’t know what else to say. Just see it for yourselves. She deserves another Emmy and more! 
Villaneve screen time
This is not really a part of a specific episode review, but more like me wanting to point something out. It’s been 6 episodes already and we only got ONE Villaneve scene. The bus scene. The kiss scene. Yeah, it was mindblowing and amazing but that’s not enough. And something tells me they might not even meet in next episode.. only see each other at the very end of the episode and that’s on it’s own upsetting... I mean I dare to say, even season 1 had more Villaneve screen time than season 3 has. I’m not even talking about season 2, where literally they spend together half of a season together occasionally meeeting up. This show IS about them and their dynamic and how can we have it if they are not interacting together? I get that this season is more focused on character development and them evolving separatelly, but Villaneve still has to be a thing... and they better give us the entire finale filled with Villaneve quality content or else... after all, they ARE the main plot of the show for me and there’s that. 
Overall Thoughts
Another solid Killing Eve episode. Since they have only 8 episodes, they can allow themselves to make such rich, intense and filled with information/action type of episodes and it shows. There were a couple of weaker episodes, but overall this season is getting stronger with each episode and I am very nervous as I am scared and excited for the remaining two! 
As always guys, if you have any theories or thoughts about this episode, Killing Eve in general or anything else, feel free to jump in my ask box or message me directly, I’d love to chat!!
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antagonistchan · 3 years
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really long post sorry lol but i have so many thoughts about this that i so desperately need to get out
Something I’ve been thinking about a lot lately: Cheating in Transformers.
For some backstory; I’ve vaguely known about Transformers as long as I can remember (I had a bunch of Armada minicons as a little kid, and my Dad liked G1 when he was a kid and told me about it a couple times (and eventually I inherited his old toys)). And then I really got into Transformers myself in 2006 when I was 8 years old, when I started watching Transformers: Cybertron (which was already over halfway done at that point, oops, but still). And then I got REALLY into Transformers myself in 2008, when I truly discovered the Transformers fandom (I discovered tfwiki, and I discovered a couple Transformers youtubers who I actually still follow today, and I realized that I wanted to start collecting Transformers...); ever since then, I’ve been a hardcore Transformers fan. Transformers has consistently been at least one of my biggest fandoms this whole time. And most of the time it’s my absolute biggest, I’ve just had a couple phases here and there of thinking “maybe I care about this other thing just as much as if not more than Transformers” (most notably during my Vocaloid phase from 2015-2018). My favorite video game of all time is the Mass Effect trilogy, and a couple weeks ago I was thinking “there’s probably nothing that could ever top Mass Effect as my all-time favorite game” and then a week later I realized “Actually, no, there’s one thing that could potentially push Mass Effect aside, and that would be my dream Transformers game”.
So, I'm currently 23, I got into Transformers when I was 8, and I’ve been a hardcore fan since I was ten. More than half of my life. Way more than half of my conscious life since the first few years don’t really count.
So, with that context in mind, returning to the point of this post: Cheating.
I don’t like it when Transformers cheat. The robot mode and the altmode are extremely important to me, but ultimately, the most important part of a Transformer is the transformation between the two itself. And when it’s cheating, I feel a little... well, cheated.
Point 1: Bayverse. When I first saw the Bayverse designs, I was immediately put off because I knew that those designs couldn’t translate into toys without cheating. The only toys that even remotely approach movie-accurate transformations are Masterpieces and old Leader-class toys, and even then it’s not fully there. So like, the Bayverse designs feel like they’re missing the point of Transformers. And remember, I was a kid back then. I’m not saying I was a super mature kid or anything; rather, I was put off because of my childlike priorities. I wanted a toy that didn’t lie to me.
The Bumblebee-style designs are a step in the right direction; the characters are all actually recognizable as themselves now. But the whole design philosophy is still wildly out of scale with what’s actually possible in a toy. And god, as I get older, the more and more I do actually understand the appeal of the Bayverse design philosophy. It is a really cool and creative and interesting design philosophy. But it’s a good design philosophy for a movie, NOT for a toy. So even though I actually appreciate the Bayverse style now, it still stings that it doesn’t really understand toys, and the only Bayverse-style toys I’d ever be willing to buy are the insanely expensive ones.
(Also, it’ll always sting at least re: non-Bumblebee designs that the most high-profile part of the brand for so long was one of the least representative, and was so radically different from everything else. To a lot of people, Bayverse is Transformers. If those people are hardcore fans... I don’t mind too much that Bayverse defined Transformers for them. I can’t fully relate, but I do relate a little (these movies have been around and huge for more than half of my life, I definitely have some nostalgia for them), and they clearly have a lot of love for it and that largely placates me. But the fact that Bayverse also defined Transformers to a lot of casual consumers- THAT makes me wildly uncomfortable)
I had a similar initial reaction to Animated’s designs, but then Animated’s designs actually won me over because the designers used some sort of blood magic to make the toys actually work. The toys actually transform the way they do in the show! Incredible! And even at reasonable prices, and looking good in both modes (at worst, there’s some minor kibble and visible robot bits)! They actually did understand the point of Transformers, and I feel ashamed for having ever doubted them! Animated is actually one of the highest points of Transformers, both in media and in the toys! God, I love Animated!
Point 2: Speaking of Animated, we gotta talk about Wreck-Gar.
And by “We gotta talk about Wreck-Gar”, I mean “Wreck-Gar is actually perfectly fine and everyone’s way too harsh on him”. Animated Wreck-Gar is one of the most infamous backpack-formers, and backpack-forming is one of the most infamous methods of cheating.... but honestly, with Wreck-Gar, it doesn’t feel like cheating at all.
Yeah, he’s got most of a dump truck hanging off his back... but it feels like that’s the point. A dump truck is already just a cargo delivery system, so with Wreck-Gar, it just feels like the robot is still just a cargo delivery system. He doesn’t have a backpack because he’s poorly-designed, he has a backpack because he has a backpack.
That’s not to say the backpack-forming doesn’t have any issues. It does still create two problems- that is, it restricts his waist articulation and gives him balance issues. Those are both unfortunate. But it’s not cheating.
Kibble doesn’t feel like cheating if it feels like it’s supposed to be there.
Point 3: Fake kibble.
CHUG toys like to cheat a lot, especially lately.
For instance, PotP Punch/Counterpunch. Counterpunch’s chest is not the actual windows; the real windows are in his feet and slot over Counterpunch’s chest.
This is... kinda clever. It’s still cheating, but the fake thing is just hidden inside the real one, so everything’s kinda in the same place.
But again, it is still cheating, and I feel like cheating misses the point for me.
In this case, they’re clearly cheating because it makes the two modes look better. And they’re right. If the altmode used Counterpunch’s real chest, it’d be too small; and if Counterpunch used the altmode’s real windows, it’d be too big. I get it. But I just don’t think that’s worth the cheating.
But much like actual kibble, sometimes fake kibble doesn’t feel like cheating.
Optimus Prime has had many many toys with fake cheating over the years, because they’ve experimented with so many ways for him to transform but like to keep his design mostly intact (hell, that’s part of why they’ve experimented so much- Floro Dery’s take on his design is really hard to replicate in a toy). And they have varying levels of “does this feel like cheating”.
Classics Voyager Optimus Prime is cool, but his fake kibble is absolutely cheating.
Powermaster Prime doesn’t feel like cheating at all to me. Part of that is because in the Masterforce anime (which I saw before I’d even seen the toy), they don’t hide how he actually transforms in the slightest. They show him transforming, and he transforms like the toy. There, it feels like they just wanted him to transform different, but wanted to keep the iconic details, rather than making him transform different for the sake of the iconic details.
Earthrise Optimus Prime’s fake kibble is mostly cheating, but the way it cheats is actually so interesting that, if I force myself to think of it the way I think of Powermaster Prime- pretend that it admits it transforms funny- I can actually accept it as somewhat not cheating.
But there’s one Optimus Prime that doesn’t use fake kibble at all and still ends up with a Floro Dery-accurate robot mode. I really love the way this Optimus Prime transforms.
It just fucking sucks that this Optimus Prime’s vehicle mode is so bad that even I- who prioritizes the transformation above the vehicle mode- am willing to say “Wow, this toy is garbage”.
I’m speaking of Classics Deluxe Optimus Prime. The robot mode isn’t as good as Earthrise’s, but it was good at the time, and god, that transformation is absolutely beautiful. But jesus, that vehicle mode is ugly as shit. I really wish they’d give Classics Deluxe’s general design another go, have an Optimus that transforms just about the same way but doesn’t have the worst fucking vehicle mode of all time.
Point 4: Partsforming.
I don’t usually like partsforming. I have a hard time accepting Earthrise Cliffjumper even though it’s mostly very good because the partsforming is so much.
But sometimes- and I think you might be noticing a pattern after the kibble and fake kibble bits- partsforming doesn’t feel like cheating for me.
Partsforming typically feels right when it actually gets so egregious that it loops back around to being Really Good, Actually.
For instance, RiD01 Ultra Magnus. His entire vehicle mode basically splits in half, and one half becomes his legs while the other half becomes everything else. The fact that he has to split in half so dramatically and then recombine equally dramatically makes it feel like an inventive and unique transformation instead of a cheat.
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doomonfilm · 4 years
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Ranking : Christopher Nolan (1970 - present)
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From the moment he kicked the door down on the scene with the breathtaking Memento, the name Christopher Nolan has rung synonymous with high thinking, high level and high entertainment film.  He always finds fresh and unique ways to tell stories, be it visually, narratively, or some combination of the two, and many of his conceptual deep dives have opened real conversations in regards to different aspects of space and time.  For an artist, the impact the Christopher Nolan has had on the populous as a whole is impressive, which is why after recently seeing Tenet, I felt it necessary to take a look back at all of his films and determine where they stood in relation to one another (in my eyes). 
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11. Insomnia (2002) As stated with every instance of ranking the work of a director, there’s always one film that’s got to take the bottom of the list hit, and for Nolan, it was Insomnia.  The film in itself is not a bad one, and it does offer some strong visuals in regards to the unrelenting amount of sunlight that one experiences in Alaska, but it does suffer not only from being a remake, but a remake that pales in comparison to the original.  For my money’s worth, Nolan works best with original ideas, with one specific trilogy standing as an exception to that notion.
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10. Memento (2000) While not his debut film, this was the film that put Nolan on the map.  The story is unique and intriguing, and the manner in which it is told really makes it work, as a standard A to Z telling of the film would eliminate much of the dramatic tension felt.  That being said, this film suffers from a similar fate to that of films like The Sixth Sense : it’s cool the first time you see it, it really wows you the second time you see it, and then further viewings find diminishing returns in regards to the experience of the “gimmick” (for lack of a better word).  Definitely worth seeing if you’ve never seen it, or are looking for a gateway into the work of Nolan, but underwhelming when held up against his future work.
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9. Batman Begins (2005) As previously stated, Nolan (in my opinion) works best as a writer/director of original ideas, so like many, I was slightly surprised when he was tapped to handle the Christian Bale edition of the Batman movie canon.  There wasn’t so much doubt about his ability to pull things off visually, but with such a beloved franchise and character in his hands, there were thoughts about whether or not his style would translate in a way that an already dedicated fanbase would appreciate.  Batman Begins was an effective table-setter for his Dark Knight trilogy, but due to the necessity of having to address an already familiar backstory, many of Nolan’s best ideas would have to wait until the sequel.
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8. The Dark Knight Rises (2012) This film found itself the unfortunate victim of an all too familiar national tragedy in the form of a mass shooting during an early screening, forever putting a sort of black cloud over the film as a result.  That being said, the film was a stellar entry in the Dark Knight trilogy, anchored by an instantly iconic Tom Hardy performance.  If this film was attributed to any other director, it would possibly stand as one of their top works, but Christopher Nolan is a man of such depth and style that The Dark Knight Rises merely stands as above average output from a creator who is pulling back a bit to fit the Hollywood ideal (or his version, anyway) of a comic book film.
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7. Following (1998) Quite possibly the most personal of all Nolan films, which makes sense, considering it was his first.  It was the buzz that this film generated during the 1997 festival season, along with an already completed script for Memento, that turned Nolan from an aspiring director to a household name.  Following gives us a bit of insight into Nolan’s creative process, presenting us with a highly stylized version of an observational writer, forever receptive to the stimulus around him.  The look of the film displays Nolan’s eye for location and cinematography, and the non-linear nature of the story served as a sneak preview to a format of storytelling he would soon master and manipulate beyond our ability to initially understand.  Though a bit on the short side for a feature film, it is certainly a fun ride with much indication of where its creator was headed.
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6. Interstellar (2014) Throughout the 2010s, it seemed that Nolan was hell-bent on warping our brains through the entertainment medium, and after the warning blast that Inception was, Interstellar served as a sort of thematic and spiritual double-tap for our psyche.  Nolan took the basic structure for a story of familial, unconditional love and skewed it by thrusting our protagonist into the uncharted depths of space, skewing his perception of time so radically that the people he loved became old while he did not age, which in itself is enough of a heartbreaking concept to build a film off of.  Add to this the fact that we are presented with (to the best of our knowledge, anyways) the most photo-realistic depictions of a Black Hole and a tesseract, and the end result is a powerful genre-blending journey that stands in rare company, with films like Tarkovsy’s Solaris and Kubrick’s 2001 : A Space Odyssey serving as the closest points of comparison.
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5. Tenet (2020) When you have a track record like that of a Christopher Nolan, it is inevitable that people are waiting on your downfall, and with 2020 changing the way we take in films, many tried to seize this opportunity and label Tenet as this moment in time.  To me, this is an absurd stance to take... not only is Tenet one of the most intriguing films I’ve seen in years, but its efficiency in storytelling trims away so much fat that we are left with archetypical characters with subtle amounts of depth shepherding us through a narrative line that folds in and overlaps on itself numerous times.  With this premise set and our characters deeply devoted to their functionality (though not at the expense of performance), we are left with the spectacle of some amazing choreography and in-camera special effects work that makes you really and truly have to stop at times just so you can try and process what it is you are seeing.  Hopefully, in repeat viewings, the “gimmick” won’t take precedence over the film itself, as I believe there is enough going on outside of the visual trickery to keep one interested time and again.
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4. Dunkirk (2017) It’s no secret that Christopher Nolan has the talent to build vast, textured and deeply imaginative worlds with his films, but up until the point of Dunkirk, Nolan had not attempted a “period piece”.  Luckily for us film lovers, Nolan decided to try his hand at that style in the form of a war movie, and the result was the extremely moving and powerful experience of Allied troops in World War II caught in a situation where death seemed inevitable.  Despite the vastness of the beach and sea we are shown, the feeling of being trapped permeates through and through, and it is enhanced by stellar cinematography and practical effects.  Even with a cast full of familiar names and faces, the experience of hopelessness created soon eliminates the familiarity that comes with star power, and we are left with nothing but our investment in the story.   
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3. The Dark Knight (2008) Simply put, The Dark Knight really has no business being as good as it is.  You’d think that its placement between the two trilogy bookends would give it a transitional nature, potentially only existing to move the story forward to its conclusion.  What we are given, however, is one of the most nuanced looks at heroes, villains, anti-heroes, and just how much those roles can alternate based on the perspective of those applying the title.  For all of the horror that the Scarecrow character brought, or the pure intimidation of Bane, The Dark Knight gives us a complex agent of chaos in the form of Heath Ledger’s instantly iconic (and tragically final) performance as the Joker.  All of the pacing issues that weigh down the other two films are completely absent in this middle offering, and the movie hangs around in your mind well after the final credits roll.  To many viewers, this film set the artistic benchmark for what a so-called “comic-book” movie had the potential to be.
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2. Inception (2010) For many, Inception marks the culminative peak of all that Christopher Nolan brings to the table as a director and storyteller.  His ability to coherently weave together a narrative that deals with the perception of time as one goes deeper and deeper into the psyche is impressive in its own right, but the amount of breathtaking nuance, visual effects and mental gymnastics used to tell the story would bring a lesser director to their knees.  If The Revenant and 2015 served as the culmination of Leonardo DiCaprio finally receiving much-deserved recognition as an actor via an Academy Award, then Inception feels like the starting point for that final leg of his journey.  Everyone brought their A-game to this table on both sides of the camera, leaving us with a true visual and storytelling spectacle for the ages. 
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1. The Prestige (2006) Irony is a funny thing... I bring that up because Christopher Nolan has literally taken on (and, in some ways, conquered) space, time and perception in his films, all of which would be incredibly lofty concepts to illustrate and visualize, let alone make entertaining.  With all of that in mind, it’s ironic that his best film would be one that does not rely on all of the aforementioned lofty aspects and visual tricks.  The Prestige, at a base level, is a story about jealousy and how it can drive you mad, but it’s the way that this story is told that makes it possibly the best film in the Nolan canon.  Christian Bale’s performance (or performances, at the risk of spoilers) is enough to put this film in a class of its own, but the balance that Hugh Jackman’s performance brings to the overall equation keeps you guessing on whom we are supposed to root for right up until the final frame.  The triangle of love triangles in this film further serve to build up the eventual scale of damage that is presented when everything falls completely apart on both sides of the narrative coin.  Most importantly, like any good magic trick, the film sets you up with expectations, only to wow you in the end.  If you had to pick one Nolan film to watch, this would be the one that I recommend, hands down and without question.
Who knows where Christopher Nolan plans to take us next.  I, for one, would not consider myself clued-in enough to hazard a guess on this, but I would almost certainly put money on the fact that wherever he chooses to take us, he will entertain us and amaze us, if not both at the same time, as he always does.
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