#(dunno source)

[puzzlevision]

before christmas i want to share you this because im bored

[wolfer13579]

Alastor: *Barges into Lucifer’s room* Are you alright, my darling?

Lucifer: Yeah. Why? What’s up?

Alastor: I thought I heard something loud drop.

Lucifer: That was my shirt.

Alastor: Your shirt fell and made that noise?

Lucifer: I was inside of it.

[yellowocaballero]

Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)

Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.

Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.

Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.

But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?

Because he's Spider-Man.

Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.

That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.

That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.

Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.

I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.

Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.

TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.

[gardentool]

Shoko: Explain to me how you two got in an accident.

Y/N: Well we were driving and there was a deer on the road and Gojo didn’t notice it so I said "Gojo, deer!"

Shoko: And????

Y/N: Tell her your answer.

Gojo: …

Gojo: *sighs*

Gojo: “Yes, dear?”

[cherikdogfood]

This is how the beach divorce should've gone:

Erik: WHAT'S YOUR TYPE? Charles: Tall, mysterious, brooding, German, can manipulate metal... basically you. Erik, desperately as Charles bleeds out: I meant your blood type!! Charles: Oh. B Positive. Erik: THIS ISN'T THE TIME TO BE OPTIMISTIC, CHARLES! Charles: ...

[umblrspectrum]

still thinking about it so heres a bunch of stuff

[carlostck]

SPOILERS! (ninjago dragons rising season 2 part 2)

I'm crying why did she grab him??? And he doesn't even resist

Also, I LOVE how they go about Arin's "betrayal" Arin doesn't like him, he doesn't want to be on his side... He just wants what Ras can give him

Very confused about the "Wu caused the merge" thing because I feel like it's more of caused-it-due-to-not-stopping-it situation rather than directly causing it? Especially because Wu was actively trying to prevent it from happening, as shown on a few occasions

In addition to that, love how Cole is shown in the series so far, just wish we got a little more of him. I know they aren't the main characters anymore but he's the mom friend and they all need more of that lol Geo and him running to the museum together is so cute awgh

Liking how this is going, the Ras situation is curious in that it seems like he was attempting to avenge his people by "controlling" the forbidden five (moreso attempted to)

The only thing I didn't like about season 2 part 2 is how they went about the Jay situation? Something about it felt off or wrong, can't place a finger on it though... I may just be stupid and it may only be me, but felt funny; like it wasn't right??

Now, questions on my mind since this has raised some: If Lloyd hadn't been disqualified for being injured in a fight (lame rule by the way, he seemed fine <3), then would he have won? And if he did, he would have to fight Sora, but I'm more curious about what Nokt would have done about it Why did Lloyd's eyes stay green after losing his power? Is it not completely lost, just limited? 'Cause Cole was still able to control the rocks due to the assistance of the elemental energy in his mother's mech, meaning they still have the connection... Which would make sense, considering all the "got my powers back" instances Oh, also they called his power "life," which I find interesting because one would assume that the Tournament of Sources would have the correct name for his power! Curious what else Lloyd can do, since I don't think he's ever really reached his true potential? (I know people consider him becoming the Golden Spinjiztu master it but that doesn't make much sense to me) When Zeatrix attacked Lloyd with the sword, was that supposed to be her literally cutting through his side? They're legos so it kinda just looked like she whacked him with a long stick, lol

Euggh I cannot wait for more I love Sora and Lloyd's relationship. Also when she said "If he (Arin) even wants to be found" I lost it because I immediately thought of Morro oops Wyldfyre sleeping with Riyu, awjwaah... I was slightly sad when we didn't get much of her and Riyu at the beginning (since the relationship just makes sense), but those little things are great I also love Frak (however you spell it) and I hope he doesn't just disappear after that

Still want to see Lloyd go ape shit please elpase pleasesplease pelasep palesepelase pleaseee

[ao-xingyume1987]

Kind of continuation with this post but with the rest of the survivors instead

Tw: eye strain (?)

Anger

Disbelief/Bargaining

Acceptance

( x )

[cementcornfield]

Usually when I'm asking for the ball I'm in a Mood.

He said sometimes it's a glance even, is that something you've given him?

...yeah, damn, yeah.

Can you show us?

Nah, I can't do that. That's not a good glance to give him though, that's why...damn that's a good one right there. I didn't... only he knows that though, you know?

[someratidk]

his pushing 40 yr old ass uses outdated slang in the most incorrect of contexts, it's plain fact

[kyros-tha-soldier]

The OP dadverse is fucking underrated. Whoever is in charge of the spin-off OP doujins needs to make the next series about them

[glitchyko]

Have some quick random object rendering practice stuff I did

[greenerteacups]

What do you think of jkr as a writer? I for one has always felt like she didn’t treat her female characters well. It felt strange, being critical of her when she was god queen of the earth, and also being 10

I think most of the problems in her books can be chalked up to genre hopping. Books 1-3 are perfectly good and serviceable children's books — great children's books, even! They have compelling, relatable characters and juicy mystery plots. They have problems, sure, but for the first three books someone's ever written — especially someone with little or no background in creative writing — they're really fucking good. So: there's her flowers.

The last four books pivot sharply into much more emotionally complicated and sociopolitically loaded territory, because they're describing a war. And it's hard to write children's books about war. I would venture you can't really do it, at least without dramatically misrepresenting what war is! And so Rowling makes the executive decision somewhere during the writing of Book 4 that she's not going to flinch away from that, she's going to go for dramatic realism, and she kills Cedric Diggory to let us know. People had died in Harry Potter before, of course — Quirrell gets sent to the fucking shadow realm, for example. But children haven't. (It also gives parents who are reading these books with their children a warning shot: shit is about to get significantly more real, think twice before you buy the next one of these for your 10-year-old.) After that, Rowling starts leaning much more into dramatic realism, and the fast-paced mystery-novel plotting of the first few books is replaced by a slow, simmering political conflict that unfurls over the course of about a million words.

The problem — besides the fact that she's picking one of the hardest things to write about, like, in all of literature, war is really insanely complicated and emotionally intense and hard to portray well — is that she's now trying to use characters, plot points, and technologies she developed for a children's series to enact a sprawling war drama among teenagers and adults. So Hermione, who was a reasonably precocious snobby eleven-year-old, becomes this sort of encyclopedic all-knowing savant of the wizarding world, who somehow remains functional and mostly even-headed despite her identity being the chief target of a prolifically murderous terrorist group. Draco Malfoy, a schoolyard bully whose primary tools included 1. namecalling and 2. telling teacher, JOINS said terrorist group (and admittedly does react reasonably, i.e., has a total crashout and takes to sobbing in a girls' bathroom whenever he gets a free minute). Dumbledore, who starts out as "whimsical friendly winky-wink trustworthy grandfather type", ends up being Magical Winston Churchill in a violent game of spycraft and espionage, eventually revealing he's only been keeping Harry at all these seven years because he wants to KILL him! And like, maybe really good technical writing could smooth out these transitions and make the first-order dramatic choices seem more natural, but Rowling is like, a Fine Writer, technically speaking. meaning she's reasonably consistent in characterization, her plotting is well-paced and believable, she has a clear authorial voice, and her prose is readable. personally, that's not enough to get me to buy into some of the changes that happen in the later books, and because she stuffs these things so full with new elements every installment, a lot of stuff ends up getting glossed over.

And like, I still love the books. I think they're wonderful, and they taught me how to read. but i can say that and also say that Rowling probably did herself a disservice by trying to write four giant war novels as sequels to her first three mystery children's books.

[stop-breaking-my-heart-telltale]

What can I say? They're my favorite.

[thebearincorrectquotes]

Natalie: You deserve a reward for putting up with me.

Pete: [Smiles] You are my reward.

Carmy: You deserve a reward for putting up with me.

Sydney: Yeah, you’re a real bitch sometimes.

[eemoo1o-animoo]

Chapter one of Coattails be like