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uzurakis · 7 months ago

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Yess so glad to see more Sakamoto days fans 😏 may I request some Nagumo headcanons with him being in a relationship, kinda curious about how’d he be like in an argument with s/o

ೀ ׅ ۫ . YOICHI NAGUMO RELATIONSHIP HEADCANONS ?

SFW and NSFW under the cut!

n. i just recycled and elaborate the sfw ones from the asked i got from my 🎲 anon, added other things also. i love writing my stinky rascal . . hope u enjoy ^3^

the dynamic in a relationship with nagumo will be natural & playful so it allows the relationship to develop organically. your relationship with him is built on a foundation of mutual understanding and subtle communication. instead of a formal confession, his consistent flirting and genuine expressions of affection serve as his way of showing his feelings.

his love languages would be heavy on physical touch, means that he expresses and receives love most profoundly through physical closeness and touch. accepts pda; in fact, he prefers to take the lead. never let him take his hands off of you, somehow. pulls you by the waist and gives you a nosy kiss. he enjoys spending quality time, although his profession occasionally prevents him from doing so. however, he will make the most of his time with you while it is available.

really clingy in private. won’t let you get out off the bed by hugging you from behind. he’s also the big spoon most of the time.

he talks in his sleep when he’s comfortable with you, murmuring about how much you mean to him and lazy smooches here and there. likes to pretend to be asleep as well so you continue to caress him in bed when he’s ‘asleep’.

traps you in a hug every single time. nagumo just comes out of nowhere to hug you, not letting you go, and says “caught youu” and carries you in bridal style around the house.

if you love his tattoos, he definitely walks around naked in the house. also, the sign that he truly trusts you with all his life is when he tells you the meaning of each tattoo he has.

put your belongings at the topmost shelf so you need to call him for help or hides your stuffs in the most random places ever.

you guys have board and card games around the house. monopoly? uno? guess who? snakes & ladders? just name it.

i’ve seen so many times others saying he loves to play pranks, i definitely agree. intentionally getting you on your nerves just for him to apologize with another set of pranks. he’s just silly like that.

contrarily to beliefs, he likes to mull over after you guys argue and gives you space as he rethinks and reflects his actions. when he apologizes after a big fight, he takes both of your hands and swings them left and right as he explains, still teases but with a nervous smile this time.

a flirt, teaser, prankster, drama queen, what else?

he MATCHES YOUR FREAK, did i tell you he’s a nasty in bed? one hell of an experimentalist, doesn’t mind doing anything with you. his rage is huge, i’ll tell you that. vanilla? roleplay? waxplay? pegging? all down, just name it.

quickies at inconvenient times. you guys have a meeting in 10 minutes? 4 minutes is enough to do your thing in the public bathroom together.

likes to steal glances to your tits when you guys talk. i believe he’s a tit guy rather than ass. though, in public, his hands tends to uncontrollably go down to your ass when he circles you by the waist.

too good at nipple play.

nagumo likes you make you squirt, his personal favorite. however, for him, he likes it when you give him a handjob.

talks & coos to your pussy likes its you!

in bed, he likes it when you go rough, i think it’s really going to turn him on. just ride him i swear. might be one of his best times in life.

crack jokes during it, he’s quite humorous doing sex. compliments you in a funny way and says hilarious things also. expect your sex won’t be too serious and just all laughs & giggles.

doesn’t give a fuck about bounds, so semi public and publix sex are often.

@uzurakis

#.writing #sakamoto days #sakamoto days x you #sakamoto days x reader #nagumo sakamoto days #sakamoto days nagumo #sakadays nagumo x reader #sakadays x reader #sakadays #sakadays nagumo #nagumo x y/n #nagumo x you #nagumo x reader #nagumo yoichi #yoichi nagumo #nagumo yoichi x reader #yoichi nagumo x reader #nagumo fluff #nagumo smut

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miwiheroes · 4 months ago

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Bylers, we need to talk about something…

I’ve been having a lot of thoughts pertaining to what will happen in season 5 relating to byler recently, as have we all, but I’ve also been wondering about the audience’s reaction to it if it happens.

Actually, i’ve been more concerned not about the GA’s reaction, but our reaction to how they handle it. I just want to say beforehand, that I might be projecting my issues with negativity and conflict (i’m a very very optimistic person it’s rough being on social media these days lmao) and I also very much believe that they will make byler canon in some way or another. It just makes sense with the narrative. But I fear we will never be happy with how they do it and we never learn from our previous mistakes lmao

Before season 4 came out, I sort of was a fan of byler, but i was very very casual, as in I didn’t interact with many fan theories, I wasn’t on twitter (still not on there because I have a phobia of negativity eek) and I wasn’t on tumblr, I would occasionally check out the edits and fanarts and I think I was just Aware of it, because I always root for the gay ship to happen ofc..

So when season 4 vol. 1 came out I was excited about the direction they were taking byler, and I could see that it was finally canon that Will was gay, rather than theorised. When season 4 vol. 2 came out, I had not been on sttwt or st tumblr during the time between the volumes because I had other fandoms prioritised around the time. I watched the Van Scene with my parents and suddenly I was acutely aware of just how gay they were (because I always get scared of watching anything queercoded around my parents lmao).

By the end of season 4, I was like YES! this season was amazing for a byler set up next season, although i was more focused on other characters too. I then kind of saw the byler script stuff but not the full extent of it, and I saw many edits and fanarts of them but that was it!

Now it’s 2024 and I have a major hyperfixation on byler, (due to the season 5 bts and the fact stranger things keeps popping up on my fyp it’s crazy) and now I’m on byler tumblr (not twt tho .. sorry) to find all the evidence I can and get all hyped up for s5! But I’ve also seen old posts from around 2022…

Literally every single one was extremely disappointed from season 4 vol. 2, and I was confused, seeing as I was very happy with it and I liked byler (my fave byler scene is from vol. 2 and no it’s not the van scene). If I’m being totally honest, and I might get some hate for this, I think we all had wildly, wildly high expectations and the disappointment was our own doing.

I personally never really judge a show before it’s finished (obviously not sitcoms and shows like that) unless it has really really terrible writing ofc, but I always choose to reserve judgement until all the character arcs are wrapped up and I can look back and see why things were made to be.

I understand the whole anger with Mike’s behaviour towards Will and how Will was treated poorly by him, but isn’t that the point? Mike loving Will back in season 5 would then be more satisfying after all that. It’s a set-up for the next season, no?

I don’t know why or how people thought that Mike would suddenly resolve all his internalised homophobia or something during that season, and I reckon if the whole season had come out at once instead of two volumes (i hate the two volumes thing sm omg) people would have been much happier because we wouldn’t have had time to create insane theories or unrealistic expectations that, let’s be real, were not in line with what we have seen so far with byler.

So, I just want to say that I’m a little afraid for season 5, because I know that byler will likely be canon, but people just won’t be happy because it won’t be in the exact way that they had theorised. Sorry to break it to you, but you, random person on tumblr, are not a screen writer. More specifically, you’re not a screen writer for stranger things.

I think it’s fun to theorise at the moment, but I just want to remind people that this pattern has happened before and we never learn? Like, none of our theories are coming true. Not one of them. Did I theorise the exact van scene? Did I theorise the part at the end where Mike grabs Will’s shoulder? No. But am I happy with those scenes? Hell yeah.

So on the build up to season 5, I just want to caution everyone to not assume that specific things are going to happen when it’s just a result of an echochamber (such as the milkvan breakup scene being right at the beginning or the painting being brought up). You’ll just be angry for no good reason.

The only reasons I’m personally going to be angry with how they handle byler is:

1. If it’s not canon and Will’s love goes unrequited/ he has another love interest somehow…

2. If either of them die after having a relationship during season 5 (bury your gays is stUPID)

3. If one of them dies before the other gets to tell them they love them/ kiss

4. If they get together without Mike apologising (it could be in literally any way, obvious or not) for his poor behaviour.

But that’s it, the rest of it is literally up to them.

Hope ur not too mad, but it just needed to be said.

#byler #byler endgame #season 5 stranger things #anti mileven #lets be realists here please #byler nation

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auras-moonstone · 11 months ago

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the one — jack champion

word count: 940

pairing: jack champion x interviewer!fem!reader

summary: y/n interviews her boyfriend jack at the sundance festival and they reminisce their last interview where they met a year ago.

warnings: fluff. this is a continuation of one of the first stories i wrote, it’s called enchanted to meet you ! i recommend you read it first to fully understand.

After Jack asked Y/N out for dinner, the two of them became inseparable and started dating soon enough. The fans were ecstatic, having been cheering for them to get together the moment that interview was made.

Now, a year later, they were both flying to Salt Lake for the Sundance Festival, where Y/N would be interviewing and Jack’s new movie Freaky Tales would be screening. They were both excited for it because now they would be there supporting each other as a couple.

“Hi! You seem familiar.” Jack spoke with a teasing smile as he approached his girlfriend for an interview. The feeling of deja vu warmed his heart.

“Hi, Jack. Looking very handsome today.” she smiled tenderly. “Are you going to show me your socks this time?”

“Ugh, stop it.” he laughed as he covered his face in embarrassment.

“So, tell me about Lucid.” Jack started telling the viewers more about his character, and Y/N watched him with a smile on her face. She was so happy to be sharing this with him that she felt like crying, “What’s your favorite thing about the movie?”

“I absolutely love that it is set in the 80s. I actually have been trying to get in the mood during the filming, I made this playlist filled with punk music from that decade.”

“I’ve seen some pictures. The outfits were super cool.” his girlfriend added. “Are we going to see you covered in blood again?”

“Guess you’ll have to see for yourself.” he smirked. Y/N threw him a pleading glance. “You can’t use your girlfriend powers against me. That’s not fair, you know I can’t resist that look.”

“I’m doing it for the people. This was a highly requested question on twitter.” Y/N shrugged.

“Fine, just because it’s you.” he said with a grin. “Yes, I will be covered in blood.”

“Yes!” she exclaimed excitedly.

“What is it with you and blood?” he shook his head laughing.

“I’ll answer that when there’s no camera.” she blushed and he raised and eyebrow in amusement. “Moving on, is there something on your schedule for the next months?”

“Well, the shooting for Avatar 4 starts in a couple of weeks. Other than that, no. Just enjoying my time with my family and my very gorgeous, lovely, and very amazing interviewer, girlfriend.”

Y/N actually giggled, in front of the camera, like a schoolgirl with a crush. He was going to be the death of her. “Well, good for you, Jack. Thank you for your time.”

“For you? I always have time.” he winked. “Text me when you’re done with the interviews, remember you’re also here as my date.”

“How could I forget.” she laughed. “I’ll see you later. I’m proud of you.”

“I’m proud of you, too. I love you.” he wanted to kiss her so bad, but that would definitely be inappropriate so he settled for a tight hug.

“I love you.” she answered right before he left to take pictures.

An hour later, they were finally able to be together again. They were both dragging their feet towards the hotel, absolutely exhausted and drained. Plus, it was so cold that their fingers itched and their toes were practically numb.

“The interview made me a bit emotional.” Y/N spoke. Jack looked at her, urging her to go on. “It made me think of our last interview together, the day we met. I was so nervous that day, and when you appeared it both got worse and better.”

“Why?”

“On one hand, you were so gorgeous that it made me panic. I was scared that my tiny crush would ruin my first interview. And then, you started talking and subtlety guiding me through it… it instantly felt natural. I don’t think I would’ve been as good if I had to interview anyone else.”

“I think you’re wrong. You were just nervous because it was your first, you would’ve figured it out anyways. Yes, we did have an instant connection, but you’re an amazing interviewer. You love your job, you are passionate about it, and that makes people feel comfortable, because you make it like less of a dread.”

Y/N’s sight got blurred by the tears. “Thank you for saying that.”

“I’m just telling the truth, love. I watch every single interview you’ve done, and not once you had made people feel uncomfortable. You’re respectful, sweet and understanding. And you’ve grown so much, I meant it when I said I’m proud of you.”

“I meant it, too. That I’m proud of you and that I love you.”

“I love you, I’ll never get tired of saying it. And I got emotional, too. The deja vu hit me like a truck. I can’t believe it’s been one year. It seems so long ago, but at the same time it feels like time flew by so quickly.”

“Right?!” she exclaimed in agreement. “The interview I was dreading ended up changing my life for the better.”

“You’re so sweet.” he pressed a kiss on the tip of her nose. “I was smitten from the start, literally everyone called me out.”

Y/N laughed. “Maybe I wasn’t as obvious as you, because of the nerves and everything, but I was too. You were so charming.”

“Did I enchant you with my Ghostface socks?”

“Oh, most definitely. That was what made me know you were the one.”

“Am I the one?” he asked, losing the playful tone they had been exchanging.

“I know we’re only nineteen, but I feel like you are it for me.”

The words made his chest clench, in the best way possible. Looking down at her adoringly, he said “You’re it for me, too.”

haunted.ethan i didn’t realize how much i missed this🥺

fearlesslandry one year apart, same expressions of awe😫🫶🏻 best couple ever.

aurasmoonstone okay but i want to know what’s the answer to “what is it with you and blood?” 🤨

y/n.y/l/n that he looks so hot covered in blood😫

jackchampion oh? ☺️ y/n.y/l/n

y/n.y/l/n yes you should only take roles where blood is involved 😙 jackchampion

jackchampion consider it done y/n.y/l/n

y/n.y/l/n okay sidney prescott jackchampion

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a-confused-spoon · 3 months ago

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Jinx's haircut: how Powder and Ekko's story comes full circle

Hi! So, it appears Jinx will be cutting her hair short in season 2 (which is cool as fuck), and I’ve been seeing a lot of discussion on it, so I wanted to share my two cents 😊

I might refer to Jinx and Powder as if they are different ideantities, but I'm aware that's not how that works; it's just an easier way to express myself. Also english isn't my first language, so apologies for any possible wiritng mistake (this is a bit of a mess 😅)

* deep breath in *

As it has already been pointed out, this choice must have a deeper reason other than esthetic (I've been seeing the phrase "hair holds memories" used a lot), and what's even more interesting is that her new look resembles a lot how she used to look like as a kid; a bit bizarre, given how the entirety of season 1 showed us how Powder and Jinx's coexistence only brings the girl pain. As a matter of fact, the finale makes it clear to us that even she sees these two sides of herself as mutually exclusive.

So why and how exactly would this happen now?

What I keep going back to is the idea that maybe, just maybe, this has to do with her possibly "taking the lead" in Zaun; whether she actively becomes a leader or if she just "leads by example" (therefore passively), it doesn't change the fact that for better or worse she will be depicted as a leading revolutionary figure.

And fair enough: she singlehandedly killed half of the Council, the people who hold decisional power and have contributed to the misery on the other side of the river. After Vender's failed attempt on the bridge and Silco's focus on his own business dealings with Piltover among everything else he did, Jinx's attack on the city - something she does to ultimately solidify her identity as Jinx - opens a door that the Undercity was waiting to be opened for decades.

Here's the thing:

Being Jinx doesn't just mean acting on unbridled rage and being a menace to society; it means being feared by most, if not all, with the only possible exceptions being those who also accepted their inner monster. To put it in Singed's words, "If you take this path, they will despise you".

Being Jinx fundamentally implies loneliness.

Silco was consistently reminding her this: "I am your family; everyone else betrays us" / "Everyone betrays us Jinx! Vander! Her! They will never understand, it's only us".

In the official clip 'Enemy of my enemy' we find out that he only saw her cry twice, the two scenes we also witness as an audience, meaning he didn't see her cry once during the timeskip, and I'm sure it's safe to say that she most definitely did cry a lot given how she goes from episode 3 Powder (scared, couldn't grasp the concept of killing someone, heartbroken by the nickname jinx) to episode 4 Powder (a beast, kills in cold blood, has taken Jinx as her actual name)... it must've been an ugly transition, and it definitely didn't happen overnight; if Silco, who was the closest person she had all that time, didn't see it, then I think it speaks a lot on how alone Jinx really was in her darkest times.

For all the love he had for her, he reinforced this idea of isolation as an unescapable consequence of the right path, and I think this is also reflected in the lair that (supposedly) he found for her, especially when you compare it to the Firelights’ one:

The Firelights (this is important for later) are all about community and sharing joy as well as struggle and pain; they live in a place of healing, filled with life, without a roof so the sunlight can reach them during the day, and at nights living bugs that shine a light of their own fill up the hideout.

Jinx's place is diametrically opposed to this: it’s dark and looks cold, it's completely made of metal, the roof’s blocking any natural light and it hangs above an abyss with no bottom to be seen; the only company she consistently has are the puppets of her dead brothers and the only living thing that knows his way in is the only one that can understand, the only one she can rely on - aka Silco himself.

However, as Jinx herself knows, this may have worked for him, but it wasn't working for her for the longest time: she never stopped yearning for affection, love, friendship- that part of her never really went away; it was only being suppressed, suffocated, maybe unintentionally, and I strongly believe that it only worsen her trauma, and it's one of the things that made her spiral so bad into her depression, to the point of hallucinating.

I think that Silco's line in the baptism scene is particularly relevant here: "You need to let Powder die, so the fear of pain will no longer control you", where the fear of pain would refer to the fear of being on her own, of always failing and disappointing others, of being weak and never satisfying the desires, expectations, hopes that Powder carried within her to be “a valuable member of the team”.

If she lets Powder die (which again, she does in the final episode of season 1), this is no longer a problem: if she doesn't do teams, because teams don't want a jinx to begin with, that fear can't get to her; if she's a solo player, a self-sufficient loose cannon, she won't need to rely on anyone but herself because she's strong on her own and does not need the support of others.

If her power lays in the monster she is, the one everyone condemns her for being, then that childhood wish of hers just isn't a realistic option.

...but then this happens.

We know from the teaser trailer that in the operation Caitlyn's leading, 'finding Jinx' and 'neutralize any agent still loyal to Silco' are separate objectives. Which makes sense, since as far as they know Silco was the leader of a group of people, and now that he's gone Jinx is an individual under her own agency and her own agency alone. If initially she fights by herself, for herself because she can and fuck Piltover, then it all falls in line with what I stated so far.

But then we hear Sevika, who has hated Jinx's guts and who Jinx has hated back since day one, telling her to get the people together, to unite the Undercity as one because she can do that. Mind you, the girl has lived in Zaun all her life, she knows damn well that the end of Piltover is something the entire Undercity has been waiting for (“Imagine what the whole of the Lances could do!” from episode 2); yet despite this she needs to be openly told what is going on, that she’s not sizing the opportunity she’s created. She isn't, cause... her? Leading? A group of people? No. Not after the last time she tried to help, and most importantly, not after everything she learned under Silco.

Jinx can't fathom the idea of herself as a part of a part of a team. How can she? She literally just came to terms with isolation as ever present- and now, for some reason, the people of the city, who always either ran away from her or wanted her gone, are dying their hair blue in her image, trusting her, following her, painting murals of her as the bringer of revolution.

She isn't taking power forcibly like Silco did; she's just doing her thing, her Jinx thing, and Zaun, on its own, is choosing her as the leading figure.

Imagine how frustrating it must be for Jinx to look back and realize that Silco, her father- who has loved her, forgiven her, raised her, called her perfect, defended her, was there for her, saved her, guided her- was wrong, and put her in a condition of never ending existential pain when she could’ve had it differently the entire time; imagine how confusing it must be for her to look back and realize that it never mattered whether or not others understood her, 'cause she wasn't as unlovable or unforgivable as she thought herself to be in the first place, that Silco and Vi were never her only options.

Imagine how painful it must be for her to look back and realize that for all this time she could’ve had friends and be accepted and be trusted and rely on others because she never HAD to be alone.

...keeping this in mind, let's talk about Ekko and the missing flashback from episode 7 for a moment.

Admittedly we don’t have a lot of information, other than it took place not too long after the events of episode 3 (then again, to be fair, we don’t know a lot about their relationship as enemies as well: it’s all between the lines; I surely have my own opinions of how they feel about each other being on the enemy side, but I don’t believe it’s super relevant here). What’s for sure about this flashback is that it was a defining moment in both Ekko and Powder’s journey, especially for the latter. Someone surely died, and it 100% was Powder’s fault. It could be both the result of her very first crisis or her first intentional murder; in both cases it results in her deciding for herself to align with Silco as opposed to her best friend.

The way I like to see it is that, since the trauma was still very fresh, she might have been too scared of the idea of fighting alongside others after what happened last time, and she pushed herself to kill someone on purpose just to push Ekko away and prove a point (Silco’s point). I love the idea of the tragic irony of Ekko being the one person Powder managed to really save, and Powder being the one person Ekko couldn’t.

Personal headcanons aside though, the last part is the most important one here: Ekko couldn’t save Powder from Silco, and by extension everything he represents.

I’d like to point out that one of the most tragic aspects of the two becoming enemies (to me) is that, throughout those years, they reciprocally were the only living person the other shared a past with (well, Vi too, but she was in prison the entire time).

Silco not only takes over by force, he also marks as his all the places of said past: the Last Drop, Vi and Powder’s house… one line that always stuck with me from episode 7 is when Ekko tells Vi “All that’s left is Jinx, and she belongs to Silco”.

Not with Silco; to Silco. As if she too a piece of the past he turned into his property.

It’s like he understands that while yes, Powder made the decision by herself, that she wants to stay with Silco, he also knows that the man is the one to blame for... well, all of it; the kid was there when Silco showed up unprovoked at Benzo’s place, he knows things went downhill from there.

Ekko knows that he is the bigger problem and the bigger enemy. Even Vi, without knowing a thing about the past few years, can tell Silco put some shit into her sister’s head; Ekko can probably guess the same, difference being that Ekko has the responsibility of keeping other people safe, and he can’t risk it all for someone that, while possibly manipulated, ultimately isn’t collaborative. Ekko can’t jeopardize all he’s built and done for his former best friend, no matter how much it hurts him to be her enemy.

Back to season 2.

Like the entire fandom has already pointed out, there’s a 99.9% chance there will be an alliance between them and Jinx, especially when looking at Ekko’s new outfit.

Of course, this will not be immediate: my guess is that while Jinx works alone at the very start Ekko will be with Heimerdinger and following the arrest of the Firelights we see in the trailer maybe there’s a split. And even after Jinx takes charge so to speak, and possibly frees them, among others, from Stillwater, it’s possible there will be (and there should be) stages in the alliance: initial distrust, potential fight within the community- like yeah, let’s not forget what Jinx did to these people.

Even if they do go ahead with it, it is probably out of necessity more than anything else, with not one but two military forces against the whole of the Underground. It’s not like they’d be the most ecstatic faction about it, and the same goes for Ekko, which is why the new look will probably come in later.

But exactly like he could see Powder for a brief second on the bridge clearly enough for him to stop himself from beating her, he will, most definitely, see her again through Jinx's inner turmoil... that, and she also can’t keep her shit together when it comes to what she's feeling, the girl really is an open book.

And yeah, the situation would be pretty emotionally disorienting: she's being as Jinx as ever, but people like her now, which is something she used to want as Powder, who is supposed to be dead, and they're willingly following her like they willingly followed Vander and there's murals of her with him, though she's pursuing what aligns more with Silco's dream, but also turns out Silco was wrong about Powder, who might still be alive deep down- the whole thing is a big big mess.

Despite everything that I said about him, it’s not like Jinx would start to resent Silco. She could never, not after his last words to her. They mean the world to her, he means too much to her, and let’s not forget she probably hear his voice now too, along Mylo’s and Claggor’s; it might even be a calming voice to her, one she’s happy to hear even if she knows he’s not real… which makes it all worse and more painful to deal with.

In this scene from the trailer, it seems like Ekko’s talking to her (some have pointed out the blue hair out of focus). Since this is still the look in season, at this point in time Ekko (and the rest of the Firelights) are not truly committed to this alliance with Jinx, and vice versa, Jinx is still figuring out how to deal with all this unexpected appreciation.

If there’s one thing we’ve learned about Jinx’s way of dealing with inner conflicts, especially ones that deal with the memories of the past, is that it often leads to disaster. This is a bit of a long shot, but what if the reason Ekko’s so beat up Is because she unintentionally sabotaged one of their own attacks on Piltover? Or perhaps they were caught up in a tough situation because of something she did or didn’t do? My point is that if he really is talking with her while in this condition, she probably is in a similar one.

Regardless, they are on the same side, and they are having a conversation. This is very likely the first time they reach out for each other since the day she chose to not go with him.

And I think it’s believable that of all the people she now has beside her, she’d talk to Ekko: he has this leader stuff already figured out. He has and still is taking care of people and keeping them safe better than she ever will, and on top of that, he still is the only one in Zaun (again, aside from Vi) who has known her since before she was Jinx, and he spared her on the bridge. He’s the perfect person to open up to.

And, get this, not only Ekko understands the pressure of taking the lead: he knows what it means to look back at someone you were fond of and feeling the pain of being wronged by them. He knows what it’s like to look back at old memories of someone you trusted and wonder if all those moments together really were what you thought they were, he knows what it’s like to wish it could all go back like it was, just so that candid version of them you have in your mind can still be true, present and untainted by the ugliness that now ruins all those precious moments.

He knows, 'cause he went through it with her... and now he can finally reach her.

Ekko may have not been able to save her from Silco then, but he can save her from Silco now.

And since he has built a community that grieved together, went through pain and joy together, he simply does what he’s always done with the Firelights. Sharing.

He tells with her what has worked for him: “Sometimes, taking a leap forward means leaving a few things behind”- in the Franch dub he says “leaving a part of oneself behind”- meaning it doesn’t have to be all or nothing: she has the power to choose what to kiss goodbye and what can stay…

…and then she cuts her hair.

I think it’s important to note how these two moments are very similar in setting. I kid you not, the first time I watched the trailer I was convinced this was a scene where Jinx was burning Silco’s body after she killed him- which frankly could still be the case. I’ve also seen discussions being made for the little girl we see in the trailer being burned here, or Sevika, but I don’t think it’s either. Jinx is completely desensitized to death, even when Silco died her makeup isn’t this ruined. My guess is that this is something much deeper:

Jinx never properly grieved the past. Ever. So, maybe, she’s burning the part of herself she’s leaving behind. The hair she cut.

The hair Silco used to braid for her.

These two scenes parallel each other because “nothing ever stays dead”, but Silco must stay dead, for her own sake. For her own happiness: she is leaving him behind for good.

Only after this moment we get the new look for Ekko: he can work with this new Jinx, the one that now knows she can work within a team, even to the point of committing to the outfit (lol).

If in season 1 Jinx accepted her identity as it was defined by Silco, in season 2 she's re-inventing it under her own conditions: she gets to choose what "being Jinx" may or may not include. And it will always include a little bit of Powder.

Thanks for reading! 💚💙

#or I could be completely wrong #and someone just cuts it #but still #it was fun to write this #arcane theory #except not really #arcane #arcane season 2 #jinx arcane #ekko arcane #arcane silco #powder #timebomb #i ship it #but this also works platonically

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ragazza-paradiso · 2 years ago

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okay, my personal thoughts on the jury vote/televote drama (as unbiased as possible):

i understand people’s disappointment when their favourite doesn’t win. i also understand how that disappointment can turn into frustration when it turns out that was the most popular entry with the general public, yet it didn’t result in victory.

for me, the presence of juries in the contest is non-negotiable. i think they help to recognise aspects of the songs that very often get overlooked by the viewing public - composition and vocal ability being the two most important. i think of estonia from this year, a song and performance that most definitely deserved the love they got from the juries to push them up the scoreboard. i think of albania 2018, switzerland 2021, portugal 2022 - all entries that deserved to be recognised, and were not given that by the televote.

all of that is not to say the jury is faultless. i agree with most, that the criteria the jury is told to judge upon should be modified/expanded. i think they should drop the focus on commercially successful songs to help level the playing field for songs in languages other than english (or popular languages like italian or spanish). they should also include people from more diverse musical backgrounds to appreciate alternative forms of music like rock, jazz, folk and music with ethnic elements etc. they could also make the juries larger (i think just doubling the size to 10 people would already make such a huge difference).

i think the biggest change the EBU needs to make regarding the juries is to be much more transparent. the general public has no idea why the juries exist, or what they are even judging on. each show the presenters should explain the criteria the juries judge on. because i’ve seen so many comments on social media over the past 12 hours which seem to fundamentally miss the fact that the juries judge based on criteria which is given to them by the EBU. they do not simply sit down and make a ranking of their favourite to least favourite.

the big point for me is that the jury vote is NOT supposed to be representative of the public vote. there would literally be no point to it if it were. therefore the jury having different scores, and ultimately a different winner than the televote, does not in itself mean that there is a problem with the juries. if you ask me, it means that the juries are doing exactly what they are supposed to do. they recognised the song which best fit the criteria they were asked to judge upon… tattoo.

and i would also add that tattoo was immensely popular with the public as well, it came second in the televote. and the juries placed televote winner cha cha cha in fourth position. so the argument that the juries are out of touch with the european public (at least when it comes to the top spots) just doesn’t add up.

since the juries were reintroduced in 2009 we’ve had 4 types of victories

• where the televote and jury vote agree on a winner (2009, 2010, 2012, 2013, 2014, 2017)

• where the televote winner has won overall despite not winning the jury vote (2011, 2018, 2021, 2022)

• where the jury vote winner has won overall despite not winning the televote (2015, 2023)

• where the winning song has won neither the jury vote nor the televote (2016, 2019)

so, in the 14 contests with the 50/50 jury televote system, only twice has the jury overridden the televote to decide the winner. the televote has overridden the jury vote double as much. in fact, the majority of times (8 times, if you include the 4th category since on both those occasions the winner came 2nd with both televote and jury vote) both have agreed on the winner. overall, the televote has gotten their winner to win the overall contest 10 times out of the 14 contests since the reintroduction of the jury.

therefore i find the conclusion that the jury is tainting the results of the contests’ winners not based in reality.

now, all of that is simply the opinion of one girl who likes eurovision. you can take it or leave it. i don’t think this will change anyone’s mind if they are dead set on the juries needing to perish in hell fire to atone for their sins against euro pop music. but more so i wanted to explain my reasoning behind still valuing the juries as an important part of the contest.

and, two last very important notes:

• käärijä not winning the contest doesn’t mean that he’s lost. it doesn’t mean that you can’t go back and watch his performance a thousand times and revel in the joy it gives you. it will always be there. music is subjective, just because a certain song wins a certain contest doesn’t mean it’s necessarily the best. he has thousands more fans now and you can always support his future career.

• being disappointed with the results of the contest however does not give you the right to send abusive messages and hate towards other contestants. käärijä himself said after the final yesterday that he cannot complain about the rules and he was happy for loreen. this is the same guy who was so distraught when he received one hate comment that he deleted all his accounts on social media. he wouldn’t want anyone to be doing the same towards his fellow artists. the contest was about being united through music, and sending hate won’t change the results, and it won’t make you feel better either.

#i may add some more onto this later but yeah this is my more coherent thoughts #if anyone wants to discuss more about this feel free to message me :)

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scoobydoodean · 7 months ago

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I was wondering if you, as a Dean fan have opinions about the different writers? Mostly because I see a lot of Dean fans really strongly dislike Dabb for some reason and I don’t really understand why. I’ve never seen a concrete explanation beyond “he can’t write Dean/doesn’t understand Dean/actively hates Dean” but with no examples as to what he does that’s so bad. And I see this in every shipping lane. I don’t have a strong opinion about him as a writer one way or the other.

I'm exploring this more as I rewatch the show (currently on season 6) so I'll speak mainly from that perspective on my most recent thoughts. I am not a big fan of Dabb or Loflin, but have tried to be fair about things so far when talking through each episode. I am a fan of "Alpha and Omega"—it's my favorite finale (it's also... a finale for a season Carver started as showrunner? So I don't know what the implications are there as far as storyboarding). Also points for having demon Dean stab a guy through in 10.02.

I'll focus on the negatives you asked about in this post, but in the links you'll find me moving the narrative this way and that toward much more charitable readings... I think. (I do have a tag #dabb disk horse which you can either peruse or blacklist at your leisure). What I can tell you is something almost always strikes me as a off about Dabb/Loflin episodes so far in this rewatch in terms of character work.

Dabb/Loflin's first ever episode was 4.06 "Yellow Fever". In the aftermath, Kripke felt the need to release a definitive interpretation of their episode to the public, stating, "Dean is not a dick... he's a hero." The whole episode toyed with, to an extent, the idea that all the victims of the MotW were bullies. You can take this other directions—for example, queer meta, or meta about Sam as the real bully. However, the story a lot of fandom latched onto was that "Dean is a jerk and deserves to be humiliated and punished for that" which obviously didn't make Dean fans watching live in season 4 happy—and this theme of Jerk!Dean continues into their next episode, "After School Special", where they once again parallel Dean with a bully literally nicknamed "Dirk the Jerk" by Sam, and throw what I think is transparent shade at Kripke's issued statement from before the Christmas break (post here)... or maybe they mean to throw shade at the Dean fans who got angry. In this episode, they also make illusions to Dean wanting to have sex with barely legal high school cheerleaders, which also did not ingratiate them to Deanfans at the time. I said on my last rewatch, "In After School Special, Dean seems more unlike himself than any episode ever in the history of Supernatural up to this point" (post explaining that here). I carry similar sentiments about portions of 5.06 "I Believe The Children Are Our Future". Yes—I am aware of performing Dean meta. I just... feel like they try a little too hard. It feels hamfisted—desperate. To the point it doesn't feel like Dean anymore sometimes. In 5.06, they also have Dean (guy who is generally very protective of kids) suggest to Jesse that he'd be good to have in a fight???? I can see how they got there, but again—it just feels... off. The last episode I rewatched that they authored, 6.04 "Weekend At Bobby's", also leaves a bad taste in my mouth—not in what it's trying to do with Bobby or what it's trying to do on a meta level—but once again, with dialogue from Dean that just makes me think "he would not fucking say that" (post here). I think looking at all of these, you can probably see deangirl ire toward Dabb has a long history. It's been around as long as he's been around, whether he deserves as much ire as he gets or not.

I haven't circled back yet on this rewatch, but Dabb and Loflin also penned season 7's "The Girl Next Door"... do I need to say anything specific? Maybe I'll just link my entire #amy tag. What narrative did they want you to get from that episode? Who the fuck knows. And that's often the problem:

When you watch various episodes I've mentioned, you can work around to a meta that tells you something different than you might at first think the page conveys—something hidden and maybe contradictory. The thing is... you could also... not do that? And that wouldn't be so bad, except that sometimes the two narratives you can most easily grasp completely contradict each other. "After School Special" can be an episode that points to Sam's envy of Dean and John deep down and foreshadows Sam becoming a bully, but on a meta level, it also just as easily says Sam becoming a bully is somehow Dean's fault, and Sam is some poor captive baby. Dean is a creep and a bully and a cheater but we should all coddle him because he saw his mom die when he was a child and he's sooo sad. "Yellow Fever" can be a queer meta story and might also foreshadow approaching Bully!Sam in 4.14, but it also very much does call Dean a jerk (should we take that seriously? should we not?) and implies Dean should be punished for the outcome of three decades of reality-bending torture. Even if it's a queer meta underneath... it's just as easily one about how closeted men should be humiliated for cowardice or how being closeted turns you into an asshole.

Jumping way ahead, I have to mention 15.10 "The Hero's Journey" just because. Yes, it is full of jokes and Garth goodness, but also tries to sell you the story that nothing about Sam and Dean is real, to a degree that feels like you are being flipped the bird for ever watching this show. And again—you can make meta that it's all a ruse! But is it? Or is Dabb actually just telling you to go fuck yourself? Like he totally wasn't when, after the SPN finale when fans were Not Happy™️, he tweeted a sign reading, "Don't feed the baboons"? Yet again—we play into the motif of the "hero" who isn't a hero at all but some pathetic loser who deserves to be publicly humiliated, bookended with Dabb's opening episode in his opening season. I'm not saying that's what it is on purpose—but I am saying you can make these arguments easily, and that leaves me consistently annoyed with Dabb for being fucking sloppy and leaving me to deal with some of the most insufferable meta imaginable that carries little support outside of episodes written by Dabb or the Dabb/Loflin writing team.... Yes—I am in fact saying that Dabb and Loflin's hamfisted episodes (regardless of their intentions) are largely responsible for some of the most insufferable, loathesome fandom metas about Sam and Dean's relationship around.

Look at 5.16 "Dark Side Of The Moon", and 7.08 "Time for A Wedding!" and 8.14 "Trial and Error", 11.17 "Red Meat", and 15.20 "Carry On". Along with 4.13, while they might or might not say something deeper or contradictory on a meta level, on a surface level, every single one of these episodes sows the narrative that Dean is needy and clingy and needs Sam more than Sam needs him—something I intensely disagree with for a multitude of reasons... but I'll just link this. Many of these episodes also follow a surface level narrative of "normal life obsessed Sam" (and here I'll link my entire #sam the hunter tag and #in which sam is not a helpless little waif with his hands cast over his eyes being carried along by the tides of the immutable sea). When I look at this episode list, I also don't find it at all difficult to believe that Dabb wanted Dean to die in the finale. There is nothing at all shocking about that. And yes—you can argue he's pointing to the opposite—that this fate should be subverted and that's what makes 15.20 the dark ending, but I think you can just as easily argue that yes it's a dark ending and yes Dabb has always dreamed of this ending. A "tragic" ending where Dean dies and Sam goes on to have a white picket fence... while also leaving you little hints along the way that maybe it's all a big ruse because how could he not? He never has to explain anything. Someone else will pick up the story and make it make sense. He's already fucked off to piss all over fans of Resident Evil.

That said, when I mention what I feel is off character work, I mainly mention Dabb/Loflin episodes from my recent rewatch, which suffer from the two of them being newer to the series (coming onto the writing team in season 4) and also leave questions about whether, perhaps, they had conflicting ideas about characterization. Was Dabb the one penning these lines? Was it Loflin? Was it both? Did they trade out who took the lead? I didn't really say anything negative about "Sam, Interrupted" or "Jump the Shark"... (though "Sam, Interrupted" also calls Dean "codependent") who wrote those? Is it possible that the messiness of the meta comes down to two writers at war? I have to imagine though, that they got along, or else they wouldn't have written together for four fucking years. If they didn't get along...? My mind always comes back to their first solo episodes, right after splitting up in season 8. Dabb's first solo episode is "Hunteri Heroici"—the only episode to lend any perspective to season 8 Sam's reasons for abandoning everyone—paralleling him checking out with Fred's catatonia, which Sam has to save Fred from. It is the only episode that lends Sam sympathy in the early part of the season. He follows it up with "Trial and Error"—where Sam promises to save Dean from suicidal thoughts. Loflin's first solo episode is what I would regard as the most scathing solo episode commentary on Sam in the entire series—"Citizen Fang". Then he writes again right after Dabb's "Trial and Error"—penning "Remember The Titans" where Sam tells Dean to get over the promise Sam so passionately made in Dabb's episode and face reality.

This is why we're exploring this rewatch.

DISCLAIMER: Now I just devolve into bitching because I'm writing at 3AM. Proceed at your own risk.

It seems like these days, everyone demands an explanation for disliking Dabb (something about some sort of destiel battle... I don't know what that flamewar is and I don't give a damn tbqh.) I guess I've just been wondering what's actually so great about him. Because it feels like people have overcorrected to basically acting like he's god's greatest gift to mankind. People point to how meta his episodes can be, but I think other writers easily best him on that front on multiple occasions (particularly enjoyed by me so far on this rewatch: 3.10 "Dream A Little Dream Of Me", 4.04 "Monster Movie", 4.12 "Criss Angel Is A Douchebag"), and without leaving their meaning so up in the air that you don't even know what the hell they were actually trying to tell you because there are two different completely incongruous narratives you could just as justifiably claim were the intended one. Some people may find that duality praise-worthy. I don't. I find it sloppy—and when I add in mediocre character work, I just land on the side of him being, at the very best, mid.

Add him in as showrunner, you have... at least two of my least favorite seasons (13 and 15). Add that he's a one-trick pony in terms of the Sam and Dean conflicts mentioned above that he continuously rehashes rather than come up with anything new or fresh, and the same conflicts between Dean and Cas being played out until they both die (shut UP I'm not talking about canon destiel as the alternative—I am literally just asking for more diverse conflicts). I can't say I understand what I''m supposed to find so impressive.

(Before anyone so much as breathes this near me, Berens also sucks and I am going to tear off your nose hairs if you start bringing him up as if disliking Dabb for some reason means wearing rose colored glasses about Berens. Berens can eat a whole cactus raw over "The Trap" alone.)

#writer disk horse #dabb disk horse #mail

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0kayblue · 2 years ago

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Need You

You and Leon have been a little more than friends with benefits for awhile and he struggles with what he wants it to be.

Word count: 3k (almost 4)

Mentions of alcohol, slightly possessive Leon, over protective Leon, angst, fluff (??kinda??), happy ending, not proofread very well if it all.

A/N: HELLO!! How are you all doing? Good I hope. I’ve been gone for more than a hot minute. It took me a lot longer than what I thought it would to get back into the groove of things. With that being said, this is not that great. Kinda boring, but hey, sometimes things are boring. This is just kind of to get me in the groove of uploading and writing again.

Part three and request are in the works. They are coming!! I just need a little practice before I start actually going at it again.

With all my heart, I hope you are having a fantastic day!! Enjoy!!

Time had never moved so slow as Leon anxiously bounced his leg underneath the cheap break room table. His tired eyes glanced to the clock and then back down to the untouched styrofoam cup of coffee.

Leon hated a lot of things about his job, but at this moment debriefing was his least favorite. He detested having to explain everything that happened on missions before he officially had time to process how they happened to him. Not that he ever truly enjoyed thinking about the things he had to do in order to survive, but he liked to have an understanding on why he did this or that. Why he chose to go left instead of right.

He had just spent nearly three days fighting his way through the deep Rocky Mountains; B.O.W’s at every turn, and he didn’t even get the information he was expected to return with. The whole thing was a waste of his damn time. He was sent to follow a lead that only set the operation two steps back and whatever up and coming supervillain, or want to be Umbrella Corporation, or extremist cult one leap forward. All while defense was wounded and information scrounged for a thread to pull to loosen the seam on the shit show they were currently trying to clean up.

He was annoyed and beyond frustrated with everything. On top of the emotional stress he also was not in the best shape physically- it wasn’t anything major all things considered- but, broken ribs, internal bruising and external bruising causing almost his whole torso to be a deep purple almost gray hue, and the bandaged up gashes on his limbs and slight cuts on his face only kept adding straws to the camel's back. He felt like it was only a matter of time before he snapped, he felt like he could only sit here for a few seconds more before he stormed out the door and out of this damn stale sterile building that was too clean.

He took a deep breath before adjusting himself to sit up straight in the deep blue plastic chair. As he exhaled he closed his eyes and saw the face he’s seen behind his eyelids since he landed, desperate to see it in person. To touch the soft warm flesh of someone he could never get enough of, regardless of the fact that he tried so hard not to get addicted to. Each hit of you more potent than the last, each high allowing him to forget for a little longer, each graze of his skin against yours permitting him to daydream of a life he has always ached for. Even if you didn’t long for the same things he did, he saw you with everything he had ever wanted. It was cruel and yet he continued to do it to himself.

He had bought you a burner phone with his number and his alone. You were not to use the phone for anything other than to communicate with him. He had asked you to carry it with you at all times, lying and saying he didn’t bug it. He told you that with his line of work that it would make your meetings more secure, that it would keep you off the radar. In a lapse of poor judgment you took the phone and him up on his proposal to make him an official fuck buddy. Who could blame you? It was a scene straight out of a movie and boosted your ego. It made you feel special that someone so important took such an interest in someone like you. Someone who lived such an exhaustingly normal life. It kept you on cloud nine for at least a week and a half after receiving it.

It was a purely physical relationship that didn’t require any emotional attachment regardless of the deep emotions that sunk into the both of you too quickly for comfort. Each rendezvous lasted longer than the previous one. Him staying at your place for days, while you both interacted like domesticated adults. Not quite like a married couple, not as casual as friends, and nowhere near as uptight as roommates; it was such an odd relationship, but it wasn’t uncomfortable. Oftentimes by the end of his stay he left you with more questions than answers. Your knowledge of his life was barley skin deep and you were left to piece it together from fragments he dropped you.

He on the other hand knew everything about you. He couldn’t help himself. All your information was at his fingertips; your past, your present, and a vague idea of your future. In hindsight he should have left it alone and maybe if he did he wouldn’t be stuck in this current predicament. Maybe wouldn’t be digging in his pocket for the phone that held only one contact number, a phone number that he had memorized even though he shouldn’t have. He leaned forward in the chair as he typed only two words.

‘Need you.’

He didn’t think about the impact they could have, he didn’t think of the weight they carried, he just sent the message. Not a part of him even considering the fact that you would think it was the truth. He needed you. Rather you are below him or watching some low brow television show that networks pumped out to dumb down the population. He just needed you within reach, he needed the comfort of your presence to ease the buzzing of the world he lived in.

He sat the phone on the table as he crossed his arms and sat back, anxiously awaiting a reply. He didn’t get a chance to glance at the clock before the phone buzzed against the table.

‘Busy.’

The message read and he couldn’t help but to scoff as his hand ran through freshly washed damp hair.

‘With what?’

He asked in his reply as he sent it. His jaw tightening in annoyed agitation. What part of need did you not understand? He took a deep breath and reminded himself of the nature of the relationship. As he went to follow up his demanding question with a meeting time and place the break room door opened and he shoved the phone back into his pocket.

“Mr.Kennedy,” A rather thin man with tired eyes and a disheveled navy blue suit sighed out, “I’m sorry, we know you are exhausted, we just have a few more questions. Can you stay for another thirty minutes? No more, no less.”

Leon forced a polite smile as he stood, “Lead the way.”

“Thank you so much, Mr. Kennedy.”

“Please, call me Leon.” Leon insisted as he took the door from the man and just like that he followed the man down the hall and into an elevator; leaving behind a hot cup of coffee to grow cold on a cheap linoleum covered piece of wood where it would eventually be washed down the drain by night janitorial staff.

It had been an hour since Leon set foot in that room and not much of anything had come out of his answers. He was out of the building now and almost free as his hand found the handle of his car door, but a buzz in his pants pocket caused him to let go of it immediately. As he unlocked the phone he noticed he was left with a voice memo and not a message, which he found odd but not alarming. He couldn’t help but to smile, ready to hear your voice. He pressed play and heard the hustling of feet and an unrecognizable song in the background.

“She said she was busy, Le-on. Take a hint.”

A low masculine voice came out of the speaker as he gripped the phone. He pulled it away from his ear with a snarl as he looked at the phone screen. It took every fiber of his being to not shatter the phone right there; it took every remaining ounce of sanity that he had to not let this red hot anger consume him. This little voice in his head pleaded for him to think rationally.

He opened the car door and slammed it shut behind him as he got in, it was a miracle the car door window didn’t break from the force. He was quick to pull up your location and an airy laugh left him as he knew the location too well. A dive bar on the outskirts of the city, the same exact bar he had found you in. It was tragically comical.

He didn’t bother with a seat belt as he backed out of his parking spot and hit the gas and drove off after you. The speed limit was a mere suggestion as city lights passed him just as quickly as they appeared. He was livid as his knuckles turned white as he gripped the steering wheel. He was angry. He was angry that you had the audacity to be out with someone at the bar that he met you at. He was furious that you were busy with some asshole who had the nerve to address him by his first name. He was livid that he didn’t just leave work and go to you as soon as he landed. He was heartbroken because even though he was lost in this haze of consuming rage he had no right to feel this way. You weren’t his, but he was yours.

As Leon quickly pulled into the parking lot he parked his car with no regard to the faded white lines that were supposed to indicate parking spots. He left the car running as he slammed the car door shut, making a bigger scene than the screeching sound his tires made against the asphalt when he parked. He could feel the eyes of smokers burning a hole in his frame as he took quick strides to the front doors of the bar.

“Nice ride-.” A voice started but was cut off by the beep of Leon locking the car. Normally Leon would nod politely, but he didn’t bother to spare a glance to whoever made the comment. His brows furrowed and a glare that could kill adorning his face as he stepped into the warm bar.

“Hey!” Zack yelled, the bartender was shouting as Leon watched him scurry from behind the bar and over to a crowded table. Men and some women of varying ages were crowded around the table cheering. “Give that back! How did you even-?” Zack tried to reason as some guy held him back from the table. Leon proceeded with some caution as he approached Zack.

“Let it go, buddy. He’ll give it right back and pay for the shots as soon as he’s done.” A stranger said as he tried to keep Zack back. “He’ll even pay extra if this chick handles her liquor the way she says she can.”

That got Leon’s attention faster as he pushed his way closer to the front of the table. His eyes locked on your frame laying on the tabletop with your head leaning off the end as another guy poured vodka down your throat.

“Yeah! That’s what I’m talking about!” The man screamed before putting the bottle to his mouth and taking a shot straight from the bottle.

Your laugh rang through the bar as you began to try and sit up, but the man was quicker than you were as he bent down to meet you, his arm wrapping around your shoulders to keep you in place. His lips graze yours as he spit his shot into your mouth. Your throat burning as you tried to push him off of you. For a second you thought your weak effort was successful as his lips left yours, but when you gained some composure you heard the shattering of glass and saw people back away quickly from the table.

“Get the fuck off of her!” A voice yelled, that voice, you knew that voice all too well. You sat up as your eyes found Leon’s frame. His shoulders tense as they fell up and down with his labored breathing. His fist clenched and jaw tightened as he threatened in a deep low growl, “Touch her again and I’ll break your fucking spine.” He was in no condition to fight, he was barely standing. He was utterly exhausted and his limbs ached, but the angry adrenaline that coursed through his veins kept him upright.

“Leon.” You dryly got out as you sat up on the table. You repeated his name but he didn’t even glance in your direction.

“Leon? Jesus Christ. Look, she already-.” The man spoke and Leon recognized the voice immediately from the voice message. Leon’s eyes darkened with rage as he looked at this pathetic excuse of a man.

Busy.

“Where is her phone?” Leon asked as he roughly grabbed the man by his shirt collar, “Where is her damn phone?”

“Here, here! Take it!” The man shook as he pulled the phone out of his pocket and handed it to Leon. Leon snatched it from his hand before pushing the man roughly to the ground. Leon towered over him as the man shook, Leon’s unbridled rage causing the bar to grow freezing cold.

“Stay away from her.” Leon turned from the man and his gaze softened only slightly as it landed on you. Your eyes locked with his for only a moment before he avoided your gaze and approached you. His hand found your arm as he helped you off of the table. He wrapped an arm around your waist as the crowd parted like the Red Sea. All eyes were on the both of you as you walked out of the bar.

“I can take it from here.” You said agitated as you tried to push yourself away from Leon.

“I don’t care. I’m taking you home.” Leon said as he unlocked his car. That aggression he felt still resting on the tip of his tongue. He opens the passenger door and with a deep sigh you get in his car. After he just opened the door you took a deep breath before running your hand through your hair. A bottomless pit settled in your stomach before you sat back against the seat.

“Seatbelt.” You heard him say as he got in the car, pulling you out of your thoughts. You compiled as he started to drive out of the parking lot and turned right out of the parking lot.

You raise an eyebrow before looking at him and confusingly confront him, “You were supposed to turn left.”

“I said I’m taking you home. I know where I’m going.” Leon glared ahead and for once wished you wouldn’t say a damn word. He was heated.

“How did you know where I was?”

“Can you not ask questions right now?”

“No, because you’re freaking me out. First, you know where to find me and second, you hook a right when you know my place is left. Where are we going?” You stated in a matter of fact tone as you crossed your arms. You could tell he was angry, but you didn’t care because you were angry too. You never disclosed your location to him, he nearly started a fight, and he continued to treat you like you were something more to him regardless of the fact that he made it clear that you would never be anything more.

“My place. It’s closer and I’m too tired to drive further than what I have too.” He admitted as he sent you a quick glance.

“Your place?” You rolled your eyes, “You’re telling me that your place is closer and we’ve spent all this time at mine?”

“Yeah.” Leon sighed with irritation.

“How is that fair? How is it fair that you know all this shit about me, but I know nothing about you?” You asked flat out and annoyed. Normally after going an extended time without seeing Leon you didn’t ask any questions, you just tended to him until he was ready to talk. He loved that about you, you never pushed him. Leon grunted knowing that it was the alcohol and a mix of unconfronted emotions made you bold.

“We talked about this-.”

“Yeah, we did, but you tracking my location wasn’t in that conversation.” Leon took his eyes off the road as the car came to a stop at a stoplight and he looked at you. He opened his mouth to speak, to defend himself, but you cut him off. “Cut the shit, I know it’s a bugged phone. I had it looked at and your sudden appearance tonight only proved it.”

“It’s only bugged for your protection.” Leon got out through gritted teeth.

“My protection? What the fuck are you even talking about? If anything it’s so you can keep your whores straight and away from your wife.” You spit at him with venom. You knew Leon wasn’t the type of guy to run around town like that, he was a one woman type of guy. You were just angry and confused at why you would be enough to protect but not enough to be his.

Leon’s face turned up in pained disgust and he went to say something, but the blaring of a car horn called his attention back to the road and a green light. You huffed as you turned away from him and he continued to drive onward to his place.

The rest of the car ride was silent, giving you time to feel bad about what you said and how you said it. Your face falling and your anger simmering out as your eyes felt heavy with the weight of fresh tears threatening to spill. You refused to cry though as you sniffed and he pulled into his driveway.

A two story house that was too big for just him, but old enough for you to believe that it was a house that was left to him in some family members' will. Or he could’ve bought it himself easily with the way you’ve seen him treat money; like it was something that grew on trees. He was a complete and utter mystery to you and it drove you insane that you could still fall for someone who you knew so little about. At this point you were more mad at yourself than you were at him. You knew of his interests and hobbies, his likes and dislikes, you saw his heart; but you didn’t have a clue about his day to day life. It was like he existed only to you and no one else. No criminal record, no traceable family; he seemed to have nothing. All you had were snippets of an article about Raccoon City that left you with more questions than answers.

“Don’t worry, the wife’s not home.” Leon muttered through gritted teeth and you winced as he got out of the car. You went and got out of the car alongside him as you followed closely behind him.

“I’m sorry, I didn’t mean that.” He opened the front door and you followed him in, shutting and locking it behind you. Your body now shaking as his focus remained straight ahead. He was so cold and you knew you deserved it. “I know that’s not you. I just…” you hesitated as you could feel your throat beginning to clog, knowing that your voice was going to waver and your next words were going to come out broken if you didn’t get a grip.

“I’ve got a guest room, but I haven’t found time to clean it out so there is a bunch of junk and shit in there. You can take my bed and I’ll take the guest room.” Your heart broke, thinking he didn’t even want to be near you and you couldn’t blame him.

“I think we should call this off.” Your voice still broke as you said it and Leon quickly turned to you. His gaze softened immediately as soon as he saw your big glassy doe eyes. He stood frozen as his heart shattered. He was losing you and it wasn’t to some unforeseen force, he did this. His refusal to let you in completely had pushed you away.

Leon was a fighter, it was his job. He stood up for what was right, he fought for people who couldn’t fight for themselves, he fought so people who weren’t fighters never had too. But did he ever fight for his own selfish desires? At the end of the day was he willing to fight for the first good thing he’s had in his life for a while? At the bar he was ready. He was ready to push his exhaustion aside and fight the object that stood between him and you; but now? Fighting you, the person he desired the most.

“Look, it’s not anything personal…I just…this isn’t working for me.” You nervously blabbered out, the silence killing you. You took a deep breath as your hands found your hips, “I mean the Pretty Women aspect of it was fun, I had fun. I don’t know, I guess, I mean…” you stumbled over your own words.

“Alright.” He said and you looked away from him as your arms wrapped around yourself trying to comfort yourself. The floodgates of your tears threatening to spill as your eyes darted around the room.

“Okay. Good. I’ll sleep on the couch and grab a cab and be gone before the sun comes up.” You voice low as you head to the couch but Leon catches you by your elbow. The sudden connection of your bare skin against the palm of his hand sends a chill up his spine.

“I want to start again. I want to make it right.” He said as he slowly looked at you, his own eyes glassy. You study his face now and how exhausted he looked. “I’ll tell you everything. Let me start over. Let me make it right.” Your brows knitted together as you relaxed slightly and your other hand cupped his cheek. Tears fell from your eyes as you stifled a pained groan. “Please.” He begged and how could you say no?

Your lips found him in a hesitant kiss that he returned with desperation. The moment your lips sparked against his he was ready to fight again. His hand trailed down your arm and before it found your waist. He pulled you close to him as your arms wrapped around his neck. Sweet desperate kisses turned into feverishly hungry ones.

“Need you.” He admitted softly against your lips; hoping that you understood. Hoping that the feeling was returned. Hoping that right now that he said enough, that those two words meant enough. As you melted against him he knew that you understood.

For the first time in a long time Leon was ready to give his all to something besides work.

#resident evil leon #hayley writes a bit #resident evil x reader #leon kennedy resident evil #resident evil fanfic #resident evil fanfiction #resident evil #leon kennedy x you #leon x reader #leon kennedy x reader #leon s kennedy #writing romance #writing angst #writing #romance #fluff??#i don’t even know #he’s just my baby

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kl125 · 21 days ago

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I need to talk about this take. I’ve seen it so many times, and it continuously baffles me.

1. Why is mileven even being brought up in an unrelated fandom? I don’t know anything about Arcane, but I know that there was no reason to bring up ST on an Arcane Confessions account (there were some other posts comparing mileven to a ship in the series, and OP asked what mileven was, resulting in the above explanation).

2. MIKE 👏🏻 AND 👏🏻 EL 👏🏻 ARE 👏🏻 NOT 👏🏻 RELATED 👏🏻! How many times do we have to explain this? They aren’t related by blood or by law in the context of the show (neither are Finn and Millie, but I’m going to keep this to the characters from here on out). Nor have they ever said they see each other as relatives. This is a textbook case of taking things dangerously out of context (which I provide in point five). YOU may see them as “sibling-coded” or think they should be platonic, but that is entirely YOUR choice. Neither the creators nor the writers have ever said people should view mileven as familial/platonic or that the characters only see one another as brother/sister. This is an INTERPRETATION, not a definitive FACT.

3. Considering someone family does not make any relationship between them incestuous. Mike and El were twelve when they met. They’ve had a strong bond from the beginning, but their characterization and understanding of it has grown and changed just as they have. Nothing wrong with that. However, I say again, at no point have they explicitly stated they consider each other siblings in any sense of the word, AND there is a big difference between FOUND family and BLOOD family (neither is inherently better or more valid than the other, just different, that’s all).

4. The writers have an incest kink? Uhh…no? They’ve made it clear from the beginning that mileven is romantic. Mike and El call each other “boyfriend/girlfriend” all the time and have both said “I love you”. Also, categorizing anything related to a ship between two minors as the result of a “kink” from the writers is just disgusting.

5. I’ve seen people use Mike’s words in S1 to support this incest opinion (when he tells El that Nancy will be “like [her] new sister”). When El asked if that would make Mike “like [her] brother”, he IMMEDIATELY shut that down, making sure to distinguish their relationship. Even back then, he knew that what he and El have is unique and precious and decidedly NOT the same as how siblings should feel towards one another. This would be no different than how my brother-in-law feels towards me versus how he feels towards my sister. One is familial and one is romantic, respectively. Two different types of love, both valid, and both perfectly normal. (And I’m referring to my actual, real life sister and brother-in-law, not just using those terms randomly to make a point).

6. Multiple things can be true at once. El can see the Wheelers as her family, understand that she loves Mike romantically, and know that those are two very different types of love. Despite how some in this fandom like to characterize her, she is fully capable of complex thought and emotional intelligence. In S1, she asked Mike to clarify what their relationship is because she had never been shown love of any kind at that point in her life. What she got from Brenner was obsession, not love, and she never knew her mother. She may have started later than expected when it comes to understanding social cues and the complexities of relationships, but she got the hang of it very quickly and currently has no problem distinguishing between her love for Mike and her love for her friends/family.

(I realize some of these points and explanations seem redundant or repetitive, but it goes to show how insane this opinion is. No matter how many ways you try to explain it, this will never be true.)

All this to say, we need to put this “mileven is incest” argument to bed. Please. It makes no sense, it’s categorically false, and it’s just plain weird. If you don’t like mileven, that’s fine, but there’s no need to paint it as some illegal, immoral monolith to justify this viewpoint. I’ve seen ships between canonical siblings get praised (which is a whole issue in and of itself that I do not have time to get into), and yet this ship between two random teenagers is treated as criminal? No thanks. Mileven would very much like to be excluded from this narrative.

(Finally, if you’re sitting there thinking, “it’s not that deep,” please save it. As you can see, it very much is that deep to me.)

Here’s a happy Mileven gif to bring a little optimism while we wait for S5.

#my post #stranger things #mileven #mike wheeler #eleven #el hopper

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bengiyo · 2 years ago

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We Must All Get Louder and Gayer About La Pluie Immediately

I understand that this show only airs on iQIYI and that most of us canceled that after KinnPorsche and/or Love in the Air, but I’m gonna need y’all to re-up those subscriptions and get on this train right now. This and Step By Step have been some of the most intriguing romance explorations we’ve had in the realm of Thai BL in a long time, and you are missing out on this incredibly breakdown of the soulmate and fast romance tropes that I’ve ever experienced.

I’ve seen some consternation about whether this show is honoring or defying conventions within romance and BL, and I don’t think that’s the most enjoyable way to engage with a piece of media in a mature genre. I think it’s more useful to ask questions like:

How is this show using those conventions?

What do these conventions fit?

What new things have we learned about ourselves or the genre as a result?

We’ve been unpacking the soulmate idea from the very beginning (@lurkingshan). The show upended our expectations about that from the opening scenes by showing us a romantic man who doubts in his own romantic destiny because his parents divorced. The show has then gone on to state quite plainly that it believes that the hearing loss connection is entirely coincidental, and that what people do in their relationships with other people is what matters the most.

We are sitting in the audience, and so we know that this is a romance. We fully understand that Tai and Patts will more than likely be together at the end of this story. What that knowledge and expectation allows the show to poke at the development of relationships in dramas. The characters are in a slow burn romance, but everyone in their lives doesn’t think they should be! That’s been incredibly fascinating because we so often see BL characters rushed into a relationship with each other that we are always surprised when they aren’t (Bad Buddy, My School President, Bed Friend). It’s been incredibly enjoyable for me to see a romance refuse to rush their characters into commitment with each other.

My good friend @lurkingshan wrote about this subversion of tropes and expectations this morning as they pertain to Lomfon. She makes the point that we expected Lomfon to be a bigger factor going into episode 7 than he was, and that’s also I think part of the point. He’s not a threat to the core romance, but he does have a role to play in this story. For me, I think he’s here to reinforce that skepticism and doubt are critical to making any sort of relationship or belief system function. Your ability to handle new challenges and things that confuse you are critical to being able to maintain a commitment. It doesn’t work if it’s forced.

As for misunderstandings, this show also continues to be intentional about this. As far back as episode 4, Dream chided Patts for not making things clear with Nara. Patts listened but hoped that his non-answer would be enough for Nara. Likewise, Bow has warned Tai twice about Lomfon’s clear desire for him, and how by not making things clear Tai may also face difficulties.

This comes to a head this week with Nara. I agree with @ginnymoonbeam that Nara’s return lets the narrative blow up Tai’s uncertainties he’s left bubbling since the beginning. I personally love Nara’s reintroduction here because Tai is romantic and because he genuinely seemed to like Nara. He liked that she still knew how to take care of her ex. He liked the determination she showed to travel all the way to Chiang Mai to pursue him. He was rooting for her! Even if he misunderstands the kiss, it’s not really about the kiss. It’s about the fact that someone he admires cares for Patts, and he likely worries that he’s the reason they didn’t work out. He’s also still questioning if the mutual attraction between himself and Patts can be trusted.

Moving on to the intimacy, I wrote last week about the way this show has made it clear that these are two men interested in each other. Following up on that this week, we entered an incredible liminal space in their relationship. Patts signaled earlier in the episode when they first got to their room that he is hoping to pick up where they left off with their last intimate moment. Both went into this bed fully aware of the sexual tension between them.

Tai is the one who opens the door this time by first offering the massage and then initiating the kiss. Things heat up between them, with Tai again on top to remain in control of the situation, something @shouldiusemyname points out here. Tai once again asks Patts to stop when he moves to escalate the encounter, but Tai shows Patts that he is interested in him. He offers to help him out by performing the act that Patts was most certainly going to do last week. This is incredibly fascinating for me, because I have always asserted that bottoms are the ones in most control of an encounter. I do not read Tai choosing to take care of Patts as him giving up control in any way. In fact, it’s a way for him to further maintain it. He reassures Patts that he is happy to be here and lets them release the tension of the moment.

Also, I just absolutely lose it over the lip flick.

gif by @pharawee

Once again, I cannot overstate how radical it is for me to see a show saying that the one performing the act is the one in control of the encounter, and has the character who’s feeling unsure use that as a way to explore their own feelings. Tai needed to know that he likes making Patts happy. Please list the other BLs that have done this with sex in the notes. It’s not very often we get this!

Also, look at this man. This is not the face of a man who is being coerced. This is the afterglow of two people navigating their intimate relationship (@ginnymoonbeam).

He’s literally rubbing his hand because as they spoon because he’s so relieved.

I also just absolutely love Patts. I love that he keeps leaving notes for Saengtai to make sure he knows where they are.

Look at him walking around the next morning. He seems pleased...like a man can seem pleased.

We just never get this kind of stuff in genre. This is a classic romance of the Nora Roberts variety that’s allowing us to show two men navigating their romance and intimacy on their terms while also showing that even fated mates must be good partners to each other. This is a story that loves romance and loves the conventions of the drama. It is approaching each thread with clear-eyed conviction, and we as queer viewers deserve this.

So, I’m going to need you all to get louder, weirder, and gayer about this show. We gotta get more people on this one. We can’t let this show be forgotten because it’s not on YouTube.

Once again, thank you for coming to my post.

tagging @wen-kexing-apologist and @kyr-kun-chan for all the conversation we’ve had about this show.

#la pluie #la pluie the series #la pluie meta #thai bl #bl series #lgbtq+#lgbt tv

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macbooth · 1 year ago

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full of childish whimsy in a hostile fashion tonight so here’s every shakespeare clown i can think of and whether or not i think i’d beat them in a fight

(i do not mean fools i mean clowns. they do not need to be the secret genius of the play. if they are stupid in every way shape or form i am including them here)

Puck (A Midsummer Night’s Dream) No chance. Bro’s got that magic and ALSO has a big strong scary fairy king as his bear, like, do not separate them. If I even tried throwing hands at this cunt I’d get torn to shreds and used as glitter dude, I’d be over. 0/10

Nick Bottom (A Midsummer Night’s Dream) I could but I’d feel bad. I also think he’d put up a really solid fight. Like this is out of donkey form, bro was a physical worker. Like I reckon I could win a fight with some of the tradies I’ve seen but I don’t think it’d be easy. Also he’s just really dumb so I would feel a little bad. Donkey form though, I’m running away. Scary as shit. I am afraid of horses though. 6.5/10

Touchstone (As You Like It) Absolutely I could beat the shit out of this man. I hate him so much. Full of hostility towards this fucker. His clothes aren’t even subtle I could find this bitch in the forest no time and hunt him down and rip him to shreds, fuckin court jester doesn’t even have the roughness of the country on his side. 9/10 (-1 point cause he definitely fights dirty but I just hate him so much I’d win)

Jaques (As You Like It) First off he’s absolutely a clown. Second off I’ve played him before so my word is gospel. Third off bro has no fucking chance against me. He’s a podcast bro who thinks I don’t know that Tame Impala is one dude. I’d ask him why we can’t print more money and he would explode instantly and it would be the funniest thing he did with his life. 10/10

Audrey & Corin (As You Like It) I’m lumping these two together cause in the show I did they were one character (and I also played them). I wouldn’t even want to fight these two. And even if I wanted to Audrey would absolutely be able to beat the shit out of me and I would thank her. Our setting was in semi-modern country Australia, that girl would have a shotgun. 2/10

Autolycus (Winter’s Tale) Just like Jaques to me. He might be a little bit harder because he’d change costume and I’d get confused because I have no object permanence but other than that what has he got. Bitterness? Resentment? Bitch so did I when I was 15 grow up experience love. 8/10

Falstaff (Henry IV parts 1 & 2, Merry Wives of Windsor) I don’t actually know about this one but he is very punchable. I feel like he’d let me punch him and I think one punch would be enough for me. I think that would satisfy my urge to punch him. He may be a knight but let’s be honest he’s shit at it so I stand by this. 4/10 (just cause I don’t really give a shit)

The Dromios (Comedy of Errors) I absolutely could beat them in a fight but I would feel So Bad. You see how they’re literally already treated in the play, I wanna give them a break. That being said they’re both kinda dicks but they’re going through it already so I’d wanna give them a breather. I would win though, even if they both were attacking at once. 7/10

Launcelot Gobbo (Merchant of Venice) He’s such a prick but I would be laughing too hard at his name to fight him. Bro’s name is Gobbo. Bro’s name is basically Gobby. Imagine being named Blowjob. I would lose my mind. I would laugh so so hard I would collapse. My heart would fail. Biggest L name out there bro. Launcelot Gobbo oh my god. 3/10

Launce (Two Gentlemen of Verona) Nah man he has an attack dog. I don’t care what breed of dog Crab is in a production I fully believe he would kill for Launce, that’s just their dynamic. I understand them better than anyone else (I have a dog). Also he’s already working for Proteus, is that not punishment enough? 4/10

Speed (Two Gentlemen of Verona) I mean I definitely could fight him. I don’t imagine he’s got much fighting experience. But once again, he has to deal with Valentine which does feel like it would be cruel to inflict more onto him. Like Valentine’s not as bad as Proteus but fuck is he stupid. Also if I accidentally flubbed a punch Speed could absolutely tear me a new asshole with his words and I would sob and cry and literally never recover. 4/10

The Porter (Macbeth) Fuck no. Bro definitely has a knife on him at all times. I can’t explain why I think this I just do. He works night shift, he definitely doesn’t get paid enough for his dog shit job, he would absolutely try to stab me just to spice up his evening without me starting a fight. 1/10

Trinculo (Tempest) Yes. Sorry, you’re Russell Brand? L. I could kick your ass. And he’s like drunk for half the show, and almost fucked a fish. I doubt his judgement is good enough to say the alphabet backwards let alone dodge a punch. He couldn’t even get Caliban to kick my ass (who definitely could by the way) cause Caliban fucking hates him. Bro, failwife to Stephano should pay more. But it doesn’t. 8.5/10

Dogberry (Much Ado About Nothing) Without Verges? Yes. With Verges? No way. Those two are a power couple in the dumbest possible way. He would absolutely try to get me arrested though but I simply would not go to prison. What’s he gonna do? Send me to prison? I’m already not going. 7/10

Mercutio (Romeo and Juliet) No chance. Unless Romeo fucked up so bad like he did in the actual play, I would have no chance against this dude. I wouldn’t even want to even if I could. I’m a Benvolio stan first and foremost and a person second you think I’d wanna fight his bestie? Only exception is if it was an actual fight club and not just a pure fight out of hatred. I feel like Mercutio could give Brad Pitt Fight Club Realness, outfits included. I would still lose though. 2.5/10

Don Adriano De Armado (Love’s Labour’s Lost) I reckon I could wreck this dude’s shit. You know that gif where the fuckin dude is doing all these cool sword moves and then he just gets shot? You know the one. I forgot where it’s from but you know the one. That would be this fight. Armado would bust out his flair, his razzle dazzle, his pizzaz, and I would just deck him I think. That’s the power you need in this world, I think. Power of fist to face. Peace and love. <3 8/10

Costard (Love’s Labour’s Lost) I do not think Costard would realise he was being fought even as he was actively getting hit in the face. I know how to say honorificabilitudinitatibus, he doesn’t even have that against me. Bro couldn’t even confuse me with that, I learnt that, like an adult. Anyway yeah I’d kick his ass. 9/10

Holofernes & Sir Nathaniel (Love’s Labour’s Lost) This is the same man to me. I would destroy them both. Fuckin nerds. Flowery ass language nerds. I support gay rights and gay wrongs but the only reason I couldn’t fight those two gay muppets who heckle is cause they’re too far away (in a theatre booth), these two gay muppets who heckle are right in front of me. I’d kick their tweed cladded asses. 10/10

Jaquenetta (Love’s Labour’s Lost) She is just like Audrey to me. I could never bring myself to hurt her. Also she’s pregnant and I feel like it’s fucked up to hit a pregnant woman just for fun. Also she could absolutely wreck my shit. Please wreck my shit Jaquenetta. 0.5/10

Moth (Love’s Labour’s Lost) This little fucker should be an INSTANT knock out but I just know this fucker bites. He’s a shit talking 8 year old? Oh he plays wolves on the playground, I just know it. He plays wolves and he’s definitely been suspended for it, I just know it in my heart. Sure, I could kick him, but he would grab hold of my foot and try to rip it off. We would shake hands and agree to part ways, having met our match. He, who plays wolves, and me, who played fairies, leave the fight with our heads high and respect in our hearts. I am kidding of course but I do think we would tie. 5/10

Lear’s Fool (King Lear) There’s already so much fighting going on, I don’t even think they’d notice if I just started kicking this dude. Not only could I fight him and win, I think I’d get away with it too. I’d win not only physically but socially too. What’s he gonna do? Tell his boss? Bro he’s preoccupied with his whole kingdom crumbling, grow up. 9/10

Lavatch (All’s Well That Ends Well) This is more meta but my hatred of this play would fuel me here. I would fight literally anyone in this play if given the chance, not a joke. I would get in the ring with literally anyone from this play, but honestly, out of them all I weirdly respect Lavatch the most, maybe because he at least knows that he’s a cunt, unlike literally everyone else who Just Suck. I do think he’s probably scrappy though, so I wouldn’t leave unscathed. I also think if he got the upper hand he would be so so awful about it, so I’d really have to fight. 6/10

Sir Toby Belch & Sir Andrew Aguecheek (Twelfth Night) Andrew is canonically bad at fighting, and honestly I do not believe Toby would be any better. Love both of these guys but if I had to fight them both at once I think I would be able to just move out of the way and they’d bonk each other on the head like a cartoon. They’re just silly guys. 9/10

Maria (Twelfth Night) Every woman clown could beat my ass. Audrey, Jaquenetta, Maria, they are all so special to me and would all also fucking destroy me. Maria especially cause I just know she is full of hate. You don’t hatch a plan like the Malvolio plan unless there’s something deeply worrying about you. She’s a Scorpio to me. <3 I do love her, she’d demolish me. 0/10

Feste (Twelfth Night) Would actually kill me. -5/10

I know I’ve definitely missed some but uhhh don’t expect me to remember every clown even if I’m neurodivergent about these plays please. <3

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irisbleufic · 7 months ago

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Of all the bullshit I never expected to be back on with the same intensity of October through December of 2000, Beetlejuice was not it. But I finally got to see the musical yesterday, and the part of me that has adored all 94 episodes of the animated series from the moment I started watching them on ABC Saturday mornings in 1989 just fucking flared—this fond, awful tightness in my chest. It’s the first TV show I ever imprinted on; it’s been with me since childhood. Surreal.

About 4 years into watching the cartoon, I finally saw the live-action movie that the cartoon was based on. I hated it, because it was so malevolent and empty compared to the incredible world-building characters in the animated series. Serious shout-outs to Stephen Ouimette and Alyson Court for all that stunning, hilarious, and often moving voicework.

Now, okay, I need to go back to 2000 again to make this all make sense. I’d watched the show from 1989 until whenever the 4th season ended. It wasn’t until I was in my first semester of college, newly transplanted to New England, that I found a couple folks within my program who had loved the show growing up, too. I ordered all of the episodes on VHS. It was difficult to track them all down in 2000, and it was expensive. But I pulled it off, and we had Friday night watch parties for weeks over the month of October. But that is not where this ends.

I was in the process of winding down the writing I’d been doing on Tim Burton’s Sleepy Hollow for the entirety of my senior year of high school. Suddenly, I’m in college and watching this fucking cartoon and thinking, there is so much heart in this. How the fuck is there so much heart. I haven’t seen two characters this wholesome codependent in, well, ever. I went looking for forums and mailing lists devoted to the cartoon. I found a mailing list. There were a handful of artists drawing amazing fancomics on there, and they were like, what do you do? Oh. I write. And they were like: do you understand how desperately some of us have wanted fic, but just can’t find it?

That is the wrong thing to say to me when I’m on a downward spiral of realizing I’m not going to escape a fandom without getting myself into a project so long that it’s all I’ll be doing for fucking months on end. If you’re one of the people who knew me back then, you know what I did for those four months in the fall/winter of 2000. I wrote a novel. Sure, I came close to failing a couple of classes, but it was the first time I understood exactly what I was capable of building as a fanwriter. Maybe even as a real writer.

“Time Will Tell” was hosted on a friend’s Angelfire site for a handful of years. People found it via LiveJournal, too, because I linked it there. I put it on AO3 somewhere circa 2012 and took it down again in 2017 because I didn’t feel there was enough interest in it, and also, my 19-year-old editorial foibles and typos were aspects I wanted to amend in it.

The musical took more inspiration from the cartoon than the film. I’m stunned and grateful for that. I found the “Time Will Tell” file buried pretty deep in my Gmail folders. I’ve been reading it since the drive home last night. I just can’t believe there’s now enough of a fandom for me to consider finally polishing it and getting it back online. It’s one of my two oldest surviving pieces of writing.

Anyway, sorry for the Gotham fic delays that I’d been trying to get a handle on. Now that the semester’s over, I feel that getting this thing I wrote twenty-three years ago back to the light of day is the best use of my time for a couple weeks.

If you’re one of the people who read “Time Will Tell” back in the day, thank you. I don’t know how many people out there still remember it beyond maybe ten or so friends I’m still in contact with all these years later. I’m sorry it disappeared for a while.

#beetlejuice #beetlejuice the musical #beetlejuice the animated series #lydia deetz can fuck right off for reminding me she was the reason i wrote first-person pov for the first time ever #and can take all the credit for making me feel less alone as a kid #maybe this is why ghosts never scare me; bj is such a delightful dumbass and set my expectations pretty high/low depending

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ihavenomouthandimustmouth · 6 months ago

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in light of that wave of tiktoks about “transmascs with big tits getting mad when they’re misgendered”, I wanted to make a post about the realities of binding because I feel like a lot of people don’t really understand it at all (but still feel completely qualified to pass judgement about it)

1. Binding is not generally comfortable or something that can be done all the time. For me personally, I can’t wear one for very long, and if I do wear one for long (even the maximum amount of recommended time or less) I often have to take a break for at least a day. I can’t wear one all day, so if you’re around me throughout the day, you’re gonna see me without a flat chest at some point. (Note on this for people that bind—some binders have worked better for me than others! I couldn’t wear my Underworks one for more than an hour without intense pain, I could wear my Flavnt one for a couple hours but then it would cause a lot of pain if I put it back on in the next couple days, and I can wear my Spectrum Outfitters one for like 4-5 hours and still be able to wear it the next day. It tends to vary by body type though, so the ones that didn’t work for me might work for you and the one that works for me might not work for you)

2. Not everyone wants to bind! Some transmascs might not have chest dysphoria or don’t have so much that it makes binding worth it. If you think they need to wear one for you to not see them as women, that’s a bias you need to deal with instead of putting on others. If you’re “cool with trans people” only when they fit how you think a person of their gender is supposed to look, you’re not actually cool with trans people.

3. Some people might want to bind but not be able to. Some conditions make binding much more difficult or impossible. Personally, I can on some days but if I’m having high anxiety, binding makes it ten times worse. Also, good binders are expensive and not accessible to everyone.

4. Binding isn’t safe for all activities. If I’m moving around a lot (exercising or at an event like a concert or party) and I try binding, it does not go well. Learned this the hard way.

5. Binding does not work the same way for everyone. It’s not a magical piece of clothing that removes all signs of titty—if someone has a larger chest, there’s a good chance they’re not going to be as flat as someone without boobs (or even someone with a small chest not wearing a binder), even if they’re wearing one. Hell, I’m like a 30B, and you could still tell I had them with most of the binders I’ve tried if I wasn’t wearing baggy clothes.

6. For some people, binding actually increases dysphoria. It can make you much more aware of that part of your body. A lot of binders show under clothing, which can make people feel worse. I’m not sure how common this is, but for me it can really emphasize my small size and make clothes cling to me more, so if that’s what I’m more dysphoric about when I’m getting dressed, I’m not going to wear one.

This isn’t meant to discourage anyone from binding (and if I see anyone using this as evidence that trans people are destroying their bodies, I’m gonna lose it)—if it works for you, awesome! But there are a number of reasons why someone might not be binding, and people who aren’t binding deserve to be respected and seen as their gender as much as people who are.

If you have more points to add to this post, feel free to do so!

#transmasc #trans #binding #awareness

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wolfqueen66793 · 1 year ago

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‼️Sonic Prime Spoilers‼️

Warning: LONG!

Putting my thoughts together on this new season, overall I found it very enjoyable! Definitely my favorite season.

Loved the Sonadow! Lots of great moments from the two hedgehogs, it’s so very important to me that we got to see a softer more concerned side of Shadow, even if you don’t ship Sonadow you have to admit him not being a asshole was great!

However I do wish we got to see more of him, I’m definitely fine with the amount we got, not only for the season but the show overall! But I hate the trend Sega has made where they put Shadow in a show and he quickly gets put to the side lines.

I think a great thing they could have done with Shadow is when he’s separated from Sonic still have episodes with him! We could have seen him recover from the fall into the ravine and fight his way out as a episode, or it could have been a prisoner situation! (Or both) Nine could have some how contained Shadow after being weakened by the Grim Bots, that would let the writers keep a power house like Shadow out of the fight but not out of the plot. Anytime we cut back to Nine we would also be cutting back to Shadow.

There was also the 3-4 Episode fighting, now honestly I didn’t care but I did notice it. Did the fights get a repetitive? Yeah, It was a lot of repeating the same stuff but I forgive it because during this long fight was all the lovely character interactions and growth, which is what I think we should focus on. Dread choosing his crew over Treasure, The Roses, The great moment between New Yoke Knuckles and Sonic vs Nine (though that probably should have been given to Shadow honestly, he was in the fight but we saw him the least it feels) and I loved the relationship between Mangey and Sails.

But I do have a small problem with how they handled Mangey and Sails in the fight, the writers gave them a “Death” scene. Now that I was really down for, but looking back on it It just makes me think “why?” Now logistically it was probably the writers wanting to take some characters out to write less, which honestly fair enough! They had a lot of characters to juggle.

But I wish there “Death” meant something more than just to get them out of the fight until the end where they come back with the Grim Big Bot, now I’m a BIG sucker for Sonic and Tails moments! And I love everything for them, I love there happy moments and I love there sad moments. Sonic and Tails’s relationship is my absolute favorite thing about the Sonic series! And because of that I wished there “death” was something more important, we got to see Sonic be actually hurt about there deaths and I love that! But I wish it just had a little bit more time, have it be the moment where he really starts to see Nine as someone dangerous, someone who can do some real damage, I know sonic is a guy who believes in second chances, and I’m not at all asking sonic to go into a blind rage and attack Nine, that just wouldn’t make sense. But I’d like a moment where Sonic would just yell up to Nine with anger but also sadness, he just had to watch other variants of his little brother die from another one of his brother, because he was too slow. (Or maybe I’m just a big sucker for angst and just like watching Sonic suffer)

And lastly there is the ending, now honestly all the other things I’ve mentioned before this point are things that I actually don’t mind but I’d probably just change a bit. And this also applies to the ending, just a tad less. I found the ending to be very unsatisfying and confusing, we were told we were supposed to understand why prime was so strange for the Sonic canon but we got 0 answers, and the ending is very open (which is a thing I don’t like for show finales, almost entirely) but, we we’re supposed to get 8eps this season but the season only had 7, that’s what Netflix ordered, so where is the last episode? What I’d like and what seems to be what others would like or at least have speculated is that Sonic Prime will get a extra long episode or Movie later down the line, to properly wrap everything up.

I’d definitely be down for something like that, it reminds me what Rise of the teenage mutant ninja turtles did with their show, after there show was put on a indefinite pause they were given the opportunity to make a Netflix movie to wrap up the story. And it’s one of my all time favorite movies! There is most definitely more that they can do with this show, and I really wish this turns out to be the case, because if this is where Netflix actually leaves the show off it will kinda suck ngl, a bad ending kinda can put a whole show off for me (not that this show will end up like that for me but still) and it would also mean Sega pretty much lied to us about understanding the timeline.

So I hope the strange cliffhanger we got with shadow taking the prism shards, the shatter spaces still being a thing and that random (most likely) prism energy blast with what looked to be a shadow of a large ship (probably the eggmen) appearing in the sky we will get that last episode Netflix ordered as a longer special that will help us understand things and give us a more satisfying ending!

But there we go! My thoughts and critiques on prime season 3. I definitely loved the season and I’ll be thinking about the Sonadow scenes we got pretty much every day just like the metal virus arc!

Here are some Sonadow pics for making it this far!

#sonic the hedgehog #sonic #sonic fandom #sonic prime #sonadow prime #sonadow #miles tails prower #shadow the hedgehog #sonic prime season 3 #tails nine

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canichangemyblogname · 6 months ago

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@trans-buckleyy (this is my main), I got into watching 911 ~September 2022 and looking back through some of my old message/posts about it I was talking about how the gifs I'd seen on tumblr made me think buddie were together. So yeah I definitely got 'baited'/misled by the fans (I didn't start watching for buddie specifically, they just came up on my dash the most) - I commented at the time that a lot of the posts on tumblr about 911 felt like they were only through the lens of buddie shippers so I can see how so many people were misled, fortunately for me the illusion shattered as soon as I actually started watching the show. Though there's been a massive shift in attitude, when I first joined the fandom most people were happy shipping buddie and not believing it would ever become canon, now it seems like everyone has convinced themselves it will. Imo they're kind of setting themselves up for disappointment.

I’m sure I’ve said this before on my blog: capitalism combined with the white supremacist suppression, homogenization, or sterilization of cultures & traditions leads people to make consumption and products part of their identity. Fiction and fandom fill a need to belong that often replace real support systems and community (this is why so many in fandom feel lonely). Rather than a hobby, fandom is part of some people’s identity. So, pushback against popular fan interpretations— or fanon— can feel like a personal attack.

It seems to me that the blogs that just do fandom things to do fandom things—like shipping, that are happy to delineate between canon and fanon, and that understand that fanon is fanon and will likely never go canon are also the same blogs that love things like “rare-pairs” and “multi-shipping.” They seem to approach it from a “it’s never that serious” mentality and really just seem to want to have fun with it. It’s a hobby, not part of how they define themselves. Hobbies and interests are welcome to change, whereas people see identity as fixed and deterministic (it’s not, but that’s a whole other discussion).

There’s been a massive shift in attitude because the landscape has changed. Many of the most hard-core fans have staked their group belonging and (fandom) worldview around buddie. It was *the* singular 9-1-1 fanon relationship (the rest are all canon). It brought them together with people, people who they now see celebrating more on-screen queer representation. They feel spurned. Videos are surfacing of some of the most hard-core sobbing over Buck being confirmed as bi, but not getting buddie. They're telling their audience/followers that if buddie never goes canon, their quality of life will decrease, and they’re repeating many of the same things you (and many other fans) mention: they were led to believe this was a done deal, a foregone conclusion. How does one admit they’re likely wrong about “endgame” when they’ve spent the better part of 6 years supporting this and believing in it? They’re having far more difficulty accepting this than you did. Unlike you, actually watching the show did not set their expectations for what canon will likely be.

I also think there has been a massive shift in the way fandoms approach shipping since the end of Supernatural. A good chunk of the SPN fandom simply stopped watching the show, but continued creating for it. The fandom still dominates on fan-driven sites despite the show now being off-air for 4 years. Many SPN fans had largely given up on canon, preferring fanon, and admitted as such. Until “Destiel” went “canon.” (It didn’t, not really and not technically.) People shifted to this idea that they— the fans— could pressure networks and producers to canonize their ship (they can’t) or make decisions the fandom, a very niche part of an audience, would prefer (they can't). After Buck was confirmed bi, some of the most popular takes were, “This is revolutionary! Just 4 years ago, Supernatural was queerbaiting us all to superhell, and now we have 9-1-1 making a character bi 7 seasons in."

Ultimately, this idea they can pressure shows into making fanon a reality reveals that they have no concept of how television shows are made and produced or how decisions are made at the production and network levels. They are not going to persuade a network plus every writer, every producer, and every showrunner involved to agree to do what they want. But we still see fans in fandom believe they can get all these people to make decisions for the sake of fandom. Just look at the Our Flag Means Death fandom and their billboard fiascos.

Because buddie is part of how this subset of 9-1-1 fans define their sense of belonging, if Buck is in a relationship with anyone other than Eddie, this threatens their community and their relationship with the media itself. Tommy is to these 9-1-1 fans what Eddie was to Buck in 02x01: competition. This is why this same group treated the actresses who played former love interests like shit, too, including death threats and attempts to doxx or "cancel" them. Everything that challenges their (fandom) worldview must be removed. They can't and won't get the network to budge, so maybe they can try to get the actors themselves to quit or the producers to budge. After all, they have "direct" access to these individuals (they don't).

This all seems fantastical just writing about it. The logic doesn't logic, but logic isn't going to logic when social media creates parasocial relationships. Social media makes it seem like we plebians are closer to the patrician class because of how we're exposed to personal aspects of their lives. Repeated exposure to a media persona causes a media user to develop illusions of intimacy, friendship, and identification, and the more prevalent social media is in the media user's life, the more parasocial the online relationship becomes. So if your belonging and part of your sense-of-self identify with being a buddie shipper, then so, too, does the media persona, leading to people like Oliver Stark or Tim Minear being "number one buddie defenders" (they don’t care, y'all, I promise).

Now, add to this the way that m/m shipping has been constructed as inherently subversive (despite the reductive and sometimes regressive tropes that slash-fic uses) and as a form of activism, and you now have people not just identifying with shipping and staking their well-being on a ship, but also believing it is a morally righteous cause to campaign for. To them, they're fighting for representation and the expansion of queer stories. So, when the network and show expand queer representation without them or their ship, they're confronted with the reality that what they're doing doesn't do a damn bit of help. They're forced to ask themselves if their feverish promotion of and support for this ship may not have been about representation. I've seen some of them conclude that 1.) being forced to look critically at shipping is just misogyny because the majority of people in these fandom spaces are women, 2.) they're a queer woman, so, of course, it was about representation, they support and care about queer men and are an m/m ally (yet reblog posts about shooting us if we flirt with men in ways they don't like with the excuse "I'm a woman, I'm allowed to hate men"), 3.) actually, the buddie ship is "superior" representation because it is culturally diverse because Eddie's Latino (yea tokenization!!).

This all plays a large part in why they aren't taking it well when called out for homophobia and the xenophobic hypersexualization of Latino men because, to them, shipping culturally diverse m/m relationships is inherently "progressive" and "subversive" (again, despite the reductive and regressive tropes they use in their writing). They don't need to look critically at what they're saying or how they're hurting marginalized men because they believe they are putting moral pressure on the networks to be more progressive or subversive. Meanwhile, they're drawing rhetoric and ideas from existing queerphobic worldviews and legal structures (like echoing the rhetoric similar to gay panic, a US legal strategy to excuse crimes such as murder and assault on the grounds that the victim being queer led the perp to violence - a.k.a shooting a man for the way he flirted with another man) to tear down canon queer representation, just as they previously used misogynistic tropes to tear down Ana or Taylor or Ali or Marisol.

TL;DR— Many factors have contributed to the wide meltdown and "fandom schism" we've witnessed, not just the fact that some people explicitly started watching for buddie and have skipped whole swaths of the show to fit a "buddie interpretation."

#Some of them not only believe they are incapable of hurting other marginalized people because of their support for a ship #but also because of their membership to a protected class #because I guess none of them have ever heard of lateral violence???#And that leads to frigid takes like: '[insert marginalized classes] cannot weaponize aspects of the patriarchy to hurt others.'#911 ABC

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