#(Don't ask how long this took)

[kaxtwenty]

Free therapy

[hollowedhusk]

[nnnnnnnothingtoseehere]

💜

[eva-birdman]

ayo no way!!!!

[sweetestflow3rs]

i know what you did last summer!

[biowho]

I may not understand how Davrin Dragon Age's clothes work yet but I do have a comprehensive knowledge of cleavage and a deep desire to figure out how to paint digitally

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

[the-broken-pen]

Hey hey

Could you perhaps write a snippet where the building hero is in, gets bombed? Its bombed as an assassination attempt to get them, however the people in that building die and hero, succumbed to their injuries couldn't save everyone of them. At last they watched the last ambulance left without them, even as they called for help

Villians villa is just few kilometres away

Thankfu hero's legs aren't broken

They begin walking

The problem? Vil is way to composed and prim and perfect to let all of hero's blood get on their expensive carpets and fabrics. They could even be mad at the hero for reddening their porch if they hero stood their asking for bandages. What now? And the fight the two had yesterday that ended with "never see me again" and "don't ever talk to me"s.....vil was stopping hero from attending the event the building....

Will vil help them? They can just ask for bandages and leave.

What hero doesn't know: vil would literally destroy the world for hero, and there's no way in hell are they leaving hero on their doorstep.

(Anon you were cooking with this ask, thank you!)

The hero realized the building was going to explode a split second before it did, which wasn’t enough time to do anything other than brace.

They tensed, and there was a horrible screeching of metal and brick, followed by a deafening silence that covered them more completely than the rubble did.

The hero coughed once, weakly, pain rocketing through their chest, and shoved a piece of concrete off themself.

From somewhere else in the building, a soft, terrified wail began, broken around desperate sobs.

The hero coughed again, hand rising to their ribs. They didn’t have the energy to be surprised when their fingers came back coated in blood and dust. They grimaced at it, struggling to their feet–

And oh, god. That hurt.

The hero had a surgery once, the kind that resulted in bandages and a care regime and a set of stitches, and when they had woken up in the recovery unit, it had felt sort of like this. A moment of loopy half-awareness, and then a pain that had knocked the breath out of them, hands clenching into the sheets as a nurse tried to figure out if they needed more medication. 

This was worse. Their vision swam, and they blinked it back with a hiss.

Because someone, somewhere in the wreckage, was crying. And if one person was crying, it meant there was someone who survived. Which meant it was likely there were other survivors–ones too hurt to make any noise, ones knocked unconscious, ones still too shocked to do anything other than lay there–and it was the hero’s job to find them.

It took them far too long to locate the source of the crying. Longer to dig them out, vision going white as the person slammed into the hero’s chest in some facsimile of a terrified hug.

“You’re okay,” they managed, voice like gravel. “It’s okay. I’m going to get you out, and you’re going to be just fine. Were you with anyone?”

And then again, and again, and again.

The hero panted, hands on their knees as their body fought them in an attempt to just collapse onto the concrete below. They just–they just needed a minute. Just one, maybe, and then they could–

This time, the hero wasn’t even aware of it before it happened.

The remains of the building shook, then disintegrated into itself in a plume of dust and rock. The hero shielded their eyes with one hand, blinking against the onslaught.

What little air they had managed to get stuttered out of their lungs in something close to a sob. They had done this enough times to know there wasn’t anyone in that building left alive. 

They sagged down against the nearest thing–more rubble, maybe? They didn’t know–and this time when they rested a hand on their side, there was a considerably larger amount of blood.

“That’s…not great,” they said, and their fingers blurred in front of them slightly. There was an ambulance right there. Just a couple feet away. They had already helped most of the survivors, so maybe it would be okay for the hero to–

A paramedic rounded the back of the ambulance, and the hero lifted a hand, reaching–

“Please, wait, I think–I think,” it hurt coming out of their mouth, “help. Please I need–” they trailed off as the paramedic took the step up into the ambulance.

And closed the door behind them.

The hero wasn’t even that surprised when the ambulance began to drive away.

“Help,” they finished weakly, then sucked a breath in through their nose.

They were supposed to be good at this kind of thing. Surviving, no, thriving in catastrophe. A pillar of light. The one with the plan. 

The kind of being that didn’t beg for help on the ground.

The hero wasn’t entirely sure how they managed to get themselves back to standing. It was as easy as that–one moment they were on the ground, gravel embedded in their knees, and the next they were up and shaking but they were up.

“If I stay here, I’ll die,” they murmured. They had hoped maybe the threat would keep their legs from buckling again. It didn’t.

They weren’t near any place that could be trusted. There wasn’t a safe clinic for heroes on this side of the city, and even if there was, the hero wouldn’t trust them. Couldn’t afford to.

But as for near…the hero swallowed the nausea as it rose in their throat. There was one place they could go. One person they could go to.

Four miles. They could do four. There was no other option.

Where the hero had had some blurry recollection, or at least, a good guess of how they got to standing, they had absolutely no clue how they made it onto the villain’s porch. They managed a blink, retching slightly as they stared at the villain’s wavering door, then had to freeze just to bite down the pain that had come from the gagging.

They tried to knock and ended up collapsing against the villain’s door, knees giving out entirely as their fingers scrabbled for purchase and left behind smeared bloody marks on the wood.

They weren’t entirely sure how that happened either, or how long it took the villain to answer the door. Just that it hurt—so, so much, it hurt so–and that they managed to shove themself back into some semblance of standing right before the villain pulled the door open.

The villain’s face did a sort of spasming thing as soon as they saw the hero, jaw dropping slightly in what the hero could only really read as shock.

There was a very considerable amount of blood on the door. They were cold.

“I–” the hero tried, but they weren’t really sure where they had been going with that sentence, and after yesterday and the screaming and the fight the villain probably didn’t want to see them at all, didn’t want to ever see their face again, so–their mind blanked. “I got blood on your door.”

They tried to gesture towards it, but that hurt, so their hand simply twitched slightly from where it hung by their side.

They glanced down at their feet, because they didn’t want to see what the villain’s face was doing, especially if what it was doing was anything resembling anger.

“Oh.” There was blood at the hero’s feet. “And on your porch, too, I guess.”

They looked up at the villain, but they were still staring at them, brow furrowed, hand clenching on the doorframe.

“I’m sorry.”

There was a very faint quiver of tears when they said it, and the hero knew better than to hope the villain didn’t catch it. 

Were they saying sorry for the porch or the door or yesterday–

“Holy shit,” the villain finally breathed, and it sounded like it had been punched out of them. The hero froze, panic rising in their chest.

“I’m sorry,” the hero blurted out, stammering. “I’m–I’m so sorry, I’ll go, just–could I maybe have some bandages? Just–just one, maybe, please? I’m sorry, I’m sorry,” they said uselessly, head swimming. They couldn’t even remember what they were doing here. The villain was perfect in every sense of the word, stoic and proper and collected in a way the hero would never be; a marble statue brought to life. The idea of them letting the hero–the personification of a train wreck in motion–in to bleed all over the villain’s soft carpet and nice shoes and cause irreparable damage to their very expensive house was almost laughable. 

If they had had the breath to laugh.

More of the hero’s blood dripped onto the slats of the porch, and they stepped back. “I’m sorry–”

The villain reached for them, and the hero flinched, taking it for the dismissal it was–

The hero blinked, and it stuck for a moment too long as the world tilted, and when they pried their eyes open again the villain was staring at them with something the hero was too out of it with pain and possibly delirium to identify. Their gaze drifted back to the blood smeared on the door, and the villain’s grip tightened on the hero’s bicep–when had they grabbed the hero’s bicep?–until the hero’s gaze returned to theirs.

The villain said something, but there was a roaring that had started up in the hero’s ears. They seemed to take the uncomprehending blink the hero gave them in return for an answer anyways, and guided them down until they were both sitting on the cool wood. A tug, and the hero was resting against their own propped up knees, villain’s hand still firm on their arm.

“How much blood did you lose?”

It was like screaming underwater, the hero reasoned. Or through a mirror. But they heard it nonetheless, and that was their villain, and even in hatred and war they would always answer them.

“Was ‘supposed to be counting?” If they had any more energy–or maybe slightly more blood–in their body, the slur to their own words would have been concerning.

The villain’s lips pursed into a thin line, and the hero felt them begin to run an assessing hand over their injuries, cataloguing them, brow furrowing further with every second.

“M’sorry,” they managed, tongue thick. The villain didn’t pause.

“For what?”

“Bleeding on your door,” they managed. The villain stopped them from raising their head from their knees. “And your–porch.”

“I don’t give a shit about either of those things,” the villain said, simply, easily. Like it was nothing. Like they didn’t feel the weight of it as they threw it into the air.

The villain sat back on their heels, clearly having learned what they wanted from the hero’s injuries.

When the hero didn’t immediately look at them, the villain grabbed their chin, gently turning it until the hero faced them.

“How far did you walk,” they said slowly, and the hero had never been more grateful for anything in their life.

“Four miles,” the hero said, and they couldn’t hear their own voice above the roaring, but the villain obviously could from the way their eyes darkened.

The hero wanted no part in making the villain angry again–I never want to see you again, do you hear me? If you ever try to talk to me again I will kill the both of us, I promise you that–, but when they attempted to push themselves up to leave, the only thing they managed was a piteous whine and a stab of pain so intense they forgot to breathe.

“Idiot,” the villain hissed. But oddly, the hero didn’t sense any anger coming from the villain.

They blinked–too long, again–and found themselves in the villain’s arms as they walked through the house. Their head lolled back onto the villain’s shoulder, and the villain glanced down as if–to make sure the hero was okay. That they were conscious, and breathing.

Oh.

Oh.

The villain wasn’t angry.

They were afraid. For the hero.

Which didn’t make any sense, because–

I never want to see you again–

“You’re mad at me,” the hero reasoned, and it came out half strangled and petulant. The villain looked down at them, and the hero caught the tiniest flinch in their jaw.

“I’m not mad at you.”

“That’s not what you said yesterday,” the hero whispered, and the villain flinched.

“I wanted to stop this from happening.” The villain settled them onto a bathroom counter, lights flickering on as the hero leaned back against the mirror. Blood began to dry, sticky, between their fingers.

The hero’s mouth went dry, and it caught in their throat when they tried to swallow it.

“You could have just left me there.” Their voice only shook a little bit, but the villain’s head still snapped up from where they had been digging through a drawer.

“What?”

“On the porch,” the hero clarified, clearing their throat. The lump didn’t go away, and they had begun shaking at some point, and they couldn’t stop. “If you didn’t want to deal with me you could have just left me there–”

The villain’s face had darkened into something the hero almost didn’t recognize. 

“I would burn the world for you, and you think I would leave you to die on my porch?”

“You said you didn’t want this to happen.”

“No, that’s not–” the villain rubbed a hand over their brow, and the hero winced at the blood it left behind. “No. No, that’s not what I meant. I was trying to keep you from going to that stupid event and getting hurt. I knew it was going to blow.”

“I would have gone anyway.”

The villain stilled. “I thought maybe if you never wanted to see me again, and you knew I was there…”

“I would,” the hero repeated. “Have gone anyway.”

The hero watched as the villain’s face rippled through a dozen emotions, settling onto something unidentifiable.

“Why?”

“Because you were there,” the hero said easily, shrugging one shoulder. Because when it came to the villain, it really was that easy. They could scream, and shout, and hold a knife to the hero’s throat, and the hero would still follow them into hell. That was their villain.

The villain looked like the hero had stabbed them, face draining of color. Their fingers went white around the edge of the counter, as if it was the only thing keeping them upright.

“What,” the villain’s voice was hoarse.

“I went because I was hoping you would be there,” the hero said honestly

“Stop,” the villain raised a hand between them, a shield, voice breaking. They sucked in a breath, then another, like they were trying to keep themself from breaking down onto the tile.

“You would have gone to the event no matter what, just to see me,” the villain said slowly, and the hero nodded

“Yes.”

“Even though I screamed at you?”

“Yes.”

“And told you I hated you.”

“Villain, please–”

“Now you know,” the villain interrupted, voice incredibly soft. “Why I would have never left you on that porch.”

The hero forgot to breathe for a moment, tongue going numb in their mouth. The villain couldn’t mean–

They blinked for a moment too long, and then the villain was standing between the hero’s knees, hand on their chest.

“You love me,” the hero said a moment later.

“Ruinously,” the villain agreed.

“So you–”

“I was trying to save your life,” the villain’s hands were gentle as they began to patch up the hero’s side. “And now I’m saving your life in a new and unanticipated way. But there is nothing you could ever do to stop me from saving your life.”

The hero’s heart clenched. 

“Really?”

The villain caught their chin, eyes boring into the hero’s. They brushed a piece of hair off the side of the hero’s face.

“Really.”

The hero sighed, and the villain caught them as they slumped.

“I thought you hated me,” the hero said, and they hated how raw they sounded. The villain made a choked little noise.

“I’m so sorry.”

The hero sniffed.

“Don’t do it again.”

The villain simply hummed, and smoothed the ends of a bandage down against the hero’s abdomen. The hero could feel their hands shaking.

You scared me.

A second later, their hands settled on either side of the hero’s head, and the villain rested their face into the hero’s hair. They pressed a kiss to the hero’s temple, tension easing from their shoulders.

I’m sorry.

The hero clutched the front of the villain’s shirt between their hands, drawing them closer. The villain went willingly, loose limbed with affection and the rapid draining of terror from their system.

“I would have never left you on that porch.”

The hero had never believed anyone more.

[necrotic-nephilim]

au - tim sneaking out of jason's room one night at the manor and accidentally locking eyes with dick who is sneaking out of bruce's room at the exact same time, breakfast is very awkward the next morning

(i did think of having it be jason instead of tim but honestly jason has 0 shame and even less issue outing himself if it means fucking with bruce and, to a lesser extent, dick)

i'm cackling I love these types of things so much. they're so silly. sometimes we deserve mindless crack for these ships. have a *very* low effort ficlet bc this just makes me snort, enjoy <3

Dick closed Bruce's door as quietly as he could. Usually, he didn't have to sneak around when he slept with Bruce. But the temporary room Bruce had given Jason in the manor was just down the hall, and Dick didn't feel like looking Jason in the eye if he walked out of Bruce's bedroom in the morning at the wrong time.

Just because he was pretty sure Jason knew, didn't mean he needed confirmation and confrontation.

Dick had almost caved to staying in bed with Bruce when Bruce tried to pull him back down, but he kept some level of wits about him, prying Bruce's arm off of him and giving him a final kiss on the cheek before heading for the door.

The one thing Dick did allow himself, though, was wearing one of Bruce's shirts instead of his own. It was a size too large on him but smelled safe and comforting. Dick breathed a quiet sigh of relief when the door latched silently. He let go of the handle, turning around to creep off to his own bedroom in another wing.

And found himself staring at another figure.

With all of the lights off and only faint moonlight streaming through the windows, Dick couldn't tell who it was, at first. His reaction was embarrassing no matter who it was, jumping nearly a foot backward and clutching a hand over his chest.

He was a goddamn vigilante. This was just embarrassing.

The other person wasn't nearly as shocked as Dick, but they stood perfectly still, staring with wide eyes that faintly reflected what little light illuminated their face. Dick squinted, leaning forward to see who it was.

"Tim?" Dick hissed, trying to keep his voice to a whisper. Bruce had fallen asleep and if Dick woke him up now, he was never going to get the stubborn bastard back to bed.

Tim, still looking like a deer in headlights, just blinked at Dick.

"What are you doing up this late?" Dick asked. They'd all agreed to take tonight's patrol off, letting Babs, Helena, Dinah, and Zinda handle it in exchange for tackling the massive human trafficking ring in the morning with fresh eyes and cleared heads. The job was the only thing that had gotten Jason to agree to work with them in the first place. Bruce barely managed to strong-arm Jason into sleeping in the manor, with a decent amount of guilting from Alfred.

Jason, who was in the room only a few feet away from Dick. The room that Tim's hand was resting on the doorknob of.

"That's Jason's room," Dick said slowly.

Tim just nodded. "I know." He wasn't whispering like Dick was, but his tone remained impossible to read.

He just saw Dick walk out of Bruce's room. Had he put it together? It was Tim, after all. if he hadn't yet, Dick assumed he only had a couple minutes before it dawned on Tim.

"What were you doing in Jason's room?" Dick frowned. If he focused on Tim, it could keep the focus off of him for as long as possible. Dick tried to ignore how fast his heart was beating.

Tim's expression was hard to make out in the dark. "We were talking about the case." Still, his tone remained entirely neutral.

Too neutral, for Tim.

"At two am?"

"Well, what were you doing?" Tim huffed slightly when he said it, folding his arms over his chest.

He was shirtless, Dick just realized.

Shirtless and coming out of Jason's room.

"I was-" Dick stumbled over his words, choking as he tried to come up with an alibi. "We were talking about the-"

"I already used that excuse, pick your own," Tim deadpanned. Dick was pretty sure he also rolled his eyes. "I've known about you and Bruce for years, you know. You don't have to pretend."

The noise that came out of Dick's throat was almost as mortifying as the realization that not only did Jason likely know, but so did Tim.

"It... okay it has not been years," Dick's face was hot and he was glad it was too dark for Tim to see his blush. "I mean- it's been a while but not years-"

"Whatever you say." Tim shrugged, sounding unconvinced. "There have been feelings between you two for years, close enough for me."

If Dick died, right here, in this hallway in front of Bruce's door, he hoped the cause of death would be put down as homicide instead of natural causes. Because every word from Tim's mouth made another piece of Dick die inside, just a little.

"It's none of your business either way." Dick tried to stand up straight to sound more in control of the situation, clearing his throat.

"Trust me, I don't want it to be my business."

Dick would've laughed, if this was happening to anyone but him.

"What about... you and Jason?" Dick asked carefully.

Tim shifted on his feet. "What about it? I told you, we were talking about the case."

"Right." It was Dick's turn to roll his eyes. "In his bedroom, at two am, without your shirt?"

Tim stared at Dick for a long, torturous moment. A moment that made Dick agree with Tim, about not wanting to know any sordid details.

"I'm going to bed," Tim said suddenly, turning away from Dick. "Goodnight."

Dick had a thousand more questions he wanted to ask. How Tim and Jason even got together, when it happened. Last Dick knew, they could barely stand to be in the same room.

But Tim was walking away at an alarmingly brisk pace and Dick just sighed. He was too tired and mortified about his own secrets to chase Tim down for an impromptu interrogation that would just end up embarrassing them both more.

Maybe it was best for Dick's sanity if he didn't know the specifics.

Dick didn't consider how awkward it would be until he was standing in the kitchen, staring at Jason bent over a cup of coffee.

Did Jason know Dick knew? It didn't seem like he did, but he had always had a good poker face.

When Tim ambled into the kitchen and grabbed overnight oats from the fridge, he didn't even look at Dick. He seemed to be pointedly avoiding it, sitting as far away from Dick as he could at the oversized dining room table.

All while Dick couldn't seem to stop staring.

"Your cereal is going to get soggy," Jason muttered, and it took Dick a moment to realize Jason was talking to him. "At least eat it before trying to explode my head with your mind, or whatever your staring problem is."

"I'm not-" Dick stuttered. he shut himself up with a mouthful of cereal when Cass gave him an odd look.

Would she be able to figure it out just from his body language?

Dick had never fully understood the lengths her ability to read people could go. he looked away from her and stared at a random spot on the table, trying to eat at a normal pace.

Bruce was the last to wander into the kitchen. He squeezed Dick's shoulder as he walked by, making Dick jump. It was an innocent enough touch that no one would question, but all Dick could think about was the brief look from Tim before he quickly averted his eyes again.

The silence around the table was going to eat Dick alive. He started eating cereal faster.

"Oh for fuck's sake," Jason broke the tension, throwing his head back and slamming an empty mug down onto the table. "Everyone knows you two are fucking, alright?" He gestured between Dick and Bruce. "Stop being so goddamn weird about it, you're acting like there's a bomb in the room."

Bruce choked on his coffee. "Jason." He tried to sound reprimanding, but his voice was a few octaves too high.

Dick threw his hands in the air. "I knew you knew about that, but I didn't know about you and Tim until last night so excuse me for feeling a little awkward."

"You didn't know about what?" Bruce nearly yelled, spinning around to face Jason.

"Damnit, Dick!" Tim groaned, putting his head in his hands.

Jason just scoffed, pointing a fork at Bruce. "Oh don't even give me that self-righteous bullshit-"

Their argument went back and forth while Tim just rubbed his temples, muttering to himself and glaring at Dick.

Worst of all, Dick was pretty sure Cass was giggling next to him under her covered mouth.

Dick just sighed and ducked his head, dutifully waiting for the ground to open up and swallow him whole.

So much for his breakfast.

[burningcheese-merchant]

"Born from a unique blend of cheese and spice; the end result of a union between sworn enemies turned devoted lovers. His mother's face, his father's eyes... and blue wings, who would've thought? Pepper Jack Cookie is a kind and well-mannered boy, with a wit even sharper than the blade of his glaive and a deep sense of love and loyalty towards his family and his peoples. He's always been well aware of the high standard everyone holds him to, and does everything in his power to uphold it - to the point that some worry that he pushes himself too hard, without necessity. If he was to be completely honest with anyone, including himself, he might be willing to admit that he suffers quite a bit under the pressure, real and perceived... But regardless of his feelings, no matter what becomes of him, Pepper Jack Cookie continues forward, reaching for that sky he loves to soar through... All for the sake of those he cares for and wishes to protect and serve, as he knows he must."

(First person to come tell me whose feathers those are tied to his glaive will get to know a very big and important fact about our little heron boy here in exchange (also I'm sorry the feathers look like shit, I'll do better next time))

[couthbbg]

I think we all know what the M stands for 😏

[jade-of-mourning]

the mighty fucking herons

rough height order in my head i guess… edvin (168cm) —> lydia (170cm) —> jesper (171cm) —> hal (173cm) —> stefan (178cm) —> ulf & wulf (182cm) —> stig (190cm) —> ingvar (idkreallyfuckingfallcm)

shading was half assed but i tried to make the colors palatable. clothing and hair are both not historically accurate but neither are the horned helmets now, are they?

[cathirae]

i do not feel like doing backgrounds rn so i simply shall not (⁠.⁠ ⁠❛⁠ ⁠ᴗ⁠ ⁠❛⁠.⁠)

anyway, wir character drawings cus a certain bird broke into my house with a 2 hour video essay in hand and now i can't get these fuckers out of my head (⁠●⁠_●⁠)👍

[mumms-the-word]

Lady von Valancius’s Notes to Herself

Tempt not the interrogator, Spark not his jealous rage, Light not the match of his desire, Or coolly fan the flames. Bring not ‘fore him a savage feast Bereft of all but flesh, Guide not your hands to brush his skin, And lead him to the edge. Speak not to him of fantasies, Remark not on his blush, For his control is naught but glass And shatters at a touch. But should you choose to follow through, These warnings cast aside, Then afterwards remain with him, In gentle arms abide.

[lover-of-mine]

I'm here to argue my case about how Eddie fell first and has in fact been semi-aware of his feelings since season 3 and it's currently dealing with the way he thinks he'll have to be the best man on Buck's wedding. So sit down, buckle up, grab your delusional drink of choice (today I'm drinking my delusional tea lol), and let's go.

Okay, given season 6 information, we know Buck and Eddie are roughly the same age and we know Eddie was pursued by Bobby and Bobby wanted a partner for Buck (unrelated but Bobby so hoped the military guy would balance out Buck and for a while there he ended up with two very impulsive firefighters and he definitely had a few what the hell have I done moments lol) so it's kinda safe to assume that Buck was one of the selling points of the 118 because Buck is a very competent firefighter and they would be on the same shift. So Eddie went in with the expectation of someone his age he could befriend. I'm making some assumptions but the internet tells me the academy takes a year, we know Eddie still doesn't have a permanent childcare plan, so this man is interacting outside of the academy exclusively with his 7 yo, his abuela, and tia for a year, so I think that the idea of having a friend his own age was appealing to him. Especially after the army and Shannon leaving him. So much so that with his sharp edges, you can actually read things like "I'd go lower" or "you're in the wrong light, man" as attempts to create a bond, very awkward I haven't tried to make friends in forever attempts but attempts nonetheless because he's trying to be helpful. Buck is being Buck, but even Eddie says I hear you're a good guy, so dude is trying to understand what's happening, what's setting Buck off, and while he matches Buck's energy after the gym conversation, he actually continues to try and bond with Buck with the thing that actually works and the "you're badass under pressure" that is still another attempt to get through to Buck. I have various theories about the way Eddie keeps trying to start something, the one I like the most and the most painful one is about how Eddie has had the weight of the world on his shoulders forever. And he had to grow up really fast, and then there is Buck annoying him about nicknames and discussing his body fat percentage, and with all that really carefree energy season 1 and beginning of season 2 Buck had that he probably wanted to know what it felt like. But Buck is Buck and Buck also wanted a friend so dude imprinted on Eddie like a baby duck. But Eddie doesn't mind, like before Bobby comes in to say who got the spot on the calendar, Eddie looks amused by Buck not annoyed. But up until now, that's casual. They're coworkers.

Then we have the earthquake. We know Christopher is Eddie's whole world and he's very careful about the people he lets into their life, considering the earthquake happened on Maddie's first day on the floor and she must've had some sort of training before that, it's safe to assume that Eddie didn't mention Chris at the firehouse for at least a few weeks and he is very hesitant to tell Buck about him, but again Buck is Buck and he switches into reassurance mode and that's when Eddie actually lets him in. I actually would love it if we had an explanation as to why Buck drove Eddie to Chris' school after the shift, but it's something that he went from being hesitant to even mention he existed to introducing Buck to him. But then we have the moment Buck becomes his ride-or-die, you imprinted on me but now I'm hanging on to you, with the whole going to the hospital with him because of abuela and also the way that Buck clears Chris staying at the firehouse before Eddie thinks to do it.

This moment right here it's what gets Eddie. He's ready to apologize and justify and he doesn't have to because Buck stepped up to do something simply because he realized Eddie needed help and he could do something about it. Eddie is doing everything alone and he needs help but he doesn't know how or who to ask for it and Buck just steps in and does it before he needs to ask. And then there's Carla. Buck tricks him into showing up and literally hands him the solution to his problems because Buck knows Eddie wouldn't accept it if Buck had said what that was about beforehand, but at no point does Buck make it seem like Eddie is a bad parent for needing help. And I think with the whole thing with his parents trying to take Chris from him, that really does something.

I really like to use the second gif here as a major example of Eddie's heart eyes for Buck, but the first one, when he realizes who Carla is and what she can give him completely changes his demeanor. He was ready to be polite, was probably trying to figure out a way out without saying he was still married, but instead, Buck does something that not only makes Eddie's life easier but makes Christopher's exponentially better. And right then, Eddie is done for. I'm not saying he fell in love with Buck here, I'm just saying right here is when Eddie goes you're stuck with me now dude, and let his guard down with Buck, as much as this Eddie can at least. That's when something starts for him. You can't change my mind on this one. But for now, there's the Shannon of it all, because Eddie does love Shannon but their relationship is beyond complicated. 

But Buck is still constant through Shannon and I think that's important, actually, because Eddie is having trouble trusting Shannon and I feel like having Buck around helps him not go straight to the worst-case scenario all the time. I don't have a point in mentioning this, it's just a clear show of how much Eddie already trusts Buck, but to have Buck go with him to take Chris to see Santa is so wild. Who takes their best friend to see Santa with their kid? Like, what?? But Isn't it interesting that Eddie decides to propose again after Buck asks when is the wedding? I find that fascinating really. Then Shannon dies, Buck almost dies, dude goes into move past it mode but the seed is there. Forever thinking about the wistful shot of Eddie saying almost after Hen says things are back to the way they should be. Something else about the finale it's that it's the first in the list of irrationality moments from Eddie regarding Buck. Eddie is a firefighter, he's objectively stronger than Chimney, so the logical thing to be done is to have Eddie helping lift the truck and Chim treating Buck. But no, at that moment he's a medic who's there to hold Buck's hand. He's just holding Buck's hand. He could've left Buck with Hen and go help lift the truck. But no, he's staying by Buck's side.

But season 3 is when things HAPPEN. We start out strong with the sheer excitement on Eddie's face that Buck is going back to work. Then the way Eddie just hands Christopher over to Buck without a single worry. "Oh, you're falling apart? Here's a kid, he will help" and just goes. We focus a lot on Buck's reaction to them finding Chris because it is what the show wants us to focus, this is the moment Buck looks at Chris and goes "shit I really love that kid" but Eddie looking back at Buck as he holds Chris is interesting. Eddie just went through 30 seconds (actually it's 1 minute 4 seconds from the moment Eddie notices Buck to Eddie having Chris in his arms not that it matters) of the worst possible moments in a parent's life and I guess, since Buck didn't have Chris, and Buck was too shaken to explain what had happened, he assumed Buck lost Chris during the first wave and he's looking back because he's shocked he saved not only himself but Chris from the wave, but from his focus to shift to Buck like that it's interesting. Even more, considering the way he barges into the loft to hand Chris over again. "There's nobody in this world I trust with my son more than you" I'm sorry, there's no platonic explanation for the wording of this, okay? This is a man who looked at his honest to god wife, the mother of his child, and said "I can forgive you, I'm just not sure I can trust you" and trust is always the thing Eddie struggles with. To trust someone with Christopher is Eddie's ultimate show of love because it's what makes sense with his character, he is loyal until it kills him but nothing goes above Christopher. Also, Mr. Kids are signs hands over his own child to someone and I'm not supposed to look at that and go "huh wonder what he's feeling"? And there's the lawsuit of it all. Eddie gets that mad because he misses Buck and has no idea what to do with it. Because he got used to being a priority to Buck and he cannot handle the idea that maybe he's not. He's struggling, Chris is struggling and he needs Buck to do the thing he does where he fixes the problem without Eddie having to ask. But Buck has no real responsibility to Eddie or Chris, you can't really expect your best friend to base his life decisions on what's best for you. But it is the expectation Eddie has. He needs Buck to consider him. He needs Buck to be there for him no matter what. And at this point, when he's screaming at Buck as if they are a divorced couple, he's aware of something. He's definitely aware of something he doesn't want to look too closely at. 

Because being left by Buck leaves him completely off balance. And since Eddie is famous for not dealing with the shit he's feeling, things keep escalating because anger it's easier. Anger he can deal with. But in the end, he just wants Buck back so he forgives him the second he lets Buck speak. Because he wants the Buck that looks right through him, he wants what they have back. And he doesn't hesitate once he does. There are definitely some lingering feelings about how he kept pushing Shannon away and then she died and he "lost" time he could've had if he had let her in after he sought her out, so when Buck apologizes he just goes let's go team and moves on because tomorrow isn't promised to anyone. 

But I think there's something important to take into consideration, that it's Eddie's therapy session. He talks about not feeling anything, good or bad, and the his feelings are boxed thing and how he doesn't know what to do with them and yes, that comes back into play later, but it is important that Eddie doesn't name his feelings and he consistently tries to box them and move past them instead of feeling them, and it gets to a point where he's doing this even to positive things. So he is not looking too closely as to why missing Buck throws him off balance. He's all let's go back to the way things were and they do. Forever seeking for a heterosexual explanation to the kitchen scene in 3x09 but I also do think there are different types of tension between them there. Because while Buck is teasingly trying to get Eddie to admit on what had happened and how Buck's absence was a trigger for Eddie's fight club era in his flirty way of his, Eddie is trying to make him stop talking in a real "man don't make me look at what happened too closely" because he doesn't know what he'll find. Or if he's ready to find it. Considering the whole widower who never processed a big emotion in a healthy way he has going on there. But Buck is a really steady presence in Eddie's life, and Buck does his best to not put them in the lawsuit situation again, he's around, he's helping Eddie with parenting issues and then we have the well.

The well is a pivotal moment. Not just because of the sheer amount of Buck in Eddie's I need to keep fighting montage and the way Buck is acting above the ground, but because of the way Eddie changes his will after that and chooses to hide the fact that he did. Eddie has parents who are more than willing to raise Christopher, he has sisters, he has a lot of blood relatives that he could assign as Chris' guardians if something happens, but he chooses Buck. He chooses a firefighter, who is not only a firefighter, it's also his partner so if Eddie ends up in a life-threatening situation, Buck will probably be there too, so it's not the biggest safeguard. Buck is also single and without kids of his own. He also has known Buck for what? 2 years at that point? Eddie's lawyer probably stared at Eddie in disbelief when Eddie explained the situation. But the real thing about the will is that Eddie doesn't talk about it. Dude had some revelations while under all that mud because the only reason he wouldn't tell Buck is if he couldn't tell Buck without talking about himself. That's the only explanation for why he would hide it. Because Buck would ask why him, why now, like he did when Eddie did finally tell him, but right then Eddie can't shift the focus back to Buck. But there's a very subtle change in the way Eddie acts around Buck after the well. And again, sure, you can play off Eddie's reaction to when Buck wants to do something dangerous as he needs Buck to stay alive, but you can't really apply that logic to the way Eddie acts about Abby. Like, Eddie is petty to girls who want Buck, that's a fact. And Eddie is petty about Abby, but he also gets unsure about his place in Buck's life when he sees Buck's reaction to seeing Abby. And they focus on Eddie there. We get Eddie's reaction to that interaction. That means something.

We get Eddie legit feeling insecure about his place in Buck's life over the fact that Abby is there. And Eddie knows Abby as this entity, the one that got away, the person responsible for Buck being the way he is, because that's the way Abby is talked about, and sure, if I was in Eddie's shoes, only seeing the damage someone did to my best friend and then have them risking their life because of whatever lingering feelings are still there, I would also reserve myself the right to hate them, but it's more than that. Like, the way he backs away from the both of them once Buck goes into protector mode.

"Abby, His fiancée's Abby." *stomps away*. Absolutely insane interactions happen there that paint Buck as still hung up on Abby, even more after the whole thing with Red, but if you look at it with the right lenses, it paints Eddie as jealous of the way Buck is willing to put himself in danger to keep someone who broke him happy.

Every reaction from Eddie in the train wreck feels so calculated to give this idea that he's unsure of his place in Buck's life. His face when he realizes who he's talking to, his hand hovering over Buck's shoulder like he wants to comfort him but doesn't know if he can, the way he looks at Buck after Abby and Sam are in the ambulance. He's completely off balance at the sight of the ghost of Buck's great lost love and I'm supposed to believe that man is just experiencing platonic friendship feelings about his best friend? Come on. 

Season 4 is complicated. Because of the Ana and Taylor of it all. They do have the easy banter, Eddie being someone Buck can rely on during the whole mess with his parents, a few scenes of Buck completely comfortable in Eddie's space and Eddie just moving around him like he's meant to be there, but we know the Ana of it all happens because of external pressure. Eddie thinks he needs to date, so he grabs onto the first woman he can. The way his whole body relaxes when he realizes Christopher is with Buck is actually insane. But even though he's dating, he's holding on to Buck in a way. Absolutely obsessed with how much he hates Taylor. Dude legit looks like he's fantasizing about running her over with the fire engine while watching Buck and Taylor interact making Buck ignore him. 

But then Eddie gets shot. Say whatever the fuck you want Eddie reached for Buck. He thought he was dying. And he reached for Buck.

Eddie's been aware of something he doesn't want to look at too closely since the lawsuit that became harder to ignore after the well that he became fully aware of when he got shot. I know that what we have now says Eddie doesn't remember the shooting but wouldn't it be beautiful if he lied because he can't say what he remembers because everything he remembers is about Buck? The dramatic effect of I'm lying to you because I realized I loved you then but I can't tell you that now? Ugh. Anyway, Eddie got shot, things fell into place when he hit the ground, terrible place to have an oh! moment though. Dude just got shot, he's bleeding out, and the thing he gathers the rest of his energy is to ask if Buck is hurt. Sure, you can look at that as I think I'm dying so one of us has to make it home to Chris, but the possibility of it being an I love you I need to know you're okay before this kills me it's there. But he doesn't die. And when he wakes up Buck tells him it would've been better if he had been shot. You can see it on Eddie's face that he kept rehearsing what he was going to say about the will. Something else is the way that Ali takes Buck home after the truck so it would honestly make sense if Ana took Eddie home but he probably asked Buck to do it. That scene feels like an aborted love confession. "You act like you're expendable but you're wrong" the way he's saying you're not spare parts, you're not less important, you matter so much to me. Eddie knows Buck, he knows Buck associates love with pain. He wouldn't actually say something after he almost died, but it feels like he's working up to something. Sure he needs to break up with Ana, but there's time before he heals and can just, do something about it. But then Taylor fucking Kelly is in his welcome home party. He knew Buck and Taylor were working up to something. He knows Taylor being there means it happened. A violent reminder that Buck is straight (debatable) and doesn't feel the same (also debatable). So back to safety, he goes. 

I need to know who decided that having this particular look when they are literally talking about how Eddie is about to meet Ana's whole family was the way to go.

Also, can you believe Eddie needed Buck's approval to break up with the girlfriend he didn't even want to date anyway?

Season 5 is complicated because of Eddie's PTSD, 5A has a lot of Eddie pulling away because of the way he knew when the dam broke it wouldn't be pretty and he didn't want to take down anyone with him. But even when we see Eddie out of the job, we see him making an effort to include Buck and Taylor so Buck would know that he really did mean the whole "you're stuck with us" thing. I can talk about 5x11 to 5x14 and the implications of it to buddie for days, really, (you can read this for some of those thoughts), but the thing here I guess, it's a lot about how when the box exploded, the feelings are all over the place, Eddie sits back and lets Buck in. He talks about the way he's feeling in a way we don't really see Eddie do all that often and he leans on Buck through his recovery and the process of finding out how to not feel like there's no hope for himself and how to feel comfortable in his own skin again. And it's a lot about Buck and the way Buck is constant. Eddie feels like Buck is this steady presence in his life that can and does help Eddie move forward.

But the thing is, the shooting happened, Eddie realized things, Taylor Kelly (derogatory) happened, Taylor Kelly (derogatory) took herself out of the running, Eddie now has the tools to deal with his own emotions, he's single, Buck's single, they're having dinner with Chris at Buck's loft and Eddie is asking Buck about things Chris kept from him, but Eddie is in a fantasy bubble where he can pretend he has the things he wants without actually asking for anything to change. I mean, post therapy Eddie is better with his feelings, but he's still Eddie. He was in his little I have time bubble. That was violently popped. Because Buck died. And he had to save him. "Do more" is such a desperate thing for a first responder and former combat medic to scream at a team of doctors. He knows they always do the best they can. He did the best he could, but there's only so far he can go. The way he follows the gurney hurts me in so many ways. Some real don't go where I can't follow bullshit.

This is a man who watched Buck almost die multiple times. But this is also a man who never contemplated the possibility of Buck actually dying. The thing that drives me crazy about Eddie and everything surrounding Buck's death is that he can't look at it. He can't take his eyes off him, but once he's out of his sight he can't look at him again. He spends the whole time not looking at Buck. He looks away every time someone mentions it. Even when he's in the room with Chris he's not looking. 3 minutes 17 seconds. Look, this number bothers me. Bobby said they were 3 minutes out from the hospital and that it took 3 minutes to start compressions. So Buck was dead for 6 minutes. The rescue took 3 minutes. And Eddie counted. That's the only explanation for this particular number. He counted how long it took to get Buck to Chim and Hen and in the ambulance ready to go.

But Eddie was living comfortably in his bubble, I don't think he was at peace with it, but I do think he accepted it. But Buck wakes up, Buck seeks him out to help deal with the trauma. They look like a family, they act like a family, maybe it's not hopeless after all. Maybe Buck can feel the same and they can talk about it once Buck is not feeling so raw over his own death. Buck is just there all the time, something like that can't be one-sided, can it? But then Buck pulls the rug from under him. I made a very long post about the cemetery, you can read that one if you want, but the thing about that conversation is that it is a reminder that they are not on the same page. Because Buck throws him off balance again, considering the way Eddie was trying his hardest to be there for Buck just for Buck to say he's getting what he wants from a random woman he met a few days before. And it makes Eddie back away so he won't end up hurting his own feelings more. I think at this point Eddie has accepted the fact that he's going to have to be Buck's best man and is trying to find a way to be okay with it. So he's retreating to familiarity again. It explains why he's trying to recreate what he had with Shannon because he loved Shannon, so maybe if he found that again he wouldn't have to cut Buck off to move on. Because he needs Buck on some level but there is a limit on how much he can take while Buck goes around looking for something he already has.

And yes I talked and talked and talked but why does this mean Eddie fell first? Well, Buck will never figure it out on his own. The thing about Buck is that Buck doesn’t know what healthy love is. He thinks love is work, but in a it’s bleeding himself dry for someone way. He thinks love is pain. Eddie is safety. Eddie is home. He never knew home as a place where he can find love.

This is all for today. If you read this I love you. Also the doc I typed it out says it has over 4.3k words so this is long as fuck congratulations for sticking through it 🩷

[tinycheesecakedetective]

Everything will be okay.