#( you're gonnA KILL HIM )

[redsray]

Red Robin Au where after Battle for the Cowl, Jason (instead of donning that ridiculous pill helmet) goes back to visit Talia and blow off some steam with the LOA; it's an effective way to do so at first, as long as he keeps Ra's at arms length and has all the Bats away from him. Except is that Timothy fucking Drake working with Ra's al Ghul.

So now Jason's like oh my god are you kidding me why is Tim here working with Ra's of all people??? Last he checked, Dick was Batman now and Tim was part of that gaggle of Robins in Gotham. Not here, in Nanda Parbat.

Tim, fresh from a splenectomy: Jason?!

Jason: What the fuck are you doing here?

Tim: ??? I could ask you the same question??

Jason: No the fuck you couldn't?? I trained with Talia and now I'm back here for a bit, and I'm not the one missing an organ right now?! Why aren't you back with Dickbat in Gotham??

Tim: Well. Let's say I'm not Robin anymore

Jason: ... Not... Robin?

Tim, scowling: Dick gave it to Damian.

Jason: Dick is Batman for like a month and already gave the traffic light leggings to a mini assassin? Nice.

Tim: Ugh

Jason: And... this was enough reason to run away and get impaled by assassins in Iraq? While working with Ra's al Ghul?

Tim: Well, not really. I need to find Bruce, and Ra's is the only one who will help me. Even if he's a freak of nature.

Jason: Bruce... are we talkin' about another Bruce or did I miss a memo? Bruce is dead, Timbo.

Tim: He's not. He's trapped in the timestream and trying to get back. And don't- don't tell me I'm going insane with grief or in denial. Laugh all you want, then leave. I don't need this shit again.

Jason: Trapped in time? Damn motherfucker can't even stay dead?

Tim: ... You believe me?

Jason: Sure. Not the craziest shit we've seen. I have a feeling you wouldn't go as far as Ra's if you were actually going off nothing. (mumbling) stealing my schtick. What a bastard.

Tim, blinking: Wow. That... just wow. That was easy. Dick thought I was losing it with grief and so has everyone else.

Jason, shrugging: B is definitely stubborn enough to get lost in time instead of dying and, frankly, I know what being off yer rocker looks like, and this ain't it. I climbed out of my grave, for god's sake, is time shit really off the table? Wouldn't hurt t'look if the old man's still kickin'.

Tim: Uh-

Jason: First stop: away from Ra's, preferably. Talia's not bad, but Ra's is a whole other can of worms. Get up or I drag you.

[spacedace]

Okay but the Justice League finds out their new baby hero teammate Phantom is the Ghost King by virtue of the Fright Night showing up while they're in the middle of a meeting, looking terrifying and such and scaring the shit out of everyone- even more so when Constantine starts freaking out over the fact that the sworn night of the King of the Infinite Realms is in the Watchtower what the fuck that's apocalyptically bad Pariah Dark is supposed to be locked the fuck up forever - but instead of trying to smite them all or yeet them into the nightmare dimension he just pulls out a space themed packed lunch??? And gives it to Phantom??

And the mildly eldritch giant murder ghost is talking about how "The Queen Mother commanded me to ensure you ate my Lord, she says you missed your morning meal."

And Phantom is just grumbling about over protective sisters and "there's a cafeteria i would have been fine" what the fuck is happening right now?

What do you mean "oops you forgot" Phantom I thought the ghost thing was just a theme!

[zillychu]

there is a heinous lack of Venti + Mondstadt character content and I'm one category 7 autism event away from filing the void myself

[embrace-your-illithid]

hungy

[bakudekublogblog]

kacchan there is actually a way you and izuku can be together forever i have this crazy inventive solution for you it's called a marriage license

[multifandom-nerds-blog]

I'm rewatching Trollhunters in the background right now, and the disfunctional mother son relationship between Jim and his mom is making me crazy.

Like, he's taking care of the household and his mother for years as a teenager and before probably. She is sometimes giving half hearted comments about him not having to do so much, but very obviously she's not gonna make him stop do all the cooking and cleaning. Y'know. Both because they've been living like this for years, and because it's obviously also very comfortable to have someone do all the house work.

Then Strickler comes into the picture, and if we ignore the whole Troll and changeling side of the story, Barabara gets very offended cause Jim doesn't want her to meet him privately. Again, ignoring the whole magic and trolls stuff, STRICKLER IS JIMS TEACHER. If Jim hadn't figured out that Strickler was a changeling he probably wouldn't have a problem with it, but the fact that he does, no matter the reason, should be enough for Barbara to put a stop to the relationship. Her child is clearly uncomfortable with her seeing/dating that guy, for whatever reason, and even clearly vocalized it. But she doesn't care about, or rather, she tells Jim that she "wouldn't expect something like that" from him. Obviously not, cause she may see him like her child/teenager he is, BUT DOESN'T TREAT HIM LIKE ONE.

And then Jim, unknowingly to Barbara, becomes the Trollhunter, and his behavior changes. He's suddenly doing reckless stuff, sneaking out, getting bruises, landing in detention and even at the police station, barely avoiding a police report. What does she do? Asking him what's going on? If everything's alright at school? If he has any other problems? Maybe trying to lower his workload around the house, which again, he's doing most of that as a teenager and longer probably.

Nah. She doesn't do anything until he lands in the hospital. Except for again, dismissing him rather negatively at the one topic he's openly expressing any negative opinions about (Strickler). And after he lands in the hospital she now starts not asking questions, but demanding answers. Demanding answers from a teenager in a difficult situation who is also now acting much more like a teenager than he ever did before, from her point of view at least. Except she obviously doesn't know how to deal with a teenager, cause she has never had to raise or live with a teenager. She instead lived with a child pretending to be an adult for years, that was partly much more of an adult than she was, who did way to much work even before Jim became the Trollhunter. So she throws punishments at him and grounds him, but does he listen?

No. Cause why should he? Not only is he dealing with things much more important than being grounded, yknow, saving the world, he's trying to protect her from the sheer knowledge of the supernatural and physically protecting her from getting harmed. And again, for the majority of the time since his dad left he pretended to be an adult. He was and is the main adult in the household, dealing with important things she doesn't even know about.

The only one's treating Jim like a teenager are teachers, other children and Blinky and Aaargh sort of when they're not in the middle of Troll business. Strickler, in the first episodes where Jim doesn't know about his true identity, is much more of a parental figure to Jim (also after his redemption later on tbh) than his mother.

In summary: Barbara is treating her son like an adult, almost like a partner, instead of a child/teenager. And when that isn't possible anymore she doesn't know how to properly treat him. She also doesn't really care that her son is uncomfortable with her being around Strickler, or Strickler in general. And it takes Blinky telling her (when Jim is 16) that Jim might be affected by his father leaving when he was five years old.

Jim meanwhile is treating his mother more like a child/teenager instead of the adult and MOTHER that she is. Seeing her as his responsibility. Cooking for her. Cleaning for her. Telling her to rest and take breaks.

They obviously love each other other. And their relationship might not be toxic, but it's very much disfunctional. In a way that is mostly negative for Jim.

[spy-x-family]

i don't think tanjiro is the successor of sun breathing 'despite not being related to yoriichi'. i think it's that yoriichi is family to the kamados

in kny, family is whoever loves you. rui tries to make a family but ultimately fails not bc they're not blood related but bc he doesn't really love them. on the other hand, kanae, kocho, and kanao are sisters. zenitsu's master is his grandfather. inosuke's family were the boars (and then of course later, his birth mother kotoha, because tho he barely has any memories of her, he remembers she loved him dearly)

yoriichi was an unwanted child and later an unwanted brother when michikatsu's hatred for him festered and grew. he was rejected from the corps and only had the kamados. when he felt like his existence was worthless, it was the sumiyoshi who told him he deserved to be here as much as everyone else and made the effort to weave yoriichi into the family by passing down his earrings and sword form. he was rejected by his family but accepted by another. if family is whoever loves you, then that's yoriichi's people, and that love was why tanjiro succeeded him

[stop-breaking-my-heart-dragonage]

Every time I see someone earnestly say that Carver hates Hawke, I have to exercise such restraint to not scream.

Every day I get closer to writing a deep dive about him because that's my guy. He's so interesting. He feels so much. He tries so hard when talking to the other companions and some of the dynamics he has with them are so good. He can be so fucking funny and sweet and awkward. He so badly wants to be wanted and appreciated and to protect everyone he loves.

Carver Hawke, they could never make me hate you.

[ineed-to-sleep]

Jackie died. Jackie died and I'm devastated. I will never be the same person again

[prettyboykatsuki]

barou trying it and CALLING U A BRAT when you’ve been fucked stupid by him that is soo. soo. im gonna bite something ohh

like the first time he does what you ask because you are so insistent - you don't even last like. a good half hour

he doesn't even let his dick get near you, but you're ass up in his bed while he switches between fingering you and eating you out. your toes are curled up and your muscles are locked tight and you just keep. whing his name over and over. "shohei, shohei, shohei,"

and he just. he snaps a little. do you even know what you've been asking for? do you get why he's been so nice? what else are you doing if not being a brat for no reason at all?

[shannonsketches]

[crimeronan]

i really am kind of obsessed with how after every faulkner episode, there's a dozen new posts about how worried various listeners are that he "can't come back from this," as if what he's done is somehow NOW worse than everything else he's done. it's enchanting to me. like. at what point did he cross the event horizon for you guys when he hadn't before.....?????

[vaguely-concerned]

I've been picking mostly only the essential flirt options with lucanis in the romance so far (I've personally found the dynamic much more natural and mutual when you do that, more like forming a solid friendship slowly and inevitably becoming something else and less like you keep pushing on him and getting little back b/c he seemingly just gets overwhelmed and goes into freeze instead), and I think rye is a pretty hard person to read at the best of times even though he's been Down Real Bad from pretty early on and their chemistry as people is naturally really good. so the way the almost-kiss plays out in this playthrough feels a lot like it has the added layer of lucanis realizing that no but for sure rook is flirting and not just being kind or a good friend* it IS actually happening it's not just wishful/fearful thinking!!! and then uh. maybe going a bit too hard a bit too fast in all the excitement at that revelation haha

*in lucanis' defense he has seemingly literally never had a friend who wasn't his cousin-brother before, under those circumstances I suppose some confusion is extremely natural if not outright expected lmao

[naffeclipse]

Just realizing that the fact that there exists an “Angel Eyes” Eclipse implies the existence of either a more foreboding or comically innocent version of him called “Devil Eyes”

oh, Lumi, you just unleashed something devasting

As entertaining as a detective Eclipse would be, innocent and way in over his head when it comes to dealing with a mob boss Y/N who just so happens to find him devilishly handsome and too clever for his own good, I'm thinking of something worse than a mob boss.

As a young rookie cop, you are attempting to put out so many fires in the city. The crime rate is abysmal. The politicians are running on fumes and bribes. The police force is barely hanging on through constant corruption. Animatronics are still considered inhuman, unalive, objects to be owned and used, and disposed of. You're hoping that the laws declaring animatronic rights will pass soon.

Murders happen every single day in a city racked with gangs, crime lords, and thieves. You and a few other officers are tasked with dealing with a particular crime scene. It's not unusual for a politician to get assassinated, but there's something particularly brutal about the killing that sits in your stomach wrong—there was blood everywhere.

Then another important person gets knocked off, the carnage grisly and crimson, then another, and another. You can't shake how savage the murders are.

High-ranking officials start having you and other cops stand as bodyguards, taking them where they need to go, standing outside their meeting doors and on the street of their homes at night.

The killings keep happening. You learn of police officers who were standing watch were gutted, too. Slained just as well as the intended target.

You do your job, but you don't like it. You became a cop to help the city. This wasn't what you had in mind, much less babysitting powerful and possibly corrupted individuals that you despise.

That's how you confront him.

Late one evening, sitting in a squad car with a fellow policeman, you two keep each other awake with small talk until you hear the faintest scream. You both take off, and you take the back of the house. When you enter the gauche kitchen, there's a cook animatronic knocked to the ground. You stop to speak to the poor robot, her optics fuzzy until you offer a helping hand and get her back onto her wheels.

Before you can send her somewhere safe, a cold shudder rolls down your spine, as if someone were walking on your grave. You whirl around to find a towering figure at the far end of the room, dark and threatening. Black optics with pinpricks of electric yellow peer at you in judgment. The devilish eyes startle your soul.

You yell out commands to stop but the animatronic—you realize—doesn't head and disappears deeper into the house.

You give chase. You hear a gunshot upstairs and a shout from your partner. When you reach the second landing, you lift your gun to take aim, but a large fist clamp around your own. You fire once, hitting nothing. You're thrown against the wall, dangling by the wrists under the looming killer. Sharp rays, burgundy and royal blue, circle his face plate, splattered in bright blood.

It's too late. It's too late for the politician, it's too late for your partner, and it's too late for you.

He takes your gun and drops it far away. His staggering height gives no hope that you can fight him off, and already, he has you pinned. You simply hope that it will be quick, painless, but your heart sinks when he lifts a hand to your throat. His optics glint. You close your eyes.

A cold, slick finger tilts your chin up. He commands you to look at him, and you aversely obey. The optics scan your face. You wonder if he takes a sick pleasure from causing harm. You loathe that he most likely finds fear in your eyes but you are determined to not make a sound.

"Officer," he says in a cold, dark voice that spears your heart. He studies the badge on your chest, reading your last name etched in brass. You clench your fists, still suspended by his one large hand.

"Who are you?" you demand.

He doesn't answer. He cocks his head with a flash of sharp teeth in a metallic grin. When he drops you, you nearly crumple to the ground. You're aware of the blood underneath your chin where he had touched you. When you try to reach for your handcuffs, he's already down the stairs and out the door, fleeing the murders. Trembling, you fumble for your gun, but you find the clip gone.

The killer animatronic left you alive.

[bumblingbabooshka]

My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy

Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.

[proffbon]

HUH???????

"His actions are unforgivable! He will need to do 15 days of community service AT LEAST!"