#( but i could not be feeling any worse )

[iremiari]

charles rowland is the type of person to end his marriage vows with "and you're my best mate" then think nothing of it

[lesbianralzarek]

idk what discourse dimension some of you "fandom elders" are stuck in, but in my ~15 years in online (and sometimes irl) fandom spaces, this is the golden age for me

shipping wars have literally always existed and acting like we all used to hold hands and sing kumbaya is insane. "well, there wasnt this moral component thats soooo annoying these days" okay but thats worse. you do see how thats worse, right? people used to tell each other to kill themselves over zutara vs kataang and then not even care when people were racist. twice as mad for reasons half as reasonable. also, where were you all in 2015-2019? that was the era of "steven universe is fascism apologism" and "i headcanon these characters as found family, so its incest to ship them". now shipping "drama" is like "oh i broke mutuals with them after they wrote smut of this child character being assaulted by their parent", which is actually just a normal response

wondering what torment nexus some of you are trapped in where fandom has gotten more toxic? hope you can escape soon, because im having a ball out here in a world where biphobia is seen as a bigger problem than a ship being dumb

[momentomori24]

This may just be me, but I think if you ship a canonically very abusive, manipulative and toxic relationship, you don't get to judge or call anyone degenerates for their own fucked up ships, actually.

[flaticeball]

hey! as the first season of connor bedard gets underway i, your local indigenous hockey fan, have a request of you: please don't let this kid's sure to be marvellous and jaw-dropping rookie season make you complacent with the racism of the blackhawks as an organization. it is beyond heinous that they were able to secure the first overall pick this year for a number of reasons i'm sure we're all familiar with, but i am pleading with the hockey community not to let the racism of this org fall through the cracks.

they drafted connor bedard and handed him a jersey with a giant racist caricature on the front. their mascot is named tommy hawk. they continuously fail to curtail their fans' egregious displays of anti-indigenous racism at games.

i'm not going to ask anyone not to post about bedard. i know he's huge news and i'm bummed as all hell that i won't be able to enjoy the beginning of what is sure to be an incredible career myself. but i am asking, given that his presence on the team is likely to increase the prevalence of people making and reblogging posts about the blackhawks, that you please care, loudly and actively, about the racism of this organization and how much it hurts indigenous fans to see that go unquestioned so often.

consider mentioning it in posts. consider amplifying the voices of indigenous fans and community members about the issues of these types of sports organizations. consider reading up on the history of the person they claim to 'honour' with their hideous effigy of a logo. consider censoring the logo in your posts if you are able to (please do this if you are able to). consider tagging posts so that indigenous fans are at the very least able to blacklist that team and not have to see it.

above all, please just. don't forget about it. don't forget about us. we belong here too.

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[hidingoutbackstage]

Something about Tucker being held to a higher standard than all of the other Reds and Blues in the later seasons. Sure he likes sex and makes “that’s what she said” esque sex jokes, but like, especially during Shisno trilogy, the show seems to really like putting him down or treating his love for sex like a comedic punching bag. Oh, Tucker’s a single dad who genuinely loves and cares about his one alien kid despite how that kid was forced upon him? Well actually he had sex with a TON of women on Chorus by using the fuck temple and now has a ton of kids that he’s reluctant to pay child support for. And speaking of the temple, despite it being said to make everyone on the planet super horny and sex obsessed, Tucker says he didn’t feel any different, because making him hypersexual is funny (why is it funny, RT?). And remember how Tucker’s arc during Chorus had him emotionally dealing with Felix’s betrayal? Well now he falls for the most obvious manipulative lies from Temple, I guess he’s just dumber now. And you remember that funny scene in season 5 where Doc is giving Sister a physical exam, and Tucker obviously really wants to see her naked, but because Doc keeps telling him to not come in, and likely out of respect, he doesn’t, while Red Team is secretly perving on her (which they never fucking get called out for), plus all the funny moments of him trying to flirt with her, and her either being receptive or so fucking weird that it takes him aback? Well Tucker still REALLY wants her, but he’s now a childish asshole who can’t stand the idea of her not wanting to sleep with him, and is now super self centered despite the arc he went through showing how he values others, and the series basically keeps fucking with him and making him miserable and barely ever giving him a moment of relief. And you know how he was mercilessly tortured for M O N T H S during Restoration? Well he doesn’t get to process that trauma, and despite all the growth he’s supposedly gone through throughout the series, his last moment is an offscreen sex joke because Tucker’s the perv, get it? We can’t let him have a fucking break despite literally everyone else being treated comparatively nicer or given some kind of levity. Why specifically Tucker, Rooster Teeth? What has he done that’s so bad to you that you continually treat his character this way despite the fact that he’s truly the best (and should have been main) character in this whole series?

[quietly-sleeping]

I'll admit I'm a sucker for qijiu, (this could be my hyperfixation on sy talking), but I think those idiots deserve someone who's brand of chaos isn't murder. Or self sacrifice over deeply internalized guilt.

[ganondoodle]

just saw more on twitter about the stupid book and apparently theres a "timeline update" and supposedly hylia made the stupid magic pebbles

yeah sure, say whatever you want, theres no saving this shit anymore, lore down the drain yeehaaawww

one of my biggest fears before totk came out was that it would screw not only botw lore up but also mess with existing lore, and i hate to be right on that part, id much prefer if theyd leave whatever shit they invent as being something new and not something that has "totally always existed", they clearly dont care about lore consistency, why do they keep trying to connect things afterwards anyway

....... if im being honest, i was surprised but glad that the game didnt actually end up killing my passion for the franchise even if it made me struggle for a good while

but

the stupid book might. and im being serious.

i really just want to throw everything zelda related i ever made or bought away right now, it will only get worse from here and the sooner i can stop caring the better

"that sounds unhealthy" oh you dont say?? i am mentally ill, in fact, the passion that an obsession like that brings with it can turn into some really ugly distress, i am aware of it, i do fucking wish i could just stop caring about lore and timelines and find something else, but i cant, thats not how this works, just bc i am aware of how stupid this is doesnt mean i can change anything about it, i feel what i feel

[sukibenders]

It's annoying how many Glinda fans, specifically a certain type, act condescending towards people criticizing Glinda's actions and her as a character, calling her out for how she operates in a way that benefits her by saying "Oh, these people don't know anything, they haven't seen Act II or read the books." But when they are told that both forms of media have been seen, they still get in their feelings, especially towards black and other poc fans who, when discussing Glinda, talk about how she feels very reflective of white feminism, respectability politics and performance activism (which she is), something that they know probably what it's like to be around people like that from personal experience. Just because you like a character, especially one who does bad things, doesn't mean you get to be rude to others or downplay their intelligence when they call these actions out. Glinda is often infantilized a lot in this fandom, from what I've gathered, even though (speaking from a movie standpoint) she literally sings about how she understands the way her society works and how she uses those rules to her advantage. There are many things that Glinda does that are fake and catty, and there's nothing wrong with calling that out. Also, another thing, yes some people haven't seen the musical (in person or in full) whether it not being available or just lack of interest, but there are ways to still learn about Act II before the second half of the movie comes out, whether through a quick Google search or just watching bootleg recordings of the musical on YouTube, people can learn, but you acting pretentious and downright hostile probably makes them want to avoid this fandom as a whole. Then you wonder why no one wants to engage with Wicked. You can like her as a character, all good and well as even I can find myself drawn to her, but let's not let your enjoyment of her cloud your judgment and having you lash out at people, because that's really uncalled for.

[dykeiism]

@ women who identified as trans/nb as teens but later came to realize that they were women: do you believe that there's anything that the adults in your life could have said to you to help you come to this realization earlier and make the process less stressful? or would your sensitivity to invalidation and rejection have made this an impossible task?

[agalychnisspranneusroseus]

Amphibia is proof that the best character writing tip is to make everyone at least a little bit problematic

[i-reblog-everything44]

The fandom when Anya is nice to jimmy and compliments/butters him up after the crash: obviously this is a fawn response. She doesn’t actually think these things about jimmy, she is simply trying to protect herself against a volatile, unstable person by placating him

The fandom when curly tries to placate jimmy by telling Jimmy he’d fix things, after being very nervous about jimmy’s anger and reaction when talking to Anya right beforehand and his heart racing so hard on the way to confront jimmy that he’s likely on the verge of a panic or anxiety attack: hmm. Obviously everything curly is saying to jimmy here is completely genuine and not motivated by anything. He obviously doesn’t care about the fact jimmy raped Anya and only cares about helping jimmy at the detriment to Anya. He’s a rape apologist. There could literally be no other potential explanation for why curly is saying the things he is saying right now. Let’s take everything curly is saying here completely at face value and not analyze anything else about Curly’s behavior or the rest of the scene.

[seriously why are people only capable of recognizing the fawn response in Anya and not Curly]

[9ofspades]

It’s disability pride month, and if you are disabled in the U.S. from Long Covid I want you to know that you’re not alone, and you’re valid in whatever you feel. Whether that’s sorrow at your new problems or rage at society for failing you, you are valid, and it is truly messed up that society is continuing to fail you.

[silver-horse]

guys I felt genuine fear in my stomach while reading this tweet...

[aashiyancha]

Finally finished writing something from start to finish.

Hope you enjoyed!

[5hrignold]

the picture sucks because he isn’t worth the effort of finding a specific picture of him for this specific post