#( WHAT MAKES US | world building ]

[musical-chick-13]

This is the only thing I'm going to say about the election until it's over:

Anyone who did not vote for Harris or who attempted to dissuade people from voting for Harris, you are indirectly responsible for whatever shit Donald Trump does if he gets elected. That blood is primarily on his hands, yes. But it is also on yours. I hope you can live with that because I sure as hell wouldn't be able to.

[loud-whistling-yes]

so as literally everyone following me in the past 24 hours knows, im fucking obsessed with her. take her shes everything i have

[beastblade69]

well that's fucking awesome. all of the damage russians have done to our electric infrastructure can be repaired in one year minimum. IT'S GONNA TAKE MORE TAHN ONE YEAR TO REPAIR ALL OF THE ELECTRIC STATIONS RUSSIANS HIT WITH THEIR MISSILES. AND WE AIN'T EVEN TALKING ABOUT CIVILIAN OR ANY OTHER INFRASTRUCTURE. ONLY ELECTRIC ONE. MORE THAN ONE YEAR. AND WE ARE STILL NOT STRUGGLING ENOUGH IN ONLINE PEOPLE'S OPINION. FUCK OFF

[puppyeared]

i wrote this as a joke because I wanted to strangle a guy watching tiktoks without headphones on the bus, but im genuinely disturbed that we've gotten to a point where convenience comes first. and it depresses me even more that its used to justify and monetize greed

[triglycercule]

murder time trio should get to all experiment with dead bodies. why? because they can and it would be cool (okay but seriously i'll provide an explanation). all these freaks are scientists. i think it would be cool and funky if they all got to experiment! except morbidly and bloodily because none of them are right in the head now

killer like has his whole thing with wanting SOULs for some unspecified reason??? i'm just gonna steal the common interpretation that it's so he can find a way to fix his own soul through coding. but like,,,, what does he do with the desd bodies??? all the fellas he stole those souls from??? well this is where dust and horror come in

it's One Panel and i'm ABSOLUTELY reaching here but there's a (single) panel in horrortale where horror's pulling apart some sort of human limb like an arm with a device. why? what for? i dont fucking know at all man like papyrus said why is he always doing something weird in his room. anyways i'm just gonna guess its probably for rationing in horrortale (but it could also be that horror just felt like ripping apart an arm. for scientific purposes. or because he did this after ripping off aliza's arm so maybe he's doing some sort of recollection reflection or something i dunno im not a professional on this man). killer could totally send all the already dead HUMAN bodies horror's way for horrortale's food situation. maybe horror likes to dissect the humans yk maybe he's not just the type of bash (a head open) and dash. monsters dust so you cant see their guts but humans dont so horror gets prime time first hand experience on the human body! and then after he's done poking around in the brain he can give the meat and organs to papyrus for him to do his specific spaghetti confectionery

but but but what about the monsters that killer takes the souls from! surely he doesn't just take from only humans (dude idk if he actually does take from only human or monster. probably not right? he needs to study BOTH types of code so he can be most informed) so he must also take monster souls. and fortunately for dust (i do NOT think he'd quite like handling gore) monsters don't leave behind bodies or blood or allat they leave behind dust. hah. dust experiment with dust. i think its already a headcanon out there that dust likes to study dust. i cant exactly recall WHY exactly but maybe it's for sentimental reasons or just something to do to pass time between resets. so killer can just pass on whatever dust he gets to him and he can put it under his little microscope and be a little nerd what a GEEK. give this guy glasses and remove all his teeth but one i guarantee you he'll look like 🤓

and once again i hear you cry out but but triglycercule! why would killer even give the dead bodies and stuff to horror and dust in the first place??? erm number one because i said so silly. jk. and number two (if we're going in a nightmare's gang context here) it could be as a way for killer to gain horror and dust's trust. a way for them not to tattle on him for stealing souls for some unknown reason. maybe there's somehow important coding information left behind in the bodies/dust (because that's literally what utmv is made of) and killer wants dust and horror to do that work for him for some reason. maybe just a way for him to get rid of evidence maybe if theyre buddy pals and close enough just as a gift. i dunno man there's a bunch of reasons as to why he could possibly do this. i just really liked the thought of the trio all wearing fancy lab coats and goggles and i was like damn how can i make this a real possibility

[jinmukangwrites]

I think the realization that what I'm writing this month isn't something I think anyone would want to read, but it is something I want to write, has saved my motivation

[impostorsshow]

I'm actually so obsessed with him it's not even funny if i'm not listening to a TikTok or music directly related to him I can't focus free me free me

This is @/cherubpuppet's OC for a object show [au? pitch? wip show? How do I categorize this] and I've been destroyed by the fact that ruler art is infinitely superior [and 10x longer] and i don't have a good enough grasp on lip gloss's personality to make fanfiction so I am frozen in "want make fanart but fanart takes effort :["

[daylighteclipsed]

Sora and Riku would love Star Wars

[atlasisrq]

expiremental headmate/alter pack!

i decided i wanted to try out making headmate packs, so here's my attempt!

RULES:

Anyone may use this pack as inspiration, so long as you support or are neutral about paraphiles, transIDs and Radqueers, since this pack is made by someone who's all three of those & is thus influenced by them.

If you form/split/create a headmate inspired by this pack & post about him, credit isn't necessary (but appreciated :] if you want to credit, link to or @ this blog :] /nf)

And remember that any headmates formed is their own person and might, and probably will, not follow this pack word-for-word! The pack is meant more as an inspiration to anyone wanting to form a headmate but don't know how they want them to be :]

That's all! Pack is under the Read More, since it's quite long lol

Headmate Pack 01

Theme/s: Death, Cotard's Delusion

Name/s: Lorelai, Manea, Odin, Cotard/Jules, Mort, Pluto/Hades Pronouns: co/tard/cotards/cotards/cotardself haunt/haunt/haunts/haunts/hauntself rot/rot/rots/rots/rotself x/x/xs/xs/xself null/null/nulls/nulls/nullself she/him/her/his/herself he/her/his/hers/himself Gender/s: Azurgirl, Enbymasc, Kenochoric, GNC Transfem Role/s: Conductor, Polyholder (delusions, gender, memory) TransIDs: lefthandian, transADHD, transSZPD, age non-conforming, agepunk, permateen, transCotard's

Brief personality description: She tends to be a little closed-off and likes to be edgy. Null will (mostly jokingly) fight Anyone who's mean to null or nulls system. He's very good at preparing for unlikely scenarios, if someone needs something specific you can count on him to have it.

Brief physical description: X has light-medium olive skin with freckles, warm grey eyes and dark ginger hair. Haunt is very tall and practically towers over anyone else, and somewhat skinny. Co dresses mostly in 90s, usually punk and adjacent inspired clothes, but will also wear other clothes co happens to like.

[badolmen]

So many people on that poll voting ‘the sun doesn’t love us’ like you fool. She kisses you every morning and reaches out to caress you every evening. She grows the food you eat. She shines so brightly she is burning with love for her beloved earth.

‘But she burned me!’ Does a lover never bite the lip of their companion a little too hard sometimes? You can choose to put on sunscreen. She can’t choose to extinguish her heart.

The sun loves us. Maybe a bit too much. But it’s love all the same.

[ace-s-fav-dp-posts]

Afab clones reformation AU

Trans!Danny au in which all of the melted clones reform at a later point after Danny manages to get them to Frostbite and see if he can help them.

But because this is Trans!Danny, all of the clones reform with afab bodies, because while Vlad could certainly mold their physical appearance to be masculine;

Without that exterior intent being applied, their cores just kinda looked at what human DNA it had to base a body off of, and spat out afab bodies because they didn't really have the chance to develop their own identities yet (which is what normally takes priority in a ghost's form).

This exterior influence on their cores while forming originally is also partially what lead to them all being so much less stable than Dani (Vlad influencing Dani's shape basically failed completely, which actually helped her stability), along with Tiny, Monster, and Bedsheet looking so mutated.

Along with the poor cloning technique involved in their creation.

While all of the clones reform with afab bodies that are less malformed than their original bodies (Tiny isn't all melty and missing an eye, Bedsheet has flesh though she has a ghost tail instead of legs, and Monster is still extremely tall and jacked and very firmly swimming in the Fenton end of the gene pool even with an afab body), their forms are later altered by their emerging gender identities, so in spite of their new afab bodies not all of them turn out to be girls.

Bedsheet is agender and their form shifts to becoming more androgynous over time, losing the more feminine features that they'd formed with the second time around, such as breasts and wide hips.

Tiny is a transboy just like Danny, so there are jokes all around for a bit about him literally being Danny in miniature.

Monster however is very much cis, in spite of her immense height, impressive musculature, and more tomboy sense of style and presentation. [Think of a cross between what most people think of when thinking of Tall!Jazz/Amazonian!Jazz, and Vi from Arcane. She's just generally very much swimming in the deep end of the Fenton gene pool.]

Prime on the other hand is what can only be described as nonbinary/3rd gender to humans. As their actual gender identity is something previously almost exclusively found among the Yetis of the Far Frozen and a few other ghost settlements that have primary population that's never been human (where Prime chooses to live the majority of the time as the only Clone to inherit Danny's ice) and doesn't really have a direct counter part in human culture.

[akkivee]

was thinking about chuuoku distributing the mics for their drb tournament shtick and am once again wondering about the criteria for the initial handouts lol like what about these tdd wannabes made chuuoku think they needed to participate lol???? the fact they were based in shibuya and could potentially cause ramuda trauma??? they have crazy backstories we’ll never know????

[iirulancorrino]

Movies that attempt something different, that recognize that less can indeed be more, are thus easily taken to task. “It’s so subjective!” and “It omits a crucial P.O.V.!” are assumed to be substantive criticisms rather than essentially value-neutral statements. We are sometimes told, in matters of art and storytelling, that depiction is not endorsement; we are not reminded nearly as often that omission is not erasure. But because viewers of course cannot be trusted to know any history or muster any empathy on their own — and if anything unites those who criticize “Oppenheimer” on representational grounds, it’s their reflexive assumption of the audience’s stupidity — anything that isn’t explicitly shown onscreen is denigrated as a dodge or an oversight, rather than a carefully considered decision. A film like “Oppenheimer” offers a welcome challenge to these assumptions. Like nearly all Nolan’s movies, from “Memento” to “Dunkirk,” it’s a crafty exercise in radical subjectivity and narrative misdirection, in which the most significant subjects — lost memories, lost time, lost loves — often are invisible and all the more powerful for it. We can certainly imagine a version of “Oppenheimer” that tossed in a few startling but desultory minutes of Japanese destruction footage. Such a version might have flirted with kitsch, but it might well have satisfied the representational completists in the audience. It also would have reduced Hiroshima and Nagasaki to a piddling afterthought; Nolan treats them instead as a profound absence, an indictment by silence. That’s true even in one of the movie’s most powerful and contested sequences. Not long after news of Hiroshima’s destruction arrives, Oppenheimer gives a would-be-triumphant speech to a euphoric Los Alamos crowd, only for his words to turn to dust in his mouth. For a moment, Nolan abandons realism altogether — but not, crucially, Oppenheimer’s perspective — to embrace a hallucinatory horror-movie expressionism. A piercing scream erupts in the crowd; a woman’s face crumples and flutters, like a paper mask about to disintegrate. The crowd is there and then suddenly, with much sonic rumbling, image blurring and an obliterating flash of white light, it is not. For “Oppenheimer’s” detractors, this sequence constitutes its most grievous act of erasure: Even in the movie’s one evocation of nuclear disaster, the true victims have been obscured and whitewashed. The absence of Japanese faces and bodies in these visions is indeed striking. It’s also consistent with Nolan’s strict representational parameters, and it produces a tension, even a contradiction, that the movie wants us to recognize and wrestle with. Is Oppenheimer trying (and failing) to imagine the hundreds of thousands of Japanese civilians murdered by the weapon he devised? Or is he envisioning some hypothetical doomsday scenario still to come? I think the answer is a blur of both, and also something more: In this moment, one of the movie’s most abstract, Nolan advances a longer view of his protagonist’s history and his future. Oppenheimer’s blindness to Japanese victims and survivors foreshadows his own stubborn inability to confront the consequences of his actions in years to come. He will speak out against nuclear weaponry, but he will never apologize for the atomic bombings of Japan — not even when he visits Tokyo and Osaka in 1960 and is questioned by a reporter about his perspective now. “I do not think coming to Japan changed my sense of anguish about my part in this whole piece of history,” he will respond. “Nor has it fully made me regret my responsibility for the technical success of the enterprise.” Talk about compartmentalization. That episode, by the way, doesn’t find its way into “Oppenheimer,” which knows better than to offer itself up as the last word on anything. To the end, Nolan trusts us to seek out and think about history for ourselves. If we elect not to, that’s on us.

[mantisgodsdomain]

We ought to write more Pokemon fic some time. We want to recreate the Pokemon Manners/Human Manners cheat sheet that we made a few years ago we think that this site would like the Sliding Scale Of Politeness When Greeting A New Pokemon You've Never Met Before.

[triglycercule]

dust should have one of those mini zen gardens with all the sand and the little rake you use to make patterns but instead of sand its monster dust. specifically dust of people he doesnt like. how calming and tranquil this is as he puts a mini bridge and rocks and tiny tree into the garden filled with what's basically the human equivalent of blood!

[radio-4-is-static]

RED OUT | Kenshi Yonezu

鮮血煌めいて跳ねるスタインウェイ & サンズ 頭の中鳴り止まない砕けたバックビート 零コンマーで褪せてしまう情景 どうした地獄じゃあるまいに そんな目で見んな

///

Blood glistens, and the Steinway & Sons bounces A frenzied backbeat hammers in my head A sight that blackens in 0.1 seconds What’s with you? It’s not like this is hell Don’t give me that look