#'Cause she on my mind now

[fight4me]

the entire Fandom saying "hey where's Patch?" just like saying "hey where's Perry?" because we always forget about her.

[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.

[bixels]

So I l’ve been getting into your ko crisis story lately (it all sounds rlly awesome btw) and i was curious - you’ve said in the tags in a previous ask that ash is comphet, so is that gonna play a major role in her character arc/journey in any way?

Yeah, the story basically covers her journey of redefining her identity as a queer Asian-American disabled woman in a sports-entertainment industry, which is a media landscape that specifically targets, exploits, and fetishizes people like her.

[bmpmp3]

finding out ur coworker is way older than you thought and having to very quickly reorient how you talk to them

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[eugene-da-potato]

Thinking about possible fanfic/au idea, where Paper after the end of second season decides to leave Hotel for a while to develop his own self-identity outside of his life with OJ, and OJ, living without Paper for the first time in almost a decade, realises how codependent with him he actually became and how much of his mental state were tied to Paper being by his side. Both of them learn to live without one another and find their own separated support systems and when Paper eventually comes back (because, still, all of his friends live here, duh) we're both self-sufficient but still appreaciate each other's positive traits and now are able to form functioning healthy relationships...

Yeah I think about them a lot

[xxplastic-cubexx]

Onslaught and Erik (probably)

i repeat maybe onslaught wouldnt be so fucked up and evil if they just took him to the park. get some ice cream. SIX FLAGS

[ratatatastic]

"Funny enough I—like, if street hockey, ministicks, I always wanted to be a goalie too! Like, for some reason I always wanted to go in net. You know, probably because of [my Dad] and then, um, you know, once you get dinged a couple times and the shots get too hard you realise—then it's not so much fun after all so... Yeah, it was great he'd always—" "You probably wanted to be goalie 'cuz you're fucking crazy, man! Those guys are bananas! I actually went as a goalie in morning skate one time when I was suspended in the coast, and it was the scariest thing ever, bro. It's nothing like blocking a shot because you're literally just standing there, and these guys are shooting right at you. It's unbelievable!" "Yeah! You gotta get in the way of the stuff to save it! That's crazy! I know, and like obviously gear is like great and they don't really feel—but there is, like, that psychological thing going on where, like, you know, you wanna move out of the way 'cuz it's gonna hurt! I get—I mean, it must not hurt that much, like, 'cuz Bob's crazy, man! Bob loves taking—Well, I wouldn't say loves taking it off the head, but he doesn't hate it, like he—" "Feels good?" "You know, every once in a while—they hit him in the head and you go up and say sorry he's like, 'No, no! It's all good! I love it, I love it!!' and like, kind-of shoos you away so."

The Buzz Pod | 8.7.24 (x)

so speaking of banking pucks off bobbys head and how much he loves it flashback to that day in october of 23 where bobby was doing that for practise and managed to rope in matthew to the shenanigans to the utter confusion of everyone involved (x)(x)(x)(x)

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'

[hana-bobo-finch]

Shoutout to this draft I made a couple hours ago when I suddenly had an epiphany for how I could fix a part of my story and I was so excited that the only way I could express it is to write whatever this is but I couldn’t post it because I didn’t have internet

also it got marked as mature for some reason

[pseudophan]

gonna be so sad when tonight is the first preshow space with good audio and i'm asleep because i have a psych appointment tomorrow

[kanerallels]

Don't mind me just kriffing SOBBING over our blueberry boy speaking onscreen for the first time in OVER FIVE YEARS

[rexscanonwife]

Concept sketch of my new JJBA self insert and her stand, BellaDonna (who will eventually be known as Madonna). Inspired by the song 'Like a Prayer' by...well, Madonna! @sapphire-heart-tippy

(lore dump under the cut, TW for mentions of animal injury and religious trauma)

My self insert (who will also go by Jane) grew up in a deeply religious family and tried to be a good jehovah's witness child that made her parents proud.

One day, she comes up with the power to heal various injuries and ailments, almost to the point of being able to revive the dead. She figures she's given this power by the lord himself and vows to do good with it, but when she's found using them to heal a bird that had been wounded by a cat, her mother falls into hysterics thinking that she MUST be possessed by the devil to have such abilities.

She's punished and shunned by her community while her mother prays for a cure and though she tries to repent her power doesn't seem to go away, so eventually her mother snaps and drags her into the wilderness and attempts to throw her to the bottom of an old well.

Her Stand, which had previously not manifested physically, appears then to cushion her fall and eventually she manages to pull herself out of the well with her Stand's help, who she now believes to be a guardian angel. But not wanting to return home, she runs away to face the world alone, growing jaded and bitter over time. She loses all of her faith, and the power to heal inverts itself, becoming a sort of poison. Something that LEECHES life, rather than heal it.

When she's an adult (my age irl so 25 I guess) she's made her way by becomes a bounty hunter/assassin using her Stand and eventually catches the attention of Dio. Who takes her in and explains to her what her Stand REALLY is, promising to teach her how to properly wield those powers if she agrees to serve him. She reluctantly takes his offer, but starts to see him as a familial figure, since no one else had ever tried to nurture or even accept her gift. Dio is the one who giver her Stand the name BellaDonna, after the deadly plant!

[frayedcircus]

secret life smp lizzie designs!!!!

i saw lizzie’s final episodes and immediately lost my mind

she’s living a sad little fairytale and there is significance and tragedy in everything that happens to her !!

sorry everyone else but lizzie is the main character. secret life ended when she died. i don’t make the rules.

pumpkin head, yellow and red life versions below v

(sorry i ended up writing a LOT in the tags whoops)

[thresholdbb]

Can we talk about The Dying Swan moment in Coda? As someone who was once a very serious ballerina, I need to talk about the Dying Swan. Here's your context --

CHAKOTAY: Harry's clarinet solo was okay. I could have done without Tuvok's reading of Vulcan poetry. But the highlight of the evening was definitely Kathryn Janeway portraying the Dying Swan. JANEWAY: I learned that dance when I was six years old. I assure you, it was the hit of the Beginning Ballet class.

Have you seen The Dying Swan? It is dramatic.

Here, take a minute:

First of all, this dance is much too advanced for a six-year-old, even if they’re doing it in demi pointe. (Six-year-olds emphatically should not be in pointe shoes btw.) The dance is almost entirely bourees and arm movements done to very subtle musical cues, not the foundational ballet moves typically taught in Beginning Ballet.

This is a very vulnerable, dramatic dance that is effective because of its subtleties. The performer would need to embody that vulnerability in some way for a convincing performance. It's short, but it's a solo piece -- all eyes on you. I mean, it was choreographed for a prima ballerina, BUT THAT'S NOT MY POINT

Can you imagine our unflappable Captain Janeway willingly getting in front of her crew to do this ballet? I get that it’s thematically relevant to the plot of Coda, but since Janeway is only vulnerable in front of her crew when it means putting herself in harm’s way, it seems like a wild decision. She tends to hold herself apart from her crew, maintaining the professional distance of the captain. Further, when she does any creative pursuit, it is almost always in private, since her sister was the artist in the family and she was the scientist. As a captain, she commands Voyager in a much different way than she would as a dancer with this piece. I'm not saying she never shows vulnerability because she definitely does, but not necessarily in this way. Then when she talks about it with Chakotay, she just casually brushes it off with a laugh like no big deal.

There’s also the question of costume – would she have gone full tutu? Done it in her Starfleet uniform? An impeccable yet flow-y white suit? She does get into costume and command a performance in Bride of Chaotica!, but Coda is still kind of early days for our captain. Arachnia aligns more with what we know about Janeway's character.

Granted, it is Chakotay laying down these complements about her dancing ability and he is clearly biased. To be fair, Neelix does too before they leave in the shuttle. If she did this dance and performed it poorly or amazingly, I feel like the crew would look at her a bit differently afterwards.

Canonically she did The Dying Swan, but I certainly have trouble picturing it happening.

[kiiyome-art]

Newest vidoc reveled each card part of the new arsenal has a person who has influenced cayde on it!

We know Ikora (king of diamonds), Zavala (king of hearts), Maya Sundaresh/Lakshmi (queen of hearts), and possibly Elsie (king of clubs).

What is confusing, is that the top row completely eludes me. At first, I thought Shiro might have been represented by the queen of spades, indicated by the iron lord wolves that accompany the card, but im not quite sure the exo looks enough like Shiro.

My first thoughts about the warlock, hunter, and titan, was just significant experiences with each class as his time as vanguard. But given who these other cards are about? Im not so sure about that theory, they all seem to be relating closely to who Cayde is.

Elsie sort of makes sense, if that's actually her, given that the time loop she's stuck in starts EVERY TIME with Cayde becoming vanguard. But honestly, that's really all that comes to mind.

One thing that stands out to me, is there is one, significant person missing. Where is Andal?? Unless he is represented by the hunter with the helmet, I am thoroughly shocked, and honestly a little disappointed. With how big a role Andal plays in Cayde's story, I would have expected him to make an appearance.

Id love to hear your thoughts and theories on these cards and what they represent further, so please feel free to elaborate!