#''i used to be so similar to this kid. what happened?''

[tortillamastersblog]

Back To You - Part 7 | Sam Carpenter

Pairing: Sam Carpenter x reader

Warnings: mentions of violence, death, blood, injuries, and swearing

Summary: When Sam left after turning eighteen, you were devastated. You’d been in love with her since you were kids and her leaving meant you never got to tell her how you truly felt.

Fast forward a couple of years, Tara gets attacked and Sam returns. . .

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“Y/N?”

“Yeah, Sprout?” I say, looking up from my computer.

“What are we having for dinner?” Tara asks. She limps around the back of the couch with her crutches before leaning them against the coffee table and plopping down next to me.

“I don’t know,” I say with a shrug. “Thai food?”

She nods and rests her head on my shoulder, letting her eyes skim over the finance essay I’ve been working on. Because Christina Carpenter is still in London Tara’s staying with me until she comes back. At first she said it was to keep me company, but I know she’s just too scared to stay home alone since the last time she was alone she was attacked.

“Okay then, I’ll order something. Is there anything particular you want?” I ask, closing my laptop and pulling out my phone.

Tara shakes her head and grabs the remote next to me, turning on the TV.

“Alright.” I scroll through the options and choose two similar dishes and a side of spring rolls. I go to pay and order, but Tara stops me, turning down the volume of the TV and lifting her head off my shoulder.

“Wait.”

“What? Do you want something else after all? Pizza? Or sushi?”

“No, but you should order some Pad Thai,” she says, shifting nervously.

I chuckle softly, her sudden change in behavior going completely unnoticed. “You just said you didn’t care what I got you.”

I go to change her order, but she stops me by taking my phone away.

“It’s not for me,” she clarifies quietly which makes me raise my eyebrows and look at her expectantly. “It’s for Sam.”

I frown. “Sam? But she’s in Modesto?”

After giving our statements to the police and getting checked out at the hospital, Sam left immediately to pack up her life in Modesto. She promised Tara she’d return to Woodsboro for good as soon as she’d taken care of everything and I thought it would take her more than just three days to get everything in order since that’s how long she’s been gone for now, but apparently not.

“No, she called earlier while you were in the shower and said she was on her way back,” Tara clarifies, watching me nervously and waiting for my reaction.

“O-Okay,” I stammer. “So, you told her she could stop by for dinner?“

Sam and I haven’t talked about anything that happened yet. Not about Ghostface, her psychosis, or my feelings for her which Richie so graciously revealed to her, and not necessary just because we haven’t had the time to yet. No, I’m just not ready for it, but it seems like Tara thinks otherwise. Or she just doesn’t care, either way, Sam is on her way here now and a talk will be inevitable.

“Yes. . .” she says, hesitating slightly before going on. “And I may or may not have told her she could also stay with us until mom gets back.”

“What?!” I shriek, my eyes widening.

Tara shrinks in on herself, nodding, and to make matters even worse she adds, “And I also kind of told her it was your idea because she said she wouldn’t come if you didn’t want her to.“

My jaw drops and I blink in surprise, completely taken aback.

“So, just a heads up when she thanks you for inviting her, I guess,” she squeaks out, smiling sheepishly.

“Oh my God, Tara—“ I run my hand down my face and groan, “—I don’t even— Why would you—?”

“I didn’t want her to be alone,” she’s quick to defend herself. “She said she would just stay at a motel until she finds an apartment, or mom gets back and allows her to stay with us again, but I couldn’t just let her do that. After everything that’s happened she—“

“I get it.” I cut her off and drop my hand in my lap.

Of course I don’t want Sam to be alone. Not after everything that’s happened. She needs someone, she needs Tara, but it doesn’t change the fact that I’m nervous to face her and that I’m upset Tara went behind my back.

“So, she can stay for a while?” she asks hesitantly which makes me sigh and nod.

“Yes, she can stay, but don’t ever pull something like that again. I mean, I love you, Sprout, but that’s just— No.”

Tara’s shoulders sag with relief and she nods adamantly. “I won’t, I promise. I wasn’t thinking when I did it. I just didn’t want her to be alone and since I’m staying with you, I figured it would be fine if she just stayed with us, too. I mean, you are best friends. . .“

“Were,” I correct, but it doesn’t faze her. She just hands me my phone back and I, now resigned to the idea, wordlessly add the Pad Thai to our order before finally paying for it and ordering it. “So, when is she going to be here?”

Tara checks her own phone for the time. “She said she’d be here in an hour fourty five minutes ago, so in about fifteen minutes.”

Fifteen minutes. Wow, okay. This is really happening. First I don’t see her for five years, and now she’s going to be living with me.

Luckily I have a guest room she can use since Paige and Liam stay over all the time, but we’ll still be seeing a lot of each other and I don’t know how to act around her now that Ghostface is gone.

“Okay.” I take my laptop off my lap and put it on the coffee table. “I’ll get the guest room ready then.”

The first night Tara stayed with me, she slept in the guest room, but then she had a nightmare and crawled into my bed which is where she’s been sleeping with me ever since, so I’ll have to change the sheets before Sam gets here.

I’m sure she wouldn’t mind sleeping in a bed Tara’s already slept in, but Tara was sweating quite a lot when I found her screaming and shaking in her sleep, so I’ll just go ahead and change them real quick.

“I’ll help,” Tara is quick to offer, but in the end I do all the work since she can’t stay on her feet for long without her crutches.

It is a little difficult to get everything done with only one arm, but in the end, I manage just fine and not even a minute after I’m done the doorbell rings.

“That’s Sam,” Tara says, limping out of the room. I follow her nervously, but keep my distance when she greets Sam at the front door.

The two of them share a sweet hug and exchange some mumbled pleasantries before Tara invites Sam into the apartment.

The older Carpenter sister looks around curiously and sets her bag down to take off her shoes and jacket, her eyes landing on me as soon as Tara steps out of the way.

“Hey,” she says, straightening up and tucking her hair behind her ears.

I awkwardly lift my free hand in greeting. “Hi.”

“Thanks for letting me stay with you for a couple of days,” she says, smiling a thin-lipped smile.

Tara watches us curiously, waiting for my reaction.

I don’t want to make this any weirder than it already is, so I just nod and say, “You’re welcome. The guest room is all the way down the hall to the right.“

“Thank you.” She picks up her bag again and steps further into the apartment. Her movements are uncertain and I can tell she doesn’t really know how to act, so I say, “Why don’t you go put your stuff away and freshen up a little. We’ve got Thai food on the way and Tara’s already picked out a movie.”

“Yeah, okay.” She looks like she wants to hug me, she even steps a little closer, but then she thinks better of it and turns on her heels, heading to the guest room.

I let out a shaky breath as soon as she’s out of sight and head to the kitchen, Tara following me on her crutches.

“So, what was all that about?” she asks, leaning against the counter when I pull a bottle of water out of the fridge. “I mean, I know Sam was gone for five years, but the two of you weren’t acting this weird around each other three days ago. Did something happen?”

What didn’t happen? We almost died several times, I found out she was seeing visions of Billy, and after all this time, she now knows how I feel about her and she has yet to say something about it.

I have no clue how she feels about it. Does it bother her? Does it make her uncomfortable? Is that why she hasn’t talked about it yet? No, she can’t be, if she were she wouldn’t have agreed to come here, right?

“It’s. . . nothing,” I say, opening the bottle and taking a sip.

Tara raises an eyebrow, clearly not buying it, but she doesn’t push it which I’m grateful for because Sam enters the kitchen a moment later.

That was fast. . .

She’s changed out of her jeans into some sweatpants and has tied her hair into a low ponytail.

“Did you get everything sorted out in Modesto?” Tara asks and Sam nods, accepting a new bottle of water when I hand it to her.

“Quitting my job was easy and it didn’t take long to convince my landlord to let me move out before my lease ended,” she explains, slowly but surely getting more comfortable in my space. Her brown eyes take in her surroundings and when she spots an old picture of Tara, herself, and me on the fridge her face softens and her eyes find me.

She once again has an unreadable expression on her face, but before I can dwell on it, the doorbell rings.

“That’ll be our food. I’ll be right back,” I say, excusing myself and making my way out of the kitchen to the front door.

The delivery guy is around my age and he smiles when he hands me our food in a plate bag, but then his face drops and his eyes widen in realization.

“Wait, aren’t you one of the people involved in the Ghost—“

“Nope.” I hand him a five dollar bill as a tip and slam the door in his face before he can finish his sentence.

This has happened several times now. Every time I order food or go out to the convenience store around the corner, I get recognized and asked about what happened.

It’s something I could really live without because it brings back the memories of what happened, but I guess people are just curious and it’s going to take some time for them to find something new to obsess over.

Taking a deep breath, I shake my head to get rid of the memory of Richie’s lifeless body and head into the living room where Sam and Tara have already made themselves comfortable on the couch.

They’re chatting about God knows what but stop when they see me come in with the food.

“Finally!” Tara eagerly accepts her food when I hand it to her and steals one of the spring rolls before I can set them on the coffee table for everyone to share.

I smile and take a seat next to her, taking my own food out of the plastic bag before handing Sam who’s sitting on Tara’s other side her Pad Thai.

“Thank you. What do I owe you?” she asks, her eyes lighting up ever so slightly when she opens the takeout container and sees what we got her.

“Oh, don’t worry about it,” I say, waiving her off, but she’s not having it.

She frowns and sets her food down in her lap. “No, please tell me. You’re already letting me stay with you for free, the least I can do is pay for my own food.”

“It’s really no problem,” I say before gesturing at Tara. “This one’s been mooching off of me for years now, so paying for one more extra meal really isn’t going to make a difference.”

It’s true. I’ve paid for a lot of Tara’s food and whatnot over the last couple of years, but it’s does matter because my parents left me quite a bit of money when they died. My mom was an investment banker and had quite a bit saved up before she passed, so that’s where most of it came from, but I also got a bunch of money when I sold our old house.

“Hey!” Tara protests around a mouth full of food and shoves me playfully, and I just shove her back and poke her cheek.

“What? You sayin’ it isn’t true?” I teased and when she doesn’t answer I just chuckle softly and turn my attention back to Sam who’s still looking a bit torn. “Really. It’s no problem. Just eat. I’m sure you’ll find some other way to make it up to me.”

Her face softens and she finally nods, her brown eyes shining with gratitude. “Okay. . . Thanks.”

I send her a tight lipped smile and focus back on my own food, giving Tara permission to finally start the movie she picked once we’ve all settled down properly.

It’s almost three in the morning and I still can’t sleep.

We went to bed a couple of hours ago, after finishing our dinner and watching another movie, but I just can’t sleep.

I kept tossing and turning in my bed—grateful that Tara decided to sleep in the guest room with Sam tonight—until I just couldn’t take it anymore.

Now I’m sitting at the kitchen island, in the dark, with a steaming cup of tea in front of me. I was hoping it would maybe help me feel a little sleepy, but so far no luck.

I’m as wide awake as ever because my mind keeps replaying what happened three days ago at Amber’s. I can still hear the gunshots, Sam’s pained whimpering, and Richie’s gurgling when he chocked on his own blood.

So many people are dead, and all because of Richie and Amber’s fucked up dream of making a new Stab movie.

Wes and his mom’s funeral is next week and I’m planning on attending it, but I don’t know how I’m going to handle it yet. It feels like it was only yesterday that I went to my parents funeral and I just know going to theirs will bring back a whole lot of memories.

After everything that’s happened I’m just glad nothing happened to Liam and Paige. The two of them are still in San Francisco, but they texted me earlier that they’d be returning some time next week.

“Can’t sleep?”

I flinch so hard, I spill some of my tea over the back of my hand, making me hiss in pain. I look over my shoulder and exhale shakily when I see Sam standing in the doorway with her arms wrapped around herself.

“Jesus, Sam,” I whisper, wiping my hand on my pajama pants. “Don’t sneak up on me like that.”

“Sorry.” She approaches slowly and hesitantly takes a seat on the high chair next to me. “I didn’t mean to scare you.”

“It’s okay. . .” I look at her and when our eyes meet in the darkness I drop my defenses and let my shoulders relax. “Do you—Uh— Want some tea?” I ask and when she nods I get up to make her a cup.

“So. . . Can’t sleep?” she asks again when I turn on the kettle and I sigh before answering, keeping my back turned her way.

She makes me nervous, looking all calm and cozy in my space, and the fact that she’s wearing my faded high school hockey sweater is making it even worse.

Where did she even get that?

The only explanation I can come up with is that Tara gave it to her since she’s always raiding my closet for oversized stuff.

“Yeah, you know—Nightmares. . .” I say, taking out a mug and putting a tea bag in it before filling it with hot water.

“I get it. I get them, too.” Sam smiles sadly and accepts the tea with a grateful nod when I hand it to her. Our fingers brush for a second which sends sparks up my arm and I’m quick to pull away and take a seat on my chair again.

“Right.” Of course she has nightmares, too. It’d be weird if she didn’t. After all she was the one who was being manipulated and used for this whole new-stab-movie bullshit. The rest of us just got hurt.

I can feel an awkward silence settling over us, and take a sip of tea to distract myself. Sam is playing with the string of her tea bag, glancing at me every so often as if she wants to say something.

For a couple of moments, she doesn’t, seemingly scared of how I might react, but then she seems to gather enough courage. She turns in her chair to face me and buries her hands in her lap, saying, “They’re mostly about you, you know?”

I set my tea back down and turn to face her as well, frowning. “Huh?”

“The nightmares,” she clarifies, her dark eyes searching my face for any kind of reaction. “Every time I try to sleep, I see you, covered in blood and dead. Tara, too, sometimes, but it’s mostly just you.”

I raise my eyebrows, surprised, but don’t say anything because it seems like she isn’t done talking yet.

“I can’t stop thinking about the way you literally collapsed right in front of me at the hospital. There was so much blood and then at Amber’s—the blood on your face from your broken nose—I thought you’d been shot in the head for a second when I saw you lying in the living room.” Sam wipes at a stray tear without breaking eye contact. “And then you stood up to Richie for me, a-and I thought, this is it. He really is going to kill you now, but then he didn’t. He just kneed you in the stomach, but in my dreams h-he shoots you. Every. Single. Time. He shoots you right in front of me and I—“ She lets out a shaky breath, “—I just can’t bear the thought of losing you. . . Not after everything we’ve been through. Not before I can fix things between us.”

I swallow the growing lump in my throat and reach for one of her hands, taking it in mine and squeezing it gently. “You’re not going to lose me.”

She shakes her head and sniffles. “You don’t know that. Ghostface could come back, or-or you could get into another accident.”

I sigh and look away. She’s right, but the fear of what could happen shouldn’t stop us from living our lives. “I know, but the chances of either of those things happening again are slim to none, sooo you have all the time in the world to make things up to me,” I joke quietly, which makes her chuckle sadly.

I know I said I wasn’t mad anymore, but that was when I thought we were literally going to die. Now, I can’t say I’m still mad, but she does have to prove that she wants to be in my life again— that I can trust her and rely on her again.

She interlaces our fingers and lifts my hand to press a kiss to my knuckles which makes me freeze. “I will make it up to you,” she whispers, moving closer to tracing the index finger of her other hand over the bruised bridge of my broken nose and around the edges of my black eyes. Her touch is gentle and makes my skin tingle, and I instantly miss it when she lowers her hand again.

“I promise, I will make it up to you,” she says again, but this time her tone is different. There’s more conviction in her voice and she looks as serious as I’ve ever seen her. Her eyes are practically boring into mine and the intensity of it all makes me look away nervously. “Listen, about what Richie said. . .”

I tense. Oh no, here it comes. . .

Why did you never say anything? How long have you felt like this? I’m sorry, but I just don’t feel the same way about you.

I can already imagine all the things she’s going to say, but then she surprises me by going on.

“About my visions of Billy. . .” She cringes and looks away right as I look at her again. She keeps our fingers interlaced, but leans back a little as though she needs the space to think clearly.

“You don’t have to talk about it,” I reassure her, seeing that it’s making her uncomfortable, but she shakes her head and looks at me again.

“No, I really do. You invited me to stay with you, so the least I can do is tell you what you’re dealing with,” she says and it almost sounds like she’s afraid of herself.

I want to tell her that I’m not dealing with anything while she’s here, but she looks like she really wants to say her part, so I stay quiet.

“I started seeing visions of Billy after I found out he was my real father,” she whispers, her grip on my hand tightening. “And it scared me so much, but I didn’t go see a therapist until years later, after I left. . . I was prescribed some antipsychotics, and for a while they worked, and I stopped seeing him, but lately they haven’t been working anymore.”

I can’t imagine how scary that must be. My aunt— my father’s sister—was bipolar before she died of cancer a couple of years ago, so I kind of know what a struggle it can be to have mental health issues, but I can’t fathom seeing visions of my dead serial killer father.

“I don’t know how to make them stop because I’m already taking some pretty hardcore pills. It’s like— I see him in the mirror, or any other reflective surface, a-and he talks to me, like an embodiment of all my intrusive thought but I- I promise you I’d never hurt you or Tara because of him. It’s just draining and— I’m sorry. . .” Her breath hitches and she disconnects her hand from mine to press the heels of her palms against her watering eyes.

She’s shaking and crying quietly, and the sight of it breaks my heart, so I get to my feet and pull her into a hug.

“Don’t apologize,” I say softly, feeling a little of my worry fade when Sam wraps her arms around my waist to hug me back. She slides off her chair to stand as well and buries her face against the side of my neck.

“I just feel so awful, you’ve got enough to deal with, the last thing you need is me dropping all this shit on you. I have no right to just come back into your life and—“

“Nu uh,” I cut her off. “What role you play in my life is up to me to decide. We’re far from being okay, but I still care about you and I want you to know that I’m here for you, got it?”

“I can’t just—“

“Got it?” I cut her off quietly, squeezing her in my arms, or well, just arm since my right one is still in the sling.

Sam sighs, but finally caves, nodding again my neck and tightening her hold on me. “I don’t deserve you. . .”

“Maybe not yet, no, because what you did really hurt me, but I’m still here and I’m not going anywhere,” I say honestly, allowing her to pull back and look up into my eyes.

My heart flips in my chest at her intense gaze, her eyebrows furrowed and her mouth slightly parted as if she’s about to say something.

Nothing comes out however and we just stand like that for a couple of moments, staring at each other and relishing in the other’s warmth.

That is until a scream makes us pull apart. My eyes widen and for a second my heart drops, but then I relax again when I realize what’s happening.

Tara.

Sam, however, looks alarmed, her eyes wide and she goes to grab a knife from the knife block on the kitchen island.

“No, wait.” I grab her wrist mid reach and pull her with me. She looks flabbergasted, probably thinking why I’m so calm, but when we get to the guest bedroom, realization seems to dawn on her and her face softens at the sight of Tara thrashing on the bed with her eyes closed.

I let go of her wrist and quickly move to Tara’s side. “Hey, Sprout, wake up, it’s me.” I grab one of her flailing arms and shake her a little. “Wake up.”

Tara whimpers in her sleep and furrows her eyebrows, so I shake her again.

“Tara!”

That snaps her out of her dream and she shoots up, clutching at her chest with wide eyes.

“Hey, it’s me. You’re okay. It was just a dream, you’re safe.” I let go of her arm and rub my hand up and down her back as Sam cautiously approaches the bed.

She takes a seat on Tara’s other side and gently takes her bandaged hand into her own.

Tara looks between us with teary eyes and closes her eyes for a moment, catching her breath.

“It all felt so real,” she whispers.

“I know,” I say quietly, sharing a sympathetic look with Sam over her head. “But it wasn’t. You’re here and you’re okay.“

Tara sniffles and opens her eyes again. She looks at me first, then at Sam before letting out a shaky breath while nodding.

“A-Are you going to be okay?” Sam asks gently, shuffling a little closer until she’s sitting next to Tara with her back resting against the headboard.

“I—“ Tara swallows thickly,”— Yeah, I’ll be fine. I’m just a little shaken, that’s all.”

Sam doesn’t look convinced, but accepts her answer and presses a kiss to the back of her head. “Is there anything I can do to help? Do you want to watch something, or do you want some tea?”

“Can you just stay?” Tara asks with pleading eyes, glancing at me before adding, “Both of you?”

I glance at Sam and when she nods faintly, I agree. “Of course. Move over.”

Tara shuffles to the middle of the bed and lifts the comforter so I can lie down next to her while Sam slips under the comforter on her other side.

Tara grabs Sam’s arm and wraps it around her stomach so she’s being held from behind before placing her head on my shoulder.

“Good?” I ask as soon as she’s settled and she nods with a content sigh.

Sam and I share another look over her head and when I see the care and gratitude in her eyes I send her a soft smile.

We’re going to be okay.

“What’s all this?” I ask the next morning, walking into the kitchen where Tara’s sitting at the kitchen island and Sam is standing over the stove.

Soft music is playing from a speaker and it smells delicious and when my eyes land on the stack of pancakes in front of Tara I know why.

“Sam is making pancakes!” Tara grins and plucks a blueberry from her plate into her mouth.

“I can see that.” I chuckle and take a seat next to Tara, smiling when Sam shyly slides a cup of coffee in front of me. “Thank you.”

“They’re chocolate chip,” Tara muses around a mouthful of food.

I raise an eyebrow. “Huh?”

“The pancakes,” she clarifies which makes my eyes snap to the stack of pancakes in front of her.

No. That can’t be. Surely Sam doesn’t remember such a trivial little—

“Your favorites.”

My eyes snap back up and I find Sam smiling hesitantly.

“At least, I hope they still are,” she adds, scratching her neck awkwardly.

Amazed, I nod dumbly which makes her perk up and finish plating the rest of the pancakes. She joins Tara and me at the kitchen island and hands me my own plate.

“Thanks,” I whisper, taking a careful bite of the pancakes and feeling my heart warm at the nostalgic feeling that washes over me. We used to make these pancakes all the time when she’d sleep over, and right now it’s the first time I’m having them since she left. I just couldn’t bring myself to make them without her.

Sam steals a couple glances every now and then while we eat and smiles when I finish my entire stack of pancakes in less than five minutes.

“Oh, by the way,” Tara says after a while, grabbing a stack of envelopes from the chair next to hers. “I got your mail out of the mailbox for you.”

I take a sip of coffee and take them from her with a hum, skimming my eyes over them, only mildly interested.

Most of them are ads or bills, but one catches my attention and I’m quick to open it and read it.

No way. . .

My eyes widen at what it says, and I re-read it a couple of times before Tara notices my stunned silence and asks what’s going on.

“A scout from a hockey team in Boston was at one of our recent games and now they want to sign with me,” I answer quietly, still in shock.

I never expected this. I want to play professionally one day, yes, but I was actually planning on finishing my degree first.

“What?” Tara grabs the letter from me and reads it as well with wide eyes before looking back up. “This is— This is great!”

I frown and take the letter back. “Yeah. . . I guess.”

It is great that they want me on their team, but I can’t just drop everything here and move all the way across the country to Boston. Not only because of my degree but also because of Tara, and now, Sam.

“You guess?” Tara pokes my arm, excited. “What do you mean? This is everything you ever wanted!”

I glance at Sam to find her already looking at me with a mixture of curiosity and wistfulness.

“Yeah, but—“

“But what?” Tara butts in, waving the letter for emphasis. “This is your chance to get out of here and finally do what you’ve always dreamed of. How can you have second thoughts about it?”

Again, I look at Sam, but she’s no longer looking at me. She’s pushing a piece of pancake around on her plate, seemingly lost in thought.

We both know that if I go to Boston it will be incredibly difficult to fix our friendship.

I just got her back. I can’t just leave now, but then again, Tara is right. I’ve always wanted to get out of here after my parents died.

“I can’t— I mean— The semester just started— A-And you. . . I can’t leave you alone,” I splutter. I’m so overwhelmed with feelings, I don’t know what to say.

On one hand, this really is a once in a lifetime opportunity, and I really want to go, but on the other hand, I don’t want to leave Tara, or Sam. They need me, especially Tara, and I don’t want to leave Liam and Paige behind either.

“But I’m not alone,” Tara counters with a gentle smile and nudges Sam. “I’ve got this one back now and I’m sure you can move your classes online or something.”

“Tara—“

“She’s right.” Sam cuts in, looking up from her plate. There’s a sad smile playing on her lips, but she seems just as resolved as Tara. “You should go. This is your life we’re talking about, and it seems like it’s high time you start living it.”

My mouth snaps shut and I stare at both of them with furrowed eyebrows for a couple of moments before giving in. “Okay.”

Looks like I’ll be moving to Boston.

_______________________________________________

Hi everyone!

I know this is a bit of a filler chapter, but it had to be written to bridge the gap between the fifth and the sixth movie.

Anyway, happy holidays! ❤️

Tag list: @bella423 @artrizzler19 @btay3115 @canyonyodeler @quadofthec @pussyydestroyer @rqizzu @pithod @morganismspam23

P.S. If you like this story I highly recommend you check out @persevereforahappyending ‘s No Man’s Land. It’s a great read.

[starlightomatic]

I commented this on another reblog chain but for some reason it's not showing up in the notes, so I thought I'd put it here too, since it segues off of that comic:

I think the issue here is that if you're hated enough, any word for you becomes a slur. This whole thing... frustrates me, because the reason people think of Jew as insulting is because Jew has been used as an insult.

But like... it was an insult not because its definition was insulting, but because the content of the insult was that the recipient was Jewish. If you think Jews are dirty, you don't even need to say dirty Jew. "Jew" gets your meaning across quite well. And thus a name that derives from one of our founding ancestors, Yehuda ("Judah") gets warped into something insulting.

Worth noting that a similar process has occurred to words for Black people and disabled people: a neutral word turns insulting and needs to be replaced. In those cases it has happened multiple times.

Also, as additional context, in some European languages, words for Jew (including words derived from Yid, the Yiddish word for Jew) are considered derogatory and so the Jewish communities in many places use or have used other terms for themselves, like Israelite or Hebrew. The specific examples I know of are Ukraine and Hungary.

I think the odd thing for some of us in the US is growing up calling ourselves Jews and never thinking twice about it, and then it kind of surfacing that to non-Jews the word Jew has all these kind of negative connotations... and then the response of some Jews on tumblr was, as the previous commenter mentioned, to say that now non-Jews should not use the word.

But my response is like, wait a minute. Can we go back a second? Like, for me there's a real discomfort that arises from the idea that a word I've always called myself without thinking twice about is seen as derogatory or rude by people outside my community!

Like, I don't know, let's say I was cheerfully talking to straight people about being bi and they kind of gave me an "ew" face or a "that's not an appropriate word" face and continued the conversation by referring to me as a "person of multi-attracted experience." It would... come across as though they were saying that there's something fundamentally icky about bisexuality and that it needs a euphemism.

And so "Jewish people" has always come across as a euphemism to me. And since you only need euphemisms for something icky, it feels as though people are saying that being a Jew is icky (or awkward, embarrassing, shameful) and so they need some kid gloves to talk around it.

As in: "You're not a gross, sneaky, sniveling Jew! You're a nice, clean, upstanding Jewish person!"

Which only serves to make me ask "wait, you think Jews are gross, sneaky, and sniveling?"

It's not intended that way at all ofc and I don't think that's what's actually happening in most cases but that's how it can come off when you try to euphemize a marginalized aspect of someone's identity! It makes them wonder what you thought needed smoothing over.

In actually what I think is happening is that people are surfacing the fact that historically those connotations (gross, sneaky, sniveling, miserly, untrustworthy, subhuman) are attached to the word Jew when non-Jews use it.

I guess though, I had thought -- and do still think, mostly, kind of -- that we were coming out of that period of history and into a place where people don't associate those things with Jews and were ready to keep using the word Jew without those connotations.

Because I see where folks are coming out of respect, not wanting to use a word with insulting connotations, but the problem is that by refusing to use the word you're keeping the connotations stuck to it. If everyone were to use the word Jew in neutral and positive senses, it would lose those antisemitic connotations.

But instead they're staying attached, which means that then when I self-describe as a Jew, it's as though I'm bringing those connotations into the conversation. Like, hi everyone! I am a dirty Jew! And because of this I have started self-describing as a "Jewish person" in certain contexts even though I hate it, because I don't want people to be put off by my calling myself a Jew. Especially in contexts where I am trying to come off as non-confrontational, as though I'm trying to "soften" whatever I'm bringing to the table, though maybe that's its own whole thing.

And then one thing that's extremely uncomfortable is when I see antisemitic stuff where the person has carefully made sure to use "Jewish person" or "Jewish people" instead of Jew. That's just kind of skin-crawly in a way I'm not sure how to articulate, but I think it demonstrates that if someone is antisemitic they'll be antisemitic no matter what semantic shifts get pushed.

The impression that I'd had before this post was that this was an example of a pretty common phenomenon on this site is that a small group of users from a marginalized group come up with some sort of lexical discourse, present it as the universal opinion of that group, and then well-meaning allies adopt it and it spreads far beyond tumblr, and that it honestly was only a niche bit of tumblr discourse in the first place.

What I'm learning from the notes on this post though is the word "Jew" has been policed by non-Jews for many years, likely from before tumblr existed. Which really only serves to highlight the discomfort I mentioned earlier. It also reminds me of when allistic people say things like "she's on the spectrum" instead of "she's autistic." They feel that "autistic" is offensive because they see autism negatively. And our response to that isn't to agree and to ask allistics not to use the word autistic, but rather to continue educating people to accept and respect autistic people.

On that note, I'm thinking about the campaign in recent years to remind people that disabled is not a dirty word, and that people don't need to and shouldn't be trying to euphemize it.

In conclusion, sorry for how rambly this was, but hopefully this is illuminating as to why the shift to "Jewish people" is actually pretty uncomfortable for a lot of us.

Where are all these goyim getting the idea that it’s not okay for them to use the word Jew as a noun?

(Obviously depending on the context it can be intended as an insult/function as a slur, but it’s also… what we’re called in English???)

[a-bit-too-critical]

Oh yeah, stupid obvious problems with the plot of sinsmas:

1. How the hell is Stolas able to harm Andrelphus?? Andre has even more power than before (enough to form ice in large sculptures, animate said sculptures, so yeah he’s powerful), and Stolas is literally on the power level of an Imp now. If anything I could see a joke where Stolas tries to punch Andre and gets flung back immediately, then has a mental breakdown realizing he can’t do shit to stop any of the Goetia against him

2. …so do hellhounds just have crazy ah quadrupedal forms now??? Why??? They’re the lowest class in hell they have no right to transform into big beats that could easily maul the imps, hellborn, and maybe even sinners they are supposed to work for. Makes 0 sense. Hellhounds should have no extra forms and human forms should be accessible via asmodean crystals and royal objects such as the grimore, not just a thing hellhounds can do.

And some miscellaneous stuff not related to plot issues or holes but just wanted to talk about em:

- The Stolitz dance was just a glaring reminder of Viv changing her stories based on fanwork. Two Stolitz animatics that became very popular a few years ago (Sway and Greg and Rose Dance) are so clearly inspirations for the dance. Blitz climbing up on something, an intimate and comforting moment at the end, cheesy romance music, it’s literally all there like cmon Viv :/. Dance styles are pretty similar too. Inspo is fine but this really feels like she’s just taking fan ideas again

- ohhhh look who came running back to Viv 😭

- I also wanted to yap about Millie’s pregnancy because there’s about 6 possible outcomes that I could see Viv going for:

The best outcome: Millie doesn’t want the baby, her and Moxxie discuss and eventually decide on abortion. Millie trusts Sally May with all her heart and decides to confide in her, which proceeds to turn her whole family against her. Could be a good commentary on how these kinds of political nothing-burgers can straight up tear tight knit families to shreds, and for what? A woman’s personal decision? I’d love for them to show how stupid it is for families to be torn apart over politics, but that’ll never happen

The other great outcome: Millie debates heavily on what to do over the course of many episodes, but eventually her and Moxxie come to the conclusion to keep it and we get a fun arc of them raising a kid and pulling Imp closer together along with their relationship

The neutral outcome: Millie gets rid of it and it’s not really addressed for more than one episode, it’s just kinda there lmao

The pretty freaking bad outcome: Same as the great outcome except the child is used as a substitute for Octavia by Stolas and they basically become his child :/

The really, really bad outcome: Millie is forced to “accept the gift of life” and raise a child she doesn’t want or some stupid pro-life commentary

The Jesus Christ Viv why outcome: extremely sexualized and unnecessarily long pregnancy and birth scene, no I wouldn’t be surprised if this actually happened

So yeah, this could either be great or one of the worst things that has ever come from this show

[lambsonburn]

TAG Analysis - Ep I (first minute)

To preface, this analysis will be very, VERY long because I simply can’t help myself. It also may very well be in parts.

With the length of it, I’ll put a read more thing (or hope I have, I’ve never used the feature before) so it’s not a massive block of text for people to scroll past :)

For starters, the opening scene of the show is crafted so beautifully. Firstly, we the audience see the danger before we see who in danger. Even though this is such a simple, subtle thing, it’s so effective because this is the perfect way to define what the show is and what it’s about - daring rescues of those in situations which in our world would seem near impossible to aid, which just adds to the heroics of IR.

Furthermore, the way the characters are introduced is incredible. As with before, we hear the man’s voice before we see him - creating a similar effect as to previous. But he is presented in such a way that leads our eyes up his form and to his head because we know that he is the one making the SOS which makes the sudden interruption of the child so much better. It’s an “oh shit he’s not alone” type reaction, even though the child is very visible next to him. Also the way they are positioned in the balloon, how it’s at an angle, makes the father falling out seem almost inevitable. Plus, the idea to give them hats makes the scene even better because the act of them falling off and out of shot just adds to the tension.

As a quick little side piece, the use of music is fab. I would go more in-depth about the music if I could but I’m not very well music versed being an art kid; that and it’s been a few years since I last played clarinet so some things are a little vaguer now. To begin, the music in the first 20 seconds - it’s in a repeating pattern, three times up once down twice in a row. Then it goes to a lower register when the father begins to speak which not only allows us to hear him much clearer but also adds to the danger of the scene. Then after he climbs back in it begins to crescendo upwards before including a motif (that I’m pretty sure is used in other episodes) but sounds more heroic-y (I think it shifts to major key but I’m not sure).

The arrival of TB2 from the clouds is so well done, my god. Not only is how it appears so well handled, but the music that accompanies it too. Its presence in the scene is so well crafted. The balloon is to the side, still swaying out of control as to still elicit the danger, but the camera is zooming out. This makes the balloon seem smaller so that when TB2 appears it looks, frankly, fucking huge. What’s even better is that we hear then see it. We hear its engines so clearly that it cuts through the music. We can’t see it but we know where it will appear because the balloon is kept to one side of the screen. The music when it appears is also handled so well. Instead of the faster, scaling initial notes, they’re now much more drawn out. Yes these notes are still scaling upwards, but instead being fear-inducing it leans towards heroism especially with what I think is a gong 34/35 seconds into the ep which really just adds to the feel (it’s uplifting!!). And after, it goes into one of the main motifs played when on rescues. And then it changes AGAIN!!! Just as he grabs the child, it picks up - it gets faster. Nothing has happened but you know that something will. Also the wide shot at 48s initially doesn’t appear to furthering the story, but what it does do is further dramatise the danger. Simply “look, we’re 10,000 ft in the air. There is nothing around us.” You see this openness and you know that that man will fall and he does. And just before we get the drama… BAM intro sequence. It builds so much suspense because you know what’s happening, you know someone’s life is at stake but you have to wait through an incredible cool intro sequence to find out what happens.

Probably leave here for now, at least for an hour or so before I come back to it.

[5a-alf]

The more i think about my experiences in military school, the more i realize the ravens were probably run similarly (if with a harder lean on the cult part) so i wanted to make a post explaining how quickly and even just how new ravens fell into group mentality.

[[Disclaimer: i think my experiences are like,, quite similar to some of what happened in the nest to the general raven but for them is like upped to 200%. We can argue the army is type of cult but not one as tightly run as the ravens probably were]]

The answer to the first is: pretty quickly. Let's say, a month is enough. After that first month, if you were to take them out of the environment they'd be quickly fine again, but they'd already be familiar with the mentality and would follow it if left in the nest. Different kinds of people react differently to the same conditions, but i do think Tetsuji choose ravens also based on their personalities/character, because each year only 4/5 people got into his team out of the thousand kids that play exy in high school, so he could choose for talent but also for drive and ability to listen to orders ecc. This eliminates the hardest type to break down, which is people who are naturally oppositional (like,,, any fox for example). He's looking for good soldiers.

Then, you are now allowed in this super niche private luxury club; there's only other 3 new people. One of them is now your partner forever and ever. What happens? You give EVERYTHING you have to be better than the other duo. That's only natural, there's a first place and a last place because only two couples are in this race; you need to win. What do you do to get better? You look for guidance in the older people around you. Some will ignore you, some will engage with you, but always with an air of superiority. You yourself are somewhat struck by their presence, as maybe you saw them play on television before, or speak in interviews.. you know of them, and that already puts you a step under them. That's power that they hold over you.

Now. There's rules in the nest. Do you think they were written? Do you believe for a minute that the new ravens were given a brief the first week, to let them know all about what is and isn't allowed? No. The rules are silent. You notice them because you can't miss the punishment that inevitably happens when you break them.

You sit in the wrong chair - someone screams at you.

You use the wrong tshirt - someone beats you up.

Well, now you won't sit it in the chair anymore, or use that tshirt in that specific instance, but you know what else you won't do? Sit in any chair you haven’t sat in before. Wear a tshirt you haven’t yet worn.

It takes that little.

Then with time comes confort. Months go by and now you now most of the rules, you're fine. Then you reach your second year, and there's new people... who will teach them the rules? You. Especially if they sit in the chair that is specifically reserved for second years. That's yours. And you feel you've earned it by making it through the year; that's a rule, isn't it? And you have a lot of pent up anger, because you are juggling school and training and you haven't had a pause in more than a year, you haven't seen your family or your pet or your old friends.

You yell. You beat them up.

The funny thing is, even when you just follow the rules to keep the peace, do it "ironically", to avoid having problems, at some point... it comes naturally. You get more and more comfortable with what you once found wrong, or not even wrong, but probably pretty stupid. Because the thing it: it's easier to oppose things that are glaringly wrong. You don't start teaching a new raven how to prey on kids. You start with something that maybe makes no sense, but also has no consequences, especially moral ones.

Why wluld you fight so hard for a chair. You can have another. It's not even that comfortable. It's not worth being yelled at. Just leave the chair.

And then, slowly, it escalates.

And the more time you spend inside, the more you let go on any of the hangups you had outside, because it genuinely starts to feel as a different world, where different societal rules are in place, and when you literally do no engage with the outside world for years... you forget how it used to be. You forget who you used to be.

Being there rewards you.

The more time passes, the more power you acquire. Now you can even invent new rules, as you like. It goes to your head fast.

There's so much more i can expand on, 1) shared pain 2) what happens after you graduate 3) what roles do the adults have in all of this 4) relationships (yes, same as the ravens, we were also not allowed to have romantic relationships; there were consequences ecc) 5) REHEARSALS AND GROUP MOVEMENT 6) public outings and perception.... and i could go on and on.

Let me know if you want me to expand on anything in particular

[andro-dino]

Tired and sick, may I get some Once upon a withlight headcanons to ease my weary soul?

aaa hope you feel better soon snuggles 🫶

this is one I actually have to put a little brain power into bc I actually haven’t thought super hard about this

- I think kremy and Gideon never verbally apologize to each other after a fight, both of them are way too prideful and awkward for that. Kremy I think would take it like a mom who cuts up fruit for you instead of apologizing. He doesn’t explicitly acknowledge that anything happened or is wrong but Gideon will be moping in the corner and kremy will be like “I made dinner, are you gonna come eat with me or what?” and instantly all is resolved. On Gideon’s part, I think it’s a combo of big sad puppy eyes and acts of service, just constantly going out of his way to do things for kremy to try to make up for it. I think gid does that a lot just anyways but he goes especially hard on it when he’s trying to apologize after a fight

- also coalecroux focused, these guys are so weird about physical affection. it’s either they are extremely awkward and strange about it or they are literally inside each others skin, no in between. Like I think with these two having been together for as long as they have, they have very naturally gotten super used to constantly hanging on to each other and having their arms wrapped around each other like second nature, neither of them even really realize they do it, but the SECOND anyone comments on it or causes them to think about it for even a second, they are instantly ten feet apart from each other and all awkward and sputtery about it. freaks, I hate them (affectionate)

- Frost is the kind of person who will appear to be completely doing his own thing and not paying attention at all when other people are talking but he is actually extremely engaged in the conversation, he just doesn’t feel the need to hold eye contact or stop doing what he’s doing (which is probably like reading a book or something similar which would appear to hold all his attention). Gricko is the most used to this and entirely unfazed by it but it takes most others a little while to understand it

- Gideon and Twig scheme about pranks to pull on frost together. Either that or just ganging up to make fun of him (affectionate) in general

- Twig tries to help show torbek how to clean and take care of his fur a little more. He’s not particularly good at it on his own but he’s trying and he appreciates it immensely

- frost. Kitty tendencies. he tries like really really hard not to show most of his cat qualities very often bc he does not want to draw attention to them but he has found himself making biscuits around people without realizing more than once

- Hootsie with each of the different krew members I think are all very fun dynamics. Frost is father #2 to her and will usually be the one taking care of her if gricko cannot as he is generally the most responsible and capable when it comes to taking care of her, though he will definitely sneak her more rat snacks than she’s supposed to have. Kremy is like the rich gay aunt who will absolutely spoil her rotten if given the opportunity. He never means to but he can never resist doing so. He will go full Karen mode to give her the world. I imagine hootsie in Gideon’s care like one of those movies where the plot revolves around a babysitter and the kid their watching going on a big wacky adventure and needing to get home before the parents do, and no matter zany the hijinks, they will always get back home and act like absolutely nothing happened when the parents do get home. He is one of hootsie’s favorite to play and cuddle with but he should probably not be solely responsible for her for extended periods of time. Torbek and hootsie are like bffs and also are great cuddle buddies but similarly he should never be left solely responsible for her it would not go well.

[rei-ismyname]

Magneto joins the Young Avengers part 1

After House of M the Scarlet Witch was nowhere to be found, and her teammates weren't looking very hard (almost certainly a good thing.) After Wiccan was detained by the Avengers for having similar vibes to Wanda's powers, the rest of his team rescued him from Avengers Tower and Wolverine's claws.

The Young Avengers reasoned that this problem and many others could be solved by finding Wanda - Wiccan and Speed learning the truth of their heritage, Cassie getting her father back, and even hopefully changing 'no more mutants' to 'no, more mutants!' Seeing as he shares most of these goals, Magneto makes a stylish entrance and proposal, introducing himself as the boys' grandfather.

Mags acts a little too kidnappy for their liking, so he does what he should have done from the start and just asks for help. For some reason he has a bad reputation despite being quite well behaved of late. I find it irksome how black and white Marvel heroes can be, especially where reform is concerned. They often shoot themselves in the foot by meeting good faith acts with hostility. Then again, they are kids, and they have not reached consensus.

Naturally, the oafish Avengers come in swinging, doing the worst possible job of convincing the kids they have their wellbeing in mind. They don't listen well and try to bull right over them. They should know that if Magneto wanted them dead they'd be dead. They keep bringing up House of M, too, as if there isn't a lot of blame to spread around with that one. Do they not remember Magneto also objecting to House of M, or the whole thing happening because they planned to kill Wanda?

No, it seems, and Wolverine plays his only card by trying to kill Billy. Lucky Magneto knows how he operates and shields Billy. If Billy is so dangerous like Wanda, why the fuck are they backing him into a corner and threatening him with death? Wanda didn't respond well to that either. As usual, their plan is 'we know best, do what we say or else.' Huge cop energy.

Mags is repelling them non-lethally while this argument rages and eventually Billy realises that Earth's Mightiest are not willing or able to help.

He uses magic to go somewhere the Avengers aren't, yet the argument continues. Their complete lack of plan is obvious, and for some reason they don't bench Wolverine. His solution for a lot of problems is 'kill women' and not once has it worked out well for anyone. This time it's 'kill a woman and her child' - solid personal growth there. Cap's protestations are lukewarm yet none of them reflect on why these kids plus Magneto might have fled.

Good questions I guess. Definitely a more productive discussion now the Avengers aren't around.

Turns out Mags is happy to follow their lead and listen to them. Maybe he's Earth's Mightiest conversationalist. Billy magics them into the Uncanny Von Trapps and the quest begins!

[ouaw-facts-i-just-made-up]

HC for why I think Gricko got banished from his home town:

There was a beast causing trouble like digging up gardens and eating up their rats. So people started to hunt for it to kill it. (A good parallel would be what happened in Wolf Walkers). Gricko had a problem with this and didn't think senseless killing was the answer to their problem. Gricko strongly believes that all creatures both hostile and friendly, have a right to live. He was only 17, no one wanted to listen to him. So when the hunters tried to circle up and kill the beast, Gricko used his magic to protect it and do everything he could to try getting through to the town. He tried to get them to understand there's a better way they could handle this. Unfortunately in the process of defending this beast, a few goblins got killed in the crossfire. The beast was eventually killed afterwards. After that he was banished permanently, holding him responsible for the goblins that died.

Gricko doesn't like talking about that accident.

This is a true fact and also OUCH.

At the very least I assume it must have been a similar situation, but I think this is a very good possibility.

He has such a big heart for beasts, and probably relates to them quite a bit, so the idea of killing it was already out of the question in his mind. But who wants to listen to the weird kid who'd rather talk to an animal than kill it when it's clearly a threat? That's what everyone thought, anyway.

And he didn't want anyone to get hurt. If he had the chance to try to communicate with the beast before they riled it up and got it scared, maybe nobody would have died. It was an accident. He was trying to help. But nobody would give him the time of day anymore, except his mom. Even then, she wasn't very happy with him, disappointed at best. That hurt a little more than the exile.

He hopes maybe one day they'll let him back, be a little more understanding. But he can't exactly undo what happened, those people aren't coming back. So, maybe it's best he stays away.

[wildxenomorph]

Ok so I saw sonic the hedgehog 3 last night and I want spill my thoughts

SPOILERS BELOW

I really liked that Shadow was explicitly described and portrayed as a kid—he’s Sonic’s age (minus the 50 years in stasis, where he clearly didn’t age physically or mentally)… he was manipulated by Peepaw Robotnik, he was a hurt child that was used by the govt and later someone he considered something akin to family………

Anyway that scene of sonic and shadow sitting on the moon… ahh damn it makes me tear up to think about

Also I like that sonic isn’t perfect—I like that he decides he needs the use the master emerald, he goes back on his promise with knuckles and tails and is ready to actively fight his friends to get to it, both to stop the evildoers and to get revenge for his/their father… he leaves his team after promising they would always work together, and he realizes that what he’s doing is wrong, realized that killing shadow wouldn’t make Tom better, it wouldn’t reverse what happened, and it would only make him regret taking a life

And seeing that compassion, that ability to make a difficult choice, even in emotional turmoil, has such a profound effect on shadow, because suddenly he’s seeing someone going through something similar to him, who begins responding like him before… not. He sees an option, a path, that previously wasn’t even considered—forgiveness, moving on… etc

I also like that knuckles calls sonic out when they square up over the master emerald. He explicitly tells Sonic that he’s in no mental state to make such a drastic decision, but he trusts Sonic enough that he lets him get the emerald anyway, and despite not agreeing with his choice he still turns up with tails to help out at the end.

I really hope that shadow is not just dead now, though, because clearly they plan to continue this film series (metal Sonic and Amy seem to be coming next, based on the after credits scene)… I’d like to see shadow pulled into Sonic’s funky little family with two parent humans, a dog, and a handful of mutant alien animals…

Let shadow learn how to have a family again, to move on, to honor and remember Maria but live a fulfilling life because it would’ve made her happy to see him happy

Also let him get some mfing therapy

Oh, also, I really appreciate that they used the super shadow coloring from sonic adventure 2, where shadow is more of a silver-gold rather than the bright yellow-gold of sonic (shadow’s coloring is way more like Sonic’s in the shadow the hedgehog game, and I kind of hate it)

Really my only complaint: about the film, besides them not hinting at or showing shadow surviving (please don’t kill my blorbo) {Edit; I have since seen a second end credit scene that I missed—thank you to everyone for sharing!! My boy lives!!!), is the fact that Rouge is just not around… which like, she absolutely wasn’t necessary, plenty of characters are/were omitted but I feel like with the pattern of introducing characters in pairs (Tails and Knuckles in 2, Metal Sonic and Amy in presumably 4), it’s weird that Shadow didn’t have some other character introduced in the same movie… Rouge could have helped with the infiltration of G.U.N., for example… but again she’s not necessary and it doesn’t really take away from the movie.

Final complaint is the G.U.N. lady, her name escapes me… the one who acted as essentially a secondary antagonist and was trying to secure the weapon keys. Tom gets the key from her by impersonating the other G.U.N. guy who died, and that’s the last we see of her!! Feels unresolved imo (though I wouldn’t be surprised if we see her again in 4, perhaps accusing Sonic of crimes committed by metal, maybe leading to a similar city escape-framed by lookalike situation that happens in adventure 2 with Sonic and shadow)…

Oh and last thing: I do think the movie spent a bit too much time on the Robotnik’s… it could’ve used a bit more shadow screen time imo…

And those are my unorganized thoughts fkejjdjndidkejs fun movie def recommend watching it

[blehblehbleh735]

Get to know rapper!chris x singer!reader!!

SINGER!READER

Genre: pop, indie-pop

Similar artists: Madison Beer, Sabrina Carpenter, Billie Eillish

Albums and covers (coming soon)

Gained Fame: In 2021, Y/N started making music after her boyfriend cheated on her and their messy breakup, she put all of her feelings into songs and decided her new life started at that moment. She tested with sounds and one day she randomly posted them out of nowhere. Her confidence, however, skyrocketed when she only got maybe 1000 monthly listeners after about 3 months. She gave up and continued with life as if nothing happened.

In 2023, a beloved artist named Gracie Abrams, noticed her pathetic music and reached out. Y/N, much to her dismay, of course said yes when Gracie asked to do a collaboration with her. The song blew up on tik tok and other social media platforms and Y/N’s 6 songs soon started rising. Rooftops, a song about her ex, was #14 on the top 200 in the US. Gracie and her became good friends and Y/N got into song writing again.

Cute little headcanons:

Singer!y/n, who doesn't pay attention to rude or sexualising comments about her body but Chris does. When they're out in public and Chris hears someone say one thing about her, he’s practically on top of them and he’s not scared to beat the shit out of them.

Singer!y/n, who keeps a notebook full of random lyrics inspired by overheard conversations, half of which make absolutely no sense at all, but are oddly poetic

Singer!y/n, who insists on hand signing fan’s posters because it's more “personal” even if it takes hoursSinger!y/n, who will stop a concert mid way if she sees a sign or an outfit that she loves just to compliment that person.

Singer!y/n, who loves making up dumb tik tok dances to her songs just for funSinger!y/n, who’s fans are called the most ridiculous name. It started as a joke but now it's a part of her brand.

Singer!y/n, who takes a polaroid picture with her team before every show

Singer!y/n, who gets nervous before award shows, so Chris shows her his “pre game hype” which consists of terrible dancing and a not so helpful pep talk in a mirror

RAPPER!CHRIS (CHRI$)

Genre: hip hop, rap (obviously)

Similar artists: Playboi Carti, The Kid LaROI, Lil Skies

Albums and covers (coming soon)

Gained fame: Chris started his career more recently at the beginning of 2024. Because of the youtube channel, Chris didn't need to be famous for his music. About mid 2024, his music started to get recognized by more than just Sturniolo Triplets fans. Playboi Carti actually liked Chris’s music for what it was.

On Carti’s tik tok, he posted a video with one of Chris’s songs as the sound. Don't know how this made Chri$ more popular but his listens blew up hours later. 11 million monthly listeners quickly went to 30 in less than a month.

Cute little headcanons:

Chri$, who always kept his word, and has never done drugs, drank alcohol, or smoked a vape or cigarette in his life.

Chri$, who’s concerts are the most wild and fun thing ever. The energy in the sold out stadiums is exhilarating and the fans in the front row will probably not be able to hear anything else for days.

Chri$, who makes sure that you are always comfortable and happy no matter what you’re doing.

Chri$, who has your stuff scattered everywhere. He’s got hair ties on his wrist, your hairbrush in his car, and your clothes are all over the place.

Chri$, who once hung a pair of your panties on the rear view mirror in his car because the color “complimented” the vibe

Chri$, who never lets you pay for anything. This man will do everything and anything to make sure your card never sees daylight. Sometimes he steals your wallet before you even leave the car.

Fics to look forward to: (I obviously have not been busy)

Sleepytime - Chris asks Y/N to sing him to sleep one night

Model - Y/N’s manager needs to meet with her about upcoming tour outfits but Chris is not having it with her leaving

Noise Complaints - Late night studio sessions in Y/N’s apartment lead to awkward run ins with the neighbors

Pink Sweater Season - Chris borrows Y/N’s favorite oversized pink sweatshirt for a music video and the internet has questions.

Off Key Apologies - After a heated argument, Chris writes a very pathetic song as an apology but Y/N doesn't want to hear it

Mute - A mic on a live stream reveals way too much about how Chris feels about Y/N

Paper House - The power went out and the house is quiet so Chris and Y/N decide to build houses out of cards.

Stage Left - A surprise performance during Chris’ tour has the crowd cheering—and Y/N wondering where she stands with Chris

Signs - Chris finds an old playlist you made for him and realizes the feelings were there all along—he just missed the signs.

Second Verse - Chris struggles to finish a song about…love and how he hates to admit how much the second verse sounds like you.

REQUESTS!!

[perenlop]

Yeah logically Flamberge probably would have been a terrible parent had they taken and raised Valerie as planned, I feel like the assassin who historically has not genuinely gotten close to anyone since childhood wouldn't have been the best role model, but like.... I'm fond of the "evil person but great parent" trope so yeah

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[kinokoshoujoart]

the coolest kids in forgotten valley!!☆

(…it seems there may have been a stretch of time where rock and lumina were the only kids in forgotten valley…🥲)

poseref

[spacedlexi]

people who think clem surviving makes no sense are so funny. "they were literally foreshadowing her death the entire season" let me introduce you to the concept of a red herring. she tells lilly she isnt lee and shes right. the narrative was forcing her down that path, a path she saw as an inevitable fate waiting to take her too, but its a narrative broken by aj, who is also his own person and not S1 clem

"it happened to lee, and itll happen to you" lilly tells clem she'll die protecting aj from some mistake he makes, when in reality his defiance of her will is what saves her life after she had already accepted her fate. he breaks clem free from the lee cycle and they get their relatively happy ending. good for them

[imminent-danger-came]

Crack theory:

So, between 1x01 where Wukong puts a seal on MK to limit his powers, and 1x09 where Wukong says "Look kid, using that much power—your body can't handle it." I'm wondering if the seal (which lowkey I'm kinda waiting to be brought up again) ALSO sealed away MK's Moneky form, and I'm wondering if MK broke it in 4x07 Pitiful Creatures.

[hauntingblue]

Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me