#'<' and '-' get combined into <- it works the same with the other direction ->.
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dandelionsresilience · 22 hours ago
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Dandelion News - November 15-21
Like these weekly compilations? Tip me at $kaybarr1735 or check out my Dandelion Doodles! (sorry it's slightly late, the links didn't wanna work and I couldn't figure it out all day)
1. Wyoming's abortion ban has been overturned, including its ban on abortion medication
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“Wyoming is the second state to have its near-total abortion ban overturned this month[…. Seven other states] also approved amendments protecting the right to an abortion. A lawsuit seeking to challenge the [FDA]’s approval of abortion medication recently failed when the Supreme Court refused to hear it[….]”
2. Patches of wildflowers in cities can be just as good for insects as natural meadows – study
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“This study confirmed that small areas of urban wildflowers have a high concentration of pollinating insects, and are as valuable to many pollinators as larger areas of natural meadow that you would typically find rurally.”
3. Paris could offer new parents anti-pollution baby 'gift bags' to combat 'forever chemicals'
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“The bag includes a stainless steel baby cup, a wooden toy, reusable cotton wipes, and non-toxic cleaning supplies as part of a "green prescription". […] The city will also have 44 centres for protecting mothers and infants that will be without any pollutants[….]”
4. Indigenous guardians embark on a sacred pact to protect the lowland tapir in Colombia
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“The tapir is now the focus of an Indigenous-led conservation project[… A proposed “biocultural corridor”] will protect not only the populations and movements of wildlife such as tapirs, but also the cultural traditions and spirituality of the Inga and other neighboring Indigenous peoples[….]”
5. Denmark will plant 1 billion trees and convert 10% of farmland into forest
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“[…] 43 billion kroner ($6.1 billion) have been earmarked to acquire land from farmers over the next two decades[.… In addition,] livestock farmers will be taxed for the greenhouse gases emitted by their cows, sheep and pigs from 2030, the first country to do so[….]”
6. The biggest grid storage project using old batteries is online in Texas
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“[Element operates “used EV battery packs” with software that can] fine-tune commands at the cell level, instead of treating all the batteries as a monolithic whole. This enables the system to get more use out of each cell without stressing any so much that they break down[….]””
7. Durable supramolecular plastic is fully ocean-degradable and doesn't generate microplastics
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“The new material is as strong as conventional plastics and biodegradable, [… and] is therefore expected to help reduce harmful microplastic pollution that accumulates in oceans and soil and eventually enters the food chain.”
8. Big Oil Tax Could Boost Global Loss and Damage Fund by 2000%
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“[… A] tax on fossil fuel extraction, which would increase each year, combined with additional taxes on excess profits would […] generate hundreds of billions of dollars by the end of the decade to assist poor and vulnerable communities with the impact of the climate crisis[….]”
9. Rooftop solar meets 107.5 pct of South Australia’s demand, no emergency measures needed
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“[T]he state was able to export around 658 MW of capacity to Victoria at the time[….] The export capacity is expected to increase significantly as the new transmission link to NSW[…] should be able to allow an extra 150 MW to be transferred in either direction by Christmas.”
10. Light-altering paint for greenhouses could help lengthen the fruit growing season in less sunny countries
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“[Scientists] have developed a spray coating for greenhouses that could help UK farmers to produce more crops in the future using the same or less energy[… by optimising] the wavelength of light shining onto the plants, improving their growth and yield.”
November 8-14 news here | (all credit for images and written material can be found at the source linked; I don’t claim credit for anything but curating.)
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alfascorpiionux · 3 days ago
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Thank you for your patience☺️ Here we go:
Sun in Sagittarius, Moon in Cancer Personality:
You can hardly find a friendlier, more empathetic and dynamic person. You combine the fiery qualities of Sagittarius: boldness, deep need for knowledge, adventure, of breaking the barriers you or other people have previously set for yourself. You love to roam around and explore both mentally and physically (you might have a love for travelling, visiting new places), but at the same time you always need to have your nest, that safe place you return to every night or when things get tough. You have a deep and complex inner life and an incisive eye when it comes to judging people’s character. You immediately know whom you should or shouldn’t trust, who is being dishonest even if sometimes you don’t want to admit it yourself due to Sagittarius’ tendency to look at the bright side of life and be friendly to those around you, even when they don’t deserve it. You make a wonderful, supportive, empathetic friend who is at times a touch too blunt. You express yourself in a direct, emotional manner and are all about being transparent and authentic. You hate deceit, hipocrisy, dishonesty of any form. Due to your emotional nature, you could get incredibly upset if someone lied or deceived you. This could manifest as an angry outburst followed by retreating to your shell and promising to never talk to that person again. You could also bottle up anger and irritation which in time leads to resentment. However, more times than not, it doesn’t lead to that. You generally try not to dwell on the past to much. If you can’t forgive someone, you’ll at least try thinking of them as little as possible. You enjoy pondering about different possibilities of what life and the future could be like. Though you are usually adaptable and love expending your horizons, your Moon in Cancer may at times make you resistant to change as it can make you feel insecure or emotionally vulnerable.
You are a sociable personality with a broad and philosophical outlook on life. You combine the Archer’s need for novelty, knowledge and freedom with Cancer’s warmth, emotional depth, compassion and intuition.
When it comes to relationships, it takes quite some time to let somebody close to you heart as you fear betrayal and being hurt. You are serious when it comes to romantic relationships and you Moon in Cancer makes you incredibly committed to making the relationship work, sometimes to your detriment. In the right relationship, your compassion, dynamism, creativity flourishes. You love taking care of your loved ones, listening to their problems, both the practical and emotional kind. You can give great advice as you are likely a very emotionally intelligent individual. Though you are idealistic, you also have a strong practical side which means you won’t end up lost with your head in the clouds. You know practical steps should be taken if you want to achieve your lofty ideals.
Some people seem to think Cancer Moons are weak, emotional and can be easily taken advantage of but that’s hardly the case. Their past experiences with people have thought them the importance of resilience, of being though and sticking up for themselves when needed. You are aware of the ugly, detestable sides of human nature which in consequence makes you wary especially when forming new connections. You could be tough nut to crack in the beginning. People might get the wrong impression about you at times. Depending on how much pain you’ve experienced in the past the shell you’ve build around yourself could be quite thick. Also, you tend to give more than you get in relationships, which means you’ll be really appreciative when someone finally reciprocates.
This combination could make you quite conscientious in your studies, if at times restless. You give the impression of a very knowledgeable person who knows what he/she is doing. You love gathering knowledge and perhaps you also have an interest in history or learning about your ancestry. With time you could become a very wise and knowledgeable person.
You are more principled than materialistic, more optimistic than pessimistic, more focused on the present and future than the past.
At times you could become quite restless or insecure perhaps even indecisive about what you are doing or where you life is going. Self-reflection, journaling or talking to a loved one could help in this regard. Or perhaps moving your body and practicing a sport like jogging, swimming or going to the gym could help clear up your mind and see the situation more clearly. There could be a struggle between your Sun’s need for independence and novelty and You Moon’s need for emotional security and stability. So be careful in this regard. Find a solution that works best for you. With your Moon in Cancer having a family could be essential to your wellbeing. So don’t let your Sagittarius Sun tell you you don’t actually need it, that it’ll restrict your freedom or that you are not really that interested in X person. It’s just the fear speaking inside of you. You need loved ones you can come home to. Don’t deny your needs. They are part of you.
Or perhaps the opposite is true and you are in a relationship and starting to feel smothered. Well, in that case how about taking a short trip maybe or enrolling in a workshop you are interested in or perhaps going on a bike ride? There are plenty of ways in which your need for novelty, action and freedom can be satisfied. Make choices that will best serve you in the long run as well.
To sum it all up, as and individual with Sun in Sagittarius and Moon in Cancer you are a mix of many desirable qualities: warmth, compassion, kindness, optimism, open-mindedness, boldness and a deep need to overcome your barriers and expand your knowledge. It is advisable you listen to your intuition when relating to other people and find a satisfactory mean to satisfy your sometimes diverging needs: for freedom and independence and for emotional safety and stability.
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imogen-rhitt · 18 hours ago
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"Toast would be perfect, and tea would be perfect." Imogen held tightly to Theo's hand as they headed back into the kitchen/living area, head head against their shoulder. She was exhausted again all of a sudden which was likely the combination of feeling ill and the emotional rollercoaster the two seemed to be hurtling down at all times, but there was every chance that would start to calm down now they knew where they stood with each other. Still there was the small matter of calling off her engagement and working out what the fuck she was going to do with her life, how...if possible, she could potentially move to this town so Theo could continue kicking ass. Imogen hadn't mentioned anything about that, the thought had only just come to her mind and the last thing she wanted to do was freak Theo out. So she just pressed a kiss to their cheek before sitting down on the sofa, legs tucked underneath her always.
Watching Theo move around the kitchen with her arms wrapped around herself, sunk into the couch cushions, she felt a small smile playing on her lips. Tentative, but it was there. The invisible wall between the two of them had been knocked down and despite having to navigate their way through how they were going to do this, they were both on the same page, they were going to do it. Five years and more heartache than was needed (Imogen's fault) they could finally start getting on with their lives. Back on the right track. Heading in the right direction. She let out a huge audible sige as her head fell back against the back of the sofa, looking up at the ceiling. "Do you think maybe your colleagues will eventually like me?" She finally spoke, only to sit back up her eyes opening once more as the music changed. The song they always used to dance around the kitchen together playing through the speakers as if it had been perfectly timed, and imogen laughed. She laughed, and laughed, and laughed, looking over at Theo and giving a shrug of her shoulders. "I mean....if that isn't perfect timing." @theoxkent
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“Never, I swear to you.” She whispered a split second before they were kissing and she was melting back against the sink from how good it felt. How much of a relief it was to be here, with Theo, and that she was getting this monumental gift of a second chance. Her arms snaking around their waist as she held onto them tightly slightly scared that if didn’t she might wake up all over again and none of this would have been real. But it was. They were. Her fingers played with the fabric of their shirt as she hummed softly against their lips, feeling the tears she’d been holding back finally coming from her eyes silently. Except they weren’t fearful anymore they were just from pure fucking relief. It felt like she’d just arrived home after five years. 
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At the welcome back a tearful laugh bubbled out of her lips, sniffing as she smiled right back at them. “Thank you. I’ve missed home.” She was still smiling as their lips locked once more, hands sliding up their back as the salt of her tears mingled with the embrace but the woman didn’t even notice. She was on cloud nine, ten, eleven, twelve…and then they were teasing her about missing months in Italy and she was laughing. Actually laughing like she hadn’t in months, head falling against their chest as she laughed and cried all at the same time, finally able to breath normally again. Wiping her cheeks with the back of her hands she carried on chuckling, shaking her head a little as she looked back up at Theo. “Touchè.” Because that was a fair fucking point right there. It wasn’t until breakfast was mentioned that she remembered they were in the bathroom because she’d thrown up - damn…so easily forgotten when their relationship was hanging in the balance. A relationship that was now miraculously back on. “Yeah, tea sounds perfect. Thank you. You’re fucking perfect.” She breathed, thumb brushing along their jawline as she gazed at them, eyes full of love. @theoxkent
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ztmachine · 1 year ago
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will you teach me how to use tumblr good sir you seem mostly qualified :3
Uhhh... ok here's a list:
1. if you want other people to see something, reblog it. there is no algorithm. likes are nice, but do literally nothing. I mostly just use them so i know "oh i've seen this before i don't want to reblog it again". If you would like somthing on Twitter you would reblog it on Tumblr. I'm personally pretty liberal with mine, you don't have to be
2. don't like someone? block em. Is someone trying to start an argument or bring you into "the discourse"? block em. this is a bit of an exageration, of course generally i take a quick look at their profile, bio, post history, etc. If i don't see anything worth my time they get blocked
3. mutuals are your friends, amazing people, all of them. I want to hug them all.
4. If you are putting negativity towards a character/ship/fandom, don't put it in that character/ship/fandom's tag. That's not why people are on the tag. it is perfectly fine to dislike something. be vocal about it even! but people don't go to the tag of their favorite ship to see people saying how much better their ship is.
5. You are not obligagated to put anything in your bio. pronouns? optional, sexuality? optional, nothing has to be there. I take the route that everyone is aro/ace and non-binary until proven otherwise. Do check their bio before you use any pronouns though, its just good manners.
6. the search feature is god awful, it doesn't even do a keyword search. Avoid it at all costs. I tag stuff with what media it relates to/what it's about if i think I'll want to find it later.
7. Tags are for your semi-private thoughts. if you want to put your thoughts in the world for people to see but not necassarily be dragged along when someone reblogs it from you or make a joke you might not want everyone to see.
8. It's a bit more text focused stuff here than Twitter and Reddit twitter has the character limit and Reddit is... Reddit. Don't be afraid to post a 8 paragraph essay or whatever. At least your mutuals will see it.
9. You might want to have a personal tag for when something is queued or for when you add something to a post. I inverted this rule with my catch-all tag of "#zt adds something" for me it just marks when something is NOT queued as a concidence whenever I don't add to the post (reaction image, character analysis, HCs, etc) that goes in the queue.
10. The queue! the magical place where I shove all my random reblogs so they get spread out over the day. It exists, idk what else to say. Use it, or don't I'm not the boss of you.
11.
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big news! this is how news spreads. Dean at the top says "I love you" Castiel at the bottom says the news. It's from supernatural, I didn't make the rule I'm just telling you about it. It was a whole thing learn more here.
12. confession time! i have not been here very long (only 4 months or so) and most of this info is not time tested, it's just how I personally use the site.
please ask me more follow up questions if you need! (or issue corrections)
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yzzart · 1 year ago
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Love your Tom blyth fics an unhealthy amount!!! I’m picturing reader and Tom being all lovey dovey at the premiers but playing it off as really good bestfriends UNTIL she goes to kiss him on the cheek and in instinct he turns his head to kiss her on the lips so they just say fuck it and hard launch there and then x
"An unplanned situation."
pairing: tom blyth x actress!reader
summary: a small gesture, with a sweet intention, revealed a promising secret.
word count: 1.359!
notes: i started this request in the morning and only had the opportunity to finish it a few minutes ago, forgive me for that, anon! — i hope you like it and of course, feel free to share ideas with me!
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"Y/N, look here!"
Another request, among others, screams and countless flashes, was directed to you; being, theoretically, almost impossible to identify who had demanded your image. — There were so many voices mixing, not to mention the music in the background, but, you tried your best to pay attention to most of the cameras.
However, it wasn't anything you weren't used to; something that has already been normalized in your life.— And during the premiere of The ballad of songbirds and snake it was no different, and it was splendid; simply perfect. — Not to mention, the feeling of gratitude that grew in your chest.
Cameras and cell phones captured your every movement, your poses and the way your perfectly chosen dress was valued and highlighted on your body. — And how it matched the color palette of the film. — Everything was being recorded, at the exact moment, posted and commented on all social networks.
You had the opportunity to meet, talk and take photos with some of the cast. — It was so pleasant, the company and unity that everyone developed during the filming of the film was inexplicable and so adorable; you were grateful to have worked with so many talented people. — There were some people who were absent, until now, in your eyes, but you would definitely meet them again on the carpet.
And, of course, your eyes roamed the decorated room, matching the elements of the film, and crowded in search of a specific person. — It wasn't exaggerated words to say that you were starting to feel uncomfortable because he was missed; and the cameras recorded it. — Silent questions, which would be written, formed in the minds of the presenters and photographers.
Your boyfriend had yet to appear on the red carpet; perhaps he is giving a quick and curious interview or greeting someone. — That's what was going on in your head.
You and Tom had a secret relationship, ever since you met behind the scenes, in front of the world and all the cameras that may exist in it; something that was so risky and at the same time adventurous. — And that, as incredible as it might seem, you knew how to disguise it in front of your fans; even though they gradually became suspicious with comments, interactions and behind-the-scenes photos.
They were either smart or you and Tom were too far over the line. — This question was not important or essential for the moment. — And you considered each other best friends for interviews or responses to comments; you tried your best.
And so, Rachel sent countless screenshots of tweets, which talked about or mentioned the relationship between you and Tom, to you. — It's impossible to deny how funny it was.
Persisting in continuing to look for him and for a few seconds, your eyes meet his blue and so charming irises. — Its shade of blue was a magnificent and beautiful combination; something you would never get tired of admiring. —And there was no other thing, or anyone, that could take his eyes off you.
As if the only thing that mattered at that moment was you. — And everything around him simply disappeared.
"There you are!" — Tom walked towards you, easily as there weren't so many people on the carpet, and an enthusiastic smile forming on his lips; also accompanied by cameras and intense flashes. — "And so beautiful!"
Holding a part of your long and dazzling dress so as not to hinder your steps, you met him, and without wasting any time, hugged him. — A common gesture, and not so different or strange, for the spectators; so, you thought. — Tom's arms went around your waist, holding your protectively for a little while, while your arms positioned themselves around his neck.
Tom's fragrance, which you liked so much, filled your nose; it felt so good, and you felt your eyes weaken, contaminated by it. — And the british man was aware of that.
"You look perfect, always." — The older man distanced himself, just a little, and brought his face closer to your ear, wanting only you to hear. — "The most beautiful woman that has ever crossed my eyes." — The lenses probably captured a reddish pigmentation on your cheeks and it was not part of your makeup.
You placed one of your hands on his chest, and looking directly into his eyes; that shone at you, and it wasn't just because of the influence of the lights in your direction. — Tom's gaze was sincere, and passionate, intensely fascinating you. — He conveyed what he felt most with just his eyes.
And that was one of the facts about him that you were passionate about and recognized very well.
"Oh, shut up!" — Raising your hand and resting it a little away from your mouth, you laughed a little embarrassed and looked back at the cameras; remembering that they remained there and you knew that later you would see your interaction with Tom on some social media.
Again, a thing and situation you were used to.
"Look at that camera!" — A voice mingled among others, which requested the same request, asking you to take some photos together; something that would feed news, fans and press.
At no point, minute or second, did you and Tom remain distant or apart from each other; always a few steps close, hugging each other for photos and certain looks, completely indiscreet. — Even during brief interviews, as Blyth mentioned you or your character's work, you were silently watching. — One of the interviewers even commented on how cute she thought it was.
Tom's hand was on your waist, holding and almost covering you, making a quick caress in a few seconds and one of your hands was still resting on his chest; and you continued, of course, to be the focus of the cameras.
Quickly, with the intention of changing your pose and trying something new and also to take advantage of the fact that Blyth's face was almost close to yours, you decide to place your pigmented lips on his cheeks. — Such a cute and friendly gesture, and so common. —But, automatically and hastily, Tom turned his face away at the same time, without having in mind what you were, in fact, planning. — God, it was a shock; an absurd and completely intense shock.
For the first time that night, in that place and on those cameras, your lips touched Tom's lips. — It was very quick, good and surprising; and that definitely left a cold, freezing air in your belly accompanied by a desperate feeling in your mind. — Rumor has it that smoke was coming out of his head. — It was a peck, a quick and simple kiss.
When you separated, hurriedly, your eyes met Tom's once again; who were a little wide-eyed, expressing surprise. — Looking for something to say or do, just like you. — And you watched his lips curve into an almost smile, as if he was trapping him.
Shouts of enthusiasm and some possible whistles echoed throughout the immense place, along with some looks and expressions of surprise at what had happened. — And some people were worried if they had recorded the exact moment, of course. — Your fans were probably commenting frantically about what happened.
You really didn't know what to do but at no point did you move away from your boyfriend — now, official to the public — and keep your hand on his chest; as if it were, in fact, planned.
"A nice way to reveal it, huh?" — Tom laughed, relaxed and without a feeling of discomfort or uneasiness, he still had his hand on your waist; and he still squeezed you, then leaving you with another caress. — "I think." — He didn't look at the cameras, his orbits focused only on you.
They have always focused on you, regardless of what is actually happening; and that will never change.
"A nice way to reveal." — You repeated your words, but, as an affirmation and certainty; maybe, seeing how relieved Tom was, and not showing some kind of distress, your chest calmed down and you felt safe.
And soon, you and Tom became one of the most talked about topics on social media.
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mariacallous · 3 months ago
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The first thing to say about the hate and scorn currently directed at the mainstream US media is that they worked hard to earn it. They’ve done so by failing, repeatedly, determinedly, spectacularly to do their job, which is to maintain their independence, inform the electorate, and speak truth to power. While the left has long had reasons to dismiss centrist media, and the right has loathed it most when it did do its job well, the moderates who are furious at it now seem to be something new – and a host of former editors, media experts and independent journalists have been going after them hard this summer.
Longtime journalist James Fallows declares that three institutions – the Republican party, the supreme court, and the mainstream political press – “have catastrophically failed to ‘meet the moment’ under pressure of [the] Trump era”. Centrist political reformer and columnist Norm Ornstein states that these news institutions “have had no reflection, no willingness to think through how irresponsible and reckless so much of our mainstream press and so many of our journalists have been and continue to be”.
Most voters, he says, “have no clue what a second Trump term would actually be like. Instead, we get the same insipid focus on the horse race and the polls, while normalizing abnormal behavior and treating this like a typical presidential election, not one that is an existential threat to democracy.”
Lamenting the state of the media recently on X, Jeff Jarvis, another former editor and newspaper columnist, said: “What ‘press’? The broken and vindictive Times? The newly Murdochian Post? Hedge-fund newspaper husks? Rudderless CNN or NPR? Murdoch’s fascist media?”
These critics are responding to how the behemoths of the industry seem intent on bending the facts to fit their frameworks and agendas. In pursuit of clickbait content centered on conflicts and personalities, they follow each other into informational stampedes and confirmation bubbles.
They pursue the appearance of fairness and balance by treating the true and the false, the normal and the outrageous, as equally valid and by normalizing Republicans, especially Donald Trump, whose gibberish gets translated into English and whose past crimes and present-day lies and threats get glossed over. They neglect, again and again, important stories with real consequences. This is not entirely new – in a scathing analysis of 2016 election coverage, the Columbia Journalism Review noted that “in just six days, The New York Times ran as many cover stories about Hillary Clinton’s emails as they did about all policy issues combined in the 69 days leading up to the election” – but it’s gotten worse, and a lot of insiders have gotten sick of it.
In July, ordinary people on social media decided to share information about the rightwing Project 2025 and did a superb job of raising public awareness about it, while the press obsessed about Joe Biden’s age and health. NBC did report on this grassroots education effort, but did so using the “both sides are equally valid” framework often deployed by mainstream media, saying the agenda is “championed by some creators as a guide to less government oversight and slammed by others as a road map to an authoritarian takeover of America”. There is no valid case it brings less government oversight.
In an even more outrageous case, the New York Times ran a story comparing the Democratic and Republican plans to increase the housing supply – which treated Trump’s plans for mass deportation of undocumented immigrants as just another housing-supply strategy that might work or might not. (That it would create massive human rights violations and likely lead to huge civil disturbances was one overlooked factor, though the fact that some of these immigrants are key to the building trades was mentioned.)
Other stories of pressing concern are either picked up and dropped or just neglected overall, as with Trump’s threats to dismantle a huge portion of the climate legislation that is both the Biden administration’s signal achievement and crucial for the fate of the planet. The Washington Post editorial board did offer this risibly feeble critique on 17 August: “It would no doubt be better for the climate if the US president acknowledged the reality of global warming – rather than calling it a scam, as Mr Trump has.”
While the press blamed Biden for failing to communicate his achievements, which is part of his job, it’s their whole job to do so. The Climate Jobs National Resource Center reports that the Inflation Reduction Act has created “a combined potential of over $2tn in investment, 1,091,966 megawatts of clean power, and approximately 3,947,670 jobs”, but few Americans have any sense of what the bill has achieved or even that the economy is by many measures strong.
Last winter, the New York Times columnist Paul Krugman, who has a Nobel prize in economics, told Greg Sargent on the latter’s Daily Blast podcast that when he writes positive pieces about the Biden economy, his editor asks “don’t you want to qualify” it; “aren’t people upset by X, Y and Z and shouldn’t you be acknowledging that?”
Meanwhile in an accusatory piece about Kamala Harris headlined When your opponent calls you ‘communist,’ maybe don’t propose price controls?, a Washington Post columnist declares in another case of bothsiderism: “Voters want to blame someone for high grocery bills, and the presidential candidates have apparently decided the choices are either the Biden administration or corporate greed. Harris has chosen the latter.” The evidence that corporations have jacked up prices and are reaping huge profits is easy to find, but facts don’t matter much in this kind of opining.
It’s hard to gloat over the decline of these dinosaurs of American media, when a free press and a well-informed electorate are both crucial to democracy. The alternatives to the major news outlets simply don’t reach enough readers and listeners, though the non-profit investigative outfit ProPublica and progressive magazines such as the New Republic and Mother Jones, are doing a lot of the best reporting and commentary.
Earlier this year, when Alabama senator Katie Britt gave her loopy rebuttal to Biden’s State of the Union address, it was an independent journalist, Jonathan Katz, who broke the story on TikTok that her claims about a victim of sex trafficking contained significant falsehoods. The big news outlets picked up the scoop from him, making me wonder what their staffs of hundreds were doing that night.
A host of brilliant journalists young and old, have started independent newsletters, covering tech, the state of the media, politics, climate, reproductive rights and virtually everything else, but their reach is too modest to make them a replacement for the big newspapers and networks. The great exception might be historian Heather Cox Richardson, whose newsletter and Facebook followers give her a readership not much smaller than that of the Washington Post. The tremendous success of her sober, historically grounded (and footnoted!) news summaries and reflections bespeaks a hunger for real news.
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flufftober · 5 months ago
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🍂 🍃 Hello and welcome to our fourth annual Flufftober 🍂 🍃
We’re so excited to be back and have you here once again!
As always, let’s fill the month of October with as much fluff as possible 🥰 for that to happen, you can either use our 31 regular prompts or enjoy a little challenge 😏
Below the cut, you'll find all our rules, posting info, and all the prompts in writing. If you have any more questions, please feel free to send us an ask.
And now, for the challenge...
Prompt Extras
We love to see how many of you get inspired by our prompts every year - be it by the original list or the Prompt Extras. Once again we're offering you that option and you're more than welcome to replace prompts from the original list if they don't work for you for whatever reason - no explanation needed.
As has become tradition, we offer you last year's top five fan favorites (as voted in the end survey). In addition to that, we also offer a little challenge: five angsty prompts for you to turn fluffy!
If you don't want to replace any prompt from the original list but still love the additional ones - or you simply want to challenge yourself even further - you can also mix them all together!
So in whichever way you use these Prompt Extras, have fun with them and go wild 💚
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We hope you like these prompts, and now
Happy Creating 🥳
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Standard Blog Rules & FAQ
Addendum: We do not allow AI creations of any kind.
(Due to previous asks, we made sure to add more points to this section - while they're not new rules, they're newer to this list, so you'll find them colored green)
No inc*st or p*dophilia - we can’t keep you from writing it or creating art for it but it won’t be reblogged. No inc*st: This rule does not apply to distant cousins and such, as you might find in the LotR fandom (or basically in all of European Monarchy). The line we draw is at direct blood relations (siblings, parents, kids) and/or legal guardianship. No p*dophilia: This rule does not rule out fandoms that feature teenagers such as Harry Potter, Heartstoppers, Hunger Games, etc. It also doesn't mean you can't write about their time together as teenagers! It's aimed at ships in which one is a minor and the other is not - but since even that has grey areas, the rule is this: if you keep it SFW, all is good and allowed, we don't care; if it turns NSFW, be mindful of the legalities of the world/society/times your characters live in.
No hate or ship bashing - we’re all different and we all love different things. As long as it doesn’t go against rule #1, it’s allowed.
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Prompts
1. Lost Pet Meet Cute
2. “Left. Other left!”
3. Favorite Scent
4. Market Day
5. Acorn, Chestnut, Pine Cone
6. Mistaken Identity
7. Hoodie Weather
8. Chopping & Piling Wood
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10. Bet, Game, Contest
11. Ingredients & Spells
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13. Attic, Cellar, Hidden Room
14. Fantasy AU/Mundane AU
15. “What are you wearing?” - “It’s laundry day!”
16. Yes, No, Maybe
17. Only One Bed
18. Bewitched
19. Yarn
20. Paw
21. Bonfire
22. Heirloom
23. Stormy Night
24. Comfort Food
25. Haunted House
26. “I can’t find it.”
27. Afternoon Stroll
28. Lucky Charm
29. Time Capsule
30. “Forever?”
31. Make a Wish
Prompt Extras
Last Year's Favorites
Alt 1: “I’ve got you”
Alt 2: Rainy Day
Alt 3: “Wait you love me?” - “I always have”
Alt 4: “I hate it” - “No, you don’t”
Alt 5: Porch Swing
Challenge "Make it Fluffy!"
Alt 6: Gravestone
Alt 7: Getting Revenge
Alt 8: Written but never sent
Alt 9: Suddenly Severed Communication
Alt 10: Rejected, Betrayed, Exiled, Left Behind
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yesimwriting · 4 months ago
Text
An Act of Service
Pairing: Aemond Targaryen x reader
Summary: Your father has loyally served the Iron Throne and royal family for many years. No one would ever assume the Grand Maester wanted more for his family's name until he has the opportunity to send his daughter to help treat the pain that's plagued Prince Aemond since the childhood injury that cost him his eye.
Warnings/info: canon deviations (maesters are vowed to celibacy and not allowed to have families bc of the exact political reasons this fic follows, but i really wanted to write this, so we're going to pretend that they can have kids), thinly veiled implications of reader's father wanting to "sell" his daughter out to a prince to aid his family's position
A/n I hate to be the part 2 girl but the ending set up a part 2 so well i may have to
----
It's systemic, the proportioning of herbs so familiar you barely need to glance away from the bronze mortar.
Your arm reaches forward, your eyes briefly darting away from the metal bowl and towards the neatly organized botanicals at your father's work station. You reach for dried petals, the remnants of a rose's remains crumbling slightly beneath your touch.
"Very well," the words are earnest, a rarity when it comes to your father's praise. "But do not get so comfortable you forget your measurements. These remedies may be creations that we feel, but they are also exact."
You nod once, allowing the petals to fall into the mortar before setting your hand against the work table. Your father's unofficial lessons are precarious, often based on his mood and defined by his meticulous nature. He did not achieve his position within the Red Keep through careless work.
Today, he seems content, his peace evident in the lightheartedness of his corrections. Days like this keep your world on its axis, the time with your father making you ever grateful for his position as well as your own. It is rare for a Maester's child to be allowed to stay near their father, let alone work within the same home as him. His place within the Red Keep allowed him the privilege of bringing you and your younger sister to work as royal maids after your mother's passing.
"Of course."
He plucks another petal from the jar, dropping it into the bowl with no sense of malice. You're glad for his patience, but in all honesty, you're grateful for his attention and lessons no matter his disposition.
As a woman, you may never be able to become a Maester or dedicate your life to the work that fascinates you, but his lessons still hold great value. You help your father heal others between your domestic labors within the Red Keep, and at times, you aid sick or injured members of the royal staff.
He nods approvingly, giving you the confidence to reach for the pestle. You begin to grind the combined herbs sitting inside the mortar.
Hurried footsteps echo from somewhere beyond your father's door. You hesitate, eyes darting towards the entrance. You are not barred from assisting your father with his labors, but many frown on the idea of a woman so close to such an important Maester's work.
The door is pushed open with a protesting groan from its tired hinges. The individual turns, revealing a too familiar uniform. A guard.
You blink, immediately turning your attention towards the unfinished herbal remedy in front of you.
"Grand Maester," the man's greeting is curt, uncertain as he glances in your direction. You busy yourself with blending your herbs. "It is the prince, once again pained by his missing eye."
That alone tells you all you need to know about the guard's hesitation to speak in front of you. You've never once spoken to Prince Aemond, but everyone knows of the childhood injury that cost him his eye. Some maids even claim that a great deal of current political turmoil stems from the mistake that occurred during youth driven roughhousing.
The recurring pain that has afflicted the prince since is a lesser known ailment. Over the years, your father has often been called to the prince's apartments at odd hours to clean and treat the prince's permanent injury, late at night or during the early hours of the morning, when the halls of the Red Keep are most empty.
Your father moves away from the work table and towards the shelf of prepared medications. "Did the prince describe the pain? An ache, soreness..."
"It is a burning pain," the guard begins, "The prince did not go into detail, but he did say his skin felt warm."
Your father stills. "That is not his usual ailment." He turns to face the guard. "I will need to cleanse the eye before the pain can be treated."
The guard is silent for such a long moment you find it in you to look away from the safety of the work table. "His highness...The prince has mandated that no Maesters be brought to him. He only wishes for me to bring him the salve you offered him last."
The Grand Maester begins to pace forward. "May I send his highness the girl?"
Your hand stalls too suddenly, the pestle striking the mortar's side. Surely, your father is referencing some--some other girl. A prince's maid that he is familiar with, or--
"My daughter has witnessed and aided me in my practices her entire life. She is well versed in the process of cleaning injuries and applying remedies in a way that avoids contamination." The guard is silent as his attention shifts onto you.
The guard finishes regarding you with no real flourish. He looks over at your father. "The prince's desires were clear, he does not want more people aware of the situation than necessary."
"You would have a prince of the realm apply a salve himself to an already agitated wound without first having it properly cleansed?" He begins to walk forward, approaching the guard with a confidence you've seen him wear before. "I am more than willing to serve him at a later hour, but his ailments do concern me, and time is a significant factor."
The guard says nothing as your father continues to take measured steps towards him. "She offers the prince the discretion of a maid and the skill of a Maester."
Warmth begins to burn its way up your neck. You had never been put into the position to work closely with the royal family, only ever seeing them from a distance. That does not mean you have not heard stories.
You're not a particularly shy or nervous maid, you understand your place and the importance of keeping silent. But the princes...gossip about them often permeates the maids' quarters. Prince Aegon and his entitlement, Prince Aemond and his anger. Why is your father attempting to throw you to the dragon's? Is he--is he that concerned about the prince's current state?
The guard's eyes briefly find yours. "She can't tell anyone."
Your lips part, unsure if the statement is meant for you or your father. Before you can think of anything to say, your father agrees on your behalf, "She is loyal to the crown and instruction. Rumors will not spread from my daughter's lips." There's a beat of silence, and then the guard's careful nod. "Very well. I will gather the necessary materials."
"I must return to my post, a maid will be sent to take her to the prince's apartments." With those final words, the guard begins to approach the door, glad to be done with his involvement on a change that may upset the prince.
Once the door shuts, and you are finally offered the privacy of your father's company alone, the dread you had been warding off burrows itself in your chest. "Father, why--why would you ask to send--"
"I have treated the prince for many years, more than other Maesters within the Red Keep because of his desire for privacy, discretion." Your father's attention returns to the already prepared remedies. He steals a small jar from its place, setting it on the work table. "You are well trained, and no one will assume you are there to treat the prince."
He opens a drawer of bandages. "You also have a kind disposition, and a patience with the injured that even the most experienced Maester would envy. The prince's exterior may be hardened, but I remember him as a sensitive child."
The reminder of his childhood wedges itself into your chest, distracting you from your own fears long enough for you to feel something akin to compassion. Forever suffering due to an injury inflicted by the brashness of childhood anger.
Your father sets the bandages next to the salve. He then reaches for a cleaning ointment you are familiar with, placing it on the work table as well. Now satisfied with his collected materials, his attention finally finds you.
He approaches you slowly, a fondness not often seen pooling in his eyes. If this is a way of bringing your father pride, perhaps this task will not be as dreadful as it seems. "You have matured before my very eyes, growing into your mother's heart and beauty."
Your father extends an arm, his palm coming to brush against your cheek. The gesture is easing, a display of affection he has rarely offered you since your mother's passing. His fingers settle against your hairline, his nails carefully combing a stray piece of hair behind your ear.
"If you are to walk through the halls of the Red Keep, your hair should not flow as freely as a child's." The comment digs at you in a way you do not comprehend. When no worthy reaction comes to mind, you nod.
He steps back, attention returning to the supplies laid out on the work table. "Be careful, take your time checking the prince for infection and other sources of irritation. See to his needs, you are a good, kind girl. I am sure you will find a way to offer the prince comfort."
You swallow, unease settling in your stomach once again. With that, your father turns away from you.
----
The residential halls of the red keep are vast, with never ending turns and stairwells that come together to form a sort of labyrinth. Despite your lack of familiarity with the prince's maid that came to find you, you are grateful for her guidance.
She eyed you and the laundry basket disguising your medical supplies skeptically, but made no attempts to question you as she led you through the castle. Maids that are tasked with the direct care of the royal family tend to be familiar with the other staff members that work closely with the nobles. This woman has already recognized you as an oddity, a stray in routine.
If she had seemed less hesitant to be around you, you would have liked to ask her for her name, and to perhaps find a sense of normalcy through common ground. Her rejection and pointed distance has forced you to try to find a sense of peace through your surroundings.
You've rarely found reasons to wander through this part of the castle, the beauty of it serving as a way of distracting your racing thoughts.
Your guide stalls in front of a large set of doors. "These are the prince's apartments." She pushes open the doors, allowing you to enter before her. "The prince is resting in the room behind the seating area."
Your eyes land on the wooden door behind the small couch. One misstep in that room and things could very well be over for you and your family.
"Will you be able to find your way back?" The question is small, almost hesitant. You're sure she was tasked with getting you to and from the prince's apartments, but there's something about her stance that feels flighty. She does not want to enter the room the prince is resting in.
You have no way of knowing how Aemond reacts to treatments or his own pain, but if he fears the court gossiping about ailments enough to refuse a visit from a Maester, you doubt he takes well to maids witnessing his vulnerability.
"Yes," an act of mercy for you both, "Thank you for bringing me here, but I am certain I can make it back on my own."
She lets out a breath, nodding once. "Then I will return to my usual duties."
Considering that her usual duties revolve around Aemond, there's a good chance she's simply accepting the opportunity to excuse herself. You don't mind, glad for the excuse to not draw attention to what you're here for. She leaves you without another word.
You approach the door pointed out to you, firmly rapping your knuckles against the wooden surface once. A flat, "enter" provides you the strength to push open the door.
The details of the room are more intriguing than you can afford them to be, the intricate patterns on his walls and the ornate carvings etched into his bed frame so enticing a part of you nearly forgets of the prince.
You blink, forcing yourself to focus in an attempt to project the maturity your father had seen in you when he recommended you for this task.
You step further into the room, your eyes landing on the bed. There he is, head resting against the pillow, majority of his body covered by plush bedding.
Your father has only ever felt honored to care for members of the royal family, no matter Prince Aemond's sentiments, you're sure you'll feel something similar. "My prince?"
His head turns, the movement sluggish. "You...Who are you?" The words are more labored than they are defensive. That is not enough to ease the dread in your chest.
You exhale carefully, "The Maester--the Grand Maester sent me." You remain near the doorway, your hold on the laundry basket tightening. "I have a salve for your ailments."
He lifts his head further, his forearm pressing into the mattress. This new angle allows you to see the entirety of his features, the sharp slope of his jaw, the set of his lips...the jagged scar that cuts across porcelain skin. He regards you with an openness that leaves you without words.
The scar that marks him does not dull the beauty of his well sculpted features. Seeing him like this, studying him and what the loss of his eye has taken from him leaves your face warm, as if you've been caught searching for something not meant for you. You've never heard of a maid that's seen him without his sapphire eye.
"Alright." The response feels significantly less hostile than he was a moment before. "Leave it at my bedside table."
You walk forward carefully, mind begging you to think of a way to bring up why your father sent you here. "My pri--"
"You did not answer my question." The authority in his statement doesn't feel like an accusation. When you remain silent, he continues. "You are not my usual maid, the one who is sent to retrieve items from the Maester."
"No," you agree, "The Maester suggested that I bring you your remedy because he found the description of your pain slightly worrisome. He wanted to abide by your wishes to not be visited by a Maester while also assuring that your injury was properly cleansed before being treated." After a beat of no response, unease burrows itself further into your chest. "I can leave you, if you'd pref--"
He turns his head to better look at you, strands of silver hair falling past his shoulder. "What could possibly qualify you to cleanse a wound?"
The question, though delivered sharply, is a fair one. "The Grand Maester, my father..." If the revelation intrigues him in any way, he gives no indication of it. "Has had me assist him with his duties nearly my entire life. I have been trained in basic care and am confident in my ability to properly cleanse a wound."
Prince Aemond is silent for a moment, watching you with an all consuming focus. You've heard stories of his intensity, of his seriousness. The prince pushes himself to sit up fully. "Very well. The maid before you left clean water and rags at my bedside."
Your attention shifts to his nightstand, a small bucket and wash cloth waiting on the hardwood surface. You nod, digging through the clean sheets of your basket until you find the remedies and bandages your father had picked out for you. You lay out your supplies before looking over at the prince.
He has always seemed tall to you, but with him sitting in his bed, you cannot think of a proper way to lean over him to reach his eye while standing. You turn your head, eyes landing on a small desk and chair tucked into a corner. "My lord, would you mind if I..." You gesture towards the chair.
"Do as you need."
You nod in acknowledgement of his permission before moving the chair to his bedside. You dip the soft rag into the water before sitting. The proximity of your new position is oddly disorientating. Small Folk may not be held to the same pious standards as noble born women, but your father has raised you with certain expectations and regulations. With the exception of family, you doubt you've ever been this close to a man.
You lift the rag, but you cannot bring yourself to press it against his skin. "May I?"
He straightens. "Yes."
Even with that, you cannot will yourself to begin the cleaning process. Your father has always been careful when it comes to treating others, following every rule no matter how minor the injury. "My father has taught me to feel the area bordering the wound before cleaning it to make sure the extent of the injury is understood. However, I know this is an older wound, so if you'd prefer for me to only clea--"
"You may do as your father instructed. I am accustomed to the prodding." Sympathy briefly jabs at you. This is something he's experienced for over half his life.
You nod before lifting your free hand, fingertips gently brushing against his cheek. His skin is warm, perhaps a little warmer than a person should be. Your fingers shift forward gingerly, following the path of his scar. The closer you get to his eye, the warmer his skin feels.
"You don't look like him."
The comment pulls you out of your analysis. "Pardon me?"
"Your father," he tries again, "You don't look like him."
If his tone had been any less soft, you might have interpreted the observation as an accusation. "Oh, no." Your touch continues its path across his features. "Actually, I've often been told I take after my mother."
The skin around his eyebrow feels different than the rest of his injury, puffier, as if beginning to swell. Odd. "Does she work in the Red Keep as well?"
His curiosity is jarring, but not unwelcome. Having an excuse to speak makes focusing on such a personal task seem less invasive. "She did..." You blink in an attempt to reduce the impact of thoughts of what happened to your mother. You're doing well, you cannot allow an old grief to ruin everything. "Before she passed."
Prince Aemond hums once, the sound giving no indication of anything. Pleased with your preliminary analysis, you let your hand fall away from him. You turn to once again dampen the cloth held between your fingers.
"What happened?" The question is void of both empathy and brutal curiosity.
You bring the cloth to the side of the Prince's face. "She died..." Your only defense against his gaze is to focus on the irritated skin near his eyelid. Such swelling on such an old wound cannot be typical. "Bringing my sister into the world."
He falls silent again, allowing you to concentrate on dabbing the washcloth against his cheek. "I'm sorry."
Heat begins to burn its way up your chest, the way it always does when your mind dwells on the loss of your mother for too long. "I appreciate your sympathies, my prince."
Water beads against his skin, a single droplet beginning to drip downwards. Your hand stretches forward on instinct, thumb dragging against the hollow of his cheek to wipe away the water.
You do not realize your error until it is much too late. While wiping away the excess water dripping down the skin of an equal is expected, to do so to a prince without so much as asking first implies a familiarness that you are not entitled to.
"My lord, I apologize--there was water--" You stumble through your explanation while pulling your hand back.
Aemond extends his arm, long fingers latching themselves onto your wrist. His touch, though sudden, is far from harsh. You cannot manage to take in a full breath. "There is no need for apologies." He does not release you until you nod.
You return to cleaning his wound, this time making sure to be aware of your instinctual movements. The flesh above what once was his eyelid is jarringly hot. What would your father do? He'd--he'd examine the irritated area.
You shift towards him, so close you can make out individual strands of his silver hair. Your mind works at keeping your breaths even. There is a small area of his skin that's more swollen than the rest. At the center of the swelling, there's a thin line that seems to extend beneath his brow bone and into the space once occupied by his eye. As gently as you can manage, you lift the cloth to the space above his eyelid. He winces.
"I'm sorry." You're immediately pulling back, your spine pressing against your seat. "Are you hurt?"
Aemond's eye flits away from the wall in front of him and onto you. His lips are pressed together, his expression incredibly stoic. "No." The lie is a fragile thing that cannot matter. You saw him flinch. "If anything, you have been more thoughtful than most."
There's a tentative softness laced through the syllables, a hesitance that does not suit him. His careful assurance feels heavy, the pressure of it grounding you. In certain contexts, you can see how the strength of his personality could be perceived as violence, but there's something else to this quality...an intensity that can also apply to good things.
"I'm glad you feel that way." The nail of your thumb digs into the wash cloth. "I--I think I know why your eye has been troubling you, my prince."
His eyebrows draw together, expression coming dangerously close to displaying curiosity. "Why?"
"The skin just above your eye is slightly swollen and more irritated than the rest of your injury. When I examined the swelling more closely, I noticed a scratch." You pause, thinking through your wording. "It's small, but seems to be irritating the scarring around your original injury. You should have an ointment applied with your usual salve to ward off infection for the next few days."
You can't interpret the silence that follows. His expression morphs into something heavy. "A scratch?"
"It is nothing to be concerned about, my prince." The source of his pain is small, if he is careful, there should be no risk of infection or long term consequence. "Truly, the scrape is no wider than..." You glance around the room, looking for something to estimate the size of his injury. Your eyes fall to the hand on your lap. You lift your arm, holding your palm out between the two of you. "The width of my smallest finger."
Aemond lifts his own hand, his fingers bending around around yours. You let him move your arm forward. He studies your pinky before dragging his thumb against your knuckles. The gesture is so comfortable you have to work at not pulling away. He lets out a quiet breath.
"My prince?"
Aemond's hold on you tightens. "Such a dismissible ailment, and I am left defenseless."
Oh--had he taken your attempts at easing him as an insult? His current wound may be small, but skin so marred is easily agitated, easily made sick. "I did not mean it that way." The earnestness of your own voice should startle you. "Your pain is no dismissible thing, the extent of your original injury is brutal enough, I cannot imagine how it feels for it to be agitated."
The words tumble past your lips so quickly, you are not given a chance to think through them. It is never a good idea to express opinions in front of the nobles. "I apologize for over stepping, my lord."
"I told you," his thumb moves against your knuckles once more, "There is no need to apologize."
You nod, still not feeling completely certain. "You should feel much better after the remedies take. The swelling will likely begin to go down before day's end."
His focus remains on your hand. Aemond releases you slowly, his fingers dragging against your skin as he lets go. A part of you is glad for the excuse to return to the familiarity of your tasks.
You open the ointment, fingers gathering a generous amount before returning to Aemond's wound. "Where do you usually work?"
"Often with my father, preparing remedies and organizing herbs and other supplies." You spread the product onto his skin carefully, your touch as light as you can manage. "When I'm not doing that, I assist the other maids, usually with the laundry and in the kitchen."
He nods absentmindedly. You straighten as you finish applying the salve. You wipe your hands onto the discarded washcloth before unscrewing the jar containing the salve.
Aemond is still as you apply the salve onto irritated skin. This time, as your fingers trail against his skin, you can feel Aemond's gaze focusing on you. You work quickly, focusing your distribution of the product onto the cut beneath his brow bone.
Finishing is more bittersweet than you expected it to be. You're glad to know that you've done what's been asked of you, to know that you've done nothing to offend the prince. However, some small part of you is reluctant to leave.
You reach for the cloth, dampening the fabric before wiping your hands clean once more. "The medications should begin to alleviate your pain soon." You twist the rag between your fingers. "Is there anything else you need, my prince?"
He watches you for a moment. "Only your name."
Unease lunges at your chest, nearly making your heart skin a beat. It is quite rare for a noble to ask for a servant's name, especially if the servant does not regularly see to their needs. When Aemond continues to watch you expectantly, you offer him your name.
He tries your name on his own lips, repeating it slowly. Unsure of what the proper response would be, you briefly dip your chin downwards in a subtle nod.
His lips part. You straighten, preparing for the appropriate dismissal. "Sit with me a little longer." The phrasing is gentle, but it feels far from a question. "Conversation would be a decent distraction."
You wring the washcloth further. Cautionary tales of low borns who found themselves overly comfortable spending time with the royal family have been recited to you as often as traditional bedtime stories. However, there is nothing inherently wrong with making polite conversation if it is asked of you. Either way, the dangers do not matter. It'd be a fool's error to directly deny the prince.
"Of course, my prince."
The immediate silence that follows tangles your stomach. Aemond has asked you for conversation as a way to distract himself from his pain and you have nothing worth saying to a prince. You lift your head, glancing around the room. Your observations are in vain, what common ground could you both possibly have?
Your eyes land on his desk. There are a few books stacked neatly on the wooden surface, one with a familiar title written on its spine. "Are you reading The History of the Conquerors?" The question feels too abrupt without a clarification, "I finished the final volume less than a fortnight ago, my lord."
Aemond studies you so openly you almost convince yourself you've misspoken. "You read?"
Despite the politeness of his tone, his true question is easy to assume. A majority of maids and other royal attendants can only read certain words, being taught just enough to get through their day to day lives. Your father had gone out of his way to teach you to read fully. He originally taught you to read to make it easier for you to understand texts detailing remedies and health conditions, but you quickly developed a passion for any text he could bring you.
"Yes, my father taught me." You smooth the washcloth over your lap. "Originally, he wanted me to be able to read about treatments and diseases, and now he is forever cursed to find me new reading material." As soon as the words are out, you're immediately mentally cursing yourself for your casualness. "I apologize, my prince, that was a...joke."
He shifts, his hands coming to rest on his lap. "I told you not to apologize." The correction leaves an uncomfortable heat clawing its way up your chest. Your nails dig into the rag. Aemond lets out a breath. "And you do not have to trouble yourself with proper addresses."
That's--You know for a fact that no maids in the Red Keep have ever spoken of a noble dismissing the need for formal addresses. If it happens, it's something kept secret. Not even your father, who has known and treated the prince since he was child, addresses him casually.
You squeeze the wash cloth, the fabric dampening your palm. "Alright." The word sits there, floating aimlessly without his title to guide it.
Aemond nods before allowing his attention to shift towards the books on his desk. "Did you enjoy the book?"
"Yes." At least this is a topic you feel capable of speaking on. "The descriptions of the seven kingdoms before they were united together were interesting, I haven't found many historical accounts that go that far back."
He takes a moment to digest your response. "It is a detailed account, but at times the writing seems to overly rely on the author's perspective."
"To me, that felt intentional." The excuse to debate narration is more welcomed than it should be. "The author is only taking the time to recount these events because of his personal investments in the conflict. The constant references to his own position felt like an attempt to get ahead of any accusations of bias."
Aemond sits up a little straighter, one of his hands coming to rest on the side of his bed. "That's a fair interpretation, though if that's the assumption we're reading under, it is a poor attempt at denoting political bias when compared to The Recounting of the Dornish Wars."
The Recounting of the Dornish Wars is a relatively popular account, your father had no trouble finding you the first and third volume. The second volume seems to be more of a rarity, something no one in your world has been able to track down yet.
"That's a good point, but the author of that account was in a completely different situation." You fold the towel in half. "It's one of my favorite accounts, even without the context of the second volume, the depiction of the conflict is so thorough one can still understand all the dynamics that came into play."
Aemond taps his fingers against the comforter, the rhythm slow but steady. "Without the second volume?"
"I've yet to track it down, but I've read the first and final installments." The admission feels small, almost uncertain. You move past it quickly, hands fidgeting with the wash cloth on your lap as you continue, "What did you think of the final act? I liked the sharpness of the ending, but I can also see how the suddenness could come off as inconclusive."
His hands move back to his lap. "I enjoyed it. I found the ending's sharpness an accurate depiction of a dragon's strength."
Right. To him, the historical accounts and enthralling tales are more than just stories. They're a part of him, familial legacies he is expected to continue.
A part of working within the Red Keep is dismissing any curiosities you may have regarding what is left of Old Valyria. The Small Folk may think of the dragons, may even discuss them in private, but they do not ask their riders about them.
This is the danger of losing certain formalities, lines begin to blur. You squeeze your hands together before asking, "Really?"
The corner of his mouth pulls itself upwards. Aemond presses the heel of his palm into the mattress as he shifts. "Even the smallest dragons are more fearsome than you can imagine." He angles himself towards you, morphing the remaining distance between the two of you into something inconsequential. "Each of them capable of a destruction that could devastate entire armies."
You're more drawn in than you should be. There's very little you can offer in return. To the Small Folk, the dragons are closer to an ideology than something to be known. Your curiosity combines uneasily with the acute awareness of his proximity. You rest your chin against your elbow. "Your dragon is...Vhagar? The same one from the History of the Conquerors?"
His chin dips forward, making the gentle curve of his mouth impossible to ignore. The prince's sole eye remains on you as it is dragged downwards, the pace of his analysis so unhurried you can feel each moment of it. Bearing the weight of Aemond's full focus is no small feat.
"Vhagar was once ridden by Queen Visenya, who used her size and strength to help unite Westeros." His voice is low, giving the reminder of what is connected to him through blood the reverence it deserves. He shifts even closer, the warmth of his breath now a tangible force against your skin. "And now she is mine."
Heat claws at your skin. You feel your lips part, but there is no waiting response. Before you can string together a coherent set of words, the familiar echoing of footsteps brings you back to the world outside of Prince Aemond.
Your spine straightens on its own accord, the entirety of your back pressing against the seat. Your fingers find the wash cloth again, nails digging into the fabric as if attempting to make up for the time the fabric spent abandoned on your lap.
There's a soft knock agaisnt his door, one Aemond only halfheartedly acknowledges with a blank "enter". He does not move until the door begins to creak open, and even then his new positioning is subtle, more of a turn of his head than an actual attempt to create distance between the two of you.
A maid, the same woman who first led you through the twisting halls of the Red Keep, is standing in the doorway. Her gaze briefly finds you before settling onto the prince. "My Prince, the Queen wishes to meet with you in the great hall before supper."
Aemond is quiet for a moment. You cannot will yourself to look away from the doorway to read his expression in an attempt to understand the silence. "Alright, tell my mother I will be there in a moment."
The maid nods. "Of course, my prince." Her eyes fall to you once more, the corners of her mouth tugging downwards before she shuts the door.
You maintain your posture as silence falls over the two of you. He studies you with the same openness that's characterized most of this interaction. An odd pang of some somber feeling you can't quite place strikes at somewhere deep inside your bones. "Do you need anything else before you meet with the queen?"
He presses his lips together before responding, "There is a book at the end of my desk that I've been meaning to return to the library."
You nod, a part of you relieved to be given such an understandable task. You stand, arms reaching for the abandoned laundry basket before you've fully straightened. "Of course." You adjust the basket onto your hip before letting your attention fall to the supplies still on his nightstand. "I'll leave the supplies here so that you can reapply the ointment and salve before bed."
You step back, eyes falling to the desk chair. One arm falls away from the basket, fingers coming to grasp the seat's wooden spine. "You may leave it."
The instruction is strange, but you don't think much about releasing the chair. "Of course." You move a few paces back before looking over at him again. Much to your dismay, the newfound distance does not rid your mind of the warmth of his breath against your skin. "If you'd like, I can tell my father that you'd like him to visit you tonight to check on your eye."
"No," his tone is decisive, "I trust your work." An unexpected pride swells in your chest at his certainty. Aemond sits fully, his legs moving out from under his bedding and onto the floor. "In fact, I'd like you to return tonight to check on my recovery."
Tonight. Your mind leaves you with no response. It is one thing to be sent to treat the prince when you are the only option for him to maintain the privacy he desires, but to come to his apartments at the hours you've heard of your father being called during, when the world is quiet and all the well behaved are already in bed.
You force those thoughts to stall. Aemond is a prince, and this is only an act of service. This is not a source of impropriety. "Of course, I'll be here when you call."
His acceptance of your compliance serves as a dismissal. You turn towards his desk, your eyes scanning the neatly organized items before finding the sole book waiting at the surface's edge. A copy of the second volume of The Recounting of the Dornish Wars.
This cannot be more than mere coincidence. You blink, throat a little drier than it was a moment ago. You're careful as you pick the novel, your hand supporting the book's spine. "This--"
"The library is not expecting it back for some time, but I believe it is best to keep things orderly." His voice remains neutral, but the set of his mouth, the upturn of his lips is much too knowing to not imply more.
He has directed you to a copy of the book you've been searching for that no one will think to look for for some time. The gesture settles against you, squeezing your chest in a way that makes it difficult to keep breathing. You allow yourself to grin openly as your gaze shifts between the prince and the book in your hand. "I agree, my prince."
The title falls from your lips before you can prevent it. You had been doing so well at disregarding titles...Perhaps it had been an act of fate, or some desperate attempt of your subconscious to remind you that any imaginary kinship your mind has created while treating him needs to be forever abandoned at his apartment's threshold.
His expression morphs into something unreadable. Instead of reminding you of what he had told you about titles, he says, "Aemond." The suddenness of his name throws you. "When we are alone, I'd prefer it if you called me Aemond."
Warmth burrows itself in your chest. If you thought any of the casualness the prince had shown you throughout your time here was dismissible, this is the opposite of that. A nail in a coffin you do not understand.
Still, you nod, fingers tightening around the book as you respond, "Then...I agree, Aemond."
A sharp nervousness digs into your chest, taking control of your limbs as you turn away. You leave his room without another word, a maid's basket on your hip and the prince's book in your hand.
----
a/n if you want to see the reader come back to aemond's room later pls lmk bc i think a part 2 would be fun :)
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swampjawn · 18 days ago
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What happens when you let a film nerd make an anime?
Fuuga Yamashiro (山代風我) joined Science Saru in 2017 as an Assistant Production Manager during production of "Night Is Short, Walk on Girl." He was essentially Studio Co-founder Masaaki Yuasa's secretary, but he worked his way up to assistant director on "Keep Your Hands off Eizouken" and finally got to direct his own first full Anime series, Dandadan.
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Having worked so closely with one of the greatest living auteur directors, you might think he would share that overpowering individual creative influence, but as he has pointed out in interviews himself, it's much the opposite.
Instead of relying on his own creative voice, which he doesn't seem confident about in interviews, he literally collects techniques from his favorite movies, breaking them down into storyboards and adding them to his arsenal to re-contextualize later. And as you may be able to tell from watching Dandadan, his biggest influences aren't anime and manga, but live action film -- something he seems to have studied obsessively.
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And when you compare the anime to the original manga (which itself is already filled with references to old movies and TV) subtle adaptation choices make the deft application of techniques borrowed from other storytellers very clear. Every choice is made for a reason and furthers the story being told in some way; nothing is there for no reason. like the simple, controlled camera pans and tilts that make the serpoian spaceship feel cold and sterile, or the crazywackysilly, un-predictable wide-angle camera movements that intrude on that cold sterile world when turbo granny shows up.
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In one interview during the production of "Keep Your Hands off Eizouken" Yamashiro pulls out his notebook where he had collected all these techniques and gives an example:
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"There's a technique called 'Dolly Zoom', which is a technique that changes the perspective of the background while keeping the size of the subject." […] "In 'Cult of Chucky,' which I saw recently, there is a scene in which a long passageway is filmed in telephoto, while a wheelchair moves forward. The character is 'getting closer, but the viewer feels farther away'. This is the kind of thing I collect." […] "I'd like to combine these things in various ways and do it in animation." (I took some liberties with this, the translation was pretty rough)
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And sure enough, that exact same type of dolly zoom rears its head in Dandadan as Okarun sprints away from Turbo Granny and the mouth of the tunnel stretches impossibly into the distance.
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It may seem counterintuitive to ascribe too much importance to the creative vision of one person who specifically talks about his own lack of strong creative vision, (and to be clear, he's far from the only person playing a major role) but I think it's precisely that encyclopedic knowledge of film techniques and that pragmatic, meticulous attitude that may have acted as a stabilizing force for Yuasa, and that also provides some needed structure to a ball of pure energy like Dandadan, while still preserving its essence and the eclectic influences that it wears on its sleeve.
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Also, mad respect for using the seventh installment of the Child's Play franchise as your example of a dolly zoom instead of, like, Vertigo, Jaws, or Goodfellas.
This is just a sliver of what I talk about in this full video! A minuscule piece of the pie! Some tiny little crumbs for the peasants! So if you consider yourself worthy, go watch the whole video. I think it's good.
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Uhh also reblog! I spent way too long on that intro animation, so I need it. Bad.
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moonstruckme · 2 months ago
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What if you wrote something with like... Poly EMT marauders or poly doctor marauders.. with a reader who is a type 1 diabetic, but is horrible at managing it. So like... Their omnipod or dexcom expires and they just don't realize it. As to why? Idk, like they're forgetful or maybe they were just diagnosed with it recently? Whatever sounds more interesting to you lmao
Thanks for requesting! Funnily enough I got this request the same week my uncle was in the icu with a blood sugar of over 1000 (the highest the paramedics said they'd ever seen!) so this was one of the only emt marauders drabbles I've ever done where I didn't actually have to do a bunch of research because I already knew about it haha
cw: diabetes, reader is impaired/faint, mention of needle
emt!marauders x fem!reader ♡ 628 words
The television blurs in front of you. You have the vague impression that you used to know what was happening in this show, but now you can hardly tell one character from another. A hand touches your face, sweeping hair away from your eyes and scratching nicely at your scalp. 
“Getting tired, dove?” 
You hum. 
“Want to go to bed early?” 
“I think I could sleep here on the couch,” you admit. 
For a moment, there’s no reply. You feel the couch shift, and then a hand is gently turning your chin, directing you towards three concerned faces. It always makes you shy, being at the center of their combined attention, but right now the usual effects don’t feel as intense. 
“Are you feeling okay?” James asks you. 
“Yeah, I’m just tired.”
Later, you’ll learn you’d been slurring terribly. 
“Where’s your phone, baby?” Sirius starts looking for it as you try to recall. He finds it before you can, clicking it open and tapping at the screen until he finds what he’s looking for. “Her blood sugar’s at 300.” 
Remus’ brows push close together. “How’d that happen, hm?” he asks you. The sleeve of your pajama top gets pushed down. “Where’s your pod?” 
You blink, working hard to remember. Sirius gets up from the couch. “It’s…I don’t know. It expired,” you say. 
You hear the sound of the freezer opening, and a shrill beeping fills your kitchen. “Found it,” says Sirius. 
“Fucking hell, you’ve got to stop putting it in there.” Remus sighs, though you don’t think he’s really angry with you. “I heard it earlier, but I thought I was going mental.” 
“Sweetheart, why didn’t you get a new one when that one expired?” James asks. He rubs your calf from further down the couch, infinite in both sweetness and patience. 
“I was going to. I forgot.” You’d gotten distracted with something or other, dishes that needed to be done or something outside the window or an attention-deprived Sirius calling you from the next room. 
“You can’t just forget, silly girl.” Sirius gives your knee a mean (loving) squeeze as he sits down again. He sets a new omnipod on the table, filling it expertly with a syringe of insulin. 
“Do you have a swab?” Remus asks, and Sirius hums, passing him one. “Thanks.” 
Remus cleans off your arm, using one hand to ensure you’re still while Sirius gently presses the new omnipod to your skin. He runs his fingers around the adhesive a few times for good measure. 
“4 units, yeah?” James asks, thumbing something into your app after the others agree. You wince when you feel the needle, still not used to it, and he makes a sorry sound. Presses a conciliatory kiss to your knee. 
“There you go, babylove.” Remus sits back against the couch cushions, a tension you hadn’t noticed before dissipating from him. His hand finds your hair, carding through the strands close to your scalp. “You’ve gotta start taking better care of yourself. We can help if you want us to, but this is important, yeah?” 
“I know,” you sigh, leaning against his shoulder. “Sorry, I just forget.” 
“We’ll help you remember,” James offers in his easy way. 
Sirius nudges both you and Remus over so he can squish in on your other side. “Can’t believe we were about to go to bed with you sky high.” He pokes your thigh. “That wouldn’t have been very nice to wake up to tomorrow.” 
Your heart heavies, thinking of your boyfriends panicking and you nearly comatose in bed the next morning. “I’m sorry,” you say again, meaning it. 
“It’s alright, dove.” Remus drops a kiss to your hair. “We don’t mind taking care of you. We’ll help you get the hang of it.”
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dalishious · 2 months ago
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Zevran Arainai is an Underrated Delight
There is so much depth to Zevran Arainai’s writing that is often overlooked in favour of either sexually objectifying him or ignoring him altogether… which is kind of ironic, considering that’s how so many people in his life have treated him within universe. And then, of course, there’s the biphobia directed at his character back when Dragon Age: Origins first released. He was a joke in many Gamer Bro circles about how they killed him for flirting with their male protagonist. It’s such a shame, really. Because personally speaking, Zevran is one of my favourite characters in the entire Dragon Age franchise.
Zevran’s introduction to the game immediately sets him apart from every other character who is capable of joining the party. He first appears as an enemy; an assassin hired to kill the Warden by Loghain, the Warden’s political opponent. You immediately have the option to either kill him, or add him to the party roster. Zevran does not initially join the Warden’s cause out of the goodness of his heart; he does it because he knows that the Antivan Crows who essentially own him – which we’ll get to – will kill him for failing to assassinate your character. This really paints his original placement within the group’s dynamics in an interesting light. No one really trusts him; Alistair and Morrigan both outright voice this. Zevran himself believes he is only safe with the Warden so long as he makes himself useful, per how he sells his worthiness to the Warden when trying to convince them to let him join. There’s tension there that really makes getting to know him extra interesting, because before anything else, you need to build trust. So, when he’s finally ready to start revealing parts about his personal history, you the player really get to feel like you’ve earned something special from his character.
Zevran’s mother was Dalish, but fell in love with an elf from the city and left her clan behind. Unfortunately, Zevran’s father was assassinated, leaving her with nothing but his debts to pay. She turned to sex work, until she died giving birth to Zevran, and all that debt fell onto him in turn. Zevran was raised by the sex workers in the brothel his mother worked at, until the age of seven, when the Antivan Crow Guildmaster Talav Arainai bought him for seven sovereigns; one of eighteen children made into “compradi” (recruits) that year. In his training, Zevran was tortured in a variety of ways, and in his own words, “taught to know nothing else but murder”. Of those eighteen, Zevran was one of two who survived the training, the other being a human boy named Taliesen. Then, a woman named Rinnala (“Rinna”) was placed into House Arainai from the Azul Contract that dictated the Crows were to take in unwanted bastard children of the Antivan Crown. For a time being, Zevran, Taliesen, and Rinnala worked well together as a professional and romantic trio. But when Zevran and Taliesen were tricked into believing Rinnala betrayed the Crows in an internal Crow scheme, they killed her. When they learned otherwise, Zevran took it particularly rough, combined with the realization of how little he himself mattered, too.
The trauma that Zevran has experienced is something he often makes jokes about, or speaks detached from. I’ve been called out many times on doing the same thing with my own trauma, and I know it’s a pretty commonplace response in others as well. That makes it feel all the more real; his responses are so authentically relatable. It’s also in a way, I find a little therapeutic to get to comfort a character whose survival mechanism has been to downplay his trauma for so long. The Warden is able to tell Zevran that what he’s been through sounds horrible, and even though Zevran tries to excuse things as not being that bad, you gain significant approval from him, just for showing him sympathy. Sympathy is something he’s severely lacked in his life. For all Zevran jokes about his traumatizing experiences, they clearly left a mark on him. Zevran eventually admits to the Warden that he did not actually anticipate being able to kill them, and that what he really wanted in taking on the job was to die. Again, sorry to get personal here for a moment, but I too have attempted suicide, and honestly I still struggle with ideation sometimes. And yet again I must say that I find something really beautiful in a character like Zevran, who is able to find peace and happiness on the other side of surviving such a thing.
As for Zevran’s romance… oh, Zevran’s romance path is such a delight. He is so multidimensional in that he’s very flirtatious and fun, while also showing genuine vulnerability in time. He admits that his role as a Crow meant he was encouraged to use seduction as a tool. His only experience with a true relationship ended very poorly, with Rinna’s death and a wedge forming between him and Taliesen, who he is eventually forced to kill too in the game. One of my favourite moments in the entire game, is when you invite him to your tent and he says no… and if you accept his consensual rights, that is what changes everything for him and the Warden’s relationship. Zevran feels safe and loved, and he gets to be happy. As of Dragon Age: Inquisition, a romanced Zevran is still at the Warden’s side, too, if they’re alive.
I love Zevran Arainai so much. He truly is an amazingly well done character, and deserves so much more respect and interest than he gets.
*Sourced from in-game dialogue and World of Thedas vol. 2
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grandline-fics · 4 months ago
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Can I just say I LOVE your writting? 'cause I do! And I'm so happy requests are open! 🥹 Here I am wondering if you can indulge little old me with a request. I went through your prompts and picked two! If you can combine them, I'd be delighted! If not, it's okay!
Here:
Jealousy fuelled kiss with the sentence:
"Do you have any idea how much I want to kiss you right now?"
My request is a Fem reader and I would love to read Ace, Zoro and Law, if you don't mind! Throw in more if you'd like, I always love me some feral Kid, for instance... But whatever tickles your fancy! I just like some jealous boys! 🤭😋
Thank you again for sharing your gift! 🫶🏻❤️
DESCRIPTION: Prompt: Jealousy fuelled kiss w/ “Do you have any idea how much I want to kiss you right now?”
WARNINGS: jealousy! but nothing else apart from that
CHARACTERS: Ace, Zoro, Law, Kid, Rob Lucci
WORDS: 3,531
A/N: Thank you for this request! I added Kid for you and also did one for Lucci because why not haha. I tried to make each scenario different and interesting and I hope you like what I came up with.
*REQUESTS ARE OPEN*
DIRECTORY | PROMPT LIST
———————
ACE
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“Do you have any idea how much I want to kiss you right now?” You looked over in the mirror in front of you to see Ace appear in the doorway, arms folded and pout heavy on his lips. You let out a satisfied laugh and finished getting ready for a night out on the island the Moby Dick had just docked at. As you adjusted your outfit-the one Ace loved you in the most- you noticed how his hands twitched. You could tell he wanted nothing more than to close the distance and do exactly what he’d just confessed and ordinarily you would have let him. However tonight was different and Ace only had himself to blame. Earlier in the evening just before you’d gone to get ready you made a comment about hoping Ace wouldn’t be as flirtatious with the locals this time. He in turn responded with an idle wave of his hand and a comment that. “It’s just harmless babe, you know you’re the only one I want.”
While you knew that was true, the fact that Ace hadn’t even taken a second to consider how you felt was what annoyed you. You weren’t even asking him to stop flirting with others since it sometimes worked in the crew’s favour, you just wanted him to tone it down a little. So after that comment you’d told Ace that from now until you both returned to the ship you were both to pretend you weren’t a couple and you could also flirt with the locals too. Ace had initially grinned and shrugged, happy to play along since it was only flirting and you’d be his again when you both returned to the ship at the end of the night. His grin dropped though when you reminded him that this meant he wasn’t allowed to kiss or touch you at all.
The harsh reality of the situation hit him hard when it was less than hour had passed in the bar and he could barely concentrate on those he was talking to. Try as he might to be laid back as normal he couldn’t help but have his gaze pulled towards you every time the smallest movement occurred in your direction. You’d drawn plenty attention when you’d arrived and he’d expected it. Ace had always counted himself the luckiest man alive you have been the one you chose and jealousy was a foreign feeling to him so to feel it now was unsettling. Over and over he’d reminded himself that it didn’t mean anything. 
Then he heard you laugh and watched when the person talking to you stepped just a little closer. At the same time, the glass in his hand exploded and he looked at his hand engulfed in fire and slight scorch marks on the table. Ace rose and handed money to the barman to cover the cost of the minor damages before stepping out into the cool air to clear his head. He got as far as the fountain in the town-square and sat down, closing his eyes. “Not as easy to be on the watcher’s side is it?”
Ace turned his head sharply to see you sitting down beside him. Immediately he wasted no time in leaning forward. With his fingers pinching your chin and free hand sliding into your hair he claimed your lips, pulling you dizzyingly into one of the most intense and fiery kisses he’d ever given you. Surprised, you managed to recover and return the kiss with equal fervour while letting your boyfriend dictate the pace until you felt you couldn’t breathe. Finally you reluctantly pulled back just enough to catch your breath while Ace pressed more kisses against your jaw and throat. “Lesson learned.” He rasped against your skin, lifting his head to smirk at you. “Jealousy sucks.”
“I dunno…” you laughed, securing your hands on his shoulder and chest. “Has its uses if I get more kisses like that.”
ZORO
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Zoro normally has no problem voicing his own thoughts. Someone’s being a moron? He’ll tell them to shut up and get out of his way. Someone fought fiercely and strong enough to earn his praise? He’ll do so and even make it a point to name something specific he witnessed to ensure them he is being genuine. Zoro prided himself in being upfront and unfortunately he had to call himself a fucking coward. Because he just couldn’t bring himself to tell you how he felt and anytime he considered it, he backed out just as fast. Instead he had to subject himself to the self-inflicted torture of being close with you but not in the way he fully wanted while also trying to convince himself that he only sees you as a friend because at the moment that’s all he can see you being with him.
“That drink say something to piss you off or something?” Zoro glanced out of the corner of his good eye to see Nami appear and lean against the railing he was also using to brace himself against. “You’ve been glaring at it instead of drinking it and I got concerned.”
“Nothin’ to bother yourself about.” He answered gruffly, forcing his gaze to look out at the lower section of the deck and sipped his drink as if to prove her worry wrong. Though now he had to look at the one thing he’d been trying to avoid; you talking and laughing with the others.
“You should just tell them how you feel already.” Nami hummed, her knowing smirk hidden by the rim of her glass. “Better do it soon too before your chance disappears.”
“Dunno what you’re talking about.” Zoro tried to sound casual but her second remark had made him tense. “Definitely don’t know what you mean about my chance either.”
“Oh please, most of us know you have a feelings for them, we’re just shocked you never made a move yet.” Nami kept her gaze steady on the swordsman, trying to get him to finally see sense. “But now Sanji’s patience has run out. Says if you’re going to be such a coward about it all he’ll finally do what he’s wanted to for ages.”
“Hah!?” Zoro shouted a little too loudly, even drawing the attention of the group below. You looked up at Zoro curiously, watching as he abruptly looked away from the collective stare to focus on Nami with a harsh stare, turning his body slightly to face her. “What’s that shit cook think he’s planning? When the fuck did he call me a coward? I’m gonna slice his smug face off.”
“Wow…for a second there I’d think you were jealous at the thought of them actually falling for Sanji’s charm.” Zoro scoffed and rolled his eyes. The only charm the cook had in his opinion would barely fill a thimble. There was no way you’d fall for that over the top, dramatic, overused nonsense that he threw at anyone with a pulse. Would you? 
Cautiously Zoro looked down at the scene again and his face contorted in disgust to see Sanji’s arm loosely over your shoulder as the two of you laughed at something Usopp was telling the group. Feeling his stare, Sanji glanced up and smirked at Zoro, lightly squeezing your shoulder in affection to you but in also brazen challenge to Zoro. Sharply Zoro turned on his heel and walked down the small staircase, approaching you silently. You looked up at Zoro with a smile, excited that he was finally going to join you all but your smile lessened and became a look of concern to see how serious he was. You were about to ask if he was okay but he spoke first. “I need to talk to you in private.”
Immediately you got to your feet. You knew Zoro well enough to understand he was a man of few words and if he needed to speak to you in private then it was serious. Silently you followed him below deck, only stopping when he felt he was a safe enough distance away from the nosy crewmates left above. You let the seconds tick by, allowing Zoro take his time in voicing his thoughts but seeing him so tense made you worry. Gently you lay your hand on his arm in a way to reassure him that you were there. A gasp left you as Zoro turned suddenly and pulled you against him. His hand fell to your waist as he stared at your parted lips with growing hunger.
“Do you have any idea how much I want to kiss you right now?” The words dropped from his mouth barely a whisper but he was so close each syllable lightly grazed your skin. Unable to speak you could only nod in consent and sank headlong into the kiss Zoro secured on your lips.
LAW
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When Law was captivated by his research, medical procedures, and all over Captain duties, you had to take it upon yourself to keep yourself busy. Normally that was no issue when you were on the Polar Tang and had your own duties and routine to occupy your mind with. This time was different. After running into the Strawhat crew on Punk Hazard you could only sit back and watch as Law proposed an alliance with the rival crew in order to take down one of the four Emperors. You’d been taken by surprise seeing as your Captain and boyfriend didn’t tend to play well with others who weren’t on his crew. Quickly you saw him begin to regret his offer when events began to unfold and Law found himself being dragged along by Strawhat’s whims rather than his planned course of action. 
Everything had worked out in the end though and now you and Law were on the Thousand Sunny, set for Dressrosa. Even though Law wasn’t on his own ship, he quickly made himself at home in the ship’s library and began to indulge in the large collection of books now at his disposal. Knowing you wouldn’t see him anytime soon you had to explore the ship for something to catch your attention since according to the allied crew you were a guest on board and didn’t need to do chores. It went against your nature. You wanted to help and be useful so you still offered each day you were on board. “Aren’t you tired wearing that all the time?”
You turned at the sound of Nami’s voice and immediately you looked down at your boiler suit. It was your normal clothing for the Polar Tang so you really hadn’t considered wearing anything else. Plus being on another crew’s ship it made you feel more at home, unable to stop yourself from missing the others that you knew you would reunite with at some stage. Casually you shrugged and smiled at the red-haired woman. “It’s comfy.”
Apparently that wasn’t a good enough answer because the next thing you knew, Nami had you dragged to her room and was throwing clothes at you to try on while telling you that you were far too good looking to hide everything under so much fabric. Mostly you went along with her whims because it would be a way of taking up your unending free time on the ship. Another part of you also got drawn into how nice some of the clothes felt and looked and it was harmless fun.
Law finally dragged himself from his spot in the library and stretched out his stiff limbs. Despite his medical knowledge, he still ended up sitting in the most unwise positions that would leave his back aching and neck tensed. With a groan he made his way out onto the deck only to stagger to a halt when he saw you wearing something completely different to what he was used to you wearing but he was in no way complaining. He loved how you looked regardless but you were breathtaking. His adoration for you was suddenly soured when he saw the others fawning over you. The cook he had no issue with, but to see the sniper blushing and even the swordsman openly talking to you made him glare. Then Strawhat had to push his luck too. “You’re so great! You know you should stay on my crew!”
Law’s room activated and you were promptly swapped to now be pressed close against Law’s side. Before you could reprimand your boyfriend for being rude you were pulled below deck to the library once more and pushed against the door as it closed. You looked up at Law with widened eyes and quickened heart rate, the look in his eyes making your mouth dry and skin warm.
“It’s bad enough that I see you looking so good. I mean do you have any idea how much I want to kiss you right now?” He began lowly and you shuddered slightly. “But then I have to see them trying to get too close to you and Strawhat thinking he’s worthy of having you? Ridiculous.”
Law quickly closed the distance, using his frustration and jealousy to spur him on, kissing you passionately.
KID
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Kid had no problem with people looking at you appreciatively. I mean, why wouldn’t they? Look at you. It was clear to anyone with any sense in their skulls that you were one of the hottest people about. For him to see the looks you deserved filled him with a smug sense of pride because you only had eyes for him. He was the lucky bastard that got you all to himself in the ways that it mattered. So they could take their pathetic glimpses and live with the fantasy of picturing what it was like to be with you because he got the real thing. However what he didn’t like was to watch anyone to touch you in a way that wasn’t friendly. 
On this occasion he sat in the darkened corner of a bar having to watch as you were being talked to by some drunken lech. You’d gone to the bar to collect the next round of drinks for the crew when someone approached. At first Kid had shook his head and smirked at the poor fool’s attempt to flirt but then he drew too close to you that Kid disliked. Still he knew you could handle yourself so he just had to grind his teeth and wait for you to expertly disengage yourself like you normally did. However you seemed drawn into the conversation with this man and Kid’s eyes narrowed. 
Immediately he stood with the intent on breaking things up but stopped when you quickly met his gaze. When the drunk turned his head to order another drink you had time to mouth ‘Marine’ to your boyfriend. Kid remained standing and glanced at the man warily, now seeing why you were being careful with him. Slowly he drew closer, making sure his movements were careful and silent while you kept the Marine’s attention effortlessly. Kid knew it was an act but seeing you indulge the man more made his anger grow. Just as Kid stepped behind the Marine, he drunk set his hand on your thigh and squeezed it while leaning closer to your face. “Do you have any idea how much I want to kiss you right now?”
Kid had planned to just give the bastard one quick hit to knock him out but seeing that and hearing the words spill from his mouth, he snapped. Reeling his metal arm back, he tapped the Marine on the shoulder. When he turned, his hulking fist connected with the man’s face sending him launching off his feet and slamming painfully against the bar’s wall with the impact smashing the glasses and bottles. Seeing the Marine slumped on the floor helped Kid’s pent up rage but it wasn’t enough. Quickly he grinned at you and pulled you into his arms so he could throw you over his shoulder and leave the bar, no longer in the mood to drink. You stayed happily on Kid’s broad shoulder with a growing smirk as you listened to his jealous mutterings the closer you drew to the ship. 
When you were finally set on your feet on the ship you turned in Kid’s hold that he refused to let you out of and smiled up at him expectantly. When Kid got like this you could practically time the sequence of events and this was your favourite part. Kid stooped down and with a low groan kissed you, devouring your taste and consuming your thoughts with only him while letting your magnetic presence and intoxicating touch leave him wanting more. You were the only one for him and by the morning should anyone look your way in appreciation again they’d spot some pretty marks on your neck to admire too.
LUCCI
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Lucci was a master of his emotions for the most part. He could adopt a personality and live it perfectly for the purposes of a mission and then discard it when it was finished. He could keep his true nature at bay should he need it but in the freedom of Cipher Pol’s base he can just be himself. With powerful strides he walks down the corridors only to stop outside one of the training rooms in time to see you land a kick against Jabra’s stomach. Quickly he recovered and sent an attack your way. You managed to dodge it in time but Jabra caught you by surprise by sending a followup attack and knocked you to the ground, his hand at your throat to keep you pinned down.
For a moment you let your body go slack in a sign of surrender and the second you felt Jabra’s grip loosen you acted, disentangling out of his hold and attacked, taking advantage of his moment of surprise. Just as you were getting into the rhythm of the fight another agent appeared beside Lucci. “Jabra! We have a mission! Did you forget or something?”
You and Jabra paused your fight and you scowled at your sparring partner. You wouldn't have asked him to train with you had you known he would have to cut it short for a mission that he apparently knew about. Jabra briefly glanced at Lucci and quickly threw his arm around your waist before answering his mission partner. “Nah, didn’t forget. I just got a much better offer.” his wolfish grin spreading when he spotted Lucci’s eyes narrow at the comment. You however rolled your eyes and stepped out of the older agent’s hold. “We’ll pick this up when I get back, right?”
“We’ll see.” You told him dismissively which only earned you a quick wink before he left, leaving you alone in the training room with Lucci who remained leaning against the door, looking at his shoulder in disgust when Jabra had the nerve to brush past him on his exit.
“Didn’t know your standards were so low when picking a sparring partner.” He noted, watching you critically. You tilted your head at him curiously and slowly smirked. 
“I’ll be fighting degenerates and unsavoury people out in the field, I wanted someone as close to that as possible for authentic training purproses.” You explained with a light shrug. “Jabra fits that closely, don't you think?”
Lucci allowed himself a low chuckle and pushed away from the doorframe, while pulling the door closed behind him to grant you both a moment of privacy. Your relationship with Lucci was one ou both didn’t feel like putting a real label on. For now you merely enjoyed the physical and social benefits it brought. You remained still as you watched him approach, your eyes alight with interest and mischief that not even he could find himself immune to. “I can see the logic but I can smell that filthy mutt all over you.”
“Jealous?"
“I don't get jealous.” Lucci growled, his hand setting on your waist, merely a coincidence that his hand covered the precise spot Jabra had touched. Your lips twitched into a disbelieving smile and you playfully nodded, pretending to accept his claim. Lucci’s free hand reached up to skim along your throat, again pure coincidence at the placement before he curled his fingers under your jaw to coax you to tilt your head up. “Do you have any idea how much I want to kiss you right now to get rid of that mutt’s stench?”
“Then do it, Chief.” You said stepping a tiny bit closer. “Let Jabra come back and know for sure that I’m a cat person.” 
With a growl Lucci kissed you possessively, hungrily with purpose of doing just as you suggested. His main goal was to wipe any lingering trace of Jabra from your skin and wipe the other man’s name from your mind. He was very aware that you didn’t see the wolf man that way but still it brought out that animalistic conflict in him, the need to be better than him and from your reactions to his kiss he knew for sure that Lucci was the clear winner.
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heartfullofleeches · 2 months ago
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Reader has a small child and they need to step out for a while so they ask Blacksmith to babysit??
(It's Reader's niece, but that's close enough to a child of their own)
Dressing yourself for work, a car pulls up outside your house as you slip on your shoes, heading for the front door. That's funny- You didn't ask anyone for a ride...
"Oh, crap!"
Lights flicker and walls quake as thunderous footsteps channel through your living room. You scramble to catch a snow globe gifted to you by your boss as a shadow appears in the doorway.
"My lord? I ask of your forgiveness for disobeying your direct order to stay inside your bedroom- You sound troubled which left me no choice but to disobey. Shall I take care of the threat for you?"
You fling yourself in front of the front door as the Blacksmith marches towards it, hand firmly latched to the dagger strapped to their belt.
"NO!..." Sucking air through your teeth, you reiterate. "No, it's nothing like that. I forgot I'm supposed to babysit my niece today... Do you think you can watch her? I can't miss another day of work...
"Since the child needs supervision I assume they are a little one, correct?" The Blacksmith runs the tips of its fingers down the length of his iron mask. "I would move mountains for you, My Lord, however I must express my concerns with my...appearance. I would hate to frighten a child. Especially one close to you."
Unlocking the front door, you wave off their insecurities. "Nah, she'll love you! That girl's braver than me sometimes. You should've seen her on her first Halloween. Just wait here and I'll go grab her."
Stepping outside, the high pitched squeals of your niece are the first sounds to greet you as you walk over to your siblings car. She squirms in her car seat, making grabs for you as you chat with your siblings before turning your attention to her - unbuckling the straps of her seat.
"There's somebody I'd like you to meet today. Keep this a secret between us, okay?"
Your niece giggles as you pick her up, waving goodbye to her parent as you carry her back inside your house.
"Blacksmith, this is my niece. She already has breakfast so she shouldn't get hungry before I get back, but if she does there's some snacks in the pantry."
The instance your niece lays eyes on your housemate you're suddenly no longer her favorite person. The Blacksmith looks to you, eyes glimmering with unease through the slits of his mask as the child reaches out for them.
"Go on. She's harmless."
The Blacksmith, is not, yet they approach the child with the same delicate nature one might have when aiding a small kitten. The combination of the innocence of youth and this child being a member of your bloodline sanctifies her place as royalty in his eyes.
The two gaze at each other for what feels like eons, the jiggle of your house keys breaking the unusual moment of silence.
"See? You guys are getting along already! I'll be back before you know it- Oh, and Blacksmith? Keep my niece away from all the medieval torture devices and weapons you have shoved in my closet."
The Blacksmith feigns ignorance as he takes one of your niece's tiny hands in theirs. "I haven't the slightest idea what they are talking about. Since I am forbidden from giving you a dagger of your own, what say we get you some of those "snacks" your relative spoke of?"
Your niece seems to agree with that idea greatly- clapping along as the Blacksmith turns towards the kitchen.
"Well... Aren't you just a ray of sunshine? It would be a blessing to have a little one like you around permanently. I wonder if my lord would be open to the thought of us having a few."
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thatnewweeb · 4 months ago
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Arranged | Todoroki Shoto
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Summary | Endeavor and your father both always wanted to be higher in the hero rankings. In case you and Shoto do not achieve those goals, they decided you should enter a Quirk marriage to create an even better Quirk combination. However, you and Shoto didn't want to give into those demands. So how did you end up falling in love?
Content | Smut, fluffy, virginity loss, unprotected sex, aged up Shoto (third year, 18), discussion of marriage, alluded abuse of both Shoto and reader
Word Count | 2.4k+
A/N | I've had this idea for a while, this wasn't the original direction I had in mind, but this is how it went as I wrote. I'm trying to get better at writing smut! At the time of posting, I wrote this forever ago
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Your Quirk developed when you were 4 and a half years old. Since that day, your life changed, and not for the better. Since that day, you've been training. You've been training hard.
Almost the moment that your Quirk finally developed, your father had made an agreement with the number two hero. His boy had already developed his Quirk, and your father had been waiting for yours to finally appear.
Later that year, you met Endeavor's youngest son, the boy you were told you would later marry, provided everything followed the plan created by your fathers.
The next time you saw him, roughly six months later, he had gained a large facial scar on his left side, although you did not ask about it.
Throughout the next ten years, you saw the boy multiple times, training together on occasion. You had to learn how best to use your Quirks in cooperation with each other, as well as separately. That was somewhat difficult, considering Shoto's refusal to use his fire.
Despite also having a deep hatred of your father, you never refused to use his half of the Quirk you inherited.
Your Quirk is called Cryo-Phasing, giving you the ability to pass through objects, simultaneously freezing them. Your phasing Quirk works a little differently than Mirio's, being unable to pass through the floor.
Your father and Endeavor believed that combining your Quirks in a Quirk marriage could lead to a stronger version of the Ice Quirk, as well as possibly adding Phasing to the mix of Quirks, thus creating an even more powerful child.
It seemed like some things never changed.
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At age 15, you were accepted in UA through recommendations, being placed into Class 1-A, the same class as Shoto.
At the beginning of the year, it was unusual for the two of you to speak much, to each other or really to anyone else. You would spend time together, sure, but that was almost purely because you somewhat knew each other already. The only real interactions you had were sitting together during lunch breaks, and training together during class.
You both excelled in academics, combat and Quirk use. Of course, you had both been training for this your entire lives, training with some of the top heroes in Japan, so that was to be expected.
It wasn't until Midoriya helped Shoto to start coming out of his shell that you two started to actually get to know each other. He started to sit with Midoriya and his friends, but he didn't want you to become lonely, so he invited you to join them. Although you were quiet and difficult to get to know, he did hold some level of affection for you already. He figured that you were in a similar position to him, and that you would be able to relate to him and his issues.
During that time, Midoriya and his friends continued to help Shoto come out of his shell and open up to people, and also helped you to begin opening up too.
In particular, you and Shoto opened up to each other a lot.
Once UA implemented the dorm system, you and Shoto spent a lot of time together outside of school hours. It seemed to everyone that you were always together, whether that was in the common areas or one of your bedrooms.
Everyone was convinced that you both had crushes on each other, both being asked many times why you were not dating. Both of you claimed you were only friends.
Neither of you truly knew what it was you felt for each other, both being somewhat emotionally stunted from your upbringings, but you both knew it was something different from what you felt for your other friends. You both wanted to deny these feelings. After all, neither of you wanted to give in to what your fathers wanted for you.
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During your second year, you kissed for the first time. Everyone had thrown a birthday party for Shoto, and as everything was winding down and coming to an end, he had snuck away with you and took you to the balcony in his room, claiming he wanted some fresh air.
Once outside, he turned to you and informed you of a conversation he had with his father a few days prior. He had spoken to your father about breaking the marriage arrangement. Your father had been against it, but Endeavor insisted that Shoto is now free to make his own choices. Part of his atonement for his previous actions.
Your father was continuing to try convince Endeavor to change his mind, which is why you hadn't been informed.
He explained that he was still hesitant to give into what his father wanted, even if he had been let free from being basically forced to do them now.
You understood his feelings, of course you did, you'd been struggling with the same thoughts about this as him.
"Well, for now, while we figure everything out, how about we just try this?" you ask him, taking both his hands and stepping closer, leaning up.
He realised what you were doing and leaned down a little, your lips pressing together for the first time. When you went to pull away, his hands let go of yours, moving quickly to wrap around you, keeping you close to him, not letting you move away, or break the kiss.
You don't try fight him on it, arms moving to wrap around his neck as your lips move against his.
Once you finally do break the kiss, he moves one hand up to rest gently on the back of your head, guiding it to rest against his shoulder, allowing him to keep you close.
Just a moment later, you were interrupted by a small squeak from inside the bedroom. Shouto apparently hadn't locked the door, and someone had realised the birthday boy was no longer present at his own party, so a few friends had come looking for him. The squeak came from Uraraka, who quickly ran out of the room, being closely trailed by a slightly red Midoriya.
The two of you looked at each other and smiled softly. "I suppose we may have to answer some questions."
He nodded in response to your statement, leaving to re-join the party.
Ashido and Hagakure of course asked if you were dating now, which you both denied. For now, it was simply a kiss.
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"Are you going to Endeavor's agency once school is over?" You ask, laying with your bed hanging off the bed, looking at your best friend.
He gives a small nod. "I believe it will be the best place for me to start off." He says before talking a small, sharp breath. "Can we talk about something?"
You raise your eyebrows a little and sit up, patting the bed next to you, where he takes a seat. "Of course, what is it?"
"We're almost finished with UA, and I thought it may be time to finally discuss our relationship, before we leave school."
You take a small breath in this time, feeling a little nervous about what he is about to say. Your crush on the boy had never disappeared, but you never brought up your relationship again, not wanting him to feel pressured into making a choice he wasn't ready to make.
His hands find their way to grip yours gently, keeping eye contact with you. "I would like to go into this new part of our lives together. I am still a little hesitant for us to do what our father want from us, but it's what I want too, and I hope it is what you also want."
You bite your lip, letting go of his hands and throwing your arms around him. "Shoto, I would love that. I have wanted that for years."
He nods silently, one arm wrapping around your back, the other digging into his pocket. A moment later, he pulls a small, cute box out, pulling away from you a little so he can look you in the eyes as he hands the box to you.
"I've had this since I was 15. My father insisted I should give it to you, but I never did. I want you to have it," he says.
Inside is a small ring, with a delicate diamond, dainty and tasteful rather than being large and distracting. You bring your eyes back up to look at his, surprised.
"That ring is simply proof of my love for you. We should take things at my own pace. I'll buy you a ring myself one day. That will be when I really propose."
You smile, once again throwing your arms around him, this time putting your weight behind it to catch him off guard and knock him over.
Before he has a chance to say anything, you plant your lips firmly on his, bringing one hand to rest on his cheek, the other resting on his chest, legs holding you up as his hands immediately find your waist, giving into the kiss without any hesitation.
His fingers grip you tightly, breathing already beginning to get a little heavier. Although he has no experience, it seems as though he knows what to do, at least a little, moving his leg to press between your own.
One hand stays on your waist, the other moving to wrap around your back, holding you close to him and allowing him to press him leg up more, bouncing it softly.
His movements cause a soft moan to escape your lips, muffled by his own.
"You're so beautiful," he whispers breathlessly before connecting his lips to yours once again, seemingly wanting to have all contact he possibly can with you.
His tongue runs along your bottom lip, probing into your mouth, wanting to explore you as much as possible.
Breathlessly, you pull away from the kiss, looking down at him. His heterochromatic eyes stare back up at you, lids low with lust.
You sit up, pulling your shirt over your head, discarding it to a forgotten corner of the room. His hands quickly find their way back to your waist, biting his lip as he admires you. His staring makes you blush, but you know he's just taking it in.
His hands come up higher and carefully, yet slightly clumsily, undo your bra, slipping it off your body, throwing it in the same general direction as your shirt, quickly moving one hand to your left breast, sitting up and leaning his head to take your right nipple into his mouth.
You bite your lip, moaning softly. Your arm wraps around him, one hand coming up to play with his hair. You give it a gentle tug, making him groan softly.
Carefully, he moves so that you're underneath him, mouth not leaving your breast until your back is pressed against the bed.
Your hands find your way under his shirt, resting on his abdomen, prompting him to discard his too.
He leans down to kiss you once again, hands moving down to undo the shorts you're wearing, shuffling them down your thighs along with your panties. His long fingers drag slowly down your slit.
"You're so wet for me already, baby," he whispers in your ear.
His fingers continue to tease you, dipping slightly into you, but never quite giving you what you want, enjoying your moans as they get increasingly desperate.
You only want more and more as you feel his clothed cock pressing against your thigh.
“Shoto, please,” you whimper, needing more than what he’s giving you.
He chuckles softly. “Because you asked so nicely,” he whispers, slipping two fingers inside you, moving them slowly.
You moan softly, eyes closing and head leaning back. His movements speed up, fingers quickly finding your sweet spot. His thumb moves to your clit, your moans growing louder.
“S-Shoto, so good, so close,” you moan, looking up at him, orgasm building inside you.
Shoto kisses you, tongue finding it’s way into your mouth immediately, swallowing your moans as you get closer and closer to your release.
Then, right before you get there, his fingers suddenly withdraw. Your eyes shoot open and you look up at him, breathless and confused.
He laughs softly. “You look so pretty like that, baby,” He kisses your forehead, unable to resist at the sight of your bemused pout. “Don’t worry, I’m not going to leave you unsatisfied.”
He quickly takes off his pants, his cock straining against his boxers to get out. When he finally lets it free, your mouth falls open slightly at how big he is. You’d expected him to be big, but not that big.
His hand runs up and down his cock a few times, spreading the juices on his fingers onto his cock before pressing up against your hole, which is already missing the fullness of his fingers.
“You ready, beautiful?” he asks you. You nod, taking your lower lip between your teeth.
He slowly pushes his cock into you, taking in a deep breath. “Been waiting so long for this, baby,” he whispers in your ear before moving to kiss your neck.
Your moans sound so sweet in his ear, moving slowly to give you time to adjust to the new stretch. He stills for a moment when he bottoms out inside you, stopping to kiss you.
“Are you ready, beautiful?” he asks you softly. He waits for your confirmation before moving, pulling out a little before thrusting back inside.
He pulls out a little further each time, cock seemingly perfect for finding that sweet spot inside you, as if your bodies are made perfectly for each other.
"You look so pretty for me, baby," he whispers, eyes staying on you, wanting to see your reactions to his movements, enjoying the look of bliss on your face.
You moan each time he thrusts inside you. "Your cock feels so good, baby," you whisper breathlessly.
His fingers find their way back to your clit, rubbing gently to begin with, rubbing a little harder as he continues.
"I'm getting close, baby," he whispers, breath heavy and small beads of sweat on his forehead. You nod to tell him you are too, moans interrupting your speech when you try to vocalise it.
He rubs harder, moaning as he feels your pussy tighten around him, getting him closer to his own orgasm as you reach your own climax.
Right before he reaches his own high, he pulls out, finishing on your abdomen and thighs.
For a minute, he stays where he is, both breathing heavily and just enjoying the moment.
When he does finally get up, he goes and grabs a warm cloth, cleaning you up, neither of you saying anything.
He climbs onto the bed and lays next to you, wrapping his arm around you. "This was worth the wait," he whispers to you, making you laugh softly.
"I agree."
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llamagoddessofficial · 4 months ago
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Hi there! I've had a question concerning your version of the bad sanses if you don't mind :3 (If you do that's totally fine, and I wish you a good day as you yeet this ask into the void lol)
If you don't mind though, do you think the bad sanses could ever share the reader poly style? I'm not asking if it would be healthy mind you, just if they could do it without killing you or each other. Thank you for your time :D
I think they absolutely could share you without murdering each other. Because they have to. The only way to keep the strenuous peace is by sharing.
All of them want you, all of them would fight to the death to have you. If one tried to steal you and leave, the other three would happily work together to kill them, and even Nightmare doesn't truly believe he could take you and escape the other three's combined wrath unscathed. Not to mention how terrified you'd be to see what they're capable of... you'd certainly withdraw from them if that lose-lose scenario came to pass. That tension keeps everyone in line.
It certainly won't be as functional or loving as the Aggre boys, and it'd be hard fucking work for you; you're in four relationships at once, balancing several acutely jealous murderous monsters at the same time. Too much or too little love in any one direction will cause awful friction. But I also think they'd work pretty hard to make sure you don't feel too trapped and stretched - they know it's not your fault they're all too selfish to let go of you, and they would express their guilt by forcing themselves to get along. I can imagine Horror, especially, doing the most to make things easier for you, sacrificing his limited time with you by just letting you rest.
They'd all rather you were theirs alone. But they'd also all rather have to share, than watch you belong entirely to someone else. Would it be hard? Sure. But it'd be manageable. And they'd settle into it over time.
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hauntingofhouses · 9 months ago
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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