#✧���ﾟ: *✧･ﾟ:* { the story of the greatest hero (about) }

[regthomas1728]

Bear with me, I’m gonna actually try writing…

***

Your humble sandwich shack was recently upgraded to a small hovel. You now do specialized drinks and sandwiches.

Of course, you also had to get better insurance when you moved into the rent to own two story building in the city.

Not just any insurance! You needed insurance to cover hero and villain damage. You live in the city that birthed the greatest heroes and deadliest villains. While the chance of being murdered is extremely low, the chances of losing a house or building due to the fights were incredibly high.

High enough, insurance companies decided to make a pretty penny on all the people of the city.

You owned a small business that was rapidly gaining popularity. To keep up with demand, you decided to capitalize on the idea of heroes and villains. You began catering to tourists and eventually became one of the reason people visited the big city.

You began naming items on your list after heroes. Sandwiches and drinks alike had catchy names such as “Spexpresso” in reference to the fastest hero and the fastest acting coffee any coffee addicts have had or the brisket sandwich called “Smoked Pixet” named after the fairy hero named Pixie.

You thought it was funny, some of the customers thought it was creative, but the real fun came in the drawn cartoons merging the heroes with their respective menu item.

You bought a couple tv’s to showcase any submitted art and attention for your sandwich joint grew.

It wasn’t until the second hero stopped in, in their hero getup, and ordered their sandwich that you realized you were at the top.

Hey! The first one might have been a fluke or an accident.

Maybe you fumbled over your words but everyone was star struck.

“Good sandwich, I’ll have to get Euro in to try the gyro.” The hero chuckled on his way out, taking another big bite of his sandwich.

The customers and you let out a big sigh—you hadn’t even realize you were holding your breath—and then the little caf filled with laughter. It didn’t die down for a week—your caf was expanding and it took so much out of you until you hired three more people. All three workers were college students and you hired them within two weeks of the second heroes visit.

A few months later, your menu had changed greatly as new heroes wanted a spot on the menu and heroes already on the menu wanted to change certain ingredients.

You catered to a fee and stood your ground with most. The heroes respected you more for that as did the customers. You still made their sandwiches the way they preferred when they came in.

It was crazy for you to think about. You knew the orders of some of the most popular heroes and they came at regular intervals to get their lunch or dinner.

Marketing heard about your setup and chose to setup times where heroes would take photos with fans. You were gaining publicity and hero agencies were jumping on the band wagon.

You politely declined interviews or let your employees sub in. You weren’t someone who liked to be on camera and even the smooth talking lava rock hero couldn’t make you budge.

He did enjoy the spicy sandwich you made in his honor.

After all the humbug settled, you found a steady rhythm. But, all good things must come to an end.

After closing shop at 10:00pm, you were on your way to the car when you heard a voice call out to you from across the lot.

You turned at the sound, startled and trying to remain calm. Just because murders didn’t happen often didn’t mean they never happened. You were desperate not to be in the three percent.

“Why haven’t you made sandwiches for villains?”

“What?”

“Villains eat to, ya know?”

Not that you hadn’t thought of it but you didn’t think it’s go over very well. Not with heroes frequenting your place.

“I’m not too sure that’s a good idea. I don’t need heroes and villains fighting at my restaurant. I have insurance but it could never be that good.”

The man stepped out of the shadows and you realized you just told the most wanted villain no.

“Work on those sandwiches and I’ll work on a compromise.”

“You sure? I could just make you a sandwich under the table…? You could stop out back and grab it to go?”

The villain, covered in shadows and red (was that blood?), shook his head and took a step back.

“No. Put our sandwiches on the menu after a weeks time.”

“It’ll take longer than that to establish a villains menu and a good advertising strategy.”

“Well…I’ll have the hero and villain compromise figured out by then. The timeline isn’t up to you. I look forward to your work.”

“You’re not going to kill me if you don’t like the sandwich, are you?”

With shadows covering his exit, all you heard was an evil laugh that reminded you despite his absurd request, he was still a villain who made up one or two percent of the kills in the city over the last ten years. Okay…maybe not that many but you knew it was a lot! You just didn’t know ALL the statistics regarding heroes and villains.

While a normal person may have brought the conversation up to one of the many visiting heroes or maybe called the police, you brought out your folder of dreams and got to work on sandwich ideas.

And sure, you told the shadow villain that it would take more than a week to get started on this idea but you may have lied. It would take no time to start the menu—no the real issue was convincing civilians and heroes to accept a few changes.

One of the changes would be making a seasonal menu. Which would not correlate with actual seasons but rather about keeping scores between favorites sandwiches and drinks.

The advertising took some time and planning, you only had a rough outline of what that would look like.

By the end of the week, you were positive you’d be getting another visit from the shadow villain but it wasn’t him who called out to you in a parking lot. It was the number one hero.

“Y/n. I’ve heard a lot about you and your sandwich shop.”

“But you haven’t tried anything? That’s a real shame.” You smiled, turning your key into the car and starting the heat. You sat in the seat with your hands in your pockets and the door open. The hero walked a bit closer but kept a respectable distance.

“I heard you got a visit a week ago from…a mutual acquaintance.”

You frowned, your brow crinkling.

“I think? I think I know who you’re talking about.”

“Do you get so many visits from villains?” There seemed to be genuine concern in the pull of his smile. “He’s requesting your restaurant be made neutral territory. No arrests, no fights.”

“Sounds like an ideal insurance policy.”

The hero grimaced but nodded.

“I’ve agreed. I’m sure it wont be much use but I’ll ask anyway. One, is he pressuring you?”

“Not really. I’ve had the idea in mind for a while.”

“I thought so. So, is there any chance you tell me who he is?”

“I don’t know him. But even if I did, I wouldn’t put myself in the middle of the most powerful villain and every hero and hero agency. I’m powerless not stupid.”

The hero seemed surprised by your response but quickly covered it with a small smile.

“Right. Well, if you need help or if any of the villains try anything, I’d feel a lot better if you had this.”

He took a step forward and held his hands out, dropping a small device in your open palm.

“If you press that button, it’ll call me directly. You don’t have to say anything when it calls—very few people have it and know to only use it in an emergency. I’ll come running.”

“Flying.” You correct lightly with a soft smile.

“Flying.”

Business returned to normal and within a month you were preparing the advertisements and informing your regular customers of the upcoming menu additions and changes.

Heroes were a bit distant at first, not excited about the change, but the number one hero quickly helped with the transition by becoming a regular customer. He visited and chatted with you every Friday.

Villains, on the other hand, were much quicker to visit and test the boundaries set by both heroes and villains.

Just when you’d had enough, the shadow villain you hadn’t seen since the night he proposed the new menu showed up.

“I believe I made myself clear! Neutral territory. No stake outs, only steak cuts!”

That earned a laugh from you, nervous chuckles from civilian patrons, and an earnest smile from a couple heroes.

“I’ll have a conversation with you after your shift. I shouldn’t have had to find out from that snotty number one hero that you were having difficulties with my crew.”

“Don’t you threaten me, Shadows.”

“Shadows?”

“I don’t know your name, sorry.”

“I’m literally the number one villain. I have a reputation that exceeds me. I’m a symbol!”

“Bit egotistical, don’t ya think?”

Luckily, he was in a playful enough mood to see the joke for what it was.

“Perhaps. I’ll take the sandwich you have undoubtedly made after me. I’m surprised I haven’t seen it in the advertisements.”

“I wanted to wait until you had tried it.”

“Naturally. Only you would make a guinea pig of me.”

You took fifteen minutes to make his sandwich and his sidekicks drink. You brought it out, a breath nestled deep in your chest clawing out but unable to until he stamped his approval on the sandwich you made with him in mind.

“How is it?” The number one hero stood directly behind the most wanted villain with a bright smile on his face.

With his mouth full, the villain rearranged it into his cheek to say: “Give me a second to savor it.”

The hero looked down, his hands on his hips as he awaited the answer you were eagerly shaking for. You were jumping with excitement as he took another bite.

“It’s a winner!!” You did a little happy dance and the few people watching cheered with you, grinning almost as madly as you were. Almost.

“Yeah, it’s pretty good. I’ll give you that. I’m not a pickle person, though.”

“I’ll tell you like I’ve told everyone else! That is a damn good sandwich and I’ll be damned if I’m gonna change it because of personal preference.”

The cheers died down, the hero shifted his weight from his front foot to his back, subtly getting in a defensive position.

“Fair enough.”

“I’ll still make you a sandwich without pickles but that’s the one going on the menu. Glad you like it.”

The villain walked out with a small smile that disappeared into the shadows along with him. That grin was the last thing you saw of him.

“I’ve never seen anyone talk to him like that.” The hero spoke with note of admiration and shock, eyebrows nearly to his forehead.

“I won’t back down to anyone.”

“I suppose that’s a good trait to have. Almost gave me a heart attack but, a good trait nevertheless.”

He ordered the same sandwich and complimented you with a wink.

“When do I get a sandwich?”

You own a sandwich shop in the heart of a superhero city. After gaining customers by making sandwiches based on heroes, you decided to try making some based on villains. Today, a villain stopped to review theirs.

[burst-of-iridescent]

katara becoming “the greatest healer in the world” will never be a satisfactory ending for her character. not only because we never actually saw her heal, not only because of the gendered implications of healing, not only because she said herself that she wanted to be a fighter, but because katara’s arc in atla is about earning her own empowerment.

she fought tooth and nail to develop her waterbending skills even when she had no one to teach her, even when it put her in danger, even when she was straight up forbidden to learn. of course she had raw talent, but that would have gotten her nowhere without her own resourcefulness, creativity and willingness to learn and work hard. that’s what differentiates her from azula, her foil, and leads to her triumph over azula in the end. nothing was ever just given to her… nothing, that is, except her healing.

the moment katara discovers her healing abilities is in the aftermath of her own victimization, when her narrative is subjugated to serve her male love interest’s. her healing, like her accident at aang’s hands, is something that happens to her rather than something she actively does — and this narrative will continue to repeat itself throughout the story. katara never has to work at, develop, or fight for her healing abilities, a jarring contradiction in a show that always stresses the importance of discipline and effort to becoming a master.

nothing worth having ever comes easy, as it goes… and yet healing comes nothing but easy to katara. what, then, is the audience meant to infer about the value of healing as a skill within the narrative?

katara’s empowerment arc in atla is one catalyzed by her own agency, driven from beginning to end by her actions and choices. she fights for every bit of power she has, fails, learns, fails again, picks herself back up, and repeats the cycle over and over. the struggle is what makes her growth meaningful, just as the fight is what makes her victory worthwhile. that is what makes katara a hero, and makes her so inspiring to the many girls who saw themselves in her.

for all that resilience and hardship and strength and growth to be stripped away in the legend of korra in favour of defining katara by some underdeveloped, unexplained ability she just intrinsically has not only devalues her as a character, but also undercuts the significance and impact of her character arc in atla. and that will never, ever sit right with me.

[class1akids]

So this is a genuine question that I hope comes across alright…

As a meta writer, what makes you so confident in knowing the themes of the manga and analyzing it? If you were to look at other analysis that are the opposite and show a different opinion, would you agree with it or now? So when it comes to the MHA ending, with what HK shows and how so many people expected the villains to die, which in the end they did, what made you so fixated on believing that HK was intending for them to live in the end only for him to switch it up. What if it was HK’s intention in the end?

I was on the side of believing the villains would live after seeing the meta blogs on Tumblr that have me hope. So my heart hurts to see what happened. The worst part is previously, I thought they would die but then became confident after reading so many analysis. Unfortunately turns out they did 😭

To be honest, the themes of a manga like BNHA are not that difficult, since Horikoshi is very "loud" about his set-ups. It's not subtle at all - he tends to emphasize his set-up panels and also repeat them several times.

I feel like the "saving villains" storyline was clearly set up with the following moments:

Hawks' attempt and failure at saving Twice

Toga asking "who are saved by heroes / are villains people too"?

Deku's line in 295 - "you looked like you needed saving"

Shoto's line in 298 - "he is me"

Deku in 305 "OFA is meant to save not to kill, I want to save that boy" - which becomes his "win condition"

a whole arc about understanding villains (supposedly)

Ch 342 - weirdo discussion and udon scene

Now, the ending tries to tell you that the villains were "saved" - at least their souls - but ask yourself the questions:

Are you convinced that the villains are truly saved?

Do you feel that there was a satisfying pay-off for the saving themes?

Do you feel like Deku delivered on the "greatest hero" promise?

Do you feel like the new generation did something profoundly different than the previous one and did it believably transform society?

If the pay-off just doesn't seem good enough, it's not because the meta writers did bad analysis, but it's because the writing fell apart in the 3rd act.

When you are in mid-story, it's hard to tell if the narrative is truly off the rails, or it just takes twists and turns. Up until Ch 422, there were ways for a pay-off with the LoV trio and there was a possibility for them to be truly saved. The way 423 ended so abruptly and the whole fandom was like "huh? this was the big finale?" shows that the themes were not implemented convincingly.

And the way Deku became the target of endless memes also shows that the readership did not feel convinced that he surpassed All Might in any meaningful way.

(fwiw, I stopped writing meta towards the end, when it became clear that Hori has failed to deliver the themes he set-up. There is no way to make good predictions on a narrative that has abandoned its themes).

[yourdandelionofthedeathknell]

Ya know, pursuant to the other reblog I made, I feel like a problem with deconstructions, superhero deconstructions, but also others, is that sometimes, when you deconstruct something, you just end up with…The original trope that that thing was responding to. I mentioned in that post the fact that "what if Martian Manhunter was evil" ends up just recreating the (itself extremely xenophobic by default) sci-fi trope of the shapeshifting alien hiding among us to destroy our great society. See also: Superman, who is framed as a repudiation of the Ring of Gyges, the idea that a man who is freed from physical constraints would be a monster as proof of either mankind's immortality or the socially-constructed nature of justice. Superman is a man who is free from every constraint our society places on people if he wants to be, but he restrains himself. His archenemy is, after all, a man who DEPENDS on the rules of our society to sustain himself, but also has no computations breaking them at every opportunity. Superman's greatest limit is the one he imposes on himself, and the intended message to an extent is that "if you are in a position of power, you should use it responsibly, and restraint yourself even, especially, if no one else will". Also, ya know, the twist on John Carter as an allegory for why immigrants are fine and good actually, ETC. And, in making parodies of Superman who are just assholes because power corrupted them, to an extent, you're just returning him to that original basic idea he was kinda meant to be in opposition to. I don't know if this makes sense, but, when deconstructing certain works, there's a tendency to end up going full circle. I think you mentioned this once in a post about Belos from the Owl House, about how a hypothetical "herofied" version of him would have to come from a vastly more conservative style of story, because that's the story he was meant to exist as a repudiation of. If he was a hero, he'd just be Doomslayer, and we already have Doomslayer. Does any of this make sense?

Superhero deconstructions for the Justice Leaguers who've managed to weasel out of it so far:

Wonder Woman: What's that? You're from a matriarchal, monarchal enclave of immortal, bronze-age warriors who worship the actual Greek gods? Who are real? And you came out the other side of that with values completely compatible with 21st-century progressive mores surrounding individualism, secularism, gender identity and governance? And you're completely accepting of trans people? That is so cool and marketable The Flash: A white midwestern cop has developed omnipresence. This is probably fine Green Lantern: Is the objectively-quantifiable and measurable quality of "Willpower" in the room with us right now. Also. who exactly signed off on this extraterrestrial paramilitary. Is this a cult Aquaman: A hereditary monarchy exerts military control over 70 percent of the world's surface. This is also probably fine

Martian Manhunter: God I wish Martian Manhunter had enough of a presence in the popular consciousness for there to be an intuitive attack surface

[classicanalyzer]

What If Season 3 - What If... Howard the Duck Got Hitched? Thoughts

"And to think a romance that would change the world, all began at a party. An intergalactic blowout thrown by the party prince of Asgard himself...that introduced Earth to the stars...and Howard the Duck to Darcy Lewis... But Howard and Darcy's lives weren't the only ones changed by Thor's Midgard rager. The party may have ended but the guests never left, as the worlds of Earth and the Cosmos became forever intertwined, just like Howard and Darcy." Uatu

I honestly think the best way to describe this episode is Stan Pines, "I am so confused and so proud right now." This is truly What If at its most bizarre insanity in the best ways possible. I love this episode because of how heartwarming and odd it is. I'm still processing the insanity of this episode but it's peak. It's a very Christmas episode without the story being around Christmas.

I was not expecting Howard and Darcy to be a wholesome, heartwarming couple, but here we are and I love it haha.

That Voromir resort was one of the darkest jokes in this show.

I love how this episode is just also an alternate take of Thor the Dark World with the Convergence.

I think the moment Kaecillius starts summoning Dormammu to use the Egg as a vessel is the moment where the insanity really goes off the rails in the best way possible.

Also, I'm not sure, but I felt that the Nick we saw in this episode isn't Nick Fury but Talos. I just felt some of Nick's words don't feel like Nick's. It felt very Talos rather than Nick but who knows?

It's refreshing to see a Loki who is thriving and not undergoing angst. He even has an actual normal relationship with his biological father. Party Thor's universe truly is the most funny and wholesome universe of this show.

Loki, Laufey, Zeus (voiced by the Darin De Paul), Malekith, Kaecillius, the Black Order, the Grandmaster, and Thanos all in one scene feels so unreal and insane.

Kaecillius and Malekith interacting makes me laugh because we really just got two of the most blandest villains in one scene. It's really hilarious seeing Josh Brolin coming back to voice Thanos' surprise at the insanity going on. Ebony Maw's saying "It's magical?" is just the cherry on top.

The hatching Egg really went full Raiders of the Lost Arc at the end.

Byrdie is such a fitting name for their baby lmao. It was a pretty wholesome ending.

It's hard for me to say a lot about this episode because so much happened and yet all of it is absolute cinema. Yet again, another peak episode of this final season.

Note: Yet again we have another massive being towering over someone small (Dormammu and the Egg). Let's see what Episode 5 does lol.

"Even in an endless universe, there's no place like home. And parents are the greatest heroes of all." Uatu

[epickiya722]

I know what these last few chapters have taught me about BNHA...

Blocking people is useful! 😐

[pinklemonslices]

listened to anthems for a seventeen year old girl one too many times and now i’m having Feelings about the fact that mha is Over, which are nicely summed up by:

[gojooooo]

man i love open endings. the fact that thanks to yuuji there might indeed be the next time sukuna talks about in case some idiot decides to eat a finger again. and we need fics where yuuji is that idiot

[lloydfrontera]

tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.

but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-

[pandoratheprocrasticreator]

i havent followed the manga in several months and im not interested in catching up again but has bakugo un-died yet. has deku saved him yet with the power of gay love. or is he still getting open heart surgery. has this boy been getting open heart surgery for the past 8 months.

[writnwolph]

Man, I remember when I used to argue people down that M*doriya and B*kugou were gonna have amazing character arcs only for those two idiots to regress majorly by the end of the story 💀

Hella, embarrassing for me.

Anyway, stan Shoto and the Todoroki's for carrying the story 😘❤️

[niteshade925]

I can see how the regional phenomena in totk is basically totk's version of a modern 4 horsemen of the apocalypse: pollution (the sludge), addiction (marbled rock roast), climate change (the extreme blizzard; admittedly this one is a bit of a stretch), and pestilence/infectious disease (the giant mosquito boss and the undead gibdo). Which, hey, references to real life issues, great, but what I didn't like so much was how you can just solve puzzles and fight bosses--basically have a handful of big name heroes running around doing tasks--and the water will magically clear up, the addicts will magically become normal people again, the extreme storms will magically dissipate, and the pestilence will magically disappear. Real life does not work that way. I know, I know, it's a game why you taking it so seriously blah blah, but I'm just saying, we have to remember that for any of these problems to be solved, it takes a lot of effort and cooperation from a lot of people to accomplish, and that's definitely an understatement.

[foldingfittedsheets]

My paternal grandmother was a librarian. I only got to see that set of grandparents once a year as they lived out of state. I fondly remember summers spent at their house watching That Darn Cat and The King and I on loop, hunting for water skippers in the back creek, and reading the entirety of the Peanuts comics.

Because my grandma was a librarian she was delighted to foster my love of reading. We made trips to the library every week. One summer when I was seven or so I got really into this kids series about princesses all named after gemstones, each had a unique magic power.

At the end of each book was a puzzle or some extra bit of lore to decode. All of them were easily copied down in some way. Until I got to Sapphire’s book. At the end of the story Princess Sapphire was in peril! She needed a hero to come save her from a terrible fate. And there, on the last page, was a decoder device. It needed to be cut out and assembled.

I had to help save the Princess!!! In the iron grip of a fever of imagination I immediately found scissors and started carefully cutting the page. The page warned only to use scissors with an adult present and I scoffed to think I needed supervision just for scissors! I was a hero!Her plight called to me from the pages, imaginings of how I would daringly rescue the beautiful sweet Princess Sapphire ran through my little brain-

And about halfway up the page toward my goal I froze. This was a library book. I couldn’t cut a library book! What was I doing?! Even now in my memory it stands as a glaring example of the first time I mastered impulse control. Tragically, too late.

I was distraught. My grandma had a sacred duty to books and I, villain that I was, had defiled a precious tome! I wallowed for some time in abject misery, experiencing the greatest amount of guilt my tiny body had ever previously held. I’d probably go to jail. For a crime as monumental as wielding scissors against a book I wouldn’t even get dessert in jail.

Gradually, I processed my way through the grief of my vile deeds. I couldn’t have the decoder, I slowly accepted. That might be punishment enough. And I had only cut the page halfway. So it was only half a crime... It wasn’t illegal to lie when you’d aborted an evil act, right?

I didn’t know but I didn’t want to face my grandma’s potential wrath. I have no memory of my grandma ever yelling at me. I waited until the next day to approach her.

“Grandma? I finished my book and when I got to the end I saw someone had cut the page! They probably wanted the decoder because I also want that but it was very bad to cut a book, wasn’t it?”

My grandma regarded me benignly. She carefully took the book to observe it and nodded. “It’s good to see that they stopped before they cut it all the way out. Let’s go tape this together, and then I can photocopy the page and we can make you a decoder.”

I was ecstatic. Rewarded for my honesty! I created and cracked codes for the rest of summer with the flimsy paper creation we’d made. I genuinely doubt my grandma believed that I wasn’t the perpetrator, but I loved that she acknowledged that the person responsible stopped.

[starguardianniom]

All so true, but wait, there's more!

Let's have the protagonist be the center of everything and the best at everything, except at being the heroine of her own story.

Because let's be real here, there ain't much linking Marinette to the actual plot apart from her being Ladybug, and even then she doesn't spend half her time trying to figure out who Hawk Moth is, when she does, she immediatly drops it at the end of the episode and just goes back to waiting for the next akuma, unless Hawk Moth dares to bother showing up in person, otherwise she's a complete sitting duck waiting for the next catastrophe to rear its ugly head, she literally has zero lead on who Hawk Moth could be, and the one time she might have, she quickly dropped it because she fell for a basic ruse, I mean it's awfully convenient that Adrien's father is getting akumatized over a book speaking of the miraculouses that's been lost at the same time as the Butterfly and the Peacock, must be a complete coincidence, right? Just because he has the book doesn't mean he also has one of the miraculouses, right? Please, girl, use your brain more.

Adrien is pretty much linked to everything, is dad is Hawk moth, his dad's assistant is Mayura, the whole reason the show is around is because his mother used the damaged peacock miraculous to make him come to existance, the price being her health later on, to the point it drove his father to villainy trying to save her. And when his dad starts his career as a super villain, Adrien gets chosen to be the hero Chat Noir to oppose him. He's tied to the plot from beginning to the end.

Meanwhile Marinette has literally zero connection to them, sure she's Adrien's classmate and has a crush on him, but that doesn't connect her to the plot because she's too shy or busy running away from Adrien the moment she's embarassed too much. Heck in the Origin episode she literally didn't know who Adrien freaking was.

So zero connection there.

She's a complete random citizen who got voted for the role of hero for one selfless deed that she did, and then she somehow became the goddess of the world and the law itself, as apparently anything she does or say will be forgiven and justified by everyone who ain't her enemy to be allowed to continue her extremely selfish, immoral, lying, manipulative actions during the course of the show.

Marinette is the only one allowed to be mean, she's the only one who's feelings matter, she's the only one who can lie to everyone without being called out on it later on, she's the only one who can get some goddamn privacy, she's the only one who can make people upset enough to become akumatized and be forgiven after what because she had "good intentions" (or not depending which episode we're watching) or realised her mistake and went on to fix it and apologize for it, and then redo the exact same thing in a later episode because god forbid if Marinette ever learns any lesson about her bad habits of lying, running away, being mean, stealing, stalking, breaking property, ect and just in general being around 90% of the time because Adrien is there too.

She ain't a protagonist, she's a plot device and Adrien's satellite in his orbit.

Seriously how many episodes are actually consacred about her without Adrien being involved in some way or another? Not that much. The story will make sure that either she, someone else or just the universe will make it so she gets where Adrien is pretty much for most of the show and pretty much all her friends support it and do their best to make it happen.

She is forced through the plot, but actually ain't connected to it as much as thrown at it and bouncing back.

Even when she becomes Adrien's girlfriend, the show still ain't about her, it's about Adrien's family, while she in the picture is about as important as Zoé is (sorry Zoé I love you but dang did they not handle you gracefully or with dignity much), which is a random civilian completely in the dark about what the hell is going on or why is everything happening.

The only thing she does in the show is making things worse in the long run and oogling so much spotlight that we wonder why there are still other characters in the show outside of her and the villains, who quite frankly have more things to say by themselves that she had in the span of the entire show.

I mean, Gabriel rose from nothing, Émilie and Amélie are royalty, Nathalie seems to have had an interesting past, Felix is a super genius sentibeing who was treated like a monster by his father, Adrien grew up isolated and gets to learn what's it's like to be a normal teenager and going to school, it would have been interesting to see his point of view how different the school and being homeschooled is, and also how he was a model that young.

Marinette is your average kid who's insecure, gets picked on by the local bully but knows how life works at school, she likes fashion and her parents owns a bakery, but apart from that, she doesn't stand out from the rest of the class, who all seems more interesting than her to be honest.

I mean you could have pretty much picked almost anyone else in the class and the story would probably be the same, except we wouldn't see 99% of the time a ridiculous love square and crazy schemes and honestly with how that ended I kind of wish we didn't see it.

Ladybug Vs Avatar's use of the supporting cast and the problem thereof.

I'm not sure if this has been covered before, but there's a serious problem with Marinette being the be-all end-all of everything in Miaculous.

And it's not just because "she's stressed" or "it's all on her". Her being the most important, talented and plot-relevant character in every situation is.

Let's make a comparison to the Gold Standard:

In Avatar the Last Airbender, Aang is the axis of the story. He holds incredible powers beyond anyone else, can bend every element and could conceivably end the entire conflict that plagues his world with relative ease- which he eventually does.

However, for 99% of the story he cannot do so. Because Aang is untrained, he cannot access that divine win-button of the Avatar State at will, and using it carried enormous risks to himself and those around him- making it functionally unusable for common conflicts. Furthermore while he does technically have the capacity to use all four elements, he had only mastered one and needed to learn the remaining three.

Indeed, Aang has outright difficulty with learning Earthbending despite his innate talents and while he's a quick study for the other two, he doesn't demonstrate the same effectiveness with water and fire as Katara and Zuko.

This means that Aang cannot do certain things as well as the others in his team. This means that for the majority of the story, even though his first and preferred element provides him with useful abilities" Aang has weaknesses that he needs others to cover and provide for.

Enter Katara, Sokka, Toph and Zuko.

Katara is a waterbender who teaches Aang and later advances her powers to include the all-important power of healing and the disturbingly effective (though situational) Bloodbending.

Toph is an earthbender who is also one of Aang's teachers, and whose tremor sense later allows her to both detect liars and invent Metalbending.

Sokka is seemingly just the comic relief normie. However his technical mindset allows him to serve as the general of the group, and even plan and lead in that role for entire armies later in the show.

Even Zuko who joins later and becomes less a teacher but a fellow student alongside Aaang in firebending is a skilled infiltrator and melee weapon expert. (This is less of a case than the others since it's not used as much, but it's more of a concrete example than his insights into the fire nation and his potential utility as a replacement Fire Lord).

They each provide far more than those short summaries, but it's important to note that in each case, even when Aang does learn the elements and starts growing into his role as the Avatar: he never gains the full range of abilities that his team offers. He never assumes the fully strategic mindset of Sokka, and even though it's downright implausible that no Avatar before him never learnt healing, he never demonstrates that ability or any Metalbending prowess even in the Avatar state.

There's also the enemy trio of Azula, Ty Lee and Mai. Azula is a powerful firebending genius, but Mai's prowess with her throwing weapons are a close match- and Ty Lee's chi-blocking can outright cripple enemy benders for any given fight when combined with her insane agility: something that not even Azula can do with her firebending. They are an incredibly dangerous combination and when Azula loses them, she becomes far less effective for their absence.

In both teams despite the leader being a powerful, talented bender who is objectively the strongst person on their respective side: there's no doubt about each member of the team contributing something that said leader cannot.

-

Now let's look at Miraculous:

Marinette is the "Greatest Ladybug" of all time despite being fourteen, only having had the earrings for less than a year, and having a list of predecessors that go back literally thousands of years and include Joan of Arc.

She is also the Guardian of the Miracle Box. Specifically she is the Guardian of The Mother Box that is the most important of all the boxes, despite there being at least a full Temple's worth of actually trained candidates somewhere in Tibet who should be far and above more capable than her or her mentor Fu. However, her supposed superior Su-Han seems entirely convinced that she's already surpassed any teachings his order has by how often she breaks said teachings in his face only for him to roll over like a dog. There's not been a single time when Marinette has been confronted by some shortcoming in her responsibilities as a Guardian where she has had to learn anything from the multi-millennia old Order of Gurdians.

Marinette has also worn almost every single Miraculous in her Box at the same time, a feat that supposedly risked serious harm to her but merely made her woozy for an afternoon (if that). As of the season five Finale, she has also unified her earrings with her partner's ring: a scenario that in earlier seasons seemed to imply great risk: yet she was able to use the powers flawlessly.

As Ladybug, she is also the lone hero who has unlocked any new advanced powers with her Miraculous (unless you also include the arbitrary "adulthood" that she and Chat Noir achieved that allows them multiple uses of their Miraculous before detransforming), and on the occasions when she's used anyone else's powers has shown no sign of being any less capable than they are with them.

Ladybug does everything as well if not better than everyone else.

Marinette can not only unify with any Miraculous she needs for a given mission, she can use the powers as effectively as their "dedicated holder" can and without any restrictions. Unlike the majority of the cast who are still under the child-power limit. She can even unify with multiple miraculous at the same time without any drawbacks.

And without those drawbacks, without anyone on the cast being able to use the power of their Miraculous more effectively than Marinette: everyone else on the team is more or less superfluous.

Sure, Marinette has tossed out the Miraculous to her team like candy now. But when you get down to it: the real lesson that she should have learnt from Strikeback to just put some damn security on her Yo-yo/The Box. Because this just means that she has to wait for the hero in question to show up when she could have just pulled off whatever plan she has in mind herself.

And that superfluous label includes Chat Noir.

As frustrating as it is to come to the this conclusion: as of right now, there's no real reason for Adrien Agreste to be anything but a temporary holder. Certainly you can point to his experience with Plagg's power, and a few examples that seem to imply he can do more with it (in his second outing he was able to reconstruct part of the Eiffel Tower into a makeshift extension to catch someone from). Things that imply that if he perhaps received any actual training in the show like Marinette did from Fu, any guidance whatsoever from the Order or their Grimoire he might be able to achieve more.

But there's no solid evidence to expect that Marinette wouldn't be as effective, and the narrative precedent does not lend itself to the idea that anyone could overshadow Ladybug as a holder even of their own Miraculous. If anything, the sheer ability Marinette showed as Bug Noire implies that her having a partner instead of just keeping the ring herself is a detriment to any given situation.

If you can justify exposing the ring to potential capture in the first place considering that there seems to be no requirement to do. By all rights the practical thing to do is just keeping Plagg in the box instead of risking reality.

Of course we wanted to be generous, Adrien could still be of some use. He's the resident meatshield and narrative jobber. So long as he has a Miraculous he could continue faithfully serving in those roles, eating up mind-control beams and taking hits for Bug Noire so she can save the day as usual.

But everyone else on the Miraculous team might as well turn in their furry super-suits and go home.

-

You couldn't get a more black white depiction of the value of others outside of the protagonist. in Avatar, Aang is literally a semi-divine being who still needs to be humble and learn while the others around him still have useful special talents and prowess that he can't simply attain at will.

While in Miraculous, there's only one person of actual true competence. From Paris to Shanghai, Marinette alone is the capable one- barring the odd episode in the limelight (Alya and Felix stand up and take a bow. Adrien can stay seated).

There is a word for a character that is impossibly more capable than any other in spite of all reason and logic. And Marinette is increasingly fitting that mold as the show goes on. There's also a term for characters that ultimately contribute nothing good or bad to a story; wasted space. You can't have an entire ensemble of characters as part of the cast and have them provide nothing if they're supposed to have even a smidge of narrative value without making them something the story would be better off without.

Just as you can't just have one person at the centre of everything, make them capable of everything and not eventually have the story they're in turn into (at best) a power fantasy.

And it's a shame. Because Miraculous seemed like it could have been a lot more.

[ba9go]

to fall in love with soulmate!bakugou katsuki

the soulmate au nobody ever asked for. in which red is your favourite colour, and also the colour of katsuki's eyes.

bakugou katsuki x gn!reader

you've always considered it one of your greatest blessings, being in class 1-a.

it's where you got to meet some of the brightest people at u.a. high. you were supported by amazing teachers and got to grow alongside the best classmates you could ever ask for; without 1-a, you wouldn't be half the pro-hero you were today.

but most of all, that's how you met your soulmate.

growing up, you never really believed in soulmates. you knew soulmarks existed. you've heard stories, of magically-appearing matching-coloured bands around the wrist and perfectly-synced unmatched chemistry between lovers simply destined for each other. it all sounded too good to be true.

you were 13 when your parents (who were "soulmates") decided to split after almost 20 years of marriage. you told yourself right there and then, that you would never live your life waiting for some magical moment, for the stars to align, for sparks to fly. what was the point?

you were 15 when you met your soulmate.

bakugou katsuki. when you first met him, he was loud, obnoxious, and absolutely unbearable. he was an egomaniac, an asshole to everybody. when you first locked eyes with his, you felt a burn sear across the skin of your wrist.

in the red of his eyes, you saw red. nevermind that red was your favourite colour — you were angry. angry that this guy just had to be your soulmate. your other half. but you also felt smug. smug that you were right, about soulmates meaning jackshit.

you couldn't read bakugou's expression. you didn't bother. you simply turned around and walked away.

you stopped by the nearest family mart and bought a concealer. you got back to your dorm room. seated on the cold tiles of the bathroom floor, you finally allowed yourself to look down at your wrist.

again, you saw red — a single, braided cord tattooed around your wrist. of course, it had to be red. you dabbed at it with your newly-bought concealer until it was gone.

you don't miss the way bakugou stares at you, at your wrist, when you walk into class the next day. his eyes narrow, his face twists into a scowl, and you feel oddly satisfied.

but a soulmate isn't that easy to get rid of, apparently. especially when he's your classmate.

the moment you saw his quirk, you understood that bakugou katsuki was a force to be reckoned with.

bakugou katsuki was relentless. he was driven, ambitious, confident, and strong. and he only got stronger, and stronger. and you refused to fall behind him.

you couldn't take your eyes off him. you were afraid that if you blinked for even a fraction of a second, he'd go on without you and you'd miss out on his metamorphosis into a true hero.

into somebody you could actually love. and no, not just a fleeting love. a love that could last you a lifetime.

you don't take your eyes off bakugou katsuki. you watch him, furiously attentive with awe and fascination and spite. watching katsuki ignites something in you that you don't understand. well, not yet.

sometimes, your gaze flickers to katsuki's right wrist, to the red string wrapped around it, and your stomach twists at the reminder that bakugou katsuki was not just your rival; he was, in theory, the other half of your soul.

you continue denying this fact until bakugou forces you to face it.

after a particularly gruelling day of quirk training, you're completely spent. you're exhausted, hunched over the water cooler and taking mouthful after mouthful of water. when you stand back upright, your feet wobble and your knees buckle but you're steadied by a strong hand clasped on your shoulder.

you jerk at the touch, and you whip around to see bakugou katsuki standing next to you. you wrench yourself out of his hold and bakugou rolls his eyes at you.

"better not pass out," bakugou grumbles. "m'leavin' you and your beat-up ass here if you do."

"fuck off," you spit. "i don't need your help." you pass out as soon as you finish your sentence.

bakugou catches you and easily gathers your tired and bruised body in his arms. you wake up 3 hours later in recovery girl's office, with a pounding headache and, on the nightstand, a bottle of water and a box of aspirin.

you reach over to grab 2 pills and you realise that the concealer on your wrist has been smudged off. it's also then that you realise the brand-new concealer that's also on the nightstand.

the twist of your stomach is all too familiar, and it's then that you decide that you're done running away from your soulmate.

later, you find yourself knocking on his door. he opens the door after roughly 18 seconds of knocking and you're greeted with a gruff "fuck do you want" until he realises it's you, and he takes a step to the side to let you in.

you stand awkwardly in the middle of his room, until he snorts, taking a seat on his bed and patting the spot next to him. you oblige.

it's quiet, and you realise you don't exactly know what to say. "thank you"? "i'm sorry"?

"so?" bakugou asks expectantly. "what, wrong brand of concealer?" he raises an eyebrow, somewhat amused.

you know he's joking, but you still flinch at his words.

"no, that's not it," you say, shaking your head quickly. "i just... well... i..." before you can stop yourself, you're crying.

bakugou catches on and offers you a tissue. you don't know why he's being so nice to you, but you mutter a quiet "sorry, thanks" and accept it anyway.

your hand brushes against his as you take the tissue, and you see the exact moment bakugou realises that for once, you don't have concealer applied to your wrist.

bakugou's frowning.

you don't know what you were expecting, showing up now at bakugou's room after ignoring him for most of the year and blatantly disregarding the fact that the two of you were soulmates. of course you should've known that he'd be upset.

"i'm sorry," you croaked. "for everything. i avoided you for so long, i was just so scared, i didn't know you back then and i wasn't ready to—"

bakugou holds your wrist so gently. you realise that he's still looking at the red band around your wrist, and your chest tightens at the uncharacteristically soft look in his eyes.

a small smile graces his lips, and it's like a weight is finally lifted off your shoulders because you finally get it.

bakugou katsuki is your soulmate.

"you're my soulmate," bakugou says simply, finally looking you in the eyes, and you know he's known all along but you can tell that he's sure of it now.

because you're sure of it now, too.

"you're my soulmate," you smile. you meet his gaze shyly, and as you stare into the red of his eyes you realise that red has always been your favourite colour.

i hope you guys enjoy reading this as much as i enjoyed writing this ❤️

taglist (thank you for your support!!): @anicaaa67 @maddietries @valeriyaaak @v3n7s @deimosjay @zaiban2989 @girls-overflower @notmeduhh @dreamcastgirl99 @busdriver-move-that-ass @atashiboba @kathsuhki @armeenix @channnee @antiwhores @sukunasbottomlefteyeball @kenqki @vikizzy @thesimpybitch @eempxth @hanta-seros-wifey @itztaki @thekidscallmebosss

[nagitosstolenhand]

i don't like the growing opinion that people are being 'too hard' on deku for his failing to save shigaraki.

i've seen quite a few people complaining that a lot of the bnha-critical crowd are being too mean to deku for getting tomura killed, arguing that it isn't really his fault, and that hes a 16 year old child soldier who's been failed by almost every adult in his life, why should we be putting all of this on his shoulders? hes just a kid after all?

and the truth is, they're right. deku IS a 16 year old boy whos had the fate of the world thrust on his shoulders. but the story itself just plainly refuses to acknowledge this.

the narrative doesn't acknowledge how fucked up having a school that trains literal children how to be combo cop-celebrities is. it only tentatively acknowledges the fact that a universe having combo cop-celebrities is fucked up, and even then the only people who ever point this out are antagonists, who are portrayed and treated in-universe as untrustworthy. the narrative doesn't care how fucked up dekus circumstances are. the narrative treats deku like hes a fucking messiah here to touch the hearts of the evil depressed villains with his magical empathetic heart of gold before they get blown up or just sent to fucking superhell for daring to challenge the status quote.

deku isn't a person. he's barely even a fucking character at this point. he's a plot device, and a mouth piece for the objectively shitty themes bnha is trying to spout. the themes that tell you that if you're mistreated by society and want to do something about it, you're a villain. that disrupting the status quote and refusing to repent to some random teenage boy spouting empty platitudes at you means you deserve to get sent to fucking superhell. the themes that portray people fighting for civil change as mass murdering supervillains. the themes that look the audience dead in the eye and can call deku the greatest hero to ever live.

deku, who barely spared a second thought to lady nagant telling him the truth about the hero commission. who spouts meaningless platitudes about heroism and morality at nagant, and aoyama, and toga and shigaraki, when even the thought that he should question the world around him comes up. who's constantly talked about as this truly kind, empathetic person, but hasn't spared an empathetic thought to literally anyone who is classified as a villain. who listened to every authority figure around him except the ones who asked him to question his worldview. who saw la bravas tears, shigarakis various breakdowns, himikos plead for understanding, chisakis catatonic state, lady nagants truth, and barley batted a fucking eye. deku, who killed tomura shigaraki.

people don't criticize deku for failing shigaraki because they just hate deku. people criticize deku because of what he represents. because hes a mouthpiece for the atrocious morals and themes of this ideologically rotten manga. because any character he had was chopped up to bits in favor of the incomplete husk we have now. people criticize deku because hes the main character of my hero academia. theres nothing more damning then that.