#“love it when problems solve themselves”

[sickfictropes]

A supernatural caretaker cursed to do Whumpee's bidding. A whumpee who tries not to abuse their power, to let Caretaker keep the last shreds of their independence even under a spell of such a nature.

naturally this leads to Caretaker helping Whumpee out with all sorts of things, since they're bound to them anyway. All Whumpee has to do is call and Caretaker is there instantly (maybe teleportation?) to solve any problem, retrieve any object, vanquish any foe. Their power is limited of course, but they're quite the ally to have.

but the drive to obey Whumpee's orders is stronger than the drive to help them, at least to the magic. If Whumpee gives a command, Caretaker must follow it. Even if it's not aligned with Whumpee's wellbeing.

"Please, let me help you! Whumpee, please!"

"I don't need help. You're dismissed."

(and then they're forcefully teleported away to the ether or wherever they reside when they aren't in assistance)

oooh this is similarish to another trope i love, which is pulling rank on a subordinate to make them take breaks or go to medical!! someone who has power over whumpee trying to use it to make them take care of themselves!

[anangelforsure]

Dave Miller and Frontal Lobe Injury: an analysis?

There is so much to say regarding Dave’s mental state, many angles to approach from. As a psych major (with very little actual knowledge about the brain, mind you, but so tumblr users ever let lack of knowledge stop them) I want to talk about frontal lobe damage. One of my professors brought up the symptoms of said damage causing aggression and emotional issues, and I latched onto to that for later, to write this very essay. I used mostly Wikipedia as my sources for this, but this is tumblr, so that is allowed. Anyways, let us begin with a quote from Henry to set the stage:

“Once a month, I anesthetize William, and remove one of his vital organs, or typically, a portion of his brain. Usually, tissue from the frontal lobe due to it being a generously accessible mass of neurological material.”

The most notable function of the frontal lobe is what is known as “executive functioning”. This label encompasses processes such as planning for the future, setting goals, time management, problem solving, impulse and emotional control, flexibility (adapting to change), and stress tolerance. This portion of the brain is associated with personality and speech production. There is said to be a possible link between the frontal lobe and someone’s will to live, apparently.

“Surprisingly, William doesn't seem to be suffering from dementiated memory loss, but rather, a shift in personality. His conscience is unburdening itself, and he has begun to ask substantially fewer questions about the ethics of our work.”

Memory loss is often thought to be a symptom of frontal lobe damage, however what is seen is actually a deficit in ‘working memory’. Working memory involves the ability to focus attention on a task, as well as the action of retrieving information from stored memory.

What is a symptom of frontal lobe damage is disinhibition, also known as impulsivity. Impulsivity is defined as ‘making choices, or taking action without thinking about the results’. This is concurrent with what Henry observes, Dave is losing his inhibitions, giving less thought to the implications of murder. Manipulating a vulnerable child is no great feat, but it probably became even easier to suggest things to Dave in his disinhibited state.

Another behaviour that increases with frontal lobe injury is risk-taking-‘To jump at the opportunity of a reward, even if the likelihood of receiving the reward is small’; things like gambling addiction demonstrate increased risk taking. This too fits with Dave’s behaviour, he would do just about anything, kill and die over and over for Henry, for just a glimpse of the twisted attention he sees as love…

Already likely traumatized and desperate for connection as an orphan fending for himself, it figures that Dave should be predisposed to attachment issues. He had no parental example to build his ideas of healthy attachment from. Familial bonds are a vital part of child development. If I may, I want to pull from theories like Erik Erikson’s- which posits that there are a number of stages humans must go through to become stable adults. The most basic stage asks the question of ‘trust vs mistrust’, where, ideally, an infant is treated with care and so learns to trust in others. Dave however, never had that care. He was never allowed the luxury of trusting someone else. Living in a constant state of self-defense does not tend to contribute to healthy development. Many victims of childhood trauma find themselves stuck, so to speak, in a childish state of mind, or regressing to childlike behaviours when distressed. This can be due to these individuals lacking healthy coping mechanisms , which should be formed during healthy, secure development.

Humans are observant creatures, and Dave learned his ideas of ‘love’ from the one person who showed him any sort of attention in his childhood. Take, for example, this interaction between Jack and Dave.

“I thought you loved me, Old Sport”

“You’re a fucking eggplant”

“I thought I was your fucking eggplant”

We can look at this through our past observation of Dave building his ideas of affection off of Henry’s treatment of him. Dave’s non-reaction to being insulted suggests that Old Sport may speak to him like this regularly. Pairing this with Dave’s belief that Old Sport loves him..It is possible that Dave is repeating patterns from his childhood, attaching himself to people who show him the same kind of “love” that Henry did.

Another thing we know about Dave is that he is a pretty vulgar person. Whether or not this was true of him before his surgeries, is unknown, but here is a quote about the most famous survivor of frontal lobe damage, Phineas Gage:

“after the man recovered, and while recovering, he was gross, profane, coarse, and vulgar, to such a degree that his society was intolerable to decent people.” Allegedly, he was not like this before his accident. (Full transparency, Gage’s case is shrouded in misinformation, and is often dramatized, but still, interesting if true). Frontal lobe damage has been said to impact the personality of the victim, so perhaps Dave could have been made a bit more intense by his surgeries.

“William cannot follow simple instructions, cannot control his emotions, and is even too afraid to leave his vessel for even a second, even when incentivized with controlled shocks.”

Emotional dysfunction is another symptom of frontal lobe damage. In my image of it, it’s somewhat like the frontal lobe fighting with the primal instincts. When the frontal lobe gets damaged, the more animalistic traits have more pull. Aggression is also observed in those with frontal lobe injury because of this.

Some examples of Dave’s emotional issues include: his obsession with Old Sport. He has extreme reactions to Jack’s decision to join him or not (“I sure am wild about old sport” vs. “he’s going to pay for this”). He even goes as far as showing up with intention to shoot up the restaurant in one route if Old Sport turns him down, saying “this is the last time you break my heart”.

[Keep in mind though that Henry has his own slew of problems. He is far from an unbiased account, and may be misrepresenting Dave’s behavior. ‘Refusing to leave the vessel’ as he put it, is not an indicator of impaired brain function, in fact quite the opposite. Why the hell would anyone in their right mind want to do that]

If you made it this far, thanks for reading! In summary, I think Dave would definitely be a contender for a frontal lobe injury diagnosis, if we didn’t already know Henry stole it from him. It may even explain some of his erratic behaviours!

(If you see a typo,, please let me know. It’s like. 1am as I type this out to post hehe)

[ambernotember]

Ahem.

Points at whiteboard. 

Okay, Moulin Rouge AU. (Based on the musical not the movie)

Buck (Christian) is a young singer/songwriter from Pennsylvania who moves to Paris to pursue his dream and the bohemian lifestyle. 

He immediately runs into Chimney (Toulouse-Lautrec) and Eddie (Santiago). He helps them finish their love song and goes with them to the Moulin Rouge to try and audition it for the headliner at the Club, Tommy (Satine), who is famed for his voice and his dancing.

Meanwhile, at the club, Sal (Zidler) comes into Tommy’s dressing room to let him know that a Duke (Ortiz’s son) will be at the club that night and wants to meet him. Sal is hoping Duke Ortiz will invest in the club, as they are running in the red and he doesn’t want to close it down. Tommy agrees to meet the Duke after the show. 

Buck, Chimney, and Eddie arrive at the club. Athena, Sal’s head of security, warns Chimney and Eddie they need to pay their tab before Sal sees them. They head to the bar, where their favourite bartenders, Hen and Maddie, pour them some drinks. 

They get settled into a box and wait for the show to start. 

Meanwhile, Duke Ortiz arrives and is shown to a box by Bobby, former star of the club and now head of house in his retirement.

The show is, of course, phenomenal. Tommy descends from the ceiling for the finale in a dazzling costume. Buck is in awe. So is the Duke. 

Sal grabs Tommy after his performance and tells him the Duke is waiting in a box for him. Tommy, of course, sees the box that Buck is in and is immediately taken with the handsome young man. He makes his way over to the box, introduces himself to Buck, and they dance. 

Chimney and Eddie create a distraction with Hen, Maddie, and Karen, another singer at the club and Hen’s paramour, to distract Sal from seeing Buck and Tommy together.

Tommy, unaware that he is speaking to completely the wrong person, invites Buck to his private room in the elephant above the club. Buck, meanwhile, is thrilled that this is going so well and he will get to audition his new friends’ show for this fantastic performer. Maybe the dancing was so Tommy could see his skill level and figure out what the show could look like? 

Tommy heads upstairs to get ready, and Buck tells Chimney and Eddie the good news. They cheer him on and send him upstairs, heading for the elephant’s balcony themselves so that they can help sell the show.

Tommy meets with some of the other dancers before Buck arrives; they discuss the state of affairs of the Moulin Rouge and Sal shows up and admits it is that bad, and Tommy getting the Duke to invest could solve all their problems. 

Buck goes to Tommy’s dressing room, where Tommy has changed into something… a little more comfortable. He offers Buck champagne, and Buck completely stumbles over himself trying to explain why he’s there. Again, Tommy and Buck are having two completely different conversations. Buck bursts into song, which Tommy loves (he’s a sucker for romance, okay?). He gently lifts Buck’s chin with two fingers and kisses him. 

BUT THEN — Sal knocks on the door and says the Duke is there to see him. Tommy stares in horror at Buck, demanding to know who he is. Of course, this is when Chimney and Eddie tumble in from the balcony, and the four of them collapse into a heap just before Sal opens the door and he and the Duke enter.

Tommy and the three idiots scramble to tell the Duke about the play they want to put on, which Tommy sells to the Duke as being something he can sponsor and be responsible for — it’s going to be a spectacle unlike any other. 

The Duke agrees to think about it and leaves to discuss business with Sal. Chimney and Eddie scramble out of the room and Buck and Tommy are left alone. Buck is practically falling all over himself trying to apologize. He thought Tommy knew who he was, he wasn’t trying to trick him, etc. Tommy assures him he has nothing to apologize for, and tells Buck that he has to be with the Duke to save the club, and that nothing can happen between them. Buck immediately says he wants whatever Tommy can give him, they can be together in secret, he doesn’t care if Tommy’s with the Duke as long as he can be with Tommy too. Tommy is enchanted by this young songwriter and of course agrees. Tommy realizes that he doesn’t even know his name, and asks what he should call him. Buck blurts out “Evan” before he can think about it.

The Duke and Sal come to an agreement, but it’s not an agreement that's in favour of the Moulin Rouge; the Duke is going to own the club, and everyone there will work for him. And Tommy is his.

Buck meets back up with Chimney in Montmartre; Chimney tells Buck that he and Tommy have known each other since they were quite young. Chimney had feelings for him a long time ago, but he was never comfortable enough to tell Tommy that. He’s seen Tommy with lots of men, but no one who truly loved him, though that’s all Tommy wanted. He encourages Buck to go after Tommy. Buck confesses Tommy is the first man he’s ever kissed, that he never even knew it was a possibility, but he can’t imagine being with anyone else now. 

END ACT ONE

[superman86to99]

Superman #93 (September 1994)

ZERO HOUR CROSSOVER! Due to the time-related shenanigans going on around the DC Universe, Superman meets his Kryptonian parents again -- and this time, his mom doesn't want to puke when she sees him! In fact, she even gives him a motherly kiss. Aww.

We start with Supergirl fighting some 68th century aliens who found themselves transported to present-day Earth and apparently figured they might as well invade it. Superman drops by and deals with the aliens via his usual approach to problem-solving: he just chucks their ship back into space.

As the heroes land back in Metropolis, Lois Lane hands Superman her cellular telephone because he has a call from Ma Kent, who sounds pretty panicked. The call abruptly cuts off, and there's a dramatic moment where Superman wonders if he can really leave the whole "the universe is in danger" thing aside for a while...

...before deciding that, yes, his mom is more important, obviously.

So, Superman flies to Smallville to check on his parents, only to find two surprise characters in their home: freaking' Psi-Phon and Dreadnaught. Wait, no, it's his other parents, Jor-El and Lara, just standing in the Kent's kitchen. Jor-El explains that, after sending little baby Kal-El's rocket to Earth all those years ago, they realized Krypton wasn't exploding after all, whoops. A scientist called Jen-Em had figured out how to stall the explosion, and then, after years of work, they managed to cure Krypton of its explosive tendencies for good.

Superman quickly figures out that this must be the result of the weirdness caused by Zero Hour (after all, he's been to Krypton and saw that there's nothing but a big ball of green gas there), but he agrees to put on a Cyclops-esque visor that will show him Jor-El's story in more detail.

Through the futuristic Viewmaster, Superman learns that in this timeline, Krypton's near-death experience caused the Kryptonians to re-evaluate their priorities and abandon their cold, emotionless ways (hence this Lara not being repulsed by her son). In fact, Lara became the first modern Kryptonian to get pregnant and have a child the old fashioned way -- meaning that, yes, Superman has a brother, Zan-El. Zan not only grew up to become "prefect over the entire planet" (so, world president) but, more importantly, he also brought back the shorter togas and fashionable headbands of Krypton's ancient, Mike Mignola-designed past.

Meanwhile, Jor-El had spent all those decades working on a cure to the genetic defect that kills Kryptonians if they try to leave the planet. He finally came up with a serum that temporarily allowed him and Lara to visit Earth, but it's already wearing off. So, Superman has to decide quickly: will he go live in alternate, non-exploded Krypton with his biological family? Or will he stay with his adoptive one that actually raised him and made him who he is?

Superman agonizes over the choice for a moment, but then he's like "hey, wait a minute, I can just go visit!" He informs the Els of his decision and they're overjoyed -- until a poorly-timed thunderbolt full of chronal energy strikes their spaceship and erases them from reality.

"The last son of Krypton is orphaned once again." Damn, Jurgens.

Metron of the New Gods comes to remind the grieving Superman that all the other superheroes are waiting for him at Zero Hour #3 (now on sale!), but Superman says they can wait a little longer because he has something important to do: hug his Earth parents and tell them he loves them.

CONTINUED IN ZERO HOUR!

Plotline-Watch:

This is a classic issue, obviously, but my problem with it is that one of the "next issue" blurbs in another Super-Title had teased it as "Guess who's coming to dinner?" -- and yet there's no scene of the Kents and the Els enjoying any type of meal. I haven't read the recent Zero Hour 30th Anniversary Special by Jurgens (I will once we're done covering the event), but this scene better be in it.

At the start of the issue, as she fights the aliens, Supergirl sees the Superman hologram that he and Metron created with Green Lantern's help in Zero Hour #4. We'll go over every DC comic that got spammed with green holo-Superman in another post.

It greatly pleases me that Superman specifically mentions the time, exactly 75 issues ago, when Hawkman took him to see Krypton's remains (at which point Superman hallucinated a timeline where the Kryptonians survived by becoming even bigger assholes). Sure, it later turned out that this was an evil Hawkman impostor who inexplicably helped save Superman's life, but Superman probably doesn't know about that whole mess, plus I think Zero Hour is about to delete it from continuity anyway.

The reason for that genetic link to Krypton that Jor-El mentions was the Eradicator, as revealed in Action Annual #2, but Jurgens also refrains from opening that particular can of worms in this comic (especially since the Eradicator is currently running around with a superhero team and even appears in Zero Hour).

Metropolis Mailbag:

Imagine our delight (and our embarrassment) when we opened the newsletter archive page for Man of Steel #37 last week and saw there was a comment there from Mr. Jon Bogdanove himself, which had been sitting there unanswered for over a month! Agh! Here it is in full:

"Don—Outstanding job identifying all the Batmen ( You even got Walt!!). The only one you didn’t get reflects my failure. What you guessed was Marshall Rogers was meant to be Bernie Wrightson. However I deeply regret NOT including Marshall. I really should have. I also left out Norm, mainly because I didn’t think I could do him justice. I tried a few sketches and was able to identify a number of tropes we took a similar approach to—but I just wasn’t satisfied that I could really nail Norm—at least in the time I had left. Teaching myself all these different styles really pushed the drop-dead deadline to the limit. I really put poor Dennis and Whitty under the gun on this one. I did learn a hell of a lot drawing this issue though. Nothing like studying the masters to help you learn!! BTW: Weezie and I love that everyone hated Jeb so very much. One gets to draw many villains in one’s career, but rarely does one get to create so dislikeable a douchebag! I consider Jeb a genuine achievement. I know 90’s Jimmy annoys some people, but to me Jimmy was always meant to be comic relief. I liked playing Jimmy as this doofus kid with a middle-aged dad’s sense of cool. He still cracks me up. I would love to do a Retro look at Zero Hour—perhaps a vignette from that same night— in which 90s Jimmy meets himself from various other timelines—Golden Age office boy Jimmy, Silver-Age drag queen Jimmy, Kirby-era Jimmy, etc. I’d dedicate it to Max!"

And my shamefully late response (gonna go ahead and blame the time disturbances for it):

"I am mortified that we hadn't seen this comment until now! (Didn't realize the newsletter wouldn't alert us, argh) Sir, if you don't draw that Jimmy idea, I swear I will commission it from you one day. I would add Turtle Boy Jimmy, My Adventures with Superman Jimmy, and of course bald, Superman-hating Jerry Ordway Jimmy. Just no Jebs, please."

(I now check the newsletter archive pages for comments 75 times a day, unless I forget.)

Shout Outs-Watch:

Time-displaced shout outs to our SUPporters, Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Dave Shevlin, and Dave Blosser! Join them (and get extra non-continuity articles; the latest one was about Superman fighting a guy called BONECHILL in the 1989 cartoon) via Patreon or our newsletter’s “pay what you want” mode!

And now: more from Don Sparrow, who sent me his section weeks ago but it also got lost in time (actually, I decided to cover Zero Hour #4 first). Keep reading:

Art-Watch (by @donsparrow):

We open with the cover, and while it’s a bit broad, it’s certainly accurate for the story within.  I kinda dig that “DC Universe” trade dress, though it didn’t seem to last very long.  Inside the issue, we’re met with a lovely full-page splash of Supergirl amidst a LOT going on—thunderclouds, lightning, a firing spacecraft and a Star Wars style holographic projection of Superman.

I wasn’t sure which review to tackle first, Zero Hour #4, or this one, but since they seem to take place more or less at the same time (with the holographic message coming early into issue 4, but the New York meeting coming in Zero Hour #3), I flipped a coin and went with this one as happening first.  As the story progresses, Supergirl gets an assist from the Man of Steel in dealing with the timelost aliens, brusquely tossing them into space.  This issue exemplifies a trend I’ve noticed with Jurgens’ layouts since the Death and Return storyline—he uses a lot fewer panels per page than he once did, often with a near full page splash and then two or three panels laid overtop.  Visually, it’s very arresting, and Jurgens knocks the background splashes out of the park—on pages 4 and 5, despite being nearly identical scenarios (Superman and Supergirl flying in a stormy sky), they’re both so well handled, you don’t even mind the repetition.  But from a storytelling standpoint, it really does feel like a little less to read each issue, so the Superman issues seem a little thinner in terms of what actually happens.  Anyone else notice this? [Max: For me at the time, the shorter plots were balanced out by the fact that I spent more time looking at the big, awesome pictures, as opposed to the smaller, lamers ones in the backissues I was buying, with all that wasted white space between panels. I'm paying for the full page to be used, dammit!!!] 

Back to the art, page 7 has a great drawing of a pensive Superman. Page 9 is a great image, but a bit of a missed opportunity—the last panel would have been more impactful had Jor-El REALLY looked identical to Kal-El (which I’ve mocked up). [Max: I also made a small change to the panel, see if you can spot it...]

I do appreciate Jurgens’ and Rubinstein’s effort to still give the Els expressive faces, without eyebrows.

As Jor-El shares the alternate history of Krypton, Superman in the VR visor is pretty reminiscent of Cyclops from X-Men.  It’s compelling to see the flowing outfits that Zan-El and his bride wear, in opposition to the robes of Jor and Lara—much more like the early more Roman look shown in the first issue of the World of Krypton series.  My guess is the group that attend Zan’s nuptials are all members of the El family--I had thought that the different Kryptonian houses would wear different colours rather than everyone in green, but aside from the odd panel from Action Annual #2, I can’t seem to find much corroboration of that assumption.  The sweet image of Lara giving her son a peck on the cheek is quietly powerful, with a great expression on Superman’s face on page 17.  Lastly, the tragic page of chronal discharge (which sounds like a rap metal band name) and electrical storms is well drawn.

SPEEDING BULLETS:

When Superman is hemming and hawing over whether to focus on the extinction level event the superheroes are facing, or head to the farm to help his parents, Supergirl posits “There’s only one choice and you know it.”  I completely thought that it was setting up for him to focus on saving all of humanity rather than popping home for a visit.

Perhaps it’s because they were trying to have the Zero Hour books serve as a jumping on point for new readers (particularly the zero issues, which are coming soon) but some of the dialogue in this issue feels clunkily expository, like when Superman reminds his fiancée Lois and quasi-family member Supergirl that the Kents “may not have been {his} genetic parents, but they’re real as they come”, or later when Superman explains to Jor-El and Lara (and the reader) about Krypton’s explosion, and the Matrix chamber rocketship.

They kinda gloss over whether there was any fallout about being wrong about Krypton exploding, though I suppose it was more about Jen-Em stabilizing the core rather than Jor being wrong. [Max: "Krypton is gonna blow up, guys" is definitely a meme among the current Kryptonian generation because the scientists did such a great job stopping it, like Y2K or the hole in the ozone layer here.]

Have we ever seen a post-Crisis Kryptonian depicted as having anything but black hair? [Max: I'm pretty sure there were some non-black haired ones in World of Krypton, but it's hard to tell with the eyebrow-less, nun habit-wearing ones. It's possible they made other hair colors go away once they got all into eugenics, though.]

It’s interesting that this alternate Krypton goes one step further than Byrne’s origin, regarding the Els.  In Byrne’s history, Jor-El was a rebel in his society because he had actual affection for his lifemate, Lara.  The notion of natural conception and birth goes even further than that, and was explored in the Man of Steel film, where (spoiler alert?) Kal himself was the first child naturally conceived in love in generations.

This issue also reveals that the familiar robes and headpieces worn by Jor-El and Lara aren’t simply traditional garb, they’re referred to as life support suits.

Though the Kents are worried about losing Clark to his Kryptonian parents, Jonathan is all man, which explains why he picks this particular moment to go to second base with his elderly wife. [Max: He instinctively wanted to get working on a replacement son, forgetting he's been shooting blanks since youth...]

While Superman cries in anguish at seeing his biological parents detonate, Metron simply refers to them as “unfortunates”.  All heart, that one.

Missed an issue? Looking for an old storyline? Check out our new chronological issue index!

[shallow-wordsalad]

reading recent stories of Magic: The Gathering's lore has reminded me of the importance of avoiding the Idiot Ball when writing. the latest two chapters of Phyrexia: All Will Be One's story have been a sequential and rapid passing of the Idiot Ball from Kaya to Kaito to Elspeth and it lead very quickly to the villain getting what they wanted through no action of their own. we did a whole thing about going to the past, getting in contact with the person who originally beat Phyrexia, getting an extra copy of the ultra-bomb he used to destroy them, and bringing it all the way to New Phyrexia's portal-opening magic god-tree before Kaya went "hey what if this explosion hurts someone innocent". somehow that one freaking sentence was enough for Kaito to go "hey yeah wait this is a bad idea we shouldn't do this", and Jace - poor friggin' Jace - was just flabberghasted and left holding the bag going "buh - w, wait, hold on, we're already here, we HAVE the bomb, we're good to go!" but, nah, Kaya and Kaito made their moral decision in a split second and by god they're going to defend it come hell or glistening oil. and then, as if that's not bad enough, Elspeth catches up with them after Jace manages to finally activate the Sylex - doing the thing they were trying to do at the start of this entire extremely-lethal excursion - and SOMEHOW knew there was some kind of moral debate happening and that she disagreed with Jace. so he gets freaking stabbed, and she disappears with the bomb to blow it up somewhere else - somewhere where a lot more innocents are likely to get caught in the crossfire. or, since she took it to the Blind Eternities, possibly WAY WORSE - the entire argument was about not knowing if the Sylex's blast-radius could cross the Blind Eternities, so I guess we're gonna fuck around and find out? nice work fellas, we blew up innocent people and didn't even graze the robo-zombies we wanted to blow up in the first place. the same robo-zombies who are about to spread all over the Multiverse and kill everyone anyway.

I don't mind the villain winning, but the state of things in MtG's lore is such that Elesh Norn conquering the Multiverse is really more a testament to the absolute idiocy of the heroes than the ruthless efficacy of Phyrexia. it reads less like a masterstroke of villainous planning, or even just one crucial mistake at the worst moment, more like a D&D party who just couldn't get their shit together for so long that the DM just called it off with Rocks Fall Everyone Dies. this was a series of colossal fuckups and leaps of unfollowable logic, and somehow in pre-written story, someone managed to metagame information they shouldn't have had.

seriously, this? "Somehow, in that moment, she understood everything—what Jace had resolved to do, what was about to happen not just to Mirrodin but to the Multiverse itself. Elspeth saw, with perfect clarity, what needed to be done." this is garbage. yeah, SOMEHOW, Elspeth knew all this very specific stuff that everyone else only had just guessed at two seconds ago, and only decided upon one second ago. what do we need Jace for anyway, Elspeth is clearly some kind of mind-reading precognitive psychic on the level of someone reading a script a page ahead.

jesus christ. if you're going to have doubt and infighting among your protagonists, at least have it make sense. these idiots had an entire plot arc to think about the consequences of the Sylex's use, and only decided to question it at the very-literal last second with the worst conclusions possible. it not only cost the heroes a victory, but it cost the integrity of the story as a whole. this sucks.

[chimerafeathers]

there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front

how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes

all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).

it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?

why can't laios take things seriously for once?

[softshuji]

The idea of someone actually loving me, being excited to see me, spend time with me ,speak to me, thinking I'm pretty or smart and nice and not because they need something from me or they think I can provide something for them is so unfathomable to me that even if someone does love me I don't think I could ever believe it's because it's me and they really care for me and not cos they see something in me that doesn't really exist or a solution to their problems or something to use till the next person that provides what I can comes along.

[bylertruther]

i don't like season three when viewing it as a continuation of seasons one and two, but i do very much like season three when viewing it as the prequel to seasons four and five... hmmmmm.

[shynerdwantscuddles]

Lol I lost a few followers over posting stuff about being Jewish and condemning antisemitism. Goodbye little hitlerites, you won’t be missed 💋

[lisbonsteresa]

eating glass licking rust etc etc

[pezpenser205]

me being largely nonhuman/antihuman and a lesbian, therefore being forced by my brain to be attracted to humans has actually allowed me to fully understand how men attracted women who say they wish they were lesbians are real and based and do not deserve the hate they get. like girl i get it thats literally how i feel about you.

no offense to the good humans out there #notallhumans <3

[pureconancommentary]

I actually feel really bad for this guy. The plot the audience is gonna be focused on is the murder and who-dun-it, but we don't learn the actual tragedy until the end of the case. But this guy already knows the tragedy is going on even before there's a death involved.

Like, because he's an old friend and not in the industry anymore, he's the only one Tatsuya confided in about the current situation with the band. About him being pressured to go solo and break away from the band, and he knows that Tatsuya doesn't actually mean any of the hurtful words he's constantly throwing around right now. He knows Tatsuya's being a jerk to make his friends hate him so that they won't feel bad about him not being in the band anymore. (Or, in general, he knows why Tatsuya is a jerk to the manager even outside of leaving the band, and probably wishes he were more direct about his feelings with her.)

[batmanisagatewaydrug]

Stephenie Meyer's sci-fi novel The Host is like. it's almost so much. the alien bodysnatchers at the center of the plot are like Animorph's yeerks if they got really into cottagecore. no, they don't want intergalactic war and domination! they want intergalactic peace and domination! they make every planet they visit a peaceful socialist utopia and like, okay, yes, they have to violently take over the bodies of a planet's native inhabitants to do it. yes, they have to suppress the unwilling minds of their host bodies. yes they are for all intents and purposes committing a genocide of their chosen planets' initial inhabitants and then puppeting their husks around playing at homogeneous, sanitized versions of the cultures they destroyed. the alien main character mentions that even episodes of the Brady Bunch were scrubbed because they were deemed too violent. and they call themselves souls, which is so loaded on so many levels. impossible not to read into the spiritual connotations, especially when written by an author coming from the mormon church which so highly values mission trips. just by sympathizing with humans who don't want to be possessed, by helping them hide out and stay free, our protagonist becomes a pariah, an outlaw from her own society. peace is valued above all else but not peace for the colonized, who are meat to be processed. it's better this way. they had so much potential but squandered it with foolish violence so now we have the right to overtake them and make them live correctly. isn't it beautiful now? isn't everything perfect? there's like almost so much happening in this story except Stephenie's a fucking mormon so she never draws any meaningful connections to anything and the happy ending is that the alien brain parasite protag is gifted the body of a beautiful coma patient that she can "ethically" puppet around, easy peasy problem solved. also there's a fucking love triangle.

[microwaving-tesilid-argente]

reread my trio fic the other day and realised to my horror that my characterisation of them has flipped. again.

[neverendingford]

.

[fishnapple]

You in their eyes, how do they see you?

(Future spouse/partner/lover)

This is a general reading meant for multiple people. Take only what resonates and leave out the rest.

Your feedback is much appreciated. If you find the reading resonated with you, leave a comment, I’d love to know 🎐

About me | Masterpost Book a reading with me - KO-FI (→ personal reading)

MAELSTROM

• Spirit animal: Turtle

You're a balanced combination of both soft, mysterious energy and firm, assertive energy. They can definitely see that you have mental compatibility with each other. Words flow between you effortlessly, conversations would take hours without anyone noticing time was flying by. They can talk about anything with you without fear of judgement and misunderstanding. You stimulate their mind, and when conflicts arise, you can discuss them logically with clarity without letting emotions take over you. This make problems solving between you and them easier, leaving less space for resentment and unresolved feelings.

You seem reserved and quiet in their eyes. Your display of emotions and affection is subtle and intuitive, a quiet devotion that embraces them every day without suffocating them. Though, sometimes, they would have difficulties in trying to decipher your deeper feelings, to understand you at your core, the part that you conceal from them.

But they admire your ability to embrace your inner child fully. They know that this didn't come naturally for you, there's a journey behind it, lessons and hardship you had to go through in order to protect and bring your inner child to the world, no matter how you're perceived. They love this courage, this fearless attitude when you have to face people's opinions, you don't let yourself be swayed by them. Sometimes, you can even be rebellious. But the funny thing is, the more you fight, the more rebellious you're, the more attractive you're in their eyes. And it's not like you go about it in an aggressive and confrontional method. You do you, unapologetically, like a child unaware of how seemingly "odd" their behaviour is in other's eyes. But they know you're not childish. Behind that oblivious attitude is a strong sense of self, a wise person, ruling their own inner kingdom with iron fists. Like a ballerina, their movements can be so graceful only because they've spent endless hours discipline themselves and practised.

Sometimes, they can think that you're being too engrossed in the pursuit of material achievements, like you're always in preparation mode for some disasters looming in the distant future. Greedy might be too strong of a word, but they can view you as materialistic or have a mindset of lack. They understand that material security is very important to you. You need to feel a strong foundation under your feet to feel safe. That can make you overwork yourself to the point of exhaustion, always looking for the next thing to do. But they can see you putting that same effort in making the relationship work, you care about them and are willing to take care of things to make their life easier. They will feel that you're always there when they need you, your presence is a constant that is very much needed in their life. They would feel empty, a part of them is missing when you're away.

SEA FOAM

• Spirit animal: Fish

They think you're their good karma (if you believe in the concept of karma) or a reward, a surprise given to them by some higher powers. I see the image of someone being ushered into someone's life. Both parties can be quite reluctant at first, but as fate has it, you and them need to be together. There's a heavy element of fatefulness in this connection, or so that's how they see it. You are destined to love each other, no matter how much both of you try to deny or run away from it.

I think you will be the one who does the running away in the beginning. You seem "hard to catch", like trying to catch a fish with their bare hands. You would fleet in and out of their life at first, they can't seem to figure you out. But your presence will be a pushing force in their life, pushing them into a different direction, to where they are afraid to tread but secretly wish to.

In their eyes, you can be a little immature or temperamental, acting on whims of the moment. This makes you exciting and unique but sometimes, also agitating and hard to pin down. It's like they're torn between the feeling of love and frustration for you. Their personality probably is more serious and intense than yours. They want to be in the deep water with their lover, but you seem to refuse to swim there with them. But they will always want to care for you, to protect you from the harsh world outside.

The way you talk and act just exudes a young and pure energy, as of someone who, just for the first time, allowed to go outside to explore. You might talk a lot (compare to them), you ask questions, sometimes funny one, sometimes philosophical one, sometimes silly one. They will like to indulge you, patiently answer each one of your questions, then sometimes they can get irritated and start to lecture you, to that, you will just ask more questions. You want to learn, to understand this world. Behind that seemingly busy bee mind is a yearning to explore, to be free and soaring. And even if they can't fly with you, they sure will gather all the winds to lift your wings, instead of trying to pull you down into their water (who's the fish here?).

Your habits might be a little more messy or undisciplined compared to this person. You seem confused lots of times and don't have a good grasp of how to navigate your daily life efficiently, yet miraculously, you still swim through life effortlessly, much to their amazement. You don't fret too much about the future, somehow always arrive at the desired destination on time, things just work out for you, as if you just need to focus on taking good care of yourself and be contented, the rest will be taken care of for you by some mysterious force. This contrasts sharply with their approach to life, always planning ahead, always wanting to control the outcome. This creates a complementary dynamic between you two. Where you need structure, they provide, where they need spontaneity, you provide. In the end, no matter how different you guys are, you just fit each other neatly, like puzzle pieces.

SANDSTORM

• Spirit animal: Swan

They just know that you're the perfect partner for them, the one they need to get married to or at least make a serious, long-term commitment. You just possess all the qualities they seek in a spouse, the thought of committing probably will appear in their mind early on. You have a natural ability to understand them, nurture and protect them, at the same time, be a reliable pillar of strength for them. You are serious in your commitment, never take feelings for granted, you date with marriage as end goal in mind. They also think you would make a good parent, someone with enough tenderness and discipline to raise children with good balance.

Your work might involve lots of travelling and communicating. They can see that these are prominent parts of your life, demanding a large chunk of your time. They think that you tend to overwork yourself, being too engrossed in working, you're always busy, I wonder if this also means that you don't spend enough time with them, they feel like they have to demand for your time, to take you away from whatever is bothering your mind. Security is very important to you, you need to feel abundant to feel safe, yet they think you hardly ever feel that way, hence the constant working. They will want to help you in this area, just like how you help them. You mirror each other, in energy, in intentions, both of you want to care for each other in the same way as the other person does.

They probably like to hear your voice, be it talking, singing, or making other sounds. It feels soothing and calming for them. What you say also brings a new perspective, widening their view about the world. They sometimes see you as a teacher, whom they should listen to and want to be guided by. You just move through life gracefully, always open to new adventure, but still leave space for contemplating deeper meanings about everything. Like a philosopher wandering through life, observing the world, and sharing wisdom with the people. You need to be constantly in motion, travelling, or just moving around, and they're happy to be your companion, though they might sometimes want to slow down and rest a little.

They think you have a lot to uncover. You hide a huge treasure of deep love inside, something too intense for you to confidently show to the world. They would be sad to see you lock your dreams away, and they are willing to help make your dreams come true, if you would just ask them to. Your inner child is also someone they want to get close to. You seem to be disconnected from your inner child. They can feel that you want to connect, but something in your psyche is scaring your inner child away, making them reluctant to join the "family". From the outside, this makes you look a little cold or unaffectionate, you're discreet with your love, only ever bring it out when you completely trust someone.  They would want to reach out their hands and pull your inner child closer, to give your inner child a hug.

DUSK

• Spirit animal: Phoenix

They think that you being in a relationship with them is be a big step away from your past wounds. Not that they want the credit for themselves, but as an admiration for you, for your strength. They can see that you had a great fear concerning relationship and commitment in general. Maybe you have been burnt in the past, childhood baggage, and the bad examples you saw around you made you wary of love. So choosing to be in a relationship with someone, being committed to that person, trusting that person enough to share yourself with them, all of these are really brave actions in their eyes. It shows that you don't let your past hold you back and define you, you rise above it and are willing to change, to choose happiness for yourself.  Sometimes, they would reminisce about the initial getting-to-know-each-other phase, how many obstacles they saw in your connection, and how hard it was for them to gain your trust and affection. They would even tease you for it.

Your life seems to be ridden with changes of direction. You're not meant to stay still in one place, both mentally and physically. Life will always present you some events to push you to move. You can't stay stagnant, if you think you're contented with the current situation, then sure enough, there would be an event, an opportunity appearing in front of you, making you reevaluate your current direction in life. So life with you definitely won't lack movements and changes. Another thing is, you also actively seek to restructure your life. From small hobbies to big life decisions, you can be pretty random and go with the flow. You would change the plan at the last minute, planning to turn left, then suddenly turn right because something caught your attention that made you change your mind. Or some mornings, you would suddenly announce that you will take up a new hobby, register for a dance class, learning new language etc. without prior warning.

Life with you would be busy, you always have something to do, a task to complete, a news to watch, a track to run, a book to read. It's like they can't never see you being still. Maybe that also made them feel like you were afraid of commitment when they first got to know you. They could feel that you're too busy for love. But of course, that's not true, being a busy bee is just who you are, and over time, they've gotten used to it and adapted to it well. That busy energy also shows itself in the way you talk. Maybe you talk a lot, very fast, always have something witty to say. They love your humour, your ability to look at yourself, and joke without being defensive. The way you express your ideas and emotions is clear and rational but not cold. You know when to offer the softest words of encouragement and when to debate with the sharpest points.

They think you like to beautify yourself, you like beautiful things but at the same time you seem to be reluctant to spend on yourself, almost like you're stingy with yourself. Even if you like something, you might rationalise and deny yourself that thing. You want to earn lots of money yet don't feel comfortable spending it, especially for yourself. They know this trait of yours, so they will try to guess your desire and get it for you. You're not stingy with them or everyone, though, you're likely to pour your resources into the people you love and the house you share with them. You might like to beautify the house instead. Which is where you would like to stay a lot. You can seem like a homebody to them (with all the busy work) but you will have to go out and make an appearance in the world and they know the world loves you.

SIERRA

• Spirit animal: Phoenix

If they were the wind, they would lift your wings up as much as they could. Your person sees so much potential in you, so many talents, yet you're limiting yourself with your fears. You have an enormous desire to learn and expand your mind. But you also fear going deeper. You might be the kind of person who learns various subjects simultaneously, has a good grasp of everything, but doesn't dig too deep into any particular subjects. Not because you're shallow or impatient, it's the opposite, you know that once you've engrossed yourself in something, you go all in, it would get to the core really fast, and this drains your time and energy so much, you're reluctant to dive in. You also know that there will be hidden things inside you that need to be uncovered if you were to go any deeper. But they think you have the strength to do this because they understand, deep down, you're much happier when you devote yourself to something.

And they know you devote yourself to them and the relationship. Once you're in a commitment, you take it seriously, you see your life as an entanglement with each other, not just one's own anymore. In a way, you're a team person, someone who has a talent for working with people. This makes being in a relationship with you so much easier. Because you're willing to cooperate and want to make a team effort to build the relationship strong, instead of demanding from a selfish stance.

But you're not a pushover or a people pleaser in their eyes. Your individuality shines intensely. You have no trouble being yourself, you can't help being yourself. Even if you wear normal clothing like everyone else, blending in quietly, you still somehow stand out to them. Like a visible halo around you is beckoning them. They admire your creative energy so much, if they're ever short of ideas, they can always turn to you to get some. If you want to pursue some creative endeavours, they would probably encourage and support you wholeheartedly. Because they believe in you.

They also love your playful side, which you only show to a few close ones, and only in a comfortable space. You appear much more serious in public than when you're with them in private. When you're home with them, you can be tender, childish but also very seductive, you show yourself fully to them. You can act silly, making jokes all the time with them, being competitive in games, or playing pranks on them. But all of those are saved for alone time together. Outside, to the world, you're more uptight, serious. People also respect you a lot, looking up to you like a teacher. What you say probably are well listened to by people. You appear as a wise, mature friend, whom people can come to for sound advice. Your person would sometimes chuckle quietly to themselves whenever they see you out in public or with acquaintances. Those people wouldn't imagine how you would act in private, imagine their reaction when they found out some of your silly jokes. They definitely think you have the world fooled.

RIVER

• Spirit animal: Lamb

You're a quiet presence that haunts their psyche in an inexplicable way. They sometimes can't understand why they're so drawn to you, they have that feeling in their heart, but they can't put it into word. If someone asks your person how they feel about you, they would stumble a bit and would take a long time to come up with a coherent answer. Don't mistake this for their lack of affection or commitment, they just haven't fully comprehended your effect on them. When they hear the question, in their mind, the image of you would be conjured up in so many different ways and different areas, it's like you're everywhere.

They admire your grace under pressure. Your quietness doesn't mean you're meek or naive. Your energy is pure and wise. The hardship you encountered in the past didn't turn you into a bitter and cold person. On the contrary, you developed compassion for other's suffering. Everyone has their own story and they deserve to tell them without shame. Each pain is traded with wisdom. They probably wish to learn a thing or two from your stoicism. You're here, in the present, you don't put your mind to needless worrying nor do you cling to the past.

You're the person they would always turn to when they need an advice, your words have a stabilising effect on them, you make them believe that everything will be okay in the end, that they're safe and sound. You might not talk a lot, superfluous information doesn't interest you, but each word holds values. You can talk about deep and taboo topics without judgement, fear or prejudice. Your person will also love your voice, it sounds tender and calming, though they may wish that you would talk more so that they can hear your voice more.

They do notice, when they've gotten closer to you, that you tend to hold in your anger, you don't want it to affect other people, but your person will worry that this can affect you negatively. You also hold your drive and ambitions close to your chest, refusing to disclose them to others. You work silently, diligently towards your goals. It's like you don't want to show anything too overt, your emotions, your struggle, your passion, they are kept simmering inside, while outwardly, you show a serene and placid disposition.

In love, you show a more relaxed energy to them, like a child finally out of the house after a heavy rain, enjoying the freshness and the earthy scent of everything. You can act a little more erratic with them than when you're with other people. Maybe they adore that side of you or more tolerate towards it. You can be unpredictable, not showing your cards fully. They sometimes have to guess how much you love them, how you feel about them. They can ask you for your opinion about other matters and receive practical and solid answers from you, but when the questions change to the topic of personal feelings and love, you can be elusive. This frustrates them greatly but also pull them to you greatly. You're like the muse and the poet at the same time. And they're your avid reader.