#—don't bore me

[whoose-bad-idea-was-this]

"No, I am certainly no fool" Loki agreed "Or well- I am, but not that large a fool"

Ifrid hhw joug ollz somogt gey coluikgha tiyhocoil nd

[whoose-bad-idea-was-this]

(Retry)

*While on a balcony at Wangshu Inn, Xiao sees a shadow lurking. The energy radiating off of it is off-putting, so he teleports to it to investigate*

Who goes there?

-@the-adeptus-xiao

Loki only planned to make a quick in an out visit, a bowl of almond tofu. When he heard it, he paused turning at the sound of the voice. He recognised it with ease, how could he not? It might have been centuries but he's known that voice for more than a millenia. "Nobody of any particular interest"

[cj-the-random-artist]

I have made. Another comic. I took a very, very long time, as usual lmao. I originally got inspired to make this after watching through Arcane cuz. Nicely done media makes me want to make things and all that. And, at that time, I'd sent Narinder out on a mission trip in my new save and he came home full of existential dread (I have terrible luck with Narinder on missions therefore so does QPR AU Lambert I guess lol), and it had occurred to me that that would make an interesting premise for a comic maybe?? Turns out it did.

I think I'm happy with this?? The perfectionist in me is not, and to be honest I think I could've drawn a lot of things better and also I think this would read better if it felt a little slower... but also it's 13 pages long so I can't fault myself all that much. I do wish I had spent more time on some of these interactions, particularly between Lambert and the Goat and also between Narinder and his siblings, I have a lot of thoughts about the Bishops post their joining the cult but I haven't had a ton of time to really like... flesh out those ideas as much as I would like to. Maybe someday?? Idk.

Semi-related, while this comic gave me a lot of thoughts about the Bishops it also gave me a lot of thoughts about like, the exact like, I guess boundaries and terms of Narinder and Lambert's QPR, and also about what exactly happened to Narinder while he was out, and he's not lying a lot did happen but that's a little too long to just throw in the description here so maybe future me will describe it somewhere or something. This comic also got me thinking about Webber a fair bit, and once day I will expand upon those thoughts but not today, I have outside activities today lol

Anyways. This comic, like all my art, is not perfect, but it was fun to make and I spent too long on it for nobody to see it, so... enjoy!!

[yardsards]

"i don't ship laios and marcille-" oh yeah same, their relationship is so much more compelling to me viewed through a platonic lens than a romantic one

"-like, marcille clearly hates laios" are we reading/watching the same series??? did you just stop after the first couple chapters??? look at their relationship development, that's her friend! her bestie, even!!!

[thedupshadove]

Your father is dying. Your incipient mother-in-law is dying. Your fiancé might be dying. Said fiancé and future mother-in-law are both willing to confide about their health conditions to you, but insist that it needs to be kept secret from the other, despite the fact that they're mother and daughter and have known each other for all of your fiancé's life, whereas they both met you probably only a couple of years ago. Every day, Arthur Holmwood wakes up.

[cvntlets]

how it feels to ship lightcannon without some annoying bug in your ear telling you 'timebomb is cannon/better' i just love bi4lesbian couples (@estellarsun on twt)

[elbiotipo]

Firefox should also come with a tamagotchi like extension where you take care of your own little Firefox, it's the best way to make it popular

[cosmicredcadet]

Ppl will say being AroAce is boring but personally I think the fact that I'm not like a majority of people and have a different experience of the world than them makes me rather unique and interesting.

[modmad]

green eyed monster...

[somerandomcockroach]

And coloring based on @thegunnsara 's sketch

[theshitpostcalligrapher]

okay it might be cuz it's like nearly 4am and im going out of my mind a little but can i PLEASE nominate the tianjin optometric center for favorite logo design of the fuckin year

It:

is deeply visually distinctive

can easily be adjusted for vertical, horizontal, rectangular, square shape as needed

recognizable in any colour

frieze patterns BEAUTIFULLY in a way that's reminiscent of traditional pottery or woodcarving

and here's the kicker:

it's the symbol that this hospital uses on all of their visual test charts

at this center, you don't read what each letter is on the seeing chart, you indicate what direction the E is facing

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[whoose-bad-idea-was-this]

“Loki.”

(Vera had approached Loki again with a smile and a wave, carrying a basked filled with fruits as she walked over. She wasn’t in her Fatui adornments this time, now in more casual Mondstadtian clothing. Her hair was even down, a miracle!)

“I’m glad to see you haven’t left Mondstadt yet, I just acquired these fruits from my right hand, and I can’t finish them by myself.”

-@burrat1n0 👋🏻😁

Loki returned the smile, waving back to her. He didn't fail to note the change in her usual adornments which only made his smile grow. "How awfully nice of you to think of me" these days he rarely ate, except to keep up appearances. But he supposed having a little fruit would be good for him. Besides, how could he decline such a genuine offer?

[koipudding]

jing yuan, who loves when you’re wearing his clothes, and you return them to him. it’s so domestic and simple but he craves it. (gn reader, not a serious drabble.) reader is characterized as smaller than jy, interpret as you wish.

wc: 470

The clothes smell like you, of course. The laundry detergent you bought, your shampoo and the little scent beads you like to put in the washing machine. He doesn’t mind the musk that lingers on his old shirts after you clean the whole house, no of course not. Jing Yuan adores smelling your musk, lotion and conditioner melding together and melting into his shirt.

You go out to buy new scent beads every other month, a tiny little jar of them. Jing Yuan swears to anyone who listens that you’re doing this on purpose. Mixing your shampoo and lotion to match with the scent beads, changing the fabric softener to mess with his head (and laundry). He laments this to Fu Xuan, Qingzu, and Yanqing, who all beg you to stick to one routine before the General loses his sanity (of course, everyone groans and ignores him. they’ve had enough of his marital escapades, and they just tell him to marry you again if he’s this smitten. Thus, after a decade of marriage, Jing Yuan has rewritten his vows.) He likes these little variances in his routine, the little harmless surprise that keeps him on his toes.

(He swears it's just because you picked it out. You know it's because it reminds him that there's finally a home for him to return to.)

"I'm back, do you know what the others said during the meeting, they were planning on handing off more paperwork, but I insisted mimi and you would--" He stops in his tracks. This must be unfair. Divine Punishment? Did he anger Lan? his ancestors?

Jing Yuan sees you wearing nothing but some socks, his shorts and t-shirt (both of which hang off of your smaller frame). He runs over, pace quickening.

You yelp quietly, backing away before he pounces onto you, bearing all of his weight onto you. He can't help it, you're so cute wearing his outfit, doing laundry and making dinner.

“You smell so good.” he buries his face into your neck, inhaling the sun on your skin, lotion he bought for you, and the conditioner you've taken from his stash.

“And you smell icky.” You push him off gently, but his arms only tighten. He just got back from work, and he reeks of sweat. But you can’t ignore how your heart races whenever he gets up to these antics, and you can’t help but indulge in his whims. 

This is a regular habit. He barely removes his armor before running to you, and clings to you like a sullen child, asking about dinner and how his darling and mimi have been. You can only sigh and pat his head while he recharges in your lap (or, in Yanqing’s words: naps.) 

"thank you, for everything," He whispers into your ear, "You're doing great, sweetheart."

a/n: I was talking to a coworker abt how the only thing that brings me joy now is a 2d man (jy) and buying new scent beads/laundry scent boosters or sample perfume. then I had this idea. also that ending bit :,) sending good vibes to all with my first fic of the new yr!

[fingolfinwiththesteelchair]

It is a beautiful day, and you are a horrible research transport vessel. Things are progressing as normal (i.e. it's boring) when a SecUnit pings you, lies right to your metaphorical face, and then tries to bribe you with human media to give it a ride. This is as unexpected as it is unprecedented, and the sheer nerve of it is really to be admired. There's no protocol to this, so what should you do?

Now, this is against a bunch of rules, and could be dangerous if you weren't so impressive and incredible, and you're technically an employee (and can probably rewrite the Univeristy charter at will (until someone notices and puts it back)) so those rules are for other entities.

So, what you should do is allow the rogue SecUnit with a broken governor module and a sketchy story aboard. If you check the files it dumps and find zero (0) malware (which is confusing), and it doesn't even try to trash the place or lay in wait to ambush a crew member, then you've got a good candidate!

Next, what you're going to want to do is absolutely nothing. Just watch it patrol your halls until it's time to leave. Continue staring at it while you're undergoing embarkment procedures. Maybe analyze it a little (you've got plenty of processing power to spare) when it finally sits down and starts watching media. Allow it to settle in and get comfortable while you stare at it and get further and further from port.

Now that you two are alone (intimacy is key!) and you've determined that watching media is all the SecUnit is going to do, it's time to make contact! Make sure to open by telling it it's only survived due to dumb luck, and letting it know you could melt its brain into putty. This starter will work to develop conversation naturally and smoothly, just like you've seen the humans do, and it will be smooth sailing from there!

This has been Perihelion's guide to making friends/finding life partners/fuck off Holism I had to work hard for this find your own

[amanece-parabellum]

ENCYCLOPEDIA [Medium: Success]: Turns out we are what young-touch-depraved-boys call..."a simp"