#^ chorus lyrics

[thereareeyesinsidethetrees]

do you think jesse james by clay walker could be a stan song

[welcometogrouchland]

♫ I do what I want/Crying in the bleachers and I said it was fun/I don't need anything from anyone ♫

(ID in Alt) you guys ever think about your own posts and get upset?? Anyway Damian Wayne I love you I'm so sorry your life is like that

[lucabyte]

i burned the bridges thoroughly but still everyone's trusting me again and i should be relieved but it happened so suddenly (and i know in my heart i haven't earned this, but everyone acts like my concern isn't a problem like nothing is wrong with my very involvement)

but i know how the song ends (x)

[dizzybizz]

a little redraw for ep9 except i was chipping away at my sanity by listening to caramelldansen the entire time.

[yukiire]

Rabbit Hole (Dance MMD Reference)

was obsessed with this song for a while and really wanted to draw the dance with om! boys!! i can finally stop looping it every single day-

[flashliiqhts]

This was an attempt to get "The Ballad of Sweeney Todd" (which these lyrics are from) out of my head

[httpiastri]

charles leclerc x sainz!reader, 18+ mentions

charles is waiting for you outside the club once your uber arrives. it's like he knew when you were going to arrive, like he had a tracker on you – or like he was just waiting for the first best person to get his hands on.

"if it isn't my favorite sainz sibling," he says when he opens the car door for you, his handsome grin flashing down at you as you step out. "had a good day in the paddock?"

"probably better than you," you joke, your hand landing on his shoulder to give him an apologetic rub. "my brother was upgraded to the podium, but you were disqualified, so..."

"shit happens." charles shrugs before snaking his arm around your waist, leading you into the club. "my day is about to get a lot better, though."

a chuckle leaves your mouth. his fingers move up and down your side as you make your way to the bar, and charles slows down every once in a while to greet some friends and other acquaintances.

you wonder what this looks like to those who don't know. you attached to his hip, his tight grip on your side, your body leaning against his. but to those who do know, the sight is nothing strange or unusual. despite how much you both try to deny it – not only to others but also to yourselves – you're drawn to each other like magnets.

"buy me a drink, will you?" you ask.

he's facing you now, and his hand still hasn't left your hip. "no, i don't think so." you raise your eyebrows, tilting your head to the side at his words. "i know what it would lead to. and we both made a promise not to go there, didn't we?"

"maybe so. but..." you pull your fingers through your hair, shaking out your locks. "what if i make it up to you?"

"and how would you do that?"

you pretend to think about it for a moment, pursing your lips. "i'll tell you the color of my panties."

charles pauses, his mouth dropping slightly open as his expression grows blank. you can practically see the gears turning in his head, and you have to let out a laugh.

"oh, you're actually considering it?" you ask teasingly, shooting him a wink as he just blinks at you.

his free hand drags across his face and he drags his hand down his face. his voice is low when he speaks. "shit, you can't just say that."

"why?"

he groans and his eyes wander across the room, hoping that looking away will save his cheeks from growing even hotter than they already are. "it makes me think things i shouldn't think about. not when i'm trying to stay away from you."

your hand on his cheek makes him look back down at you. you know what he's thinking, you can see it in his eyes. he wants you – and you want him too. "you hate it, don't you?" you smile up at him. "me being your teammate's sister?"

"so much."

your hand moves from his cheek to his neck, fingers playing with the short strands for a moment. you have to step closer to reach the back of his head, dragging your hand through his digits as his warm breath fans over your face. his adams apple bobs when he gulps, his eyes hazy and gaze weak.

it's so easy for you to get to charles. you always leave him feeling weak in his knees, like the breath has been sucked out of his lungs, like the annual butterfly convention is located in his stomach.

you know he won't be able to refrain. he'll have to give in.

"this would get so messy," he says, voice low as a whisper.

the dress you're wearing is so short that charles doesn't have to reach far down to find the edge of it. his fingers pinch the material, the corners of his lips turning up when it rides up even higher on your thigh. "you know it's worth it, though," you answer simply, trying your best not to lose your cool. you don't want him to see what effect his actions have on you – you are supposed to be the teasing one.

his thumb draws circles into the inside of your thigh, and you squeeze your legs together instinctively. the action reminds him of how he's seen you before, legs clenched around him with your hands in his hair just like now, and the thought causes his brain to short-circuit (and the tent in his pants grow). he shakes his head, unwillingly pulling his hand away from you to grab your hand. "okay. you win," he mutters, intertwining his fingers with yours. he pulls your hand up to his mouth to place a quick kiss on the back of it, as if to show you that he isn't actually as upset as the playful frown on his face tells you, before dragging you with him to the door again.

"i always do, don't i?"

"shut it."

"wait, i wanted you to buy me a drink-"

[yuseirra]

Ah, I said it at last, I know it's not a lie As I'm voicing these words, I love you

(You're my savior) (My true savior) (My saving grace)

(I'm with you forever) (By your side, forever)

[melit0n]

"Let the tides carry you back to me." has always been among one of my favourite lines in Telomeres, and so, having listened to it again recently, a little idea popped into my head. Let me explain:

While ocean tides/currents is a very common metaphor, there's an underlying meaning to it. The ocean is a beautiful, but somewhat cruel place: tides can leave you stranded on a sandbank, or sweap you away before you even know it.

To put it in short, no object or creature that goes into the ocean comes out the same. For the tides to carry something back to you, something you've lost, it will be and always will be changed: eroded.

The cliffside will fall, the cave will crumble, etc etc.

With this in mind, we're yet again greeted with another example of Vessel asking for something he can't truly have. The person he wants will not be the same as they were before; they "collapse" into him, breaking apart, but still, to him, it's "the start of something."

His memory is warped, they are warped, and it'll stay that way.

However, what I would like to add is that, in DYWTYLM, it's theorised that instead of Vessel speaking to a second person, he's instead talking to himself.

Of course, this makes the song itself much more emotional (to me). Finding love for yourself is one of the hardest things you can do, but it has to be done to find love in others.

With that idea (stay with me here), the lyrics "Do you roll with the waves? Or do you duck into deep blue safety?" match up (generally) with Telomeres, which is mostly interpretated as being towards someone else.

So, what if some lines in Telemores are directed to himself as well?

Keep in mind, the tides don't just erode and carry objects (sediment), they also reflect. The Atlantic is one big mirror, and Vessel is staring into it's "deep blue safety" wondering what, or, rather, who, he was before he was Vessel.

Overall, the album name, "This Place Will Become Your Tomb", either being directed at Vessel or Vessel to Sleep (and being a Halo quote lmao), is more metaphorical than literal.

Who he was before Vessel sits in that coffin, not his physical body.

[empty-dream]

Knowing it all, am I destined to fall? Like once you did for me ↳ Vortex - Bai Sha Jaws

[redflavor]

GIRLS' GENERATION All Night, 2017 [translation cr.]

[qwakque]

short scarabia animation because why not LOL

song is lovegod by sarah kingsley

[sunburstsandmoonshadows]

down in the evidence locker...

(lyrics from Moxy Fruvous' "Boo Time")

[kermit-coded]

it's the last act of a dying cellphone last call of a desperate man

[chlochette-sunde]

I've finally discovered Radio Company's songs.

Blame me for tinhatting but isn't "City Grown Willow" about Misha?

[future-crab]

Thinking about how MCR is constantly inventing bad endings for themselves. And, yeah, some of it is the "we all flame out and die young" youthful self-destruction you might expect from a rock band (and when they do it, they do it well, good God do I love Desert Song) but so often, the worst fate they can imagine is selling out and succumbing to creative inertia. What if the band doesn't die? What if we spend the rest of our lives coasting off the things we wrote that used to have meaning? What if we only exist to sell shit? What if the system we're rebelling against sands down our art and makes it palatable so it can sell an empty simulacrum of that rebellion for a profit? What if we tainted everything we've already created by using it to serve existing power?