#[that answer do him a concern]

[whatisamildopinion]

sorry but I just KNOW Riz and Penny have the most unhinged text chain known to man happening off screen

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden,��Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[myuminji]

dedicated to the audience: me, myself, and I— I finished the discarded sketch

[youchangedmedestiel]

Destiel AU idea (again)

Dean is searching for a flat because he recently divorced Lisa. He wants one that is big and comfortable enough to welcome his children, Ben and Emma. It's been months since he started searching for one. Fortunately, Lisa is understanding enough to let him stay in their old house until he finds something.

They actually aren't in a hard and conflicted relationship right now, their marriage stopped because there wasn't love between them anymore. They still care about each other.

Dean knew he wasn't in love with Lisa anymore and he suspected the same for Lisa, but he was fine with it. Lisa though thought otherwise. She asked for divorce because she said that they both deserved to find love and be loved.

So, Dean is doing his umpteenth visit for a flat that he spotted on Internet. This one seems really nice and clean, his children will be able to have their own rooms. And the kitchen looks awesome with enough place for him to cook.

The real estate agent who give him the tour of the flat isn't bad either. He has blue eyes, which looks surreal, long and dark eyelashes that match his hair and his growing beard. Dean listens to him attentively and can't help but look right into his eyes when he speaks. Dean wants to confide in him and he does that naturally actually.

He tells him that he is sick to search for a home for his family. It's been months, and he's exhausted to be disappointed each time he thinks he found something. But at the same time, he wants his children to feel good in that new home so he is demanding.

That real estate agent, Castiel, is compassionate and doesn't understand why Dean doesn't find one with his solid, complete application. Castiel tells Dean that maybe it's because others real estate agents are struggling right now. There's a lot of people searching for a new home at this time of the year, so a lot of work. Castiel admits that he, himself, is buried in work all day long.

He works 6 days a week constantly. Since Dean is really attentive to what the man in front of him says, he notices that Castiel doesn't seem to have someone in his life to get back to. So, he goes for it. He asks Castiel if he wants to go and get a drink with him once they have finished the tour.

Castiel seems surprised by the offer and looks away. He fumbles with his pen and papers and puts them on the kitchen counter. He takes a deep breath. So, Dean fears his answer.

"Are you asking me on a d-" Castiel starts asking hesitantly.

"Yes." Dean cuts him, because he somehow fears that word. It sounds too official and he's still living with his ex. Plus, it's been a while for him.

"O - okay. Yeah." Castiel agrees, and neither of them is able to look at the other.

[moeblob]

TIL "Lay On Hands" is a paladin healing skill and I am blessed by this knowledge.

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[necrotic-nephilim]

https://www.tumblr.com/necrotic-nephilim/761747687384252416/i-dont-care-how-much-you-hate-me-you-need-to?source=share

so i'm imagining that tim gets free

(maybe it's steph who's on the outs with tim and doesn't believe him about bruce but sure as fuck doesn't approve of whatever the hell this is or maybe it's damian who's jealous that tim is getting any so much of dick's attention despite the fact that he's the heir and robin)

regardless tim gets the fuck out of gotham and goes on his international art theft adventure to find bruce

unfortunately for everyone dick processes to lose his shit and now damian (and steph to a lesser extent) is doing for dick what tim did for bruce

also a lot of heroes are drawing parallels between this and b reaction after jason died

anyway tim gets his proof (and get saved by jason bc jason's looking at dick all "this is really creepy actually and i don't want you anywhere near tim despite how bad our relationship is")

tim then goes to green arrow with his proof because he knows that man would call dick out no matter what costume he's wearing and he actually does an ok job with all the kids he picks up

there's a jla meeting and dick sees tim and is just as unstable as tim guessed he would be and it's pinging everyone's radar as A Problem now

but obviously they get bruce back and no this is his problem bc literally everyone in the league is like "pls keep dick away from tim, his behavior has passed weird and gone into extremely unsettling"

i can't see what happens next bc i can't imagine bruce actually being help but i can see him being a disaster when he tries and that would be funny

this is SO good anon i love all of these things based on that fic so much aaaa

personally when i was writing it, i imagined Jason being the one to break Tim free. not out of wanting to save Tim or anything, but more so seeing it as a chance to make Tim owe him, and just to fuck with Dick. Jason will cause problems because He Can, and while i don't think he would particularly care for the moral implications of Dick holding Tim hostage (Jason was morally all over the place during Dick's Batman era i fear) he's just morbidly curious. that said the idea of Steph being the one to do so is also fun, because for her it *would* be the moral issue as well as caring about Tim. i think the most fun option is somewhere in the middle, where Jason and Steph are forced to team up, each with different end goals and not trusting each other whatsoever. so when they succeed and get Tim safely out of Dick's hold, there's a deep disagreement and slight scuffle over what to do now, Jason trying to manipulate Tim further against Dick and onto his side, whereas Steph is just prioritizing Tim's safety. i think it's fun if Tim is slightly mentally broken, just from how long he was held captive and the realization of Dick's feelings at the end fo the fic. so he's distrusting of anyone he's once trusted, even Steph, that he just slips away to focus on getting Bruce back, leaving both Jason and Steph trying to chase Tim. and course, Dick.

because Dick would of course try to get Tim back, again and again. Damian is trying to reel Dick back, just because he wants Dick's attention and he does sort of believe they should focus on Gotham. and then Steph is also trying to distract Dick to protect Tim. so everyone's tail spinning in the most complicated game of cat and mouse. Steph and Damian are forced on the same side, trying to get Dick to focus on Gotham instead of Tim, just for now. Steph is promising to keep an eye on Tim, Damian is insisting Gotham needs Dick's attention and combined, they're able to at least keep his immediate focus away from Tim, giving Tim time to find his proof. Jason having to save him is just *fun*, because it reinforces how sort of helpless Tim is. he's not up on his training and his become soft and with Dick's need to catch up to him eventually, it puts him in a vulnerable spot he would *hate.* he'd despise needing to be saved by Jason of all people. it'd fuck him up so bad, because all the bad things Jason is saying about Dick are technically true and somehow, the world is so flipped upside down that Jason is the reasonable one. i think it'd make Tim isolate more and more, distancing himself from the Batfamily, even the ones he should trust like Steph. sure, he's on the outs with her (likely still upset from the Search For A Hero arc) but she's looking out for him. and maybe he knows it, deep down, but Tim is just terrified of trusting anyone associated with the Bat name.

and since he can't go to the Batfam with his proof, him going to Oliver is *so* fun. i adore any concept where Oliver is the one to notice something is very wrong in the Batfam i swear anon it's like you're connected to my BRAIN. because sure Oliver doesn't *like* Bruce, but even Oliver knows this is fucked up. the story Tim tells him is a horrifying one. Oliver has always done right by his kids, or at least tried his best to. so to know what Dick pulled is horrifying. there's this implicit trust the entire hero community has in Nightwing that would get badly shaken up and i think that's fun. the Justice League meetings about it would be a shitshow. someone like Clark who's as close to Dick as he is would want to at least hear Dick out, try to understand his point of view. maybe Dick was in the wrong, but he had to have been doing this out of a place of concern and Tim's just twisted up about Dick's intentions. at the very least, trust in Dick is shattered but no one can agree on what to do, if they can do anything at all. it's agreed to keep TIm safe and away from Dick and long talks are had with Dick, but Dick is disturbingly good at being charming and manipulative, convincing them all he's sorry and he knows he took it too far, it's just the stress of the mantle that got to him.

and Bruce coming back would further complicate things in such fun ways. because Bruce will *always* protect and side with Dick. yes, he's worried about Tim, but he refuses to let any negative blowback hit Dick for this. because sure, Bruce would've never done that, but also, Bruce has done equally shitty things so, he's also not going to fully question it. Dick made a judgment call in the heat of the moment, and now, Bruce is going to defend his right to do so. it sends the League even more out of control, because they didn't expect Bruce to be so deeply on Dick's side. the phase "what would Bruce think?" got thrown at Dick a lot by all of them and now, well. they look a bit like fools for it because Bruce has made it clear what he thinks is that Dick had the right to make the call he thought was best as Batman. so while Dick is socially exiled, he doesn't face any *real* consequences. he's still in hero society and is respected as Nightwing and allowed to exist on the League. Dick just patiently waits for it all to blow over because eventually, there's always something more important to focus on that will make people forget about this outside of just a weird bad mistake Dick made.

and the longterm for TIm is fun. because I think he'd keep his distance from Gotham and Bludhaven, mostly keeping around Oliver, given Oliver is one of the few League members still refusing to let it all go, and it gives Tim some kind of safety net. but i think Dick would still try to pursue Tim. Dick would convince himself he just went about it the wrong way, he came on a little too strongly and he can still fix it. he keeps harassing Tim and trying to get Tim to like him back, making it clear he has no real regret for his actions. i think it's fun if Tim is forced to fake a relationship with someone else to get Dick to leave him alone. maybe Jason, maybe Steph. (honestly, this being JayTimSteph could be fun) and that fake relationship ends up developing into something more real, which would make Dick *insanely* jealous. i'm torn between Dick actually taking it too far (possibly forcing himself on Tim) or keeping his distance because both are fun. i'm partial to him forcing himself on Tim, just for the fucked up non-con that Tim has to cope with, knowing nothing he does will get Dick to leave him alone. he learns the best ways to stay safe, but it essentially kills his ability to have a vigilante career bc it puts him too out in the open. he takes a more Oracle-esque role (Tim working with the Birds of Prey could be a lot of fun) and always lives in some kind of fear of Dick catching up to him. it's so fun and fucked up that even when Tim escapes, he doesn't really and he knows it.

[not-poignant]

Hi Pia

Why did Gary growl and cover Efnisien's face/mouth when he said the safeword? Was he angry and trying to stop Efnisien from saying it so he could continue? If yes how did he manage to pull himself back from the brink of doing something unforgivable?

I think Gary was so uncoordinated in that moment, he wasn't thinking 'I need to shut you up' but there was definitely an instinct of: 'How dare someone tell me to stop.'

There was a visceral war with himself when he growls vs. when he places his hand on Efnisien's face, almost like he's trying to feel his breathing and his voice. It's a very quick motion, and while Efnisien assumes it's to shut him up, I actually think Gary was literally very out of it in that moment and was kind of bracing himself to even understand what happened.

Like, this is a guy who didn't respond to a lot of basic language and sentences for three days, or when he did, mostly could only do so in basic sentences or even single words. So while the peak alpha grokked the 'how dare you' pause, I think it was like a 'wait is an alpha trying to stop me from taking what is mine' level of confusion. He places his hands on Efnisien's face, almost like he's trying to find where the words came from, in my mind. Like someone who is blind who is trying to find a fan switch in a new place. They don't quite know where it is, but they know it's important in hot weather.

He then does hear more of Efnisien's voice (in the form of a distressed shriek) and immediately stops.

I really don't think this is as clean as 'he was fully aware, heard something he didn't want to hear, and made a choice to make sure Efnisien couldn't safeword again.' I don't even think he knew at the time what he heard, or how to understand it, only that he heard it and that he had to stop.

If yes how did he manage to pull himself back from the brink of doing something unforgivable?

Tbh Gary has the safeword to literally stop himself from doing the unforgiveable. And he does it with an immense amount of willpower that almost no human will ever really comprehend. Dude was barely even conscious at the time. Just like Efnisien spent many hours in a heavily dissociated receptive headspace, Gary does the same but from a more dominating peak alpha side. Literally just ruled by hormones in a very primitive way.

I'd say he's one of the only peak alphas in the world who can actually listen to a safeword at all in that state. I don't even think Temsen could.

[snowyh2o]

It’s currently a fan theory as to why Alastor keeps Husk around, the theory being that Alastor simply likes cats, and spared Husk because his demon form was a cat. So to him Husk is essentially a pet, who he likes to have around to look at, not even to like most of the time (like any cat owner), just to be there, is all a cat owner asks of the cat.

Sure, but like. That’s not what Alastor does with Husk? He literally summons him to act as the barkeep/man the front desk of the hotel. Husk’s reaction to Alastor summoning him, and Mimzy’s comment about how Alastor still has him swinging hooch implies that it isn’t something too uncommon for him to do, but also not something he does everytime Alastor needs something to be done. And even then Alastor has to bribe him with alcohol to get Husk to agree with working at the hotel.

Alastor doesn’t treat him like a cat, he treats him like a reluctant employee. Husk even calls Alastor boss. Nothing about Alastor’s actions with Husk implies he thinks about Husk that way aside from that one interaction where Alastor is deliberately trying to get under Husk’s skin.

Personally, I believe Alastor keeps Husk around because 1) he’s useful, 2) Alastor’s said to have a weird moral code, and 3) Husk went to Alastor to make that deal, Alastor didn’t target Husk. And it probably happened sometime after he stopped hunting down overlords. It makes Husk interesting, I don’t think many people (overlords) would be desperate enough (or confident enough) to go to the dude who’s known for torturing and killing overlords and then broadcasting their dying screams to the rest of Hell for so much as disrespecting him, and expect to get a good deal out of him over just being killed.

[thefloatingstone]

My apologies. I meant no bad faith. I was just surprised you hadn't come across that part yet.

Well I have only done one run and I have never been openly hostile and cruel to him. I know that if you turn him down, he accepts it and is fine with it. So I assume only if you are REALLY cruel to him and choose the dialogue options clearly expressing that you find him disgusting for being a mindflayer.

Because if you just turn him down normally he accepts, is disappointed, and moves on.

In which case, if you call him a disgusting monstrous mindflayer, is it REALLY so surprising for him to respond by showing you illusions of JUST how disgusting a mindflayer you think he is and lean into your belief that that is what he is? His entire THING is trying to placate you so you and him can have an alliance to kill the elder brain. If you lash out at him in anger and disgust, would it not make most sense to, instead of argue, agree with you and reinforce that image because it will at LEAST continue the alliance?

Not to mention The Emperor expresses very VERY obvious signs throughout the entire game that, for all his talk about being happy about being a mindlfayer and that he sees it as a positive, he is very affected by other people's judgement of him being a mindflayer. (Which is an interesting detail to think about how when that insecurity rooted itself in him because it is NOT from his own issues with being a mindflayer. Or at least he very earnestly expresses he views becoming a mindflayer as a positive which is why he encourages you to become at least part ilithid yourself)

But anyway

There are multiple situations, conversations and details where he shows he is overly self-aware on how being a mindflayer is judged by others. SPECIFICALLY in regards to him being viewed as a monstrosity. This is clearly a sore spot for him.

So if you call him disgusting? And if you hit exactly in the weak spot? Can you fucking BLAME him for lashing out and going "ok if that is what you think I am then fucking fine by me. Here I will even give you AMMO to think of me as a monster". resurrecting ironclad walls between himself and you on an emotional level so there can be NO mistake on where either of your feelings lie.

After all, lying to you about being an angelic dream guardian here to save you from your doomed fate didn't work. Why not then lean into the lie of being the ilithid abomination you think he is?

Also Anon you absolutely did mean it in bad faith because I kept answering you on why I liked the grey morality going on here and your response was to push more and more into "Ok but he did an evil thing" when you were not satisfied by my response. Do not insult my intelligence please.

[toddtakefive]

btw todd’s reluctance to join the dps because he doesn’t want to read (which is then accommodated for) and is scared to put himself out there (which is also worked through) being read as todd not wanting to go AT ALL, and thus neil making the proper accommodations (“todd anderson, who prefers not to read, will keep the minutes of the meetings”) and encouraging him to step out of the box that stifles him being seen as ‘forceful’ or like he can’t take no for an answer makes me insane with rage

[chiropteracupola]

I’m looking at your redbubble store and,,,who is the king of arms,,,who is this dashing little magnet guy,,,,

Montjoy… my friend Montjoy….....

[angeart]

You don't have to apologize for taking a while to respond!!! in general but also you had said you were gonna be busy!

So in boatem circus, did Grian hear Scar trying to buy him and still trust him enough to go with him when he broke him out? or was it just an 'anywhere is better than here' thing for him?

-🎀

<3

mmhm he did hear that. but also, he was running on fear and anxiety and was barely aware of what this strange man is saying to the others, to be fair.

when he was broken out, he didn't really know what's going to happen to him now. but scar made promises that sounded nice (and none of them involved fire!!), and grian was terrified that if he says no, he'll be left here, or that he won't make it far on his own and will just get recaptured... so he follows scar!

there's a lot of uncertainty. and tiredness. and it's a long way.

but scar keeps talking, you know? and he... doesn't seem scary at all. he's saying all these grand things. it sounds almost fantastical, unreal, and so very incredibly hope-drenched.

scar even chuckles nervously and apologises for the buying stint, admitting he doesn't actually have that kind of money anyway. he was just trying to trick them because he wanted grian out of there! he notes it worked before, so it was worth a shot, but makes sure to reassure grian he is free, now.

grian doesn't know whether to trust him or not, but lost and scared, he follows anyway. away from the fire and pain and cages.

his heart sinks when he sees that the place scar talked about is a circus, too, of all things. but scar is quick to tell him he doesn't have to perform until he's ready, and they'll do it all on grian's terms, and actually, he doesn't have to force himself to do anything he doesn't want to do! he can even leave if he wants to! but maybe have some food first? there's a small house—private, cageless, without locks, and with a soft bed—that is offered.

there has to be a catch, right...?

grian watches others interact with scar and move through the grounds and... he thinks, helplessly, achingly hopeful, that maybe this all isn't a trick after all? maybe everything scar said could exist...?

he decides to stay and see.

[mrhowells]

what is your favourite clois scene?

I honestly love all their interactions so much that I couldn't even decide on my top five, so I'll just talk about their opening scene in booster because I keep thinking about it and it really captures one of the main reasons I love them so much.

So they're both in transitional periods of their lives, with Clark trying to create a new persona for himself and Lois working towards a promotion, and they're just so... invested and supportive about it?? Lois is helping Clark with his body language and reassures him because he's feeling insecure but then he's like "forget about ME Lois you're up for that promotion!!!" and you can see on his face how proud and excited about it he is like, he's really her biggest cheerleader and I'm😭😭😭

They're best friends and they're in love and above all else they just genuinely want to see each other thrive and be happy and grow into the best versions of themselves and it makes me want to collapse on the floor in tears.

[kavennnn]

coil ch

edit: tumblr stole half of my tags so i put a bad version of the second half of what i was trying to say in my notes :( sorry

[yeleltaan]

How do you need to be touched?

Two results depending on the answer to one question:

gently.

You need to be held as though you're going to break. you need someone to trace your scars like cracks in a wall, crumbling. their touch is almost painful; you've been without it for too long, without someone to hold you. but, you cannot bring yourself to pull away.

fervently.

You crave a hug that cracks your ribs... the feeling of your wandering soul being crushed back into the bones that can't seem to hold it. you need a hand gripping yours so tightly you almost fear it may leave a bruise, a reminder that you are here. and that you are not alone.

Tagged by: @derjaegermond ! Thanks 8] Tagging: hey... hey you. Reader. I'm tagging you.