#? feels important

[whatsagirltoblogabout]

“Never say sorry unless you’re running a con.” - Neal Caffrey, episode 3.06

This feels like the type of line that might be important later…

[cinnamondunce]

Not enough people in the Dragon Prince / Mystery of Aaravos tag about the fact that Stella is a star primal and connected to the ability of making portals

[ganymedesclock]

I think cis people should also be their gender of choice. Like, if you're a man, you should get to really enjoy being a man- have fun with it! If you're a woman, take the parts of womanhood that really deeply make you happy. If being a little androgynous or ambiguous or hidden is the part that really makes you happy, you don't have to be trans for that. If you wanna lean really hard into being femme or masc- do it! You have one life in your body, do what makes you happy. Ditch the stuff you don't like.

My sinister queer agenda is I think that everyone should be the gender they like in the way they like it.

[wormy-business]

I saw this question posed on tiktok, but I think Tumblr would really enjoy it too.

If a fae creature offered to give one million dollars for a bone FROM YOUR BODY chosen at random, how many bones would you allow them to take?

Light clarifications; The fae is not the one choosing the bones. The bone is taken at random. Each bone, no matter the size or importance, is worth a full million dollars. You must also declare the exact number first, you can't go bone-by-bone. You either say 2 or you say 10, you can't work your way up to a higher number. The bones are removed instantaneously, and the money is given immediately as well. You will not get in government trouble for acquiring the money.

Tell me in the tags/replies how many bones you'd let the fae take. And as always, reblog for bigger sample size.

[curatedstupidity]

I feel like ive forgotten to do something today but cant remember what and its driving me nuts.

[fruitfloats]

the idea of jason hitting his head on doorways and tripping on his own feet because he got so big so fast is devastating btw

he doesnt fit in old hide aways, his hands can cover whole book pages.

he never got to experience puberty in a way that made his body feel like his

[eggplant-avenger]

#if you look closely you can see annabeth's 'family trauma' meter rising

POV you accidentally kicked your ex co-parent off a cliff

[catmask]

does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.

[insomniphic]

I saw a peak of @gigizetz’s Warrior Penelope au and the first thing I thought of was angst. Not a dope design 😔

[someforeignband]

i hope @thorniest-rose and @ithinkicouldloveher have seen this.

the way he still looks insanely beautiful like this

[madohomurat]

trans women are everywhere and are so eager to be seen and heard but only if they feel safe around you. if you hardly ever have trans women interacting with you, especially online, then consider there might be a reason for that and you should address it

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[justbackgroundnoise]

Chappell Roan, a lesbian, went on a national broadcast tonight and performed a song about dating a closeted woman who refuses to acknowledge their relationship and denies the fact that she’s a lesbian. Never in my wildest dreams could I have imagined that happening but here we are and it’s amazing.

As a lesbian woman, to have an artist go out and be so entirely herself in every way, to be so proud of her own sexuality and to perform a song like this and have it be broadcasted to millions of people…it makes me so emotional. All I have ever wanted as a queer woman is to have this sort of unabashed representation and we’re finally getting it in such an incredible way. What an era we are living in and all I can say is long may it continue and I am so proud to be a Chappell Roan fan.

[greykolla-art]

“I’m a SHARK-” said Alastor the deer demon, “because it’s a good metaphor!’

(NO I will not do a part 2!💕)

[heytherecentaurs]

Brennan’s talked before about how as a poor young adult he lived in New York and struggled with food security. He tells a story of going to frozen yogurt places for free samples and a cheap dumpling spot because it was a lot of food.

His opinions on food and his described behaviours around food make a lot of sense in that context. He may be successful now and can be assured he can eat again when he’s hungry, but it appears he has legitimate trauma around his experiences with poverty because what he’s humorously describing is a trauma response. His mind hasn’t gotten rid of the anxiety of “I’m eating now so I better make it count because I don’t know when I will again.”

Because he’s a comedian he manages to frame it as a joke, but there’s certainly an underlying sadness. It also informs Evan Kelmp’s characterization. Capitalism is the root issue here and poverty is state-sanctioned economic abuse.

Anyway, I hope he’s doing well and taking care of himself.

[arcane-gold]

death • rebirth