#=hello have an essay :')=
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lambfromfield · 2 months ago
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i get it jayvik should've kissed this and that but this is a win specifically for me, aro, #1 believer in "so devoted that the lines blur"
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luna-loveboop · 8 months ago
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There's a lot about Twilight's injury arc that makes me wanna cry but every time I read through it Legend is what gets me
Because Legend took his hat off out of respect when going into Twilight's room while he was injured
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I don't I ever have or ever will read a "salty and traumatised and not-nice but still good" character as well written as Legend. Because he's mean and snarky and grumpy- and almost always at least one of his eyebrows is down. Twilight even saw him as a bully at first. (Ref. comic 'bully' in Lu archive)
But this is a warrior who will take off his hat for another who got hurt. Legend shows love in almost invisible ways, and his heart is guarded enough to have spikes. But if he's going to see someone who's injured he shows respect and care.
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And he showed his care in other ways too- he has so much love for Twilight to show this much past his guarded heart
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Legend is always wearing his hat- it is literally something he puts on just as much as his shoes or tunic.
He shows so much love for Twilight through his injury. And him pulling off/putting on his hat is just one small way that was shown.
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*dies drowning in tears because legend took off his hat and it means so much and*
Art and comic by Jojo @linkeduniverse au
:)
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einsatzzz · 1 year ago
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H.K. & H.K. 🥹💖✨ khr x sanrio collab will always live rent-free inside my brain
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beanghostprincess · 11 months ago
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Usopp obtaining Conqueror's haki makes so much sense to me and I genuinely think he deserves it on Elbaf please please please
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activatebutterflyshield · 9 months ago
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I was compelled last night and I’m quite honestly scared of whatever 11:59 PM me intended for those middle sections. At least I still know my colors when sleep deprived, and I’m sure someone else on here can fill the blank spots out better than I can on a full eight hours of shut-eye.
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cryinginthedeep · 7 months ago
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matthew tkachuk - all your life, did you know, you'd be picked like a rose?
something..something...tying your skates like your dad used to but also, outgrowing the shoes you're expected to fill
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dietlemonadee · 9 months ago
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spinoff where phool has her own little shop is very much needed
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bleue-flora · 9 months ago
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Would you agree that between c!dream and c!punz, c!punz seems to be the more crueler. I was talking to another blog about it, and we spoke about the final lore streams where c!punz didnt care about c!clingys problems, most notably c!tommy almost taking his own life in exile (but then again he is desensitized to death cuz revival book lol) But, c!punz was the one to stick to the revival book plan near the end while c!dream opened up and showed vulnerability. I have seen a lot of fics characterize c!punz as being the one to be more softer and less inclined to hurt others for a goal, but after seeing the final streams I can't help but feel like its the other way around. I'm really curious on your take about it, and its fine if you disagree. Also really love your blog, you seem like such a kind person :)
Hmm ok well here are my thoughts on the matter at the moment, however as I rewatch more lore I might change my opinion.
Well in regards to c!Punz not caring about clingy duo’s problems, you’re assuming he hasn’t heard it before. We don’t know if thats new information, it’s possible c!Dream told him about the tower. In fact, since he was often still apart of the smp and conversations going on it’s very likely he’s heard a lot of what they said already. He’s a spy after all, it’s his job to know things.
Secondly, it’d be very hard to be empathetic to someone about themselves almost killing themself over a year ago when they just broke into the prison and murdered his friend. The revive book and such has clearly corrupted both of their empathies seen in their experiments. So, c!Punz already has a lack of empathy or at least is desensitized, the last person I’d expect him to sympathize with would be his enemy, especially when clingy duo weren’t really hearing what he had to say. I mean it’s insulting to be ignored after lying and hiding for so long and finally be able to share your opinion, but also the fact that clingy duo (and others) really thought he was cold enough to betray his friend for a measly amount of money to the point they question when it turns out to be fake. I mean that’s pretty offensive.
On that note though, it is also important to point out that those conversations in the finale are in his ‘evil role persona’ just like c!Dream he’s playing a part - one of the greedy mercenary just in this case for power. So if he seems cruel that’s intentional. Though I will say, he does give c!Tubbo and c!Tommy plenty of steak when they ask, which does say something, with this being c!Dream’s response:
“Wow, being humane. You could have waited.” And “don’t give him more, don’t give him more” [5:50]
And most importantly, I think that because we don’t get to see c!Punz break down like c!Dream the assumption is that even though it turns out c!Dream just didn’t want to be alone, c!Punz is still power hungry. But I think that’s a little unfair to c!Punz because it’s not like we saw him vulnerably be opened up like that, so is it fair to say he still has the stated goals. I talk about this a little more here [post]. What he does say in that conversation isn’t about power but about friendship. When Tommy is dissecting c!Dream c!Punz remarks on it:
“What can you just read minds now? are you just a mind reader—you knew it like—What?” [clip]
And this could probably be taken different ways, but given how he goes quiet whenever c!Dream wants to talk and seems to defend him in their conversation I see it more as like a - don’t put words into his mouth sort of thing. And because c!Tommy and people kinda do that it makes sense for c!Punz to be on guard for it. And there’s the comment about him being c!Dream’s friend. [clip]
In the less performative moments in the ending finale, c!Punz isn’t cutting in with something about power but about friendship and having c!Dream’s back. So I’m of the opinion more so that c!Punz was c!Dream’s friend, c!Dream became afraid and obsessed with death, and c!Punz stayed by his side, getting corrupted along with him. If it was about the Plan and power for c!Punz, I think he would’ve said different things like arguing with c!Dream about his goal and stuff. And there’s not really a lot of evidence to say c!Punz would’ve stayed by the plan had things not ended (though we shall never know for certain). But I think while it’s a common assumption to make, I think it’s a little unfair to say c!Punz was all just for the plan because we don’t hear him get fully vulnerable.
So given that, no I don’t think c!Punz is particularly crueler. But I do think he would do things c!Dream wouldn’t. While c!Dream is run by rational thoughts, c!Punz seems to be more emotional so (as expressed in my fics) I could totally see him going for violent revenge on behalf of his friendship with c!Dream. Perhaps then that makes him crueler? But I guess it would depend on your perspective of cruel, I suppose I was seeing cruel in this context as heartless, which I don’t think c!Punz is. In other words, he is wholesome to c!Dream, but everyone who wronged him better watch out. (I mean think about the scene of c!Punz leading c!Tommy and c!Tubbo down the stairs enraged by them killing c!Dream and him suggesting c!Purpled and c!Dream tie c!Quackity to a chair and torture him.)
Hope that provides some insight into the matter. :) and aww thank you that’s so sweet. <3 <3 <3
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mazojo · 7 months ago
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Are they,,?? flirting or???? Is this like?,???, a bro thing??,
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yourlocalabomination · 1 year ago
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I’m sorry but has no one made a The Stanley Parable AU with Tinky and Ted????? Hello???
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icarusredwings · 3 months ago
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Posting memes that took me 6 seconds to make getting over 50 reblogs vs. my deep charater analysis posts getting 3 likes from the same 3 people who, like all my other posts, is SO social media coded.
As outkast says, "Yall don't wanna hear me you just wanna dance."
But those of you who do wanna hear me AND dance- What do you want from the gas station?
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starlightmeissa · 4 months ago
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Hey! I just recently found your Magneto fic and I am absolutely obsessed. Any updates coming in the future?
i’m super glad you enjoyed magneto! this ask has gotten me to finally put a discontinued in the description of magneto. it’s not at ALL because of you in particular, but i’ve realized by putting off adding it to the description i’ll keep giving people false hope. forgive me if i use this ask for a tediously long post describing why exactly i will never update magneto, so i can link it easily for anyone with similar questions in the future. 😭
so. short answer? no. magneto will probably never be updated. i’m really sorry for that. my interests have changed since graduating high school and i don’t really want to write bnha anymore.
long answer?
i started writing magneto pre-pandemic during my junior year of high school. i had seen there was only about a 100 self inserts for bnha at the time and thought “well, if i post something it’ll probably get a lot of attention, since the fandom is growing in popularity a lot and there’s a scarcity here!” 2019 was an interesting year for fanfic in bnha, since it didn't have enough content for the growing eyes looking for it.
i ended up being very correct. too correct. i actively updated magneto over the course of half a year, roughly, and in that time it rapidly climbed in attention. since 2020 ive only updated it about twice(?) and that hasn’t deterred the new readers it’s gotten. i get comments every other day asking about updates.
magneto is currently the most kudo-ed bnha si-oc on the entirety of ao3. which is fucking insane. i don’t think it deserves it, but popularity is rarely about deserving. usually it’s about being just good enough, just novel enough, and being posted at the right time.
but i digress: it doesn’t feel possible for me to update magneto for a variety of reasons.
1) my disinterest in the setting would make any future update disingenuous.
i haven’t been actively into the bnha fandom in about four years now. i don’t really read bnha fic aside from the very occasional si-oc, nor have i kept up with the manga or anime. the only fic i’ve ever written for the fandom is magneto, and it’ll probably always be my only fic for the fandom. (watch me say that and be wrong in the next few years LMAO)
it would be really rude of me to stomp into a space i don’t even like anymore and post something lackluster and lacking in passion. especially with the express intention of gaining more engagement from readers. like it or not, magneto IS the most popular si for bnha, and i think i drive attention away from better books by updating and inadvertently preserving that position in the ranking.
I can't believe no one has written any "self-insert as Bakugou" fanfics yet what a bunch of cowards by the_incidental_author and i have jostled back and forth for that #1 kudo-ed spot for the past five years. which i admit has been fun, but i would very much like for them to overtake me. it’s clear (to me, at least) that they actually enjoy writing bnha more than me and update more often to boot.
i fully welcome ANY fic to take magneto's position at this point, if only so that less people comment how poorly written it is. which leads me into my next point.
2) my writing style has SIGNIFICANTLY changed over the past five years.
when i do my yearly reread of magneto i actively cringe and have to resist the urge to rewrite every chapter in a separate google doc. in any hypothetical world where i do add to magneto, i do a complete rewrite. in no particular order, the things i would change are:
kenzo being defined by three character traits and nothing else. her exhaustion, her mild spite for her father, and her aimless wandering through the plot
better grammar. dear god the grammar errors. dear god the SPELLING ERRORS
the pov characters being more developed and feeling more like Individual People with their own personal motivations and histories that are not defined by what the plot needs from them (cough, reacting to how cool kenzo is)
not just recapping each anime episode and stating what kenzo would do in that situation
placing greater focus on the way quirk society discriminates against those with undesirable quirks and backgrounds. what does it really mean to be the child of a criminal in a world where people assume that sort of thing is hereditary?
kenzo's classmates should've been more classist in general, especially in relation to quirk discrimination. UA is a school only the most wealthy and powerful get into, there's no way there wouldn't be social disconnects that create tension between a dead eyed daughter of a villain and more than a few nepo babies.
if you have any interest in naruto, skyrim, asoiaf or dragon age you've probably read my more recent fics. fluffy clouds and a tinge of wonder, the fic i have updated the most this year, is a really good example of how significantly my writing has evolved since starting magneto in 2019. my technical skill and style have changed enough that it just would be tonally jarring for me to update magneto without outright rewriting everything.
like. im being so fr with you right now, i didn't learn how to start outlining until about a YEAR AGO. magneto was written on a chapter by chapter basis with little idea of where exactly it was going. i implied that there would be a future confrontation between kenzo and her father, but i didn't have any idea of HOW that would occur or even what the consequences of it would be.
adding to magneto as it is would be like trying to add a sleeve to a shirt that's missing it's entire back panel and most of it's front. i'd be playing catch up with the plot and end up having to rewrite previous chapters anyways.
3) bnha commentors have been kind of really mean to me compared to other fandoms i've written for LMAO
ok. please don't draw and quarter me for this. MOST commentors have been extremely complimentary, and kind. besides the occasional bomb of like seven comments in my inbox of ten hearts from one user (which, sweet, but please don't do that) the bnha fandom has been totally fine.
but a very small minority have been really pushy about making me update a fic i have clearly not touched in two years, and realistically haven't actively updated in four. from comments just saying "wow this is great. update soon." to DETAILED reviews of how bad my fic is and how they can't believe how garbage like magneto is so popular.
which like. i don't feel personally attacked by? i fully agree that magneto is bad for the previously stated reasons. i wouldn't read magneto if i were a casual reader and hadn't written it. usually the second kind of comment really annoys me because of it's presumption of importance and for how soul crushing it would have been for sixteen-year-old me to read.
bnha as a fandom, especially in recent years, has felt more and more like they treat fic like something that is created in a vacuum. souless content that exists for readers to consume. the comments don't go to an inbox, they go to a void, so really it doesn't matter if i say something really belligerent to an author i don't know about a Self Insert Fanfic They Wrote In Between Rehearsals For Their High School Play.
but whatever. if it had just been me experiencing that i would've written it off as like just my fic, but a close friend and frequent cowriter of mine Reavv has dealt with this a lot more than me.
they wrote It's a like a time travel comedy, without the comedy, another very popular bnha fic, and had to private it because people were going to their other UNRELATED fics and badgering them to update it. people still go into their comments insisting they unprivate it, oblivious to the fact that every time they ask it adds another year to reavv's internal timer for when they will.
a combination of my own experiences and reavv's have completely put me off of writing bnha i'll be fr. even if i was still in the fandom, the majority of my fics will always be about fucking dragon age and skyrim. i do not want random bnha fans coming into my dragon age fics and, AFTER NOT READING THE FIC, saying that since im active i should clearly update my bnha fics. that's a nightmare scenario for me.
in conclusion
i am so glad that people like magneto, i'm glad that i wrote magneto. the initial jump in readers i got from magneto gave me the confidence to write other fics, and the alternating pov format is a staple of most of my writing now. some of the comments i got for that magneto when i was a teenager were the only things that kept my ass going.
but magneto is never being updated. i don't even think it's gonna be rewritten. i really am sorry about that, but it is what it is. thank you for reading it, thank you for loving it, thank you for feeling ambivalent about it. good talk.
btw to the original asker, again. this is NOT a rant directed at you, you just inspired some Thoughts in me and i had to let them loose.
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fernsnailz · 2 years ago
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Not sure if you’re familiar with Crash Bandicoot 4: It's About Time but I feel like Sonic Prime is the animated version of that game like the plot/style doesn’t really fit Sonic games while Crash both stays in that arcade jungle setting AND has the shattered time and space themes which they focus heavily on the recent game. The villains already are a bunch of scientists and I feel like either the team from Crash games or someone specific like Nicholas Cole just slapped Sonic Prime on the script for a Crash Netflix show and edited some characters
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okay i understand the point you’re trying to make, but unfortunately you sent this ask to someone who works in animation and i need to set the record straight here: that is not how TV animation works
first, you’re right that Nicholas Kole worked on both Crash 4 and Sonic Prime! he’s also done work for the Spyro series, some Disney projects, and a bunch of other cool stuff. however, he specializes almost entirely in character design and concept art. this means that he helped develop specific parts of the visual look for Prime REALLY early on, such as designing some of the characters like Knuckles the Dread. however, that was likely the extent of his involvement in the show. character designers and concept artists normally do not edit the script, and often these artists draw their concepts before the script is even finished.
this is all stuff that happens VERY early in a show’s development, so Kole’s work on the show is probably multiple years old by now. and yeah, that jungle art DOES look a bit like the stuff that he did on Crash 4… because that’s just what Kole's art style looks like. he uses bright colors and varied shapes in a really distinct way on EVERY project he works on, which is probably why they hired him on Prime!
but even if that concept art was inspired by Crash, the jungle universe doesn’t even look like the concept art in the final version of the show! because it was concept art!! it was meant to be an exploration in styles, not a definitive look at the final product. this jungle below is a COMPLETELY different look than what was explored in the concept art. it sooooorta looks like the style of Crash 4, but it's FAR different from the initial concepts presented earlier.
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(any person who modeled and painted this environment would ALSO have to be a dedicated Crash fan if they wanted to just turn Sonic Prime into Crash Prime)
and so far, this is completely ignoring the fact that the jungle concept art included in the ask probably isn't even Kole's. it looks very different from his style to me, and as far as i can find no artist has actually been credited for the leaked Prime concept art floating around. Kole has only mentioned his contributions to the character designs on Prime.
this is all a HUGE tanget from the actual argument you're trying to make in this ask, and i apologize for that - but my main point here is that this is a trend i see a lot in online fandoms, where people really like to place blame for issues in media onto one specific person and say "hey it's THIS guy's fault that this show is bad." what a lot of people don’t seem to understand is that these are collaborative art forms. there are so, so many people who worked on Prime, all the way from the first draft of the script to when it was being exported for Netflix, and a lot of these people probably don’t even show up in the credits! if there’s something you don’t like about this show, it’s unfair to single out a specific person to blame because TV shows are not made by one person. they come from a team of artists all working together to try and make something great, not one of the concept artists trying to turn the new sonic show into Crash 5. Nicholas Kole is a single character designer that worked on Prime. he is not solely responsible for an artstyle that you may dislike, because he is not the only person that developed the artstyle. there is no specific person to blame here.
regardless, i can’t really say much about your main point concerning the similarities between Crash 4 and Prime because i don't know as much about Crash series. my instinct is to just go “yeah of course they’re similar, multiverse stories with brightly colored rocks are the big trend in all franchises right now and they’re both 3D platformers from similar eras of gaming that have always featured cartoon talking animals fighting evil scientists, so of course they’ll seem alike.” but hey i mean what do i know
that's all, please know that this isn't meant to be an attack against you or anything! i'm just really used to seeing people blame individual artists and animators for stuff that isn't their fault, and i'm just. kinda tired of it. i will also spare you from my second ramble/disagreement about a sonic game or show in the crash style. because i think that would look fuckin INCREDIBLE
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prettyboykatsuki · 6 months ago
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i say this about everything but there's no series im more serious about it then bluelock like ninety-nine percent of those men could be fixed by being dominated
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bisexual-kelsier · 9 months ago
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Love Is Stored in the Oatmeal Raisin Cookie
On Lizzie & Ripred
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The newest take I’m seeing right now, both in the TUC tags and on my “controversial TUC takes” post, is that Lizzie’s relationship with Ripred is unfounded and that the inclusion of it “robbed” us of a softer moment between Gregor and Ripred. I disagree with this take so much that I decided to write an entire essay about my thoughts on the subject. The most common argument I see against Lizzie is that she received Ripred’s affection, as well as his tragic backstory, after being present for a very short period of time, while Gregor has known Ripred for months. At a surface level, this may seem counterintuitive, but when we dig deeper into the characters and their behaviors, motivations, and allegiances, the thematic significance of Lizzie’s role in the story becomes apparent.
First and foremost, let’s take a look at Gregor. I love this kid so much, but I do believe that the core of this argument hinges on his more subtle flaws as a character. Consider this: the entirety of The Underland Chronicles is narrated from Gregor’s point-of-view. What does this mean for our perception of the story? We receive only the context that Gregor has, and we only receive the details that Gregor notices and finds important. Across the series, his understanding of the Underland and its denizens expands, grows, and solidifies. He is twelve by Code of Claw and very much still learning and growing, but some of beliefs have settled by this point.
This is where Ripred comes in. Gregor has more or less made up his mind about Ripred by the end of Curse of the Warmbloods. He wants to lead the Gnawers and will achieve that goal by any means necessary. He’s an ally, but probably not a friend, grumpy and abrasive and untouchable. Definitely not worthy of sympathy, because he can take care of himself. In short, Gregor doesn’t see Ripred as a multidimensional person, as someone with emotions outside of anger and self-importance.
In direct opposition, we have Lizzie. Upon first glance, she might seem inconsequential until Code of Claw, because her character arc is quiet and mostly happens off-screen. She’s anxious about almost everything, and the Underland puts her through a lot of trauma in the earlier books without having ever set foot down there. It took her dad from her when she was only four years old, and when he returned years later, he was ill and severely traumatized. His absence and then his inability to work meant that she grew up in poverty, spending a large portion of her childhood food insecure and without a stable home life. Similarly, the Underland suddenly took Gregor, who by that point had undertaken a parental role in the household, and Boots away on more than one occasion. These traumas were then compounded on in Curse of the Warmbloods, first when her family’s apartment was swarmed by rats and then when Grace, the stable parent and breadwinner, contracted the plague and was unable to return home.
Lizzie’s role in both Marks of Secret and Code of Claw directly opposes the effect that Gregor—and by direct extension, we as readers—expects this trauma to have on her. Lizzie is afraid of almost everything, and the Underland has harmed her directly in the past. She should approach it with fear, maybe even hostility, like Gregor does in portions of the book. Lizzie is not Gregor, though, and her key trait as a character is that she is able to see the world as a whole through different eyes. So she chooses kindness, instead.
This is where the excerpt above comes in. Lizzie has never met Ripred personally at this point, and she really only knows anything about him from Gregor’s stories—which almost certainly don’t paint Ripred in the kindest light. Lizzie sees beyond the surface of these stories, though, and considers Ripred as an entire person, with depth and emotions. What she sees between the lines is up for individual interpretation. Maybe she latches onto Ripred’s insistence that Gregor learn echolocation, a skill that might save her brother’s life. She does pester Gregor about practicing. Maybe she sees pieces of Gregor reflected in those stories about Ripred. A rager who doesn’t quite fit in where he’s from or where he’s fighting for, who can be stubborn and short-tempered and quick to hide his vulnerabilities from the people he considers himself responsible for. Maybe she sees pieces of herself reflected in those stories. Maybe, as someone who has lost pieces of her family, who has only one friend, who has likely eaten less than her share so that others could be full, she finds it easy to spot the humanity, for lack of a better word, in Ripred, like light through the crack under a locked door.
Whatever her reasons—and maybe there are no reasons beyond “he’s a person, too”—Lizzie goes out of her way to treat Ripred with kindness before she ever meets him. She sends some of her own food with Gregor so that Ripred doesn’t have to go completely hungry. She makes sure Gregor knows to share that plate of oatmeal raisin cookies with Ripred. Where Gregor rarely shows any gratefulness for his help and, in fact, rarely views him through a lens unclouded by a deeply ingrained bias against Gnawers, Lizzie is kind. Ripred notices.
This is not a matter of Ripred suddenly opening up to Lizzie for little reason after bonding with Gregor across the entire series. Ripred treats Lizzie differently because she acted differently. Their relationship is not built only on Lizzie’s similarities to Silksharp, but on a history of compassion and respect. It isn’t shoehorned in, it’s a necessary relationship that supports the central themes of The Underland Chronicles—violence, war, and colonialism are cyclical, but the refusal to continue living life based on the biases of the past can break that cycle and bring about a brighter future for everyone.
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averlym · 1 year ago
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ghostwriter (their grandma would tell them she'd lose half her soul)
#or smth smth. having a lot of Thoughts. anyways here's the piece i've been working on and sometimes u have to just say Done#there's a lot of thinks but i am maybe a bit tired and so tmr i'll come in and add all the Tags that i'd personally want to get from myself#maybe i'll reblog the extras tmr too. this is an incredibly self indulgent piece + it probably deserves a tag ramble essay or smth#ig for now we see how it stands for itself + in the meantime:#adamandi#beatrix valeria campbell#hello!! i'm back with belated tags yippee!! alright so for funsies i'm going to make it sound like i'm going bonkers over this :3#the eye shine... the glowy eye... it's like phaethon shine but also smth about eyes to windows to the soul and like#there's two beatrixes here! half the soul. lost part doing things specific to the phaethon and here it's portrayed as tearing off her name#because that's really; truly; when it all starts!! also notable for the ghostly beatrix is i did it more painterly and cloaked in shadow and#fading into the bg. i think i was super duper specificish about where the glow comes from! front lighting back lighting beloved!!! like help#let's put it this way- beatrix face always glowy. important parts of paper also glowy. it's just that different elements are turned away#from the viewer by each beatrix!! also also. let's talk about the very gently implied blood and red etcetera#like the red string is canonical and i love personally the whole red strings of fate thing even though it's not Here Applicable exactly but#that definitely was an influence! and also the blood in the bg... i'm starting to think this is a recurring trend. but anyway shadowy bea#the other strings hang while the red string loops!! so like that one string feels almost alive. it's a sort of whimsical i put on the same#as metaphorical glowy eye!! also also the eye is lowkey influenced by the whole idea of Eyes and Spotlights within the show and also glow#as in power as in heyyy you ever think about writing as a visual medium huh#speaking of writing!! there is no beatrix thingy complete in my head without text sorrry but the black text overlays are always so >>> to me#and in the sense of art styles and overlays shoutout to all the black crosshatching outline thingys because For Some Reason in my mind#of all the characters beatrix feels like the bnw ink printed illustrations you get in books idk#fun fact! i spent so long rendering this and that was fine i liked it! but then trying to figure out text to go on the papers was a Thing#i tried to do. but then gave up on! sometimes i have to pick my battles and graphic design is indubitably Not my passion bc Fonts#fun facts about this is i Actually did start with a quick sketch in mind and there's been so many changed elements. in the og the front#paper for instance had 'ardess murders' written on it and the back one said phaethon interviews.. i like the nominee list better it feels#more narrative-esque and less passive than her just holding her writing.! other elements that got discontinued were that#front beatrix was supposed to blur into the other ghostly beatrix but i couldn't do it without sacrificing clarity so... no... no blurry#oh and the red string morphing at the ends to smth more abstract was always there from the start!! og had more floating papers#and also a silhouette of vincent and a scalpel bc 'one who pulls the strings' but that (pun intended)! got cut (hahahahahahaha) (sorry)#used also to be a lot of print room clutter but that got cut to bc compositionally i made beatrix larger (learned lesson from last art)
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