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trick or treat!!! vampire yagami for you :D
AA!!!! he better not be taking my blood.... 🫵
I mean I'd let him but that's beside the point
This is so cute jichan.... thank you very much 🥰
In return.... why not? Pulled out some lore stuff about an OC that Yagami directly inspired :3
Fekami lands on his butt, the real world swimming back into view. He shakes his head, ridding himself of any lasting imagery of what he'd just seen.
Even though the explosions still ring in his mind.
*HEY!* JE rolls in front of him, placing a wheel on his shoe.
"JE..?" Fekami asks, still somewhat dazed.
*What was that, Fekami?* the droid beeped.
"I'm alright" Fekami said dismissively, moving into a crouch and dusting himself off. JE lightly smacks his hand.
*Like hell you are! You were going along just fine until you started staring at that wall for minutes! If that wasn't enough, you started screaming!*
Fekami sighs, fully standing up. "I said I'm alright," he replies, picking up the droid and placing him on his shoulder.
He moves to continue down the path when JE beeps again.
*Is it something you want to talk about?*
Fekami stops. As much as it'd benefit them for JE to know, he doesn't feel like reliving his past twice in one day.
“I… listen JE, I don’t really want to talk about those memories. At least not right now.”
*Memories? What kind of memories are they?*
Fekami sighs. "Bad ones."
#odevasks#oh jeez what was the tag i had for that#eh whatever#mystery of darkness#<- title drop!#i'll find the rest to retag later#but tysm jichan. what a pleasant thing to wake up to :)
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Ideology of Exceptionalism and Gravity Falls; meta and character analysis
I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.
Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships.
The Ideology of Exceptionalism
First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional.
For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given.
This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.
Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people.
However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.
This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.
Ideology of Exceptionalism and Gravity Falls
The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism.
Ford and Exceptionalism
Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously;
“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”
Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.
Image id: Stand and Ford when they were children, both clearly enjoying each other's company.
Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised.
Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.
Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.
In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.
Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'
Ford and Bill
All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?
And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life?
And then it's better than that.
A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.
Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all.
Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.
So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.
All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.
Ford’s Exceptionalism and Wider Relationships
Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.
For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself.
As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.
Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.
It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it.
And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.
Bill and Exceptionalism
Now of course, that's only on the Pines; what about Bill?
While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'.
This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone.
Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.
Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).
Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.
In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows.
And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism.
Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.
Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.
They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.
Stanley Pines, and the Refuting of Exceptionalism
Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.
But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back.
And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.
In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.
And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.
Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.
TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.
Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me
If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)
#gravity falls#ford pines#stanford pines#bill cipher#stanley pines#stan pines#hugin rambles#hugin rambles gf#journal 3#the book of bill#thisisnotawebsitedotcom#billford#fordsquared#gravity falls analysis#gravity falls meta#book of bill#tbob#christ its so long whyyyy#also oh nooo i wanna do another thing but SPECIFICALLY on trust. gravity falls is ultimately about strength in community and hnnnghhhhh#that makes me wanna cry#also i had so many thoughts. also on the denial part of exceptionalism??? oh baby Bill fucking LISTS it in his book#like sir. please#anyways i love media analysis and im totally normal about all these characters#also like Fiddleford is. like. yikes man.#anyways uhm. does dropping a 6k essay post make me sexy? please say yes (i HIGHLY doubt it#sheesh who's got time to read all this... psssspsspspp theres PHOTOS that TOTALLY dont have more reading in rhem nawwww#i totally dont know what ur talking about mhmmm#if youre like is this about gifted kids- yes. yeah. i just didnt name it. its also about wider things but. yeah#also. unofficial title? Gravity Falls and Gifted Kid Issues an analysis#oh boy sure hope my post about gifted kid issues is a hit on the gifted kid issues site
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the difference between theobald announcing amethar and colin announcing delissandro for your viewing pleasure
#zac dropping his pen when murph pulls out the scroll always tips me over the edge#dimension 20#d20#a crown of candy#the ravening war#theobald gumbar#amethar rocks#thane delissandro katzon#colin provolone#calorum's knightliest knight to ever knight vs a guy who's still several years off from stumbling into the title of sir
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I apologize in advance about the person I’ll become when this game comes out
#dragon age#dragon age: the veilguard#da:tv#christ it’s such a bad title though. can we all agree to drop the ‘the’#taash#lucianis#davrin#Neve bellara and Harding are next on my list to draw I’m just allergic to finishing things or doing the art I’m supposed to be working on#sorry hades fans… she’s coming I’m just so busy playing the game now that I have a pc 😩#anyway. I’m already cooking up a Rook to romance each companion. BioWare give us a preview of the CC cowards#my art#da:v
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remnants of where we have been
instagram | shop | commission info
#artists on tumblr#animated illustration#animated gif#digital art#2d animation#environment art#environment illustration#backgrounds#background illustration#art backgrounds#night sky#constellation#cozy#myillust#hellooo! just wanted to drop by and share this piece with you!#there were a combination of ideas here: i wanted to do a glowing cityscape of its city lights and have it softly blur into the night sky#the title is also a big description for this i guess - 'remnants of where we have been' is like how the city lights were where humans were#the clutter around the character shows the remnants or the past of what they did#the map-like contours of the skies are like where the stars have travelled#idk i guess it's something that i think about often and it makes my heart ache sometimes;;#anyways! i really hope you'll like this! thank you so much for reading through this if you have and for your support as always c':
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#mrs flood who are you: time lord edition
#dwedit#doctor who#mrs flood#fifteenth doctor#the master#jacobi!master#tenth doctor#jack harkness#martha jones#twelfth doctor#ninth doctor#*#okay here is my argument: mrs flood IS a time lord but her presence here has nothing to do with the doctor#instead she's here because of ruby. she's seemingly part of/related to the pantheon of discord & we know that ruby is connected to them too#so i think that she was deliberately placed as ruby's neighbor by the pantheon/oldest one/ruby's mom/? in order to watch over her#it also explains why she was there to check on ruby in 1.04. once she realizes she's on the phone w carla she says 'nothing to do with me'#and she leaves. which implies that it COULD have had something to do with her. if it had been something else going on#ANYWAY. to get to the time lordness of it all. rn i personally believe that she's a time lord that's been hiding on earth for 50+ years#bc i don't think she recognized the police box as a tardis initially. that first quote should be taken at face value.#instead picture this: she's watching over ruby as per usual. a police box is there - weird but nbd. then it dematerializes in front of her.#she drops her groceries. she's shocked. she kinda looks scared. if she already knew it was a tardis why would she react like that?#so imo she knows OF tardises. she DIDN'T know the police box was one. and she's worried the time lords have found her hence the fear.#but when nothing happens and nobody comes at her she realizes she's still safe#later when she sees the doctor she realizes the tardis is his/he must be a time lord. he doesn't identify her but that's happened before#so then when she asks him who he is i think what she's actually asking for is his title. WHICH time lord are you.#bc lbr if she knows abt tardises then she knows about time lords and if she knows abt time lords she knows what it means for ruby#to be joining him - and that's why she wishes ruby good luck. meanwhile this is clearly the outcome she WANTS (them to be together)#bc she gets visibly upset when the doctor seems to decide to leave without ruby.#and for once i'm not master clowning bc the list of names the doctor gives out is VERY interesting. some of them we've never heard before:#the bishop; the conquistador; later he adds the pedant and sagi-shi and reiterates the bishop AGAIN. so i wonder if she's the bishop.....
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YOU'RE GONNA BE FAMOUS, DARLIN'
bonus:
#TITLE CARD DROP#tfw u just wanna help ur crush get his bag </3#ggg#great god grove#click clack#thespius green#i know thesp's the music man but dude i could imagine click ROCKING this song#ggg spoilers
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The first part of this Au that I went out with so funny thank you for answering it I hope you were able to rest and stuff but anywho
I feel like after those first two parts I feel like RedRobin and Batman have questions about the Ghost King and Vlad relationship like they're asking questions
And the Klarions / Phantom children and the kids keep just dropping he with to college with our mom's parents, he would take kidnap mom and locked him in a basement, he's legally mom's godfather, he tried to marry grandmother on multiple occasions
I just feel like Dan anytime he gets the moment gets mad at him and goes like until you pay the 8.5 million you owe mom in child support is the day that you can call me your son ectoplasm donor.
Also I would find it so funny if outside of their Klarion thing they live with Vlad time from time again when Danny is overwhelmed or need someone to watch over them and the the rest of the people he's friends with in the Infinite Realms can't do it and are friends with the Wayne children
I feel like Duke will be having a heart attack when you realizes that he goes the same high school class as Dan or that Ellie and Dick best friends back when they were children for funsies
Also the reveal of Teekls has never been a cat it's going to get on doctor fate's nerves cuz he knows damn well that things never been a cat also I feel like all of them have the power to rip Dr Fate out of whoever he's possessing body and always he's pulling that power on him anytime they get the chance
Also a review of the fact that Teekl has never been a cat until when like Batman or Red Robin pov
Have I ever mentioned I love your ideas and how fun they are? Cause damn this had me laughing while reading it already.
Also glad the first two parts were still fun despite the mishaps that happed while writing :D
Also I skipped over the Teekl Part for the moment since I didn't know how to tie it in at the moment...
Sooooo anyway.... here we go again~ (sorry if its a bit short...)
Part 1 Part 2
------------------------
Red Robin was intrigued, worried and on several levels suspicious as he watched the interaction between the ones that had been Klarion, the current Klarion and Vlad Masters. He had also a lot of questions, he really wanted answers to but for now he held back.... partially. Vlad Masters was a contact Batman had brought in when the situation with the Demon became more dangerous than they originally expected.
John Constantine had mentioned they would need a even stronger force to really drive that Demon back and off handedly mentioned that something like an Ancient or a Ghost King would be needed. And wouldn't you know, Batman knew someone that claimed to have contacts with a Ghost King or rather THE Ghost King. And as luck would have it, Vlad Masters was in Gotham because of one of his relentless attempts at striking a business deal with Bruce Wayne. (That really had been an unexpected luck but by now Red Robin was also suspecting something else was at play.... [Like a bored Ancient of Time])
Well either way now he was watching, just a step behind his mentor, how Batman was grilling Vlad Masters on his relations to the Ghost King, since apparently they (the hero's assembled) wouldn't need to do anything anyway since the Ghost King was handling the demon threat. Red Robin did realise that not all heroes present were convinced but what else could they do but wait right now? Since according to Klarion their Mom aka the Ghost King was already dealing with the situation.
So with that happening, the well known bat-paranoia, curiosity, suspicion and need to know every good damn detail of a situation arose full force. Not that Red Robin minded, as mentioned before, he had a lot of questions too. Plus he wasn't so sure if the other Heroes had caught it but there were some disturbing things Klarion and is siblings sort of dropped that really needed clearing up.
While Batman was grilling Vlad Masters, Red Robin listened in but then decided to his own sort of questioning with Klarion, the current one.
"So... you called Vlad Masters 'old man'? And your suit is in the 'old man's style'?" the question was asked directly to the current Klarion. Since they were apparently here just to watch Red robin was sure he could just try having a sort of civil talk with his questions.
Klarion on the other hand grumbled crossing his arms, before uncrossing them again to pet the demon cat on his shoulder. "I just went with his dumb vampire look but more fancy and classic and less insane colouring."
The arched eyebrow stayed sort of hidden under his mask but it was there and Red Robin knows that tone Klarion used. It's the same Red Hood has when he begrudgingly admit do doing something the way Batman would. Which raises the a question he already had on his mind, how he could interpret Klarions use of 'old man'. Which would give Batman even more incentive to question Vlad Masters on his relation to the Ghost King. Also for now he was going to ignore the 'dumb vampire look' part, but he did note it down in his mind for later.
"Vlad Masters is your 'old man'?" There probably was a way to ask a little more subtle or nice but they were waiting for the Ghost King to beat up a Demon and he was making small talk with subtitle questioning with Klarion. So sue him for being blunt after all. Also the face Klarion was making right after he said.
"Well Far Frozen gets a hot summer." Was the instant reply and Red Robin blinked unter his mask. There probably was some information he was missing behind that reply.
"Ew no! He wishes though. But Vlad is like double or triple our Mom's age! He even went to collage with Grandpa Jack and Grandma Maddie!" Misrule suddenly interjected apparently done pestering Nightwing as she leaned over Klarion, resting her head on his and causing Teekl to hiss at her. Well that certainly got his attention now and with the way he saw, form the corner of his eyes, Batmans head wipe their way and then back at Vlad Masters it certainly also got his mentors.
"He wishes...? Triple your Moms.... age? The Ghost King?" His mental information board was getting more and more chaotic with the information he was getting.
"He acts like we are his kids and has a right to be called Dad by us." Misrule shrugged dismissively to which Klarion growled, he growled! Red Robin was tempted to check his ears because this was the first time he heard Klarion growl towards his sister.
"The day I call your DNA and my ecto donor anything with the context of father is the day he pays Mom the millions of child support he owns him and additional pays for emotional and physical distress." Okay, Red Robin was not ashamed to say he did a double take at Klarions growl and the fact that several alarm bells went off hin his mind with that one sentence alone.
"Mom has his own castle and riches from the previous King. Not like we would actually need that money. Plus Vlad does pay for your school tuition." Misrule answered her brother, complete ignoring the fact that Red Robin was having a mental crisis and thinking that Vlad Masters might even be an even greater threat, then just a weird and suspicious potential business partner and that the reason he has a summoning stone for the Ghost King might be a custody thing regarding Klarion and his siblings.
So with all these things what did Red Robins brain decide to focus on? "Vlad Masters pays your school tuition? No wait you go to school?"
There was an awkward moment Red Robin received two very similar looking deadpan stares from Klarion and Misrule, the first Klarion.
"Of course I go to fucking school Mom would kill... well no thermos ground me if I didn't." Another drop of information Red Robin didn't know how to handle, what the hell does 'thermos ground' even mean? Was that like their version of grounding?
"Oh isn't today like a school night?" Misrule suddenly piped up pinching her brothers check and Red Robin felt weirdly reminded of some of the interactions he used to have with his siblings. It was strange to see Klarion like that.
"Shit... I forgot to do my part of my group project with Duke..." Klarion grumbled and Red Robin did a double take once more, blinking several times as there was a very very important information drop here, his head snapped towards Nightwing in hopes that the other had also caught it and thankfully, he had and while Signal wasn't present at the moment because he had done day patrols already and had been barely awake anyway when this whole Demon mess started.... they had gotten a hint of figuring out Klarions identity, they were certainly going to use later.
For now they had some more red flags to investigate in regards to the relation of Vlad Masters, the Ghost King, Klarion and Klarion's siblings.
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Little Bonus (Next day after Demon Crisis):
"Hey Duke, who are you working with in a group project?"
"Huh oh that is Dante Masters-Nightingale."
"Masters-Nightingale? As in Vlad MASTERS?"
"Yeah, that what he said his temporary guardian's name is that pays for his schooling."
"Wait didn't I go with Danielle Nightingale-MASTERS to school too? We were like besties in school!"
"Oh god...."
"Tim, you okay you look very pale. Are you okay? Dick too..."
"BRUCE! VLAD MASTERS NEEDS TO BE PUT ON THE RED WATCH LIST AND WE NEED TO TALK WITH THE GHOST KING ASAP!"
#dp x dc#danny fenton#danny phantom#dpxdc#dcxdp#crossover#tim drake#dan phantom#ellie phantom#dick grayson#Klarion is a title passed down like Robin#Ellie was the first Klarion#Dan is the current Klarion#Tim wants answers#he is trying to question Klarion using small talk#there are a lot of red flags in his opinion#oh the misunderstandings....#Mom Danny#Ghost King Danny#His kids need to learn to not info drop without explanations#poor Vlad he might be a redeemed man but the bats will still put him on the red watch list#Part 3
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Splatoon 3: Side Order is good, but not great. I still highly recommend it, but if you care about the story, you're going to be disappointed. Quick review: spoilers ahead.
Side Order was the devs experimenting with Splatoon's gameplay loop. The campaign is a rogue-like, and it works amazingly well. Super fun, super challenging, building my deck and fighting through challenges with the stakes of resetting really scratched an itch in my brain. They did a great job with it.
Unfortunately, I feel like priority went to game design rather than story. Much of the mysterious artwork we saw in the first teaser trailer was completely unused; turns out, all of that was just concept art that never made it into the final product. Side Order failed to make me care about what was happening. I don't know why the protagonist had to be Agent 8; it could've been anyone else and the story would've worked the same.
Octo Expansion was the absolute peak of meshing story and gameplay. The campaign's hook is insanely strong; we immediately empathize with Agent 8 because we know from previous lore that octolings like her have been trapped underground for all their lives. We care about her fight to the surface because it's a fundamentally ideological fight for freedom. The plot stuff about Tartar and the Thangs is just nice set dressing; 8's fight for freedom is the real story.
There's none of that in Side Order. I don't particularly care about Marina's metaverse, even if it's tied to Octo Expansion's story. I don't know why Acht is there other than backstory stuff. It really feels like 8 is just told to do something and she does it because she's the protagonist; she has zero personal stakes or motivations in the conflict. This is a story blunder the devs did in Splatoon 3's default campaign––forgetting to give the protagonist a personal reason to fight––that I hoped would be fixed here, but alas.
What makes it worse is that the gameplay and story progression are completely out of sync. I beat the entire game on my third run in 4 hours. With each run, you get up to two keys to potentially unlock bits of story. That means you'll get about one piece of the story every two runs. There are twelve pieces of the story; I got the first and then beat the whole damn game. Now I have to go back and grind to see the remaining story when I've already beaten the final boss and resolved the conflict. I missed the entire story because I never had to reset because I blazed through the gameplay! It's just a real shame that I experienced everything without knowing... why it's happening. The final boss had me asking myself what the hell is going on because I don't know the backstory at all.
Again, I still really recommend. The devs did a great job, but Side Order remains in the shadow of Octo Expansion's incredible success. Like the default singleplayer campaign, there's just a lot of lost story potential here that, while not necessary, would have really elevated this DLC into something amazing.
#long#personal#rant#splatoon#side order#it's a shame too because I got SO FUCKING HYPED at the title drop#when I realized that the entire first 30 minutes of the game was JUST THE OPENING TUTORIAL and they hit you with the music#and the “nintendo presents” and the title drop to a slow mo explosion. I thought “holy shit this is gonna be huge”#alas it wasn't because it turns out i'm better at roguelikes than the devs anticipated so i beat it in 3 hours lol#octo expansion was a cultural reset. it did something to my brain. the entire rising action part of the story; the reveals the twists the#boss fights the upward climb. it was so incredibly hype and just upped the stakes over and over. nothing's come close
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SG-1 TITLE DROPS: 1.01-02 CHILDREN OF THE GODS
#asile gifs#stargateedit#stargatesource#sg1edit#sg1 title drops#jack o'neill#samantha carter#skaara#stargate#stargate sg1#eyyyyy look at me i'm giffing again#when you're completely overwhelmed and don't know what to do :)))))#also thanks to this i finally got an external harddrive because my laptop was almost full#and now it's free again and i can giffff#i plan on doing more#so watch out#(that is a threat to myself)
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anyone wanna be boy bestfriends in a scary research facility and get increasingly concerned for eachothers well-being?
#omg nobody look hes boobs.#kind of. close enough. this is probably the most you'll get from me in that department i get scared#ANYWAYYY. lalalalalalala#blargh that 3rd ones older but it looked funny w only 2 imgs#id in alt text#gordon freeman#barney calhoun#my art#half life#freehoun#waves my hands around#Alternatively titled gord asks barney 2 come down 2 the labs and help him out after HEV training. And they're gay about it 🙄#the. umm uhh. taking some job bcos they’re the only place thatll hire you after dropping outta college and with nowhere else togo#and then you meet some guy and it rules and then hes in way too deep for being 27#and then youre worried & your heart hurts more for someone else than you thought it could#and u know u gotta keep an eye on him cos nobody else is. or something ?#<- copy pasted from discord but my point still stands
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little Orphie ani
#the six birds saga#artists on tumblr#digital art#concept art#character design#doodle#henchmen#little hero#orphie#2d animation#animation#character animation#title drop#storyboard pro#I don't have harmony anymore so this was done in story board pro
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[HADES] Console
Date: 4/26/2024
#digital art#sparkles#blue#hades#hades elysium#hades patrochilles#hades achilles#hades patroclus#hades game#achilles#patrochilles#patroclus#elysium#gay#gay men#lighting#I may suffer for my art#but my computer goes through the trials of Heracles for my art#my computer is and will continue to suffer#dialogue#dialogue if you literally squint#I was working on this before the technical trailer dropped#I will be sad if we don't see them in Hades 2#but I also won't be surprised#my A+ titles for this...“series”
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Gift
#jshk#aoi akane#mirai#jibaku shounen hanako kun#jibaku shonen hanako kun#my art#I get to be emo about them yay#toilet bound hanako kun#tbhk#Akane giving a name to Mirai is really personnal#same for Mirai being the only one calling him just Akane#12 yo clock keeper Akane making cameos let s gooo#proclaiming the title of the clock keepers fan n1 since there is no one else in line sojdjkd#we re dropping in the stratosphere with this one boys#they destroy me
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DWM Episode Preview 'Rogue'
"And this time when the Doctor dances - he really dances"
#it's Jack#he's playing Jack#can you get any more of a reference than dropping the full title of one of Jack's most famous episodes??#doctor who#nu who#rogue#doctor who rogue#doctor who season 1#doctor who series 14#captain jack#captain jack harkness#jack harkness#doctor who season 40#doctor who spoilers#my post#my theories#john barrowman#torchwood
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