tumblrs being transphobic, with the ceo himself starting an actual harassment campaign against a transfem & also banning transfems who post abt it.
Oh shit, I had not heard about that.
I would like to say I don’t understand why this shit keeps happening, but I actually do understand it way too well. It just makes me so sad and angry. Especially on a site where people find and make their communities.
So much of this is about ego, and the people with power wielding that power to protect themselves and failing to protect others with it. A mere hint of negative sentiment towards them is harassment that is dealt with immediately and harshly, but a dozen complaints about discrimination or threats or bullying take ages to process and frequently come to unsatisfactory moderation decisions.
Whatever the sentiments of the people running this hellsite, you are always welcome in my corner of the internet, wherever you find it. You are all wonderful, and we all deserve to feel that part of this space belongs to us and those to whom we can connect.
Transphobia has no place on tumblr, period. Or anywhere else in society for that matter. It is that which should be being rooted out.
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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ENCYCLOPEDIA -- In Proud Immortal Demon Way, Luo Binghe emerges from the Endless Abyss a fully realized heavenly demon. This marks the beginning of his quest for revenge against those who wronged him, along with bedding every woman he comes across.
HALF LIGHT -- He comes out hungry for blood. Your blood.
CONCEPTUALIZATION [Easy: Success] -- You remember cheering when you read his revenge against Shen Qingqiu. In fact, you remember commenting that he should've gone further when punishing the scum villain. Little did you know that someday you'd be the scum villain in question.
HALF LIGHT -- You have five years before Luo Binghe decides to turn you into a human stick. Better start running.
ELECTROCHEMISTRY -- I can take him.
PHYSICAL INSTRUMENT -- In a fight, right?
ELECTROCHEMISTRY -- ...
PHYSICAL INSTRUMENT -- In a fight, right?
AUTHORITY [Formidable: Failure] -- You absolutely cannot take him, in a fight or otherwise. He's the stallion protagonist, what are you talking about? You're just his poser shizun. You don't stand a chance.
HALF LIGHT -- You pushed your beloved, sticky little white lotus disciple into the Endless Abyss, and there's no coming back from it. You need to start planning now. When he comes back, what will you do?
[Conceptualization: Impossible] Understand the changes you've already made to the story.
[Rhetoric: Challenging] Explain why you did what you did.
[Physical Instrument: Godly] I can take him.
[Electrochemistry: Formidable] I can take him.
[Drama: Challenging] Fake your death.
DRAMA [Challenging: Failure] -- He can't kill you if you're already dead, right? Of course, faking your death is too cliche, and there are too many ways it could go wrong. If you faked your death normally and ran off, there's always the chance he could find you again.
DRAMA -- There's only one option. You're going to have to kill yourself for real.
ENCYCLOPEDIA [Easy: Success] -- You know, there's a mushroom that might help with this...
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I've never done a poll before, so good luck
Who do y'all think Time'll handcuff to him be with for his group in the dungeon? I've seen a lot of people say he will try to control who goes with who since he's scared for their lives rn (valid)
The options are the individual boys, just go with who you think is most likely to be in his group I guess?
Anyways like I said I've never done a poll so it might be messed up or make no sense, should be fun :D
Let me know if this doesn't work. And yes I know it's not well organised.. it's ok. right?
I think that unlike when they split in the Divine Dark Reflections arc, they might try to stay in bigger groups, and I think Time would probably want to have as many close to him as possible (his group have three or four), but I uhh didn't know how to incorporate that.
It's silly, but right now I can't stop imagining a scene where they reach the central room and everyone sprints off into the groups they want before time can argue.
Anyone who goes with legend will survive physically and anyone who goes with four will survive mentally.
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Thinking about that mural from DE
You know which one
TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR THE NEW PEOPLE. IT IS TOO LATE FOR US. WREAK HAVOC ON THE MIDDLE CLASS
The next world mural. In the game, you encounter this piece very early on if you interact with everything available, you probably see this mural before you've ever even heard of Dora or before you've started to get really serious about your commie tendencies, if that's how you choose to play. And the reaction is like, "wow, this is kinda profound actually". Or maybe it's like, "oh lol, this game really is commie af isn't it" (even though later on it turns out that the game is much more critical of communism than you'd think at first). And the story in the ledger provides some insight into Harry and Jean and how they work together too, so it feels like it makes sense, it fits in very well at that moment in the game and that's it.
But looking back at this mural after you've played through the entire game, knowing what you know of Harry's relationship with Dora...
It's Harry's own fucking love story in a way, isn't it?
Him and Dora came from very different backgrounds. He's genuinely poor, grew up checking the trash cans on the streets for tare and edible food, spent his teenage years running around with a bunch of kids who all OD'd or got themselves killed one way or another over the years. He had dreams of getting an education, getting a chance to use his creativity and curiosity and learn about all that that is worth exploring in this world (which is everything), but those dreams are long dead. She's solidly middle class, with access to all the education and art and music he's always dreamt of, with her family to always fall back on. She's everything Harry's ever dreamt of growing up. She might as well be living in another world.
They fall in love with each other and she moves to Jamrock to live with him. Jamrock, the biggest fucking ghetto in Revachol, full of tweakers and gangsters and just thousands upon thousands of poor people permanently down on their luck trying to get by, with no proper aid or government and a police station so understaffed and underfunded they never even stood a chance. And they can barely make ends meet even living in Jamrock, moving from shithole to shithole, never knowing when they'll have their electricity cut, when something will happen that gets them thrown out, desperately scrambling for a new place to stay. And Dora could never do that, not really - she never actually lived in Jamrock, she always had the possibility of leaving, of going to work across the river and visiting her parents whenever she felt like it or just escaping, packing her shit and getting on the tram and never going back. And as long as she knew she wasn't really, truly stuck in this miserable shithole forever, she wasn't ever really living in Jamrock. And it could never be enough for her.
And she wanted more - for herself, for Harry, for their family, who even knows. Maybe she saw Harry struggling trying and failing to make a difference as a gym teacher and thought he could do more good with the RCM. Maybe she was getting desperate, living in this fucking shithole, and thought they needed more money. Maybe it was something completely else - but what is certain is that Harry ended up joining the RCM, and the 41st, and everyone there is on speed, everyone is miserable and desperate and always running behind playing catch up with the case load, with the crimes, with the drug addicts and rapists and murderers, and Harry, who's always been like this close to a genuine mental breakdown, just fucking falls apart. He needs to help people, needs to make a difference, and working at the 41st, with the budget and case load and staffing situation and the pure fucking misery in the area. He goes out and meets a miserable person after a miserable person and he can't do anything else than be nice, make their day a little bit more manageable, do his best- but he knows that no matter what he does, his best won't be enough. He won't be able to make a dent in the pure fucking misery that is Jamrock. But he needs to, so he drinks, he smokes, he does drugs, he loses any semblance of control he ever had over the voices in his head, the dude telling him to hit shit and the dude telling him to forget everything and just get fucked up and Revachol herself screaming at him about her imminent death. And in the end Dora can't stand it anymore and she leaves (and, honestly, good for her. I'm happy for her. But this is about Harry, and Harry isn't, he isn't able to be happy for her at this point in time).
And like. I personally doubt that she'd have left just because of the money if everything else was good. I honestly even doubt that the money was that big of an issue for her to start with, it was all the other issues first and then the fact that they couldn't even rent a fucking VHS and play it at times became just one more thing on top of this already massive pile of shit that broke the proverbial camel's back. But in Harry's mind, he was never rich enough for her. She was always the middle class girl who settled for the poor fuck, and he was never gonna be good enough for her because he was just a broke dude from Jamrock. She was perfect and so so beautiful and at one point her love was the only thing keeping him going, and then she left because he couldn't even
And from what we can see in the game she was the only person he's ever really, truly loved.
But in his mind, they could never be together again. They could try as they might, but it was never gonna work out, because she was a rich girl and he was just a poor miserable fuck. He grew up looking for change on the streets, she took piano lessons in a fancy part of town. The difference was just too large to ever truly be bridged.
So for post-breakup Harry, prior to Martinaise and even during the events in Martinaise, true love was never actually possible. It is possible only for the new people, in the next world. It was too late for him - he had his chance, and it was an impossible thing, it could never have worked out and now he's wasted it. Because of the inherent differences between different social classes. It is too late for him. So yeah, fuck it, wreak havoc on the fucking middle class. Fuck those rich bastards who took Dora from him, and fuck Dora too.
On another note, this was also one of the most recent cases him and Jean worked on prior to Martinaise. I don't remember the date exactly, but it was in his last ledger, it must have been pretty recent. Do you think he saw the mural and thought about it the same way I did? Maybe this was the one that truly pushed him over the edge? The impossible love. It truly was too late for him. The only way to fix it is a new fucking start. And how do you get that?
After life - death. After death - life again.
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Eros the god of Love.
Sly Eros is just as much of a warrior as his lover Hemera, albeit a more subtle one. He patrons the less overt kind of wars: the plotting, the scheming, and the revenge. The violence of the weak on the strong.
The wasp god is associated with love, deception, diplomacy, and more broadly, with anything related to feelings and interpersonal relationships.
He acts as a counterpart to Hemera, his complimentary partner.
He is the poison and the antidote, the knife and the heart into which it is plunged.
People pray to him when they require strength and guidance in love, family matters, or revenge.
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(Wasps are some of my favourite bugs so i really wanted to make a good design for him, he deserves it.)
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